Review: "14 Blades" is Martial Arts with Western and Persian Stylings

TRASH IN MY EYE No. 41 (of 2014) by Leroy Douresseaux

14 Blades (2010)
Jin yi wei – original Chinese title
COUNTRY OF ORIGIN:  Hong Kong/China; Language:  Mandarin Chinese
Running time:  113 minutes (1 hour, 53 minutes)
Rating:  MPAA – R for violence and bloody images
DIRECTOR:  Daniel Lee
WRITERS:  Daniel Lee, Kwong Man Wai, Tin Shu Mak, and Ho Leung Lau; from a story by Daniel Lee and Siu Cheung Chan
PRODUCERS:  Xiang Dong, Zhang He-Yun, Zhang Hong, Si Jian-Jun, Zhao Ping, Xu Ping-An, Wang Qi-Shun, Yi'an Sun, Susanna Tsang, Tianyun Wang, and Cui Xiao-Wen
CINEMATOGRAPHER:  Cheung Tung Leung
EDITORS:  Ka Fai Cheung and Man To Tang
COMPOSER:  Henry Lai

MARTIAL ARTS/DRAMA/HISTORICAL

Starring:  Donnie Yen, Wei Zhao, Chun Wu, Kate Tsui, Yuwu Qi, Ma Wu, Kar-Ying Law, Xiang Dong Xu, Chen Zhi Hui, Sammo Hung, and Loi Kwan Kam

14 Blades is a 2010 martial arts (wuxia) and historical drama from director Daniel Lee.  The film, a co-production of China and Hong Kong, received a limited theatrical release in August 2014 after making a film festival appearance in 2011.  14 Blades focuses on an imperial secret agent who is hunted while he tries to stop a conspiracy against the Emperor.

14 Blades opens in China during the late Ming dynasty (a period taking place from 1368 to 1644).  It is a time when the imperial court is plagued by corruption, and the young emperor is incompetent and seems more interested in pleasure than in governing.  He is protected by the Jinyiwei (the Brocade Guard), a secret police force and clandestine royal guard.  They ensure peace and stability and have the authority to execute almost anyone.  Their leader is called Qinglong (Donnie Yen), and he carries with him the Fourteen Blades, a box containing 14 different steel blades with which he executes his duties... and people.

Far from the imperial Forbidden City, the Emperor's uncle, Prince Quing (Sammo Hung), hatches a conspiracy with the traitorous royal eunuch, Jia Jingzhong (Kar-Ying Law).  Their plot involves taking control of the Jinyiwei and betraying Qinglong.  They succeed, and Qinglong soon finds himself wounded, hunted, and on the run.  He finds shelter with Boss Yong Qiao (Ma Wu) and his men in the Justice Escort Agency.  Boss' daughter, Hua Qiao (Wei Zhao), becomes attracted to Qinglong and is determined to assist him in his fight to protect the Emperor and the country from chaos and destruction.

My summary of 14 Blades does not do this epic film justice.  There are enough supporting characters with their own causes and motivations to turn 14 Blades into a television miniseries.  However, the film's core, Qinglong, remains strong, and when the beautiful Hua is added, 14 Blades suddenly has heart, an emotional center to go with the lust for revenge and the film's blistering marital artist action.

Donnie Yen and Wei Zhao give heartfelt, deeply emotional, thoughtful, and strong performances.  They make everything about their respective characters:  external conflicts, internal struggles, motivations, ideals, wants, and love seem genuine and honest.  They are believable and likeable; they draw the viewer to this film.  In fact, like a superstar athlete does for his teammates, Yen and Zhao make their fellow actors betters.  Their characters make the other characters even more interesting and engaging.  I would love to see these two actors in another movie similar to 14 Blades or in a romantic drama.

14 Blades is obviously a martial arts film, but the film also has suggestions of an Ancient Persian romance and an American Western film.  The former comes through in some of the locales, in the costumes, and in certain musical strains in Henry Lai's score.  The latter is also suggested by some of the settings, but also by the staging of some scenes and sequences and in the poses and attitudes of both heroes and villains.  Most notable is the Clint Eastwood-like pose and attitude that Donnie Yen frequently strikes.

That makes 14 Blades something different, even if the story occasionally becomes a bit muddled.  Still, its colorful characters and lavish costumes; to say nothing of the flashy fight choreography makes this movie thoroughly enjoyable.  With its attractive lead couple, 14 Blades, while different enough to stand out from other marital arts films, tells a familiar story of love and bravery that will captivate audiences.

7 of 10
B+

Saturday, September 6, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Force of Execution" Has a Cap for Every Ass

TRASH IN MY EYE No. 82 (of 2013) by Leroy Douresseaux

Force of Execution (2013)
Running time:  99 minutes (1 hour, 39 minutes)
MPAA – R for strong violence throughout, sexual content/nudity and pervasive language
DIRECTOR:  Keoni Waxman
WRITERS:  Richard Beattie and Michael Black
PRODUCERS:  Nicolas Chartier, Phillip B. Goldfine, and Steven Seagal
CINEMATOGRAPHER:  Nathan Wilson
EDITOR:  Trevor Mirosh
COMPOSER:  Michael Richard Plowman

CRIME/ACTION/THRILLER

Starring:  Steven Seagal, Ving Rhames, Danny Trejo, Bren Foster, Jenny Gabrielle, David House, Eric Steinig, Jermaine Washington, J.D. Garfield, Cajardo Lindsey, Marlon Lewis, Andy Brooks, and Jesus Jr.

Force of Execution is a 2013 action and crime thriller from director Keoni Waxman.  Starring Steven Seagal and Ving Rhames, Force of Execution focuses on a war between a crime boss concerned about his legacy and the new boss who wants to take his place.

Mob kingpin Mr. Alexander (Steven Seagal) is an old-school boss – the kind who rules his criminal empire with nobility as well as brutality.  His protégé is Roman Hurst (Bren Foster), a skilled fighter and hit man.  Alexander assigns to Hurst a simple prison hit that goes wrong, and Hurst is forced to pay a price for his “failure.”

Later, challenges to Alexander’s power arise on two different fronts.  The first is a cold-blooded gangster known as “The Iceman” (Ving Rhames) or simply, “Ice.”  Ice is a kind of prince of a powerful street gang, and he soon begins to consolidate power, using murder and mayhem strategically.  The second group of rivals is a merciless Mexican cartel, led by a man known as Cesare (J.D. Garfield).  As these groups divide and fight over territory, the body count rises.  A shadow player, Oso (Danny Trejo), ex-con and cook, has a few hidden moves of his own.  He is helping the man who may well decide the winner of this citywide gangway find redemption and healing.

Force of Execution is by no means a great movie, but it is a surprisingly entertaining crime flick.  It is kind of like a clunky version of a Hong Kong action movie/shoot ‘em up.  Force of Execution’s biggest problem is in the writing.  Like Brooklyn’s Finest or the recent Pawn, Force of Execution has a screenplay that would work better if it were the basis for a television series.  This movie has a lot of good characters, but writers Richard Beattie and Michael Black squeeze them into a storytelling timeframe that is not adequate for allowing several characters to emerge and to fully develop, at least not the way a television series would.

Still, the script seems tailored made to let Steven Seagal, Ving Rhames, and Danny Trejo portray the kind of on-the-edge, crazy characters that movie fans want to see these actors play.  Older and pudgier, Seagal does not have to move very fast to be a convincing bad ass, and he can still kick some ass.  As far as I’m concerned, Danny Trejo is always a good thing.  There is always a little bit more to his characters than is obvious, and in this movie, that little bit more involves a kind of person called a “curandero.”

As for Ving Rhames:  well, as The Iceman, he calls everybody “nigger.”  I love a movie that lets niggas call niggas “niggas,” and here, Ving Rhames calls blacks, whites, browns, etc. “nigger,” when he is feeling jolly and little bit dangerous.  As Ice, Rhames has this movie’s best dialogue, and he makes good use of it.

I do wish the story had a better focus on Bren Foster’s Ramon Hurst.  Foster is good in the fight scenes, although he needs to improve as a dramatic actor.  Still, Foster would be a good choice to play the lead if some studio remade a classic Seagal flick like Marked for Death or Out for Justice.

Force of Execution is enjoyable.  It’s fun to watch Seagal beat people up and throw them into furniture and stacks of whatever is nearby.  Hand-to-hand combat does not take a backseat to gunplay, and the executions do have force behind them.  I wouldn’t mind at sequel to Force of Execution, at all.

6 of 10
B

Monday, December 16, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

"The Howling Reborn" Now on DVD

A legendary horror franchise that redefined a genre returns to scare a new generation...

ANCHOR BAY FILMS “BAYS” AT THE MOON WITH THE HOWLING REBORN ON BLU-RAY™ AND DVD

A New Moon Rises October 18th

Get ready to run with the pack again, as Anchor Bay Entertainment unleashes The Howling Reborn October 18th on Blu-ray™ and DVD. An all-new, original chapter directed by Joe Nimziki, the much anticipated Anchor Bay Films release stars Lindsey Shaw (“Pretty Little Liars,” “10 Things I Hate About You”), Landon Liboiron (Fox’s upcoming series “Terra Nova,” “Degrassi: The Next Generation”) and Ivana Milicevic (Casino Royale, Vanilla Sky). Described within industry circles as “Twilight with bite,” The Howling Reborn deftly combines romance, action and thrills that will have audiences worldwide embracing their inner lycanthrope! SRP is $26.98 for the DVD, and $29.99 for the Blu-ray™. Pre-book is September 21st.

Anchor Bay SVP of Marketing Jennifer Roberts stated: “We couldn’t be more thrilled with the picture, and are excited to get “The Howling: Reborn” out as quickly as possible for this Halloween. We truly believe this picture will re-launch the franchise and lead to even bigger and better new chapters ahead.”

The creatures for The Howling Reborn were brought to life by 2010 Academy-Award® nominee Adrian Morot (300, Night at the Museum 2), and the score produced by award-winning composer Klaus Badelt (Gladiator, Pirates of the Caribbean).

On the eve of his high school graduation, Will Kidman (Liboiron) finally looks up from his books to catch the eye of the girl he’s longed for the last four years –the mysterious Eliana Wynter (Shaw). He’s always been the shy kid, flying under the radar, but when he discovers a dark secret from his past— that he is heir to a powerful line of werewolves -- he finds he has a choice to make between succumbing to his primal nature, or turning against his own, and maintaining his humanity. In order to fight the destiny of his legacy, and save Eliana – as well as himself – he must battle not only his growing blood lust but an army of fearsome beasts bent on killing him, Eliana...and then, us all.

Bonus features on The Howling Reborn Blu-ray™ and DVD will include filmmakers’ commentary and a behind-the-scenes featurette.

The Howling began enthralling fans more than 30 years ago, with the 1977 publication of Gary Brandner’s best-selling novel and the 1981 film adaptation written by Academy Award® nominated screenwriter John Sayles (Lone Star, The Spiderwick Chronicles) and directed by Joe Dante (Gremlins, InnerSpace). The film’s success ushered in a new era of screen werewolves, as well as the six “Howling” sequels that followed.


About Anchor Bay Films
Anchor Bay Films is unique in that it offers the creative community a fully integrated distribution capability on all platforms and an international solution extending beyond the U.S. Anchor Bay Films is a division of Anchor Bay Entertainment and is on the ground providing quality distribution with operations in the U.S., United Kingdom, Canada and Australia, as well as distribution capabilities in other key territories. The company focuses on a platform release strategy for its films with an eye toward maximizing their potential across all ancillary distribution platforms. The company recently released the critically acclaimed comedy City Island starring Andy Garcia and Solitary Man starring Michael Douglas, Kill the Irishman starring Ray Stevenson, Vincent D’Onofrio, Val Kilmer, Christopher Walken, as well as Sundance Audience Award Winner happythankyoumoreplease starring Josh Radnor, Malin Akerman, Kate Mara, Zoe Kazan and Tony Hale. Upcoming releases include, Meet Monica Velour with Kim Cattrall and Toronto International Film Festival award-winner Beautiful Boy with Maria Bello and Michael Sheen. Anchor Bay Entertainment is a subsidiary of Starz Media, LLC (http://www.starzmedia.com/) which is a controlled subsidiary of Liberty Media Corporation attributed to the Liberty Starz tracking stock group.

Six Visions of Hell in Upcoming "Dante's Inferno: An Animated Epic"

From EA and Starz Media:

New Film Roman release brings together six animation studios' visions of hell...


What is hell?

Throughout the years, artists have tried to answer that question and through their eyes, we've been able to match images to a "place" that we hope to never see for ourselves.

Two new interpretations of hell are about to be introduced, both based on one of the most classic: Dante's Inferno. A video game named after Dante Alighieri's 14th Century epic poem, is being released by EA on February 9 simultaneously with Dante's Inferno: An Animated Epic, from top animation studio Film Roman (part of "Spartacus: Blood and Sand" producer Starz Media). Both follow Dante as he literally takes a journey to hell and back, visiting the nine circles of the inferno in order to save his true love, Beatrice, who has been taken from him by the devil.

Film Roman, a studio known for it's work animating Fox’s The Simpsons and Cartoon Network’s Marvel Superhero Squad (in addition Hellboy Animated and a prequel film in conjunction with EA's 2008 hit game Dead Space), brought together some of the top anime/animation talent in the world to create the film. Different studios including Production IG (Kill Bill animated sequence), Dongwoo (Batman: Gotham Knight), Manglobe (Ergo Proxy, Samurai Champloo), JM Animation (“Avatar: The Last Airbender”) in fact contributed their visions of the nine circles of hell - Limbo, Lust, Gluttony, Greed, Anger, Heresy, Violence, Fraud, and Treachery - and the end result is amazing.

By employing a range of animation studios steeped in the anime tradition, Film Roman and EA created a completely unique vision of this epic, with each circle of hell having a distinct look and tone. While this gives it a modern twist, the feature still stays true to the original elements of the poem. To highlight the feature’s unique artistic signature, the Dante’s Inferno: An Animated Epic DVD and Blu-ray™ - being released February 9 by Starz Media company Anchor Bay - boasts six limited edition customized covers specially created by the six participating animation studios.

Dante’s Inferno: An Animated Epic is sure to delight all gamers and fan boys as well, but voice-over work by Mark Hamill (Star Wars), Victoria Tennant (Legend of the Mummy), Vanessa Branch (Pirates of the Caribbean), and Graham McTavish (Prison Break) as Dante, give this production extra dramatic depth and the literary source material makes this a project that will appeal to an unusually broad range of adult audiences. [END]