Negromancer News Bits and Bites from March 16th to 22nd, 2025 - UPDATED #10

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

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TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

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NEWS:

AMAZON - From Variety:  Former head of Sony Pictures, Amy Pascal, and producer David Heyman, are being considered to run the "James Bond" franchise for Amazon MGM Studios.  Amazon is finalizing a deal to take creative control of the franchise from Barbara Broccoli and Michael G. Wilson, whose family has managed the franchise for over half a century.

MOVIES - From WorldofReel:  Actor Austin Abrams ("Euphoria") is in talks to star in director Zach Cregger's "Resident Evil" reboot, which will begin shooting this fall.

SCANDAL - From Deadline:  Actor Jonathan Majors, whose career took a big hit because of a domestic abuse conviction, was on "The Sherri Shepherd Show" to talk about his new film, "Magazine Dreams." Shepherd was moved to tears by Major's portrayal of the film's lead character, "Killian Maddox."

ANIMATION - From Deadline:  Last year (2024), independent production studio and film distributor, Ketchup Entertainment, obtained the North American rights to Warner Bros. Pictures' animated film, "The Day the Earth Blew Up: A Looney Tunes Movie." Now, Ketchup is negotiating an all-rights acquisition with Warner Bros. for its shelved live-action/animation hybrid film, "Coyote vs. Acme." If the deal goes through, the film will be released in 2026.

CANNES - From WorldofReel:  The 2025 / 78th Cannes Film Festival will announce its official lineup on April 10th.

MOVIES - From WorldofReel:  "Saw 11" has been cancelled, so the "Saw" film franchise might be dead... for the time being.

MUSIC/POLITICS - From Variety:  The rock band, "Semisonic," has objected to the Trump White House using it 1998 hit, "Closing Time," in one of its social media video clips about deportation.  Semisonic said that the clip misinterpret the song and was used without permission. "Closing Time" was written by the band's lead singer, Dan Wilson, and was nominated at the 41st Grammy Awards (1999) in the category of "Best Rock Song."

MOVIES - From Truthout:  Truthout writer, Tim Brinkhof, says that director Bong Joon-Ho's film, "Mickey 17" hold up a mirror to life under a second Trump presidential administration. Brinkhof says that the film is "both a critique of gangster capitalism and an argument in favor of proletarian revolution."

BOX OFFICE - From BoxOfficePro:  The winner of the 3/14 to 3/16/2025 weekend box office is Paramount Pictures' "Novocaine" with an estimated take of 8.7 million dollars.

From Deadline:  "Deadline" looks at five directors who have films due in 2025 after some years of being away from the spotlight: Paul Thomas Anderson, Kathryn Bigelow, Derek Cianfrance, Paul Greengrass, and Lynne Ramsay.

STREAMING - From Deadline:  There will be a Season 4 of "Ted Lasso" at Apple TV+.

Comics Review: "DARKWING DUCK #1" Makes Another Strong Debut

DARKWING DUCK VOLUME 2 #1

DYNAMITE ENTERTAINMENT

STORY: Daniel Kibblesmith

ART: Ted Brandt & Ro Stein

COLORS: Dearbhla Kelly

LETTERS: Fabio Amelia

EDITOR: Nate Cosby

COVER: Tad Stones

VARIANT COVER ARTISTS: Mark Bagley; Ted Brandt & Ro Stein; Nicoletta Baldari; Ciro Cangialosi; Tad Stones

32pp, Color, $3.99 U.S. (March 2025)

Rated “All Ages”

“Year One” Part One of Twelve: “Hi, Voltage!”

“Darkwing Duck” was an animated superhero comedy television series produced by Walt Disney Television Animation.  It originally aired for three seasons (for a total of 91 episodes) from 1991 to 1992, both as part of the syndicated programming block, “The Disney Afternoon,” and as part of ABC's Saturday morning lineup.  “Darkwing Duck” focused on a suburban duck, Drake Mallard, and his superhero alter-ego, “Darkwing Duck.”  The character was a parody of the pulp fiction vigilante character, The Shadow, and his alter-ego, Kent Allard.

A little over two years ago, Dynamite Entertainment launched a new Darkwing Duck comic book series.  Now, it has recently relaunched the series with Darkwing Duck Volume 2.  It is written by Daniel Kibblesmith; drawn by Ted Brandt & Ro Stein; and colored by Dearbhla Kelly; and lettered by Fabio Amelia.  The new series revisits Darkwing Duck's first year as a superhero.

Darkwing Duck Volume 2 #1 (“Hi, Voltage!”) opens at night in the city of St. Canard. Then, the story moves to the suburbs of St. Canard, specifically the Mallard residence.  Drake Mallard is regaling his adopted daughter, Gosalyn Mallard, with tales of his adventures as Darkwing Duck.  It is, however, early in his crime-busting career, but Darkwing is ready to have... an arch-nemesis?!  Meanwhile, one such candidate presents himself when Megavolt goes after “the max-capacity super battery.”

Meanwhile, Gosalyn does not want an early bedtime when her father is off having adventures.  She wants to visit “the St. Canard-Once-a-Year-After-Hours-Fun-Time-Carnival.”  And to do that, she needs to convince tonight's guard dog, Launchpad McQuack, that he wants to have fun, too.  What are the chances both the father's and the daughter's missions cross paths?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Darkwing Duck Volume 2, Issue #1, one of a few Darkwing Duck comic books that I have read.

I have never watched an episode of the “Darkwing Duck” animated series, although I have always wanted to do so.  My only previous experience reading a Darkwing Duck comic book was Dynamite's 2023 series, and I only read the first four issues.

However, the work of this new series' creative team might make me stick around longer.  Writer Daniel Kibblesmith spins a yarn that offers the usual fun of Darkwing Duck, while depicting a hero in the early days of his crime-busting.  Still, Kibblesmith finds the joy in the character and personality of Darkwing Duck and in the series' signature brand of humor rather than focusing on the mechanics of a superhero's “Year One.”

The art team of illustrators Ted Brandt & Ro Stein and colorist Dearbhla Kelly offer a spry first chapter of storytelling that sparks on the page with adventure and humor.  Brandt & Stein capture the Disney graphical aesthetic, while Kelly colors the story in a way that suggests something vintage or, at least, of recent vintage.  Letterer Fabio Amelia keeps the energy going with battery-charged sound effects, captions, and word balloons.

I hope that Dynamite can find continued success with Darkwing Duck.  There is an audience for this title, and it could be you, dear readers.

I READS YOU RECOMMENDS:  Fans of Darkwing Duck will want to try Dynamite's new Darkwing Duck Volume 2 comic book series.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/DynamiteComics

https://www.dynamite.com/htmlfiles/

https://www.facebook.com/DynamiteComics/

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The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "HELLBOY: THE CROOKED MAN" Raises All Kinds of Hell, Boy

TRASH IN MY EYE No. 12 of 2025 (No. 2018) by Leroy Douresseaux

Hellboy: The Crooked Man (2024)

Running time: 99 minutes (1 hour, 39 minutes)

MPA – R for strong bloody violence and gore throughout, and language

DIRECTOR:  Brian Taylor

WRITERS:  Brian Taylor, Christopher Golden, and Mike Mignola (based upon the Dark Horse comic book series created by Mike Mignola)

PRODUCERS:  Jeffrey Greenstein, Sam Schulte, Robert Van Norden, Yariv Lerner, Mike Richardson, Les Weldon, and Jonathan Yunger

CINEMATOGRAPHER:  Ivan Vatsov (D.o.P.)

EDITOR:  Ryan Denmark

COMPOSER:  Sven Faulconer

SUPERHERO/FANTASY/HORROR

Starring:  Jack Kesy, Jefferson White, Adeline Rudolph, Leah McNamara, Joseph Marcell, Martin Bassindale, Hannah Margetson, Bogdan Haralambov, Carola Columbo, Anton Trendafilov, Michael Flemming, and Suzanne Bertish

Hellboy: The Crooked Man is a 2024 superhero, horror, and dark fantasy film from director Brian Taylor.  The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics.  The film is also the second reboot of the Hellboy film franchise.  In Hellboy: The Crooked Man, Hellboy and a first-time field agent unexpectedly find themselves in a mountain community dominated by witchcraft and ruled over by a local demon.

Hellboy: The Crooked Man opens in 1959.  We meet Hellboy (Jack Kesy) and Special Agent Bobbie Jo Song (Adeline Rudolph), both of the Bureau for Paranormal Research and Defense (BPRD).  The two are transporting a supernatural toxic spider by train when something goes awry, and they suddenly find themselves stranded in the Appalachian Mountains.  They wander until they come to a backwoods community that is filled with superstition and with the belief in witches.

They meet a former local, Tom Ferrell (Jefferson White), himself a witch, who has home to atone for his sins and to settle a hateful debt he owes.  Witches and witchcraft, however, are not the only things that haunt this isolated mountain community.  The devil is about in the form of Mister Onselm (Martin Bassindale), also known as “The Crooked Man.”  He has come to collect a debt, and Hellboy, Song and Ferrell are the resistance.  Soon, the mountain church of the blind Reverend Watts (Joseph Marcell) will be the scene of an epic battle of good versus evil.

I am not a big fan of Guillermo del Toro's 2004 film, Hellboy, the first film in the series.  It has great production values, and it is a gorgeous movie filled with fantastical visual elements.  On the other hand, the story is executed in a clunky and awkward fashion, and the characters are not particularly interesting.  However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the best-ever films adapted from a comic book.  Director Neil Marshall's 2019 film, Hellboy, was supposed to reboot the Hellboy film franchise.  It was a box office bomb, with its worldwide box office failing to recoup even the film's production costs, but Hellboy 2019 is far superior to Hellboy 2004.  It is closer to Hellboy II, in terms of quality, and almost seems like a reworking of the plot of the 2008 film.

All that said, Hellboy: The Crooked Man is another try at rebooting or restarting the series.  I remember reading press and promotion for The Crooked Man stating that it was the closest of the four films in terms of being faithful to the comic book.  I get that being faithful to the comic book is important to comic book people, especially the comic book creators and fans, but in the larger world of the film business, that is irrelevant.  What the people behind Hellboy: The Crooked Man should have been doing is telling the world that The Crooked Man is one helluva movie...

...Because it is.  Hellboy: The Crooked Man is a mutha f**kin' good movie.  I enjoyed the hell outta it, so much so that I might owe The Crooked Man of the film a debt.  I am not trying to say that it is perfect, because it is not.  Hellboy: The Crooked Man starts off slow, dry, awkward, and forced, and its first act seems like a collection of contrivances.

Then, the movie loses it mind and goes bonkers, and Hellboy: The Crooked Man flips the script so fast that I didn't know what hit me.  The Crooked Man's director, Brian Taylor, is known for his work with fellow writer-director Mark Neveldine, and the duo specializes in directing nutty and bonkers film like Crank (2006) and the 2011 comic book movie, Ghost Rider: Spirit of Vengeance.  The duo also wrote the kooky horror-Western film hybrid, Jonah Hex (2010).

Going solo on The Crooked Man, Taylor busts out a film that takes the gruesome dead of the 1982 film, Creepshow, and mixes them with hoary hell hounds of director Sam Raimi's The Evil Dead (1981).  The result is the most horrifying film in the Hellboy franchise, a film with enough bone-rattling folk horror to convince many viewers that it is a legit horror flick.

I find that David Harbour, who played Hellboy in the 2019 film, didn't stray far in his performance from what Guillermo del Toro's Hellboy star, Ron Perlman, did with the character.  The Crooked Man's Hellboy actor, Jack Kesy, is more like Jeff Bridges' “Jeffrey 'The Dude' Lebowski” (from The Big Lebowski) than he is like the dark-fantasy action hero of the previous Hellboy films.  It is not that Kesy is better or worse, for the matter; it is just that he takes a different path to bringing the character to life.

There are other good performances in this film.  Jefferson White makes a mark as Tom Ferrell, but there are times when both White and his character, Ferrell, seem to get lost in the hell-raising of this film.  Adeline Rudolph, however, does not get lost as Bobbie Jo Song, and Rudolph's robust performance makes Song not so much a supporting character as she is a co-lead.  I would be remiss if I didn't mention Joseph Marcell as Reverend Watts because he is a scene-stealer in the role.  I was shocked to learn that Marcell played “Geoffrey Butler,” the butler on the former NBC sitcom, “The Fresh Prince of Bel-Air (1990-96).

Hellboy: The Crooked Man lacks the superhero fantasy, blockbuster bombast of its predecessors, but it is a truly unique superhero movie convincingly cos-playing a scary movie.  I don't want to give away too many of its chilling, goose flesh-raising frights.  The film did receive mixed reviews, but here, I won't send a mixed message.  Hellboy: The Crooked Man is a damn good movie, and I would be damned if I said otherwise.

7 of 10

A-

★★★½ out of 4 stars

Wednesday, March 19, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: First "HELLBOY" Film Still Dances with the Devil

TRASH IN MY EYE No. 45 (of 2004) by Leroy Douresseaux

Hellboy (2004)

Running time:  122 minutes (2 hours, 2 minutes)

MPAA – PG-13 for sci-fi action violence and frightening images

DIRECTOR:  Guillermo del Toro

WRITERS:  Guillermo del Toro; from screen story by Peter Briggs & Guillermo del Toro (based upon the comic book by Mike Mignola)

PRODUCERS:  Lawrence Gordon, Lloyd Levin, and Mike Richardson

CINEMATOGRAPHER:  Guillermo Navarro

EDITOR:  Peter Amundson

COMPOSER:  Marco Beltrami

HORROR/ACTION/ADVENTURE and SCI/FANTASY

Starring:  Ron Perlman, Selma Blair, Jeffrey Tambor, Karel Roden, Rupert Evans, John Hurt, Corey Johnson, Doug Jones, Brian Caspe, James Babson, Biddy Hodson, Jim Howick, Kevin Trainor, and (voice) David Hyde Pierce

Hellboy is a 2004 American superhero and horror-fantasy film from director Guillermo del Toro.  The film is based upon the Hellboy comic book franchise and character created by writer-artist Mike Mignola.  Hellboy the movie focuses on a demon who becomes a defender against the forces of darkness after being conjured by the Nazis as an infant.

Mike Mignola’s titular character of his wonderful Hellboy comic books comes to life in director Guillermo del Toro’s colorful and well-dressed B-movie, Hellboy.  This horror/action flick is dry, slow, and even the action is deadpan, although there are a few funny and genuinely scary moments.  Now, I can describe a plethora of movies as having “a few good moments,” but this movie does have quite a few.

The film begins late in World War II.  A young scientist, Trevor “Broom” Bruttenholm (Kevin Trainor) and a squad of Allied soldiers come upon a group of Nazi kooks.  The kooks include the Russian mystic, Grigori Rasputin (Karel Roden), in the midst of a ritual to summon a group of big bow wow evil gods.  The Allies stop the evil that is coming “from the other side,” but something does slip through – a little demon kid they name Hellboy.

Sixty years later, Hellboy (Ron Perlman) is now an adult, having been raised by Trevor Bruttenholm (John Hurt).  Hellboy is the main man/strongman for "The Bureau of Paranormal Research and Defense," which is a group fighting the good fight against all manner of bogeymen and boogens.  Our entry into this dark world of supernatural special operations is an FBI newbie, John Myers (Rupert Evans).  Myers comes just in time, as Rasputin and his gang of uglies are back to finish what they started six decades earlier.

Hellboy is a pleasant diversion, and it certainly is pretty to look at, featuring colorful art direction, set decoration, and makeup.  Hellboy looks a lot like Guillermo del Toro’s last film, Blade II, but whereas the latter had a dark atmosphere and a convincing, unbroken line of suspense, Hellboy is flat and too long to be as flat as it is.  Perlman is, at times, almost D.O.A. as the title character, and then, quite lively at other times.  I don’t think Perlman's interpretation of Hellboy really fits the comic book original version of the character.  The four color Hellboy is more humble and earthy, whereas Perlman’s creation often comes across as a cocky, uncouth roughneck.

Hellboy has excellent production values.  It is a great looking film, from its set and environments to its costumes and hair and make-up that transform actors into a menagerie of inventive and imaginative characters.  Still,I don't think audiences have to see Hellboy in a theater; they can save it for a rental.

5 of 10

B-

★★½ out of 4 stars

EDITED:  Saturday, March 1, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: Dani Diaz's "DREAMOVER" Graphic Novel is a Dream to Read

DREAMOVER

IDW PUBLISHING/Top Shelf Productions

CARTOONIST: Dani Diaz

EDITOR: Leigh Walton

EiC: Chris Staros

ISBN: 978-1-60309-546-4; paperback with French flaps | 6" x 8.5" (January 14, 2025)

Diamond Code: NOV241133 (January 15, 2025)

312pp, Color, $19.99 U.S.; $26.99 CAN

Age: 13 to 17

Grades: 8 to 12

Dreamover is a 2025 original graphic novel created by Dani Diaz.  Published by Top Shelf Productions, this full-color, paperback book is Diaz's debut work.  Dreamover follows two best friends, adolescents who are becoming more than friends when a sleepover becomes a “dreamover.”

Dreamover opens in the pre-smartphone 2000s.  It introduces two characters who have been friends since the third grade.  Amber is a headstrong girl and goofball with a temper, while Nico Davis is shy and self-conscious boy.  Amber has had a crush on Nico for a long time, and she can't hide her feelings any longer.  Amber and Nico are also close with a few other friends.  There is Drew, who seems to be on the verge of coming out, and also Stella and Grace, who are already, seemingly a couple.

The friends have just finished eighth-grade, and that milestone is being marked by an eighth-grade beach trip.  There, Amber confesses her love to Nico and discovers that the feeling is mutual.  This begins a glorious and blissful summer of first love.

However, when the school year comes around again.  Amber, Nico, and their friends have entered high school, specifically Barrington High with its 2000 students.  Amber and Nico cling to each other through bullies, homework, early mornings, and other stressful situations.  As they maintain their closeness, however, Amber and Nico begin to alienate and neglect Drew and Stella and Grace.

Amber wishes she and Nico could get away.  One night, Amber gets her wish after the two fall asleep playing video games.  Soon, a sleepover turns into a dreamover, but it isn't as perfect and as magical as it sounds...

THE LOWDOWN:  I have been on the mailing list of Top Shelf Productions editor-in-chief, Chris Staros, for over two decades.  Back in January, I received one of his emails that announce new publications.  When I saw the write up and promo art for Dreamover, it was like being struck by magical lightning.  I knew I had to read it, and my Amazon gift card balance made that a possibility.

Comics are not so much a “sequential art” as they are a graphics-based art that yields graphical storytelling.  In Dreamover, author and creator Dani Diaz through her work here testifies to the fact that not only illustrations, but also colors and lettering are art when it comes to comic book storytelling.  They are a narrative grouping that makes storytelling more than about mere words.

Dreamover is a story told through pictures and graphics.  The narrative is not about the intellect, but is about emotions, impressions, and visuals.  We have to feel as much as we read.  That's how we understand Amber and Nico:  the tumult and exhilaration which defines both their relationship with one another and with their friends and also the surreal journey through dreams and dreamscapes that ultimately challenges each individual's expectations.  Diaz touches upon magical realism, coming-of-age drama, and slice-of-life melodrama, but most of all she grapples with the reality of how a small and intimate relationship between two children involves big and complicated emotions.

In time, as more people discover Dreamover, Dani Diaz may discover the back-handed joy of “imitation is the sincerest form of flattery.”  The visual and graphic splendor of this story and how the author uses it to depict the vagaries of young love has some similarities to the colorful wonderland comics narratives of the past.  That includes the work of Windsor McKay, Moebius, Chester Brown, Trina Robbins, and Jim Woodring, to name a few.  As these artists had disciples, so I believe that Diaz will, also.  I have to believe that Dreamover will have descendants, so to speak.  That is because Dreamover is magical and inescapable, and I wish this graphic novel didn't have an ending.

I READS YOU RECOMMENDS:  Fans of young adult original graphic novels and of Top Shelf's YA graphic novels will want to read Dreamover.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can buy DREAMOVER directly from Top Shelf Productions or you can buy it from Amazon, in which case I collect a bounty on that sale. 

https://x.com/topshelfcomix

https://www.topshelfcomix.com/

https://www.topshelfcomix.com/catalog/dreamover/1116

https://x.com/IDWPublishing

https://idwpublishing.com/

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The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).

BOOM! Studios Shipping from Diamond Distributors for March 19, 2025

BOOM! STUDIOS

NOV240071 HELLO DARKNESS TP VOL 01 (MR) (C: 0-1-2) $19.99

JAN250020 LAST BOY #1 (OF 5) CVR A PANOSIAN (MR) $4.99

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NOV240084 MEMETIC THE APOCALYPTIC TRILOGY TP (MR) (C: 0-1-2) $29.99

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NOV240052 MINOR ARCANA TP VOL 01 (C: 0-1-2) $17.99

JAN250016 MOUSE GUARD DAWN OF THE BLACK AXE #1 (OF 3) CVR A RODRIGUEZ $4.99

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JAN250063 WHEN I LAY MY VENGEANCE UPON THEE #3 (OF 5) CVR A REBELKA $4.99

JAN250064 WHEN I LAY MY VENGEANCE UPON THEE #3 (OF 5) CVR B VAR PHILLI $4.99

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DC Comics Shipping from Lunar Distributors for March 19, 2025

DC COMICS:

Absolute Batman #6 (Cover A Nick Dragotta), $4.99

Absolute Batman #6 (Cover B Frank Quitely Card Stock Variant), $5.99

Absolute Batman #6 (Cover C Simon Bisley Card Stock Variant), $5.99

Absolute Batman #6 (Cover D John McCrea Card Stock Variant), AR

Absolute Batman #6 (Cover E Alex Maleev Card Stock Variant), AR

Absolute Flash #1 (Cover A Nick Robles), $4.99

Absolute Flash #1 (Cover B Clayton Crain Card Stock Variant), $5.99

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Absolute Flash #1 (Cover I Jeff Lemire Card Stock Variant), AR

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Absolute Flash #1 (Cover K Nick Robles Black & White Card Stock Variant), AR

Batman #613 (Facsimile Edition)(Cover A Jim Lee), $3.99

Batman #613 (Facsimile Edition)(Cover B Jim Lee Foil Variant), $6.99

Batman And Robin Year One #6 (Of 12)(Cover A Chris Samnee), $3.99

Batman And Robin Year One #6 (Of 12)(Cover B Cliff Chang Card Stock Variant), $4.99

Batman And Robin Year One #6 (Of 12)(Cover C Wes Craig Card Stock Variant), $4.99

Batman And Robin Year One #6 (Of 12)(Cover D Gavin Guidry Card Stock Variant), AR

Batman Catwoman TP, $24.99

Batman Superman World's Finest #37 (Cover A Dan Mora), $3.99

Batman Superman World's Finest #37 (Cover B Dan Panosian Card Stock Variant), $4.99

Batman Superman World's Finest #37 (Cover C Adrian Gutierrez Card Stock Variant), $4.99

Batman Superman World's Finest #37 (Cover D Dan Mora Guy Fieri Cameo Card Stock Variant), $4.99

Batman Superman World's Finest #37 (Cover E Yasmine Putri Card Stock Variant), AR

Catwoman #74 (Cover A Sebastian Fiumara), $3.99

Catwoman #74 (Cover B Frank Cho Card Stock Variant), $4.99

Catwoman #74 (Cover C Dan Panosian Card Stock Variant), $4.99

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Challengers Of The Unknown #4 (Of 6)(Cover A Sean Izaakse), $3.99

Challengers Of The Unknown #4 (Of 6)(Cover B Phil Hester Card Stock Variant), $4.99

Crisis On Infinite Earths #12 (Facsimile Edition)(Cover A George Perez), $4.99

Crisis On Infinite Earths #12 (Facsimile Edition)(Cover B George Perez Foil Variant), $6.99

Crisis On Infinite Earths #12 (Facsimile Edition)(Cover C Blank Variant), $5.99

Crisis On Infinite Earths #12 (Facsimile Edition)(Cover D Super Powers Variant), $5.99

Dark Knights Of Steel Allwinter HC, $29.99

Dark Nights Metal Compendium TP, $59.99

DC Finest Team-Ups Chase To The End Of Time TP, $39.99

DC x Sonic The Hedgehog #1 (Of 5)(Cover A Pablo M. Collar), $3.99

DC x Sonic The Hedgehog #1 (Of 5)(Cover B Ethan Young Card Stock Variant), $4.99

DC x Sonic The Hedgehog #1 (Of 5)(Cover C Blank Card Stock Variant), $4.99

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Detective Comics #1095 (Cover A Mikel Janin), $4.99

Detective Comics #1095 (Cover B Bruno Redondo Card Stock Variant), $5.99

Detective Comics #1095 (Cover C Jason Shawn Alexander Card Stock Variant), $5.99

Detective Comics #1095 (Cover D John Giang Courtside Card Stock Variant), $5.99

Detective Comics #1095 (Cover E Ashley Wood Card Stock Variant), AR

Doom Patrol The Silver Age Omnibus HC (2025 Edition), $125.00

New Gods #4 (Of 12)(Cover A Nimit Malavia), $3.99

New Gods #4 (Of 12)(Cover B Guillem March Card Stock Variant), $4.99

New Gods #4 (Of 12)(Cover C Chris Stevens Card Stock Variant), $4.99

New Gods #4 (Of 12)(Cover D Jenny Frison International Women's Day Card Stock Variant), $4.99

Nightwing #124 (Cover A Dexter Soy), $4.99

Nightwing #124 (Cover B Jorge Fornes Card Stock Variant), $5.99

Nightwing #124 (Cover C Gleb Melnikov Card Stock Variant), $5.99

Nightwing #124 (Cover D Giuseppe Camuncoli Courtside Card Stock Variant), $5.99

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Question All Along The Watchtower #5 (Of 6)(Cover A Cian Tormey), $3.99

Question All Along The Watchtower #5 (Of 6)(Cover B Jorge Fornes Card Stock Variant), $4.99

Question All Along The Watchtower #5 (Of 6)(Cover C Denys Cowan Card Stock Variant), $4.99

Scalped Omnibus Volume 2 HC, $99.99

Superman The Last Days Of Lex Luthor #2 (Of 3)(Cover A Bryan Hitch), $6.99

Superman The Last Days Of Lex Luthor #2 (Of 3)(Cover B Chris Samnee), $6.99

Superman The Last Days Of Lex Luthor #2 (Of 3)(Cover C Francis Manapul), AR

Titans #21 (Cover A Pete Woods), $3.99

Titans #21 (Cover B Ariel Olivetti Card Stock Variant), $4.99

Titans #21 (Cover C Amy Reeder Card Stock Variant), $4.99

Titans #21 (Cover D Bernard Chang Courtside Card Stock Variant), $4.99

Titans #21 (Cover E Jenny Frison International Women's Day Card Stock Variant), $4.99

Zatanna #2 (Of 6)(Cover A Jamal Campbell), $3.99

Zatanna #2 (Of 6)(Cover B David Nakayama Card Stock Variant), $4.99

Zatanna #2 (Of 6)(Cover C Terry Dodson Card Stock Variant), $4.99

Zatanna #2 (Of 6)(Cover D Jamal Campbell Card Stock Variant), AR

Zatanna #2 (Of 6)(Cover E David Nakayama Foil Variant), $6.99

Zatanna Bring Down The House HC, $29.99

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