SAVAGE TALES #1 (2025)
DYNAMITE ENTERTAINMENT
STORY: David Avallone; Kurt Busiek
ART: Hamish Cook; Eman Casallos; Mariano Benitez Chapo; Benjamin Dewey
COLORS: Jorge Sutil
LETTERS: Jeff Eckleberry; Simon Bowland
COVER: Arthur Suydam
VARIANT COVER ARTISTS: Liam Sharp; Rafael Kayanan; Arthur Suydam
32pp, Color, $4.99 U.S. (June 2022)
Rated Teen+
Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice). Dynamite recently brought its version back as a series of occasionally-published one-shots.
The 2025 edition of Savage Tales #1 has four short stories. Three of them are new stories written by David Avallone. These stories feature Gullivar of Mars (drawn by Hamish Cook); John Carter and Dejah Thoris of Mars (drawn by Eman Casallos); and Vampirella (drawn by Mariano Benitez Chapo). All of Avallone's stories are colored by Jorge Sutil and lettered by Jeff Eckleberry.
The fourth entry is a Red Sonja story written by Kurt Busiek; drawn by Benjamin Dewey; and lettered by Simon Bowland. This story was originally published in Red Sonja: Black, White, Red #1 (July 2021).
I will summarize and review each story individually.
THE LOWDOWN: Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles. One of them is the 2025 edition of Savage Tales #1, but this is not the first time I have read a Dynamite Savage Tales comic book.
Gullivar of Mars: “His War Chapter Three” by Avallone and Cook:
Captain Gullivar Jones is based on the character, Lt. Gulllivar Jones, who first appeared in the novel, Lieut. Gullivar Jones: His Vacation, written by Edwin Lester Arnold and published in 1905. Writer David Avallone has been reworking the character over the past few years.
“His War” chronicles Jones' life since he first left Mars and eventually fought in “the Great War” (World War I). Now, Jones has returned to Mars twenty years after his original time on the planet. What he discovers is that he might be the reason for the once lush planet's sorry state, and his reunion with his beloved “Heru” (a princess of Mars) is also off to a sorry state.
Avallone has a deft touch with vintage and classic characters, and because of author Edwin Lester Arnold's influence on the science fiction sub-genre, “planetary romance,” Gullivar Jones is both vintage and classic. This may be the best chapter of Avallone's revival yet, primarily because he immediately puts Jones in a life or death situation. Hamish Cook's art and storytelling captures the edgy mood and tense action of the story's first person narration. Cook makes me wish that this story could be published as a graphic novel.
John Carter and Dejah Thoris of Mars: “A Mutiny on Mars” by Avallone and Casallos:
“A Mutiny on Mars” opens in the distant past on the planet of “Barsoom” (Mars”) and finds royal couple, John Carter and Dejah Thoris, on a scientific expedition. Instead of science, they find betrayal and a plot to kidnap John.
Avallone weaves a nice tale that will entertain those familiar with the world of Edgar Rice Burroughs' “Barsoom” series. Eman Casallos and Jorge Sutil's art and colors give this story the kind of exotic and esoteric aesthetic that at least I expect of comic book stories set in the world of Barsoom.
Vampirella: “The Real Thing” by Avallone and Chapo:
Avallone weaves a rather surprising and delightful tale featuring Vampirella, a truly classic character that often suffers from overexposure. Vampirella is working as a lowly assistant on the television series, “Draculette.” Among the production crew, there are some real doubters who are about to discover the truth about vampires. The question is whether or not Vampirella will step in to save the day or let the blood flow.
Mariano Benitez Chapo proves to be perfectly capable of turning Avallone's humorous scripts into a fun comics story that pops on the page. Avallone is really good at blending supernatural horror comics with humor comics, and Chapo's art captures the snappiness of Avallone's banter here. They'd make a good pairing on an Elvira series. As he does in the other two original stories, Jeff Eckleberry adds a stylish flair with his lettering for this story.
Red Sonja: “Seeing Red” by Busiek and Dewey:
“Seeing Red” opens in a place called the “Mountains of Night” where Red Sonja will enter a crypt as part of a deal she made with an ambitious wannabe ruler. What she's finds is certain death at the hands or claws of a creature that moves too fast for her to see. And that's got the “She-Devil with a Sword” seeing red.
I did read the 2021 Red Sonja: Black, White, Red series – every issue except the first, so “Seeing Red” is new to me. Kurt Busiek delivers a tale that reads as if it is a Conan the Barbarian tale from Marvel Comics' classic black and white magazine, The Savage Sword of Conan. Benjamin Dewey's art certainly sells this story's classic Marvel vibe with rock-solid compositions that are perfect for Red Sonja's comic book brand of sword and sorcery. As always I love the pounding vibe Simon Bowland's lettering gives this story.
If I had to reluctantly pick a favorite comics story in Savage Tales #1 (2025), it would be a difficult choice. So, I will instead suggest you get this comic book, dear readers, and decide for yourself.
I READS YOU RECOMMENDS: Fans of anthology comic books will want to read Savage Tales #1.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
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