Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Wednesday, January 1, 2025

Review: "THE SIX TRIPLE EIGHT" Delivers Potent Drama and Powerful History

TRASH IN MY EYE No. 1 of 2025 (No. 2007) by Leroy Douresseaux

The Six Triple Eight (2024)
Running time:  127 minutes (2 hours, 7 minutes)
MPA – PG-13 for language including racial slurs, thematic material and some war violence
DIRECTOR:  Tyler Perry
WRITER:  Tyler Perry (based on the magazine article by Kevin Hymel)
PRODUCERS:  Tyler Perry, Angi Bones, Nicole Avant, Carlota Espinosa, Keri Selig, and Tony L. Strickland 
CINEMATOGRAPHER:  Michael Watson (D.o.P.)
EDITOR:  Maysie Hoy
COMPOSER:  Aaron Zigman

DRAMA/HISTORICAL/WAR

Starring:  Kerry Washington, Ebony Obsidian, Milauna Jackson, Kylie Jefferson, Shanice Shantay, Sarah Jeffery, Pepi Sonuga, Moriah Brown, Jeanté Godlock, Dean Norris, Sam Waterston, Susan Sarandon, Oprah Winfrey, Gregg Sulkin, Donna Biscoe, and Baadja-Lyne Odums

SUMMARY OF THE REVIEW:
The Six Triple Eight is one of the most beautiful and powerful films about World War II that has ever been made.

Its true story about a battalion of Black women soldiers who broke the logjam of mail that kept overseas American servicemen and their families back home from connecting will bring tears to your eyes

The Six Triple Eight is one of the year's best films, and Kerry Washington gives the heroic performance of her career.


The Six Triple Eight is a 2024 wartime drama and historical film from writer-director Tyler Perry.  The film is based on the article, “WAC Corporal Lena Derriecott and the 6888th Central Postal Battalion,” written by Kevin M. Hymel and published in the February 2019 issue of WWII History Magazine.  The article details the contributions of the 6888th Central Postal Directory Battalion, an all-Black and all-female battalion, in World War II.

The film is a Netflix Original,” and it began streaming on the service December 20, 2024, after a limited theatrical run that began December 6, 2024.  The Six Triple Eight the movie focuses on battalion of Black women soldiers who go overseas and take on the forces that are keeping American service personnel and their families back home from simply exchanging mail.

The Six Triple Eight introduces high school students and longtime friends, Lena Derriecott (Ebony Obsidian), a Black girl, and Abram David (Gregg Sulkin), a Jewish White boy.  They are reckoning with the difficulties of their budding romance in Bloomfield, Pennsylvania, a small town outside Philadelphia, in the year 1942.  David is enlisting in the U.S. military in order to serve in World War II, and he wants to be a pilot.  David wants Lena to wait for him to return from the war when he will propose marriage to her, and, in the meantime, he gives her a promise ring.

Meanwhile, in rural West Virginia, a mother waits everyday for news about her two sons who are serving overseas in the war.  She never gets any mail from her sons, and she later discovers that this is a problem all over the country.  It turns out that there is a terrible backlog of undelivered mail.  The mother approaches First Lady Eleanor Roosevelt (Susan Sarandon), and she approaches her husband, President Franklin Roosevelt (Sam Waterston), and philanthropist and civil rights activist, Mary McLeod Bethune (Oprah Winfrey), to solve the overseas military mail problem.

Meanwhile, Lena has received terrible news, and it spurs her to join the Women's Army Corps (WAC).  She travels to Georgia for basic training with the 6888th battalion – also known as “the Six Triple Eight” –  where she meets her battalion commander, the indomitable Captain Chasity Addams (Kerry Washington).  Despite being well trained, Capt. Adams and her battalion are never given any orders to serve from the War Department.  Then, thanks to the efforts of the Roosevelts and Miss Bethune, the 6888th becomes “The 6888th Central Postal Directory Battalion.”

Now, they must travel to Glasgow, Scotland where they have six months to sort through 17 million pieces of undelivered mail and packages.  The must fight, however, a war on all fronts, fighting segregation and racism at home and abroad.  Many White military commanders, officers, and soldiers do not believe they can sort through the backlog.  Plus, some of these crackas will do everything to stop the Six Triple Eight from being successful.

If you, dear readers, wanted to watch World War II films based on on true events, you can find over eight decades of Hollywood films, including everything from recent films like Saving Private Ryan (1998), Hacksaw Ridge (2016), and Dunkirk (2017) to golden oldies like Thirty Seconds Over Tokyo (1944) and Sands of Iwo Jima (1949).  However, the those films focus on White servicemen.

When it comes to the service of Black personnel during WWII, there is a virtual Hollywood wall of silence that has only rarely been broken by such films as the HBO television movie, The Tuskegee Airmen (1995); Spike Lee's Miracle at St. Anna (2008), and the George Lucas-financed Red Tails (2012).  Director Budd Boetticher's Red Ball Express (1952) is about a racially integrated platoon, but the film's leads are White males.

Tyler Perry, a filmmaker whose TV and film work, has been reviled by both Black and White critics and detractors, breaks the wall of silence that exists in front of the story of African-American WWII personnel.  He has done it with The Six Triple Eight, the first such film in over a decade.

The film is filled with star-making turns by a cast of young African-American actresses who could see this movie launch their careers. Ebony Obsidian as Lena Derriecott and Shanice Shantay as Johnnie Mae Burton are the most obvious, but though they shine, all the actors make the most of their roles in this film.  I must say Dean Norris kills it as the Southern racist cracka-ass General Holt.  However, Kerry Washington practically devours this film with her power-move turn as the wily, strong, survivor, Captain (later Major) Chasity Adams.  In some ways, Adams is the co-lead with Derriecott, but there other times when the following point is clear.  The real-life “Six Triple Eight” probably would have not survived without Adams, and The Six Triple Eight the film probably would not survive without Washington as Adams.

I like that Tyler Perry's direction captures the desperation of families on the home front and of the service personnel overseas who are not connecting because the mail isn't being delivered.  Perry does not need to summon his usual melodramatic tropes to convey this to his audience, nor does he.  Perry plainly states what his audience can clearly understand; the mail backlog is a desperate situation.

And what better way to portray how much the racist and segregated system was at work against the women of the 6888th than to detail how some thought it was more important to sabotage the women of this battalion than to actually let them do their jobs and get the mail through.  Perry could have fallen back time and time again on depictions of verbal and physical racist violence, yet he didn't.  The word, “nigger,” does not make many appearance in The Six Triple Eight.  Perry merely had to show that in war we are sometimes our own worst enemy, and he showed the white devils who were against the “Six Triple Eight” in all their infamy.

The Six Triple Eight is Tyler Perry's best drama since 2010's For Colored Girls.  Although there will likely be no Oscar nods for this film, The Six Triple Eight does not need them.  It is more important that a Black filmmaker gets a chance or takes the opportunity to pierce the wall of silence about the honorable and heroic service of Black men and Black women during World War II.  The Six Triple Eight is the soaring symphony that, at least for now, shatters that silence. 

10 of 10

Wednesday, January 1, 2025


You can read Kevin M. Hymel's original article about the 6888th, "WAC Corporal Lena Derriecott and the 6888th Central Postal Battalion," here.


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, December 27, 2024

Review: "NOSFERATU" 2024: You'll Either Be Impressed or Roll Your Eyes

TRASH IN MY EYE No. 61 of 2024 (No. 2005) by Leroy Douresseaux

Nosferatu (2024)
Running time:  133 minutes (2 hours, 13 minutes)
MPA – R for bloody violent content, graphic nudity and some sexual content
DIRECTOR:  Robert Eggers
WRITER:  Robert Eggers (inspired by the film, Nosferatu, and the novel by Bram Stoker)
PRODUCERS:  Chris Columbus, Eleanor Columbus, Robert Eggers, John Graham, and Jeff Robinov
CINEMATOGRAPHER:  Jarin Blaschke (D.o.P.)
EDITOR: Louise Ford
COMPOSER:  Robin Carolan

HORROR/THRILLER

Starring:  Lily-Rose Depp, Nicholas Hoult, Bill Skarsgard, Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Ralph Ineson, and Simon McBurney

SUMMARY OF THE REVIEW:
Nosferatu is entertaining – in places, but quite a bit of it is also over-the-top and overdone. Honestly, I'd be reluctant to recommend it to people who don't go to movie theaters too often because they could find better films upon which to spend their infrequent cinema visits

Nepo-baby thespian, Lily-Rose Depp, gives an excellent performance, emphasizing facial expressions and physical feats, but Bill Skarsgard as the Nosferatu, manages only to create a vampire that is as boring as he is scary and ugly

Also, if you remember Francis Ford Coppola's 1992 film, Bram Stoker's Dracula, you will find this film shockingly similar to it


Nosferatu is a 2024 American vampire horror film from writer-director Robert Eggers  It is a remake of the 1922 German silent film, Nosferatu.  Like that German film, the modern Nosferatu also takes inspiration from the 1897 novel Dracula, written by author Bram Stoker.  The new Nosferatu focuses on a young woman and the terrifying vampire that is infatuated with her.

Nosferatu introduces Ellen (Lily-Rose Depp).  Since she was a child, Ellen has had a connection to the spiritual and mystical realms.  When she was a girl, she called out to a spirit, and that caused her to have a vision of a disfigured and corpse-like creature attack her.  This in turns leads to Ellen having a violent seizure.

In 1838, Ellie is now an adult and is newly wed to a husband, the young estate agent, Thomas Hutter (Nicholas Hoult).  The couple is living in Wisborg, Germany where Thomas works for “Knock & Associates.”  His employer, Herr Knock (Simon McBurney), offers Thomas a generous commission, but to get it, Thomas must embark on a six-day journey to the small country of Transylvania.

There, Thomas will meet the mysterious Count Orlok (Bill Skarsgard), who wants to buy property in Wisborg, which he plans to make his new home.  However, there is a conspiracy behind this business venture between Knock and Orlok, and Ellen, who is once again besieged by dark, monster-filled dreams, is the prize.  Now, Professor Albin Eberhart Von Franz (Willem Defoe), a controversial scientist and expert on the occult and mysticism, may be the only one who can figure out what everyone else seems to ignore.  And that is the fact that Orlok is a monstrous vampire – a Nosferatu!

First, some history: director F.W. Murnau's 1922 German silent film, Nosferatu, was an unauthorized film adaptation of Bram Stoker's novel, Dracula (1897).  Stoker's heirs sued and the film was ordered destroyed, but several prints survived this purge.  So the modern Nosferatu is both a remake of the 1922 film and an adaptation of Stoker's novel.  I also find quite a bit of this new Nosferatu to be a literally and spiritually rehash of director Francis Ford Coppola's visionary, Oscar-winning film, Bram Stokers Dracula (1992).

Moving on:  Lily-Rose Depp delivers a stunning performance as Ellen, one that is both emotionally charged and also physically impressive, thanks to the scenes in which she portrays having blood-curdling seizures, apparently without the help of computer-generated imagery.  Depp makes by far the best out of director Robert Eggers' screenplay, which I find to be shallow and also imaginative only in the superficial way that directors borrow from other directors' films in a bid to seem clever before their sycophants and devotees.

That is exemplified by Bill Skarsgard's Count Orlok.  He is both frightening and tedious.  Skarsgard is buried under a mound of makeup and likely computer-rendering that makes him look like a homeless and destitute version of the infamous Russian mystic and political Svengali, Grigori Rasputin.  The new Count Orlok is a scary mountain of monster-man, but he has no personality,  And girl, he grunts his garbled dialogue real good.  Ultimately, Skarsgard turn as Count Orlok is no better than one of actor Robert Englund's latter turns as “Freddy Krueger” in one of the many sequels to A Nightmare on Elm Street (1984).

Eggers really does not give the rest of his characters great dramatic material.  Nicholas Hoult's Thomas Hutter is an embarrassing crybaby, and Aaron Taylor-Johnson's Friedrich Harding is a stubborn moron.  Willem Defoe's Von Franz is smart and stupid in alternating waves that suggest that suggests he was created by some AI algorithm.  Emma Corrin's Anna Harding (Friedrich's wife) seems very smart and capable, so the male writer's screenplay kills her off way too early.

Yeah, I have a lot of complaints about this new Nosferatu, mainly because it is one of those maddening films that has many brilliant elements that are beset by many tedious, hilarious, and ridiculous elements.  This is not “style over substance,” but it is style strangling the shit out of substance.  I heartily recommend Nosferatu to fans of vampire films and to adventurous movie lovers, but I would be reluctant to recommend it to people who are not as into movies as I am.  Something like Nosferatu would make them roll their eyes.

6 of 10
B
★★★ out of 4 stars

Friday, December 27, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Tuesday, December 24, 2024

Review: Tyler Perry's "DIVORCE IN THE BLACK" is Shamelessly Shameless

TRASH IN MY EYE No. 60 of 2024 (No. 2004) by Leroy Douresseaux

Divorce in the Black (2024)
Running time:  143 minutes (2 hours, 23 minutes)
MPA – R for language, some sexual content and violence
WRITER/DIRECTOR:  Tyler Perry
PRODUCERS:  Will Areu, Tyler Perry, Angi Bones, Diane Ashford, and Meagan Good
CINEMATOGRAPHER:  Michael Watson (D.o.P.)
EDITOR:  Storm Evans
COMPOSER:  Sheri Chung

DRAMA/THRILLER

Starring:  Meagan Good, Cory Hardrict, Joseph Lee Anderson, Taylor Polidore, Shannon Wallace, Richard Lawson, Debbi Morgan, Mark Elliot Brewer, Rakeem Laws, Berry Williams, Jr., Jeffrey Creightney, and Ursula O. Robinson

Divorce in the Black is a 2024 drama and thriller from writer-director Tyler Perry.  The film is an Amazon “Prime Original,” and it began streaming on the service July 11, 2024.  Divorce in the Black follows a young woman who is left heartbroken after her husband abandons their marriage.

Divorce in the Black introduces 37-year-old Ava (Meagan Good).  She is the daughter of a preacher, Clarence (Richard Lawson) and a demur church-going woman, Gene (Debbi Morgan).  Ava married Dallas Bertrand (Cory Hardrict), one of five sons from a family of trifling Negroes who were raised (not reared) by their obnoxious mother, Linda (Ursula O. Robinson)

Ava and Dallas's marriage was troubled from the start and is troubled now.  The recent troubles begin with the funeral of Dallas' 39-year-old brother, Cody Bertrand, who had just been released from prison when someone he attempted to mug shot him to death.  Ava's preacher father, Clarence, officiates the funeral, and he believes that he cannot lie and act as if Cody had been a decent person.  Clarence's words about Cody lead the Bertrands to commit a horribly disgusting act in order to put an end to the funeral service.

Shortly after the funeral, Ava and Dallas return to their home in Atlanta.  Dallas is feeling resentful, mainly egged on by his remaining brothers and his mother.  He tells Ava that he wants a divorce and that he has already taken care of everything.  He says all she needs to do is sign the divorce papers.  Ava is heartbroken and grief-stricken by this terrible turn of events.  She returns to her parents home in rural Georgia.  Eventually, she finds solace and friendship by reuniting with an old friend, Benji (Joseph Lee Anderson), which could turn romantic.  Dallas, however, starts to feel cheated when he discovers that Ava and Benji are seeing each other, and he begins to grow increasingly violent.  Now, Ava will have to make the toughest decisions of her life.

I thought that Mea Culpa, a “Netflix Original” film released in February (2024), was likely Tyler Perry's craziest non-Madea film to date, being even wackier than his 2013 film, Temptations: Confessions of a Marriage Counselor.  Now, I'm declaring that Divorce in the Black, released mere months after Mea Culpa, is Perry's craziest film.  In many ways, Divorce in the Black is not a good film.  After its jaw-dropping opening act, the film's narrative has a hard time finding its footing.  It meanders, mostly focusing on Ava's grief over the sudden divorce announcement.

[Apparently, “divorce in the black” means a divorce in which you gain something or remain in the positive after the conclusion.  “Divorce in the red” means to lose something or end up in the negative after it is all over.]

Divorce in the Black redeems itself with an entertainingly outrageous and outrageously entertaining last act.  I wouldn't call Dallas' actions throughout the film over-the-top.  They're quite believable, and, in fact, I've known or heard of men like him.  What makes the ending of Divorce in the Black so satisfactory is Ava's change in attitude and Dallas' comeuppance.  I can't remember the last time I so enjoyed an African-American male character suffering something similar to Dallas' fate.  However, dear readers, you have to wade through a lot of mixed-bag storytelling and almost two hours of questionable runtime to get to the end's immense satisfaction.

I mainly watched Divorce in the Black because I wanted to do some Tyler Perry catch-up before I watched his latest “Netflix Original,” the historical drama, The Six Triple Eight.  So I judge Divorce in the Black as mainly being fit for fans engaged in watching most of, if not all, of Perry's filmography.

5 of 10
C+
★★½ out of 4 stars

Tuesday, December 24, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Saturday, December 21, 2024

Review: "SONIC THE HEDGEHOG 3" Finds Jim Carrey Going Super-Sonic

TRASH IN MY EYE No. 59 of 2024 (No. 2003) by Leroy Douresseaux

Sonic the Hedgehog 3 (2024)
Running time:  109 minutes (1 hour, 49 minutes)
MPA – PG for action, some violence, rude humor, thematic elements and mild language.
DIRECTOR:  Jeff Fowler
WRITERS:  Pat Casey & Josh Miller and John Whittington; based on a story by Pat Casey & Josh Miller (based on the Sega video game)
PRODUCERS:  Toby Ascher, Neal H. Moritz, Toru Nakahara, and Hitoshi Okuno
CINEMATOGRAPHER:  Brandon Trost (D.o.P.)
EDITOR:  Al LeVine
COMPOSER: Tom Holkenborg (Junkie XL)

FANTASY/FAMILY and ACTION/ADVENTURE/COMEDY

Starring:  Jim Carrey, James Marsden, Tika Sumpter, Lee Majdoub, Natasha Rothwell, Shemar Moore, Adam Pally, Krysten Ritter, Alyla Browne, and Tom Butler; (voices) Ben Schwartz, Colleen O'Shaughnessey, Idris Elba, and Keanu Reeves

SUMMARY OF THE REVIEW:
Jim Carrey makes “Sonic and the Hedgehog 3” the best film of the series by making it his personal showcase.  He gives this film dramatic and comedic depth that I was not expecting; he gifts it the best of him.

This is still a Sonic the Hedgehog film, and once again voice actor Ben Schwartz brings Sonic to life in a way that makes him feel like a real-life character instead of being nothing more than one more special effect.

Sonic the Hedgehog 3 is dynamic and engaging in a way that makes it a family film which can impress adults as much as it entertains the kids.


Sonic the Hedgehog 3 is a 2024 action-adventure, fantasy and comedy film from director Jeff Fowler.  The film is based on the Sega Corporation's video game series and media franchise which began with the 1991 “Sega Genesis” game, Sonic the Hedgehog.  The film is also the third entry in Sonic the Hedgehog film series.  Sonic the Hedgehog 3 finds Sonic and his family taking on two powerful new adversaries, including one with a shocking connection to an old enemy.

Sonic the Hedgehog 3 finds Sonic the Hedgehog (voice of Ben Schwartz) celebrating the anniversary of his arrival on Earth with his adopted parents, Tom (James Marsden) and Maddie Wachowski (Tika Sumpter).  Also celebrating are the two newest members of the family, Knuckles the Echidna (voice of Idris Elba) and Miles “Tails” Prower (voice of Colleen O'Shaughnessey).  Together, Sonic, Knuckles, and Tails form “Team Sonic.”

However, while Sonic and family are celebrating, they don't know that trouble is brewing.  In Tokyo Bay is a secret prison run by the “Guardian Units of Nations” (G.U.N.), the military of Earth's government.  For decades, they have been holding an alien prisoner.  He is Shadow the Hedgehog (voice of Keanu Reeves), an anthropomorphic hedgehog like Sonic.

Now, Shadow has joined forces with the man who freed him, a mysterious scientist who has been stealing tech from Dr. Ivo Robotnik (Jim Carrey), Sonic's enemy.  That forces Robotnik to unite with “Team Sonic” in order to stop Shadow and his mysterious benefactor's mission of revenge against the Earth and mankind.  But can Sonic and his family really trust Robotnik?

Back in 2022, I saw Sonic the Hedgehog 2 because my niece asked to me to take her to the theater to see it.  A few days ago, I saw the first film, Sonic the Hedgehog (2020), for the first time (via Prime Video).  It got me in the mood for the new film, Sonic the Hedgehog 3, because, once again, my niece wanted me to take her to the theater to see it.

Sonic the Hedgehog 3 is the best of the series mainly because Jim Carrey, in a dual role, gives one of his best performances in recent years.  In the first two films, Carrey relied on his familiar over-the-top shtick and shenanigans.  In this new film, Carrey unleashes the breath and length of his talent as a performer and actor.  In Sonic the Hedgehog 3, Carrey is peak 1990s Carrey, and if this were not a Sonic the Hedgehog movie, he would be getting movie awards season notice for his performance in this film.  And this film is all the better for what Carrey does.

Once again, voice performer Colleen O'Shaughnessey makes Tails seem like both an innocent kid and a veteran tech expert.  In the second film, Idris Elba used his voice acting skills to make Knuckles a tough guy, but here, he gets a chance to brings some gravitas to the character.  As usual, Ben Schwartz brings Sonic to life as a fully developed film character and makes Sonic's doubts and dilemmas seem genuine.  Schwartz delivers exuberance and drama in his voice performance as Sonic.

Director Jeff Fowler shows that he can play in the big leagues of giant, event action films after directing the bouncy and pleasant first two films.  Fowler and his cohorts take the Sonic film franchise from a special effects fun fest to an action-adventure movie with more on the line than eye-popping visual effects (VFX), although there is plenty of that.

So after saying all that, it is obvious that I like Sonic the Hedgehog 3.  It is not perfect, and this film is obviously not for certain audiences.  It's not really for me, but still, Sonic the Hedgehog 3 manages to surprise and entertain me.  And my niece was crazy about it.

7 of 10
B+
★★★½ out of 4 stars


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, December 15, 2024

Review: "KRAVEN THE HUNTER" Has a Beast in Aaron Taylor-Johnson

TRASH IN MY EYE No. 57 of 2024 (No. 2001) by Leroy Douresseaux

Kraven the Hunter (2024)
Running time:  127 minutes (2 hours, 7 minutes)
MPA – R for strong bloody violence, and language
DIRECTOR:  J.C. Chandor
WRITERS:  Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)
PRODUCERS:  Avi Arad, David B. Householter, and Matt Tolmach
CINEMATOGRAPHER:  Ben Davis (D.o.P.)
EDITORS:  Chris Lebenzon and Craig Wood
COMPOSERS:  Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

SUMMARY OF THE REVIEW:
“Kraven the Hunter” has already established itself as having the lowest opening weekend debut of any film carry the Marvel brand, but it is a lot better than many of the other comic book films that came before it

Star Aaron Taylor-Johnson is indeed a star as he carries this film to victory, and he maximizes several intense scenes with co-star, Oscar-winner Russell Crowe

You don't have to be a fan of comic book movies to enjoy “Kraven the Hunter” because its intensity and its extreme and extremely violent action scenes and sequences are exceptionally entertaining


Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor.  The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964).  This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series.  The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison.  Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.”  Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe).  Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana.  A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.”  His activities as “The Hunter” have earned him the ire of many criminals.  Kraven has a kill-list, and once someone is on it, they don't get off until he kills them.  Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier.  Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted.  Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey.  Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films.  It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024).  This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man.  Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated.  If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior.  Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film.  The screenplay, regardless of whatever number of writers contributed to it, intrigued me.  Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies.  Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film.  As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star.  As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent.  Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him.  Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so.  Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance.  Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

8 of 10
A
★★★★ out of 4 stars

Sunday, December 15, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Saturday, December 7, 2024

Review: Disney's "MOANA 2" Sails Towards New Horizons

TRASH IN MY EYE No. 55 of 2024 (No. 1999) by Leroy Douresseaux

Moana 2 (2024)
Running time:  100 minutes (1 hour, 40)
MPA – PG for action/peril
DIRECTORS:  David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller
WRITERS:  Jared Bush and Dana Ledoux Miller;  Jared Bush & Dana Ledoux Miller and Bek Smith
PRODUCERS:  Christina Chen and Yvette Merino
EDITORS:  Michael Louis Hill and Jeremy Milton
ORIGINAL SONGS:  Opetaia Foa'il, Mark Mancina, Abigail Barlow, and Emily Bear
COMPOSER:  Mark Mancina

ANIMATION/FANTASY/MUSICAL and FAMILY/DRAMA

Starring:  (voices) Auli'i Cravalho, Dwayne Johnson, Hualalai Chung, Rose Matafeo, David Fane, Amhimai Fraser, Khaleesi Lambert-Tsuda, Rachel House, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, and Alan Tudyk

SUMMARY OF REVIEW:
Moana 2 is not as inspired as the original film, but this sequel charts its own path towards adventure

The title character, Moana, is still a hero who takes her friends and the audience on the greatest of adventures, and that is more than enough reason for fans of the original film to come back for more in Moana 2


Moana 2 is a 2024 American computer-animated, fantasy-adventure, and musical film directed by David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller.  It is produced by Walt Disney Animation Studios – the 63rd full-length animated feature film produced by that studio, and it is a Walt Disney Pictures release.  The film is a direct sequel to the 2016 animated feature, Moana.  Moana 2 finds Moana and Maui on a journey to find a lost island that could reunite the people of the ocean.

Moana 2 opens three years after the adventures Moana (Auli'i Cravalho) had with the demigod, Maui (Dwayne Johnson), and the island goddess of Te Fiti (as seen in Moana).  Moana is now officially her people's “wayfinder.”  She has spent the time since then exploring the islands near her home island of Motunui in the hope that she will find other people connected to the ocean.

During a celebration, Moana has a vision of her wayfinding ancestor, Tautai Vasa (Gerald Ramsey).  He reveals why none of those peoples are connected anymore.  A long time ago, the malicious storm god, Nalo, wanted power over the mortals.  To gain that power, Nalo sunk a legendary island called “Motufetu,” the island which connected all islands and the people of the sea, down to the depths of the ocean.  Tautai also warns Moana that the people of Motunui will go extinct in the future if Moana cannot find a way to raise Motufetu.

Moana assembles a wayfinding crew of people from Motunui:  the clever craftswoman, Loto (Rose Matafeo); the tribal historian and Maui fanboy, Moni (Haulalai Chung); and a grumpy elderly farmer, Keke (David Fane), alongside her pet pig, Pua, and pet rooster, Heihei.  They set off in a boat designed and built by Loto, to follow the path of a meteor that Tautai says will blaze a trail across the ocean towards Motufetu.  But first, Moana and her crew must find Maui, who just so happens is being held prisoner by the forces aligned against Moana's quest.

I wrote this in my recent review of the first film, Moana:  I always struggle with writing reviews of modern Disney computer-animated feature films.  The animation is always superb.  The character design is consistently imaginative and inventive, and the character animation – regardless of whether the characters are human, animals, creatures of fantasy, or machines – is flawless.  The production design, art direction, set decoration, and graphic design are so good that just about every Disney animated movie gets its own art book – deservedly so.

Well, I don't have to struggle with my review of Moana 2 because it looks just as good as the first film.  While the tattoos on Maui's body are still good, they don't get as much screen time as they did in the original film, so they can't steal the show.  Instead, Moana has a little sister, Simea (Khaleesi Lambert Tsuda), who does that in several scenes set on Motunui.

Moana 2 is very entertaining, but it is not quite as good as the original film.  Because we know many of the characters, especially Moana and Maui, there is not the same joy of discovery.  The call to adventure is not as complicated in Moana 2 as it was the first time.  It is pretty straightforward here: find Motufetu.  And the big showdown in Moana 2 is not quite the showdown the first film offered.  Moana 2 simply lacks the inspiration of Moana.

That said, Moana 2 offers stunning imagery that overrides the moments when the story drags or goes adrift, and the film moves towards new horizons for the franchise.  Moana, once again superbly given voice by actress Auli'i Cravalho, and Maui, once again made cool by Dwayne Johnson's voice performance, are still great characters.  And they go on the best adventures.

Moana 2 is the kind of big, colorful, soaring animated adventure that we expect from Walt Disney Animation Studios.  It is not perfect, but it is the kind of film that keeps me loving the world's longest-running animation studio.  Fans of Moana and of Disney Animation will not want to miss Moana 2.

7 of 10
B+
★★★½ out of 4 stars

Saturday, December 7, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, December 4, 2024

Review: Netflix's "ATLAS" Has Too Many Ideas, Not Enough Booty

TRASH IN MY EYE No. 54 of 2024 (No. 1998) by Leroy Douresseaux

Atlas (2024)
Running time: 118 minutes (1 hour, 58 minutes)
MPA – PG-13 for strong sci-fi violence, action, bloody images and strong language
DIRECTOR:  Brad Peyton
WRITERS:  Leo Sardarian and Aron Eli Coleite
PRODUCERS:  Greg Berlanti, Jeff Fierson, Elaine Goldsmith-Thomas, Joby Harold, Brad Peyton, Sarah Schechter, Tory Tunnell, Benny Medina, and Jennifer Lopez
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Bob Ducsay
COMPOSER:  Andrew Lockington

SCI-FI/ACTION/THRILLER

Starring:  Jennifer Lopez, Simu Liu, Sterling K. Brown, Abraham Popoola, Lana Parrilla, Mark Strong, Briella Guiza, Adia Smith-Eriksson, and Gregory James Cohan (voice)

SUMMARY OF THE REVIEW:
--Atlas is a Jennifer Lopez movie, but science fiction does not fit her

--The movie is average and filled with ridiculous ideas, but the action-violence of the last act is good enough to somewhat justify the time you spent watching this, dear readers


Atlas is a 2024 American action-thriller and science fiction film from director Brad Peyton.  Atlas is a “Netflix Original” and debuted on the Netflix streaming service May 24, 2024.  Atlas pits a counter-terrorism analyst against a rogue artificial intelligence (“A.I.” or “AI”) which believes that the only way to save the Earth and humanity is to destroy most of humanity.

Atlas opens on October 2, 2043.  AI humanoid robots are at war with humanity, and they are led by the AI terrorist, Harlan (Simu Liu).  By the end of the conflict, three million people are dead.  This leads human military forces to create the International Coalition of Nations (ICN).  After a string of ICN victories, Harlan and his AI robots are forced to flee into outer space.

Twenty-eight years later, renewed AI-led terrorist attacks force the ICN to begin searching for Harlan's whereabouts.  The ICN has created a fleet of mecha known as “ARCs.”  These are giant robotic suits of armor worn by humans who “sync” with the AI that operate the ARCs.  The ICN seeks help from Atlas Maru Shepherd (Jennifer Lopez), a woman whose mother, Val Shepherd (Lana Parrilla), designed Harlan.  Atlas has a deep distrust of all artificial intelligence.  In a confrontation with Casca Vix (Andrew Popoola), one of Harlan's lieutenants, Atlas learns that Harlan has a base on GR-39, a planet in the Andromeda Galaxy.

The ICN sends a battalion of ARCs, the Fourth Rangers Battalion, which is led by the taciturn Colonel Elias Banks (Sterling K. Brown), on a mission to GR-39, aboard the space ship “ the Dhiib.”  Atlas insists on accompanying the mission because she says no one knows Harlan better than her.  The mission is to capture Harlan and to bring him back to Earth.  However, what neither Atlas nor the ICN knows is just exactly what Harlan knows about the mission and about Atlas.  Now, to save humanity, Atlas must rely on the thing that she hates most, an AI, one named “Smith” (Gregory James Cohan).

Leo Sardarian and Aron Eli Coleite's screenplay for Atlas is a hodge-podge of ideas that are similar to what audiences will find in such films as The Terminator (1984), A.I. Artificial Intelligence (2001), I, Robot (2004), and Pacific Rim (2013).  If properly developed, these ideas could have made a fine film instead of the mediocre film, which Atlas is.

The problem with Atlas is Jennifer Lopez.  Atlas is a science fiction film, and it is also a Jennifer Lopez vehicle, although she is woefully miscast here.  Science fiction is not her genre, and she really doesn't seem to have an understanding of what a character like Atlas Maru Shepherd could be.  That may be the fault of director Brad Peyton, who specializes in mediocre to average sci-fi/fantasy genre films like 2018's Rampage.  Lopez plays Atlas as petulant and as way too narrow minded to be some kind of expert on science and technological matters.  Truthfully, Atlas would be grieving and guilt-ridden, which I think would make her introspective.  Lopez plays Atlas as a brat who really needs the guidance of others, even the AI she hates so much.

Atlas is saved by the action-violence of its last act, and by the appearance of Harlan, played by actor Simu Liu.  Best known for playing the title character in Disney/Marvel's Shang-Chi and the Legend of the Ten Rings, here, Liu is deliciously cold-blooded and ruthless as Harlan, and I wish there were more of him in this film.  But, alas, we get what we get.  Atlas is average entertainment, and you, dear readers, can be entertained if you ignore its improbable scenario.  If you are patient enough, Jennifer Lopez's fine, round posterior even makes a cameo, perfectly bound in a pair of tights.  If Atlas has a “cherry on top,” it's that fine bee-hind.
 
5 of 10
C+
★★½ out of 4 stars

Wednesday, December 4, 2024

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Monday, November 25, 2024

Review: "GLADIATOR II" Happily Chases the Ghosts of the Original

TRASH IN MY EYE No. 52 of 2024 (No. 1996) by Leroy Douresseaux

Gladiator II (2024)
Running time:  148 minutes (2 hours, 28 minutes)
MPA – R for strong bloody violence
DIRECTOR:  Ridley Scott
WRITERS:  David Scarpa; from a story by Peter Craig and David Scarpa (based on the characters created by David Franzoni)
PRODUCERS:  David Franzoni, Douglas Wick, Lucy Fisher, Michael Pruss, and Ridley Scott
CINEMATOGRAPHER:  John Mathieson (D.o.P.)
EDITORS:  Sam Restivo and Claire Simpson
COMPOSER:  Harry Gregson-Williams

DRAMA/HISTORICAL

Starring:  Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Derek Jacobi,Yuval Gonen, Rory McCann, Matt Lucas, Alexander Karim, and Peter Mensah with Connie Nielsen and Denzel Washington

SUMMARY OF THIS REVIEW:
“Gladiator II” is slavishly devoted to its predecessor, 2000's “Best Picture” Oscar-winner, “Gladiator,” sometimes to its detriment.

The new film's lead, Paul Mescal, carries this film with help from Pedro Pascal, Connie Nielsen, Alexander Karim, and with a delightfully nutty turn by Denzel Washington.

Ultimately, “Gladiator II” does stand on its own because of big action set pieces, heart-stopping gladiator combat, and a crazy final duel.


Gladiator II is a 2024 drama and historical film from director Ridley Scott.  It is a sequel to the Academy Award-winning “Best Picture of the Year” (2000), Gladiator.  Gladiator II focuses on a soldier-turned-slave who must look to his past if he is going to return the glory of Rome to its people as his late grandfather once wished.

Gladiator opens sixteen years after the death of Emperor Marcus AureliusRome is ruled by the corrupt twin brothers, Emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger), and the corruption is so terrible that the city of Rome seems near collapse.

Meanwhile,  General Marcus Acacius (Pedro Pascal) lead's the Roman navy in an invasion of the North African province of Numidia.  Acacius is unaware that Numidia is the home of Marcus Aurelius' grandson, Lucius Verus Aurelius (Paul Mescal), who now goes by the name “Hanno.”  During the battle, Acacius orders the killing of Hanno's wife, Arishat (Yuval Gonen), and Hanno is taken prisoner.

Hanno is sold to Macrinus (Denzel Washington), a stablemaster who owns and trains gladiators, and Hanno proves to be a talented gladiator.  In him, Macrinus sees an opportunity to position himself next to power in Rome, so he offers Hanno a path to revenge against Acacius.  However, Acacius' wife is Lucilla (Connie Nielsen), the daughter of Marcus Aurelius, and she is starting to believe that she recognizes this alluring stranger who calls himself Hanno.

In anticipation of seeing Gladiator II, I decided to watch the original film, Gladiator (2000) in its entirety for the first time since I first saw it in a movie theater with some friends back in May of 2000.  I have to be honest, Gladiator II is not nearly the film that Gladiator is, and that's okay.

Gladiator II is a very good film on its own.  The “battle for Numidia,” which is in the film's first act, is as exciting and as gory as I expected it to be.  The gladiatorial events in the new film are quite nice, although admittedly not as nice as the original's.

As the lead in Gladiator II, Paul Mescal as Hanno/Lucius is not as powerful as Russell Crowe was as Maximus Decimus Meridius in Gladiator.  Crowe stood astride that film, using his dominating screen presence to carry Gladiator's straightforward, sword-and-sandals, revenge tale to box office and Oscar glory.  Gladiator II does not give Mescal a straightforward, sword-and-sandals tale of revenge.  The Rome of this new film is a hot mess of corruption, led by two homicidal narcissists.  The Roman emperors of this film, Geta and Caracalla, are not as lusciously evil as Joaquin Phoenix's Emperor Commodus in the original film.  They are simply petty, murderous, vain, egotistical tyrants.  Thus, Hanno/Lucius' revenge story is overshadowed by the hot mess that is Geta/Caracalla's Rome, which is complicated by the shifting schemes of Denzel Washington's Macrinus.

Still, Mescal manages to make Hanno/Lucius the center of Gladiator II, even as director Ridley Scott and screenwriter David Scarpa chase the ghosts of the original film.  Mescal brings balance to Hanno/Lucius rage with thoughtfulness and humility that truly makes the character not so much the lone hero, as he is one-of-the-people and a man of the people who can start Rome on a path to redemption.

Gladiator II is also helped by the fact that Denzel Washington, as Macrinus, delivers a dominating performance that makes his supporting character a co-lead.  Paul Mescal may be a rising star, but Denzel Washington is the kind of established movie star and Hollywood icon whose presence is fuels a film's theatrical push.

Gladiator II won't get out of Gladiator's shadow, but its wild battle scenes and crazy gladiatorial spectacles combined with some key performances should allow the new film to casts its own shadow.  Besides, if you have seen Gladiator, dear readers, you know that you are itching to see Gladiator II.

7 of 10
B+
★★★½ out of 4 stars

Monday, November 25, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Saturday, November 23, 2024

Review: Netflix's "HOT FROSTY" is a Warm Cup of Christmas Cheer

TRASH IN MY EYE No. 51 of 2024 (No. 1995) by Leroy Douresseaux

Hot Frosty (2024) – TV Movie
Running time: 90 minutes
Rated: TV-PG
DIRECTOR:  Jerry Ciccoritti
WRITER:  Russell Hainline
PRODUCERS:  Michael Barbuto, Shane Boucher, and Joel S. Rice; Aren Prupas and Jonas Prupas – executive producers
CINEMATOGRAPHER:  Eric Cayla
EDITOR:  Julia Blau
COMPOSER:  Ari Posner

ROMANCE/COMEDY/CHRISTMAS

Starring:  Lacey Chabert, Dustin Milligan, Lauren Holly, Chrishell Strause, Dan Lett, Katy Mixon Greer, Sherry Miller, Bobby Daniels, Shiloh Obasi, Sophia Webster, Allan Royal, Jennie Esnard, Joe Lo Truglio, and Craig Robinson

SUMMARY OF THE REVIEW:
--Hot Frosty personifies both the silly scenarios and frothy goodness of Christmas television movies, which should please fans of holiday movies

--Hot Frosty is an ode to the joy of life and to enjoying life – at Christmas time and beyond


Hot Frosty is a 2024 American romantic-comedy and Christmas television film from director Jerry Ciccoritti.  The film is a “Netflix Original” and began streaming on the service Wednesday, November 13, 2024.  The film focuses on a widow who magically brings a snowman to life as a real man who promptly brings light back into her life.

Hot Frosty introduces Kathy Barrett (Lacey Chabert), who owns and operates Kathy's Kafe in the downtown section of the small town of Hope Springs.  The cafe is mainly the focus of her life, and her home life, including her house, is slowly falling apart.  Kathy is a widow and she mourns her late husband, Paul, a handyman who kept the house repaired and her heart whole.

It is Christmas time, and Kathy isn't feeling the holiday spirit or cheer.  However, some of her friends want to change things.  Mel (Sherry Miller) and her husband, Theo (Dan Lett), own and operate a clothing shop, “Reclaimed Rags.”  This year, they give Kathy a red scarf, one that is “destined” to help her to seek happiness after her bereavement.

Hope Springs is also in the middle of its “Annual Snow Sculpture Competition.”  On her way home one night, Kathy walks by the entries in the snow sculpture competition.  One of them is of a seemingly naked, muscular young man.  Not feeling the magic of Mel and Theo's red scarf, Kathy drapes it over the sculpture.  Later that night, that snow sculpture (called “the Snowman”) comes to life.  Calling himself, “Jack” (Dustin Milligan), the suddenly alive snowman finds his way to Kathy.  Doubtful at first, she believes that Jack is indeed the snowman upon which she draped the scarf.  Before long, his innocence and boundless joy are breaking down the barriers Kathy put up to protect herself.  But she soon realizes a painful truth:  Jack is doomed to melt.

Lacey Chabert is a former child actress with a long career in film and an even longer career in television, which includes voice-over work.  I keep forgetting that she appeared in the original Mean Girls (2004).  Now, audiences know Lacey for her near constant presence on the American cable television network, the “Hallmark Channel” and on its sister network, “Hallmark Movies & Mysteries.”  In addition to series work, Chabert has appeared in over thirty television films for the network, as of this writing.  One of those TV films, Time for Us to Come Home for Christmas (2020), is one of my all-time favorite Christmas movies.

So about Hot Frosty:  Netflix is in the middle of releasing several Christmas-themed films.  I don't know if they have done this in previous years, but some of the 2024 releases intrigue me.  Hot Frosty immediately caught my attention.

Honestly, I have to admit that I think that Hot Frosty's screenplay, written by Russell Hainline, could be adapted, with a few changes, as a gay-themed romance.  Magically bringing an ice sculpture of a muscular man to life and falling in love with him seems like it could be a gay fantasy, gay fan fiction,a gay daydream... or wet dream.

Obviously, Hot Frosty's scenario is preposterous, but this is a Christmas movie.  That genre has a lot of leeway so that such films can simply be feel-good and spread Christmas cheer or at least lay down a foundation for that.  I have to give director Jerry Ciccoritti credit in assuring that Hot Frosty does have some substance.  Basically, the film is the story about two characters.  First, there is Jack, an object brought to life by magic, and he really wants to live and to enjoy that life.  The tension and conflict in the story comes from the human lead, Kathy, who is just going through the motions of life everyday and who seems disinterested in life.  Jack has to show Kathy that she can find love and happiness, again... if she really wants that.

The joy in Hot Frosty is not in its lack of realism or even in its overwhelming nonsensical nature.  The joy is in watching Jack discover the joys of life and in turn, showing Kathy that she can enjoy life after loss – in spite of her determination not to enjoy life.  I say, “Pshaw!.” the cynicism.  Hot Frosty is not a great movie, but it is great entertainment.  Dear readers, I can't imagine a Christmas season in which Hot Frosty won't feel like a welcomed warm chocolaty drink.
 
7 of 10
B+
★★★½ out of 4 stars

Saturday, November 23, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Tuesday, November 12, 2024

Review: "DUNE: PART TWO: Rocks the Heavens

TRASH IN MY EYE No. 48 of 2024 (No. 1992) by Leroy Douresseaux

Dune: Part Two (2024)
Running time:  166 minutes (2 hours, 46 minutes)
MPA – PG-13 for sequences of strong violence, some suggestive material and brief strong language
DIRECTOR:  Denis Villeneuve
WRITERS:  Denis Villeneuve and Jon Spaihts (based on the novel by Frank Herbert)
PRODUCERS:  Denis Villeneuve, Cale Boyter, Mary Parent, Patrick McCormick, and Tanya Lapointe
CINEMATOGRAPHER:  Greg Fraser (D.o.P.)
EDITOR:  Joe Walker
COMPOSER: Hans Zimmer

SCI-FI/DRAMA and ACTION/WAR/THRILLER

Starring:  Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Stellan Skarsgard, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Lea Seydoux, Charlotte Rampling, Babs Olusanmokun, and Alison Halstead

Dune: Part Two is a 2024 epic science fiction and drama film directed by Denis Villeneuve.  It is the second part of the two-part adaptation of the 1965 novel, Dune, written by author Frank Herbert.  The first part is entitled Dune (or Dune: Part One) and was released in 2021.  Dune: Part Two focuses on a vengeful young nobleman who unites the desert people of the planet Arrakis behind his war against the noble house that betrayed and murdered his father.

Dune: Part Two opens in the wake of Baron Vladimir Harkonnen (Stellan Skarsgard) and House Harkonnen's destruction of Duke Leto Atreides and the House Atreides.  Now, the Baron's nephew, Lord Rabban (Dave Bautista), has control over the desert planet, Arrakis, and over the production of the most valuable substance in the universe, which is known as “Spice.”  A highly-addictive drug, Spice extends human vitality and life and is absolutely necessary for space travel.  Spice is only found on Arrakis.

Meanwhile, Paul Atreides (Timothée Chalamet), the son of Leto, and his mother, Lady Jessica (Rebecca Ferguson), who is pregnant, have joined the “Sietch Tabr,” a band of Fremen, the natives of Arrakis.  While some of the Fremen consider Paul and Jessica to be spies, the Sietch Tabr leader, Stilgar (Javier Bardem), believes that they are the prophesied mother and son from the “Outer World” who will bring prosperity to Arrakis.

Jessica belongs to the Bene Gesserit, a powerful sisterhood who wield advance mental and physical abilities.  The Bene Gesserit have a prophecy concerning a “superbeing,” called the  “Kwisatz Haderach,” and Paul may be this superbeing because of the machinations of his mother.  Stilgar believes that Paul is the prophesied Fremen messiah, the “Lisan al-Gaig.”  This belief spread once Paul takes the name Paul Muad'dib Usul.

However, Chani (Zendaya), a young and rebellious Fremen warrior (“Fedaykin”), believes that the messianic prophecies are nothing more than a fabrication meant to manipulate the Fremen.  However, as “the Battle for Arrakis” begins, Chani finds herself having strong feelings for Paul and follows him into battle against the Harkonnen, for better or worse. 

Dune and Dune: Part Two combine to form the third screen adaptation of Frank Herbert's novel.  The others were writer-director David Lynch's 1984 film, Dune, and writer-director John Harrison's 2000 television miniseries, also entitled “Dune.”  Also, there is a French/U.S. documentary film, entitled Jodorowskys Dune, that chronicles director Alejandro Jodorowsky's doomed attempt to adapt the novel into film in the 1970s.

Because HBO is preparing to release its Dune television series, “Dune: Prophecy,” I decided to finally see Dune: Part Two.  A horrible illness forced me to miss the film's theatrical release earlier this year.  Having finally seen it, I wish I had watched it in a movie theater, although IMAX is not an option for me.  Dune: Part Two should be seen on a screen in a movie theater.  It is one of the most epic science fiction films that I have ever experienced.  The production values, cinematography, film editing, production design, art direction and sets, hair and make-up, and costumes are separately some of the best seen in science fiction cinema thus far in the twenty-first century.  Director Denis Villeneuve is more than well-served by these collaborators.

He is also well-served by his co-writers, as the screenplay captures the religious and spiritual dogma and messianic madness that drives much of Dune's narrative.  As impressive as this film is from a storytelling point of view, the Fremen's faith is freaking scary and dominates the film.  That's why I think Hans Zimmer's film score sounds like it belongs in a horror movie.  Quite a bit of Zimmer's musical score is like the spiritual cousin of composer Henry Manfredini's “ch ch ch ah ah ah” sound effect for the 1980 film, Friday the 13th.

There are a number of great performances here.  Austin Butler, who surprised in Baz Luhrmann's Elvis (2022), does killer work in Dune: Part Two as Baron Harkonnen's psychotic nephew, na-Baron Fedy-Rautha.  Dune's make-up artists serve him well as Butler fashions a character that is as impish and devilish as he is relentlessly homicidal.

But the stars are really Timothée Chalamet and Zendaya.  As Paul, Chalamet depicts both the manipulation and machinations of a rise to power and also the evolution and revelation of a religious cult leader.  As Chani, Zendaya is the spiritual heart of this film.  She is the center of calm and reason in the super-storm of madness that envelopes Arrakis.  It is not hard to see why both actors are some of the most popular young stars in world cinema.  For all Denis Villeneuve cinematic skills and tricks, a movie this grand needs that traditional tower of power, the movie star.  Dune: Part Two has two shooting stars.

10 of 10

Tuesday, November 12, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, November 4, 2024

Review: Entertaining "MaXXXine" is No Pearl

TRASH IN MY EYE No. 47 of 2024 (No. 1991) by Leroy Douresseaux

MaXXXine (2024)
Running time:  103 minutes (1 hour, 43 minutes)
MPA – R for strong violence, gore, sexual content, graphic nudity, language and drug use
WRITER/DIRECTOR:  Ti West
PRODUCERS:  Mia Goth, Jacob Jaffke, Harrison Kreiss, Kevin Turen, and Ti West
CINEMATOGRAPHER:  Eliot Rockett (D.o.P.)
EDITOR:  Ti West
COMPOSERS:  Tyler Bates

HORROR

Starring:  Mia Goth, Elizabeth Debicki, Kevin Bacon, Michelle Monaghan, Bobby Cannavole, Moses Sumney, Chloe Farnworth, Lily Collins, Halsey, Ned Vaughn, Simon Prast, and Giancarlo Esposito

MaXXXine is a 2024 horror drama from writer-director Ti West.  The film is the third entry in the X film series and is a direct sequel to X (2022).  MaXXXine focuses on an adult film star and aspiring mainstream actress who finally gets her big break, while a mysterious killer leaves a trail of bodies that threatens to reveal her troubled past.

MaXXXine is set in Los Angeles in the year 1985.  The city is in the middle of the hysteria concering “the Night Stalker” murders, but 32-year-old, porno actress, Maxine Minx (Mia Goth) really doesn't have time to pay attention.  She is making an attempt to transition from pornographic films and into mainstream movies.  Her big break comes via an audition for the horror movie sequel, “The Puritan II.”  Because she impresses the film's director, Elizabeth Bender (Elizabeth Debicki), Maxine lands the role of the film's villain, “Veronica.”

However, the horrifying events that occurred on a farm estate in rural Texas six years earlier (as seen in X) threaten to expose Maxine's troubled past.  People connected to her are starting to be brutally murdered, and two homicide detectives from the Los Angeles Police Department, Williams (Michelle Monaghan) and Torres (Bobby Cannavale), are tailing her.  Then, there is the sleazy private detective, John Labat (Kevin Bacon), who pops up – often with threats.  Can Maxine protect her big break, and what is she willing to do to protect it?

In the 2022 film, X, Mia Goth played both the potential victim, Maxine Mink, and also Pearl, one half of the elderly homicidal couple.  In X's prequel, Pearl (2022), Goth reprises the role of Pearl, as the films delves into the title character's early life and hardships.  Now, Goth is Maxine again in X's direct sequel, MaXXXine.

In Pearl, the film focuses on a young woman who is mentally troubled and socially outcast and who lashes out in violence after one too many betrayals.  In MaXXXine, I found myself waiting to see Maxine Mink lash out to protect what she has and is about to half.  There are those moments in MaXXXine, such as Maxine's brutal take down of a stalker.  Otherwise, MaXXXine seems like an attempt to tame Maxine Mink of her potential for ultra-violence.

The film's plot and narrative progress are uneven, and the narrative seems like an audiovisual and conceptual pastiche of events and culture related to L.A., circa 1985.  For instance, from 1984 to 1985, serial killer Richard Ramirez terrorized the Greater Los Angeles and San Francisco Bay Area regions, assaulting, humiliating, and killing some of his victims, and he became known as the “Night Stalker.”  Ti West's screenplay offers tantalizing references to the killings, but the “Night Stalker” is merely a red herring in the film's narrative.

That pretty much summarizes the film.  There are tantalizing characters, subplots, and settings (many of them seeming sinister even in the middle of the day), but MaXXXine never really lets loose.  The Triple-X in the title suggests that the film is triple-strong or at least among the nastiest things around, but MaXXXine is more hard-R than X.  Even the references to Satanic murders and rituals end up like weak tea.

That's a shame because the movie starts off forcefully, and there are a lot of good ideas.  But … for a movie partially set in the world of adult entertainment, including pornographic films, peep shows, and coke-fueled sex parties, MaXXXine self-censors.  Not much is really exposed, and there is a bloody last act that is at once impressive and then, lame.  That's a shame, but MaXXXine really doesn't take it to the max... but man, it really could have.

6 of 10
B
★★★ out of 4 stars

Monday, November 4, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, November 3, 2024

Review: M. Night Shyamalan's "TRAP" Delights in Being Devilish

TRASH IN MY EYE No. 46 of 2024 (No. 1990) by Leroy Douresseaux

Trap (2024)
Running time:  105 minutes (1 hour, 45 minutes)
MPA – PG-13 for some violent content and brief strong language
WRITER/DIRECTOR:  M. Night Shyamalan
PRODUCERS:  Marc Bienstock, Ashwin Rajan, and M. Night Shyamalan
CINEMATOGRAPHER:  Sayombhu Mukdeeprom (D.o.P.)
EDITOR:  Noemi Preiswerk
COMPOSER:  Herdis Stefansdottir

THRILLER/HORROR

Starring:  Josh Hartnett, Ariel Donoghue, Saleka Night Shyamalan, Alison Pill, Hayley Mills, Jonathan Langdon, Mark Bacolcol, Marnie McPhail, Scott Mescudi, Russell “Russ” Vitale, Lochlan Miller, Steve Boyle, David D'Lancy Wilson, and M. Night Shyamalan

Trap is a 2024 psychological thriller and horror film from writer-director M. Night Shyamalan.  The film focuses on a father who takes his teen daughter to a special pop concert and then realizes that he and his child have entered a dark and sinister trap.

Trap opens in Philadelphia.  There, we meet firefighter Cooper Abbott (Josh Hartnett) .  He is taking his teenage daughter, Riley (Ariel Donoghue), to a special afternoon concert performance by pop star Lady Raven (Saleka Night Shyamalan).  Once inside the concert venue, Cooper notices an unusually high police presence on all levels of the building.  Doing his own investigating, Cooper soon discovers that he and his daughter are at the center of a dark and sinister event.  Who is “the Butcher” and why does law enforcement insist that he is one of the 3000 men attending the concert?

Despite the disaster that was M. Night Shyamalan's 2023 thriller, Knock at the Cabin, I immediately wanted to see Trap as soon as I heard about it sometime last year.  I was sure the friend I dragged along with me to see Knock at the Cabin back in early February 2023 would also join me for Trap.  Unfortunately, Trap did play at either of the two local theaters, so I just watched it on the “Max” streaming service.

By now, many people know all about Trap's twists and turns, and it is a very twisty, very strange, very weird, and very crazy movie.  Still, I'm not doing the spoiler thing, but you, dear readers, would need detailed spoilers to keep up with all of this film's twists and contortions.  It's as if writer-director M. Night Shyamalan drew straws to decide the fate of Trap's various subplots and plot twists.  The result is a thriller zesty with the unexpected.

Speak of Mr. M:  he makes his usual appearance as an actor in his own films, but his daughter, Saleka Night Shyamalan, an actual pop singer and recording artist, has a big role in Trap as the pop star, “Lady Raven.”  Saleka's second studio album, Lady Raven, acts as the soundtrack album for Trap.  Nepotism aside, Saleka's songs add a haunting layer to Herdis Stefansdottir's film score for Trap, and, believe me, Saleka is quite game when it comes to acting.

The film's primary wackiness comes from Josh Hartnett's performance as Cooper Abbott.  Hartnett mixes paranoia with subtly when he is not being hilariously over the top and disturbingly calm.  I can't say that other actors would not have been better at playing Cooper than Hartnett, but at least, Hartnett has his own method of bat-shit craziness.

Trap is disarmingly entertaining.  I actually always thought that it would be a good and enjoyable film, but I'm shocked that I like it as much as I do.  I can't believe that I consider its many nonsensical story elements to be quite endearing and even alluring, at times.  The scenes that take place at the concert are excellent, but the film doesn't lose its cockamamie mojo when it moves the action to other venues.  I am giving Trap a high rating because I can't think of a reason not to do so.  I'd be lying if I said that I didn't think that it is a hugely entertaining and attractively offbeat thriller film.  I'm trapped in a closet... with Trap.

8 of 10
A
★★★★ out of 4 stars

Sunday, November 3, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, October 6, 2024

Review: Max's "'SALEM'S LOT" 2024 is Scary a Lot

TRASH IN MY EYE No. 44 of 2024 (No. 1988) by Leroy Douresseaux

'Salem's Lot (2024)
Running time: 113 minutes (1 hour, 53 minutes)
MPA – R for bloody violence and language
DIRECTOR:  Gary Dauberman
WRITER:  Gary Dauberman (based on the novel by Stephen King)
PRODUCERS:  Michael Clear, Roy Lee, James Wan, and Mark Wolper
CINEMATOGRAPHER:  Michael Burgess (D.o.P.)
EDITOR:  Luke Ciarrocchi
COMPOSERS:  Nathan Barr and Lisbeth Scott

HORROR

Starring:  Lewis Pullman, Makenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Great Clark, Pilou Asbaek, and Alexander Ward

SUMMARY OF THE REVIEW:
-- Although it lacks big names stars, “'Salem's Lot” 2024 has big scares, as writer-director Gary Dauberman spins a number of some blood-curdling and bone-chilling scenes that are beautifully shot by cinematographer Michael Burgess

-- The movie does lack the character depth of early television versions, it is fairly faithful in some ways to its source material, Stephen King's 1975 novel of the same name

-- I highly recommend the new “'Salem's Lot” to fans of vampire horror films


'Salem's Lot is a 2024 American vampire horror film from writer-director Gary Dauberman.  The film is based on the 1975 novel, 'Salem's Lot, from author Stephen King.  'Salem's Lot the movie focuses on an author who returns to his childhood home in search of inspiration for his next novel and discovers that the town is being taken over by vampires.

'Salem's Lot introduces author Ben Mears (Lewis Pullman).  He has returned to his childhood home of Jerusalem's Lot, also known as “'Salem's Lot” or “The Lot,” seeking inspiration for his next novel.  He meets and begins a relationship with Susan Norton (Makenzie Leigh), a young woman studying to get her real estate license.  Their relationship sets tongues a-wagging in the small town.

Also new to the town is the antiques business, “Barlow and Straker Fine Furnishings.”  So far, only Richard Straker (Pilou Asbaek) has arrived, but Straker promises that his partner, Kurt Barlow (Alexander Ward), will soon arrive.  The problem is that Barlow is a vampire, and before long, he is preying on the Lot, and this town of 1710 starts to find that its living population is shrinking.  Now, a teacher, Matthew Burke (Bill Camp); a boy who is a horror fan, Mark Petrie (Jordan Preston Carter); a local physician, Dr. Cody (Alfre Woodard); and a broken down alcoholic priest, Father Callahan (John Benjamin Hickey), join Ben and Susan to form a rag tag team of heroes determined to stop Barlow.  As their circle grows smaller, however, can they really take on a town full of vampires?

'Salems's Lot” was author Stephen King's second published novel (following his publishing debut, 1974's Carrie), and it is apparently his favorite of his works.  The popular novel was first adapted as a two-part television miniseries that was originally broadcast by CBS in November 1979 (although I remember its length and release date differently).  It was again adapted as a two-part television miniseries, broadcast by the TNT cable network in June 2004.  I enjoyed both versions, but prefer the 1979 which turned out to be a influence on such vampire films as Fright Night (1985) and The Lost Boys (1987).

I watched the new 'Salem's Lot film to the end of its credits, and the copyright date is listed as the year 2022.  Yes, this new 'Salem's Lot has had at least two years of changing theatrical release dates.  Outside of a film festival premiere, 'Salem's Lot the movie finally found a home on the streaming service Max (formerly HBO Max).  Is 'Salem's Lot good enough to have received a full theatrical release?  The answer is yes, but good movies aren't always box office hits.  Besides Warner Bros., the movie studio behind 'Salem's Lot, very likely had no idea that the recent sequel, Beetlejuice Beetlejuice, would be such a blockbuster hit.  It is a crap-shoot, and, in the case of 'Salem's Lot, is now a moot point.

'Salem's Lot's main problem may be that it has no big name actors starring in it, although the lead, Lewis Pullman as Ben Mears, had a supporting role in the 2022 mega-hit, Top Gun: Maverick.  Pullman plays Ben Mears as cool-headed and steady-handed, which is an interesting take.  And the rest of the cast of 'Salem's Lot is equally good.  Alfre Woodard is always a top notch performer whose unique film presence and acting personality always gives a movie some “oomph.”  Jordan Preston Carter is a surprising and scene-stealing little hero as Mark Petrie.  John Benjamin Hickey and Bill Camp give strong character performances in their respective roles.

Still, I must reiterate that 'Salem's Lot 2024 is a really entertaining and thoroughly scary vampire horror movie.  Sure, it lacks the emotional and character drama depth of the early adaptations of King's novel.  I also take issue with the fact that even after the heroes learn what they need to fight vampires, they are often caught without them or trapped with too few of them.

However, Michael Burgess' lovely cinematography and Nathan Barr and Lisbeth Scott's eerie film music power-up writer-director Gary Dauberman's most bone-chilling moments and blood-curdling scenes.  I don't want to fill this review with spoilers, but what would a 'Salem's Lot” TV or film be without a vampire boy at the window?...

Who knows how 'Salem's Lot would have performed in a crowded Halloween season theatrical release schedule?  Still, both summer movie nights and October fright fests have a new visitor, a horror movie hungry to get to you, dear readers.  And as always, 'Salem's Lot is thirsty for your blood.
 
7 of 10
B+
★★★½ out of 4 stars

Sunday, October 5, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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