Review: "Colorado Sunset" is Old-Timey Fun (Remembering Gene Autry)

TRASH IN MY EYE No. 104 (of 2007) by Leroy Douresseaux

Colorado Sunset (1939) – B&W
Running time:  65 minutes (1 hour, 5 minutes)
DIRECTOR:  George Sherman
WRITERS:  Betty Burbridge and Stanley Roberts; from a story by Luci Ward and Jack Natteford
PRODUCER:  William Berke (associate)
CINEMATOGRAPHER:  William Nobles (D.o.P.)
EDITOR:  Leslie Orlebeck

WESTERN/COMEDY/MUSIC

Starring:  Gene Autry, Smiley Burnette, June Storey, Barbara Pepper, Larry “Buster” Crabbe, Robert Barrat, Patsy Montana, the CBS-KMBC Texas Rangers, Purnell Pratt, William Farnum, Kermit Maynard, Jack Ingram, Elmo Lincoln, and Frankie Marvin

The subject of this movie review is Colorado Sunset, a 1939 Western film starring Gene Autry.  Autry sings five of the eight songs performed in the film, and is credited with co-writing one of them (“Poor Little Dogie”).  Colorado Sunset finds Gene and his buddies buying a ranch that turns out to be a dairy farm and then having to fight a protection racket that prevents dairy products from safely reaching the market.

After his well-meaning sidekick, Frog Millhouse (Smiley Burnette), buys a cow farm instead of a cattle ranch, singing cowboy Gene Autry and his ranch hands gradually embrace the dairy business in the film, Colorado Sunset.  That is when the musical cowpoke runs into a corrupt dairy association, led by the powerful local veterinarian, Dr. Rodney Blair (Robert Barrat), who is bent on dominating the local dairy industry.

However, it seems the Hall Trucking Company is taking the blame for bandit attacks on dairy farmers trying to move their milk to market.  Determined to put an end to this intimidation, Gene runs for Sheriff of Barton County against corrupt Deputy Dave Haines (Buster Crabbe).  Country music icon Patsy Montana sings “I Want to Be a Cowboy’s Sweetheart,” and radio crooners, the CBS-KMBC Texas Rangers perform with Autry.

Even viewers only a little familiar with B-movie westerns will recognize that Colorado Sunset seems to have a bit more flash than the average B-movie western.  As Autry’s film were profitable, film studio Republic Pictures was willing to spend extra money on Colorado Sunset’s production which explains the action-filled sequences and the elaborate final wagon chase and shootout – an upgrade from what was usually found in B-movie westerns.  Some might find the anachronistic mixture of automobiles and radio stations with characters who seemed to be living in a 19th century western town ludicrous, but it’s actually charming.  With Autry and his cast mates singing, Smiley Burnette providing comic relief, and the good guys fighting the bad guys, Colorado Sunset is old-timey fun.

6 of 10
B

Thursday, July 12, 2007

Updated:  Wednesday, October 02, 2013

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"The Wizard of Oz" Still the Greatest Fantasy Film Ever

TRASH IN MY EYE No. 115 (of 2004) by Leroy Douresseaux

The Wizard of Oz (1939)
Running time: 101 minutes (1 hour, 41 mintues)
MPAA – G
DIRECTOR: Victor Fleming
WRITERS: Noel Langley, Florence Ryerson, and Edgar Allan Woolf (based upon the novel by L. Frank Baum)
PRODUCER: Mervyn LeRoy
CINEMATOGRAPHER: Harold Rosson (photographed by: in Technicolor)
EDITOR: Blanche Sewell
COMPOSER: Herbert Stothart
SONGS: Harold Arlen and E.Y. Harburg
Academy Award winner

FANTASY/ADVENTURE/FAMILY/MUSICAL

Starring: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton, Charley Grapewin, and Clara Blandick

The subject of this movie review is The Wizard of Oz, a 1939 musical fantasy and adventure film from MGM (Metro-Goldwyn-Mayer). The film is based on The Wonderful Wizard of Oz, a children’s fantasy novel written by L. Frank Baum and first published in 1900.

Although Victor Fleming was credited as the film’s director, several other directors worked on the film, including King Vidor, George Cuko, and Mervyn LeRoy (who produced the film along with Arthur Freed). In fact numerous people who contributed to this film did not receive any screed credit, such as Arthur Freed (writer and producer), Ogden Nash (writer) and Herman J. Mankeiwicz (writer).

Various critics and popular polls often name it one of the “ten best movies of all time,” and in 2010, the Library of Congress said it was the most watched movie of all time. I’ve lost track of how many times I’ve watched it, but I consider The Wizard of Oz to be the greatest fantasy film of all time.

Since it was first released over six decades ago, The Wizard of Oz has stood the test of time as a great fantasy film. And though computers have revolutionized the use of special effects in movies, The Wizard of Oz, with its painted backdrops, handmade costumes, and ordinary makeup effects is as potent as any modern fantasy film filled with super SFX.

In the story, a tornado whisks a Kansas farm girl named Dorothy (Judy Garland) and her dog Toto to the magical Land of Oz where she encounters many strange and wonderful beings. She embarks upon a quest to the Emerald City to see the Wizard of Oz, who reportedly has it in his powers to send Dorothy back to Kansas. Along the way she gathers a group of fellow travelers who also wish a boon from the Wizard: The Scarecrow (Ray Bolger) who wants a brain; The Tin Man (Jack Haley) who wants a heart; and The Cowardly Lion (Bert Lahr) who wants courage. To get what they want, however, they must face off with The Wicked Witch of the West (Margaret Hamilton) who wants a pair of magical ruby slippers that Dorothy wears.

Anyone who has seen The Wizard of Oz is already aware of the magical hold the film has had and continues to have over audiences. Like a good fantasy film, it is filled with fantastical elements, but the heart of the story is the quest for something dear. For Dorothy, it is a way home; for her friends it is something they wrongly believe is missing from their lives and personalities. Like a great family film, The Wizard of Oz endears itself by entertaining all ages with a wonderful story, memorable songs and lines, and loveable characters. It is also in a way an adventure film, but the vicarious thrill of the adventure doesn’t come from destruction, but comes from sharing the quest with friends and loved ones.

The Wizard of Oz is undoubtedly one of the great American films. Watch it, and one can’t help but marvel how the filmmakers came together to make a film that approaches perfection with nearly every scene and in nearly every moment.

10 of 10

NOTES:
1940 Academy Awards: 2 wins: “Best Music, Original Score” (Herbert Stothart) and “Best Music, Original Song” (Harold Arlen-music for E.Y. Harburg-lyrics for the song "Over the Rainbow"); 4 nominations: “Best Picture” (M-G-M), “Best Art Direction” (Cedric Gibbons and William A. Horning), “Best Cinematography, Color” (Harold Rosson), and “Best Effects, Special Effects” (A. Arnold Gillespie-photographic and Douglas Shearer-sound)

1939 Cannes Film Festival: 1 nomination: “Palme d'Or” (Victor Fleming)

1989 National Film Preservation Board, USA: National Film Registry

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Review: Marx Bros. "At the Circus" is Still a Wonderful Circus (Remembering Groucho Marx)

TRASH IN MY EYE No. 137 (of 2004) by Leroy Douresseaux

At the Circus (1939) – Black & White
Running time: 87 minutes (1 hour, 27 minutes)
DIRECTOR: Edward Buzzell
WRITERS: Irving Breecher
PRODUCER: Mervyn LeRoy
CINEMATOGRAPHER: Leonard m. Smith (D.o.P.)
EDITOR: William H. Terhune

COMEDY/MUSICAL

Starring: Groucho Marx, Chico Marx, Harpo Marx (The Marx Bros.), Kenny Baker, Florence Rice, Eve Arden, Margaret Dumont, James Burke, Nat Pendleton, Barnett Parker, and Fritz Feld

The subject of this movie review is At the Circus, which is also known as The Marx Brothers at the Circus. This 1939 Marx Brothers comedy finds the brothers trying to save a small circus from bankruptcy.

In 1939 the writer/director team of Irving Breecher and Edward Buzzell made two films starring the Marx Brothers, Go West and the comedy/musical At the Circus. By the time of At the Circus, the brothers’ act was already down to the familiar trio of Groucho, Chico, and Harpo, and At the Circus displays a full range of the brothers’ talents as singers, musicians, actors, and comedians.

Jeff Wilson (Kenny Baker) owns a small circus, but he owes his sleazy partner, John Carter (James Burke), $10,000. When Carter calls in the loan, Wilson gets the money much to Carter’s chagrin, so Carter has the circus strongman (Nat Pendleton) and a midget (Barnett Parker) attack Wilson and steal the money. Two carnies (circus employees), Antonio Pirelli (Chico Marx) and Punchy (Harpo Marx), decide to help their boss Jeff, whom they admire, recover the dough. They call in a disingenuous lawyer, J. Cheever Loophole (Groucho Marx), to lead the investigation into the disappearance of the money. But when the money proves difficult to recover, Loophole cooks up a hair-brained scheme to get the dough from Jeff’s wealthy aunt, Mrs. Susan Dukesbury (Margaret Dumont), from whom Jeff is estranged.

While this isn’t the Marx Brothers’ best film, it is a very entertaining and funny comedy with some sparkling musical numbers. The best musical bit features Harpo with a crowd of African-American co-performers that finishes with Harpo on harp while the black folks stand around and grin, gawk, and stare wide-eyed. Groucho, however, shines in this film; he’s at his wittiest and most sarcastic. He carries the film with rapid fire, smart aleck conversation, and while it’s hard to pick his best moment in this film, it could be his innuendo-filled duel with Eva Arden’s Peerless Pauline. Excellent production values top off this breezy comedy, which I heartily recommend.

I remember this as the first Marx Brothers movie I ever saw. I loved At the Circus the first time I saw it, and it still has a special place in my heart. So consider that when reading my review.

7 of 10
B+

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Review: "Ninotchka" and Greta Garbo Are Eternally Beautiful (Happy B'day, Greta Garbo)

TRASH IN MY EYE No. 97 (of 2005) by Leroy Douresseaux

Ninotchka (1939) – Black & White
Running time: 108 minutes (1 hour, 48 minutes)
DIRECTOR: Ernst Lubitsch
WRITERS: Charles Brackett, Billy Wilder, and Walter Reisch; from an original story by Melchior Lengyel
PRODUCER: Sidney Franklin (no screen credit) and Ernst Lubitsch
CINEMATOGRAPHER: William (H.) Daniels
EDITOR: Gene Ruggiero
Academy Award nominee

ROMANCE/COMEDY

Starring: Greta Garbo, Melvyn Douglas, Ina Claire, Sig Rumann, Felix Bressart, Alexander Granach, and Bela Lugosi

1939 was a banner year for movies, seeing the release of films such as Goodbye, Mr. Chips, Gone with the Wind, Mr. Smith Goes to Washington, Stagecoach, The Wizard of Oz, and Wuthering Heights, among many, many others. Another film stood out because of a catchy advertising campaign. When ads for the film, Ninotchka, proclaimed “Garbo Laughs!,” film fans knew they were in for a special treat as the legendary actress Greta Garbo starred in her first romantic comedy. The now-famous film slogan was actually created before the screenplay was written, and the film was built around it. Ninotchka, now considered by some to be a classic film about romance in Paris, went on to earn Oscar nominations for Best Picture, Actress, Original Story, and Screenplay.

Three Soviet envoys: Michael Simonavich Iranoff (Sig Rumann), Buljanoff (Felix Bressart), and Kopalski (Alexander Granach) arrive in Paris during springtime to sell some czarist jewels to earn enough money for their government to buy bread for the Russian populace, as the country’s own food production has come up too short to feed the Soviet masses. The trio, however, falls in love with their decadent new capitalist environment and spend their time being wined and dined. Nina Ivanovna Yakushova, known to her friends as Ninotchka (Greta Garbo) is the dour, severe Soviet official sent to straighten out the mess her three comrades have made. However, the special magic of Paris in the spring turns business to pleasure when she meets a suave Frenchman named Count Leon D’Algout (Melvyn Douglas). Leon is a friend of the Russian exile, Grand Duchess Swana (Ina Claire), who is the rightful owner of the czarist jewels in question, as she was a noblewoman before the Bolsheviks overthrew the Czarist Empire in Russia. Initially, Leon’s only thoughts are to reclaim the jewels for his friend and probable lover, the Grand Duchess, but he falls for Ninotchka, who resists at first, but soon succumbs to Leon’s charms. Will their budding romance survive a jealous Grand Duchess and Ninotchka’s Soviet bosses.

The film works on several levels, but its best charms come from Greta Garbo’s great comic performance as the title character and from the hilarious screenplay that wickedly pokes fun at the stuffy and dour Soviet regime of the times. Ms. Garbo is sly and droll as the no-nonsense and no-fun Ninotchka who first arrives in Paris. Her kabuki-like mask of seriousness brings the best out of Melvyn Douglas, and his performance as Leon, trying to woo Ninotchka, to make her laugh. As she finally gives in and laughs at Leon’s jokes, we can see Ms. Garbo’s mask begin to slowly break before she finally erupts in genuine laughter that really turns on this film’s magic.

The screenplay (co-written by the legendary Billy Wilder) is known for all it’s witty asides and sharp jabs at the Soviets, but the writers also take gentle swipes at the overly pampered and spoiled rich who live so lavishly that they don’t really appreciate or notice how well they have it. Directed with flair and finesse by Ernst Lubitsch (The Shop Around the Corner and To Be or Not to Be), a director known for his sophistication, Ninotchka is a film treasure and a great romance for moviegoers who love the enchanting best of that genre.

8 of 10
A

NOTES:
1940: Academy Awards: 4 nominations: “Best Picture,” “Best Actress in a Leading Role” (Greta Garbo), “Best Writing, Original Story” (Melchior Lengyel), and “Best Writing, Screenplay” (Charles Brackett, Walter Reisch, and Billy Wilder)

This film entered the National Film Registry, Library of Congress in 1990.

Tuesday, June 21, 2005

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