Showing posts with label Angela Lansbury. Show all posts
Showing posts with label Angela Lansbury. Show all posts

Friday, October 14, 2022

Negromancer News Bits and Bites from October 9th to 15th, 2022 - Update #14

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:   Miramax Television is developing a TV series adaptation of Martin Scorsese's 2002 film, "Gangs of New York," from writer Brett Leonard.  Scorsese is currently attached to executive produce the series and direct its first two episodes.

NETFLIX - From DeadlineNetflix's ad-supported streaming tier will cost $6.99 and will launch November 3rd, 2022 in the U.S.

STREAMING - From Deadline:  Actress Indira Varma ("Obi-Wan") is joining "Dune: The Sisterhood" (working title), an HBO Max prequel series to the "Dune" movie series.

TELEVISION - From DeadlineTrevor Noah has set a date for his exit from "The Daily Show with Trevor Noah" and it is Thursday, December 8th, 2022.

ANIMATION - From CartoonBrew:   In the latest round of layoffs, Warner Bros. Animation and Cartoon Network Studios were merged, effectively ending the latter.  Cartoon Network will apparently continue to exist as a brand.  Hanna-Barbera Studios Europe will remain separate.

MOVIE - From Deadline:   Sony Pictures has snatched the fights to "Dumb Money," the film about the 2021 Wall Street "short squeeze" of GameStop.

TELEVISION - From Deadline:   Comedian and actor, Damon Wayans, and his son, actor Damon Wayans, Jr., are set to star in a multi-camera sitcom for CBS.

MOVIES - From Deadline:  Director Kenneth Branagh is returning to 20th Century Studios for a third film based on a work by the legendary late author, Agatha Christie.  The new film, "A Haunting in Venice," which is based on Christie's novel, "Hallowe'en Party," and the all-star cast includes Tina Fey and Michelle Yeoh.

BOX OFFICE - From BoxOfficePro:  The winner of the 10/7 to 10/9/2022 weekend box office is Paramount Pictures' horror flick, "Smile," with an estimated take of 17.6 million dollars.

STAR TREK - From Deadline:  At New York Comic Con 2022, Paramount+ has released a new trailer for what is the third and likely final season of "Star Trek: Picard."  Season 3 premieres February 16, 2023.

OBITS:

From THR:   The Scottish actor and comedian, Robbie Coltrane, has died at the age of 72, Friday, October 14, 2022.  Coltrane is best known for playing "Rubeus Hagrid" in the "Harry Potter" film series.  He first gained national prominence in the U.K. starring as criminal psychologist, "Dr. Eddie 'Fitz' Fitzgerald" in the ITV television series, "Cracker" (1993–2006).

From THR:  The film and television actor, Austin Stoker, has died at the age of 92, Friday, October 7, 2022.  Born in Trinidad and Tobago, Stoker began his acting career on Broadway.  He is best known for the role of "Lt. Ethan Bishop" in John Carpenter's cult film "Assault on Precinct 13" (1976).  He also appeared in such black exploitation films as "Abby" (1974) and "Sheba, Baby" (1975).  He appeared in numerous TV series and miniseries, including "Roots" (1977), "The Incredible Hulk" (1979), and "The Bold and the Beautiful" (1991), to name a few.

From Variety:   A legend and star of the stage, film, and television, Angela Lansbury, has died at the age of 96, Tuesday, October 11, 2022.  Lansbury was best known for her starring role as mystery writer and amateur sleuth, Jessica Fletcher," on the late, long-running CBS mystery series, "Murder, She Wrote" (1984-96).  Among her best known films are "The Manchurian Candidate" (1962) and Walt Disney's animated "Beauty and the Beast" (1991).  Her career spanned 75 years and also included many stages, including the Broadway stage, and Lansbury won seven Tony Awards.

From Deadline:  American entertainment journalist, Nikki Finke, has died at the age of 68, Sunday, October 9, 2022.  Finke was best known as the founder of the website, "Deadline Hollywood," in 2006.  It was the Internet version of her long-running print column, "Deadline Hollywood," for the "LA Weekly."

From Deadline:  The film and television actress, Eileen Ryan, has died at the age of 94, Sunday, October 9, 2022.  She appeared in such TV series as "The Twilight Zone," "The Detective," and "Bonanza."  Ryan was the widow of actor-director Leo Penn (1921-98) and the mother of Oscar-winning actor Sean Penn, the late actor Chris Penn (1965-2006), and singer-songwriter Michael Penn.

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BRITTNEY GRINER:

From Reuters:  Russia says that it is ready to talk prisoner swamp for Brittney Griner and U.S. Marine veteran Paul Whelan, but also scolds the U.S. Embassy.

From TheDailyBeast:   Legendary NBA bad boy and champion (Detroit Pistons, Chicago Bulls), Dennis Rodman claims that he has been given permission to go to Russia and help free imprisoned hostage, WNBA star, Brittney Griner.

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple."



Thursday, May 12, 2022

Review: 1978 Version of "DEATH ON THE NILE" Still Has Some Charms

TRASH IN MY EYE No. 29 of 2022 (No. 1841) by Leroy Douresseaux

Death on the Nile (1978)
Running time:  140 minutes (2 hours, 20 minutes)
MPAA – PG
DIRECTOR: John Guillermin
WRITER: Anthony Shaffer
PRODUCERS:  John Brabourne and Richard Goodwin
CINEMATOGRAPHER:  Jack Cardiff (D.o.P.)
EDITOR:  Malcolm Cooke
COMPOSER:  Nino Rota
Academy Award winner

MYSTERY

Starring:  Peter Ustinov, Mia Farrow, Simon MacCorkindale, Jane Birkin, Lois Chiles, Bette Davis, Jon Finch, Olivia Hussey, I.S. Johar, George Kennedy, Angela Lansbury, David Niven, Maggie Smith, Jack Warden, Harry Andrews, and Sam Wanamaker

Death on the Nile is a 1978 British mystery film directed by John Guillermin.  It is based on the 1937 novel, Death on the Nile, written by Agatha Christie (1890-1976).  Death on the Nile the movie finds Hercule Poirot investigating the murder of a newlywed heiress, committed during a luxurious cruise.

Death on the Nile finds famous detective Hercule Poirot (Peter Ustinov) embarking on a luxurious cruise on the Nile River in Egypt.  Poirot is delighted to discover that his friend, Colonel Race (David Niven), will also be aboard the Nile paddle steamer, the “S.S. Karnak.”

Also aboard are the newlyweds:  wealthy heiress, Linnet Ridgeway (Lois Chiles), and her husband, Simon Doyle (Simon MacCorkindale).  While in Egypt on their honeymoon, they are being stalked and hounded by Simon's former fiancĂ©, Jacqueline “Jackie” de Bellefort (Mia Farrow), who was also Linnet's close friend.

When Linnet is found shot to death aboard the Karnak, Jackie is the most obvious culprit, but there are others on board who have reason to want Linnet dead.  There is Linnet's maid, Louise Bourget (Jane Birkin), who was bitter due to her mistress' refusal to grant her a promised dowry.  Linnet's shady American attorney and estate trustee, Andrew Pennington (George Kennedy), whom she called “Uncle Andrew,” was stealing from her.  Elderly American socialite, Mrs. van Schuyler (Bette Davis), is a kleptomaniac who wanted to steal Linnet's pearl necklace.  Miss Bowers (Maggie Smith), van Schuyler's nurse, blamed Linnet's father for financially ruining her own father.

Linnet was suing Salome Otterbourne (Angela Lansbury), a brassy romance novelist, for libel regarding a similarity between Linnet and one of the characters in Otterbourne's novel, “Passion Under the Persimmon Tree.”  Meanwhile, Mrs. Otterbourne's daughter, Rosalie (Olivia Hussey), was anxious to protect her mother from financial ruin.  Linnet was also threatening to expose Dr. Ludwig Bessner (Jack Warden), a Swiss psychiatrist faced with exposure because his unorthodox treatments affected one of Linnet's friends.  Finally, Jim Ferguson (Jon Finch) is an outspoken Communist, and he resented Linnet's wealth.

Can Poirot uncover the identity of the killer before the Karnak reaches the end of its journey?  He better hurry because the bodies are starting to pile up.

If I had heard of this 1978 take on Death on the Nile, I did not remember it.  I decided to watch it when I learned that director Kenneth Branagh was directing a new film version of Agatha Christie's novel, which was released to theaters earlier this year (2022).  Branagh also directed a 2017 film version of Christie's world famous novel, Murder on the Orient Express.

I enjoyed the 1978 Death on the Nile, but not as much as I enjoyed the 1974 Murder on the Orient Express, which starred Albert Finney as Hercule Poirot.  When Finney decided not to return for Death on the Nile, actor Peter Ustinov was cast to play Poirot.  Finney's Poirot had a humorous side, but he was deadly serious about his profession and did not suffer fools.  Ustinov's Poirot is playful, but conceited, and even a bit randy.

Death on the Nile is a sedate film, its narrative lazily moving through this plot to match the languid pace with which the S.S. Karnak sails the Nile.  The performances are nice, but a number of luminaries who appear in this film, including Bette Davis, Angela Lansbury, and Maggie Smith, are merely passing through this film and resting on their laurels..  However, Mia Farrow proves just how good and perfect she is at playing crazy, unbalanced, and unstable characters.

Death on the Nile 1978 is a nice whodunit film and cozy mystery movie, and I would probably watch it again.  At times, it seems to be a surprisingly average and somewhat uninspired film, but, on the other hand, it has its charms.

5 out of 10
B-
★★½ out of 4 stars


Tuesday, May 10, 2022


NOTES:
1979 Academy Awards, USA:  1 win: “Best Costume Design” (Anthony Powell)

1979 BAFTA Awards:  1 win: “Best Costume Design” (Anthony Powell)
; 3 nominations: “Best Actor” (Peter Ustinov), “Best Supporting Actress” (Angela Lansbury), and “Best Supporting Actress” (Maggie Smith)

1979 Golden Globes, USA:  1 nomination: “Best Foreign Film” (England)



The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Friday, February 17, 2017

Negromancer News Bits and Bites from February 12th to 18th, 2017 - Update #24

Support Leroy on Patreon.

CULTURE - From BuzzFlash:  NBA champion coach Gregg Popovich (San Antonio Spurs) speaks out on racial and social justice.

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MOVIES - From TheWrap:  Angela Lansbury joins "Mary Poppins Returns" from Disney.

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MOVIES - From Deadline: There will be a fourth entry in "The Purge" film franchise.  It's due in 2018.

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POLITICS - From YahooNews:  In a major survey of historians, President Obama, is ranked the 12th best President of the United States of all time.

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TELEVISION - From YahooTV:  On "The Tonight Show with Jimmy Fallon," Robert Irwin, the son of the late Steve Irwin a.k.a. "The Crocodile Hunter," comes across just like his dad.

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MOVIES - From Variety:   "Extinction," the sci-fi film starring Michael Pena, lands at Universal after a competitive bidding war.

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OSCARS - From THR:  The stars of "Bonnie and Clyde," Faye Dunaway and Warren Beatty, will reunite at the Oscars to celebrate the 50th anniversary of the film and to present the best picture Oscar... to "La La Land," of course.

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COMICS - From BleedingCool:  Marvel and Archie enter join publishing venture.

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COMICS-FILM - From ComicBookMovie:  Mel Gibson among the directors being considered to director "Suicide Squad 2."

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MUSIC - From TheWrap:  Well, if you can have a President Trump... Kid Rock being considered a U.S. Senate candidate...

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POLITICS - From RSN:  The real reason that Republicans want to repeal Obamacare?  Robert Reich says it would put anywhere from $33000 to $197000 worth of tax cuts into the wealthiest 1 percent's hands every year.

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OSCARS - From RollingStone:  Peter Travers offers his 2017 Oscar predictions.

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TELEVISION:  Variety:  Amazon gets "Philip K. Dick's Electric Dreams" from Bryan Cranston and Ronald D. Moore.

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TELEVISION - From Variety:  The "S.W.A.T." reboot from CBS will have Bond girl, Stephanie Sigman, in a starring role.

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COMICS-FILM - From THR:  If Matt Reeves does become director of "The Batman," will he bring something new to the character.

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MOVIES - From ThePlaylist:  Jeremy Saulnier, director of "Green Room" and "Murder Party," lines up Jeffrey Wright, Alexander Skarsgard, and Riley Keough for his next film, "Hold the Dark (from Netflix).

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AWARDS - From YahooMusic:  Highs and lows of the Grammys.  It was mostly all low except for the end when Adele shouts out Beyonce.

From YahooMusic - Adele wins and gives all credit to Beyonce.

From YahooMusic:  A complete list of Grammy winners and nominees.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 2/10 to 2/12/2017 weekend box office is "The Lego Batman Movie" with an estimated take of $55.6 million.

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AWARDS - From Variety:  "La La Land" wins the top prize at the 2017 BAFTAs.

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AWARDS - From EOnline:  2017 Image Awards were held last night with "Hidden Figures" and Taraji P. Henson the big winners.

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OBIT - From TMZ:  The Grammy-winning singer, Al Jarreau, has died at the age of 76, Sunday, February 12, 2017.  He may be the only recording artist to win a Grammy in the jazz vocal, pop vocal, and R&B vocal categories.  He won a total of 7 Grammys.

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MOVIES - From Variety:  Matt Reeves of "Cloverfield" and "War for the Planet of the Apes" in talks to be the director Ben Affleck's "The Batman" movie, which Affleck has previously committed to directing before recently stepping down.

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SPORTS - From YahooSports:  There are now at least 6 players from the Super Bowl Champion New England Patriots will not visit Donald Trump per a tradition of the American championship teams visiting the White House.

TRAILERS:

From YouTube:  New "Iron Fist" trailer from Marvel/Netflix.


Sunday, May 1, 2016

Academy of Motion Picture Arts and Sciences Celebrates 25th Anniversary of Disney's "Beauty and the Beast"

“BE OUR GUEST” FOR THE ACADEMY’S 25TH ANNIVERSARY CELEBRATION OF “BEAUTY AND THE BEAST”

Eight-time Oscar-winning composer Alan Menken and three-time Oscar nominee and Honorary Academy Award recipient Angela Lansbury will join voice actors Paige O’Hara, Richard White and Robby Benson, supervising animators Andreas Deja, Mark Henn and Glen Keane, key story artist Brenda Chapman, Oscar-nominated producer Don Hahn, and director Gary Trousdale onstage for a 25th anniversary celebration of “Beauty and the Beast” on Monday, May 9, 2016, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills.

Part of the Academy’s Marc Davis Celebration of Animation, the event will include a screening of the 1991 film from a pristine 70mm original theatrical release print from the Academy Film Archive.  There will also be an onstage discussion about the film’s lasting impact and its place in motion picture history as the first animated feature to be nominated for Best Picture.  The film won two Oscars®, for its original score by Menken and the original song “Beauty And The Beast,” music by Menken and lyric by Howard Ashman.  It also received two additional nominations in the Original Song category for “Be Our Guest” and “Belle,” as well as a nomination for Sound.

Tickets for the “25th Anniversary Screening of Beauty and the Beast: A Marc Davis Celebration of Animation” are $5 for general admission and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org.  The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills.  For more information, call (310) 247-3600 or visit www.oscars.org.

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Thursday, November 21, 2013

Review: "The Manchurian Candidate" Eternally Fantastic, Chilling

TRASH IN MY EYE No. 16 (of 2003) by Leroy Douresseaux

The Manchurian Candidate (1962) – B&W
Running time:  126 minutes (2 hours, 6 minutes)
DIRECTOR:  John Frankenheimer
WRITER:  George Axelrod (based upon the novel by Richard Condon)
PRODUCERS:  George Axelrod and John Frankenheimer
CINEMATOGRAPHER:  Lionel Lindon (D.o.P.)
EDITOR:  Ferris Webster
COMPOSER:  David Amram
Academy Award nominee

DRAMA/THRILLER with elements of war

Starring:  Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, James Gregory, Leslie Parrish, John McGiver, and Khigh Dhiegh

The subject of this movie review is The Manchurian Candidate, a 1962 suspense thriller and drama film from producer-director John Frankenheimer and producer-writer George Axelrod.  The movie is based on the book, The Manchurian Candidate, a political thriller from author Richard Condon that was first published in 1959.  The movie focuses on a former Korean War prisoner of war (POW) who believes that Communists brainwashed a fellow prisoner into becoming a political assassin.

Some film critics and a larger movie audience rediscovered The Manchurian Candidate in the late 1980’s and early 90’s, and since then, so much about the film’s themes and both its political and social relevance have been beaten into the ground.  As far as its quality as a film goes, it is a fine example of the beauty of black and white film and a excellent example of how film can deal with issues of memory and identity in so many novel and inventive ways.  I do want to make it clear that I recommend this film because of its wonderful cast and because it is a fantastic suspense thriller that has an intriguing mystery story.

Major Bennett Marco (Frank Sinatra) comes to believe that Raymond Shaw (Laurence Harvey), a member of his former platoon during the Korean Conflict who won the Congressional Medal of Honor, has been brainwashed by enemies of the United States.  Shaw is the stepson of the red-baiting, media-manipulator, Senator John Iselin (James Gregory), and the son of the too-ambitious-for-husband Mrs. Iselin (Angela Landsbury).  Because of the political confusion around Shaw, Bennett is unable to figure out exactly who the operators are, but he has ideas that he must play across a chessboard of shifting landscapes to discover who controls Shaw.

Directed by John Frankenheimer from a screenplay by George Axelrod, The Manchurian Candidate may, in certain political climates, seem quite relevant, but the power of its images will always remain strong.  From the opening scene of Shaw rousting his men out of a Korean brothel to the taunt cat and mouse games of psychological manipulation, the film is a haunting dream in which everything is what it seems and is even more than we might imagine.

I’ve always been fascinated by the scenes of the American soldiers being brainwashed and observed by a cabal of communists.  In one sense, the soldiers realize that they are in a large room where military type personnel are observing them, but another part of their minds registers that they are all guests at a flower club social.  In fact, while the white soldiers believe that the club members are mostly old white ladies, the lone black soldier sees the same club’s membership as haughty, well-dressed black women.

For most of the film, the only character that the audience can rely on is Shaw; we know he’s been brainwashed, and later we discover that the communists trained him to be an assassin.  The identities and motives of the other characters shift and are blurry.  Sinatra’s Bennett goes from a haunted veteran with memory problems in one half of the film to spy smasher in the next, but it’s a fine performance.  He makes us trust Bennett because we eventually have to lean on him, as he becomes the only stable element in the film.

The Manchurian Candidate is blessed with fine performances.  Although Shaw is a bit stiff throughout, he sells the film’s early brainwashing scenes, and he again becomes a strong presence at the end of the film.  Angela Landsbury gives one of the great supporting performances ever, and she does it in a quiet, subtle manner.  Her character might seem bold and obvious, but when I think about, I realize what a crafty snake she was and how she hid her serpentine ways.  In fact, there is a scene where Shaw first meets his future wife (Leslie Parrish) in which something happens that is virtually a metaphor for what Mrs. Iselin is and what her goals are.

Frankenheimer created what many consider to be a masterpiece, and it is indeed very good, as well as being visually, a gorgeous film.  I’ve always loved the dreamlike quality of black and white films.  Without the aid of color, a good director, like Frankenheimer, had to be accurate and quite efficient in shooting his film.  It was important that what was on the screen be able to move the story forward without the benefit of color as an identifying element.

When I think of how The Manchurian Candidate’s relevance resonates with audiences even to the present day, I also think of how this wonderful fantasy reveals so much about the mystery behind the face of a person.  I think of how people are often less than what I think they are, and how often they are more than what they seem.  The Manchurian Candidate is like a strange dream told in color, but we are only able to see it in black and white.  It reveals a truism about life:  reality is everything it seems, more or less.

9 of 10
A+

NOTES:
1963 Academy Awards, USA:  2 nominations: “Best Actress in a Supporting Role” (Angela Lansbury) and “Best Film Editing” (Ferris Webster)

1963 Golden Globes, USA:  1 win: “Best Supporting Actress” (Angela Lansbury); 1 nomination: “Best Motion Picture Director” (John Frankenheimer)

1963 BAFTA Awards:  1 nomination: “Best Film from any Source” (USA)

1994 National Film Preservation Board, USA:  National Film Registry

Updated:  Sunday, November 10, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Saturday, January 8, 2011

Review: Walt Disney's "Beauty and the Beast" is Still Glorious Three Decades Later

TRASH IN MY EYE No. 2 (of 2011) by Leroy Douresseaux

Beauty and the Beast (1991)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – G
DIRECTOR: Gary Trousdale and Kirk Wise
WRITERS: Linda Woolverton; from a story by Brenda Chapman, Burny Mattinson, Brian Pimental, Joe Ranft, Kelly Asbury, Christopher Sanders, Kevin Harkey, Bruce Woodside, Tom Ellery and Robert Lence (based upon the story by Jeanne-Marie Leprince de Beaumont)
PRODUCER: Don Hahn
EDITORS: John Carnochan with Bill Wilner
COMPOSER: Alan Menken
SONGS: Alan Menken and Howard Ashman
Academy Award winner

ANIMATION/FANTASY/ROMANCE/COMEDY with elements of action

Starring: (voices) Paige O’Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Pierce, Rex Everhart, and Jesse Corti

Until a few days ago, I hadn’t watched the entirety of Walt Disney’s Beauty and the Beast in 19 years, and after enjoying it as much as I did recently, I can say that this tale did not grow old with time. Beauty and the Beast is still dazzling… and timeless.

Disney’s film is based on the fairy tale La Belle et la BĂŞte by Jeanne-Marie Le Prince de Beaumont and also takes a view elements from the 1946 French film based upon the same fairy tale. This animated take on a classic fairy tale is set in 18th century France and focuses on two characters.

First, there is Beast (Robby Benson). He was once a cold-hearted young prince transformed by an enchantress into a monster. Now, he is virtually a prisoner inside his forlorn castle. The second is Belle (Paige O’Hara), an unusual young woman who lives in nearby village with her inventor father, Maurice (Rex Everhart). Belle spends her days reading books and yearning for a life beyond her provincial village. She does have a suitor, Gaston (Richard White), a conceited local hero and fearsome hunter, but Belle has no interest in him.

When her father becomes the Beast’s prisoner, Belle offers herself in his place. Although she is cold and aloof to the Beast, Belle warms to his servants, a large group of magical, talking furniture and household times, including Lumière (Jerry Orbach), the candelabra and maĂ®tre d’; Cogsworth (David Ogden Stiers), the clock and majordomo, and Mrs. Potts (Angela Lansbury), the teapot and head of the castle’s kitchens. They all hope that Belle falls in love with the Beast, because only love can unravel the curse that hangs over them and the castle. But time is running out!

Beauty and the Beast is a Broadway style musical like the 1989 Walt Disney animated feature, The Little Mermaid. Here the songs, music by Alan Menken and lyrics by the late Howard Ashman, both move the narrative forward and embellish the story’s mood and themes. In fact, the moods, emotions, and colors of the songs themselves are vivid and clear; on their own, they’re memorable numbers that will stay with you long after you’ve seen this movie.

The quality of the songs actually symbolizes everything that is terrific about this movie. The mix of hand-drawn animation and computer-generated imagery and computer-aided coloring blend seamlessly and do nothing to keep Beauty and the Beast from looking like it belongs with Disney’s animated classics of the past. The lush, sparkling colors and lavish set designs bring the fairytale to life and make it feel magical.

The fluid animation, the hallmark of Walt Disney animation (often described as creating the illusion of life) is clearly evident in this film. Combine that quality of animation with the excellent performances of the voice actors and the endearing characters not only spring to life; they are also hard to forget – even after 19 years. I am sure that I will continue to watch Beauty and the Beast, but this time I won’t wait so long to visit my friends again.

10 of 10

NOTES:
1992 Academy Awards: 2 wins: “Best Music, Original Score” (Alan Menken) and “Best Music, Original Song” (Alan Menken-music and Howard Ashman-lyrics for the song "Beauty and the Beast"); 4 nominations: “Best Picture” (Don Hahn), “Best Music, Original Song” (Alan Menken-music and Howard Ashman-lyrics for the song "Belle"), “Best Music, Original Song” (Alan Menken-music and Howard Ashman-lyrics for the song "Be Our Guest"), and “Best Sound” (Terry Porter, Mel Metcalfe, David J. Hudson, and Doc Kan)

1993 BAFTA Awards: 2 nominations: “Best Original Film Score” (Alan Menken and Howard Ashman) and “Best Special Effects” (Randy Fullmer)

1992 Golden Globes: 3 wins: “Best Motion Picture - Comedy/Musical, “Best Original Score - Motion Picture” (Alan Menken) and “Best Original Song - Motion Picture” (Alan Menken-music and Howard Ashman-lyrics for the song "Beauty and the Beast"); 1 nomination: “Best Original Song - Motion Picture” (Alan Menken-music and Howard Ashman-lyrics for the song "Be Our Guest")

Saturday, January 08, 2011

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