Review: "JURASSIC WORLD: Dominion" Ends Trilogy with its Best Film

TRASH IN MY EYE No. 50 of 2022 (No. 1862) by Leroy Douresseaux

Jurassic World: Dominion (2022)
Running time: 147 minutes (2 hours, 27 minutes)
MPA – PG-13 for intense sequences of action, some violence and language
DIRECTOR:  Colin Trevorrow
WRITERS:  Colin Trevorrow and Emily Carmichael; from a story by Colin Trevorrow and Derek Connolly (based on characters created by Michael Crichton)
PRODUCERS:  Patrick Crowley and Frank Marshall
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Mark Sanger
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, DeWanda Wise, Mamoudou Athie, Isabella Sermon, Campbell Scott, Justice Smith, Daniella Pineda, Omar Sy, Scott Haze, Dichen Lachman, and B.D. Wong

Jurassic World: Dominion is a 2022 science fiction and action-adventure and dinosaur film from director Colin Trevorrow.  It is the direct sequel to Jurassic World: Fallen Kingdom (2018) and the final film in a trilogy that began with the 2015 film, Jurassic World.  Dominion also ties up the story line that began with the 1993 film, Jurassic Park.  Dominion focuses on the heroes of two film trilogies as they try to stop a corporation's genetic experiments from endangering the world.

Jurassic World: Dominion opens three decades after the events depicted in Jurassic Park and four years after the cataclysmic volcanic eruption on Isla Nublar and the incidents at Lockwood Estate (as seen in Jurassic World: Fallen Kingdom).  Dinosaurs, no longer extinct, freely roam the Earth, causing ecological problems and the deaths of numerous humans – 37 in just the past year.  International corporation, Biosyn Genetics, has won the sole rights to collect dinosaurs, and it has created a dinosaur sanctuary in the Dolomite Mountains of Italy.

Meanwhile, Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard), former employees of the disastrous “Jurassic World” theme park, are still working to protect dinosaurs.  Claire works with a dinosaur protection organization and investigates illegal dinosaur breeding sites.  Owen works as a wrangler, relocating stray dinosaurs.  They live together in a remote cabin in the Sierra Nevada Mountains where they secretly raise 14-year-old Maisie Lockwood (Isabella Sermon), the granddaughter of the late Benjamin Lockwood and the granddaughter who turned out to a clone of Benjamin's late daughter, Charlotte Lockwood.  Living nearby is Blue, one of the Velociraptors (raptors) that Owen once trained at Jurassic World.  She is a mother, having given birth to a baby raptor that Owen named “Beta.”

It turns out that Lewis Dodgson (Campbell Scott), the CEO and owner of Biosyn, wants to possess both Maisie and Beta for the goldmine of information that their genes are.  Meanwhile, the original Jurassic heroes:  paleobotanist, Dr. Ellie Sattler (Laura Dern); paleontologist, Dr. Alan Grant (Sam Neill); and chaos theorist, Dr. Ian Malcolm (Jeff Goldblum), are also investigating Biosyn's dark plans.  But can they infiltrate Biosyn and avoid a hoard of hungry dinosaurs?

A few months ago, I read a review of Jurassic World: Dominion in which the reviewer said that the presence of the star trio of Jurassic Park:  Ellie, Alan, and Ian, diminished the presence of Jurassic World's star couple, Claire and Owen.  I disagree.  Actually, Chris Pratt and Bryce Dallas Howard make the most of every minute in which their characters are on screen.  In fact, I believe that the film is more about Claire and Owen than it is about Ellie, Alan, and Ian, although they are a huge part of the film's narrative.  I see the union of Jurassic Park's biggest characters and Jurassic World's biggest as the best of both worlds.  Frankly, this union should have happened in the first Jurassic World film.

In addition to the stars, Dominion sees the return of previous franchise supporting characters.  Omar Sy returns as Barry Sembene, Owen's fellow animal trainer from Jurassic World.  BD Wong's Dr. Henry Wu only appeared in the original Jurassic Park, but has appeared in all three Jurassic World films.  Dominion offers Henry a chance at redemption.  Dominion also offers two killer new characters, DeWanda Wise's Kayla Watts, a pilot who could be straight out of yesteryear's adventure serials – except Black women were not pulp fiction heroes.  Mamoudou Athie is espionage-cool as Ramsay Cole, the head of communications at Biosyn Genetics.

However, Jurassic World: Dominion is not really about stories or characters.  Yes, there is a lot going on; the movie is essentially a … park full of subplots, all around a basic (thin) plot – which is to stop Biosyn.  Dominion is really a science fiction action-adventure movie filled with action scenes.  There must be about twenty or so action set pieces:  a race to escape illegal breeders; a stop the poachers fight; run away from the giant, killer locusts; and running away from the dinosaurs in the forest, on a frozen pond, in plane, in a cave, etc.

And it all works.  The cast, director, writers, and crew of editors, sound, cameras, stunts, visual effects, assistants and everyone else.  They all come together to make a thrill machine of a movie with action scenes that keep the viewer too occupied to notice the lapses in logic and common sense.

In the first trilogy, the films that followed Jurassic Park were inferior to it.  In the Jurassic World trilogy, the final film is the best of the lot.  Bringing in so many characters from previous films is a good idea.  Putting them in a series of well-staged action scenes is another good idea.  Giving us a happy ending full of happy endings and heartwarming resolutions is an even better idea.  Jurassic World: Dominion is not a great film, but it is a very satisfying conclusion to what started back in 1993, when Jurassic Park made us believe that its dinosaurs were real.

7 of 10
B+
★★★½ out of 4 stars

Saturday, August 27, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from August 14th to 20th, 2022 - Update #12

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:  Warner Bros. Discovery has shuttered HBO Max's non-scripted division.  Discovery already has a non-scripted division and HBO Max is supposed to merge with Discovery+, so...

BUSINESS - From Deadline:  Swedish video game company Embracer Group has acquired "Middle-earth Enterprises," a division of The Saul Zaentz Company, which owns the intellectual property catalogue and worldwide rights to "The Lord of the Rings" trilogy and "The Hobbit" by J.R.R. Tolkien.  Financial terms of the sale were not revealed.

TELEVISION - From Deadline:  Viewership of streaming programming surpassed that of cable TV for the first time in July, Nielsen reported.

NETFLIX - From Deadline:  Netflix has released a teaser trailer for "Wednesday," which is director Tim Burton's re-imagining of "The Addams Family."

ACADEMY AWARDS - From AlJazeera:  The Academy of Motion Picture Arts and Sciences has apologized to Sacheen Littlefeather, a Native-American activist who endured abuse when she took a stand at the 1973 Academy Awards against anti-Indigenous racism in the U.S. film industry.  The Academy will host Littlefeather, now 75, for an evening of conversation and healing on September 17th, 2022.

MOVIES - From Deadline:  Robert De Niro will star in Warner Bros' mob drama, "Wise Guys," which will be directed by Oscar-winner, Barry Levinson.

MOVIES - From Deadline:  The very busy Kenya Barris ("Black-ish") will write and direct a re-imagining of "The Wizard of Oz" for Warner Bros.

MOVIES - From Variety:   Actress Bryce Dallas Howard says she was paid so much less than her costar, Chris Pratt, on the "Jurassic World" sequels, but that Pratt did fight for pay equity.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/12 to 8/14/2022 weekend box office is "Bullet Train" with an estimated take of 13.4 million dollars.

CRIME - From YahooPolitics:  The FBI's search warrant for Donald Trump's Mar-a-Lago property has been released and can be read at the "Yahoo" link.

OBITS:

From Deadline:  German film director, Wolfgang Petersen, has died at the age of 81, Friday, August 12, 2022.  He came to prominence in America with his West German war film, "Das Boot" (1981).  He earned two of the film's six Academy Award nominations, "Best Director" and "Best Adapted Screenplay."  He would go on to direct some of Hollywood's biggest blockbusters and action films, including "In the Line of Fire" (1993), "Outbreak" (1995), "Air Force One" (1997), and "The Perfect Storm" (2000), to name a few.

From THR:  Prolific film and television character actress, Denise Dowse, had died at the age of 64, Saturday, August 13, 2022.  She appeared in numerous film and said that her roles in "Ray" (2004) and "Coach Carter" (2005) were her favorites.  Her extensive TV career including recurring roles in "Beverly Hills, 90210," "The Guardian" and HBO's "Insecure."

From GuardianUK:  The television, film, and stage actress, Anne Heche, has died at the age of 53, Thursday, August 11, 2022 after being declared "brain dead."  She first came to fame as the twins "Vicky Hudson" and "Marley Love" on the daytime soap opera, "Another World" from 1987-91, which earned her a Daytime Emmy Award.  She came to prominence in the mid to late 1990s in a number of prestigious films, including "Donnie Brasco" (1997), "Psycho" (1998), and "Six Day, Seven Nights" (1998).  In recent years, she had recurring roles on such television series as NBC's "Chicago P.D." and CBS' former series, "All Rise."

Negromancer News Bits and Bites from June 21st to 30th, 2020 - Update #41

by Leroy Douresseaux a.k.a. "I Reads You"

Support Leroy on Patreon:

ENTERTAINMENT NEWS:

ACADEMY AWARDS - From YahooUSA:  Academy exceeds inclusion goal after #OscarsSoWhite: New voters are 45% female, 36% diverse.

CELEBRITY-BLM - From YahooEntertainment:  John Wayne was not a racist says the late actor's son, Ethan Wayne.

MOVIES - From Collider:  The site has several images from David Ayers' upcoming thriller, "The Tax Collector," starring Shia LaBeouf and Bobby Soto.

BLM-CRIME-HISTORY - From Alabama.com:  16th Street Baptist Church bomber Thomas Blanton dies in prison.  The bombing, which occurred in 1963, is known for the "Four Little Girls."

MOVIES - From YahooMoviesUK:  "John Wick" director, Chad Stahelski, says that a reboot of the 1980s action-fantasy movie cult classic, "Highlander," is "in heavy development mode."

CELEBRITY-POLITICS - From TheDailyBeast:   How Mary Trump (President Donald's niece) Found Herself in the Hot Mess of a William Faulkner Novel

MUSIC-STREAMING - From Variety:  The streaming service, Disney+, will releases Beyonce's new visual album, "Black is King," July 31st.  The LP is inspired by "The Lion King," and its released date is just after the one-year anniversary of the 2019 release of Disney's live-action version of "The Lion King."

LGBTQ - From YahooLifestyle:  Gay ER doctor who survived COVID-19 says he can't donate plasma because he’s sexually active

POLITICS - From RSN:  "Saint Donald and the Dragon" - Donald Trump and the China!

SPORTS - From YahooSports:  Bubba Wallace on Confederate flag ban protests: 'We won’t see cops pepper-spraying them and shooting them with rubber bullets'

MOVIES - From THR:  Actor Margot Robbie and writer Christina Hodson, who teamed up on "Birds of Prey," are reunited on a new "Pirates of the Caribbean" movie.  It is separate from the other reboot being developed "Pirates" scribe, Ted Elliot," and "Chernobyl" writer Craig Mazin.

MOVIES - From THR:  The release date of Christopher Nolan's "Tenet" has been delayed again, from July 31st to August 12th, 2020.

MOVIES - From THR:  Inside "Hollywood's nastiest producer feud," the story of Roy Lee vs. John Middleton.

POLITICS - From TheGuardian:  How the US military has failed to address white supremacy in its ranks.  This is in the wake of an alleged plot by a young solider to coordinate with a neo-Nazi group to attack and kill members of his own army unit.

BLM-ANIMATION - From TVGuide:  Jenny Slate will no longer voice Missy on Netflix's "Big Mouth": 'Black Characters on an Animated Show Should be Played by Black People'

From BuzzFeed:  Voice actor Mike Henry has retired from providing the voice of "Family Guy" African-American character, "Cleveland Brown."  He is the latest white voice performer to announce that he is exiting the voice role of a Black character, following Jenny Slate leaving Big Mouth and Kristen Bell shifting to a different role on Central Park.
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MOVIES - From Deadline:  Oscar winners Leonardo DiCaprio ("The Revenant") and Barry Jenkins ("Moonlight") have united to make a film adaptation of the documentary, "Virunga," about rangers who risk their lives to protect an African national park and its endangered gorillas.

BOX OFFICE - From Deadline:  27 years after it first hit movie theaters, "Jurassic Park" was the #1 movie at the Father's Day weekend box office.  Steven Spielberg, who directed "Jurassic Park," had a big weekend as his 1975 classic, "Jaws" was a close second.

TRAILERS - From Deadline:  Disney+ releases the first trailer for the live-action version of the Broadway smash, "Hamilton."  The film arrives on Disney+ July 3rd, 2020.

CULTURE-BLM - From THR:  African-American Hollywood attorney, Nina Shaw, writes a guest column on being "the Only Black Person in the Room" for 30-plus years.

CELEBRITY - From YahooDailyBeast:  Actress Bryce Dallas Howard talks about having Oscar-winning producer-director, Ron Howard, as her father.  The interview is done in conjunction with Bryce's new documentary film, "Dads," which debuted on Apple TV+.

MUSIC - From YahooEntertainment:  An acoustic guitar belonging to the late Kurt Cobain of the band, Nirvana, sold for a record 6-plus million dollars at auction.  That is the highest auction price ever paid for a guitar.  The 1959 Martin D-19E is the guitar Cobain played for the entirety of his "MTV Unplugged" performance.

CELEBRITY-COVID-19 - From ABCNews:  Comedian D.L. Hughley passed out while performing on stage in Nashville TN.  Afterwards, he tested positive for COVID-19 at a local hospital.

MOVIES - From YahooGMA:  Jamie Foxx shows off his body transformation for his starring role in a biopic of champion boxer, Mike Tyson.

OBITS:

From Deadline:  Pioneering television comedy writer and director, Carl Reiner has died at the age of 98, Monday, June 29, 2020.  Reiner is best known as the creator and writer-director and actor on "The Dick Van Dyke Show (1961-66).  Five of the 9 Primetime Emmy Awards Reiner won were for his work on the show.  He first came to big TV fame and acclaim working on Sid Ceasar's TV series, "Your Show of Shows" (NBC, 1950-54) and "Ceasar's Hour" (NBC, 1954-57).  Reiner was also famous for being the son of television and film writer, director, and actor, Rob Reiner.

From Variety:  Animator and director, Kelly Asbury, has died at the age of 60, Friday, June 26, 2020.  Asbury co-directed "Spirit: Stallion of the Cimarron" (2002) and directed "Shrek 2" (2004).  He began his career with Walt Disney Feature Animation and, he worked on such films as "The Black Cauldron" (1985) and "Toy Story" (1995).

From Deadline:  Noted film director, Joel Schumacher, has died at the age of 80, Monday, June 22, 2020.  Schumacher was known for a number of films, including "St. Elmo's Fire" (1985), "The Lost Boys" (1987), "Flatliners" (1990), "The Client" (1994), and "A Time to Kill" (1996).  He caused ire among comic book fans with his two contributions to the Batman film franchise, "Batman Forever" (1995) and "Batman and Robin" (1997).

From Deadline:  American businessman and film financier, Steve Bing, has died at the age of 55, Monday, June 22, 2020.  In the film business, Bing invested in two animated films by director Robert Zemeckis, "The Polar Express" (2004) and "Beowulf."  He founded Shangri-La Entertainment, which had interests in property, construction, entertainment, and music.

BLACK LIVES MATTER NEWS:

From RSN:  The four corners of police violence

From TheIntercept:  Black Lives Matter Wants to End Police Brutality. History Suggests It Will Go Much Further.

From YahooNews:  "The Confederacy of California": life in the valley where Robert Fuller was found hanged

From CNN:  Colorado police officers involved in the death of Elijah McClain reassigned for safety reasons.

From Truthout: " Three North Carolina Police Fired for Racist Rants, Threats to Kill Black People" - and what they said is crazy and scary

From Truthout: Bryant Gumbel Gives Powerful Commentary on the 'Black Tax,' the 'Added Burden' of Being Black

From YahooEntertainment:  Oscar-nominated songwriter and Grammy Award-winning recording artist, Ray Parker, Jr., may be best known for writing the theme to the film, "Ghostbusters," but when he was a teenager, Parker was beaten by Detroit police officers.

From RSNewYorker:  Jelani Cobb: An American Spring of Reckoning.

From NBCNews:  Baton Rouge, LA activist, Gary Chambers, makes an impassioned speech about changing the name of Robert E. Lee High School in Baton Rouge.

From YahooNews:  Racial violence and a pandemic: How the Red Summer of 1919 relates to 2020

From DemocracyNow:   Fear Grows of Modern-Day Lynchings as Five People of Color Are Found Hanged


CORONAVIRUS/COVID-19 NEWS:

From CDC:   The Centers for Disease Control has a "COVID Data Tracker."

From YahooNews:  Why does COVID-19 kill some people and hardly affects others?

From YahooNews:  Yahoo has a dedicated page of links updating news about COVID-19.

From Deadline:  The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.

From TheNewYorker:  The venerable magazine has a dedicate COVID-19 page free to all readers.

From YahooNews:  Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?

From YahooLife:  What is "happy hypoxia?"  And do you have this COVID-19 symptom?

From JuanCole:  Remeber when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19.  Here is the video and commentary from Juan Cole.

From TheIntercept:  The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...

From NPR:  A sad milestone: over 100,000 American have died due to COVID-19.

From TheAtlantic:  The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.

From ProPublica:  Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns

From Truthout:  Trump Moves to End Federal Support for Testing Sites Amid Record COVID Spikes

From TheGuardian:  More than 20 million Americans could have contracted COVID-19, experts say.

From RSN/WashPost:  The COVID-19 mutation that has taken over the world.

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Review: "Jurassic World: Fallen Kingdom" a Fall Off From First Film

TRASH IN MY EYE No. 3 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Jurassic World: Fallen Kingdom (2018)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for intense sequences of science-fiction violence and peril 
DIRECTOR:  J.A. Bayona
WRITERS:  Colin Trevorrow and Derek Connolly (based on characters created by Michael Crichton)
PRODUCERS:  Belen Atienza, Patrick Crowley, and Frank Marshall
CINEMATOGRAPHER:  Oscar Faura (D.o.P.)
EDITOR:  Bernat Vilaplana
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, Ted Levin, Geraldine Chaplin, Isabella Sermon, James Cromwell, B.D. Wong, Toby Jones, and Jeff Goldblum

Jurassic World: Fallen Kingdom is a 2018 science fiction-thriller and dinosaur film from director J.A. Bayona.  It is the direct sequel to Jurassic World, the 2015 film that was a restart of the Jurassic Park film franchise, of which this film is the fifth installment.  Fallen Kingdom returns to Isla Nublar where an active volcano forces a rescue mission of the island's remaining dinosaurs, a mission that is not quite what it is supposed to be.

Jurassic World: Fallen Kingdom opens on Isla Nublar, the setting of the failed dinosaur theme parks, Jurassic Park and Jurassic World, where a secret mission takes place.  A once dormant volcano on the island has roared back to life and threatens to initiate an extinction-level event for the island's remaining dinosaurs.  Benjamin Lockwood (James Cromwell) is the former partner of John Hammond, the owner of Jurassic Park and the founder of InGen (the company that first cloned dinosaurs).  Lockwood and his aide, Eli Mills (Rafe Spall), have a plan to relocate the dinosaurs to a new island sanctuary.

Lockwood summons Claire Dearing (Bryce Dallas Howard), former Jurassic World operations manager, to reactivate the park's dinosaur tracking system.  She convinces Owen Grady (Chris Pratt), who trained the park's Velociraptors (raptor) to accompany her.  Grady is interested in rescuing the sole remaining raptor from his trainees, the pack leader, Blue.  With a former park technician, Franklin Webb (Justice Smith), and a paleo-veterinarian, Zia Rodriguez (Daniella Pineda), in tow, Dearing and Grady join mercenary leader, Ken Wheatley (Ted Levine), on a rescue mission to Isla Nublar.  As the volcano destroys the island, however, Dearing and Grady soon discover that not everything about this rescue mission as it is supposed to be.

Jurassic World: Fallen Kingdom may be described as a science fiction-adventure film, but that is what the original Jurassic Park trilogy of films were.  Jurassic World: Fallen Kingdom, like the first film, Jurassic World, is a science fiction-action film with elements of a techno-thriller.  Hanging over Fallen Kingdom are the threats of ecological disaster and environmental or biological apocalypse.  The original Jurassic Park films were about adventure, the chase, and the escape.  The Jurassic World films are about technology and conspiracy.

Beyond that, Jurassic World: Fallen Kingdom is a serviceable scary movie.  Director J.A. Bayona offers a by-the-numbers directing style that makes the work of Jurassic World's director, Colin Trevorrow (who returns as this film's co-screenwriter), seem more imaginative than it actually is.  At least in Jurassic World, Trevorrow was able to make the characters and their conflicts, struggles, and dilemmas seem interesting.

In Fallen Kingdom, Claire Dearing and Owen Grady are mostly wooden, except for a few moments.  When he has to play Grady as the ass-kicking hero and rescuer of white maidens in distress, Pratt does not seem to really put his heart into his performance.  I think a child playing with action figures could make his toys more convincing as heroes than Pratt in in this film.

Jurassic World: Fallen Kingdom is pass-the-time entertainment that you watch because it is the most convenient or most available thing available, the way a one-dollar McDonald cheeseburger has to satisfy your hunger because that is all that is available to you.  Would I watch Fallen Kingdom again once it starts making the basic cable movie channel rotations?  Sure, if Jurassic World is not playing.

5 of 10
C+

Friday, March 15, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Audiences Can See the Elton John Biopic, "Rocketman" Early

PARAMOUNT AND FANDANGO PARTNER TO PRESENT ELTON JOHN MUSICAL, "ROCKETMAN," IN THEATRES FOR MAY 18 SCREENING TWO WEEKS BEFORE RELEASE DATE

Fandango VIP Members Can Enjoy "Rocketman" on May 18 as Part of Fandango's Early Access Screening Program at Hundreds of Locations Nationwide

Tickets Now on Sale

LOS ANGELES – Fandango, the leading digital network for all things movies, is teaming up with Paramount Pictures to offer exclusive early access screenings on May 18, 2019 of "Rocketman," the musical fantasy about the life of Elton John.  The film is directed by Dexter Fletcher, written by Lee Hall and starring Taron Egerton, Jamie Bell, Richard Madden and Bryce Dallas Howard. Tickets for this limited engagement are now on sale, exclusive to Fandango.

Nearly two weeks before the film's May 31, 2019 U.S. theatrical release date and just days following its premiere at the Cannes Film Festival, fans and members of Fandango VIP, Fandango's free-to-join rewards program, can get a first look at the film at nearly 400 theaters nationwide. Participating theatre chains include AMC Theatres, Regal, Cinemark, Marcus Theatres, Arclight Cinemas/Pacific Theatres, Harkins Theatres, National Amusements, and many more.

Fandango's Early Access Screening program is part of the company's ongoing commitment to eventizing movies and delivering unparalleled moviegoing experiences to fans. Fandango has a long tradition of working with studios and filmmakers on programs to surprise and delight moviegoers, and this is the third of multiple advance screenings that Fandango has planned for 2019. In February, Fandango offered Early Access Screenings for DreamWorks Animation's "How to Train Your Dragon: The Hidden World" and, in March, for Warner Bros. Pictures' "Shazam!"

"We're proud to team up with Paramount Pictures to host Early Access Screenings for 'Rocketman,'" says Fandango President Paul Yanover. "Our first two Early Access Screenings generated great buzz for 'How to Train Your Dragon: The Hidden World' and 'Shazam!' We think Fandango VIP members and fans will be delighted to have the opportunity to see this highly-anticipated Elton John musical fantasy two weeks before its release date."

Tickets for the film's May 31 wide release are also now on sale.


About "Rocketman"
ROCKETMAN is an epic musical fantasy about the incredible human story of Elton John's breakthrough years. The film follows the fantastical journey of transformation from shy piano prodigy Reginald Dwight into international superstar Elton John. This inspirational story - set to Elton John's most beloved songs and performed by star Taron Egerton - tells the universally relatable story of how a small-town boy became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as Elton's longtime lyricist and writing partner Bernie Taupin, Richard Madden as Elton's first manager, John Reid, and Bryce Dallas Howard as Elton's mother Sheila Farebrother.

About Fandango
Fandango is the ultimate digital network for all things movies, serving more than 60 million unique visitors per month, according to comScore, with best-in-class movie information, ticketing to 30,000 U.S. screens, trailers and original video and home entertainment. Its portfolio features leading online ticketers Fandango, MovieTickets.com and Flixster; world-renown movie review site Rotten Tomatoes; and Movieclips, the #1 movie trailers and content channel on YouTube. Fandango's movie discovery and ticketing innovations can also be found on mobile, social, AI and voice platforms from Apple, Facebook, Google, Amazon, and others.  Fandango's video on-demand service, FandangoNOW offers new release and catalog movies and next-day TV shows to more than 200 million connected, over-the-top (OTT) and mobile devices. In Latin America, the company operates leading online ticketers Ingresso.com and Fandango Latin America.

About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, and Paramount Players. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

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Review: "Pete's Dragon" Remake is a Surprisingly Good Children's Film

TRASH IN MY EYE No. 18 (of 2016) by Leroy Douresseaux

Pete's Dragon (2016)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – PG for action, peril and brief language
DIRECTOR:  David Lowery
WRITERS:  David Lowery and Toby Halbrooks (based on the screenplay by Malcolm Marmorstein)
PRODUCER:  James Whitaker
CINEMATOGRAPHER:  Bojan Bazelli (D.o.P.)
EDITOR:  Lisa Zeno Churgin
COMPOSER:  Daniel Hart

FANTASY/DRAMA/FAMILY

Starring:  Oakes Fegley, Bryce Dallas Howard, Robert Redford, Oona Laurence, Wes Bentley, Karl Urban, Isiah Whitlick, Jr., Marcus Henderson, Keagan Carr Fransch, and Steve Barr

Pete's Dragon is a 2016 fantasy drama and family movie from director David Lowery.  It is a remake of Walt Disney's 1977 live-action/animated musical film, Pete's Dragon.  The new Pete's Dragon tells the story of an orphaned boy and his best friend, a dragon, and what happens when the outside world discovers their existence.

When he was five, Pete experienced a tragedy that left him an orphan.  Lost in the forest, Pete meets a large dragon with green fur, yellow eyes, and wings on its back.  Pete names the dragon “Elliot” after a character in his favorite storybook, “Elliot Gets Lost,” and the boy and his dragon become a family.

Six years later, Pete (Oakes Fegley) spies forest ranger Grace Meachum (Bryce Dallas Howard) and is curious about her.  However, it is his encounter with a girl his age, Natalie (Oona Laurence), that brings Pete into contact with the world outside the forest where he lives with Elliot.  Soon, Pete is living among people again, and humans are hunting for Elliot, whom they know as the local legend, “the Millhaven dragon.”

I have only seen bits and pieces of the original 1977 Pete's Dragon, and I was not interested in this new film.  I even wondered why Disney needed to remake it.  Were there people really clamoring for a fresh take on a film that had probably seen its day come and gone?  I received a copy-for-review of the recent Blu-ray/DVD release of the new Pete's Dragon, obligating me to watch it.

I was surprised to find that I enjoyed it, although I think that this movie is truly a children's film.  In the last few decades, movie studios often believe that they have to make kids' movies have elements that appeal to the parents and adults that bring children to see movies aimed at the little ones.  I don't think that Pete's Dragon does that.

Pete's Dragon is a tale of child who lives in the world in his own terms.  As usual, adults cannot or will not see the magic he (Pete) lives with everyday.  It takes another child (Natalie) to truly understand the child hero's point of view.  In fact, the adult that is most successful in helping Pete, Grace, turns out to be the one most open to trying to see what the child does by listening and learning from the child.

Pete's Dragon is about the kind of magic and the kind of reality or surrealism that children accept, probably because they are willing to believe, where adults might have to suspend disbelief.  There is a lot about Pete's Dragon that stretches credulity, and that is OK.  If you believe in Pete and also in Elliot, you believe in Pete's Dragon.

This is one of those so-called “little movies,” cinematic gems that bide their time, gradually attracting new audiences one viewing at a time.  Pete's Dragon isn't perfect, but it is perfect for children and the child in adult viewers.

7 of 10
B+

Friday, December 23, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: "Terminator Salvation" Remains a Fresh Take on the Franchise

TRASH IN MY EYE No. 3 (of 2009) by Leroy Douresseaux

Terminator Salvation (2009)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action, and language
DIRECTOR:  McG
WRITERS:  John D. Brancato & Michael Ferris
PRODUCERS:  Derek Anderson, Moritz Borman, Victor Kubicek, and Jeffrey Silver
CINEMATOGRAPHER:  Shane Hurlbut (D.o.P.)
EDITOR:  Conrad Buff IV
COMPOSER:  Danny Elfman

SCI-FI/ACTION/WAR/THRILLER

Starring:  Christian Bale, Sam Worthington, Moon Bloodgood, Helena Bonham Carter, Anton Yelchin, Jadagrace, Bryce Dallas Howard, Common, and Michael Ironside

Terminator Salvation is a 2009 post-apocalyptic science fiction film from director McG.  It is the fourth film in the Terminator film franchise.  The film is set in the year 2018, and focuses on a mysterious man who joins the resistance on the eve of an attack on Skynet, but whose side is he really on?

Seven years after the debut of The Terminator (1984), its sequel Terminator 2: Judgment Day arrived in 1991.  It was another 12 years before the third film, Terminator 3: Rise of the Machines (2003) debuted, but only six years later, the fourth film, Terminator Salvation arrives.  This shorter gestation period likely isn’t why Terminator Salvation is good enough to be considered the second best film in The Terminator franchise.

Terminator Salvation finally takes us into the world only hinted at in the other Terminator films – the post-apocalyptic future that finds the remnants of the human race fighting the all-powerful artificial intelligence, Skynet, and its army of man-killing Terminators.  John Connor (Christian Bale) is the man fated to lead the human resistance against Skynet and the Terminators.  It was his mother that Skynet marked for termination before she could give birth to John, so they sent a Terminator back in time to kill her (as seen in The Terminator).  In Judgment Day, Skynet sent a Terminator back in time to kill a 12-year-old John Connor.

This new film opens in 2018, and John Connor is not in charge of the Resistance.  Connor continues, however, to study his past, through his memories and through the tape recordings his late mother left, as he tries to determine what Skynet’s next move might be.  Then, Connor learns that Skynet has made a human civilian named Kyle Reese (Anton Yelchin), their top priority for termination.  Reese is a man who is of utmost importance to Connor’s existence, so Connor prepares to launch a rescue mission even if General Ashdown (Michael Ironside) and the Resistance leadership are against it.

Then, Connor meets Marcus Wright (Sam Worthington), a stranger whose last memory is of being on death row in 2003.  It seems that Wright’s appearance has altered what John knew the future to be.  Connor and Marcus embark on an odyssey into Skynet central operations in the ruins of Los Angeles, where they discover the truth of Skynet’s diabolical plans.

Any moviegoers that are familiar with the internal mythology of The Terminator films can follow all the twists and turns of this time-bending film franchise… for the most part.  Are there inconsistencies between Terminator Salvation and the original film (let alone the others)?  Yes, there are, but director McG (the Charlie’s Angels films) takes the script for this film (which apparently had at least six writers, if not more) and makes one of those great summer movies that keeps your eyes glued to the screen and just keeps you awestruck with the awesomeness of its action and special effects.  It’s fanboy eye candy.

It’s easy for critics and snobby fans to dismiss McG (whose name is Joseph McGinty Nichol), but in the case of Terminator Salvation, he makes the best use of his actors, getting superb performances out of Bale, Worthington, Yelchin, Moon Bloodgood, and Jadagrace.  Plus, McG squeezes the best from the visual effects, special effects, and stunt crews.  When a director harnesses this effort to maximum effect, he can make that kind of action flick that is the Art of the summer movie.

There are times when McG and company stumble over themselves in an effort to both connect Terminator Salvation to the original films (especially the first two) and to be respectful of the originals, somewhat to the detriment of this film.  However, McG has led his cast and creative staff to the promised land of the great action film, one so stuffed with edge-of-the-seat thrills and breathtaking visuals that it won’t soon be forgotten.

8 of 10
A

Sunday, May 31, 2009

EDITED:  Thursday, November 5, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: "Jurassic World" is a Vending Machine Treat

TRASH IN MY EYE No. 5 (of 2016) by Leroy Douresseaux

Jurassic World (2015)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of science-fiction violence and peril 
DIRECTOR:  Colin Trevorrow
WRITERS:  Rick Jaffa and Amanda Silver and Colin Trevorrow and Derek Connolly; from a story by Rick Jaffa and Amanda Silver (based on characters created by Michael Crichton)
PRODUCERS:  Patrick Crowley and Frank Marshall
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Kevin Stitt
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Irrfan Khan, Vincent D'Onofrio, Ty Simpkins, Nick Robinson, Jake Johnson, Omar Sy, B.D. Wong, Judy Greer, Andy Buckley, Lauren Lapkus, Katie McGrath, Eric Edelstein, and Jimmy Fallon

Jurassic World is a 2015 science fiction-thriller and action-adventure film from director Colin Trevorrow.  The film is a restart of the Jurassic Park  film franchise.  Thomas Tull of Legendary Pictures and Steven Spielberg, who directed the original film, Jurassic Park (1993), are the executive producers of this movie.  Jurassic World returns to the setting of the first film, which is now a popular dinosaur theme park, but a new attraction turns the place into a nightmare.

Over two decades after the disaster that was the late John Hammond's Jurassic Park, the island of Isla Nublar now has a fully functioning dinosaur theme park, named Jurassic World.  That is where Gray Mitchell (Ty Simpkins) and his older brother, Zach (Nick Robinson), are headed, with VIP access thanks to their aunt, Claire (Bryce Dallas Howard), who is Jurassic World's operations manager.

This new park is run by the Masrani Global Corporation, which also owns InGen, Hammond's genetics company that invented the process of using DNA found in dinosaur fossils to make new dinosaurs.  However, after a decade in operation, Jurassic World has been experiencing a decline in visitor rates, because dinosaurs are no longer the “hot thing.”

Park owner Simon Masrani (Irrfan Khan) demanded that a new attraction be created to spark visitors' interest.  Behold Indominus‍ rex, a hybrid dinosaur made by combining the DNA of an unknown number of animals.  U.S. Navy veteran, Owen Grady (Chris Pratt), trains Jurassic World's four Velociraptors, which have imprinted on him as the pack alpha.  Masrani wants Owen to evaluate Indominus‍ rex before this new attraction is presented to the public. Owen discovers that this hybrid dinosaur is really dangerous.  Then, everything goes bad...

Jurassic World is quite an entertaining movie.  I watched it on DVD, and there were times that I could not stop watching it, even when the phone rang.  Like the Indominus rex, Jurassic World is itself a hybrid, as it blends the disaster film with the monster movie (much in the way a Godzilla film does).  This is pure escapist entertainment.  Pop some popcorn; sit on the sofa and turn out the lights.  Watch this movie and have a blast...

...because beyond that, you won't have much.  Jurassic World may be a restart of the franchise, but it lacks the newness and freshness, the sense of wonder and awe, that defined the original, 1993's Oscar-winning Jurassic Park.  So rather than being a restart, Jurassic World is in actuality nothing more than another Jurassic Park film.

The characters are not interesting, and their plight did not grab me, as the characters' troubles in the first film did.  When the most interesting female character in this film is a CGI dinosaur, as is the case with the raptor, Blue, then, the movie has fundamental problems.  Even the relationship troubles between the two brothers and its resolution feel forced and phony.  I can't remember the last time juvenile sibling characters had the kind of stiff dialogue that the Mitchell brothers had.

I like Chris Pratt, and he uses all his charm to make something out of Owen Grady, a character with potential, which the writers and director of this film did not seem to realize.  Bryce Dallas Howard uses her acting skills to make something of the mannequin that is Claire, but that character is beneath her.  And poor Omar Sy comes across as a pitiful token, playing Owen's stuck-in-the-corner assistant, Barry; yeah, Barry wasn't even worth a last name.

Yeah, Jurassic World is a blast as a scary monster movie, a dumb sci-fi thriller that actually delivers on the thrills.  But in the end, it is nothing more than film product – the equivalent of a fast food hamburger that you have already forgotten a few minutes after eating it.

6 of 10
B

Saturday, November 28, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Review: "The Village" is Great ... Until it Isn't (Happy B'day, M. Night Shyamalan)

TRASH IN MY EYE No. 135 (of 2004) by Leroy Douresseaux

The Village (2004)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for scene of violence and frightening situations
WRITER/DIRECTOR: M. Night Shyamalan
PRODUCERS: Sam Mercer, Scott Rudin, and M. Night Shyamalan
CINEMATOGRAPHER: Roger Deakins (D.o.P.)
EDITOR: Christopher Tellefsen
COMPOSER: James Newton Howard
Academy Award nominee

DRAMA/FANTASY/THRILLER with elements of horror

Starring: Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt, Sigourney Weaver, Brendan Gleeson, Cherry Jones, Celia Weston, John Christopher Jones, Frank Collison, Jayne Atkinson, Judy Greer, Michael Pitt, and Jesse Eisenberg

The subject of this movie review is The Village, a 2004 fantasy thriller and mystery film from writer-director, M. Night Shyamalan. The film is set in a late 19th century village built in a forest supposedly filled with dangerous creatures.

Circa 1897, Covington, Pennsylvania is a nice, quiet town surrounded by a beautiful, but haunting forest where strange, apparently dangerous, and unseen creatures live. For ages, there has been a truce between the citizens of Covington and the mysterious denizens of the woods. The people of Covington do not go into the woods, and the creatures (or monsters) do not come into the village.

But when quiet, almost sullen, young townsmen Lucius Hunt (Joaquin Phoenix) crosses the border from the town into the woods, the truce is broken, and the monsters start visiting the town. Soon, the villagers find an increasing number of their livestock slaughtered and skinned. In the midst of the fear, happiness blooms, but before long the scourge of the faraway towns comes to the village. Village elder Edward Walker’s (William Hurt) blind daughter, Ivy (Bryce Dallas Howard) must pass through the woods to find aid. But will the monsters dine on her beautiful flesh?

M. Night Shyamalan’s The Village is probably the least accomplished of his films since his worldwide blockbuster, The Sixth Sense. However, like his best-known films, the journey of watching the film is usually more important than the destination, which is the flick’s finale. Like Signs, the supernatural element is a red herring, and the most important element of The Village is its theme of dealing with heart-rending loss. The film also tackles the ideas of locking oneself off from the world to avoid devastating pain and of living in paranoid fear of the other, which is quite relevant in an America where “gated communities” seem to spring up everywhere on a daily basis.

As a work of movie art, The Village is an ambitious stumble. The ideas are good, but muddled, lost, and poorly considered, or at least poorly presented in the structure of this story. As big studio entertainment, The Village has a small numbers of genuinely frightening bumps in the dark, but the suspense is tepid and the thrills are exhausted half way through the film. The movie also takes such an idealized view of utopias, that it sometimes seems to take wild flights of fancy. However, Shyamalan just might be making a sly comment about the upper middle class and upper class’ fear of violence at the hand of the lower classes.

The delight in this film is the debut of Academy Award winning director Ron Howard’s daughter, Bryce Dallas Howard. Her performance is luminous, so much so that it lights the way for this occasionally befuddled mess. Ms. Howard is spunky and rebellious when she needs to be, and the sheer terror she displays is practically the only thing that sells this film’s horror thriller aspects. She also portrays moments of bravery with openness in her performance that invites us into her life; she is the one through whom we live vicariously. She is The Village’s champion.

5 of 10
B-

NOTES:
2005 Academy Awards: 1 nomination: “Best Achievement in Music Written for Motion Pictures, Original Score” (James Newton Howard)

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Review: "Lady in the Water" is a Beautiful Storybook Fantasy (Happy B'day, Bryce Dallas Howard)

TRASH IN MY EYE No. 163 (of 2006) by Leroy Douresseaux

Lady in the Water (2006)
Running time: 110 minutes; MPAA – PG-13 for some frightening sequences
WRITER/DIRECTOR: M. Night Shyamalan
PRODUCERS: Sam Mercer and M. Night Shyamalan
CINEMATORGRAPHER: Christopher Doyle, H.K.S.C
EDITOR: Barbara Tulliver, A.C.E.

FANTASY/DRAMA/MYSTERY/THRILLER

Starring: Paul Giamatti, Bryce Dallas Howard, Jeffrey Wright, Bob Balaban, Sarita Choudhury, Cindy Cheung, Freddy Rodriguez, Bill Irwin, Jared Harris, M. Night Shyamalan, June Kyoto Lu, Mary Beth Hurt, and Noah Gray-Cabey

M. Night Shyamalan’s films have been thoughtful and profound. His characters fight pitched battles with their inner demons as they wage war with the outside forces that would destroy or enslave them. We’ve seen that in everything from the heart-rending ghost story, The Sixth Sense, to the story of a lapsed minister who finds his way back to his faith while battling an alien invasion in the 2002 hit film, Signs. Shyamalan’s films are also known for their twist endings – surprising finales that not only change the tone of the film, but also frustrate audiences who bought into one kind of story and find a shock ending ruins their expectations – Unbreakable (2000) and The Village (2004) being the best (or worst) examples.

In his new film, Lady in the Water, Shyamalan eschews the twist ending for a yarn that can be taken figuratively as a fairytale or literally as a tale of people who find their destiny in a fairytale made real. Or maybe the viewer can see it as both figurative and literal. Regardless of how one views it, Lady in the Water is one of the most lovely and heartfelt tales told in recent years – a thing as beautiful as its sparkling blue movie poster.

Modest and humble, Cleveland Heep (Paul Giamatti, in a performance that solidifies his place as a great American actor), manages an apartment building named “The Cove.” One night Cleveland is investigating the noises from the apartment’s swimming pool when he falls in by accident. He awakens to find that a pale, young woman with deep blue eyes, who says her name is Story (Bryce Dallas Howard), has rescued him from drowning. Cleveland discovers that Story is a “narf,” a creature from an old bedtime story, and she is trying to make the treacherous journey from our world back to her own, the “Blue World.” Cleveland and the rest of The Cove’s collection of oddball tenants realize that they have suddenly been drawn into Story’s fable. Young Soon (Cindy Cheung), a go-getter college student, Mr. Dury (Jeffrey Wright), a serene crossword puzzle fanatic and his son, Joey (Noah Gray-Cabey), Mr. Leeds (Bill Irwin), a housebound TV watcher, and Vick (M. Night Shyamalan), a writer and Anna Ran (Sarita Choudhury), his talkative sister, among many others, accept this strange story of which they are a part. With their help, Cleveland must protect this fragile young woman from a deadly creature hell-bent on keeping Story from returning home.

By now, many reviewers and audiences have turned on Shyamalan for this picture. However, where others see Lady in the Water as boring or mystifying, I see it has a simple fairytale. Yes, Shyamalan’s script is a bit artsy and pretentious at times, and the story (based upon a bedtime tale he wrote for his children) is stretched to the breaking point and challenges credibility. Still, for all that we might take it literally, much of the story is symbolic The characters, setting, and incidents are meant to remind us of a bedtime story, or to put it bluntly – “Once upon a time... Lady in the Water is a metaphor about people taking up their place in destiny, of the difficulty in taking up the journey to get to one’s place, and that each person does indeed have a purpose.

While the subject matter and characters might not make sense on the surface, they and the tale in which they exist have a deeper meaning. We’re supposed to see past the trappings and see the core – lives driven by purpose for the good of humanity. In Lady in the Water, the title character, but especially Cleveland Heep, have to break out of the protective shells they’ve made for themselves using their own fears, grief, and insecurities as building material. Thus, it’s no wonder that the other characters were so quick to embrace their part in this bedtime story – they’ve also hungered for a life of meaning. An enchanting fairytale filled with magical characters and dark fantasy, Lady in the Water is the most meaningful fable mainstream Hollywood has given us in a very long time.

8 of 10
A

Monday, July 31, 2006

NOTES:
2007 Razzie Awards: 2 wins: “Worst Director” (M. Night Shyamalan) and “Worst Supporting Actor” (M. Night Shyamalan); 2 nominations: “Worst Picture” ((Warner Bros.) and “Worst Screenplay” (M. Night Shyamalan)

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Review: Can't Do Without "The Help" Movie

TRASH IN MY EYE No. 103 (of 2011) by Leroy Douresseaux

The Help (2011)
Running time: 146 minutes (2 hours, 26 minutes)
MPAA – PG-13 for thematic material
DIRECTOR: Tate Taylor
WRITER: Tate Taylor (based upon the novel by Kathryn Stockett)
PRODUCERS: Michael Barnathan, Chris Columbus, and Brunson Green
CINEMATOGRAPHER: Stephen Goldblatt (D.o.P.)
EDITOR: Hughes Winborne
COMPOSER: Thomas Newman

DRAMA with elements of comedy

Starring: Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Ahna O’Reilly, Allison Janney, Anna Camp, Eleanor and Emma Henry (twins), Chris Lowell, Cicely Tyson, Mike Vogel, Sissy Spacek, Brian Kerwin, Aunjanue Ellis, Leslie Jordan, Nelsan Ellis, and David Oyelowo

The Help is a 2011 historical drama that is based on the 2009 bestselling novel, The Help, from author Kathryn Stockett. Set in Mississippi during the 1960s, the film focuses on an aspiring author who decides to write a book detailing the experiences of the Black women who work as maids in the homes of White families.

After graduating from Ole Miss, Eugenia “Skeeter” Phelan (Emma Stone) returns to her hometown of Jackson, Mississippi. She takes a job at a local newspaper writing a “homemaker hints” advice column. However, Skeeter’s mother, Charlotte (Allison Janney), wants her daughter to (1) be a southern society girl and (2) find a husband. Skeeter reconnects with her vacuous childhood friends who are all now young mothers and form a clique led by the snooty Hilly Holbrook (Bryce Dallas Howard).

Two things change Skeeter’s life. She does not believe her mother’s story about why Constantine Bates (Cicely Tyson), the beloved black maid who raised Skeeter, left the family. Skeeter also becomes uncomfortable with the attitude of her friends towards “the help,” the African-American maids who cook and clean for white folks, as well as parent their bosses’ children. Hilly becomes obsessed with the notion that the help not use their bosses’ bathrooms, so she launches the “Home Help Sanitation Initiative” a law that would require that homes have separate bathrooms for the help.

In response, Skeeter approaches Aibileen Clark (Viola Davis), the maid of her friend, Elizabeth Leefolt (Ahna O’Reilly), and asks her if she would mind being interviewed about her life spent taking care of other people’s homes. Reluctant at first, Aibileen consents and is also able to convince another maid, the sassy Minny Jackson (Octavia Spencer), to contribute. As the women forge an unlikely friendship, they get caught in a turbulent time of change and the Civil Rights Movement.

Writer/director Tate Taylor often plays upon the proverbial “quiet dignity” of the Black maids, but his film comes on like a locomotive, because behind the quiet dignity is steely determination. This movie has such power to convey its messages and its ideas that I sometimes felt physically unprepared for the emotional toll it had on me – whether those emotions were happy or sad. I say that The Help is well-written and directed and has a number of exceptional performances because of its ability to convey with authenticity story, character, and setting.

As for the performances: Jessica Chastain is a scene-stealer as Celia Foote, the naïve young wife with child-bearing issues. Chastain crafts Celia as a struggle between the strength underneath and the soft-hearted nature that is the candy-coating. Bryce Dallas Howard is white-hot evil as the snotty racist, Hilly Holbrook, but she frequently and subtly reveals the character’s humanity at surprising moments.

Sadly, I see Viola Davis and Octavia Spencer’s bravura performances getting lost during the movie critics and film industry awards season. Emma Stone’s Skeeter is The Help’s bridge between the two separate worlds of Black and White, and she is a player on all sides of a class conflict. However, Viola Davis’ Aibileen Clark is this movie’s true anchor. Not only does Davis give a great performance, but she also embodies in Aibileen the toughness that makes an oppressed people both survive the evil ruling class and have the true grit to fight that evil.

Octavia Spencer’s Minny Jackson is simply one of those great supporting characters whose fight and spunk define the central conflict in a movie. At the end of the day, she’s not going to take anything from anyone that is the wrong thing, and The Help is about getting to what is the right thing. While Emma Stone gives a good performance, it is easy to see how she gets lost in a sea of superb performances, although Skeeter is the most important player – the central character that connects the disparate parts.

If I had to point to the one thing that makes The Help a grand film, it is that the emotions are genuine; they feel real. Writer/director Tate Taylor and his cast create a series of moments and scenes that come together to weave a narrative, one which comes to life with a sense of authenticity. When Aibileen talks about her son’s tragedy; when Minny fights her husband and employers; when Aibileen has to step to the side while grocery shopping; when Celia Foote yearns for a child; when Skeeter angrily explains to her mother the wrong done to Constantine, it all feels real. It is as if The Help were a true story. In a way, it is a true story, one told with fictional characters from a real time and place. That is why The Help is a bona fide standout in a field of fantasias and made-up stuff movies.

9 of 10
A+

Tuesday, December 13, 2011

Viola Davis Justified! "The Help" Skips Past $100 Million Mark

“The Help” Surpasses $100M at Domestic Box Office

DreamWorks Pictures and Participant Media’s Empowering Film Engages Audiences Nationwide

BURBANK, Calif.--(BUSINESS WIRE)--DreamWorks Pictures announced today that its inspiring film “The Help” has surpassed the $100 million mark at the domestic box office. “The Help,” directed and written for the screen by Tate Taylor, is based on the New York Times best-selling novel by Kathryn Stockett.

Ever since opening in the U.S. on August 10th, “The Help” has been a strong contender for the top spot on the domestic box office chart and has resonated with audiences around the country, sparking conversation and comments across all media platforms from such notables as Oprah, Scott Fujita, Tyler Perry, Russell Simmons, Katy Perry, Diane Sawyer, Jason Whitlock, Jackie Jackson and others.

Commenting on the widespread popularity of the film, Director Tate Taylor says, “We never imagined this film, which began its journey inspired by the enthusiasm of a small group of Mississippi friends, would ever even get made. Now to have it seen and embraced by so many people is just beyond our wildest dreams.”

Adds Dave Hollis, Executive Vice President, Motion Picture Sales & Distribution, Walt Disney Studios Motion Pictures, “This achievement is a testament to an amazing ensemble cast and a wonderfully told story that has played well to men and women, young and old, resonating in a cross-section of all theaters be they urban, upscale or heartland. The viral power of word-of-mouth has us hopeful that we’ll continue to see ‘The Help’ exposed to as broad an audience as possible in the coming months.”

“The Help” stars Emma Stone (“Easy A”) as Skeeter, Academy Award®–nominated Viola Davis (“Doubt”) as Aibileen and Octavia Spencer as Minny—three very different, extraordinary women in Mississippi during the 1960s, who build an unlikely friendship around a secret writing project that breaks societal rules and puts them all at risk. Also starring Bryce Dallas Howard (“Hereafter”), Allison Janney (“Juno”), Academy Award®–winner Sissy Spacek (“In the Bedroom,” “Coal Miner’s Daughter”) and Jessica Chastain (“Tree of Life”), “The Help” is deeply moving, filled with poignancy, humor and hope—a timeless and universal story about the ability to create change.

Rounding out the cast are Ahna O’Reilly (“Forgetting Sarah Marshall”), Cicely Tyson (“Sounder,” “Fried Green Tomatoes”), Chris Lowell (“Up in the Air”), Mike Vogel (“Blue Valentine”), Aunjanue Ellis (“Ray”) and Mary Steenburgen (“Did You Hear About the Morgans?).

From DreamWorks Pictures and Reliance Entertainment, in association with Participant Media and Imagenation Abu Dhabi, “The Help” was produced by Brunson Green, Chris Columbus and Michael Barnathan.

“The Help” is distributed by Walt Disney Studios Motion Pictures.

Twilight Eclipses 2011 MTV Movie Awards

The MTV Movie Awards began in 1992.  Hosted by Jason Sudeikis, the 20th annual MTV Movie Awards aired live on Sunday, June 5, at 9 p.m. ET, from the Gibson Amphitheatre in Universal City, California.

Twilight Saga: Eclipse, the third film in the Twilight movie franchise, dominated the ceremony by winning 5 of the 13 categories.  Rising star Chloë Grace Moretz won two categories.

20th Annual MTV Movie Award WINNERS:

Best Movie Winner
The Twilight Saga: Eclipse
Directed by David Slade

Best Female Performance Winner
Kristen Stewart
The Twilight Saga: Eclipse
Directed by David Slade

Best Male Performance Winner
Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Comedic Performance Winner
Emma Stone
Easy A
Directed by Will Gluck

Best Scared-As-S**t Performance Winner
Ellen Page
Inception
Directed by Christopher Nolan

Best Line From A Movie Winner
"I want to get chocolate wasted!"
Alexys Nycole Sanchez
Grown Ups
Directed by Dennis Dugan

MTV Generation Award Winner
Reese Witherspoon

Best Kiss Winner
Kristen Stewart and Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Fight Winner
Robert Pattinson vs. Bryce Dallas Howard and Xavier Samuel
The Twilight Saga: Eclipse
Directed by David Slade

Best Breakout Star Winner
Chloë Grace Moretz
Kick-Ass
Directed by Matthew Vaughn

Biggest Badass Star Winner
Chloë Grace Moretz

Best Jaw Dropping Moment Winner
Justin Bieber
Justin Bieber: Never Say Never
Directed by Jon M. Chu

Best Villain Winner
Tom Felton
Harry Potter and the Deathly Hallows: Part 1
Directed by David Yates

Review: "Eclipse" is Best "Twilight" Film... So Far

TRASH IN MY EYE No. 50 (of 2010) by Leroy Douresseaux

The Twilight Saga: Eclipse (2010)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of action and violence, and some sensuality
DIRECTOR: David Slade
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey and Karen Rosenfelt
CINEMATOGRAPHER: Javier Aguirresarobe
EDITORS: Art Jones and Nancy Richardson
COMPOSER: Howard Shore

FANTASY/DRAMA/ROMANCE with elements of action, horror, and thriller

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Peter Facinelli, Elizabeth Reaser, Bryce Dallas Howard, Xavier Samuel, Julia Jones, Chaske Spencer, Gil Birmingham, Boo Boo Stewart, and Dakota Fanning

The Twilight Saga: Eclipse, the third film in the Twilight film franchise, arrives with a bang. Like the previous films (Twilight and The Twilight Saga: New Moon), Eclipse is based upon a wildly popular and bestselling novel by Stephenie Meyer and continues the love story of high school student, Bella Swan, and her vampire boyfriend, Edward Cullen. Now, their romance is complicated by a love triangle that comes in the form Native American werewolf, Jacob Black.

As Eclipse begins, Seattle, WA is in an uproar over a string of mysterious killings, which the citizens believe is the work of one or more serial killers. However, the murders are part of diabolical plan hatched by Victoria (Bryce Dallas Howard), a malicious vampire set on destroying Bella Swan. With the help of her pet, Riley Biers (Xavier Samuel), Victoria is building an army of vampire newborns – that are unruly, hungry, and messy in their feeding habits.

In Forks, WA, Edward (Robert Pattinson) continues to broach the topic of marriage with Bella (Kristen Stewart), while she continues to demand that he turn her into a vampire. Bella also tries to repair her friendship with Jacob (Taylor Lautner), but Jacob wants more than friendship, which causes friction between Edward and Jacob who are already natural enemies as a vampire and a werewolf, respectively. As Victoria and her army heads to Forks, the vampire clan, the Cullens, and the werewolves of the La Push are forced to consider a truce in order to confront a common enemy. Meanwhile, Bella faces with the most important decisions of her young life.

The first proclamations regarding Eclipse that I came across said that this was the best Twilight film… thus far. Like the earlier films, this new one does what the series does best – brooding, oh-so-serious, teen melodrama. Bella and Edward’s love has reached an idealized fevered pitch with her willing to go all the way and he ever more determined to protect her. It seems as if Victoria is indeed dangerous to Bella, but not so much as Bella is to herself.

This time Eclipse also offers the audience action that is just as hot as the romance. The battle between Victoria’s wild pack and the Cullen-La Push coalition offer a more elegant version of the Underworld franchise’s vampire/werewolf battles, but are no less invigorating. The battle is so well shot and edited that the audience will lose itself in the reverie of fighting.

Much credit should go to Eclipse director David Slade (Hard Candy, 30 Days of Night), because it isn’t a coincidence that in this film, more than in the first two, the emotions are more potent and much more authentic. There is a scene in the film in which Bella’s father, Forks Police Chief Charlie Swan (Billy Burke), insists on discussing “being safe” and teen pregnancy with his daughter. The conversation is so awkward, but at the same time, it is good-natured with a sense of familiarity that would be expected between parent and child.

That entire sequence with Bella, Edward, and Jacob on a mountain and in a tent is a thing of power and passion, which is what David Slade brings to this movie. If The Twilight Saga: Eclipse is the best of the bunch, it is because of Slade, along with screenwriter Melissa Rosenberg. They took teen angst, horror, supernatural romance, love triangles, and vampires vs. werewolves and squeezed the best out of them and distilled it all into a damn good movie.

8 of 10
A

Sunday, July 04, 2010

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