Tuesday, November 26, 2024

Review: "MOANA" Sails on a Sea of Delights

TRASH IN MY EYE No. 53 of 2024 (No. 1997) by Leroy Douresseaux

Moana (2016)
Running time:  107 minutes (1 hour, 47 minutes)
MPAA – PG for peril, some scary images and brief thematic elements
DIRECTORS:  Ron Clements and John Musker with Don Hall and Chris Williams (co-directors)
WRITERS:  Jared Bush; from a story by Ron Clements, John Musker, Don Hall, Chris Williams, Pamela Ribon, and Aaron Kandell and Jordan Kandell
PRODUCER:  Osnat Shurer
CINEMATOGRAPHERS:  Alessandro Jacomini, Daniel Rice, and Nathan Warner
EDITOR:  Jeff Draheim
ORIGINAL SONGS:  Opetaia Foa'il, Mark Mancina, and Lin-Manuel Miranda
COMPOSER:  Mark Mancina
Academy Award nominee

ANIMATION/FANTASY/FAMILY/DRAMA

Starring:  (voices) Auli'i Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, Alan Tudyk, and Troy Polamalu

Moana is a 2016 American computer-animated, fantasy-adventure, and musical film directed by Ron Clements and John Musker.  It was produced by Walt Disney Animation Studios – the 56th full-length animated feature film produced by that studio, and it was released by Walt Disney Pictures.  Moana follows a girl who heeds the Ocean's call that she find a lost demigod and force him to help her end the terrible curse that he incurred in the distant past.

Moana introduces Moana (Auli'i Cravalho), a girl who lives in ancient Polynesian on the island of Motunui.  She is also the daughter of Motunui's Chief Tui (Temuera Morrison).  The inhabitants of the island worship Te Fiti, the mother island.  Long ago, Te Fiti brought life to the ocean using a stone called “the heart of Te Fiti” as the source of her power.  Then, along came Maui (Dwayne Johnson).  He was a demigod of the wind and sea, a warrior, a trickster, and a shape-shifter who used a huge magical fish hook to wield his shape-shifting powers.  Maui stole the heart and caused Te Fiti to disintegrate, but he immediately attacked by the volcanic demon “ Te Kā.”  Maui lost both the heart and his magic fish hook to the depths of the sea.

A thousand years later, blight strikes Motunui and begins to kill the vegetation and shrink the number of fish available for the islanders to catch.  The Ocean gives Moana the heart of Te Fiti and chooses her to find Maui and force him to restore what he took from Te Fiti.  Only then, will Motunui and other islands be saved from the destroying blight, which is apparently a curse from Te Kā.  In order to do that, Moana must do something she always wanted to do, but was also afraid to do.  She must cross the barrier reef that surrounds Motunui and sale far into an ocean full of danger.  That danger includes the kind of waves that can destroy the small boat upon which Moana sets sail.

I always struggle with writing reviews of modern Disney computer-animated feature films.  The animation is always superb.  The character design consistently is imaginative and inventive, and the character animation – regardless of whether the characters are human, animals, creatures of fantasy, or machines – is flawless.  The production design, art direction, set decoration, and graphic design are so good that just about every Disney movie gets its own art book – deservedly so.  That said, the tattoos on Maui's body steal the show; it's like they are their own film reel of hype men and Greek choruses.

Moana offers Disney's time-tested formula, telling the story of a girl who goes on a journey of discovery about what she expects of herself after living a life of doing what others expect of her.  It has popped up recently in such films as Frozen (2013) and Zootopia (2016).  Of late, Disney has offered girls who are not white or European as the stars of such stories, as seen here in Moana and also in Encanto (2021), a film released several years after Moana.  The visual elements of this film might say non-white girl, but the voice actors bring a universal appeal to their voice performances that emphasizes the Moana's broad themes of bravery and redemption and also of the struggle between tradition (represented by Moana's father, Tui) and progress (represented by Moana herself).

By the way, Moana's original songs, written by Opetaia Foa'il, Mark Mancina, and Lin-Manuel Miranda, and the film score by Mancina are some of the best Disney music produced this century.  It is hard to pick a favorite song from this film, but I like Mancina and Miranda's “Shiny” as much as like Miranda's “How Far I'll Go,” which is essentially the film's theme.

I avoided Moana when it was first released to theaters in 2016, and I finally decided to see it because Moana 2 is due this month (November 2024).  I would have loved to have seen it on the big screen.  Although I think the film drags a little in its last act, I really enjoyed its story and its bouncy songs and soaring score.  Moana is one of Disney's great recent adventure films – live-action or animation – and I think fans of animated feature films – Disney or otherwise – are denying themselves an exceptional work if they don't see it.

8 of 10
A
★★★★ out of 4 stars

Tuesday, November 26, 2027


NOTES:
2017 Academy Awards, USA:  2 nominations: “Best Animated Feature Film of the Year” (Ron Clements, John Musker, and Osnat Shurer) and “Best Achievement in Music Written for Motion Pictures-Original Song” (Lin-Manuel Miranda for the song, “How Far I'll Go”)

2017 BAFTA Awards:  1 nomination: “Best Animated Feature Film” (Ron Clements and John Musker)

2017 Golden Globe Awards: 2 nominations: “Best Original Song-Motion Picture” (Lin-Manuel Miranda for the song, “How Far I'll Go”) and “Best Motion Picture - Animated”

2017 NAACP Image Awards: 1 nomination: “Outstanding Character Voice-Over Performance-Television or Film” (Dwayne Johnson)

2017 Black Reel Awards:  1 nomination: “Outstanding Voice Performance” (Dwayne Johnson)


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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