Review: Charming Characters and Clever Writing Lead "The Lavender Hill Mob" (Remembering Sir Alec Guinness)

TRASH IN MY EYE No. 46 (of 2004) by Leroy Douresseaux


The Lavender Hill Mob (1951)
COUNTRY OF ORIGIN: U.K.
Running time: 81 minutes (1 hour, 21 minutes)
DIRECTOR: Charles Crichton
WRITER: T.E.B. Clarke
PRODUCER: Michael Balcon
CINEMATOGRAPHER: Douglas Slocombe (D.o.P.)
EDITOR: Seth Holt
COMPOSER: Georges Auric
Academy Award winner

CRIME/COMEDY

Starring: Alec Guinness, Stanley Holloway, Sidney James, Alfie Bass, Marjorie Fielding, Edie Martin, John Salew, Ronald Adam, Arthur Hambling, Gibb McLaughlin, John Gregson, and Audrey Hepburn

The subject of this movie review is The Lavender Hill Mob, a 1951 British crime comedy. Directed by Charles Crichton, the film stars Sir Alec Guinness and Stanley Holloway in a story about a plot to steal gold bullion.

Henry Holland (Alec Guinness) is a dedicated bank clerk, and he regularly sees to the delivery of gold bullion to the bank where he works. But he wants more out of life. One day he happens upon an idea to get the gold for himself and brings in a small group of accomplices with him to pull off a robbery. Henry plots the theft of one million pounds of gold, and suddenly the meek Henry becomes “Dutch,” the leader of The Lavender Hill Mob. The heist is successful, but the best laid plans of mice and men. Slowly, the intricate plan begins to fall away by pieces, and just maybe the law is on to Dutch and the Lavender Hill Mob.

Many film fans consider The Lavender Hill Mob to be one of the three great Ealing Studios comedies. Studio writer T.E.B. Clarke won an Oscar® for this film’s screenplay, which it is clever and occasionally witty, but mostly dry. Director Charles Crichton has his moments – most of them in the last second half of the film: the Eiffel Tower descent, Henry and Pendlebury (Stanley Holloway) attempting to buy a cruise ship ticket, and the police car chase are among some of the best moments.

But the true star is Alec Guinness. By turns clever and subtle and droll and menacing, the film revolves around him, and he sells the entire thing. The film is not a great feat in directing or writing, but it is about a great actor who can so become a character that the audience buys into the character. Henry Holland is an interesting and intriguing fellow, and you may want to watch his every move. Sir Alec seems totally confident in what he’s doing before the camera. He’s the focal point, and the audience lives and dies with him, viewing the story entirely from Henry’s point of view. Many actors get us to buy into their characters because of the actors’ star power. Sir Alec did it by creating a character we want to know and through whom we want to live vicariously – a great performance that makes The Lavender Hill Mob memorable.

7 of 10
B+

NOTES:
1953 Academy Awards: 1 win: “Best Writing, Story and Screenplay” (T.E.B. Clarke) and l nomination: “Best Actor in a Leading Role” (Alec Guinness)

1952 BAFTA Awards: 1 win: “Best British Film” and 1 nomination: “Best Film from any Source”

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Review: "Return of the Jedi" is the Ultimate Summer Movie

TRASH IN MY EYE No. 139 (of 2004) by Leroy Douresseaux

Return of the Jedi (1983)
Running time: 134 minutes (2 hours, 14 minutes)
MPAA – PG
DIRECTOR: Richard Marquand
WRITERS: Lawrence Kasdan and George Lucas; from a story by George Lucas
PRODUCER: Howard Kazanjian
CINEMATOGRAPHER: Alan Hume (D.o.P.)
EDITORS: Sean Barton, Duwayne Dunham, and Marcia Lucas
COMPOSER: John Williams
Academy Award winner

SCI-FI/FANTASY/ACTION/ADVENTURE

Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, Ian McDiarmid, (voice) Frank Oz, (voice) James Earl Jones, David Prowse, Alec Guinness, Kenny Baker, and Denis Lawson

Return of the Jedi is a 1983 epic science fiction film and is the second sequel to the film, Star Wars (1977). It is also the concluding film in the original Star Wars trilogy. Personally, Return of the Jedi is the one for which I am most nostalgic.

The original Star Wars saga concluded with Return of the Jedi (also known as Star Wars Episode VI – Return of the Jedi). As the film begins, Luke Skywalker (Mark Hamill), Princess Leia Organa (Carrie Fisher), and Lando Calrissian (Billy Dee Williams) lead a charge to rescue Han Solo (Harrison Ford) from the gangster Jabba the Hutt, a giant, nasty, slug-like creature.

However, the fight against the Empire also continues. The Rebel Alliance has received sensitive data about the Empire’s new Death Star satellite, so our favorite rebels head for the Forest Moon of Endor on a mission to cripple the Death Star’s defense systems. But Luke must once again confront his father, Darth Vader, (David Prowse and voiced by James Earl Jones), the evil face of the empire, and Darth Vader’s master, The Emperor (Ian McDiarmid). Are the heroes walking into a carefully orchestrated trap, and will they win the day?

As with the other two original films, Return of the Jedi is a thrilling ride in the tradition of matinee serials, or serialized adventures in general. The film moves at a fast, brisk pace, and the script tightly and concisely moves through the plot. The film has two glaring weaknesses. First, some of the acting is terrible, and in a few scenes the actors deliver the dialogue with a total lack of inspiration. Secondly, the inclusion of the new characters, the Ewoks (basically a tribal group of human dwarf-size teddy bears), is a painfully obvious attempt to sell toys, because that’s what the Ewoks are – toys and merchandising.

Otherwise, Return of the Jedi is a very entertaining film; it is the least in terms of quality of the original trio, but it’s still great and fun entertainment. It gets better with age, especially when one considers that as the closing shot gives way to the credits, this signals the end of an era – the original cinematic run of the original Star Wars films.

8 of 10
A

NOTES:
1984 Academy Awards: 1 win: “Special Achievement Award” (Richard Edlund, Dennis Muren, Ken Ralston, and Phil Tippett for visual effects); 4 nominations: “Best Art Direction-Set Decoration” (Norman Reynolds, Fred Hole, James L. Schoppe, Michael Ford), “Best Effects, Sound Effects Editing” (Ben Burtt), “Best Music, Original Score” (John Williams), and “Best Sound” (Ben Burtt, Gary Summers, Randy Thom, and Tony Dawe)

1984 BAFTA Awards: 1 win: “Best Special Visual Effects” (Richard Edlund, Dennis Muren, Ken Ralston, and Kit West); 3 nominations: “Best Make Up Artist” (Phil Tippett and Stuart Freeborn), “Best Production Design/Art Direction” (Norman Reynolds), and “Best Sound” (Ben Burtt, Tony Dawe, and Gary Summers)

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Review: "The Empire Strikes Back" is Still the Best Film of 1980

TRASH IN MY EYE No. 81 (of 2004) by Leroy Douresseaux

The Empire Strikes Back (1980)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG
DIRECTOR: Irvin Kershner
WRITERS: Leigh Brackett and Lawrence Kasdan (from a story by George Lucas)
PRODUCER: Gary Kurtz
CINEMATOGRAPHER: Peter Suschitzky (D.o.P.)
EDITOR: Paul Hirsch
COMPOSER: John Williams
Academy Award winner

SCI-FI/FANTASY/ACTION/ADVENTURE/DRAMA
/THRILLER with elements of romance

Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Peter Mayhew, Kenny Baker, Frank Oz, Alec Guinness, Jeremy Bulloch, Clive Revell, Denis Lawson, Jason Wingreen (voice) and James Earl Jones (voice)

The Empire Strikes Back is a 1981 epic science fiction film and sequel to Star Wars (1977). The film continues the Star Wars saga and the adventures of Luke Skywalker, as the hero who destroyed the Death Star moves closer to his destiny.

After imperial forces destroy the rebel base on the ice planet Hoth, Luke Skywalker (Mark Hamill) leaves his associates to begin his Jedi training with the wizened and tiny Jedi master Yoda (Frank Oz). Meanwhile, Darth Vader (David Prowse with James Earl Jones voice) pursues Han Solo (Harrison Ford), Princess Leia Organa (Carrie Fisher), et al across space to capture them and use them as his bait for trap Skywalker, with whom he’s become obsessed.

Seeking safe refuge, Solo takes his friends to the Cloud City of Bespin, a mining operation run by a rival and “old friend,” Lando Calrissian (Billy Dee Williams). But Cloud City becomes the place where friends unite and face tragedy and where young Skywalker learns a secret too horrible to believe and almost too terrible to false.

Of the three original Star Wars film, The Empire Strikes Back is the best film in terms of quality of filmmaking. The writing, acting, and directing are much better, and director Irvin Kershner (who is otherwise known for his work directing TV series and movies) emphasizes the drama, whereas Star Wars creator George Lucas focused on making the original film more of a fun and rollicking movie in the tradition of the old movie serials. While Kershner’s film did not have the element of surprise that Lucas’ had, his movie (although he obviously had much guidance from Lucas) is better than Lucas’ in some aspects. It’s a darker film, but is still enthralling with its razor’s edge of tension. The thrills are still there, but The Empire Strikes Back also has an atmosphere of dread hanging over it, as if bad things simply must happen to the protagonists.

It’s simply a good film, and virtually anyone who likes, or at least, doesn’t mind watching sci-fi, fantasy, or space opera films will like this. But everything aside, while the film’s subject matter may seem frivolous, the filmmakers present it in such a fashion that this is truly one of the best-made films and most fun to watch movies of the late 20th Century. I’d recommend it and sing its praises even through the roar of a thousand of dissenting voices.

10 of 10

NOTES:
1981 Academy Awards: 2 wins: “Best Sound” (Bill Varney, Steve Maslow, Gregg Landaker, and Peter Sutton) and “Special Achievement Award” (Brian Johnson, Richard Edlund, Dennis Muren, and Bruce Nicholson for visual effects); 2 nominations: “Best Art Direction-Set Decoration” (Norman Reynolds, Leslie Dilley, Harry Lange, Alan Tomkins, and Michael Ford) and “Best Music, Original Score” (John Williams)

1981 BAFTA Awards: 1 win: “Anthony Asquith Award for Film Music” (John Williams); 2 nominations: “Best Production Design/Art Direction” (Norman Reynolds) and “Best Sound” (Peter Sutton, Ben Burtt, and Bill Varney)

1981 Golden Globes: 1 nomination: “Best Original Score - Motion Picture” (John Williams)

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Review: Original "Star Wars" is Still Powerful

TRASH IN MY EYE No. 67 (of 2004) by Leroy Douresseaux

Star Wars (1977)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – PG
WRITER/DIRECTOR: George Lucas
PRODUCER: Gary Kurtz
CINEMATOGRAPHER: Gilbert Taylor (D.o.P)
EDITORS: Richard Chew, Paul Hirsch, and Marcia Lucas
COMPOSER: John Williams
Academy Award winner

SCI-FI/ACTION/ADVENTURE/FANTASY

Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, James Earl Jones (voice), Phil Brown, and Shelagh Fraser

Star Wars is a 1977 epic science fiction film, specifically a space opera, which is a genre of science fiction literature. For a time, Star Wars was the highest grossing film in movie box office history (when not adjusted for inflation). I believe that the film’s special effects (revolutionary for its time) and narrative purity (how straightforward the plot and story were) are two of the main reasons the film was so popular and had broad audience appeal. Star Wars may be entertainment and escapist entertainment, at that, but there are elements, ideas, and characters that ring true and feel familiar to the viewer.

A long time ago, in a galaxy far, far away a young farm boy, Luke Skywalker (Mark Hamill), joins the rebellion against an evil galactic empire. It starts when his Uncle Owen (Phil Brown) buys two druids, C-3PO (Anthony Daniels) and R2-D2 (Kenny Baker), sent by a rebel leader, Princess Leia (Carrie Fisher), with a message and coded information to an old Jedi Knight, Ben/Obi-Wan Kenobi (Alec Guiness).

Luke joins Obi-Wan, and with the help of a rakish smuggler, Han Solo (Harrison Ford), and his hairy compatriot, Chewbacca (Peter Mayhew), they embark on a mission to rescue the princess. But waiting for them is the Empire’s most dangerous weapon, the Death Star, and its most fearsome thug, Darth Vader (David Prowse with James Earl Jones providing the voice), and Luke is in for the fight of his young life.

Much has been made of Star Wars since its appearance in the summer of 1977; the story behind the film’s production and how it almost never made it to the big screen is a popular part of Hollywood film lore. Star Wars officially ushered in the era of the blockbuster film, as its box office take set the standard by which studios judged a film’s success. The film’s special effects, though seemingly dated, were considered a landmark achievement in the late 70’s and inspired SFX artist to reach higher.

In terms of art, Star Wars is a great film no matter how you cut it. The story is simple and straightforward, but it also hits on many mythological themes that resonate with audiences from diverse backgrounds. It’s the ultimate popcorn movie – a fantastic time at the cinema. Fun to watch and occasionally heart-stopping, Star Wars is epitome of the matinee movie’s promise of thrills and chills. When the lights in the theatre dim, Star Wars begins and takes you on an extraordinary journey to another place and time.

10 of 10

NOTES:
1978 Academy Awards: 7 wins: “Best Art Direction-Set Decoration” (John Barry, Norman Reynolds, Leslie Dilley, and Roger Christian), “Best Costume Design” (John Mollo), “Best Effects, Visual Effects” (John Stears, John Dykstra, Richard Edlund, Grant McCune, and Robert Blalack), “Best Film Editing” (Paul Hirsch, Marcia Lucas, and Richard Chew), “Best Music, Original Score” (John Williams), “Best Sound” (Don MacDougall, Ray West, Bob Minkler, and Derek Ball), and “Special Achievement Award” (Benjamin Burtt Jr. for sound effects, for the creation of the alien, creature and robot voices); 4 nominations: “Best Actor in a Supporting Role” (Alec Guinness), “Best Director” (George Lucas), “Best Picture” (Gary Kurtz), and “Best Writing, Screenplay Written Directly for the Screen” (George Lucas)

1979 BAFTA Awards: 2 wins: “Anthony Asquith Award for Film Music” (John Williams) and “Best Sound” (Sam Shaw, Robert R. Rutledge, Gordon Davidson, Gene Corso, Derek Ball, Don MacDougall, Bob Minkler, Ray West, Michael Minkler, Les Fresholtz, Richard Portman, and Ben Burtt); 4 nominations: “Best Costume Design” (John Mollo), “Best Film,” “Best Film Editing” (Paul Hirsch, Marcia Lucas, and Richard Chew), and “Best Production Design/Art Direction” (John Barry)

1978 Golden Globes: 1 win: “Best Original Score - Motion Picture” (John Williams); 3 nominations: “Best Director - Motion Picture” (George Lucas), “Best Motion Picture – Drama,” “Best Motion Picture Actor in a Supporting Role” (Alec Guinness)

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