Negromancer News Bits and Bites from August 21st to 31st, 2022 - Update #21

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MUSIC - From RollingStone:  Actor, musician, and businessman, Micky Dolenz, is best remembered as a member of pop-rock band, "The Monkeez."  Now, the only surviving member, Dolenz has filed a lawsuit against the FBI to force the law enforcement agency to turn over a file kept on the band during the era of FBI director, J. Edgar Hoover.

DISNEY - From Deadline:  Chris “Ludacris” Bridges, Lil Rel Howery, and Teyonah Parris will star in the holiday comedy, "Dashing Through the Snow," with Tim Story directing.  The film is scheduled for Disney+ for the 2023 holiday season.

STAR TREK - From THR:  "WandaVision" director Matt Shakman has dropped out of directing Paramount Pictures fourth "Star Trek" reboot film ... perhaps, because "Fantastic Four" is in his future.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/26 to 8/28/2022 weekend box office is Sony Pictures' "The Invitation" with an estimated take of 7 million dollars.

STREAMING - From Deadline:  "Zatima" is a new series from Tyler Perry Studios and BET+.  A spinoff of the series, "Sistas," it will premiere Sept. 29th, and has also added six new cast members.

NETFLIX - From THR:  Netflix's "Resident Evil" live-action series has been cancelled after one season.  It was the first live-action TV series in the "Resident Evil" franchise.

CELEBRITY - From Variety: "Archetypes," the new podcast from Princess Meghan Markle, The Duchess of Sussex, has claimed the No. 1 podcast position on Spotify’s charts in six markets worldwide, including the United States and the United Kingdom.  For the time being, “Archetypes” is currently more popular than “The Joe Rogan Experience,” which in the U.S. is consistently the most-listened-to podcast on Spotify.

NETFLIX - From Deadline:  Francis Lawrence will direct and Michael Green will write a film adaptation of the video game, "BioShock," for Netflix.

STREAMING - From Fangoria:  Hulu has released a teaser trailer for the film "Hellraiser," a reboot of Clive Barker's 1987 film of the same name.  The films begins streaming on Hulu October 7th.

TELEVISION - From Today:  On Thursday, September 22nd, 2022, "Law & Order," "Law & Order: SVU," and "Law & Order: Organized Crime" will come together in a three-hour, three-series crossover event - on NBC, of course.

MOVIES - From Variety:  "Halloween Ends," the latest installment in the long-running "Halloween" franchise, will have a simultaneous release in theaters and through the streaming service, "Peacock," on Oct. 14th.

MOVIES - From Deadline:  Director Matt Reeves ("The Batman") has signed multi-year first-look deal with Warner Bros., and he has also re-up his deal TV deal with Warner Bros. Television Group.

AMAZON - From Deadline:  Cathy Yan, director of "Birds of Prey," will direct and executive produce a live-action adaptation of Yasutaka Tsutsui's novel, "Paprika," for Amazon.

NETFLIX - From Variety:  Netflix has just released a first look image from director Rian Johnson's "Glass Onion," the sequel to "Knives Out" (2019).  Starring Daniel Craig, the film will debut on Netflix Dec. 23rd, 2022 and will be released to select theaters on a still to be announced date.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/19 to 8/21/2022 weekend box office is Sony/Crunchyroll's "Dragon Ball Super: Super Hero" with an estimated take of 20.1 million dollars.

SCANDAL - From EW:  Gary Busey has been arrested on four charges: two counts of criminal sexual conduct in the fourth degree, one count of attempted criminal sexual contact, and one count of harassment.  Busey has reportedly been taken into custody due to an incident that occurred in Cherry Hill, N.J., when he was visiting for "Monster-Mania Con" at the suburb's Doubletree Hotel from August 12th to 14th, 2022.

CELEBRITY - From Deadline:  The family of the late actor, Bill Paxton, has settled their lawsuit against Cedars-Sinai Medical Center of Los Angeles and the surgeon who performed heart surgery on him. Paxton died of a stroke February 25, 2017 eleven days after heart surgery.

OBITS:

From TheDisInsider:  Disney/Pixar animator, art director, storyboard artist, and writer-director, Ralph Eggleston, has died at the age of 56, Monday, August 29, 2022.  Eggleston won an Oscar for his animated short film, "For the Birds" (2000).  Eggleston was responsible for the art direction, production design, and colors of many Pixar films, including the first two "Toy Story" films, "The Incredibles" (2004), and "Inside Out" (2015), to name a few.

From Deadline:  British-Canadian film director and animator, Gerald Potterton, has died at the age of 91, Tuesday, August 23, 2022.  Potterton was best known for directing the cult animated feature film, "Heavy Metal" (1981), and for his work on "The Beatles" 1968 animated film, "Yellow Submarine."  Potterton was also twice nominated for an Academy Award for his work on animated short films.

From ESPN:  Former NFL quarterback, Len Dawson, has died at the age of 87, Wednesday, August 24, 2022.  Dawson led the Kansas City Chiefs to victory in Super Bowl IV (Jan. 11th, 1970) over the Minnesota Vikings, 23-7.  He is a member of the "Pro Football Hall of Fame" (Class of 1987).  He also had a 33-year career as a broadcast analyst.

From Variety:  The retired actress Virginia Patton Moss has died at the age of 97, Thursday, August 18, 2022.  She acted under the name of Virginia Patton, and had a brief career in films during the 1940s before retiring from acting to focus on her family with husband, Cruise W. Moss.  Moss was also the last surviving adult actor to appear in Frank Capra's classic 1946 film, "It's a Wonderful Life."

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BRITTNEY GRINER:

From TheDailyBeast:   Legendary NBA bad boy and champion (Detroit Pistons, Chicago Bulls), Dennis Rodman claims that he has been given permission to go to Russia and help free imprisoned hostage, WNBA star, Brittney Griner.

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple."

Negromancer News Bits and Bites from March 1st to 11th, 2017 - Update #27

Support Leroy on Patreon.

COMICS-TV - From Marvel:  The remaining cast members of Marvel/ABC's "Inhumans" announced.

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MOVIES - From TheWrap:  James Cameron's "Avatar" sequels (and there will be four of them) have been delayed again.

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SPORTS - From YahooSports:  Bobby Knight is never in rare form, as this is normal.

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COMICS-FILM - From YahooMovies:  See Chris Hemsworth's new haircut for "Thor: Ragnarok."

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MOVIES - From Variety:  Asghar Farhadi breaks silence about the "Best Foreign Language Film" Oscar win for his film "The Saleman," and his current project.

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MOVIES - From IndieWire:   What are the recent Oscar winners doing next?

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STAR TREK - From YahooTV:  Jason Isaacs will apparently play the starship captain on "Star Trek Discovery."

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OBIT - From Variety:  Robert Osbourne, film historian and host of Turner Classic Movies (TCM), has died at the age of 84, Monday, March 6, 2017.  Osbourne had been the host of TCM since its inception in 1994, although he did stop hosting duties early last year due to an undisclosed illness.  He was one of my favorite TV personalities; R.I.P., Mr. Osbourne.

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POLITICS - From YahooNews:  Khizr Khan, the Gold Star father who was a target of then candidate Donald Trump last year, says his privileges to travel abroad are being reviewed.  He offered no more details beyond that.

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CELEBRITY - From YahooCelebrity:  Bill Paxton's cause of death is apparently of a fatal stroke brought on by valve replacement.

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CELEBRITY:  From YahooNews:  Kenneth Lonergan defends his "Manchester by the Sea" star Casey Affleck over sexual harassment claims.

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CRIME - From YahooNews:  Supreme Courts sides with convicted man because jurors used his ethnicity to convict him.

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COMICS - From CBR:  Japanese publishing giant, Kodansha, announces a "Ghost in the Shell" anthology comic book/manga.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 3/3 to 3/5/2017 weekend box office is "Logan" with an estimated take of $85.3 million.

From TheWrap:  $85 million opening weekend for "Logan."

From Variety:  "Logan" is at $237.8 million in global box office.

From YahooMovies:  Real best picture Oscar winner "Moonlight" gets a box office boost, although it is already available on home entertainment.

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OBIT - From Variety:  The actress Mariam Colon has died at the age of 80, Friday, March 3, 2017.  Colon, a Puerto Rican, was a pioneer Latina actress probably best known for playing Al Pacino's mother in the 1983 remake of "Scarface."

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POLITICS - From TheWrap:  Legendary author Stephen King uses Twitter to mock President Trump and his latest President Obama conspiracies.

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MOVIES - From IndieWire:  "The Mask of the Black Death" is an unproduced screenplay by legendary Japanese filmmaker, Akira Kurosawa ("Seven Samura").  It was based on Edgar Allen Poe's short story, "The Masque of the Red Death," and it will now be produced in China.

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MOVIES - From Variety:  Vanessa Kirby of "The Crown" lands lead female role in "Mission: Impossible 6."

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MOVIES - From YahooMovies:  "X-23" the secret weapon in the new film "Logan."

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TELEVISION - From Variety:  AMC announces "Talking Dead" spinoff with Chris Hardwick.

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POLITICS - From Guardian:  Australian author, Mem Fox, had herself an adventure with President's travel/Muslim ban.

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OSCARS:

From Variety:  Two PriceWaterhouseCooper accountants involved in the "Best Picture" flup will not be invited back to the Oscars.

From YahooMovies:  Dwayne Johnson was ready to rumble over the Best Picture gaffe.

From People:  Academy President Cheryl Boone Isaacs says she was horrified by Sunday's "Best Picture" Oscar mix-up.

From YahooNews:  Last years best actress Oscar winner, Brie Larson, was not too happy about presenting this years best actor Oscar winner, Casey Affleck, with his Oscar statuette.

From YahooMovies:  The Academy's accounting firm, PriceWaterhouseCooper, says the fault in Sunday's 89th Oscars' "Best Picture" fiasco is Brian Cullinan.

TRAILERS:

From YouTube:  Official "Alien: Covenant" trailer.

Negromancer News Bits and Bites from February 19th to 28th, 2017 - Update #47

Support Leroy on Patreon.

MOVIES - From Variety:  "Moonlight" to expand to 1500 theaters after its "Best Picture" win at Sunday's 89th Academy Awards.

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STAR TREK - From THR:  CBS CEO Les Moonves says that "Star Trek Discovery" will debut late summer or early fall.

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OBIT - From YahooMovies: The 7-foot-7 actor Neil Fingleton has died at the age of 36.  Great Britain's tallest man, he was best known for playing "Mag the Mighty" on "Game of Thrones."

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MOVIES - From BleedingCool:  "Bright" is Will Smith's new film, and it has a trailer.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 2/24 to 2/26/2017 weekend box office is "Get Out" with an estimated total of $30.5 million.

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OSCAR:

From THR:  A closer look at the 89th Oscar that were overshadowed by the Best Picture fiasco.

From YahooMovies:  And the winner isn't... "La La Land"  "Moonlight" correctly announced as "Best Picture" Oscar winner after a historic gaffe.

From YahooCelebrity:  This picture is worth a thousand words... the look on their faces over the "Best Picture" Oscar fiasco.

From YahooMovies:  No, "Moonlight" won.

From YahooMovies:  Warren Beatty explains his part in the "Best Picture" Oscar fiasco.

From Polygon:  Yeah, "Suicide Squad" has an Oscar.

From Variety:  Stars make political statements on the Oscar red carpet, including support for the ACLU and in remembrance of Trayvon Martin.

From YahooNews:  "Good Morning America" offers an extended video interview with Viola Davis.

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OBIT - From Variety:  The actor Bill Paxton has died at the age of 61, Saturday, February 25, 2017.  Paxton's long career included appearing in several James Cameron films, including "Aliens" and "Titanic."  He was one of my favorites; I send my prayers to his family.

From THR:  Hollywood mourns acclaimed film and television actor, Bill Paxton.

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OBIT - From TheWrap:  Judge Joseph Wapner has died at the age of 97, Sunday, February 26, 2017.  Wapner was the original judge on the long-running, syndicated courtroom series, "The People's Court."

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POLITICS - From YahooNews:  President Trump skipping annual White House Correspondents Association Dinner on April 29th.  Heat-kitchen, man.

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BLM - From YahooCelebrity:  Muhammad Ali's son, 44-year-old Muhammad Ali, Jr. was detained at at a Florida airport for several hours... because of his Arabic-sounding name.

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AWARDS - From Variety:  The winners of the Frances's 2017 Cesar Awards announced.

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ANIME - From CBR:  Hayao Miyazaki comes out of retirment... again.  He is apparently directing a film entitled "Boro the Caterpillar."

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COMICS-FILM - From ComicsAlliance:  X-Men writer-producer Simon Kinberg says that "Gambit" moving could begin filming in 2018.

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COMICS - From BleedingCool:  Batman will meet "Rorschach" of "The Watchmen."

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TELEVISION - From Variety:  Freddie Highmore ("Bates Motel") to star in ABC pilot, "The Good Doctor."

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TELEVISION - From TheWrap:  Starz TV adaptation of Neil Gaiman's seminal novel, "American Gods," is set for April 30th, 2017.

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COMICS-FILM - From YahooMovies:  After various swings of fortune, Matt Reeves has signed a deal to direct "The Batman" movie starring Ben Affleck.

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MOVIES - From THR:  Angelina Jolie is still hot, landing acting and directing gigs.  Her latest directorial endeavor, "First They Killed My Father," has had its premiere.

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OBIT - From THR:  Leah, the mother director Steven Spielberg, has died at the age of 97, Tuesday, February 21, 2017.

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COMICS-FILM - From Deadline:  Jamie Chung has been cast as "Blink" in Fox/Marvel's X-Men themed pilot.

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MOVIES - From Variety:  Another "Game of Thrones" star has a new job.  Alfie Allen is part of "The Predator" reboot.

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COMICS-FILM - From Variety:  "Game of Thrones"star Iwan Rheon has been cast as the lead in ABC/Marvel's "Inhumans."

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TELEVISION - From YahooTV:  Demi Moore will have a recurring role in Season 4 of FOX's "Empire."

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MOVIES - From YahooMovies:  While filming in Europe, Jamie Foxx is apparently the target of racial slurs at a restaurant.

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COMICS-FILM - From BleedingCool:  A dinner and hints at shooting a new X-Men flop starting Summer 2017.

From Movieweb:  Will Simon Kinberg make his directorial debut with this next X-Men movie a.k.a. "X-Men 7?"

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OBIT - From THR:  Cinematographer Gerald Hirschfeld died at the age of 95, Monday, February 13, 2017.  Hirschfeld may be best known for his beautiful black and white photography on Sidney Lumet's "Fail-Safe" and Mel Brooks' "Young Frankenstein."

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HISTORY - From DemocracyNow:  George Takei speaks on the 75th anniversary of the order to place Japanese Americans in internment camps during World War II.  Takei, then 5 years-old, was placed in a camp with his parents and siblings.

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MOVIES - From ThePlaylist:  Shane Black reveals the cast to his film, "The Predator," which is some kind of reboot of / not-a-sequel-to 1987's "Predator."  It looks like Arnold Shwarzenegger will not be part of the film...

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 2/17 to 2/19/2017 weekend box office is "The LEGO Batman Movie" with an estimated take of $34.2 million.

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AWARDS - From Variety:  Cinema Audio Society Awards announced with "La La Land" and "Game of Thrones" leading wins.

From Variety:  "Golden Reel Sound Editing Awards" winners announced

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MUSIC - From Vulture:  Drake does not want his two weird "Grammy" wins from the 2017 Grammys a week ago.

From Vulture:  Black artists don't win Grammy "Album of the Year," not often - been 10 years.

From Vulture:  And Neil Portnow loves his head in the sand.  Grammys are overrated anyway.

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COMICS - From Vulture:  Warren Ellis talks about the rebirth of Jim Lee's WildStorm as "The Wild Storm."

From Patreon:  Here is my review of "The Wild Storm #1."

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COMICS - From THR:  Trailblazing editor Karen Berger, who brought Neil Gaiman (The Sandman) to DC Comics, has signed a deal with Dark Horse Comics, trailblazing independent comics publisher.

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COMICS-FILM - From Variety:  So maybe Matt Reeves won't direct Ben Affleck-Batman movie.

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MOVIES - From TheWrap:  He's playing young Lando and now, Donald Glover will play "Simba" in a live-action version of "The Lion King."

TRAILERS:

From YouTube:   "Prologue: Last Supper"  from "Alien: Covenant," which is due May 19, 2017.

Review: "Nightcrawler" an L.A. Crime Classic

TRASH IN MY EYE No. 14 (of 2016) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Nightcrawler (2014)
Running time:  118 minutes (1 hour, 58 minutes)
MPAA – R for violence including graphic images, and for language
WRITER/DIRECTOR:  Dan Gilroy
PRODUCERS:  Jennifer Fox, Tony Gilroy, Jake Gyllenhaal, David Lancaster, and Michel Litvak
CINEMATOGRAPHER:  Robert Elswit
EDITOR:  John Gilroy
COMPOSER:  James Newton Howard
Academy Award nominee

CRIME/THRILLER/DRAMA

Starring:  Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton, Kevin Rahm, Ann Cusack, Michael Hyatt, and Price Carson

Nightcrawler is a 2014 neo-Noir drama and crime-thriller from writer-director Dan Gilroy.  Starring Jake Gyllenhaal, the film focuses on a Los Angeles man who enters the world of freelance video journalism and then begins to manipulate events in order to create more lurid stories.

Nightcrawler opens in Los Angeles.  It introduces Louis “Lou” Bloom (Jake Gyllenhaal), a thief always looking to convert his stolen merchandise into quick cash.  One night, Bloom is driving back to his apartment when he comes across the scene of a car crash.  He pulls over to witness the chaos, but most of his attention is taken by the “Stringers,” freelance cameramen who are filming live footage of the crash scene with the intent of selling that video footage to local television news stations.

Fascinated and inspired, Bloom buys his first camcorder and a police radio scanner and begins driving the streets of L.A. at night.  He looks for accidents, emergencies, and crime scenes that he can film.  He makes his first sale to KWLA, a bottom-rung television station, where he catches the notice of the station's morning news director, Nina Romina (Rene Russo).  As he muscles his way into the world of L.A. crime journalism, however, Bloom's dark side quickly emerges.

On the surface, Nightcrawler might seem like it is only a slick crime film, especially because of Robert Elswit's gorgeous cinematography.  What writer-director Dan Gilroy also offers, however, is a mean, edgy film that is classic L.A. crime story.  This film is high-quality neo-Noir that recaptures the classic, black and white L.A. Film-Noir, without being a prisoner to style and expectations.

Nightcrawler might not be the excellent film it is without Jake Gyllenhaal's marvelous performance as the sociopathic and murderously ambitious Lou Bloom.  It is now official; doubting that Gyllenhaal is a supremely talented and skilled actor is no longer okay.  I must also throw some cheer Rene Russo's way.  Hell, yeah, she's good, but Hollywood industry ageism now keeps her away from audiences.  She takes a throwaway character like Nina and makes her crucial to the execution of the narrative.  Also, I must not forget Riz Ahmed.  As Rick, Bloom's desperate-for-money assistant, Ahmed delivers a star-turn that just comes out of nowhere.

It might be easy to focus on Louis Bloom's sociopathic tendencies; one might call him an outright sociopath.  However, I think Nightcrawler speaks to the world that creates the Lou Blooms.  The world of L.A. local television news is little better than rogue capitalism.  The movie is rife with characters that are me-first and win-at-all-costs, to say nothing of the anal obsession with acknowledging achievement that comes from literally walking over dead bodies.

Nightcrawler is not perfect; some of it seems a bit far-fetched.  Louis Bloom gets away with things that stretch credulity, although I won't be specific in order to avoid spoilers.  Still, I was destined to like Nightcrawler because I like neo-Noir set in Los Angeles.  I think that what makes Nightcrawler so fascinating to watch are the things that sometimes make it hard to watch.  Dan Gilroy's gem is blunt about a morally bankrupt society in which class status is everything and in which society treats actual people as nothing more than commodities.

8 of 10
A

Saturday, February 6, 2016


NOTES:
2015 Academy Awards, USA:  1 nomination: “Best Writing, Original Screenplay” (Dan Gilroy)

2015 BAFTA Awards:  4 nominations: “Best Leading Actor” (Jake Gyllenhaal), “Best Supporting Actress” (Rene Russo), “Best Editing” (John Gilroy), and “Best Original Screenplay” (Dan Gilroy)

2015 Golden Globes, USA:  1 nomination: “Best Performance by an Actor in a Motion Picture – Drama” (Jake Gyllenhaal)


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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"Edge of Tomorrow" #1 at the Worldwide Box Office

“Edge of Tomorrow” Clocks in as the Weekend’s #1 Film Worldwide

Doug Liman’s Critically Acclaimed Sci-fi Thriller, Starring Tom Cruise and Emily Blunt, Takes in $111.1 Million For the Weekend

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Edge of Tomorrow” grossed $111.1 million, making it the weekend’s #1 film internationally and worldwide. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Internationally, the film has been in limited release for 12 days, including Wednesday openings, and debuted in an additional 36 countries over the weekend, earning an impressive $82 million, including outstanding returns in Russia with $8.6 million, China with $25 million, and Korea at $16.6 million. The international cumulative gross now stands at $111 million. On the domestic side, in its first three days of release, “Edge of Tomorrow” has grossed $29.1 million, bringing the worldwide total to $140.1 million and counting.

In making the announcement, Fellman stated, “‘Edge of Tomorrow’ has received terrific critical acclaim, which has been echoed by audiences who have responded to the film and the fantastic performances of Tom Cruise and Emily Blunt. Word-of-mouth is extremely strong, which should continue to drive moviegoers to the theatre, either for the first time or to enjoy the film again.”

Kwan Vandenberg stated, “‘Edge of Tomorrow’ has risen above the crowded summer marketplace and continues to gain momentum, from our massive opening in Korea to the incredible results we’ve seen in Russia and China. We congratulate Doug Liman, Tom Cruise, Emily Blunt and the remarkable filmmakers, cast and crew on reaching this terrific benchmark.”

Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.

The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.

Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.

But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.

Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” The film is distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow. www.edgeoftomorrowmovie.com

This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.

"Edge of Tomorrow" Earns Big in Early International Openings

“Edge of Tomorrow” Rises Early in International Openings

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Edge of Tomorrow,” starring Oscar® nominee Tom Cruise and Emily Blunt and directed by Doug Liman, has earned an outstanding $33 million at the box office in early international openings ahead of its June 6 worldwide debut. The announcement was made today by Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

    “The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”

“Edge of Tomorrow” had a spectacular opening in Korea, with an estimated KRW 3.9b ($3.8m) on 681 screens, including sneak preview showings. Its Wednesday debut marked the biggest opening of all time for Warner Bros. Pictures in Korea, as well as the fourth biggest opening industry-wide, for that market. The film also opened yesterday at #1 in Denmark and Norway, as well as France, where it was #1 in both admissions and box office even amid strong competition from U.S. product and a popular local comedy.

Kwan Vandenberg said, “The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”

The early box office results come on the heels of the film’s groundbreaking worldwide event when, for the first time ever, three fan premieres were held in three different cities—London, Paris and New York—in just one day, “resetting” the red carpet as Tom Cruise and Emily Blunt raced the clock to make each event before time ran out.

Sue Kroll, Warner Bros. Pictures President, Worldwide Marketing and International Distribution, noted, “Tom is a huge star globally and has been a phenomenal partner as we’ve introduced this exciting and original adventure to audiences everywhere. The film has been enthusiastically embraced by critics and consumers alike. Tom has gone above and beyond to support the film, traveling all over the world to share it with fans, and these incredible efforts have made a tremendous impact as we gear up to release ‘Edge of Tomorrow’ worldwide.”

Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.

The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.

Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.

But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.

Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” The film is distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow. www.edgeoftomorrowmovie.com

This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.

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Review: "Club Dread" is an Awkward Mix of Horror and Comedy (Happy B'day, Bill Paxton)

TRASH IN MY EYE No. 93 (of 2004) by Leroy Douresseaux

Broken Lizard’s Club Dread (2004)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – R for violence/gore, sexual content, language and drug use
DIRECTOR:  Jay Chandrasekhar
WRITERS:  Broken Lizard (Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, and Jay Chandrasekhar)
PRODUCER:  Richard Perello
CINEMATOGRAPHER:  Lawrence Sher
EDITOR:  Ryan Folsey
COMPOSER:  Nathan Barr

COMEDY/HORROR/THRILLER

Starring:  Bill Paxton, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Brittany Daniel, Jordan Ladd, M.C. Gainey, Samm Levine, Lindsay Price, and Michael Yurchak

The subject of this movie review is Club Dread, a 2004 comic horror-thriller directed by Jay Chandrasekhar.  The film stars and is written by the comedy troupe, Broken Lizard, of which Chandrasekhar is a member.  Club Dread focuses on the staff members of an island resort, as they try to stop a serial killer’s rampage ... or at least hide bodies.

Broken Lizard, the comedy troupe who gave us the hilarious Super Troopers, returns with a new film decidedly different from Super Troopers, and it is entitled Club Dread.  Coconut Pete’s Coconut Beach Resort is an island retreat off the coast of Costa Rica for swinging singles i.e. people who want to have lots of recreational sex.  The owner is Coconut Pete (Bill Paxton), a burnt out rock singer/songwriter who is a low rent version of Jimmy Buffet.

As the movie begins, a machete-wielding maniac starts killing Pete’s employees.  After destroying the only two boats on the island, the killer threatens Coconut Pete and his staff:  keep it business as usual; do not tell the tourists about his murderous escapades or he will kill them all.  Of course, he keeps on killing; hilarity and paranoia ensue.

On the surface, Club Dread is a strange film, and it would be incorrect to call it a horror comedy.  It’s more a comic slasher flick, and it pulls off a rare trick – the horror film that is genuinely funny, not ironic and self-referential funny like the Scream franchise.  Amazingly, the film has all the elements that are absolutely required to make a slasher flick.  What makes it funny?  The answer would be the actions of the characters.  Although the players are virtually to a man nothing but wispy caricatures, the things they do and say are outrageous, silly, ridiculous, and sometimes hilarious.

The main reason this film doesn’t become a disaster is director Jay Chandrasekhar, a member of Broken Lizard.  He has a deft comic touch, and, for the most part, it works.  He manages to take his troupe’s peculiar brand of comedy and make it at least palatable to a broader audience.  Club Dread isn’t by any means a really good film.  It’s a decent horror flick with lots of laughs.  But taken as a whole Chandrasekhar had made a film that will be a good video rental for horror fans.  And in an odd way, there is something about Club Dread that makes it hard to stop watching.

5 of 10
C+

Updated:  Saturday, May 17, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Tom Cruise and Emily Blunt Race Around the World for "Edge of Tomorrow"

"Edge of Tomorrow" -- Tom Cruise and Emily Blunt Chase Tomorrow Right to the Edge: Three Premieres / Three Countries / One Day

Stars race against time to meet fans in London, Paris and New York on an unprecedented Red Carpet Repeat tour

BURBANK, Calif.--(BUSINESS WIRE)--On May 28, the stars of “Edge of Tomorrow” will take part in a groundbreaking worldwide event when, for the first time ever, three fan premieres will be held in three different countries in just one day, “resetting” the red carpet as Tom Cruise and Emily Blunt race the clock to make each event before time runs out.

In “Edge of Tomorrow,” Cruise’s character relives the events of one day over and over in an epic battle to save the world. The story begins as he arrives in London, making that city the perfect place to kick off this global event.

All times are local:

•     7:00 a.m. inaugural premiere kicks off on the carpet in London, with a 9:00 a.m. screening.

The film takes both characters to France, where they face off against an insurmountable army of alien invaders.

•     2:00 p.m. red carpet in Paris, screening at 4:00 p.m.

The final premiere will take the stars back to the U.S.

•     10:00 p.m. red carpet in New York City, with the final screening—on the edge of tomorrow—at 11:59 p.m.

Between cities, Cruise, Blunt and the film’s director, Doug Liman, will interact with fans via social media as they jet from country to country. A contingent of select press will travel to each premiere, covering the events as they unfold.

There will be live stream components for each of the three events. Those fans on the ground can network via social media using #EOTLive.

Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.

The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.

Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.

But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.

Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.

edgeoftomorrowmovie.com

New Tom Cruise Movie "Edge of Tomorrow" Headed for Bookshelves

VIZ MEDIA’S HAIKASORU IMPRINT ANNOUNCES EDGE OF TOMORROW OFFICIAL MOVIE TIE-IN NOVEL AND ALL YOU NEED IS KILL ORIGINAL GRAPHIC NOVEL RELEASE

Two New Science Fiction Action Titles Timed To Release With The Summer Blockbuster Movie EDGE OF TOMORROW Starring Tom Cruise And Emily Blunt

VIZ Media’s Haikasoru literary imprint supports the upcoming release of the gripping sci-fi action film, Edge of Tomorrow with the release of an official movie tie-in novel on April 29th. The new EDGE OF TOMORROW paperback release will carry an MSRP of $7.99 U.S. / $9.99 CAN. The book features a cover with the official movie poster featuring Tom Cruise and Emily Blunt in their title roles from the film. The EDGE OF TOMORROW novel was written by Japanese author Hiroshi Sakurazaka, and was previously published as ALL YOU NEED IS KILL.

The Haikasoru imprint has also announced the May 6th release of the ALL YOU NEED IS KILL official graphic novel adaptation. Written by Haikasoru editor and noted sci-fi author, Nick Mamatas, and featuring full-color artwork by popular comic book artist Lee Ferguson (Green Arrow, Miranda Mercury), the new graphic novel offers a single-volume retelling of the original ALL YOU NEED IS KILL novel that inspired the EDGE OF TOMORROW movie. The graphic novel carries an MSRP of $14.99 U.S. / $17.99 CAN, and features an oversized North American graphic novel trim size of 6 5/8" x 10 ¼”. An eBook edition will also be available worldwide for $8.99 (U.S. / CAN) for the Amazon Kindle, Apple’s iBooks Store, Barnes & Noble’s Nook Book Store, and the Kobo eBooks Store. North American fans can also access the graphic novel digitally on the VIZ Manga App as well as through VIZManga.com.

The Edge of Tomorrow feature film is slated for U.S. release from Warner Bros. Pictures on June 6th, and will be presented in 3D and 2D in select theaters, and 3D IMAX. The movie is directed by Doug Liman and stars Tom Cruise, Emily Blunt and Bill Paxton.

The story is set in the future when aliens called Mimics invade. Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. But he dies on the battlefield after only a few minutes, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally – the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death?

In 2009, ALL YOU NEED IS KILL served as the launch title for Haikasoru, a unique imprint developed by VIZ Media dedicated to publishing the most compelling contemporary Japanese science fiction and fantasy for English-speaking audiences. New York Times best-selling author John Scalzi declared ALL YOU NEED IS KILL to be a novel that, "reads fast, kicks ass, and keeps on coming," and it has proven to be one of Haikasoru's most popular titles. Sakurazaka's other novels include Characters (co-written with Hiroki Azuma) and SLUM ONLINE, which was published in English by Haikasoru in 2010.

“Live…die…repeat. ALL YOU NEED IS KILL / EDGE OF TOMORROW delivers a nightmarish, action-packed spin on reliving one’s own triumphs, and failures,” says Nick Mamatas, Editor, Haikasoru. “Catch the original story that inspired the gripping movie with the official movie tie-in edition and in the Western comic book mode with the ALL YOU NEED IS KILL official graphic novel. Both of these debuts are perfect reads leading up to the highly anticipated theatrical debut of Edge of Tomorrow this summer!”

"The ALL YOU NEED TO KILL graphic novel stays very true to the original source novel," says Joel Enos, editor for the new comic. "We made a conscious effort to create something unique that could stand on it's own away from both the original novel, the film and the upcoming manga, but would nicely complement and pay respects to all three! Lee's retro-futuristic art style especially puts ALL YOU NEED TO KILL as a comic into it's own orbit!"

Author Hiroshi Sakurazaka was born in Tokyo in 1970 and published his first novel, Modern Magic Made Simple, in 2003 with Super Dash Bunko, a popular young adult light novel imprint. There are now seven volumes in the series, and it was adapted as a manga in 2008 and became a television anime series in 2009. His 2004 short story, "Saitama Chainsaw Massacre," also won the 16th SF Magazine Reader's Award. Sakurazaka published All You Need Is Kill with Super Dash Bunko in 2004 and earned his first Seiun Award nomination for best of the year honors in Japanese science fiction. In 2010, Sakurazaka started an experimental digital magazine AiR with fellow author Junji Hotta. He remains one of Japan's most energetic writers of both light novels and adult science fiction.

Haikasoru’s Nick Mamatas is the author of several novels, including The Damned Highway (with Brian Keene) and Love is the Law. His short fiction has appeared in Asimov's Science Fiction, Tor.com, Weird Tales, and numerous other venues. He's also written comics for Media Blasters and the Squid Works! Collective and has been nominated for the Hugo, World Fantasy, Bram Stoker, and Shirley Jackson awards.

Artist Lee Ferguson has worked in comics since 2001, when he broke in at Marvel on the 9/11 Heroes tribute book, followed by work on the company's X-Men titles. Since then, he's worked at DC, IDW, and Dynamite, while also putting out Freak, his creator-owned project from Image Comics. His newest book is The Many Adventures of Miranda Mercury, co-created with Brandon Thomas and published through Archaia Comics. In 2012, Miranda Mercury was on YALSA’s Best Graphic Novels for Teens list and was also nominated for four Glyph Awards, including Best Artist.

For more information on EDGE OF TOMORROW / ALL YOU NEED IS KILL and the Haikasoru imprint, please visit www.haikasoru.com.

For more information on other titles available from VIZ Media, please visit www.VIZ.com.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland, Australia, New Zealand and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

Review: "2 Guns" of Fun

TRASH IN MY EYE No. 4 (of 2014) by Leroy Douresseaux

2 Guns (2013)
Running time:  109 minutes (1 hour, 49 minutes)
MPAA – R for violence throughout, language and brief nudity
DIRECTOR:  Baltasar Kormákur
WRITER:  Blake Masters (based on the Boom! Studios graphic novels by Steven Grant)
PRODUCERS:  Andrew Cosby, Randall Emmett, George Furla, Norton Herrick, Marc Platt, Ross Richie, and Adam Siegel
CINEMATOGRAPHER:  Oliver Wood (D.o.P.)
EDITOR:  Michael Tronick
COMPOSER:  Clinton Shorter

ACTION/CRIME with elements of a comedy

Starring:  Denzel Washington, Mark Wahlberg, Paula Patton, Edward James Olmos, Bill Paxton, James Marsden, Robert John Burke, Fred Ward, John McConnell, Jack Landry, Lucky Johnson, and Lindsey Smith

2 Guns is a 2013 action and crime film from director Baltasar Kormákur.  The film is based on Two Guns, a 2007 comic book by writer-creator Steven Grant and artist Mateus Santolouco.  2 Guns the movie stars Denzel Washington and Mark Wahlberg as a DEA agent and a naval intelligence officer, respectively, on the run and double-crossed after a botched attempt to infiltrate a drug cartel.

2 Guns introduces Robert Lynn Trench (Denzel Washington), who is an agent with the DEA (Drug Enforcement Agency), and Petty Officer Michael Stigman (Mark Wahlberg), who is with United States Naval Intelligence.  They only know each other, however, as Bobby Beans and Stig, two dudes trying to make it big in the world of narcotics dealing.

The duo robs a bank in Tres Cruces, New Mexico, in an attempt to infiltrate the drug cartel controlled by Papi Greco (Edward James Olmos).  They find more than they expect:  about themselves, about their respective superiors in the worlds of law enforcement and the U.S. Navy, and about the money – the really large of sum of money.  Now, Bobby and Stigman’s shaky alliance has to stay strong if they want to stay alive.

I have described some movies as basically being “not great, but entertaining.”  That is 2 Guns.  This is not filet mignon; this is like a Big Mac®, which delivers the tastiness you expect when you buy a Big Mac.  2 Guns delivers the fun you would expect from a movie about a lone gun who is betrayed and on the run – times two lone guns.  The viewer will have to wade through about an hour of set-up and build-up before the buddy-movie action explodes in a hail of bullets and a pile of bodies.

In this film, Denzel Washington and Mark Wahlberg are pretty much doing the kinds of characters they have done before in one form or another, except this time, there is plenty of winking and nudging.  2 Guns is an action movie with a comic edge.  It is light and fizzy, and by the end of the movie, I was hoping for a sequel.

2 Guns was something of a box office disappointment, but fans of Washington and Wahlberg will be delightfully surprised when they find this movie on DVD or on television – for years to come.

6 of 10
B

Wednesday, January 22, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Thunderbirds" is a Good Family Film (Happy B'day, Jonathan Frakes)

TRASH IN MY EYE No. 13 (of 2005) by Leroy Douresseaux

Thunderbirds (2004)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – PG for intense action sequences and language
DIRECTOR:  Jonathan Frakes
WRITERS:  William Osborne and Michael McCullers; from a story by Peter Hewitt and William Osborne (based upon the television series by Gerry Anderson and Sylvia Anderson)
PRODUCERS:  Tim Bevan, Eric Fellner, and Mark Huffman
CINEMATOGRAPHER:  Brendan Galvin
EDITOR:  Martin Walsh
COMPOSERS: Ramin Djawadi and Hans Zimmer

ACTION/ADVENTURE/FAMILY and FANTASY/SCI-FI with elements of comedy

Starring:  Brady Corbet, Soren Fulton, Bill Paxton, Ben Kingsley, Vanessa Anne Hudgens, Anthony Edwards, Sophia Myles, Ron Cook, Deobia (Dhobi) Oparei, Rose Keegan, Phillip Winchester, Dominic Colenso, Ben Torgersen, Lex Shrapnel, Harvey Virdi, Bhasker Patel, Demetri Goritsas, Genie Francis, and Andy Smart

The subject of this movie review is Thunderbirds, a 2004 science fiction and action-adventure film from director Jonathan Frakes (best known as “Commander William T. Riker” of “Star Trek: The Next Generation”).  This film is loosely based on the 1960s British science fiction television series, “Thunderbirds” (1965-66), created by Gerry and Sylvia Anderson.  This Thunderbirds movie features live-action, human actors portraying the characters, while the television series used “Supermarionation” marionettes (a kind of puppet) as the characters.

Thunderbirds 2004 finds the Thunderbirds’ trapped and their secret base invaded by their arch-nemesis, and only the youngest Thunderbird is free to save the day.  I like this film’s story, but I would have preferred marionettes playing the characters.  However, I was shocked to find that I really enjoyed this movie, which owes as much to the Spy Kids franchise as it does to the Thunderbirds TV series.

After narrowly averting an oil rig disaster and rescuing a small group of rig workers, the Thunderbirds, led by papa Jeff Tracy (Bill Paxton), return home to their secret headquarters, Tracy Island, a lush patch of land that hides a giant secret base, the home of the Thunderbirds’ organization, International Rescue.  What the Thunderbirds don’t know is that a tracking device was placed on their rescue vehicle by a henchman of long-time Thunderbird adversary, The Hood (Ben Kingsley).

The Hood launches an attack on Thunderbird 5, IR’s secret space station.  Jeff Tracy and three of the older boys rush off to TB5 to rescue eldest son John (Lex Shrapnel), who operates the station.  The Hood invades Tracy Island and takes over Thunderbird headquarters from where he launches another attack that traps Jeff and his fours sons on TB5.  Now, it’s up to youngest son and headstrong troublemaker, Alan Tracy (Brady Corbet), to gain maturity beyond his years if he’s going to rescue his father and brothers and stop The Hood’s diabolical plan to rob the biggest banks in the world.  Luckily he has his friends Fermat (Soren Fulton) and Tin Tin (Vanessa Anne Hudgens) to help him, and here comes Lady Penelope (Sophia Myles) and her driver/butler Parker (Ron Cook) on the way.

Of course, Thunderbirds is the live-action update of the hit 1960’s British TV series and cult favorite, “Thunderbirds,” created by Gerry Anderson and his wife, Sylvia.  Obviously some people are going to have a difficult time accepting human actors in place of the series original “actors,” marionettes.  However, this is a fun family movie in the vein of the Spy Kids and Agent Cody Banks franchises.  The focus is not on the Thunderbirds as a team, but more on Alan Tracy and his friends Fermat and Tin Tin as a sort of makeshift young Thunderbirds.

That aside, Thunderbirds is a great kids action movie, superbly directed by Jonathan Frakes, best known as Commander William T. Riker of “Star Trek: The Next Generation,” but Frakes has also directed several episodes of various TV series and a few feature films.  Frakes and the screenwriters deftly keep the action exciting without being intense, and they flirt with bawdy humor via verbal gags, taking advantage of Fermat and his father, Brains’ (Anthony Edwards) stuttering.

Bill Paxton seems to need half the film to warm up to playing Jeff Tracy, and Ben Kingsley is simply having fun, although he’s always a regal presence.  Nevertheless, the stars are the young trio of Alan Tracy, Fermat, and Tin Tin, and the young actors, who give striking performances, gamely carry this nice family thrill ride.

7 of 10
B+

Updated:  Monday, August 19, 2013

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Tom Cruise's "Edge of Tomorrow" at 2013 Comic-Con International

ADDING MULTIMEDIA Tom Cruise & Emily Blunt Starrer “Edge of Tomorrow” Gets First Look at Comic-Con Footage from the Sci-Fi Thriller to Debut at San Diego Event 

BURBANK, Calif.--(BUSINESS WIRE)--“Edge of Tomorrow” has been announced as the title of the upcoming sci-fi thriller starring Tom Cruise and Emily Blunt, directed by Doug Liman and based on the book All You Need is Kill. The movie, from Warner Bros. Pictures and Village Roadshow Pictures, is set for release on June 6, 2014, and the first look at footage from the film will be unveiled by the Studio at this year’s International Comic-Con: San Diego on Saturday, July 20. The announcement was made today by Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.

Kroll stated, “We are extremely pleased to be able to give the Comic-Con audience, who’ve always been so supportive of us, the first peek at footage from ‘Edge of Tomorrow.’ The movie has all of us at the Studio very excited, and we can’t wait to see the reactions of fans who know and love the sci-fi genre so well.”

The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.

Lt. Col. Bill Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.

But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

The international cast of “Edge of Tomorrow” also includes Bill Paxton (“Aliens,” HBO’s “Big Love”), Kick Gurry (Australian TV’s “Tangle”), Dragomir Mrsic (“Snabba Cash II”), Charlotte Riley (“World Without End”), Jonas Armstrong (BBC TV’s “Robin Hood”), and Franz Drameh (“Attack the Block”).

Liman directs the film from a screenplay by Dante W. Harper and Jez Butterworth & John-Henry Butterworth and Christopher McQuarrie, based on the acclaimed novel All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produces, along with Tom Lassally, Jason Hoffs, Gregory Jacobs and Jeffrey Silver. The executive producers are Doug Liman, Dave Bartis, Joby Harold, Hidemi Fukuhara, and Bruce Berman, with Kim Winther and Tim Lewis serving as co-producers.

The behind-the-scenes team includes Academy Award®-winning director of photography Dion Beebe (“Memoirs of a Geisha”), production designer Oliver Scholl (“Jumper,” “Independence Day”), editor James Herbert (“Sherlock Holmes,” “Sherlock Holmes: A Game of Shadows”), costume designer Kate Hawley (“Pacific Rim”), and Oscar®-nominated visual effects supervisor Nick Davis (“The Dark Knight”).

“Edge of Tomorrow” is a presentation of Warner Bros. Pictures, in association with Village Roadshow Pictures. Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

New Tom Cruise and "300" Sequel Change Release Dates

Warner Bros. Pictures Announces Date Changes for Two Much-Anticipated Event Films

“All You Need is Kill” Moves to the Coveted Summer Frame -- the Sci-Fi Actioner Will Open on June 6, 2014

“300: Rise of an Empire” Shifts to March 7, 2014, Following the Same Release Pattern of the Original Blockbuster, “300”

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has announced a change of release dates for two of its most-anticipated event films: “All You Need is Kill,” from Warner Bros. Pictures and Village Roadshow Pictures, and “300: Rise of an Empire,” from Warner Bros. Pictures and Legendary Pictures. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

“All You Need is Kill” has been moved to the Summer release corridor, opening on June 6, 2014, with select international markets predating the domestic release, starting the weekend of May 30, 2014. The earlier international release date was specifically chosen to put the opening two weeks ahead of the start of the World Cup. The move reflects the studio’s already strong belief in the huge science fiction actioner, which marks the first collaboration between two proven hit-makers, Tom Cruise and director Doug Liman.

The release date of “300: Rise of an Empire,” a new chapter in the epic “300” saga, has moved to March 7, 2014, with international territories opening day-and-date, reflecting the global popularity of the franchise. The first “300,” which was released in March 2007, went on to earn more than $456 million worldwide.

Fellman stated, “We have tremendous confidence in ‘All You Need is Kill’ and view it as a perfect tent pole for the Summer frame, with its combination of great cast, compelling story and tremendous action.”

Fellman also noted, “Moving ‘300: Rise of an Empire’ to March 7 continues in the tradition of the first ‘300,’ and kicks off the Spring movie-going season in epic style. The film is on track to become all that audiences have come to expect from the franchise.”

Kwan Vandenberg said, “We are thrilled about ‘All You Need is Kill’ heating up our Summer `14 slate. It is an action-packed adventure, told by an extraordinary cast, which is sure to have global appeal.

“We are also excited about the continuation of the ‘300’ saga,” Kwan Vandenberg added. “The first ‘300’ movie was a huge success internationally, and the day-and-date release of the new film is a great opportunity to turn its opening into a worldwide event.”


About “300: Rise of an Empire”:
Told in the breathtaking visual style of the blockbuster “300,” this new chapter of the epic saga takes the action to a fresh battlefield—on the sea—as Greek general Themistokles attempts to unite all of Greece by leading the charge that will change the course of the war. “300: Rise of an Empire” pits Themistokles against the massive invading Persian forces led by mortal-turned-god Xerxes, and Artemisia, vengeful commander of the Persian navy.

Warner Bros. Pictures and Legendary Pictures present, a Cruel and Unusual Films/Mark Canton/Gianni Nunnari Production, “300: Rise of an Empire.” The action adventure stars Sullivan Stapleton as Themistokles and Eva Green as Artemisia. Lena Headey reprises her starring role from “300” as the Spartan Queen, Gorgo; Hans Matheson stars as Aeskylos; David Wenham returns as Dilios; and Rodrigo Santoro stars again as the Persian King, Xerxes.

The film is directed by Noam Murro, from a screenplay by Zack Snyder & Kurt Johnstad, based on the graphic novel Xerxes, by Frank Miller. It is produced by Gianni Nunnari, Mark Canton, Zack Snyder, Deborah Snyder and Bernie Goldmann. Thomas Tull, Frank Miller, Stephen Jones and Jon Jashni serve as executive producers.

Opening in 3D and 2D in select theatres and IMAX on March 7, 2014, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

About “All You Need is Kill”:
Tom Cruise and Emily Blunt star in “All You Need is Kill,” directed by Doug Liman.

The story unfolds in a near future in which a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. No army in the world can match the speed, brutality or seeming prescience of the weaponized Mimic fighters or their telepathic Alpha commanders. But now the world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances.

The international cast also includes Bill Paxton, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong and Franz Drameh.

Liman directed the film from a screenplay by Dante W. Harper and Jez Butterworth & John-Henry Butterworth and Christopher McQuarrie, based on the acclaimed novel All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff, Tom Lassally, Jason Hoffs, Gregory S. Jacobs and Jeffrey Silver are the producers. The executive producers are Doug Liman, Dave Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Kim Winther and Tim Lewis serving as co-producers.

“All You Need is Kill” is a presentation of Warner Bros. Pictures, in association with Village Roadshow Pictures. Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

Review: "The Terminator" is Still a Bad Ass (Happy B'day, Arnold Schwarzenegger)

TRASH IN MY EYE No. 3 (of 2002) by Leroy Douresseaux

The Terminator (1984)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R
DIRECTOR: James Cameron
WRITERS: Gale Ann Hurd and James Cameron, with William Wisher
PRODUCER: Gale Anne Hurd
CINEMATOGRAPHER: Adam Greenberg (D.o.P.)
EDITOR: Mark Goldblatt
COMPOSER: Brad Fiedel

SCI-FI/FANTASY/ACTION/THRILLER

Starring: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, and Bill Paxton

The subject of this movie review is The Terminator, a 1984 science fiction and action film from director James Cameron. Essentially an independent film, The Terminator was not expected to be a success. Not only was the film a commercial and critical hit, but it also spawned three sequels, a television series, and other spin-offs, including several comic book series. Of note, author Harlan Ellison received a screen credit on later releases of the film to acknowledge his work as a source for the film.

In the future, an artificial intelligence named Skynet, a kind of super computer, rules the planet and wages a total war on the small bands of human who survived Skynet’s initial genocidal campaign against mankind. When the human resistance reaches a point that it has defeated Skynet, it sends the Terminator (Arnold Schwarzenegger) back in time to kill the Sarah Connor (Linda Hamilton), the woman who would one day give birth to John Connor, the leader of the successful human resistance. One of John Connor’s most trusted fighters, Kyle Reese (Michael Biehn) volunteers to follow the Terminator into the past to save Sarah, the woman Reese has secretly loved since the day he first saw an aged photo of her.

Directed by James Cameron, The Terminator was one of the last low budget science fiction movies to have a measurable impact on filmmaking. Short on funds, Cameron relied on story and well executed action sequences to keep the viewer on the edge of his seat. It is a far cry from the bloated SFX extravagances that Cameron would go on to shoot.

Cameron reveals just enough of the bleak, burnt out future to simultaneously whet our appetites and to then leave us begging for more. He aims the camera close in to the actors and uses quick cut editing to heighten the sense of drama and tension. Layers of shots from several angles strengthen the dramatic impact of the story; you simply can’t ignore this film. It is a simple story – a man has to save the woman he loves from a relentless killer. However, Cameron uses his directorial prowess to up the ante when it comes to the chase; the pursuit is one long, unrelenting, bloody hunt.

In one scene in particular, the Terminator arises like a broken phoenix from its funeral pyre, still alive and still following its program. Before the magic of computer generated imagery (CGI), this scene had to be shot in stop motion glory. An evil leer made of silver metal teeth spread across its face, the machine marches on to terminate its target. These few moments of filmmaking reveal the savvy of mind that can create his vision despites restraints of budget or technology. Cameron was good a long time before CGI.

The Terminator was a career defining and career changing moment for Schwarzenegger. The machine he portrays isn’t simply a cold efficient killer. It’s part specter and part machine – magic and science. His portrayal combines the coldest sci-fi villain with the scariest horror movie monster – Hal from 2001: A Space Odyssey meets Michael Myers from Halloween. As he storms through Los Angeles looking for his target, he examines his environment with the cool detachment of scientific device and stalks Kyle and Sarah with the hell born determination of masked slasher.

Biehn and Ms. Hamilton are very good in their parts. Reese is the consummate soldier, a sinewy runt, his body marked with gross scars. He has the single-minded determination to follow his commander’s orders and to successfully conclude his mission even at the cost of his life. Ms. Hamilton’s Sarah Connor is a dumped on young woman, whose comeliness hides behind a façade of homeliness and humility. The real woman in her waits the day when she can emerge fully formed and ready to throw off her waitress’s apron and kick butt.

Largely forgotten in the age of computer-enhanced movies, The Terminator remains as visceral, as funny, as exciting, and as poignant today as it was then. By no means perfect, it was more entertaining movie magic than thoughtful movie making. However, one cannot deny how effectively this movie delivers the thrills. Think of it as a B-movie made by an intelligent filmmaker steeped in the slums of maligned genres like horror, science fiction, fantasy, and comic books. This is the groundbreaking work of art that came from that ghetto.

8 of 10
A

NOTES:
2008 National Film Preservation Board, USA: “National Film Registry”

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Review: Lean "Haywire" is Hard and Mean

TRASH IN MY EYE No. 36 (of 2012) by Leroy Douresseaux

Haywire (2011)
U.S. release – January 2012
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – R for some violence
EDITOR/CINEMATOGRAPHER/DIRECTOR: Steven Soderbergh
WRITER: Lem Dobbs
PRODUCER: Gregory Jacobs
COMPOSER: David Holmes

ACTION/DRAMA/THRILLER

Starring: Gina Carano, Ewan McGregor, Michael Angarano, Channing Tatum, Michael Douglas, Antonio Banderas, Michael Fassbender, Matthieu Kassovitze, Anthony Brandon Wong, and Bill Paxton

Haywire is a 2011 action movie and espionage thriller from director Steven Soderbergh. Released in the United States earlier this year, Haywire focuses on a female secret operative who must go rogue in order to stay alive.

Mallory Kane (Gina Carano) works for a private firm employed by the American government to perform covert operations. Kenneth (Ewan McGregor) is the firm’s director and, until recently, he was Mallory’s boyfriend. He sends Mallory and a team to Barcelona, Spain to rescue Jiang (Anthony Brandon Wong), a Chinese national being held hostage. After the mission, things go haywire. Mallory goes on the run with Scott (Michael Angarano), a young man she meets at a restaurant. Aaron (Channing Tatum), a member of her team, is pursuing her. Now, she must outwit her pursuers on both sides of the Atlantic if she is going to outlast them and discover who betrayed her.

Although he didn’t write the script, Haywire is a definitely a Steven Soderbergh movie, as he not only directed it, but also photographed it (under the name Peter Andrews) and edited it (under the name Mary Ann Bernard). The film is fast and spare, unlike the extravagant norm of many Hollywood spy and espionage thrillers and action movies. Haywire skewers closer to reality, from the gritty hand to hand combat to Gina Carano’s body and facial features. Mallory Kane looks like a woman who has really served in the military and is trained to do security and covert ops work.

However, there is much about this movie that is flat. There is too much impersonal dialogue and delivery between the characters, and the few scenes of intimacy and personal relationships come across as phony. Much of the cast is underutilized. There isn’t enough of the fantastic Michael Fassbender, and Bill Paxton as John Kane, Mallory’s father, looks as if he is chomping at the bit to do more in this movie.

Still, Haywire is a nice anecdote to the overcooked action, post-human cinema tech, and computer-generated effects that dominate most of the action thrillers now splashed across American movie theatre screens. I like the rough-and-ready Mallory Kane that actress Gina Carano creates. I want more of her, especially if Soderbergh would direct a hypothetical sequel. Haywire is a lean, mean, fighting machine, a breath of fresh air in Hollywood kick-ass cinema.

6 of 10
B

Thursday, May 10, 2012

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Review: 2001 Oscar Nominee "U-571" Great Historical Fiction for Men

TRASH IN MY EYE No. 111 (of 2007) by Leroy Douresseaux

U-571 (2000)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – PG-13 for war violence
DIRECTOR: Jonathan Mostow
WRITERS: Jonathan Mostow, Sam Montgomery, and David Ayer; from a story by Jonathan Mostow
PRODUCERS: Dino De Laurentiis and Martha De Laurentiis
CINEMATOGRAPHER: Oliver Wood
EDITOR: Wayne Wahrman
2001 Academy Award winner

DRAMA/WAR/HISTORICAL/THRILLER

Starring: Matthew McConaughey, Bill Paxton, Harvey Keitel, Jon Bon Jovi, David Keith, Jake Weber, Jack Noseworthy, Tom Guiry, Will Estes, Erik Palladino, Dave Power, Thomas Kretschmann, and Terrence “T.C.” Carson

It’s 1942, and Nazi Germany is decisively winning the Atlantic war. Their Enigma encoding device makes their ciphering system unbreakable, so the Allies cannot decipher Nazi messages they intercept. When the German submarine U-571 becomes adrift in the North Atlantic, Naval Command sends an American sub masquerading as a German sub to intercept U-571, in hopes of capturing the German’s sub Enigma machine. After disaster strikes, Lt. Andrew Tyler (Matthew McConaughey) and the survivors commandeer U-571 and race for safety with a German warship right behind them.

U-571 is woefully inaccurate history. Apparently, the British Royal Navy was the first to capture the Enigma machine, and did so before the United States entered World War II. History aside, U-571 is a rousing old-fashioned submarine movie that keeps up the edge-of-the-seat suspense from start to finish. The performances are good, but the movie’s success as a thriller-at-sea is mainly because of director Jonathan Mostow and his creative crew: cinematographer, editor, sound and sound editing, etc. If only this effort had gone into making a historical accurate movie, but cinema doesn’t owe history the courtesy of being accurate. On its own terms, U-571 is a rousing sea-going adventure and an excellent “movie for guys who love movies.”

7 of 10
A-

NOTES:
2001 Academy Awards: 1 win for “Best Sound Editing” (Jon Johnson); 1 nomination for “Best Sound” (Steve Maslow, Gregg Landaker, Rick Kline, and Ivan Sharrock)

Thursday, August 02, 2007

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