Showing posts with label Campbell Scott. Show all posts
Showing posts with label Campbell Scott. Show all posts

Sunday, August 28, 2022

Review: "JURASSIC WORLD: Dominion" Ends Trilogy with its Best Film

TRASH IN MY EYE No. 50 of 2022 (No. 1862) by Leroy Douresseaux

Jurassic World: Dominion (2022)
Running time: 147 minutes (2 hours, 27 minutes)
MPA – PG-13 for intense sequences of action, some violence and language
DIRECTOR:  Colin Trevorrow
WRITERS:  Colin Trevorrow and Emily Carmichael; from a story by Colin Trevorrow and Derek Connolly (based on characters created by Michael Crichton)
PRODUCERS:  Patrick Crowley and Frank Marshall
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Mark Sanger
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, DeWanda Wise, Mamoudou Athie, Isabella Sermon, Campbell Scott, Justice Smith, Daniella Pineda, Omar Sy, Scott Haze, Dichen Lachman, and B.D. Wong

Jurassic World: Dominion is a 2022 science fiction and action-adventure and dinosaur film from director Colin Trevorrow.  It is the direct sequel to Jurassic World: Fallen Kingdom (2018) and the final film in a trilogy that began with the 2015 film, Jurassic World.  Dominion also ties up the story line that began with the 1993 film, Jurassic Park.  Dominion focuses on the heroes of two film trilogies as they try to stop a corporation's genetic experiments from endangering the world.

Jurassic World: Dominion opens three decades after the events depicted in Jurassic Park and four years after the cataclysmic volcanic eruption on Isla Nublar and the incidents at Lockwood Estate (as seen in Jurassic World: Fallen Kingdom).  Dinosaurs, no longer extinct, freely roam the Earth, causing ecological problems and the deaths of numerous humans – 37 in just the past year.  International corporation, Biosyn Genetics, has won the sole rights to collect dinosaurs, and it has created a dinosaur sanctuary in the Dolomite Mountains of Italy.

Meanwhile, Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard), former employees of the disastrous “Jurassic World” theme park, are still working to protect dinosaurs.  Claire works with a dinosaur protection organization and investigates illegal dinosaur breeding sites.  Owen works as a wrangler, relocating stray dinosaurs.  They live together in a remote cabin in the Sierra Nevada Mountains where they secretly raise 14-year-old Maisie Lockwood (Isabella Sermon), the granddaughter of the late Benjamin Lockwood and the granddaughter who turned out to a clone of Benjamin's late daughter, Charlotte Lockwood.  Living nearby is Blue, one of the Velociraptors (raptors) that Owen once trained at Jurassic World.  She is a mother, having given birth to a baby raptor that Owen named “Beta.”

It turns out that Lewis Dodgson (Campbell Scott), the CEO and owner of Biosyn, wants to possess both Maisie and Beta for the goldmine of information that their genes are.  Meanwhile, the original Jurassic heroes:  paleobotanist, Dr. Ellie Sattler (Laura Dern); paleontologist, Dr. Alan Grant (Sam Neill); and chaos theorist, Dr. Ian Malcolm (Jeff Goldblum), are also investigating Biosyn's dark plans.  But can they infiltrate Biosyn and avoid a hoard of hungry dinosaurs?

A few months ago, I read a review of Jurassic World: Dominion in which the reviewer said that the presence of the star trio of Jurassic Park:  Ellie, Alan, and Ian, diminished the presence of Jurassic World's star couple, Claire and Owen.  I disagree.  Actually, Chris Pratt and Bryce Dallas Howard make the most of every minute in which their characters are on screen.  In fact, I believe that the film is more about Claire and Owen than it is about Ellie, Alan, and Ian, although they are a huge part of the film's narrative.  I see the union of Jurassic Park's biggest characters and Jurassic World's biggest as the best of both worlds.  Frankly, this union should have happened in the first Jurassic World film.

In addition to the stars, Dominion sees the return of previous franchise supporting characters.  Omar Sy returns as Barry Sembene, Owen's fellow animal trainer from Jurassic World.  BD Wong's Dr. Henry Wu only appeared in the original Jurassic Park, but has appeared in all three Jurassic World films.  Dominion offers Henry a chance at redemption.  Dominion also offers two killer new characters, DeWanda Wise's Kayla Watts, a pilot who could be straight out of yesteryear's adventure serials – except Black women were not pulp fiction heroes.  Mamoudou Athie is espionage-cool as Ramsay Cole, the head of communications at Biosyn Genetics.

However, Jurassic World: Dominion is not really about stories or characters.  Yes, there is a lot going on; the movie is essentially a … park full of subplots, all around a basic (thin) plot – which is to stop Biosyn.  Dominion is really a science fiction action-adventure movie filled with action scenes.  There must be about twenty or so action set pieces:  a race to escape illegal breeders; a stop the poachers fight; run away from the giant, killer locusts; and running away from the dinosaurs in the forest, on a frozen pond, in plane, in a cave, etc.

And it all works.  The cast, director, writers, and crew of editors, sound, cameras, stunts, visual effects, assistants and everyone else.  They all come together to make a thrill machine of a movie with action scenes that keep the viewer too occupied to notice the lapses in logic and common sense.

In the first trilogy, the films that followed Jurassic Park were inferior to it.  In the Jurassic World trilogy, the final film is the best of the lot.  Bringing in so many characters from previous films is a good idea.  Putting them in a series of well-staged action scenes is another good idea.  Giving us a happy ending full of happy endings and heartwarming resolutions is an even better idea.  Jurassic World: Dominion is not a great film, but it is a very satisfying conclusion to what started back in 1993, when Jurassic Park made us believe that its dinosaurs were real.

7 of 10
B+
★★★½ out of 4 stars


Saturday, August 27, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Wednesday, August 30, 2017

Amazon Set "Lore" for Friday the 13th (October) Debut

Amazon Original Series Lore Premieres Friday, October 13 on Prime Video

From Executive Producers Ben Silverman, Howard T. Owens, Gale Anne Hurd, Brett-Patrick Jenkins, Glen Morgan, Jon Halperin and Mark Mannucci, the anthology series is based on the award-winning, critically acclaimed podcast from Aaron Mahnke

Series features Robert Patrick, Adam Goldberg, Kristin Bauer, Holland Roden, Colm Feore and Campbell Scott

SEATTLE--(BUSINESS WIRE)--(NASDAQ:AMZN)—Amazon announced the Amazon Original Series, "Lore" will premiere on Friday, October 13, 2017 on Prime Video. Based on the popular podcast of the same name, which has an average of five million monthly listens, the anthology series presents the frightening and often disturbing tales based on real people and events that have led to our modern-day myths and legends. All six episodes of the series, from Executive Producers Ben Silverman (The Office), Howard T. Owens (The Biggest Loser), Gale Anne Hurd (The Walking Dead), Brett-Patrick Jenkins (Face Off), Glen Morgan (X-Files), Jon Halperin and Mark Mannucci (A Year in Space), will be available to Prime members globally on October 13.

    “Lore is a unique hybrid series that presents meticulously-researched true life tales through a variety of mediums, in order to surprise and delight, and even unsettle”

Lore, featuring Robert Patrick (Terminator 2: Judgment Day), Kristin Bauer van Straten (True Blood), Adam Goldberg (Fargo) Holland Roden (Teen Wolf), Colm Feore (House of Cards) and Campbell Scott (The Amazing Spider-Man), combines documentary footage, narration, historical mixed media and cinematic scenes to bring to life terrifying, but true stories. Celebrating the origins of the horror genre, Lore explores the real-life tales behind pop culture’s most legendary horror myths, such as vampires, changelings, werewolves, séances and possessed dolls.

Launched in March 2015 by Aaron Mahnke, the podcast Lore has generated a massive audience, was named “Best of” in 2015 and 2016 by Apple, and was listed as one of the “15 podcasts you need to hear in 2016” by Entertainment Weekly. The first book in Mahnke’s three-book series, The World of Lore, will be published on October 10 by Del Rey Books.

“Lore is a unique hybrid series that presents meticulously-researched true life tales through a variety of mediums, in order to surprise and delight, and even unsettle,” said Conrad Riggs, Head of Unscripted, Amazon Originals. “We are thrilled to once again provide Prime members unprecedented access into a world they thought they knew.”

Lore will feature fan-favorite episodes from the podcast, including the tale of a boy given a doll that seems to have a sinister life of its own; a family whose home appears to be inhabited by a spirit from the other side; and a German village that hunts for a murderous creature.

Lore is produced by Propagate Content and Valhalla Entertainment. Mahnke is Co-Executive Producer.

Prime members will be able to stream the series exclusively via the Amazon Prime Video app for TVs, connected devices including Fire TV, mobile devices and online at www.amazon.com/lore Members can also download the series to mobile devices for offline viewing at no additional cost to their membership. The series will be a global release and available on PrimeVideo.com for Prime Video members in more than 200 countries and territories.

Customers who are not already Prime members can sign up for a free trial at www.amazon.com/prime. For a list of all Amazon Video compatible devices, visit www.amazon.com/howtostream.


About Amazon Video
Amazon Video is a premium on-demand entertainment service that offers customers the greatest choice in what to watch, and how to watch it. Amazon Video is the only service that provides all of the following:

  •     Prime Video: Thousands of movies and TV shows, including popular licensed content plus critically-acclaimed and award-winning Amazon Original Series and Movies from Amazon Studios like Transparent, The Man in the High Castle, Love & Friendship and kids series Tumble Leaf, available for unlimited streaming as part of an Amazon Prime membership. Prime Video is also now available to customers in more than 200 countries and territories around the globe at www.primevideo.com.
  •     Amazon Channels: Over 100 channel subscriptions that Prime members can add to their membership, including HBO, SHOWTIME, STARZ, Cinemax, PBS KIDS, Acorn TV and more, plus Anime Strike – the first curated on-demand subscription by Amazon Channels. To view the full list of channels available, visit www.amazon.com/channels
  •     Rent or Own: Hundreds of thousands of titles, including new-release movies and current TV shows available for on-demand rental or purchase for all Amazon customers
  •     Instant Access: Instantly watch anytime, anywhere through the Amazon Video app on TVs, mobile devices, Amazon Fire TV, Fire TV Stick, and Fire tablets, or online. For a list of all compatible devices visit www.amazon.com/howtostream
  •     Premium Features: Top features like 4K Ultra HD, High Dynamic Range (HDR) and mobile downloads for offline viewing of select content

In addition to Prime Video, the Prime membership includes unlimited fast free shipping options across all categories available on Amazon, more than two million songs and thousands of playlists and stations with Prime Music, secure photo storage with Prime Photos, unlimited reading with Prime Reading, unlimited access to a digital audiobook catalogue with Audible Channels for Prime, a rotating selection of free digital games and in-game loot with Twitch Prime, early access to select Lightning Deals, exclusive access and discounts to select items, and more. To sign-up for Prime or to find out more visit: www.amazon.com/prime.

About Amazon
Amazon is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon. For more information, visit www.amazon.com/about and follow @AmazonNews.

About Valhalla Entertainment
Gale Anne Hurd’s Valhalla Entertainment has an overall deal with Universal Cable Productions to develop new television and digital programs. Their current slate includes the upcoming 8th season of AMC’s The Walking Dead, which reigns as the most watched drama series in the coveted 18-49 demographic, as well as its companion series, Fear the Walking Dead, which received a two season order prior to its debut in 2015 and set a new ratings record for a cable premiere with 13.3 million viewers. In addition, Hurd serves as a Consulting Producer on Talking Dead, which is the second highest rated basic cable show on Sunday nights, behind only The Walking Dead. USA Network’s drama series, Falling Water, was renewed for a second season and is also distributed internationally by Amazon. Valhalla’s newest series for Bravo, All That Glitters, will follow the friendship and rivalry of renowned magazine editors Anna Wintour and Tina Brown as they rose to prominence during the 80s and 90s. With 70 hours of television airing in 2017 alone, Valhalla Entertainment remains a constant staple in the industry.

About Propagate
One of the world’s fastest-growing independent content creation companies, Propagate’s portfolio includes Apple’s first original series, “Planet of the Apps” featuring Gwyneth Paltrow, will.i.am, Jessica Alba and Gary Vaynerchuk, and Twitter’s first entertainment series, “#WhatsHappening,” featuring successful podcast comedian Phoebe Robinson. Other projects include “Lore” for Amazon, based on the hit podcast and co-produced with Gale Anne Hurd’s Valhalla Entertainment; “Chris Webber’s Full Court Pranks” for TruTV; “The High Court” for Comedy Central featuring comedian Doug Benson; “Unprotected” for Oxygen; “My Partner Knows Best” for Lifetime; “Evil Genius” for HISTORY; “My So-Called Simple Life” for FYI; and “Animal ER” for National Geographic Wild. Scripted projects include “Charmed,” “In the Country We Love,” “Jumpmen,” and “Exhibit A,” all for CBS; “Let’s Stay Together” for ABC; and “Red Team” for Amazon.

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Thursday, September 18, 2014

Review: "The Amazing Spider-Man 2" Entangled in Too Many Angles

TRASH IN MY EYE No. 43 by Leroy Douresseaux

The Amazing Spider-Man 2 (2014)
Running time: 142 minutes (2 hours, 22 minutes)
MPAA – PG-13 for sequences of sci-fi/action and violence
DIRECTOR: Marc Webb
WRITERS: Alex Kurtzman, Roberto Orci, and James Pinkner; from a story by Alex Kurtzman, Roberto Orci, James Pinkner, and James Vanderbilt (based upon the Marvel comic book by Stan Lee and Steve Ditko)
PRODUCERS: Avi Arad and Matthew Tolmach
CINEMATOGRAPHER: Dan Mindel (D.o.P.)
EDITOR: Pietro Scalia
COMPOSERS: Hans Zimmer, The Magnificent Six, Johnny Marr, and Pharrell Williams

SUPERHERO/DRAMA/ACTION/ROMANCE

Starring: Andrew Garfield, Emma Stone, Jamie Foxx, Sally Field, Dane DeHaan, Felicity Jones, Paul Giamatti, Campbell Scott, Embeth Davidtz, Marton Csokas, Max Charles, B.J. Novak, Kari Coleman, Michael Massee, and Stan Lee with Chris Cooper and Denis Leary

The Amazing Spider-Man 2 is a 2014 superhero film and drama from director Marc Webb and stars Andrew Garfield in the title role. It is the sequel to The Amazing Spider-Man, the 2012 film that was a reboot of Columbia Pictures' Spider-Man film franchise, and this movie is also the fifth Spider-Man film in the series.  The Amazing Spider-Man 2 finds Spider-Man facing a former admirer turned super-villain, while Peter Parker worries that being Spider-Man will endanger his loved ones.

The Amazing Spider-Man 2 begins as Peter Parker (Andrew Garfield) and his girlfriend, Gwen Stacy (Emma Stone), are about to graduate from high school.  Peter is also loving his life as the costumed, crime-fighting superhero, Spider-Man.  Peter, however, is currently haunted by the specter of police Captain George Stacy (Denis Leary), Gwen's deceased father.  As Capt. Stacy lay dying (in the previous film), Peter promised him to keep Gwen out of his life because of Spider-Man.  Peter reluctantly tries to break up with Gwen, but the two teenagers deeply love each other.  Peter's attempts simply sow confusion.

Meanwhile, at OsCorp Industries, Peter's former friend, Harry Osborn (Dane DeHaan), returns to New York City in time to take over the business of his recently deceased father, Norman Osborn (Chris Cooper).  OsCorp's past as a company on the cutting edge of controversial genetic research, however, threatens both Harry and Peter.  Also, a new villain, Electro (Jamie Foxx), appears.

The Amazing Spider-Man 2 lacks focus, and I think that there are two reasons for that.  First, the screenplay wants to be a story of young romance, but the romance and character drama are overwrought.   Andrew Garfield and Emma Stone give good performances, but Peter and Gwen's relationship is like a car stuck in mud and pointlessly spinning its wheel.  The car isn't going anywhere, and until the end, neither is Peter and Gwen's relationship, and then, that is only for tragic affect.

I think the second reason that The Amazing Spider-Man 2 seems muddled is because it is more than just a superhero movie; it is the birth of an expanded universe.  Sony, Columbia Pictures' parent, wants to take some of the characters that belong to Marvel Comics' line of Spider-Man comic books and use them to expand their Spider-Man film franchise into a Spider-Man universe.  They want something like Marvel Studios' “Marvel Cinematic Universe.”  Why have just Spider-Man movies when you can have movies starring Spider-Man adversaries like Venom and the Sinister Six.

Marvel essentially used the 2010 film, Iron Man 2, to expand its universe, and that movie tended to drift and lack focus, but in the end, Iron Man 2 was a good movie.   The Amazing Spider-Man 2 is meant to expand the Spider-Man universe, but in the end, it is not really a good movie.  The character melodrama is at odds with the showy action-fantasy violence that is the Spider-Man vs. Electro subplot.  Electro is probably the worse villain yet in the Spider-Man films.

The Amazing Spider-Man 2 has an engaging visual style, and it is probably at its best when it depicts Spider-Man swinging over New York City, through its canyons and around its buildings and skyscrapers.  Even the fight scenes, which seem tacked on to the story, look good, when they focus on Spider-Man.  Nothing about Electro looks good.  Hopefully, the third installment of The Amazing Spider-Man can be itself, a stand-alone movie that does not have to carry the hopes of Sony's corporate board and accountants.

4 of 10
C

Monday, September 15, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.


Thursday, July 5, 2012

"The Amazing Spider-Man" is Amazingly Human

TRASH IN MY EYE No. 54 (of 2012) by Leroy Douresseaux


The Amazing Spider-Man (2012)
Running time: 136 minutes (2 hours, 16 minutes)
MPAA – PG-13 for sequences of action and violence
DIRECTOR: Marc Webb
WRITERS: James Vanderbilt, Steve Kloves, and Alvin Sargent; from a story by James Vanderbilt (based upon the Marvel Comic Book by Stan Lee and Steve Ditko)
PRODUCERS: Laura Ziskin, Avi Arad, and Matthew Tolmach
CINEMATOGRAPHER: John Schwartzman
EDITORS: Alan Edward Bell, Michael McCusker, and Pietro Scalia
COMPOSER: James Horner

SUPERHERO/DRAMA/SCI-FI/ACTION/ROMANCE

Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field, Irrfan Khan, Campbell Scott, Embeth Davidtz, Chris Zylka, Max Charles, C. Thomas Howell, Kari Coleman, Barbara Eve Harris, and Stan Lee

The Amazing Spider-Man is a 2012 superhero film and drama from director Marc Webb and starring Andrew Garfield in the title role. This new movie is a reboot of the Spider-Man film franchise, but it is also the fourth Spider-Man film in a decade. And The Amazing Spider-Man is the best Spider-Man movie, yet.

Teenager Peter Parker (Andrew Garfield) lives with his Aunt May (Sally Field) and Uncle Ben (Martin Sheen) and has since his parents, Richard (Campbell Scott) and Mary Parker (Embeth Davidtz) disappeared. Peter is an adolescent loner trying to find his place in life, and he has found a place in high school as the target of jock/bully, Flash Thompson (Chris Zylka). Peter does catch the attention of fellow student, Gwen Stacy (Emma Stone), a smart and rebellious girl.

Digging through his father’s papers, Peter learns the identity of one of Richard Parker’s old colleagues, fellow scientist Dr. Curt Connors (Rhys Ifans), who works at OsCorp (apparently a giant biotech firm). It is at OsCorp where Peter is bitten by a strange spider. The bite gives him strange powers and abilities similar to that of a spider, such as the ability to adhere to surfaces and to climb walls. After tragedy strikes, Peter decides to use his powers to fight criminals and help people, so he creates a mask and suit and names himself, “Spider-Man.” New York City does indeed need him, as there is a half-man/half-lizard monster known as “The Lizard” tearing the city apart.

When I heard that Columbia Pictures had hired Marc Webb to direct the Spider-Man movie reboot, I knew that by choosing the director of (500) Days of Summer the studio was going for something different from Sam Raimi’s three Spider-Man films. Webb certainly delivers something shockingly different. The Amazing Spider-Man clearly revisits plotlines from the first film, Spider-Man (2002), but everything about this new movie is from a different perspective.

The Amazing Spider-Man brings Peter Parker’s life into sharper focus. The screenplay, which is credited to James Vanderbilt, Steve Kloves, and Alvin Sargent (although I’m guessing that the majority of what is on screen is the work of Sargent and Kloves), emphasizes a character arc that follows Peter Parker’s journey to find himself. Peter searches for himself by trying to learn about his father. Actually, many of the film’s major characters are either trying to find themselves or find something that is missing in their lives.

All this searching makes The Amazing Spider-Man equally a character drama and a superhero movie – if not more the former than the latter. Make no mistake: there is plenty of superhero fantasy and action in this new movie, but it has such humanity because the story goes after the characters’ souls. The story is always digging at the characters, trying to get inside and discover what makes them tick. What do they want? What are they willing to do to get it? What are they afraid of? Webb gets to the heart of the character drama to the point that character is every bit as engaging, enthralling, and exciting as when Parker puts on the suit and swings over New York City or has a throw-down fight with The Lizard.

There are a number of good performances in The Amazing Spider-Man, but Andrew Garfield stands out, of course. He is magnificent as Peter Parker/Spider-Man. Unlike Tobey Maguire’s lovable, sad sack, and put-upon Peter Parker, Garfield’s Parker is a man of masks. He plays the sullen geek while in school, but at home and at work, he has a witty personality. He is also stubborn and strong-willed. Garfield makes it all believable, and he has fashioned his own Peter Parker, independent of Maguire’s Parker, which is also a fine version of Parker/Spider-Man.

As you can tell, the practically life-long Spider-Man fan in me loves The Amazing Spider-Man. Everyone involved took something familiar and created a film that seems like a revelation.

9 of 10
A+

Thursday, July 05, 2012

Monday, July 2, 2012

IMAX 3D Theatres Have "The Amazing Spider-Man"

Columbia Pictures' The Amazing Spider-Man(TM) Swings Into IMAX® 3D Theatres On July 3

Climax Features Expanded Aspect Ratio Designed to Maximize the IMAX Canvas

IMAX Exclusive Early Release in Russia

LOS ANGELES, July 2, 2012 /PRNewswire/ -- IMAX Corporation (NYSE: IMAX; TSX: IMX) and Columbia Pictures today announced that the highly anticipated 3D action-adventure, The Amazing Spider-Man, will be released in the immersive IMAX® 3D format in 447 IMAX® theatres worldwide. Domestically, the film will launch in IMAX on Tuesday, July 3 - simultaneous with the film's North American wide release - in 307 theatres. The film began its rollout to a total of 140 IMAX theatres internationally on June 27. Additional playdates will be added as pending bookings are confirmed. To date, the Spider-Man motion pictures have generated more than $2.5 billion in worldwide box office receipts. Spider-Man 2 and Spider-Man 3 were also released in IMAX.

The film will benefit from an IMAX exclusive one week early release in the 20 IMAX theatres currently open in Russia beginning Friday, June 29.

Director Marc Webb and the filmmakers have crafted the climactic finale of The Amazing Spider-Man to feature a larger aspect ratio of 1.9:1 versus the traditional 2.39:1 ratio in order to take full advantage of the IMAX canvas and overall experience. This aspect ratio, which is optimized to take advantage of the IMAX screen, will allow audiences to see more of the image and result in a full panorama of the action - allowing audiences to feel as if they were swinging alongside Spider-Man.

The IMAX release of The Amazing Spider-Man has been digitally re-mastered into the image and sound quality of An IMAX 3D Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images coupled with IMAX's customized theatre geometry and powerful digital audio create a unique environment that will make audiences feel as if they are in the movie. The film will also be released in 2D and other 3D formats.

About The Amazing Spider-Man:
One of the world's most popular characters is back on the big screen as a new chapter in the Spider-Man legacy is revealed in The Amazing Spider-Man(TM). Focusing on an untold story that tells a different side of the Peter Parker story, the new film stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, with Martin Sheen and Sally Field. The film is directed by Marc Webb from a screenplay written by James Vanderbilt and Alvin Sargent and Steve Kloves from a story by James Vanderbilt, based on the Marvel Comic Book by Stan Lee and Steve Ditko. Laura Ziskin, Avi Arad, and Matt Tolmach are producing the film in association with Marvel Entertainment for Columbia Pictures, which will open in theaters everywhere in 3D on July 3, 2012.

The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance - leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

http://www.theamazingspiderman.com/

The Amazing Spider-Man has been rated PG-13 for sequences of action and violence.

Saturday, October 16, 2010

Documentary "No End in Sight" is Simply Brilliant



TRASH IN MY EYE No. 139 (of 2007) by Leroy Douresseaux

No End in Sight (2007)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – no rated
WRITER/DIRECTOR: Charles Ferguson
PRODUCERS: Jennie Amias, Charles Ferguson, Audrey Marrs, and Jessie Vogelson
CINEMATOGRAPHER: Antonio Rossi
EDITORS: Chad Beck and Cindy Lee
Academy Award nominee

DOCUMENTARY – Politics, Iraq War

Starring: Campbell Scott (narrator), Chris Allbritton, Richard Armitage, Amazia Baram, Ambassador Barbara Bodine, Gerald Burke, Gen. Jay Garner, Col. Paul Hughes, George Packer, Paul Pillar, Nir Rosen Walter Slocombe, Col. Lawrence Wilkerson with Seth Moulton, Hugo Gonzales, and David Yancey

No End in Sight is the acclaimed documentary from award-winning documentary filmmaker (and former Brookings Institution fellow) Charles Ferguson. No End in Sight examines the decisions that led to the U.S. invasion of Iraq in March of 2003 but mostly focuses on the handling of the subsequent occupation as managed by the administration of President George W. Bush. The film, which premiered at the 2007 Sundance Film Festival (where it won the “Special Jury Prize for Documentaries”), features exclusive interviews with central players in the planning and execution of the invasion. Using these interviews, Ferguson also offers a detailed analysis of the American occupation of Iraq through most of 2006.

Masterfully edited and tightly composed as a narrative, No End in Sight provides a broad view of the poor planning and general incompetence in managing post-invasion Iraq. The film also reveals the Bush administration’s ignorance about Iraq and the high-level arrogance that in turn resulted in poor decision making early in the occupation of Iraq. Charles H. Ferguson, a political scientist and software entrepreneur, pulls no punches as he chronicles the twists and turns the Bush administration took to lead American down the path to war, but rather than merely acting as a Bush-hater, Ferguson wants to make us mad. Arrogance, mishandling, GOP cronyism, willful ignorance, etc. cost the United States dearly in Iraq. Ferguson’s argument is that the early days of the occupation should and could have gone much better that it did, but the early mistakes essentially made the occupation of Iraq, over the long run, a disaster for the U.S., if not outright dooming the occupation to failure. The film seems to say, “We should be mad because it should have gone better.”

No End in Sight doesn’t necessarily take sides. Was the 2003 invasion of Iraq right or wrong? Ferguson avoids that question, for the most part. Instead, he focuses on how U.S. success in Iraq was lost from the beginning, and that’s damning enough.

9 of 10
A+

Wednesday, November 28, 2007

NOTES:
2008 Academy Awards: 1 nomination: “Best Documentary, Features” (Charles Ferguson and Audrey Marrs)