Academy Award® Nominees Hit Cinemas Nationwide from the NT Live Stage with Andrew Garfield in ‘Angels in America’ and Jude Law in ‘Obsession,’ for Three Days This Summer
Two Hit Stage Productions Light Up the Big Screen in Exclusive Programming from National Theatre Live in May and July
DENVER--(BUSINESS WIRE)--Love, temptation and fear will captivate moviegoers as Fathom Events, BY Experience and National Theatre Live partner to bring the best of the stage to U.S. cinemas with “NT LIVE: Obsession” on May 11, 2017 and “NT LIVE: Angels in America” on July 20 and 27, 2017 all captured live each day.
.@FathomEvents News: Jude Law and Andrew Garfield Hit the Big Screen in Obsession and Angels in America from #NTLive
Tickets for “NT LIVE: Obsession” and “NT LIVE: Angels in America” can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in more than 500 select movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change).
“Obsession” features Jude Law (“The Young Pope”) in a tale of adultery and crime full of passion and destruction in this one-night event on Thursday, May 11 at 7:00 p.m. local time. Law stars as the handsome, down-on-his-luck Gino in the new stage adaptation of Visconti’s penetrating social drama directed by Tony Award®-winner Ivo van Hove (“Hedda Gabler,” “A View from the Bridge”). Drifter Gino encounters Giuseppe and his much younger, trapped wife Giovanna at their roadside restaurant and petrol station. He and Giovanna are so irresistibly attracted to one another they begin an affair while plotting to murder her husband. But the crime does not unite them in this chilling story where passion can lead only to destruction. Broadcast from the prestigious Barbican Theatre, “Obsession” marks Law’s first London theatre performance in four years.
Andrew Garfield (“Silence,” “Hacksaw Ridge”) stars in “Angels in America,” a story set in New York during the 1980s AIDS crisis in a conservative America, as people fight for their lives. “Angels in America” will be broadcast in two parts; “Part 1: Millennium Approaches” on Thursday, July 20 at 7:00 p.m. local time and “Part 2: Perestroika” on Thursday, July 27 at 7:00 p.m. local time. Andrew Garfield plays Prior Walter alongside cast including Denise Gough (“People, Places and Things”), Nathan Lane (“The Producers”), James McArdle (“Star Wars: The Force Awakens”) and Russell Tovey (“The Pass”).
This new staging of Tony Kushner’s multi award-winning two-part play is directed by Olivier® and Tony Award-winning director Marianne Elliott (“The Curious Incident of the Dog in the Night-Time” and “War Horse”). “Part One: Millennium Approaches” was first performed at the National Theatre in 1992 and was followed by “Part Two: Perestroika” the following year.
“National Theatre Live continues to make some of the best stage shows with the biggest names accessible to cinema audiences,” Fathom Events Vice President of Programming Kymberli Frueh said. “Theatre fans of all kinds will appreciate these two compelling shows from the ‘best seats in the house’ – at their local movie theater.”
About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema with participating affiliate theaters in all 100 of the top Designated Market Areas®, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events such as live, high-definition performances of the Metropolitan Opera, dance and theatre productions like the Bolshoi Ballet and National Theatre Live, sporting events like Copa America Centenario, concerts with artists like Michael Bublé, Rush and Mötley Crüe, the yearlong TCM Big Screen Classics film series and inspirational events such as To Joey With Love and Kirk Cameron’s Revive US. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 896 locations and 1,383 screens in 181 DMAs. For more information, visit www.fathomevents.com.
About BY Experience
BY Experience kicked off the digital revolution of live events to movie theaters and other locations globally with David Bowie’s 2003 Reality album launch and since then, over 30 million tickets have been sold worldwide for cinema events BY Experience has distributed globally. Current cinema series credits: Distribution Representative, The Met: Live in HD (Worldwide; since 2006), the UK’s National Theatre Live (Ex-UK; since 2009), Bolshoi Ballet (North America; since 2014). BY Experience has executive produced and/or distributed several diverse programs for cinema including numerous rock concerts, radio programs, fine art exhibits other special content events including national theatrical re-releases of classic and in some cases fully restored films such as “The Breakfast Club” (30th anniversary), “My Fair Lady” (50th), “Oklahoma!” (60th), and “Fantasia” (75th). BY Experience distributes to over 70 countries, to over 3,000 movie screens. www.byexperience.net.
About National Theatre Live
National Theatre Live launched in June 2009 with a broadcast of the National Theatre production of Phèdre with Helen Mirren. The company has since broadcast more than 50 other productions live, from both the National Theatre and from other theatres in the UK. NT Live broadcasts have now been experienced by over 6 million people in over 2,000 venues around the world, including over 700 venues in the UK alone. Past broadcasts from the National Theatre have included Danny Boyle’s Frankenstein with Benedict Cumberbatch and Jonny Lee Miller; War Horse; Man and Superman with Ralph Fiennes; and most recently Peter Shaffer’s Amadeus. Broadcasts from other UK theatres include Les Liaisons Dangereuses and Coriolanus from the Donmar Warehouse; A View from the Bridge from the Young Vic; Macbeth from the Manchester International Festival; and Hangmen, Skylight, The Audience and No Man’s Land from London’s West End. The biggest single broadcast to date is Hamlet with Benedict Cumberbatch at the Barbican, which has been seen by over 600,000 people. In 2014 the National Theatre recorded its first production on Broadway, Of Mice and Men with James Franco and Chris O’Dowd, captured at the Longacre Theatre.
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Showing posts with label Andrew Garfield. Show all posts
Showing posts with label Andrew Garfield. Show all posts
Saturday, March 18, 2017
Sunday, February 26, 2017
Casey Affleck Wins "Best Actor" Oscar
Actor in a Leading Role
Nominees
Casey Affleck - Manchester by the Sea - WINNER
Andrew Garfield - Hacksaw Ridge
Ryan Gosling - La La Land
Viggo Mortensen - Captain Fantastic
Denzel Washington - Fences
Nominees
Casey Affleck - Manchester by the Sea - WINNER
Andrew Garfield - Hacksaw Ridge
Ryan Gosling - La La Land
Viggo Mortensen - Captain Fantastic
Denzel Washington - Fences
Monday, August 31, 2015
About This Movie: "99 Homes" Starring Andrew Garfield and Michael Shannon
99 HOMES
Release: September 25, 2015
CLIP: Watch Carver lay his cards on the table and explain to Nash how America really works in "I’m Not Gonna Drown": https://www.youtube.com/watch?feature=youtu.be&v=ehlHN0A6FxI&app=desktop
Director: Ramin Bahrani
Screenplay by: Ramin Bahrani & Amir Naderi
Story by: Ramin Bahrani & Bahareh Azimi
Cast: Andrew Garfield, Michael Shannon, Tim Guinee and Laura Dern
Produced by: Ashok Amritraj, p.g.a., Ramin Bahrani, p.g.a., Kevin Turen, p.g.a., Justin Nappi
Executive Producer: Manu Gargi
Runtime: 112 minutes
Rating: R
Synopsis: Ruthless and charismatic businessman, Rick Carver (Academy Award® nominee Michael Shannon), is making a killing by repossessing homes and gaming the real estate market. When he evicts Dennis Nash (Andrew Garfield), a single father trying to care for his mother (Academy Award® nominee Laura Dern) and young son (newcomer Noah Lomax), Nash becomes so desperate to provide for his family that he goes to work for Carver – the very man who left them homeless in the first place. Carver promises Nash a way to regain his home and earn security for his family, but slyly seduces him into a lifestyle of wealth and glamour. It is a deal-with-the-devil that comes with an increasingly high cost. On Carver’s orders, Nash must evict families from their homes – an undertaking that grows more brutal and dangerous than he ever imagined.
Website: http://www.99homesmovie.com/
Facebook: https://www.facebook.com/99homesmovie?fref=ts
Twitter: https://twitter.com/99HomesMovie
Instagram: https://instagram.com/99homesmovie/
YouTube: https://www.youtube.com/watch?v=sfttvNCIJvE
Hashtag: #99homes
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Monday, January 12, 2015
Ridley Scott, Alex Gibney Have Pilots for Amazon's First Pilot Season of 2015
Amazon’s First Pilot Season of 2015, Featuring Slate of 13 Original Comedy, Drama, Docuseries and Kids Offerings, will Debut January 15 on Amazon Instant Video in the US, UK and Germany
Seven new comedy, drama and docu-series pilots will be available including hour-long shows Cocked, Mad Dogs, Man in the High Castle and Point of Honor, half hour shows Down Dog and Salem Rogers, and half hour docu-series The New Yorker Presents
Six new kids pilots will be available including preschool projects Buddy: Tech Detective, Sara Solves It and The Stinky & Dirty Show, as well as 6-11 animated show Niko and the Sword of Light, and 6-11 live-action shows Table 58 and Just Add Magic
Pilots come from a talented creative roster including Ridley Scott (Blade Runner), Frank Spotnitz (The X-Files), Carlton Cuse (Lost), Randall Wallace (Braveheart), Shawn Ryan (The Shield), Brad Silberling (Jane the Virgin, Lemony Snickets…), Mark Waters (Mean Girls), Academy and Emmy Award winning director Alex Gibney (The Armstrong Lie), Angela Santomero (Blue’s Clues), and Carol Greenwald (Arthur)
SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon Studios announced it will debut its first pilot season of 2015 on Thursday, January 15, 2015 on Amazon Instant Video in the US, UK and Germany. Seven drama and comedy pilots will premiere, including hour-long shows Cocked from Samuel Baum (Lie to Me) and Sam Shaw (Manhattan – TV series), Mad Dogs from Cris Cole (The Bill) and Shawn Ryan (The Shield), Man in the High Castle from Frank Spotnitz (The X-Files), and Point of Honor from Carlton Cuse (Lost) and Randall Wallace (Braveheart). In addition, pilots for two half hour shows will debut, including Down Dog from Robin Schiff (Are You There, Chelsea?) and Salem Rogers from Will Graham (Onion News Network) and newcomer Lindsey Stoddart, along with a documentary series, The New Yorker Presents, inspired by non-fiction and fiction material from one of the most acclaimed and longest running publications, The New Yorker. The New Yorker Presents is Executive Produced by Oscar and Emmy-winning documentarian Alex Gibney (The Armstrong Lie).
“We look forward to seeing our customers’ response to these new projects.”
Four animated kids pilots—Buddy: Tech Detective, The Stinky & Dirty Show, Sara Solves It, Niko and the Sword of Light—will join two live-action kids pilots—Table 58 and Just Add Magic—from a brilliantly talented roster of creative talent including May Chan (Phineas & Ferb), Carol Greenwald (Arthur), Jennifer Hamburg (Daniel Tiger’s Neighborhood), Rob Hoegee (Generator Rex), Guy Toubes (The Adventures of Chuck & Friends), Angela Santomero (Creative Galaxy), and Joanna Lewis & Kristine Songco (Sullivan & Son).
Customers will once again be invited to watch and provide feedback on the shows they want to see turned into full series. All pilots will be available via the Amazon Instant Video app on Amazon Fire TV, Fire TV Stick, Fire tablets, Fire phone, iPad, iPhone, iPod Touch, Roku, Xbox, PlayStation, Wii, as well as hundreds of other connected devices such as smart TVs—or customers can visit Amazon.com/AIV to watch online.
“We are working with great storytellers on some fascinating ideas for the year’s first pilot season,” said Roy Price, Vice President, Amazon Studios. “We look forward to seeing our customers’ response to these new projects.”
Amazon’s comedy and drama pilots include:
Cocked
Created by Samuel Baum (Lie to Me) and Sam Shaw (Manhattan – TV series), Cocked stars Sam Trammell (True Blood) as Richard Paxson, a family man and corporate lap dog who left his family in rural Colorado twenty years before and vowed never to go back. After some unfortunate circumstances, he is forced to leave the big city and return home to help his family’s gun business—one of the oldest in the country. But no good deed goes unpunished. Older brother Grady Paxton, played by Jason Lee (My Name is Earl), who’s a bachelor, playboy and gun aficionado, isn’t so happy to have him back, and Richard’s liberal wife and two opinionated teenage children are horrified by the world they have been thrown into. Hilarity, epic fights and emotional breakdowns ensue. Cocked also stars Tony award-winning Brian Dennehy (Death of a Salesman) as Wade Paxson and Laura Fraser (Breaking Bad) as Hannah Paxson, and Dreama Walker (The Good Wife) as Tabby Paxson. The hour-long dark comedy pilot was directed by Jordan Vogt-Roberts (Skull Island), and Erwin Stoff (Unbroken) and Baum are Executive Producers.
Down Dog
Blessed with good looks, a winning smile, hippie parents, and a Southern California upbringing, life has been relatively easy thus far for Logan Wood (played by Josh Casaubon, I Just Want My Pants Back). In his late 30's, having coasted through romances with countless women and various random jobs, he now teaches yoga to the trophy wives, hot moms and aspiring celebrities of Santa Monica and Venice Beach. But when Logan and his current girlfriend, a successful and attractive older woman named Amanda (played by Paget Brewster, Criminal Minds) who happens to be the owner of the yoga studio, break up, life starts to get more complicated. Down Dog also stars Lyndsy Fonseca (How I Met Your Mother), Will Greenberg (Halt and Catch Fire), Andrea Savage (The Life and Times of Tim), Amir Talai (American Dad), Kris Kristofferson (Lone Star), and Alysia Reiner (Orange is the New Black). The pilot was written by Robin Schiff (Are You There, Chelsea?), produced by Bob Cooper (RFK) and Michael Fuchs (Death in the Modern Age), and directed by Bradley Silberling (Lemony Snicket’s A Series of Unfortunate Events).
Mad Dogs
Mad Dogs is an hour-long dark comedy created by Cris Cole (The Bill), and Executive Produced by Cole, Shawn Ryan (The Shield) and Marney Hochman (Last Resort), Andy Harries (DCI Banks), Suzanne Mackie (All in Good Time), and Charles McDougall (The Mindy Project). Based on the hit UK series, Mad Dogs follows the twisted reunion of a group of underachieving forty-something friends—a mixture of single, married and recently divorced—who are all at different crossroads in their lives. Celebrating the early retirement of an old friend at his gorgeous Belize villa, grudges begin to emerge and secrets explode as their trip becomes a labyrinthine nightmare of lies, deception and murder. Mad Dogs is a twisted tale of friendship put to the ultimate test. As an inconceivable chain of events unfolds, cracks within the group widen before the friends realize that the only people they can trust are each other, the last people they want to be relying on. The pilot stars Steve Zahn (Dallas Buyers Club) as Cobi, Billy Zane (Twin Peaks) as Milo, Romany Malco (Weeds) as Gus, Michael Imperioli (The Sopranos) as Lex and Ben Chaplin as Joel. Mad Dogs is directed by McDougall and is being co-produced with Sony Pictures Television.
The Man in the High Castle
Based on Philip K. Dick's Hugo Award-winning 1962 alternative history, The Man in the High Castle considers the question of what would have happened if the Allied Powers had lost World War II. Almost 20 years after that loss, the United States and much of the world has now been split between Japan and Germany, the major hegemonic states. But the tension between these two powers is mounting, and this stress is playing out in the western U.S. Through a collection of characters in various states of posing (spies, sellers of falsified goods, others with secret identities), The Man in the High Castle provides an intriguing tale about life and history as it relates to authentic and manufactured reality. The hour-long dramatic pilot stars Alexa Davalos (Mob City) as Juliana Crain, Luke Kleintank (Pretty Little Liars) as Joe Blake, Rupert Evans (The Village) as Frank Frink, Cary-Hiroyuki Tagawa (Mortal Kombat Legacy) as Tagomi, Joel De La Fuente (Hemlock Grove) as Inspector Kido, Rufus Sewell (Eleventh Hour) as John Smith and DJ Qualls (Z Nation) as Ed McCarthy. The pilot was directed by David Semel (Madam Secretary, Heroes) and written by Frank Spotnitz (The X-Files), both serving as Executive Producers. Also executive producing are Ridley Scott (Blade Runner) and David W. Zucker (The Good Wife), with co-executive producer Jordan Sheehan of Scott Free Productions (The Good Wife, The Andromeda Strain), and Executive Producers Stewart Mackinnon and Christian Baute of Headline Pictures (The Invisible Woman). In addition, Isa Dick Hackett will executive produce and Kalen Egan will co-executive produce on behalf of Electric Shepherd (The Adjustment Bureau). Christopher Tricarico (May in the Summer) is also Executive Producer.
The New Yorker Presents
America’s most award-winning magazine comes to life in this half hour docu-series pilot. The New Yorker Presents is a completely unique viewing experience that features Tony-Award winner Alan Cumming (The Good Wife) and actor Brett Gelman (Go On) in a short film based on a story by Simon Rich (Saturday Night Live) and directed by Emmy Award-winning director Troy Miller (Arrested Development); a poem by Matthew Dickman and narrated by Andrew Garfield (The Amazing Spiderman); a documentary by Academy Award-winning director Jonathan Demme (The Silence of the Lambs) about biologist Tyrone Hayes based on a Rachel Aviv article; and an interview with famous performance artist, Marina Abramović, conducted by The New Yorker writer Ariel Levy. Academy Award-winning documentarian Alex Gibney (Taxi to the Dark Side) is Executive Producer, joined by Dave Snyder (Death Row Stories) and Dawn Ostroff (The Fashion Fund). The pilot is co-produced by Condé Nast Entertainment and Jigsaw Productions.
Point of Honor
At the start of the Civil War, a Virginia family, led by their West Point bred son, John Rhodes (played by Nathan Parsons, True Blood), makes the controversial decision to defend the South while freeing all of their slaves. At battle against his northern brethren and his best friend and brother-in-law Robert Sumner (played by Christopher O’Shea, Baby Daddy), John leaves his three strong-willed sisters at home to run the plantation that is now without a free labor source. The choice to protect the life they have always known and defend the moral high ground will pit the family against one another and test their strength, courage and love. An hour-long drama shot entirely on-location in historic Virginia, Point of Honor also stars Annabelle Stephenson (Revenge) as Kate Rhodes, Riley Voelkel (The Newsroom) as Lorelei Rhodes, Hanna Mangan Lawrence (Old School) as Estella Rhodes, Patrick Heusinger (Revolution) as Colonel Palmer Kane, Luke Benward (Ravenswood) as Garland Rhodes, Adrienne Warren (Black Box) as Abby, Lucien Laviscount (Waterloo Road) as Elijah, and James Harvey Ward (Low Winter Sun) as Cutler. The pilot was directed by Randall Wallace (Braveheart), written by Carlton Cuse (Lost) and Wallace, and Executive Produced by Cuse, Wallace and Barry Jossen (Sex and the City). Point of Honor is a co-production with ABC Signature Studios.
Salem Rogers
A half-hour comedy, Leslie Bibb (About a Boy) plays Salem Rogers, an overly confident, blunt, hard-partying former supermodel who is forced to face her past and re-enter the real world after ten years in a posh rehab center. Intent on recreating her glamorous lifestyle and modeling success, she tracks down Agatha (played by Rachel Dratch, Saturday Night Live), her former assistant who has since built a career as an author of self-help books to help her win back the spotlight. Salem Rogers also stars Jane Kaczmarek (Malcolm in the Middle), Brad Morris (Playing House), Harry Hamlin (Mad Men), Toks Olagundoye (The Neighbors), and Scott Adsit (30 Rock). The pilot was written by newcomer Lindsey Stoddart, Executive Produced by Will Graham (The Onion News Network) and directed by Mark Waters (Mean Girls). Salem Rogers was submitted to Amazon as part of the studio’s open screenplay submission process.
Amazon’s original kids pilots include:
Buddy: Tech Detective (for preschool-aged children)
Based on an original idea by Chris Dicker (What’s Your News?) and created by Jon Burton (The Lego Movie), Dicker and Jocelyn Stevenson (Fraggle Rock), and developed for television by Jennifer Hamburg (Daniel Tiger’s Neighborhood, Henry Hugglemonster), Buddy: Tech Detective is an exciting preschool whodunit that follows super-sleuth Buddy, his inventor best friend Trudy, the funny furry ferret Ferdo and you, the smarty-pants viewer! Using a myriad of interactive technologies, Buddy and his team gather evidence, follow cues and crack the case. The project is a TT Animation/The Foundation (a part of Zodiak Kids) production, and is animated by Jellyfish Animation Limited.
Sara Solves It (for preschool-aged children)
This animated musical comes from the talented minds of Carol Greenwald (Arthur, Martha Speaks, Curious George), and Angela C. Santomero (Super Why, Blue’s Clues, Daniel Tiger’s Neighborhood, Creative Galaxy, Wishenpoof!) with animation production handled by DHX (Martha Speaks, Kid vs. Kat, Inspector Gadget). Produced by WGBH and Out of the Blue Enterprises with Greenwald, Santomero and Samantha Freeman executive producing, Sara Solves It follows 9-year-old whiz kid Sara and her younger brother Sam as they work together in order to solve mysteries in their apartment building, at school and beyond using creative problem solving! Each mystery is an interactive problem, steeped in musical goodness. In this first episode, viewers will use math and music in a creative way as they help Sara and Sam solve the cheesiest pizza mystery!
The Stinky & Dirty Show (for preschool-aged children)
The Stinky & Dirty Show, based on the “I Stink!” book series by Kate & Jim McMullan, is written by Guy Toubes (The Adventures of Chuck & Friends, Littlest Pet Shop, Hi Hi Puffy AmiYumi) and animated by Brown Bag Films, Ltd (Peter Rabbit, Octonauts, Doc McStuffins). The Stinky & Dirty Show follows the adventures and mishaps faced by best friends and unlikely heroes, Stinky the garbage truck and Dirty, the backhoe loader. Whether it’s rescuing their pal Mighty the tugboat, or moving a giant boulder blocking the highway in their town of Go City, Stinky & Dirty are a dynamic duo of resourcefulness who make plenty of mistakes along the way. For them, hilariously failing turns out to be the most fun path to success.
Niko and the Sword of Light (for children ages 6-11)
Niko and the Sword of Light is based on the motion graphic comic by Imaginism Studios, Inc., the studio behind character and concept designs for Tim Burton’s Alice in Wonderland and Men in Black 3, and Studio NX (The Carrot and Rabbit Show, Tree Fu Tom). Written by Rob Hoegee (Generator Rex, League of Super Evil, Storm Hawks, Teen Titans) and animated by Titmouse (Motorcity, Metalocalpyse, Turbo FAST, Randy Cunningham: 9th Grade Ninja), Niko and the Sword of Light follows ten-year-old Niko who is the last of his kind in a strange, fantastical world. He must embark on an epic quest to defeat the darkness and bring the light back to his land. Armed with his magic sword, brave Niko journeys to the Cursed Volcano, making new friends and powerful foes along the way, all while uncovering secrets about his mysterious past. Tom Kenny (SpongeBob SquarePants) and Jim Cummings (Shrek) lend their vocal talent.
Table 58 (for children ages 6-11)
Written by May Chan (Phineas & Ferb, Bucket & Skinner’s Epic Adventures), Table 58 is a single-camera live-action pilot directed by Gil Junger (10 Things I Hate About You, Greek). In Table 58, they’re not a part of the popular crowd, and they’re not a part of the geek crowd. The only thing they’re a part of is Table 58: the odd table in the lunchroom, made up of kids from all different cliques who have been ousted from the table where they seemingly belong. When new kid Logan moves to town, he rallies the group of six mismatched middle schoolers to form a tenuous partnership in order to help each other get back to their rightful place in the cafeteria. The project stars Grace Kaufman (Bad Teacher), Johnnie Ladd (Melissa & Joey), Jacob Melton (The Middle), Nathaniel Potvin (Girl Meets World), Juliana Rigolioso (The Smurfs), and Zack Shires (Wilfred).
Just Add Magic (for children ages 6-11)
Based on Cindy Callaghan’s young adult book of the same name and adapted by Joanna Lewis & Kristine Songco (Sullivan & Son, Fairly Odd Parents, My Little Pony), Just Add Magic is a single-camera live-action pilot directed by Joe Nussbaum (George Lucas in Love, Awkward). The story centers on Kelly Quinn and her two BFF’s, Darbie and Hannah, who stumble upon her grandmother’s mysterious cookbook in the attic and discover it has some interesting recipes. The Shut’em Up Shortcake actually silences Kelly’s pesky little brother and when the Healing Hazelnut Tart quickly heals Darbie’s ankle, the girls discover they have the power of magic. The project stars Olivia Sanabia (Extant), Abby Donnelly (Suburgatory), Aubrey Miller (Austin & Ally), and Judah Bellamy (Home).
About Amazon Studios
Amazon Studios most recently debuted its dramatic comedy Mozart in the Jungle from Roman Coppola, Jason Schwartzman, Paul Weitz, John Strauss and Alex Timbers as well as Jill Soloway’s critically acclaimed and Golden Globe nominated dark comedy Transparent; its first live-action series for kids 6-11, Gortimer Gibbon’s Life on Normal Street; and a second season of the Garry Trudeau political comedy Alpha House. The studio has also launched three additional children’s series, the Annecy International Animated Film Festival Award-winning and Annie Award-nominated Tumble Leaf from Bix Pix Entertainment; Creative Galaxy from Angela Santomero and Out of the Blue Enterprises, the creators of Blue’s Clues; and Annedroids, from Emmy nominated Sinking Ship Entertainment.
Amazon Studios has also announced four additional, original series to debut in 2015 including Michael Connelly’s Bosch; Hand of God from Marc Forster and Ben Watkins; Red Oaks from Steven Soderbergh, David Gordon Green, Greg Jacobs and Joe Gangemi; and kids series Wishenpoof! from Angela Santomero and Out of the Blue Enterprises; as well as a second season of Transparent.
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Anyone can upload a script online and Amazon Studios will read and review all submissions. Those who choose to make their projects public can also receive feedback from the Amazon Studios community.
Comprehensive cast and crew information, including bios and filmographies, is available on Amazon's IMDb (www.imdb.com), the world’s most popular and authoritative source for movie, TV and celebrity content.
About Amazon
Amazon.com opened on the World Wide Web in July 1995. The company is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire phone, Fire tablets, and Fire TV are some of the products and services pioneered by Amazon.
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Seven new comedy, drama and docu-series pilots will be available including hour-long shows Cocked, Mad Dogs, Man in the High Castle and Point of Honor, half hour shows Down Dog and Salem Rogers, and half hour docu-series The New Yorker Presents
Six new kids pilots will be available including preschool projects Buddy: Tech Detective, Sara Solves It and The Stinky & Dirty Show, as well as 6-11 animated show Niko and the Sword of Light, and 6-11 live-action shows Table 58 and Just Add Magic
Pilots come from a talented creative roster including Ridley Scott (Blade Runner), Frank Spotnitz (The X-Files), Carlton Cuse (Lost), Randall Wallace (Braveheart), Shawn Ryan (The Shield), Brad Silberling (Jane the Virgin, Lemony Snickets…), Mark Waters (Mean Girls), Academy and Emmy Award winning director Alex Gibney (The Armstrong Lie), Angela Santomero (Blue’s Clues), and Carol Greenwald (Arthur)
SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon Studios announced it will debut its first pilot season of 2015 on Thursday, January 15, 2015 on Amazon Instant Video in the US, UK and Germany. Seven drama and comedy pilots will premiere, including hour-long shows Cocked from Samuel Baum (Lie to Me) and Sam Shaw (Manhattan – TV series), Mad Dogs from Cris Cole (The Bill) and Shawn Ryan (The Shield), Man in the High Castle from Frank Spotnitz (The X-Files), and Point of Honor from Carlton Cuse (Lost) and Randall Wallace (Braveheart). In addition, pilots for two half hour shows will debut, including Down Dog from Robin Schiff (Are You There, Chelsea?) and Salem Rogers from Will Graham (Onion News Network) and newcomer Lindsey Stoddart, along with a documentary series, The New Yorker Presents, inspired by non-fiction and fiction material from one of the most acclaimed and longest running publications, The New Yorker. The New Yorker Presents is Executive Produced by Oscar and Emmy-winning documentarian Alex Gibney (The Armstrong Lie).
“We look forward to seeing our customers’ response to these new projects.”
Four animated kids pilots—Buddy: Tech Detective, The Stinky & Dirty Show, Sara Solves It, Niko and the Sword of Light—will join two live-action kids pilots—Table 58 and Just Add Magic—from a brilliantly talented roster of creative talent including May Chan (Phineas & Ferb), Carol Greenwald (Arthur), Jennifer Hamburg (Daniel Tiger’s Neighborhood), Rob Hoegee (Generator Rex), Guy Toubes (The Adventures of Chuck & Friends), Angela Santomero (Creative Galaxy), and Joanna Lewis & Kristine Songco (Sullivan & Son).
Customers will once again be invited to watch and provide feedback on the shows they want to see turned into full series. All pilots will be available via the Amazon Instant Video app on Amazon Fire TV, Fire TV Stick, Fire tablets, Fire phone, iPad, iPhone, iPod Touch, Roku, Xbox, PlayStation, Wii, as well as hundreds of other connected devices such as smart TVs—or customers can visit Amazon.com/AIV to watch online.
“We are working with great storytellers on some fascinating ideas for the year’s first pilot season,” said Roy Price, Vice President, Amazon Studios. “We look forward to seeing our customers’ response to these new projects.”
Amazon’s comedy and drama pilots include:
Cocked
Created by Samuel Baum (Lie to Me) and Sam Shaw (Manhattan – TV series), Cocked stars Sam Trammell (True Blood) as Richard Paxson, a family man and corporate lap dog who left his family in rural Colorado twenty years before and vowed never to go back. After some unfortunate circumstances, he is forced to leave the big city and return home to help his family’s gun business—one of the oldest in the country. But no good deed goes unpunished. Older brother Grady Paxton, played by Jason Lee (My Name is Earl), who’s a bachelor, playboy and gun aficionado, isn’t so happy to have him back, and Richard’s liberal wife and two opinionated teenage children are horrified by the world they have been thrown into. Hilarity, epic fights and emotional breakdowns ensue. Cocked also stars Tony award-winning Brian Dennehy (Death of a Salesman) as Wade Paxson and Laura Fraser (Breaking Bad) as Hannah Paxson, and Dreama Walker (The Good Wife) as Tabby Paxson. The hour-long dark comedy pilot was directed by Jordan Vogt-Roberts (Skull Island), and Erwin Stoff (Unbroken) and Baum are Executive Producers.
Down Dog
Blessed with good looks, a winning smile, hippie parents, and a Southern California upbringing, life has been relatively easy thus far for Logan Wood (played by Josh Casaubon, I Just Want My Pants Back). In his late 30's, having coasted through romances with countless women and various random jobs, he now teaches yoga to the trophy wives, hot moms and aspiring celebrities of Santa Monica and Venice Beach. But when Logan and his current girlfriend, a successful and attractive older woman named Amanda (played by Paget Brewster, Criminal Minds) who happens to be the owner of the yoga studio, break up, life starts to get more complicated. Down Dog also stars Lyndsy Fonseca (How I Met Your Mother), Will Greenberg (Halt and Catch Fire), Andrea Savage (The Life and Times of Tim), Amir Talai (American Dad), Kris Kristofferson (Lone Star), and Alysia Reiner (Orange is the New Black). The pilot was written by Robin Schiff (Are You There, Chelsea?), produced by Bob Cooper (RFK) and Michael Fuchs (Death in the Modern Age), and directed by Bradley Silberling (Lemony Snicket’s A Series of Unfortunate Events).
Mad Dogs
Mad Dogs is an hour-long dark comedy created by Cris Cole (The Bill), and Executive Produced by Cole, Shawn Ryan (The Shield) and Marney Hochman (Last Resort), Andy Harries (DCI Banks), Suzanne Mackie (All in Good Time), and Charles McDougall (The Mindy Project). Based on the hit UK series, Mad Dogs follows the twisted reunion of a group of underachieving forty-something friends—a mixture of single, married and recently divorced—who are all at different crossroads in their lives. Celebrating the early retirement of an old friend at his gorgeous Belize villa, grudges begin to emerge and secrets explode as their trip becomes a labyrinthine nightmare of lies, deception and murder. Mad Dogs is a twisted tale of friendship put to the ultimate test. As an inconceivable chain of events unfolds, cracks within the group widen before the friends realize that the only people they can trust are each other, the last people they want to be relying on. The pilot stars Steve Zahn (Dallas Buyers Club) as Cobi, Billy Zane (Twin Peaks) as Milo, Romany Malco (Weeds) as Gus, Michael Imperioli (The Sopranos) as Lex and Ben Chaplin as Joel. Mad Dogs is directed by McDougall and is being co-produced with Sony Pictures Television.
The Man in the High Castle
Based on Philip K. Dick's Hugo Award-winning 1962 alternative history, The Man in the High Castle considers the question of what would have happened if the Allied Powers had lost World War II. Almost 20 years after that loss, the United States and much of the world has now been split between Japan and Germany, the major hegemonic states. But the tension between these two powers is mounting, and this stress is playing out in the western U.S. Through a collection of characters in various states of posing (spies, sellers of falsified goods, others with secret identities), The Man in the High Castle provides an intriguing tale about life and history as it relates to authentic and manufactured reality. The hour-long dramatic pilot stars Alexa Davalos (Mob City) as Juliana Crain, Luke Kleintank (Pretty Little Liars) as Joe Blake, Rupert Evans (The Village) as Frank Frink, Cary-Hiroyuki Tagawa (Mortal Kombat Legacy) as Tagomi, Joel De La Fuente (Hemlock Grove) as Inspector Kido, Rufus Sewell (Eleventh Hour) as John Smith and DJ Qualls (Z Nation) as Ed McCarthy. The pilot was directed by David Semel (Madam Secretary, Heroes) and written by Frank Spotnitz (The X-Files), both serving as Executive Producers. Also executive producing are Ridley Scott (Blade Runner) and David W. Zucker (The Good Wife), with co-executive producer Jordan Sheehan of Scott Free Productions (The Good Wife, The Andromeda Strain), and Executive Producers Stewart Mackinnon and Christian Baute of Headline Pictures (The Invisible Woman). In addition, Isa Dick Hackett will executive produce and Kalen Egan will co-executive produce on behalf of Electric Shepherd (The Adjustment Bureau). Christopher Tricarico (May in the Summer) is also Executive Producer.
The New Yorker Presents
America’s most award-winning magazine comes to life in this half hour docu-series pilot. The New Yorker Presents is a completely unique viewing experience that features Tony-Award winner Alan Cumming (The Good Wife) and actor Brett Gelman (Go On) in a short film based on a story by Simon Rich (Saturday Night Live) and directed by Emmy Award-winning director Troy Miller (Arrested Development); a poem by Matthew Dickman and narrated by Andrew Garfield (The Amazing Spiderman); a documentary by Academy Award-winning director Jonathan Demme (The Silence of the Lambs) about biologist Tyrone Hayes based on a Rachel Aviv article; and an interview with famous performance artist, Marina Abramović, conducted by The New Yorker writer Ariel Levy. Academy Award-winning documentarian Alex Gibney (Taxi to the Dark Side) is Executive Producer, joined by Dave Snyder (Death Row Stories) and Dawn Ostroff (The Fashion Fund). The pilot is co-produced by Condé Nast Entertainment and Jigsaw Productions.
Point of Honor
At the start of the Civil War, a Virginia family, led by their West Point bred son, John Rhodes (played by Nathan Parsons, True Blood), makes the controversial decision to defend the South while freeing all of their slaves. At battle against his northern brethren and his best friend and brother-in-law Robert Sumner (played by Christopher O’Shea, Baby Daddy), John leaves his three strong-willed sisters at home to run the plantation that is now without a free labor source. The choice to protect the life they have always known and defend the moral high ground will pit the family against one another and test their strength, courage and love. An hour-long drama shot entirely on-location in historic Virginia, Point of Honor also stars Annabelle Stephenson (Revenge) as Kate Rhodes, Riley Voelkel (The Newsroom) as Lorelei Rhodes, Hanna Mangan Lawrence (Old School) as Estella Rhodes, Patrick Heusinger (Revolution) as Colonel Palmer Kane, Luke Benward (Ravenswood) as Garland Rhodes, Adrienne Warren (Black Box) as Abby, Lucien Laviscount (Waterloo Road) as Elijah, and James Harvey Ward (Low Winter Sun) as Cutler. The pilot was directed by Randall Wallace (Braveheart), written by Carlton Cuse (Lost) and Wallace, and Executive Produced by Cuse, Wallace and Barry Jossen (Sex and the City). Point of Honor is a co-production with ABC Signature Studios.
Salem Rogers
A half-hour comedy, Leslie Bibb (About a Boy) plays Salem Rogers, an overly confident, blunt, hard-partying former supermodel who is forced to face her past and re-enter the real world after ten years in a posh rehab center. Intent on recreating her glamorous lifestyle and modeling success, she tracks down Agatha (played by Rachel Dratch, Saturday Night Live), her former assistant who has since built a career as an author of self-help books to help her win back the spotlight. Salem Rogers also stars Jane Kaczmarek (Malcolm in the Middle), Brad Morris (Playing House), Harry Hamlin (Mad Men), Toks Olagundoye (The Neighbors), and Scott Adsit (30 Rock). The pilot was written by newcomer Lindsey Stoddart, Executive Produced by Will Graham (The Onion News Network) and directed by Mark Waters (Mean Girls). Salem Rogers was submitted to Amazon as part of the studio’s open screenplay submission process.
Amazon’s original kids pilots include:
Buddy: Tech Detective (for preschool-aged children)
Based on an original idea by Chris Dicker (What’s Your News?) and created by Jon Burton (The Lego Movie), Dicker and Jocelyn Stevenson (Fraggle Rock), and developed for television by Jennifer Hamburg (Daniel Tiger’s Neighborhood, Henry Hugglemonster), Buddy: Tech Detective is an exciting preschool whodunit that follows super-sleuth Buddy, his inventor best friend Trudy, the funny furry ferret Ferdo and you, the smarty-pants viewer! Using a myriad of interactive technologies, Buddy and his team gather evidence, follow cues and crack the case. The project is a TT Animation/The Foundation (a part of Zodiak Kids) production, and is animated by Jellyfish Animation Limited.
Sara Solves It (for preschool-aged children)
This animated musical comes from the talented minds of Carol Greenwald (Arthur, Martha Speaks, Curious George), and Angela C. Santomero (Super Why, Blue’s Clues, Daniel Tiger’s Neighborhood, Creative Galaxy, Wishenpoof!) with animation production handled by DHX (Martha Speaks, Kid vs. Kat, Inspector Gadget). Produced by WGBH and Out of the Blue Enterprises with Greenwald, Santomero and Samantha Freeman executive producing, Sara Solves It follows 9-year-old whiz kid Sara and her younger brother Sam as they work together in order to solve mysteries in their apartment building, at school and beyond using creative problem solving! Each mystery is an interactive problem, steeped in musical goodness. In this first episode, viewers will use math and music in a creative way as they help Sara and Sam solve the cheesiest pizza mystery!
The Stinky & Dirty Show (for preschool-aged children)
The Stinky & Dirty Show, based on the “I Stink!” book series by Kate & Jim McMullan, is written by Guy Toubes (The Adventures of Chuck & Friends, Littlest Pet Shop, Hi Hi Puffy AmiYumi) and animated by Brown Bag Films, Ltd (Peter Rabbit, Octonauts, Doc McStuffins). The Stinky & Dirty Show follows the adventures and mishaps faced by best friends and unlikely heroes, Stinky the garbage truck and Dirty, the backhoe loader. Whether it’s rescuing their pal Mighty the tugboat, or moving a giant boulder blocking the highway in their town of Go City, Stinky & Dirty are a dynamic duo of resourcefulness who make plenty of mistakes along the way. For them, hilariously failing turns out to be the most fun path to success.
Niko and the Sword of Light (for children ages 6-11)
Niko and the Sword of Light is based on the motion graphic comic by Imaginism Studios, Inc., the studio behind character and concept designs for Tim Burton’s Alice in Wonderland and Men in Black 3, and Studio NX (The Carrot and Rabbit Show, Tree Fu Tom). Written by Rob Hoegee (Generator Rex, League of Super Evil, Storm Hawks, Teen Titans) and animated by Titmouse (Motorcity, Metalocalpyse, Turbo FAST, Randy Cunningham: 9th Grade Ninja), Niko and the Sword of Light follows ten-year-old Niko who is the last of his kind in a strange, fantastical world. He must embark on an epic quest to defeat the darkness and bring the light back to his land. Armed with his magic sword, brave Niko journeys to the Cursed Volcano, making new friends and powerful foes along the way, all while uncovering secrets about his mysterious past. Tom Kenny (SpongeBob SquarePants) and Jim Cummings (Shrek) lend their vocal talent.
Table 58 (for children ages 6-11)
Written by May Chan (Phineas & Ferb, Bucket & Skinner’s Epic Adventures), Table 58 is a single-camera live-action pilot directed by Gil Junger (10 Things I Hate About You, Greek). In Table 58, they’re not a part of the popular crowd, and they’re not a part of the geek crowd. The only thing they’re a part of is Table 58: the odd table in the lunchroom, made up of kids from all different cliques who have been ousted from the table where they seemingly belong. When new kid Logan moves to town, he rallies the group of six mismatched middle schoolers to form a tenuous partnership in order to help each other get back to their rightful place in the cafeteria. The project stars Grace Kaufman (Bad Teacher), Johnnie Ladd (Melissa & Joey), Jacob Melton (The Middle), Nathaniel Potvin (Girl Meets World), Juliana Rigolioso (The Smurfs), and Zack Shires (Wilfred).
Just Add Magic (for children ages 6-11)
Based on Cindy Callaghan’s young adult book of the same name and adapted by Joanna Lewis & Kristine Songco (Sullivan & Son, Fairly Odd Parents, My Little Pony), Just Add Magic is a single-camera live-action pilot directed by Joe Nussbaum (George Lucas in Love, Awkward). The story centers on Kelly Quinn and her two BFF’s, Darbie and Hannah, who stumble upon her grandmother’s mysterious cookbook in the attic and discover it has some interesting recipes. The Shut’em Up Shortcake actually silences Kelly’s pesky little brother and when the Healing Hazelnut Tart quickly heals Darbie’s ankle, the girls discover they have the power of magic. The project stars Olivia Sanabia (Extant), Abby Donnelly (Suburgatory), Aubrey Miller (Austin & Ally), and Judah Bellamy (Home).
About Amazon Studios
Amazon Studios most recently debuted its dramatic comedy Mozart in the Jungle from Roman Coppola, Jason Schwartzman, Paul Weitz, John Strauss and Alex Timbers as well as Jill Soloway’s critically acclaimed and Golden Globe nominated dark comedy Transparent; its first live-action series for kids 6-11, Gortimer Gibbon’s Life on Normal Street; and a second season of the Garry Trudeau political comedy Alpha House. The studio has also launched three additional children’s series, the Annecy International Animated Film Festival Award-winning and Annie Award-nominated Tumble Leaf from Bix Pix Entertainment; Creative Galaxy from Angela Santomero and Out of the Blue Enterprises, the creators of Blue’s Clues; and Annedroids, from Emmy nominated Sinking Ship Entertainment.
Amazon Studios has also announced four additional, original series to debut in 2015 including Michael Connelly’s Bosch; Hand of God from Marc Forster and Ben Watkins; Red Oaks from Steven Soderbergh, David Gordon Green, Greg Jacobs and Joe Gangemi; and kids series Wishenpoof! from Angela Santomero and Out of the Blue Enterprises; as well as a second season of Transparent.
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Anyone can upload a script online and Amazon Studios will read and review all submissions. Those who choose to make their projects public can also receive feedback from the Amazon Studios community.
Comprehensive cast and crew information, including bios and filmographies, is available on Amazon's IMDb (www.imdb.com), the world’s most popular and authoritative source for movie, TV and celebrity content.
About Amazon
Amazon.com opened on the World Wide Web in July 1995. The company is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire phone, Fire tablets, and Fire TV are some of the products and services pioneered by Amazon.
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Thursday, September 18, 2014
Review: "The Amazing Spider-Man 2" Entangled in Too Many Angles
The Amazing Spider-Man 2 (2014)
Running time: 142 minutes (2 hours, 22 minutes)
MPAA – PG-13 for sequences of sci-fi/action and violence
DIRECTOR: Marc Webb
WRITERS: Alex Kurtzman, Roberto Orci, and James Pinkner; from a story by Alex Kurtzman, Roberto Orci, James Pinkner, and James Vanderbilt (based upon the Marvel comic book by Stan Lee and Steve Ditko)
PRODUCERS: Avi Arad and Matthew Tolmach
CINEMATOGRAPHER: Dan Mindel (D.o.P.)
EDITOR: Pietro Scalia
COMPOSERS: Hans Zimmer, The Magnificent Six, Johnny Marr, and Pharrell Williams
SUPERHERO/DRAMA/ACTION/ROMANCE
Starring: Andrew Garfield, Emma Stone, Jamie Foxx, Sally Field, Dane DeHaan, Felicity Jones, Paul Giamatti, Campbell Scott, Embeth Davidtz, Marton Csokas, Max Charles, B.J. Novak, Kari Coleman, Michael Massee, and Stan Lee with Chris Cooper and Denis Leary
The Amazing Spider-Man 2 is a 2014 superhero film and drama from director Marc Webb and stars Andrew Garfield in the title role. It is the sequel to The Amazing Spider-Man, the 2012 film that was a reboot of Columbia Pictures' Spider-Man film franchise, and this movie is also the fifth Spider-Man film in the series. The Amazing Spider-Man 2 finds Spider-Man facing a former admirer turned super-villain, while Peter Parker worries that being Spider-Man will endanger his loved ones.
The Amazing Spider-Man 2 begins as Peter Parker (Andrew Garfield) and his girlfriend, Gwen Stacy (Emma Stone), are about to graduate from high school. Peter is also loving his life as the costumed, crime-fighting superhero, Spider-Man. Peter, however, is currently haunted by the specter of police Captain George Stacy (Denis Leary), Gwen's deceased father. As Capt. Stacy lay dying (in the previous film), Peter promised him to keep Gwen out of his life because of Spider-Man. Peter reluctantly tries to break up with Gwen, but the two teenagers deeply love each other. Peter's attempts simply sow confusion.
Meanwhile, at OsCorp Industries, Peter's former friend, Harry Osborn (Dane DeHaan), returns to New York City in time to take over the business of his recently deceased father, Norman Osborn (Chris Cooper). OsCorp's past as a company on the cutting edge of controversial genetic research, however, threatens both Harry and Peter. Also, a new villain, Electro (Jamie Foxx), appears.
The Amazing Spider-Man 2 lacks focus, and I think that there are two reasons for that. First, the screenplay wants to be a story of young romance, but the romance and character drama are overwrought. Andrew Garfield and Emma Stone give good performances, but Peter and Gwen's relationship is like a car stuck in mud and pointlessly spinning its wheel. The car isn't going anywhere, and until the end, neither is Peter and Gwen's relationship, and then, that is only for tragic affect.
I think the second reason that The Amazing Spider-Man 2 seems muddled is because it is more than just a superhero movie; it is the birth of an expanded universe. Sony, Columbia Pictures' parent, wants to take some of the characters that belong to Marvel Comics' line of Spider-Man comic books and use them to expand their Spider-Man film franchise into a Spider-Man universe. They want something like Marvel Studios' “Marvel Cinematic Universe.” Why have just Spider-Man movies when you can have movies starring Spider-Man adversaries like Venom and the Sinister Six.
Marvel essentially used the 2010 film, Iron Man 2, to expand its universe, and that movie tended to drift and lack focus, but in the end, Iron Man 2 was a good movie. The Amazing Spider-Man 2 is meant to expand the Spider-Man universe, but in the end, it is not really a good movie. The character melodrama is at odds with the showy action-fantasy violence that is the Spider-Man vs. Electro subplot. Electro is probably the worse villain yet in the Spider-Man films.
The Amazing Spider-Man 2 has an engaging visual style, and it is probably at its best when it depicts Spider-Man swinging over New York City, through its canyons and around its buildings and skyscrapers. Even the fight scenes, which seem tacked on to the story, look good, when they focus on Spider-Man. Nothing about Electro looks good. Hopefully, the third installment of The Amazing Spider-Man can be itself, a stand-alone movie that does not have to carry the hopes of Sony's corporate board and accountants.
4 of 10
C
Monday, September 15, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Thursday, July 5, 2012
"The Amazing Spider-Man" is Amazingly Human
The Amazing Spider-Man (2012)
Running time: 136 minutes (2 hours, 16 minutes)
MPAA – PG-13 for sequences of action and violence
DIRECTOR: Marc Webb
WRITERS: James Vanderbilt, Steve Kloves, and Alvin Sargent; from a story by James Vanderbilt (based upon the Marvel Comic Book by Stan Lee and Steve Ditko)
PRODUCERS: Laura Ziskin, Avi Arad, and Matthew Tolmach
CINEMATOGRAPHER: John Schwartzman
EDITORS: Alan Edward Bell, Michael McCusker, and Pietro Scalia
COMPOSER: James Horner
SUPERHERO/DRAMA/SCI-FI/ACTION/ROMANCE
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field, Irrfan Khan, Campbell Scott, Embeth Davidtz, Chris Zylka, Max Charles, C. Thomas Howell, Kari Coleman, Barbara Eve Harris, and Stan Lee
The Amazing Spider-Man is a 2012 superhero film and drama from director Marc Webb and starring Andrew Garfield in the title role. This new movie is a reboot of the Spider-Man film franchise, but it is also the fourth Spider-Man film in a decade. And The Amazing Spider-Man is the best Spider-Man movie, yet.
Teenager Peter Parker (Andrew Garfield) lives with his Aunt May (Sally Field) and Uncle Ben (Martin Sheen) and has since his parents, Richard (Campbell Scott) and Mary Parker (Embeth Davidtz) disappeared. Peter is an adolescent loner trying to find his place in life, and he has found a place in high school as the target of jock/bully, Flash Thompson (Chris Zylka). Peter does catch the attention of fellow student, Gwen Stacy (Emma Stone), a smart and rebellious girl.
Digging through his father’s papers, Peter learns the identity of one of Richard Parker’s old colleagues, fellow scientist Dr. Curt Connors (Rhys Ifans), who works at OsCorp (apparently a giant biotech firm). It is at OsCorp where Peter is bitten by a strange spider. The bite gives him strange powers and abilities similar to that of a spider, such as the ability to adhere to surfaces and to climb walls. After tragedy strikes, Peter decides to use his powers to fight criminals and help people, so he creates a mask and suit and names himself, “Spider-Man.” New York City does indeed need him, as there is a half-man/half-lizard monster known as “The Lizard” tearing the city apart.
When I heard that Columbia Pictures had hired Marc Webb to direct the Spider-Man movie reboot, I knew that by choosing the director of (500) Days of Summer the studio was going for something different from Sam Raimi’s three Spider-Man films. Webb certainly delivers something shockingly different. The Amazing Spider-Man clearly revisits plotlines from the first film, Spider-Man (2002), but everything about this new movie is from a different perspective.
The Amazing Spider-Man brings Peter Parker’s life into sharper focus. The screenplay, which is credited to James Vanderbilt, Steve Kloves, and Alvin Sargent (although I’m guessing that the majority of what is on screen is the work of Sargent and Kloves), emphasizes a character arc that follows Peter Parker’s journey to find himself. Peter searches for himself by trying to learn about his father. Actually, many of the film’s major characters are either trying to find themselves or find something that is missing in their lives.
All this searching makes The Amazing Spider-Man equally a character drama and a superhero movie – if not more the former than the latter. Make no mistake: there is plenty of superhero fantasy and action in this new movie, but it has such humanity because the story goes after the characters’ souls. The story is always digging at the characters, trying to get inside and discover what makes them tick. What do they want? What are they willing to do to get it? What are they afraid of? Webb gets to the heart of the character drama to the point that character is every bit as engaging, enthralling, and exciting as when Parker puts on the suit and swings over New York City or has a throw-down fight with The Lizard.
There are a number of good performances in The Amazing Spider-Man, but Andrew Garfield stands out, of course. He is magnificent as Peter Parker/Spider-Man. Unlike Tobey Maguire’s lovable, sad sack, and put-upon Peter Parker, Garfield’s Parker is a man of masks. He plays the sullen geek while in school, but at home and at work, he has a witty personality. He is also stubborn and strong-willed. Garfield makes it all believable, and he has fashioned his own Peter Parker, independent of Maguire’s Parker, which is also a fine version of Parker/Spider-Man.
As you can tell, the practically life-long Spider-Man fan in me loves The Amazing Spider-Man. Everyone involved took something familiar and created a film that seems like a revelation.
9 of 10
A+
Thursday, July 05, 2012
Tuesday, July 3, 2012
Review: "Lions for Lambs" is a Political Film That Roars (Happy 50th B'day, Tom Cruise)
Lions for Lambs (2007)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – R for some war violence and language
DIRECTOR: Robert Redford
WRITER: Matthew Michael Carnahan
PRODUCERS: Matthew Michael Carnahan, Tracy Falco, Andrew Hauptman, and Robert Redford
CINEMATOGRAPHER: Philippe Rousselot (D.o.P.)
EDITOR: Joe Hutshing
DRAMA/WAR
Starring: Robert Redford, Meryl Streep, Tom Cruise, Michael Peña, Andrew Garfield, Peter Berg, Kevin Dunn, and Derek Luke
Lions for Lambs is a 2007 drama from director Robert Redford. The film stars Redford, Meryl Streep, and Tom Cruise in a story that connects the actions of a veteran television reporter, a powerful U.S. Republican senator, a college professor, and a stranded platoon of soldiers trapped in Afghanistan.
Tom Cruise re-launched United Artists as viable movie studio with Lions for Lambs, the Robert Redford-helmed look at America's “War on Terror.” Using a complex three-pronged narrative, Redford (who also stars in this film) connects the lives of the movie’s characters by politics and bloodshed. While a young, but powerful Washington senator goes toe to toe with a reporter, who on the down side of her career, on the issue of U.S. troops in Afghanistan and Iraq, an idealistic professor and Vietnam veteran tries to keep a promising student engaged, while two of his former pupils struggle to survive behind enemy lines in Afghanistan.
At an unnamed California university, the anguished Professor Stephen Malley (Robert Redford) calls Todd (Andrew Garfield), a talented, but aimless student who usually misses class into his office for a heart to heart conversation. Malley is trying to reach this privileged, but disaffected student to hopefully encourage him to do something to make change rather than just be cynical about the current state of affairs. Two of Prof. Malley’s students volunteered to join the U.S. military and now serve with Special Forces in the “War on Terror.” This bold decision by Arian Finch (Derek Luke) and Ernest Rodriguez (Michael Peña) has left Malley both moved and distraught, but he wants to share their determination to make a difference with Todd.
Unbeknownst to Malley, Arian and Ernest are stranded on a snowy mountainside in Badakhshan, Afghanistan as Taliban fighters move in and their commanders struggle to get them out.
Meanwhile, charismatic Presidential hopeful, Senator Jasper Irving (Tom Cruise) is giving probing TV journalist Janine Roth (Meryl Streep) a bombshell of a story, as the two go toe to toe over the “War on Terror.” Sen. Irving has used his influence to launch a new phase in the war in Afghanistan – one that will affect the fates of Arian and Ernest, as arguments, memories, and battle weave these three stories ever more tightly together.
Much has been made of the lack of success at the box office of films dealing with Iraq (Rendition, In the Valley of Elah), which is really no surprise considering how disconnected so many Americans are from the “Global War on Terror,” not to mention how unpopular the Iraq War is among Americans and in other nations. This unpopularity and lack of connectivity is precisely why a film like Lions for Lambs is so important. Lions for Lambs is so indicative of our current state of affairs as Americans as to be painful. No wonder the film received mostly middling to negative reviews and was a dud at the box office. Like Spike Lee’s scandalous 1987 film, School Days, Redford’s film insists on throwing the painful but necessary truth in our faces, and so many Americans would rather be chasing the latest consumer toys or obsessing over meaningless pop culture tittle-tattle. It has been said that Lions for Lambs is too “talky,” supposedly a handicap for a film.
Lions for Lambs does talk a lot, but it has something to say and we should be listening.
Still, Cruise (who gives the film’s best and sharpest performance, by far) and Streep arguing history, politics, and war as a ruthlessly ambitious politician and a jaded reporter, while American servicemen die is a sign of the times. Watching Redford’s old school activist professor trying to get Garfield’s cynical and spoiled rich boy get engaged in change while the student’s classmates shed blood for him is deeply saddening. While Peña’s Ernest and Derek’s Arian are lions in this supposed war for our civilization, the lambs are back home holding the keys to the lions’ fates.
Redford’s film clearly asks that a country embrace a more selfless agenda and do some serious soul searching, instead of acting and lying in our own self-interests. It’s good when a Hollywood movie tackles the national mood and asks tough questions. It means that American cinema still matters beyond being mere corporate product.
8 of 10
A
Wednesday, April 16, 2008
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Monday, July 2, 2012
IMAX 3D Theatres Have "The Amazing Spider-Man"
Climax Features Expanded Aspect Ratio Designed to Maximize the IMAX Canvas
IMAX Exclusive Early Release in Russia
LOS ANGELES, July 2, 2012 /PRNewswire/ -- IMAX Corporation (NYSE: IMAX; TSX: IMX) and Columbia Pictures today announced that the highly anticipated 3D action-adventure, The Amazing Spider-Man, will be released in the immersive IMAX® 3D format in 447 IMAX® theatres worldwide. Domestically, the film will launch in IMAX on Tuesday, July 3 - simultaneous with the film's North American wide release - in 307 theatres. The film began its rollout to a total of 140 IMAX theatres internationally on June 27. Additional playdates will be added as pending bookings are confirmed. To date, the Spider-Man motion pictures have generated more than $2.5 billion in worldwide box office receipts. Spider-Man 2 and Spider-Man 3 were also released in IMAX.
The film will benefit from an IMAX exclusive one week early release in the 20 IMAX theatres currently open in Russia beginning Friday, June 29.
Director Marc Webb and the filmmakers have crafted the climactic finale of The Amazing Spider-Man to feature a larger aspect ratio of 1.9:1 versus the traditional 2.39:1 ratio in order to take full advantage of the IMAX canvas and overall experience. This aspect ratio, which is optimized to take advantage of the IMAX screen, will allow audiences to see more of the image and result in a full panorama of the action - allowing audiences to feel as if they were swinging alongside Spider-Man.
The IMAX release of The Amazing Spider-Man has been digitally re-mastered into the image and sound quality of An IMAX 3D Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images coupled with IMAX's customized theatre geometry and powerful digital audio create a unique environment that will make audiences feel as if they are in the movie. The film will also be released in 2D and other 3D formats.
About The Amazing Spider-Man:
One of the world's most popular characters is back on the big screen as a new chapter in the Spider-Man legacy is revealed in The Amazing Spider-Man(TM). Focusing on an untold story that tells a different side of the Peter Parker story, the new film stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, with Martin Sheen and Sally Field. The film is directed by Marc Webb from a screenplay written by James Vanderbilt and Alvin Sargent and Steve Kloves from a story by James Vanderbilt, based on the Marvel Comic Book by Stan Lee and Steve Ditko. Laura Ziskin, Avi Arad, and Matt Tolmach are producing the film in association with Marvel Entertainment for Columbia Pictures, which will open in theaters everywhere in 3D on July 3, 2012.
The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance - leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
http://www.theamazingspiderman.com/
The Amazing Spider-Man has been rated PG-13 for sequences of action and violence.
Wednesday, February 23, 2011
Review: "The Social Network" All-American and All-World
TRASH IN MY EYE No. 17 (of 2011) by Leroy Douresseaux
The Social Network (2010)
Running time: 120 minutes (2 hours)
MPAA – PG-13 for sexual content, drug and alcohol use and language
DIRECTOR: David Fincher
WRITERS: Aaron Sorkin (based on the book The Accidental Billionaires by Ben Mezrich)
PRODUCERS: Dana Brunetti, Ceán Chaffin, Michael De Luca, and Scott Rudin
CINEMATOGRAPHER: Jeff Cronenweth
EDITORS: Kirk Baxter and Angus Wall
COMPOSER: Trent Reznor and Atticus Ross
DRAMA
Starring: Jesse Eisenberg, Andrew Garfield, Armie Hammer, Justin Timberlake, Max Minghella, Rashida Jones, Joseph Mazzello, Brenda Song, Josh Pence, and Rooney Mara
The Social Network is perhaps the most critically acclaimed film of 2010, having won close to 20 best picture honors from critics groups and organizations. Directed by David Fincher and written by Aaron Sorkin, The Social Network is a fictional account and dramatization of the founding of Facebook, the hugely popular social-networking website.
The film begins on a fall night in 2003, when Boston University student, Erica Albright (Rooney Mara), breaks up with Harvard undergrad, Mark Zuckerberg (Jesse Eisenberg). A computer programming genius, Zuckerberg sits down at his computer and lashes out in a flurry of blogging and programming that launches “FaceMash.” Zuckerberg’s new website not only captures the attention of the entire Harvard campus, but also gets the attention of a trio of budding entrepreneurs. That night, in his dorm room after the breakup, leads to what will become “The Facebook” which will eventually become the global social network, Facebook. This revolution in communication, however, brings Zuckerberg both success and a horde of broken friendships, partnerships, and lawsuits.
The Social Network is about several things. It is about Mark Zuckerberg, about the founding of Facebook, about a clash of privileged and ambitious personalities, and about perception and point of view. Most of all, The Social Network seems to be about the beginnings of a map to the future. The triumph of Aaron Sorkin’s screenplay is how he compressed all of this and dramatized in two hours what was probably dull and tedious in real life – including Zuckerberg’s legal wrangling. Sorkin makes nerds come across as sexy masters of the universe. Slimy bastards (like Justin Timberlake’s Sean Parker) seem like rock stars. Parties are shinier, and Harvard’s campus is like a hub, the nexus where all exciting places meet.
And the performances meet and match Sorkin’s exceptional screenplay. Jesse Eisenberg has made a career of playing likeable, amiable dweebs, but as Mark Zuckerberg, he turns that on its head with this outstanding, sublime performance. Eisenberg’s Zuckerberg is like a god, a genius whose indomitable spirit smolders behind a mask of petulance, detachment, and a pout. Zuckerberg should be so Garbo-cool.
I’ve thought for a long time that Justin Timberlake had the dramatic chops to pull off good roles; now, I have proof. Timberlake makes Sean Parker (founder of Napster) cool and attractive, the guy you’d want in your corner, and you’d still forgive his cocaine habit and general sliminess. Andrew Garfield almost steals the film as Eduardo Saverin, a character who is the only adult in the room (which makes him a tragic fall guy). Armie Hammer makes the most of his every moment as the twins, Cameron and Tyler Winklevoss (with actor Josh Pence doing body double duties) by giving each brother a separate, distinct personality.
The one who pulls it all together and makes The Social Network arguable the best film of 2010 is director David Fincher. The phrase, “visionary director,” gets thrown around a lot about talented hack directors (like Zack Snyder), but since Fincher’s mid-90s film, Se7en, it has been obvious that he is a true visionary. Fincher makes The Social Network operate like a suspense thriller; that’s why Sorkin’s tale of conniving nerds is never boring and always gripping. Here, computers, programming codes, and the Internet are like shiny guns, weapons that make these nerds seem like crazy, sexy, cool gangstas.
The Social Network is compelling drama – mesmerizing, hypnotic, and engaging. Everything about it works, and everyone involved should get credit for their great efforts, especially David Fincher.
10 of 10
Wednesday, February 23, 2011
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