The Hot Chick (2002)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for appeal for crude and sexual humor, language and drug references
DIRECTOR: Tom Brady
WRITERS: Rob Schneider and Tom Brady
PRODUCERS: Carr D'Angelo and John Schneider
CINEMATOGRAPHER: Tim Suhrstedt
EDITOR: Peck Prior
COMPOSER: John Debney
COMEDY/FANTASY/ROMANCE
Starring: Rob Schneider, Anna Faris, Matthew Lawrence, Eric Christian Olsen, Robert Davi, Rachel McAdams, Alexandra Holden, Maritza Murray, Tia Mowry, Tamara Mowry, Fay Hauser, and Jodi Long, Melora Hardin, Michael O’Keefe, and Dick Gregory with Adam Sandler
The Hot Chick is a 2002 American body-switching comedy starring Rob Schneider, Anna Faris, and Rachel McAdams. Adam Sandler served as one of the film’s executive producers and has a small role in the film for which he did not receive screen credit.
The Hot Chick seems to send you a warning from beyond the movie poster – Warning! This is really lowbrow trash! Luckily, movie is very funny, and Rob Schneider has that gift to make you look past the bad story material, the same kind of material upon which his career seems to thrive.
Jessica (Rachel McAdams) is the hot chick, the most beautiful girl in school, but also the cruelest, and she just can’t help herself when it comes to being full of herself. A pair of ancient, mystical earrings (please, don’t question it) causes her to switch bodies with Clive (Rob Schneider). So Clive’s body contains Jessica’s essence and personality, while Jessica’s body belongs to the soul of Clive, a low rent, dumb criminal.
Jessica reveals her new body to her close friend, April (Anna Faris), and, of course, April slowly comes to love Clive. Perhaps, the strangest thing is that so many come to easily accept Jessica’s predicament once it’s revealed to them. I guess it just makes for more characters to be in on the joke, more people to suffer the cruel fate of this movie’s pratfalls.
Schneider and co-writer/director Tom Brady pile the script with so many sight gags and so much gross humor, bodily functions, and sexual innuendo that there’s bound to be quite a few things to laugh at. Relentless, they don’t give the viewer enough time to focus on the holes in the plot. So what? It’s a cheap laugh. How many times do bad movies, especially this kind of cheap comedy, payoff and give make us laugh literally from its beginning to the its very ending?
Besides, I’m really in love with Anna Faris. I’d see this movie again just for her.
5 of 10
C+
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