TRASH IN MY EYE Reviews: 2024

Showing posts with label 2024. Show all posts

Sunday, December 15, 2024

Review: "KRAVEN THE HUNTER" Has a Beast in Aaron Taylor-Johnson

TRASH IN MY EYE No. 57 of 2024 (No. 2001) by Leroy Douresseaux

Kraven the Hunter (2024)

Running time: 127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence, and language

DIRECTOR: J.C. Chandor

WRITERS: Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)

PRODUCERS: Avi Arad, David B. Householter, and Matt Tolmach

CINEMATOGRAPHER: Ben Davis (D.o.P.)

EDITORS: Chris Lebenzon and Craig Wood

COMPOSERS: Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

SUMMARY OF THE REVIEW:

“Kraven the Hunter” has already established itself as having the lowest opening weekend debut of any film carry the Marvel brand, but it is a lot better than many of the other comic book films that came before it

Star Aaron Taylor-Johnson is indeed a star as he carries this film to victory, and he maximizes several intense scenes with co-star, Oscar-winner Russell Crowe

You don't have to be a fan of comic book movies to enjoy “Kraven the Hunter” because its intensity and its extreme and extremely violent action scenes and sequences are exceptionally entertaining

Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor. The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964). This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series. The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison. Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.” Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe). Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana. A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.” His activities as “The Hunter” have earned him the ire of many criminals. Kraven has a kill-list, and once someone is on it, they don't get off until he kills them. Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier. Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted. Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey. Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films. It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024). This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man. Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated. If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior. Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film. The screenplay, regardless of whatever number of writers contributed to it, intrigued me. Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies. Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film. As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star. As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent. Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him. Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so. Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance. Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

8 of 10

★★★★ out of 4 stars

Sunday, December 15, 2024

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Saturday, December 7, 2024

Review: Disney's "MOANA 2" Sails Towards New Horizons

TRASH IN MY EYE No. 55 of 2024 (No. 1999) by Leroy Douresseaux

Moana 2 (2024)

Running time: 100 minutes (1 hour, 40)

MPA – PG for action/peril

DIRECTORS: David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller

WRITERS: Jared Bush and Dana Ledoux Miller; Jared Bush & Dana Ledoux Miller and Bek Smith

PRODUCERS: Christina Chen and Yvette Merino

EDITORS: Michael Louis Hill and Jeremy Milton

ORIGINAL SONGS: Opetaia Foa'il, Mark Mancina, Abigail Barlow, and Emily Bear

COMPOSER: Mark Mancina

ANIMATION/FANTASY/MUSICAL and FAMILY/DRAMA

Starring: (voices) Auli'i Cravalho, Dwayne Johnson, Hualalai Chung, Rose Matafeo, David Fane, Amhimai Fraser, Khaleesi Lambert-Tsuda, Rachel House, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, and Alan Tudyk

SUMMARY OF REVIEW:

Moana 2 is not as inspired as the original film, but this sequel charts its own path towards adventure

The title character, Moana, is still a hero who takes her friends and the audience on the greatest of adventures, and that is more than enough reason for fans of the original film to come back for more in Moana 2

Moana 2 is a 2024 American computer-animated, fantasy-adventure, and musical film directed by David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller. It is produced by Walt Disney Animation Studios – the 63rd full-length animated feature film produced by that studio, and it is a Walt Disney Pictures release. The film is a direct sequel to the 2016 animated feature, Moana. Moana 2 finds Moana and Maui on a journey to find a lost island that could reunite the people of the ocean.

Moana 2 opens three years after the adventures Moana (Auli'i Cravalho) had with the demigod, Maui (Dwayne Johnson), and the island goddess of Te Fiti (as seen in Moana). Moana is now officially her people's “wayfinder.” She has spent the time since then exploring the islands near her home island of Motunui in the hope that she will find other people connected to the ocean.

During a celebration, Moana has a vision of her wayfinding ancestor, Tautai Vasa (Gerald Ramsey). He reveals why none of those peoples are connected anymore. A long time ago, the malicious storm god, Nalo, wanted power over the mortals. To gain that power, Nalo sunk a legendary island called “Motufetu,” the island which connected all islands and the people of the sea, down to the depths of the ocean. Tautai also warns Moana that the people of Motunui will go extinct in the future if Moana cannot find a way to raise Motufetu.

Moana assembles a wayfinding crew of people from Motunui: the clever craftswoman, Loto (Rose Matafeo); the tribal historian and Maui fanboy, Moni (Haulalai Chung); and a grumpy elderly farmer, Keke (David Fane), alongside her pet pig, Pua, and pet rooster, Heihei. They set off in a boat designed and built by Loto, to follow the path of a meteor that Tautai says will blaze a trail across the ocean towards Motufetu. But first, Moana and her crew must find Maui, who just so happens is being held prisoner by the forces aligned against Moana's quest.

I wrote this in my recent review of the first film, Moana: I always struggle with writing reviews of modern Disney computer-animated feature films. The animation is always superb. The character design is consistently imaginative and inventive, and the character animation – regardless of whether the characters are human, animals, creatures of fantasy, or machines – is flawless. The production design, art direction, set decoration, and graphic design are so good that just about every Disney animated movie gets its own art book – deservedly so.

Well, I don't have to struggle with my review of Moana 2 because it looks just as good as the first film. While the tattoos on Maui's body are still good, they don't get as much screen time as they did in the original film, so they can't steal the show. Instead, Moana has a little sister, Simea (Khaleesi Lambert Tsuda), who does that in several scenes set on Motunui.

Moana 2 is very entertaining, but it is not quite as good as the original film. Because we know many of the characters, especially Moana and Maui, there is not the same joy of discovery. The call to adventure is not as complicated in Moana 2 as it was the first time. It is pretty straightforward here: find Motufetu. And the big showdown in Moana 2 is not quite the showdown the first film offered. Moana 2 simply lacks the inspiration of Moana.

That said, Moana 2 offers stunning imagery that overrides the moments when the story drags or goes adrift, and the film moves towards new horizons for the franchise. Moana, once again superbly given voice by actress Auli'i Cravalho, and Maui, once again made cool by Dwayne Johnson's voice performance, are still great characters. And they go on the best adventures.

Moana 2 is the kind of big, colorful, soaring animated adventure that we expect from Walt Disney Animation Studios. It is not perfect, but it is the kind of film that keeps me loving the world's longest-running animation studio. Fans of Moana and of Disney Animation will not want to miss Moana 2.

7 of 10

B+

★★★½ out of 4 stars

Saturday, December 7, 2024

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Wednesday, December 4, 2024

Review: Netflix's "ATLAS" Has Too Many Ideas, Not Enough Booty

TRASH IN MY EYE No. 54 of 2024 (No. 1998) by Leroy Douresseaux

Atlas (2024)

Running time: 118 minutes (1 hour, 58 minutes)

MPA – PG-13 for strong sci-fi violence, action, bloody images and strong language

DIRECTOR: Brad Peyton

WRITERS: Leo Sardarian and Aron Eli Coleite

PRODUCERS: Greg Berlanti, Jeff Fierson, Elaine Goldsmith-Thomas, Joby Harold, Brad Peyton, Sarah Schechter, Tory Tunnell, Benny Medina, and Jennifer Lopez

CINEMATOGRAPHER: John Schwartzman (D.o.P.)

EDITOR: Bob Ducsay

COMPOSER: Andrew Lockington

SCI-FI/ACTION/THRILLER

Starring: Jennifer Lopez, Simu Liu, Sterling K. Brown, Abraham Popoola, Lana Parrilla, Mark Strong, Briella Guiza, Adia Smith-Eriksson, and Gregory James Cohan (voice)

SUMMARY OF THE REVIEW:

--Atlas is a Jennifer Lopez movie, but science fiction does not fit her

--The movie is average and filled with ridiculous ideas, but the action-violence of the last act is good enough to somewhat justify the time you spent watching this, dear readers

Atlas is a 2024 American action-thriller and science fiction film from director Brad Peyton. Atlas is a “Netflix Original” and debuted on the Netflix streaming service May 24, 2024. Atlas pits a counter-terrorism analyst against a rogue artificial intelligence (“A.I.” or “AI”) which believes that the only way to save the Earth and humanity is to destroy most of humanity.

Atlas opens on October 2, 2043. AI humanoid robots are at war with humanity, and they are led by the AI terrorist, Harlan (Simu Liu). By the end of the conflict, three million people are dead. This leads human military forces to create the International Coalition of Nations (ICN). After a string of ICN victories, Harlan and his AI robots are forced to flee into outer space.

Twenty-eight years later, renewed AI-led terrorist attacks force the ICN to begin searching for Harlan's whereabouts. The ICN has created a fleet of mecha known as “ARCs.” These are giant robotic suits of armor worn by humans who “sync” with the AI that operate the ARCs. The ICN seeks help from Atlas Maru Shepherd (Jennifer Lopez), a woman whose mother, Val Shepherd (Lana Parrilla), designed Harlan. Atlas has a deep distrust of all artificial intelligence. In a confrontation with Casca Vix (Andrew Popoola), one of Harlan's lieutenants, Atlas learns that Harlan has a base on GR-39, a planet in the Andromeda Galaxy.

The ICN sends a battalion of ARCs, the Fourth Rangers Battalion, which is led by the taciturn Colonel Elias Banks (Sterling K. Brown), on a mission to GR-39, aboard the space ship “ the Dhiib.” Atlas insists on accompanying the mission because she says no one knows Harlan better than her. The mission is to capture Harlan and to bring him back to Earth. However, what neither Atlas nor the ICN knows is just exactly what Harlan knows about the mission and about Atlas. Now, to save humanity, Atlas must rely on the thing that she hates most, an AI, one named “Smith” (Gregory James Cohan).

Leo Sardarian and Aron Eli Coleite's screenplay for Atlas is a hodge-podge of ideas that are similar to what audiences will find in such films as The Terminator (1984), A.I. Artificial Intelligence (2001), I, Robot (2004), and Pacific Rim (2013). If properly developed, these ideas could have made a fine film instead of the mediocre film, which Atlas is.

The problem with Atlas is Jennifer Lopez. Atlas is a science fiction film, and it is also a Jennifer Lopez vehicle, although she is woefully miscast here. Science fiction is not her genre, and she really doesn't seem to have an understanding of what a character like Atlas Maru Shepherd could be. That may be the fault of director Brad Peyton, who specializes in mediocre to average sci-fi/fantasy genre films like 2018's Rampage. Lopez plays Atlas as petulant and as way too narrow minded to be some kind of expert on science and technological matters. Truthfully, Atlas would be grieving and guilt-ridden, which I think would make her introspective. Lopez plays Atlas as a brat who really needs the guidance of others, even the AI she hates so much.

Atlas is saved by the action-violence of its last act, and by the appearance of Harlan, played by actor Simu Liu. Best known for playing the title character in Disney/Marvel's Shang-Chi and the Legend of the Ten Rings, here, Liu is deliciously cold-blooded and ruthless as Harlan, and I wish there were more of him in this film. But, alas, we get what we get. Atlas is average entertainment, and you, dear readers, can be entertained if you ignore its improbable scenario. If you are patient enough, Jennifer Lopez's fine, round posterior even makes a cameo, perfectly bound in a pair of tights. If Atlas has a “cherry on top,” it's that fine bee-hind.

5 of 10

C+

★★½ out of 4 stars

Wednesday, December 4, 2024

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Monday, November 25, 2024

Review: "GLADIATOR II" Happily Chases the Ghosts of the Original

TRASH IN MY EYE No. 52 of 2024 (No. 1996) by Leroy Douresseaux

Gladiator II (2024)

Running time: 148 minutes (2 hours, 28 minutes)

MPA – R for strong bloody violence

DIRECTOR: Ridley Scott

WRITERS: David Scarpa; from a story by Peter Craig and David Scarpa (based on the characters created by David Franzoni)

PRODUCERS: David Franzoni, Douglas Wick, Lucy Fisher, Michael Pruss, and Ridley Scott

CINEMATOGRAPHER: John Mathieson (D.o.P.)

EDITORS: Sam Restivo and Claire Simpson

COMPOSER: Harry Gregson-Williams

DRAMA/HISTORICAL

Starring: Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Derek Jacobi,Yuval Gonen, Rory McCann, Matt Lucas, Alexander Karim, and Peter Mensah with Connie Nielsen and Denzel Washington

SUMMARY OF THIS REVIEW:

“Gladiator II” is slavishly devoted to its predecessor, 2000's “Best Picture” Oscar-winner, “Gladiator,” sometimes to its detriment.

The new film's lead, Paul Mescal, carries this film with help from Pedro Pascal, Connie Nielsen, Alexander Karim, and with a delightfully nutty turn by Denzel Washington.

Ultimately, “Gladiator II” does stand on its own because of big action set pieces, heart-stopping gladiator combat, and a crazy final duel.

Gladiator II is a 2024 drama and historical film from director Ridley Scott. It is a sequel to the Academy Award-winning “Best Picture of the Year” (2000), Gladiator. Gladiator II focuses on a soldier-turned-slave who must look to his past if he is going to return the glory of Rome to its people as his late grandfather once wished.

Gladiator opens sixteen years after the death of Emperor Marcus Aurelius. Rome is ruled by the corrupt twin brothers, Emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger), and the corruption is so terrible that the city of Rome seems near collapse.

Meanwhile, General Marcus Acacius (Pedro Pascal) lead's the Roman navy in an invasion of the North African province of Numidia. Acacius is unaware that Numidia is the home of Marcus Aurelius' grandson, Lucius Verus Aurelius (Paul Mescal), who now goes by the name “Hanno.” During the battle, Acacius orders the killing of Hanno's wife, Arishat (Yuval Gonen), and Hanno is taken prisoner.

Hanno is sold to Macrinus (Denzel Washington), a stablemaster who owns and trains gladiators, and Hanno proves to be a talented gladiator. In him, Macrinus sees an opportunity to position himself next to power in Rome, so he offers Hanno a path to revenge against Acacius. However, Acacius' wife is Lucilla (Connie Nielsen), the daughter of Marcus Aurelius, and she is starting to believe that she recognizes this alluring stranger who calls himself Hanno.

In anticipation of seeing Gladiator II, I decided to watch the original film, Gladiator (2000) in its entirety for the first time since I first saw it in a movie theater with some friends back in May of 2000. I have to be honest, Gladiator II is not nearly the film that Gladiator is, and that's okay.

Gladiator II is a very good film on its own. The “battle for Numidia,” which is in the film's first act, is as exciting and as gory as I expected it to be. The gladiatorial events in the new film are quite nice, although admittedly not as nice as the original's.

As the lead in Gladiator II, Paul Mescal as Hanno/Lucius is not as powerful as Russell Crowe was as Maximus Decimus Meridius in Gladiator. Crowe stood astride that film, using his dominating screen presence to carry Gladiator's straightforward, sword-and-sandals, revenge tale to box office and Oscar glory. Gladiator II does not give Mescal a straightforward, sword-and-sandals tale of revenge. The Rome of this new film is a hot mess of corruption, led by two homicidal narcissists. The Roman emperors of this film, Geta and Caracalla, are not as lusciously evil as Joaquin Phoenix's Emperor Commodus in the original film. They are simply petty, murderous, vain, egotistical tyrants. Thus, Hanno/Lucius' revenge story is overshadowed by the hot mess that is Geta/Caracalla's Rome, which is complicated by the shifting schemes of Denzel Washington's Macrinus.

Still, Mescal manages to make Hanno/Lucius the center of Gladiator II, even as director Ridley Scott and screenwriter David Scarpa chase the ghosts of the original film. Mescal brings balance to Hanno/Lucius rage with thoughtfulness and humility that truly makes the character not so much the lone hero, as he is one-of-the-people and a man of the people who can start Rome on a path to redemption.

Gladiator II is also helped by the fact that Denzel Washington, as Macrinus, delivers a dominating performance that makes his supporting character a co-lead. Paul Mescal may be a rising star, but Denzel Washington is the kind of established movie star and Hollywood icon whose presence is fuels a film's theatrical push.

Gladiator II won't get out of Gladiator's shadow, but its wild battle scenes and crazy gladiatorial spectacles combined with some key performances should allow the new film to casts its own shadow. Besides, if you have seen Gladiator, dear readers, you know that you are itching to see Gladiator II.

7 of 10

B+

★★★½ out of 4 stars

Monday, November 25, 2024

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Saturday, November 23, 2024

Review: Netflix's "HOT FROSTY" is a Warm Cup of Christmas Cheer

TRASH IN MY EYE No. 51 of 2024 (No. 1995) by Leroy Douresseaux

Hot Frosty (2024) – TV Movie

Running time: 90 minutes

Rated: TV-PG

DIRECTOR: Jerry Ciccoritti

WRITER: Russell Hainline

PRODUCERS: Michael Barbuto, Shane Boucher, and Joel S. Rice; Aren Prupas and Jonas Prupas – executive producers

CINEMATOGRAPHER: Eric Cayla

EDITOR: Julia Blau

COMPOSER: Ari Posner

ROMANCE/COMEDY/CHRISTMAS

Starring: Lacey Chabert, Dustin Milligan, Lauren Holly, Chrishell Strause, Dan Lett, Katy Mixon Greer, Sherry Miller, Bobby Daniels, Shiloh Obasi, Sophia Webster, Allan Royal, Jennie Esnard, Joe Lo Truglio, and Craig Robinson

SUMMARY OF THE REVIEW:

--Hot Frosty personifies both the silly scenarios and frothy goodness of Christmas television movies, which should please fans of holiday movies

--Hot Frosty is an ode to the joy of life and to enjoying life – at Christmas time and beyond

Hot Frosty is a 2024 American romantic-comedy and Christmas television film from director Jerry Ciccoritti. The film is a “Netflix Original” and began streaming on the service Wednesday, November 13, 2024. The film focuses on a widow who magically brings a snowman to life as a real man who promptly brings light back into her life.

Hot Frosty introduces Kathy Barrett (Lacey Chabert), who owns and operates Kathy's Kafe in the downtown section of the small town of Hope Springs. The cafe is mainly the focus of her life, and her home life, including her house, is slowly falling apart. Kathy is a widow and she mourns her late husband, Paul, a handyman who kept the house repaired and her heart whole.

It is Christmas time, and Kathy isn't feeling the holiday spirit or cheer. However, some of her friends want to change things. Mel (Sherry Miller) and her husband, Theo (Dan Lett), own and operate a clothing shop, “Reclaimed Rags.” This year, they give Kathy a red scarf, one that is “destined” to help her to seek happiness after her bereavement.

Hope Springs is also in the middle of its “Annual Snow Sculpture Competition.” On her way home one night, Kathy walks by the entries in the snow sculpture competition. One of them is of a seemingly naked, muscular young man. Not feeling the magic of Mel and Theo's red scarf, Kathy drapes it over the sculpture. Later that night, that snow sculpture (called “the Snowman”) comes to life. Calling himself, “Jack” (Dustin Milligan), the suddenly alive snowman finds his way to Kathy. Doubtful at first, she believes that Jack is indeed the snowman upon which she draped the scarf. Before long, his innocence and boundless joy are breaking down the barriers Kathy put up to protect herself. But she soon realizes a painful truth: Jack is doomed to melt.

Lacey Chabert is a former child actress with a long career in film and an even longer career in television, which includes voice-over work. I keep forgetting that she appeared in the original Mean Girls (2004). Now, audiences know Lacey for her near constant presence on the American cable television network, the “Hallmark Channel” and on its sister network, “Hallmark Movies & Mysteries.” In addition to series work, Chabert has appeared in over thirty television films for the network, as of this writing. One of those TV films, Time for Us to Come Home for Christmas (2020), is one of my all-time favorite Christmas movies.

So about Hot Frosty: Netflix is in the middle of releasing several Christmas-themed films. I don't know if they have done this in previous years, but some of the 2024 releases intrigue me. Hot Frosty immediately caught my attention.

Honestly, I have to admit that I think that Hot Frosty's screenplay, written by Russell Hainline, could be adapted, with a few changes, as a gay-themed romance. Magically bringing an ice sculpture of a muscular man to life and falling in love with him seems like it could be a gay fantasy, gay fan fiction,a gay daydream... or wet dream.

Obviously, Hot Frosty's scenario is preposterous, but this is a Christmas movie. That genre has a lot of leeway so that such films can simply be feel-good and spread Christmas cheer or at least lay down a foundation for that. I have to give director Jerry Ciccoritti credit in assuring that Hot Frosty does have some substance. Basically, the film is the story about two characters. First, there is Jack, an object brought to life by magic, and he really wants to live and to enjoy that life. The tension and conflict in the story comes from the human lead, Kathy, who is just going through the motions of life everyday and who seems disinterested in life. Jack has to show Kathy that she can find love and happiness, again... if she really wants that.

The joy in Hot Frosty is not in its lack of realism or even in its overwhelming nonsensical nature. The joy is in watching Jack discover the joys of life and in turn, showing Kathy that she can enjoy life after loss – in spite of her determination not to enjoy life. I say, “Pshaw!.” the cynicism. Hot Frosty is not a great movie, but it is great entertainment. Dear readers, I can't imagine a Christmas season in which Hot Frosty won't feel like a welcomed warm chocolaty drink.

7 of 10

B+

★★★½ out of 4 stars

Saturday, November 23, 2024

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Tuesday, November 12, 2024

Review: "DUNE: PART TWO: Rocks the Heavens

TRASH IN MY EYE No. 48 of 2024 (No. 1992) by Leroy Douresseaux

Dune: Part Two (2024)

Running time: 166 minutes (2 hours, 46 minutes)

MPA – PG-13 for sequences of strong violence, some suggestive material and brief strong language

DIRECTOR: Denis Villeneuve

WRITERS: Denis Villeneuve and Jon Spaihts (based on the novel by Frank Herbert)

PRODUCERS: Denis Villeneuve, Cale Boyter, Mary Parent, Patrick McCormick, and Tanya Lapointe

CINEMATOGRAPHER: Greg Fraser (D.o.P.)

EDITOR: Joe Walker

COMPOSER: Hans Zimmer

SCI-FI/DRAMA and ACTION/WAR/THRILLER

Starring: Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Stellan Skarsgard, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Lea Seydoux, Charlotte Rampling, Babs Olusanmokun, and Alison Halstead

Dune: Part Two is a 2024 epic science fiction and drama film directed by Denis Villeneuve. It is the second part of the two-part adaptation of the 1965 novel, Dune, written by author Frank Herbert. The first part is entitled Dune (or Dune: Part One) and was released in 2021. Dune: Part Two focuses on a vengeful young nobleman who unites the desert people of the planet Arrakis behind his war against the noble house that betrayed and murdered his father.

Dune: Part Two opens in the wake of Baron Vladimir Harkonnen (Stellan Skarsgard) and House Harkonnen's destruction of Duke Leto Atreides and the House Atreides. Now, the Baron's nephew, Lord Rabban (Dave Bautista), has control over the desert planet, Arrakis, and over the production of the most valuable substance in the universe, which is known as “Spice.” A highly-addictive drug, Spice extends human vitality and life and is absolutely necessary for space travel. Spice is only found on Arrakis.

Meanwhile, Paul Atreides (Timothée Chalamet), the son of Leto, and his mother, Lady Jessica (Rebecca Ferguson), who is pregnant, have joined the “Sietch Tabr,” a band of Fremen, the natives of Arrakis. While some of the Fremen consider Paul and Jessica to be spies, the Sietch Tabr leader, Stilgar (Javier Bardem), believes that they are the prophesied mother and son from the “Outer World” who will bring prosperity to Arrakis.

Jessica belongs to the Bene Gesserit, a powerful sisterhood who wield advance mental and physical abilities. The Bene Gesserit have a prophecy concerning a “superbeing,” called the “Kwisatz Haderach,” and Paul may be this superbeing because of the machinations of his mother. Stilgar believes that Paul is the prophesied Fremen messiah, the “Lisan al-Gaig.” This belief spread once Paul takes the name Paul Muad'dib Usul.

However, Chani (Zendaya), a young and rebellious Fremen warrior (“Fedaykin”), believes that the messianic prophecies are nothing more than a fabrication meant to manipulate the Fremen. However, as “the Battle for Arrakis” begins, Chani finds herself having strong feelings for Paul and follows him into battle against the Harkonnen, for better or worse.

Dune and Dune: Part Two combine to form the third screen adaptation of Frank Herbert's novel. The others were writer-director David Lynch's 1984 film, Dune, and writer-director John Harrison's 2000 television miniseries, also entitled “Dune.” Also, there is a French/U.S. documentary film, entitled Jodorowskys Dune, that chronicles director Alejandro Jodorowsky's doomed attempt to adapt the novel into film in the 1970s.

Because HBO is preparing to release its Dune television series, “Dune: Prophecy,” I decided to finally see Dune: Part Two. A horrible illness forced me to miss the film's theatrical release earlier this year. Having finally seen it, I wish I had watched it in a movie theater, although IMAX is not an option for me. Dune: Part Two should be seen on a screen in a movie theater. It is one of the most epic science fiction films that I have ever experienced. The production values, cinematography, film editing, production design, art direction and sets, hair and make-up, and costumes are separately some of the best seen in science fiction cinema thus far in the twenty-first century. Director Denis Villeneuve is more than well-served by these collaborators.

He is also well-served by his co-writers, as the screenplay captures the religious and spiritual dogma and messianic madness that drives much of Dune's narrative. As impressive as this film is from a storytelling point of view, the Fremen's faith is freaking scary and dominates the film. That's why I think Hans Zimmer's film score sounds like it belongs in a horror movie. Quite a bit of Zimmer's musical score is like the spiritual cousin of composer Henry Manfredini's “ch ch ch ah ah ah” sound effect for the 1980 film, Friday the 13th.

There are a number of great performances here. Austin Butler, who surprised in Baz Luhrmann's Elvis (2022), does killer work in Dune: Part Two as Baron Harkonnen's psychotic nephew, na-Baron Fedy-Rautha. Dune's make-up artists serve him well as Butler fashions a character that is as impish and devilish as he is relentlessly homicidal.

But the stars are really Timothée Chalamet and Zendaya. As Paul, Chalamet depicts both the manipulation and machinations of a rise to power and also the evolution and revelation of a religious cult leader. As Chani, Zendaya is the spiritual heart of this film. She is the center of calm and reason in the super-storm of madness that envelopes Arrakis. It is not hard to see why both actors are some of the most popular young stars in world cinema. For all Denis Villeneuve cinematic skills and tricks, a movie this grand needs that traditional tower of power, the movie star. Dune: Part Two has two shooting stars.

10 of 10

Tuesday, November 12, 2024

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Monday, November 4, 2024

Review: Entertaining "MaXXXine" is No Pearl

TRASH IN MY EYE No. 47 of 2024 (No. 1991) by Leroy Douresseaux

MaXXXine (2024)

Running time: 103 minutes (1 hour, 43 minutes)

MPA – R for strong violence, gore, sexual content, graphic nudity, language and drug use

WRITER/DIRECTOR: Ti West

PRODUCERS: Mia Goth, Jacob Jaffke, Harrison Kreiss, Kevin Turen, and Ti West

CINEMATOGRAPHER: Eliot Rockett (D.o.P.)

EDITOR: Ti West

COMPOSERS: Tyler Bates

HORROR

Starring: Mia Goth, Elizabeth Debicki, Kevin Bacon, Michelle Monaghan, Bobby Cannavole, Moses Sumney, Chloe Farnworth, Lily Collins, Halsey, Ned Vaughn, Simon Prast, and Giancarlo Esposito

MaXXXine is a 2024 horror drama from writer-director Ti West. The film is the third entry in the X film series and is a direct sequel to X (2022). MaXXXine focuses on an adult film star and aspiring mainstream actress who finally gets her big break, while a mysterious killer leaves a trail of bodies that threatens to reveal her troubled past.

MaXXXine is set in Los Angeles in the year 1985. The city is in the middle of the hysteria concering “the Night Stalker” murders, but 32-year-old, porno actress, Maxine Minx (Mia Goth) really doesn't have time to pay attention. She is making an attempt to transition from pornographic films and into mainstream movies. Her big break comes via an audition for the horror movie sequel, “The Puritan II.” Because she impresses the film's director, Elizabeth Bender (Elizabeth Debicki), Maxine lands the role of the film's villain, “Veronica.”

However, the horrifying events that occurred on a farm estate in rural Texas six years earlier (as seen in X) threaten to expose Maxine's troubled past. People connected to her are starting to be brutally murdered, and two homicide detectives from the Los Angeles Police Department, Williams (Michelle Monaghan) and Torres (Bobby Cannavale), are tailing her. Then, there is the sleazy private detective, John Labat (Kevin Bacon), who pops up – often with threats. Can Maxine protect her big break, and what is she willing to do to protect it?

In the 2022 film, X, Mia Goth played both the potential victim, Maxine Mink, and also Pearl, one half of the elderly homicidal couple. In X's prequel, Pearl (2022), Goth reprises the role of Pearl, as the films delves into the title character's early life and hardships. Now, Goth is Maxine again in X's direct sequel, MaXXXine.

In Pearl, the film focuses on a young woman who is mentally troubled and socially outcast and who lashes out in violence after one too many betrayals. In MaXXXine, I found myself waiting to see Maxine Mink lash out to protect what she has and is about to half. There are those moments in MaXXXine, such as Maxine's brutal take down of a stalker. Otherwise, MaXXXine seems like an attempt to tame Maxine Mink of her potential for ultra-violence.

The film's plot and narrative progress are uneven, and the narrative seems like an audiovisual and conceptual pastiche of events and culture related to L.A., circa 1985. For instance, from 1984 to 1985, serial killer Richard Ramirez terrorized the Greater Los Angeles and San Francisco Bay Area regions, assaulting, humiliating, and killing some of his victims, and he became known as the “Night Stalker.” Ti West's screenplay offers tantalizing references to the killings, but the “Night Stalker” is merely a red herring in the film's narrative.

That pretty much summarizes the film. There are tantalizing characters, subplots, and settings (many of them seeming sinister even in the middle of the day), but MaXXXine never really lets loose. The Triple-X in the title suggests that the film is triple-strong or at least among the nastiest things around, but MaXXXine is more hard-R than X. Even the references to Satanic murders and rituals end up like weak tea.

That's a shame because the movie starts off forcefully, and there are a lot of good ideas. But … for a movie partially set in the world of adult entertainment, including pornographic films, peep shows, and coke-fueled sex parties, MaXXXine self-censors. Not much is really exposed, and there is a bloody last act that is at once impressive and then, lame. That's a shame, but MaXXXine really doesn't take it to the max... but man, it really could have.

6 of 10

★★★ out of 4 stars

Monday, November 4, 2024

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Sunday, November 3, 2024

Review: M. Night Shyamalan's "TRAP" Delights in Being Devilish

TRASH IN MY EYE No. 46 of 2024 (No. 1990) by Leroy Douresseaux

Trap (2024)

Running time: 105 minutes (1 hour, 45 minutes)

MPA – PG-13 for some violent content and brief strong language

WRITER/DIRECTOR: M. Night Shyamalan

PRODUCERS: Marc Bienstock, Ashwin Rajan, and M. Night Shyamalan

CINEMATOGRAPHER: Sayombhu Mukdeeprom (D.o.P.)

EDITOR: Noemi Preiswerk

COMPOSER: Herdis Stefansdottir

THRILLER/HORROR

Starring: Josh Hartnett, Ariel Donoghue, Saleka Night Shyamalan, Alison Pill, Hayley Mills, Jonathan Langdon, Mark Bacolcol, Marnie McPhail, Scott Mescudi, Russell “Russ” Vitale, Lochlan Miller, Steve Boyle, David D'Lancy Wilson, and M. Night Shyamalan

Trap is a 2024 psychological thriller and horror film from writer-director M. Night Shyamalan. The film focuses on a father who takes his teen daughter to a special pop concert and then realizes that he and his child have entered a dark and sinister trap.

Trap opens in Philadelphia. There, we meet firefighter Cooper Abbott (Josh Hartnett) . He is taking his teenage daughter, Riley (Ariel Donoghue), to a special afternoon concert performance by pop star Lady Raven (Saleka Night Shyamalan). Once inside the concert venue, Cooper notices an unusually high police presence on all levels of the building. Doing his own investigating, Cooper soon discovers that he and his daughter are at the center of a dark and sinister event. Who is “the Butcher” and why does law enforcement insist that he is one of the 3000 men attending the concert?

Despite the disaster that was M. Night Shyamalan's 2023 thriller, Knock at the Cabin, I immediately wanted to see Trap as soon as I heard about it sometime last year. I was sure the friend I dragged along with me to see Knock at the Cabin back in early February 2023 would also join me for Trap. Unfortunately, Trap did play at either of the two local theaters, so I just watched it on the “Max” streaming service.

By now, many people know all about Trap's twists and turns, and it is a very twisty, very strange, very weird, and very crazy movie. Still, I'm not doing the spoiler thing, but you, dear readers, would need detailed spoilers to keep up with all of this film's twists and contortions. It's as if writer-director M. Night Shyamalan drew straws to decide the fate of Trap's various subplots and plot twists. The result is a thriller zesty with the unexpected.

Speak of Mr. M: he makes his usual appearance as an actor in his own films, but his daughter, Saleka Night Shyamalan, an actual pop singer and recording artist, has a big role in Trap as the pop star, “Lady Raven.” Saleka's second studio album, Lady Raven, acts as the soundtrack album for Trap. Nepotism aside, Saleka's songs add a haunting layer to Herdis Stefansdottir's film score for Trap, and, believe me, Saleka is quite game when it comes to acting.

The film's primary wackiness comes from Josh Hartnett's performance as Cooper Abbott. Hartnett mixes paranoia with subtly when he is not being hilariously over the top and disturbingly calm. I can't say that other actors would not have been better at playing Cooper than Hartnett, but at least, Hartnett has his own method of bat-shit craziness.

Trap is disarmingly entertaining. I actually always thought that it would be a good and enjoyable film, but I'm shocked that I like it as much as I do. I can't believe that I consider its many nonsensical story elements to be quite endearing and even alluring, at times. The scenes that take place at the concert are excellent, but the film doesn't lose its cockamamie mojo when it moves the action to other venues. I am giving Trap a high rating because I can't think of a reason not to do so. I'd be lying if I said that I didn't think that it is a hugely entertaining and attractively offbeat thriller film. I'm trapped in a closet... with Trap.

8 of 10

★★★★ out of 4 stars

Sunday, November 3, 2024

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Sunday, October 6, 2024

Review: Max's "'SALEM'S LOT" 2024 is Scary a Lot

TRASH IN MY EYE No. 44 of 2024 (No. 1988) by Leroy Douresseaux

'Salem's Lot (2024)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – R for bloody violence and language

DIRECTOR: Gary Dauberman

WRITER: Gary Dauberman (based on the novel by Stephen King)

PRODUCERS: Michael Clear, Roy Lee, James Wan, and Mark Wolper

CINEMATOGRAPHER: Michael Burgess (D.o.P.)

EDITOR: Luke Ciarrocchi

COMPOSERS: Nathan Barr and Lisbeth Scott

HORROR

Starring: Lewis Pullman, Makenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Great Clark, Pilou Asbaek, and Alexander Ward

SUMMARY OF THE REVIEW:

-- Although it lacks big names stars, “'Salem's Lot” 2024 has big scares, as writer-director Gary Dauberman spins a number of some blood-curdling and bone-chilling scenes that are beautifully shot by cinematographer Michael Burgess

-- The movie does lack the character depth of early television versions, it is fairly faithful in some ways to its source material, Stephen King's 1975 novel of the same name

-- I highly recommend the new “'Salem's Lot” to fans of vampire horror films

'Salem's Lot is a 2024 American vampire horror film from writer-director Gary Dauberman. The film is based on the 1975 novel, 'Salem's Lot, from author Stephen King. 'Salem's Lot the movie focuses on an author who returns to his childhood home in search of inspiration for his next novel and discovers that the town is being taken over by vampires.

'Salem's Lot introduces author Ben Mears (Lewis Pullman). He has returned to his childhood home of Jerusalem's Lot, also known as “'Salem's Lot” or “The Lot,” seeking inspiration for his next novel. He meets and begins a relationship with Susan Norton (Makenzie Leigh), a young woman studying to get her real estate license. Their relationship sets tongues a-wagging in the small town.

Also new to the town is the antiques business, “Barlow and Straker Fine Furnishings.” So far, only Richard Straker (Pilou Asbaek) has arrived, but Straker promises that his partner, Kurt Barlow (Alexander Ward), will soon arrive. The problem is that Barlow is a vampire, and before long, he is preying on the Lot, and this town of 1710 starts to find that its living population is shrinking. Now, a teacher, Matthew Burke (Bill Camp); a boy who is a horror fan, Mark Petrie (Jordan Preston Carter); a local physician, Dr. Cody (Alfre Woodard); and a broken down alcoholic priest, Father Callahan (John Benjamin Hickey), join Ben and Susan to form a rag tag team of heroes determined to stop Barlow. As their circle grows smaller, however, can they really take on a town full of vampires?

'Salems's Lot” was author Stephen King's second published novel (following his publishing debut, 1974's Carrie), and it is apparently his favorite of his works. The popular novel was first adapted as a two-part television miniseries that was originally broadcast by CBS in November 1979 (although I remember its length and release date differently). It was again adapted as a two-part television miniseries, broadcast by the TNT cable network in June 2004. I enjoyed both versions, but prefer the 1979 which turned out to be a influence on such vampire films as Fright Night (1985) and The Lost Boys (1987).

I watched the new 'Salem's Lot film to the end of its credits, and the copyright date is listed as the year 2022. Yes, this new 'Salem's Lot has had at least two years of changing theatrical release dates. Outside of a film festival premiere, 'Salem's Lot the movie finally found a home on the streaming service Max (formerly HBO Max). Is 'Salem's Lot good enough to have received a full theatrical release? The answer is yes, but good movies aren't always box office hits. Besides Warner Bros., the movie studio behind 'Salem's Lot, very likely had no idea that the recent sequel, Beetlejuice Beetlejuice, would be such a blockbuster hit. It is a crap-shoot, and, in the case of 'Salem's Lot, is now a moot point.

'Salem's Lot's main problem may be that it has no big name actors starring in it, although the lead, Lewis Pullman as Ben Mears, had a supporting role in the 2022 mega-hit, Top Gun: Maverick. Pullman plays Ben Mears as cool-headed and steady-handed, which is an interesting take. And the rest of the cast of 'Salem's Lot is equally good. Alfre Woodard is always a top notch performer whose unique film presence and acting personality always gives a movie some “oomph.” Jordan Preston Carter is a surprising and scene-stealing little hero as Mark Petrie. John Benjamin Hickey and Bill Camp give strong character performances in their respective roles.

Still, I must reiterate that 'Salem's Lot 2024 is a really entertaining and thoroughly scary vampire horror movie. Sure, it lacks the emotional and character drama depth of the early adaptations of King's novel. I also take issue with the fact that even after the heroes learn what they need to fight vampires, they are often caught without them or trapped with too few of them.

However, Michael Burgess' lovely cinematography and Nathan Barr and Lisbeth Scott's eerie film music power-up writer-director Gary Dauberman's most bone-chilling moments and blood-curdling scenes. I don't want to fill this review with spoilers, but what would a 'Salem's Lot” TV or film be without a vampire boy at the window?...

Who knows how 'Salem's Lot would have performed in a crowded Halloween season theatrical release schedule? Still, both summer movie nights and October fright fests have a new visitor, a horror movie hungry to get to you, dear readers. And as always, 'Salem's Lot is thirsty for your blood.

7 of 10

B+

★★★½ out of 4 stars

Sunday, October 5, 2024

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Sunday, September 29, 2024

Review: Adult Swim's "UZUMAKI" Miniseries: Episode 1 is Crazy, Scary and Cool

TV IN MY EYE No. 1 by Leroy Douresseaux

“Uzumaki” Episode 1 (2024)

Running time: 24 minutes; TV-MA

DIRECTOR: Hiroshi Nagahama

WRITER: Aki Iazmi (based upon the manga by Junji Ito)

PRODUCERS: Jason DeMarco (executive producer) and Maki Terashima-Furuta

COMPOSER: Colin Stetson

ANIMATION/HORROR

Starring: (English dub voices) Abby Trott, Robbie Daymond, Cristina Valenzuela, Aaron LaPlante, Mona Marshall, Doug Stone, and Max Mittelman

"Uzumaki" is a four-episode, animated, horror television miniseries from director Hiroshi Nagahama. The series is a joint production between Cartoon Network's “Adult Swim” programming block and Production I.G USA, the American division of the Japanese animation studio, Production I.G. The first episode of Uzumaki made its debut on Adult Swim Saturday, September 28, 2024 and became available to stream on the Max service Sunday, September 29, 2024. There is both an English-language and Japanese-language version of this miniseries, and this review is based on the English version.

"Uzumaki" is an adaptation of the manga (Japanese comics), Uzumaki, originally published from 1998 to 1999 and created by Junji Ito. Uzumaki the anime is set in the coastal Japanese village where a high school couple confronts the spiral pattern that seems to be haunting the village.

"Uzumaki" Episode 1 opens in Kurouzu, a small Japanese coastal village where we meet Kirie Goshima (Abby Trott), a high school girl who is traveling to Kurouzu Station. There, she plans to meet her boyfriend, Shuichi Saito (Robbie Daymond). Upon his arrival, Shuichi seems withdrawn, and his moodiness apparently involves his father. It seems that Mr. Saito (Aaron LaPlante) has become obsessed with the whorled pattern known as the “spiral” (uzumaki).

Initially, Kirie laughs off Shuichi's concerns, but she eventually personally experiences Mr. Saito's weirdness. Soon, she is noticing strange and horrifying things herself. The most horrifying may involve her friend, the very popular teen girl, Azami Kurotani (Cristina Valenzuela).

Junji Ito's Uzumaki manga runs well over 600 pages, so the creators of its anime adaptation have streamlined the story in order to fit a narrative that won't be even one hundred minutes long. That doesn't bother me all that much as long as they capture the existential sense of dread and cosmic horror that is Uzumaki.

Uzumaki's animation is in black and white, not color, and the character and production design mimic Ito's drawing and graphic design style as closely as they can. In fact, the anime filmmakers' fidelity to Ito's aesthetic adds another layer of uncanny to this already uncanny series. So I can overlook, the fact that – judging by Episode 1 – this series does not adopt the hauntingly patient, measured, drawn-out pace of Ito's manga.

Much of the body horror that this anime depicts is as disturbing as that found in live-action body horror films. Combine that with persistently eerie sound design and it makes this one of the most chilling, scary, and troubling animated series every broadcast on American cable television.

The English voice performances are, quite frankly, superb – from the leads to the supporting players. They make it seem as if all the freaky things they are seeing are real, even surreal, but never fake and contrived. I won't spoil "Uzumaki" Episode 1 for those who have not yet seen it, but it ends with some body horror that had me pressed against the back of my couch.

8 of 10

★★★★ out of 4 stars

Sunday, September 29, 2024

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Sunday, September 22, 2024

Review: Netflix's "UGLIES" is Ernest, Lightweight Entertainment

TRASH IN MY EYE No. 43 of 2024 (No. 1987) by Leroy Douresseaux

Uglies (2024)

Running time: 100 minutes (1 hour, 40 minutes)

MPA – PG-13 for some violence and action, and brief strong language

DIRECTOR: McG

WRITERS: Jacob Forman, Vanessa Taylor, and Whit Anderson (based on the novel by Scott Westerfeld)

PRODUCERS: John David, Jordan Davis, McG, Robyn Meisinger, Dan Spilo, and Mary Viola

CINEMATOGRAPHER: Xiaolong Liu

EDITORS: Martin Bernfeld and Brad Besser

COMPOSER: Edward Shearmur

SCI-FI/DRAMA/ACTION

Starring: Joey King, Brianne Tju, Keith Powers, Chase Stokes, Laverne Cox, Charmin Lee, Jay DeVon Johnson, Jan Luis Castellanos, Zamani Wilder, Joseph Echavarria, Gabriella Garcia, Ash Maeda, Jordan Sherley, Sarah Vattano, and Ashton Essex Bright

SUMMARY OF THE REVIEW:

Uglies is an entertaining and good, but not great science fiction film, but unlike The Hunger Games films, Uglies leans more towards teen viewers than it does towards a general adult audience

The film has high production values, which really show in the scenes that take place in “The City”

Although it leans towards younger viewers, Uglies makes points about conformity and individuality as fiercely as grown-up science fiction films

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Uglies is a 2024 American science fiction-drama film from director McG. The film is based on the 2005 novel, Uglies, by Scott Westerfeld. Uglies is a Netflix Original and debuted on the Netflix streaming service September 13, 2024. Uglies the movie is set in a futuristic society in which everyone is considered “ugly” until the receive the compulsory operation that makes them “pretty,” and it focuses on a teen girl who begins to have doubts about the surgery.

Uglies opens in a world that once saw civilization fall apart. In the future, humanity exhausts the planet of all its natural resources. The result is chaos, war, and destruction. Eventually, science creates a new energy source and also develops a surgery that makes everyone “pretty.” This new society believes that if everyone is perfect and thinks alike, then, there won't be any conflict. Everyone gets the surgery which transforms them into one of the “Pretties” at the age of 16.

When the story begins, Tally Youngblood (Joey King) is three months away from her 16th birthday and her surgery. She lives in a dorm with all the other kids who have not had the surgery and who are known as “Uglies.” However, her friend, Peris (Chase Stokes), is about to have the surgery that will make him pretty. Tally and Peris promise to keep in touch after he moves to “the City” where all the “Pretties” live, but things don't work out as they planned.

Tally befriends fellow “ugly,” Shay (Brianne Tju), and Shay has a secret. There is a place outside the City called “The Smoke.” It is a land of freedom and nature, and the people there have not had the surgery. The community is lead by the mysterious David (Keith Powers). Tally is intrigued, but she is caught in the middle. One part of her wants to be independent and different, but another part of her wants to have the surgery, become pretty, and look like everyone else. The decision Tally makes will change the lives of people both in the City and in the Smoke.

I have not read the novel, Uglies, or its sequels. However, I became familiar with the series through a pair of paperback original graphic novels based on the books, Uglies: Shay's Story and Uglies: Cutters, both released in 2012.

I don't see Uglies the movie as being similar to other films based on young adult (YA) dystopian science fiction novels, such as The Hunger Games (2012) and Divergent (2014). Uglies has me thinking about another dystopian science fiction film adapted from a novel. That would be the 1976 film, Logan's Run, based on the 1967 novel, Logan's Run, which was written by William F. Nolan and George Clayton Johnson. I recently watch Logan's Run on the Turner Classic Movies (TCM) cable network, and I thought of it as I watched Uglies. Both stories deal with characters forced to decide whether it is better to live in a safe, clean, and conformist, though macabre dystopian society or in the great wide and wild open.

Beyond similarities to the aforementioned films, Uglies deals with themes of change, both emotional and physical. Yes, Uglies can seem superficial at times. The film's special visual effects turn the City into a shining and gleaming Oz of non-stop parties under a sky lit up pyrotechnic fireworks. Behind the prettiness, however, is Joey King as Tally doing her best to convey the internal struggles inside the girl. King delivers a strong performance that sells the world of Uglies the film because it would crumble without a strong dramatic lead, which King is here. King makes Tally's conflicts seem genuine, and I often found myself confused by her motivations and actions because they felt like the result of an internal struggle. As slight as the film feels, King makes Tally feel like a real young woman struggling with a decision that will change her in ways she may not like, but a change she believes she has to accept.

The Uglies novel is the first in a series, so Uglies the movie could have a sequel. While it is good, but not great, Uglies is still a dystopian sci-fi film that the family can enjoy together.

6 of 10

★★★ out of 4 stars

Sunday, September 22, 2024

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Friday, September 6, 2024

Review: "BEETLEJUICE BEETLEJUICE" is Morbidly Wonderful and Wonderfully Morbid

TRASH IN MY EYE No. 42 of 2024 (No. 1986) by Leroy Douresseaux

Beetlejuice Beetlejuice (2024)

Running time: 104 minutes (1 hour, 44 minutes)

MPA – PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use.

DIRECTOR: Tim Burton

WRITERS: Alfred Gough & Miles Millar; from a story by Alfred Gough & Miles Millar and Seth Grahame-Smith (based on characters created by Michael McDowell and Larry Wilson)

PRODUCERS: Tim Burton, Dede Gardner, Tommy Harper, Jeremy Kleiner, and Marc Toberoff

CINEMATOGRAPHER: Haris Zambarloukos (D.o.P.)

EDITOR: Jay Prychidny

COMPOSER: Danny Elfman

COMEDY/FANTASY/HORROR

Starring: Michael Keaton, Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, Willem Dafoe, Monica Bellucci, Arthur Conti, Nick Kellington, Santiago Cabrera, Burn Gorman, Sami Slimane, Amy Nuttall, and Danny DeVito

SUMMARY OF THE REVIEW:

“Beetlejuice Beetlejuice” is that rare sequel that is as weird and as wonderful as its weird and wonderful predecessor

Michael Keaton, Winona Ryder, and Catherine O’Hara are so good at reprising their original roles that it is hard to believe that it has been 36 years since they first played them

“Beetlejuice Beetlejuice” is director Tim Burton's most crowd-pleasing film since 1999's “Sleepy Hollow”

Beetlejuice Beetlejuice is a 2024 American dark fantasy and comic-horror film from director Tim Burton. It is a direct sequel to Burton's 1988 film, Beetlejuice. Beetlejuice Beetlejuice finds three generations gathering after a family tragedy only to discover that the latest generation's actions have lead to a new encounter with the Afterlife and also has drawn the attentions of a certain bio-exorcist.

Beetlejuice Beetlejuice opens over three decades after the events depicted in Beetlejuice. Lydia Deetz (Winona Ryder) is now a “psychic mediator” who hosts a supernaturally themed talk show, “Ghost House,” produced by her current boyfriend, Rory (Justin Theroux). Lydia is estranged from her daughter, Astrid Deetz (Jenna Ortega), who is resentful that Lydia had a falling out with Astrid's father, Richard (Santiago Cabrera), who died during an expedition to the Amazon.

Lydia is stressed of late because she has been seeing visions of Betelgeuse (Michael Keaton), the “bio-exorcist” from the Afterlife who tried to force her to marry him over thirty years ago. Meanwhile, in the Afterlife, Betelgeuse (pronounced “Beetlejuice”) is having his own relationship problems as he has learned that his former wife, Delores (Monica Bellucci), a soul-sucking witch, has been revived and is hunting him in order to avenge the wrong she believes he did to her.

Back in the world of the living, Lydia's stepmother, Delia Deetz (Catherine O'Hara), informs her that her husband, Lydia's father, Charles Deetz, has died. Lydia, Astrid, and Delia return to Winter River (the setting of the original film) for Charles' funeral. The three women suddenly find their worlds turned upside down when the Afterlife intrudes and Betelgeuse plots to turn this series of unfortunate events in his favor.

Because of the decades long wait for this sequel, I wondered about the quality of Beetlejuice Beetlejuice. After seeing it, I am pleased and happy to say that I enjoyed it as much as I have any film I've seen this year (2024). I saw Beetlejuice Beetlejuice during a Thursday night preview showing, and there were several children present. The children were restless and acted up a bit, especially early on. Beetlejuice Beetlejuice is not a children's film, or it is, at least, not as child-friendly as the first film. Beetlejuice had a darkly humorous and macabre sensibility that was similar to the work of the late Charles Addams (1912-1988), the cartoonist for The New Yorker magazine who was best known for his recurring characters that became known as “The Addams Family.”

Beetlejuice Beetlejuice is a darker film with a morbid rather than a macabre sensibility. The specter of death – especially sudden, violent, accidental death – hangs over this film. Yet it all seems like ghoulish fun and games, thanks in part to director Tim Burton's creative cohorts. The costume design, production design, film editing, cinematography, lighting, visual effects (practical and CGI), and musical score (by frequent Burton collaborator, Danny Elfman), recall the creative and intense inventiveness of the original film They make Beetlejuice Beetlejuice more grand theater than “Grand Guignol.” Still, I don't think elementary school age children, in general, will really enjoy this new film.

I'd call Beetlejuice Beetlejuice perfect except I do take exception with the film's writing. Although the overall plot is very interesting, the screenplay has some extraneous threads and inessential characters. I won't mention them just in case they end up being spoilers.

I will say that Tim Burton is fortunate to have the trio of Michael Keaton, Winona Ryder, and Catherine O’Hara carrying the load for Beetlejuice Beetlejuice. When I first saw Beetlejuice, I didn’t care for Michael Keaton’s performance as Betelgeuse. I thought his manic energy seemed forced and phony and that the late Robin Williams, who was really coming into his own as a movie star at the time, would have been a better choice. Sixteen years later (2004), I watched Beetlejuice again, and that time I thought Keaton was perfect. Go figure! How wrong I was. With Beetlejuice Beetlejuice, Keaton proves that no one can be the “ghostest with the mostest” like him.

As Lydia Deetz, Winona Ryder truly evolves the character in interesting and genuinely human ways. Ryder could easily pull off a third film if one were to be made in the next decade (hopefully earlier). Given chance, Catherine O'Hara always proves that she is a giant among comedic actors, and does so again. What she offered in the original film, she offers in comedic droves here.

I had a thoroughly great time at the movies last night, and even the restless kids could not ruin the very funny “Soul Train” references. Beetlejuice Beetlejuice is that rare sequel that matches the original film in many ways and surpasses it in others. As a movie fan, I feel blessed to have it.

8 of 10

★★★★ out of 4 stars

Friday, September 6, 2024

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Sunday, September 1, 2024

Review: Netflix's "THE UNION" is Weak Spy Thriller Tea

TRASH IN MY EYE No. 40 of 2024 (No. 1984) by Leroy Douresseaux

The Union (2024)

Running time: 107 minutes (1 hour, 47 minutes)

MPA – PG-13 for sequences of strong violence, suggestive material and some strong language

DIRECTOR: Julian Farino

WRITERS: Joe Barton and David Guggenheim; from a story by David Guggenheim

PRODUCERS: Stephen Levinson, Mark Wahlberg, and Jeff G. Waxman

CINEMATOGRAPHER: Alan Stewart (D.o.P.)

EDITOR: Pia Di Ciaula

COMPOSER: Rupert Gregson-Williams

ACTION/COMEDY/ROMANCE and SPY/THRILLER

Starring: Mark Wahlberg, Halle Berry, J.K. Simmons, Mike Colter, Alice Lee, Jessica De Gouw, Adewale Akinnuoye-Agbaje, Jackie Earle Haley, Lucy Cork, Stephen Campbell Moore

SUMMARY OF THE REVIEW:

If you are a fan of Mark Wahlberg and/or Halle Berry, you may want to watch this film

Although it does have some good moments and some good production values, “The Union,” comes across as a big-budget made-for-television spy movie or maybe even a straight-to-DVD spy movie

As a romantic comedy, Wahlberg and Berry have good screen chemistry, but the violence in “The Union” makes it hard to be a romantic-comedy

The film ultimately comes across as an average hodge-podge of genres that is only worth your time when you have time to waste

The Union is a 2024 American spy-thriller and action-romantic-comedy from director Julian Farino. Starring Mark Wahlberg and Halle Berry, the film is a “Netflix Original,” and began streaming on Netflix August 16, 2024. The Union focuses on a down-to earth construction worker who is thrust into the world of spies and secret agents by his high school sweetheart, who is a secret agent.

The Union introduces, “the Union,” a covert agency whose agents work behind the scenes as everyday blue collar workers such as road crews, construction workers, garbage collectors, and water and wastewater treatment operators, to name a few. The film opens in the Grand Hotel Castelletto in Trieste, Italy, where the Union prepares to bring in CIA turncoat, Derek Mitchell. However, the mission is botched, and only veteran agent, Roxanne Hall (Halle Berry), survives, but she has a plan.

Roxanne returns to her hometown of Paterson, New Jersey, where she recruits her high school sweetheart, Michael “Mike” McKenna (Mark Wahlberg), a construction worker, into the Union. Despite the protestations of her boss, Tom Brennan (J.K. Simmons), Roxanne convinces Mike to join the Union. Before long, Roxanne and Mike are on a mission, but once again, things go awry. Now, the former lovers have to straighten out this mess and recover some sensitive government intelligence that, if sold on the black market, will endanger the lives of every American spy and secret agent.

Comic book writer, artist, and publisher, Jimmy Palmiotti (DC Comics' Harley Quinn and Radical Publisher's Time Bomb), suggested via Twitter that the 2010 Tom Cruise-Cameron Diaz film, Knight and Day, offers something similar to The Union, but is much better at it. I've been putting off seeing Knight and Day for 14 years, and after trudging through The Union, I think it's time I did the damn thing and saw it.

I like Mark Wahlberg, and Halle Berry is one of my favorite Hollywood people of all time. I really wanted to watch The Union because of them, and I found their screen chemistry sometimes sweet and charming. However, I found The Union to be a slog that took me over a week to watch, as I mostly viewed it in bits and pieces. Sometimes, I had to do something, and other times, I stopped simply because I was bored.

However, the film is not a total loss. It is at times, pleasingly pleasant, although had I watched it in an actual movie theater, I would have not found it pleasant at all. Still, there is about a third of a good action movie here. The Union is for serious fans of Mark Wahlberg and Halle Berry. That's all I can say. That's all I should say, lest I say worse, and this review comes back to haunt me.

5 of 10

C+

★★½ out of 4 stars

Sunday, September 1, 2024

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