Review: "SALTBURN" is not Salty, nor Does it Burn

TRASH IN MY EYE No. 1 of 2024 (No. 1945) by Leroy Douresseaux

Saltburn (2023)

Running time: 131 minutes (2 hours, 11 minutes)

MPA – R for strong sexual content, graphic nudity, language throughout, some disturbing violent content, and drug use.

WRITER/DIRECTOR:  Emerald Fennell

PRODUCERS:  Emerald Fennell, Josey McNamara, and Margot Robbie

CINEMATOGRAPHER:  Linus Sandgren (D.o.P.)

EDITOR:  Victoria Boydell

COMPOSER:  Anthony Willis

DRAMA/COMEDY

Starring:  Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Archie Madekwe, Alison Oliver, Sadie Soverall, Paul Rhys, and Carey Mulligan

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REVIEW SUMMARY:

-- The new film from the writer-director of Emerald Fennell has an intriguing premise and is actually intriguing for about its first hour.

-- Their are few good performances, particularly by Jacob Elordi, Rosamund Pike, and Archie Madekwe. Sadly, the movie focuses on its least interesting character, Oliver Quick, played by one of the hottest dull actors around, Barry Keoghan.

-- Saltburn is mainly for adventurous movie fans. Viewers looking to be entertained may want to look for a movie that is less stiff.

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Saltburn is a 2023 psychological drama and black comedy from writer-director Emerald Fennell.  The film follows a new student at Oxford University who is drawn into the world of a charming and aristocratic classmate, which leads to a tragic summer at the classmate's family's sprawling estate.

Saltburn  introduces Oliver Quick (Barry Keoghan), a scholarship student at Oxford University.  Oliver struggles to fit in due to his inexperience with upper-class manners and deportment.  However, one of Oliver's fellow students does capture his imagination, Felix Catton (Jacob Elordi), an affluent and popular student.  It turns out that Felix is empathetic to Oliver and his stories of his parents' substance abuse and mental health issues.

After Oliver becomes distraught when he learns of his father's sudden death, Felix comforts him.  Later, Felix invites Oliver to spend the summer at his family's sprawling estate, Saltburn.  Oliver meets Felix's eccentric parents, his father, Sir James Catton (Richard E. Grant), and his mother, Lady Elspeth Catton (Rosamund Pike).  He also meets Felix's kooky and lewd sister, Venetia (Alison Oliver).  Also staying at the state is fellow Oxford student and Felix's first cousin, Farleigh Start (Archie Madekwe), who thinks very little of Oliver.  As the summer wears on, however, these unlikable people become too self-absorbed to recognize the danger so very near to them.

I was a huge fan of Saltburn writer-director Emerald Fennell's 2020, Promising Young Woman, for which Fennell won a “Best Original Screenplay” Oscar.  Promising Young Woman was a shocking, funny, vindictive, and righteous film, and which is much more than I can say about Saltburn, which looks like a sumptuous period drama.  On the other hand, for all its good looks, Saltburn is sterile as a black comedy.

I can deal with a film that focuses on unlikable people, which Saltburn does.  Still, I found Saltburn's lead actor, Barry Keoghan, and his character, Oliver Quick, dull and unimaginative.  I don't get Keoghan's critical acclaim.  He was pitiful and sad in The Banshees of Inisherin (2020), which earned him a “Best Supporting Actor” Oscar nomination.  However, sad, silent waif characters bore me, and Keoghan's Oliver Quick is duller than his Dominic Kearney was in Banshees.  Here, Keoghan's personality-free performance in this film does not convince me that Oliver is what the film's final act suggests he is.  Honestly, what Fennell offers here is nothing more than a riff on novelist Patricia Highsmith's literary character, "Tom Ripley," if Ripley were played as a character that was stuffed and mounted.  Also, I must admit to often mistaking Keoghan for another milky white boy actor, Ezra Miller (The Flash), who did the pale, waif thing really well until his... secrets came out.

I like Jacob Elordi as Felix Catton, a funny and charming character, and Elordi's boyish, white boy looks should give him at least a few years in Hollywood as a “hot thing.”  The film's best performance is given by Archie Madekwe, the Black British actor who creates Saltburn's most intriguing character.  As the “mixed-race” Farleigh Start, Madekwe is mysterious and sexy, and honestly, I wish Saltburn was about Farleigh's relationship with the Cattons and his life at Saltburn.  I should also admit that I'm always crazy about Rosamund Pike, so I was in love with Lady Elspeth.

Ultimately, I can only recommend Saltburn to adventurous movie fans who are always on the lookout for films from interesting filmmakers, which Emerald Fennell certainly is.  I simply wish that Saltburn burned a little more.

5 of 10

C+

★★½ out of 4 stars

You can stream the SALTBURN film here on AMAZON Prime Video.

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from June 6th to 12th, 2021 - Update #22

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From Variety:   The new documentary film, "The Kids," examines Larry Clark's 1995 film, "Kids," and the lives of the young actors it shattered.

MUSIC - From Deadline:   Gregory James, the rapper known as "Shock G" and MC Humpty Hump" of the rap group, "Digital Underground," died this past April.  The initial case summary released by the Hillsborough County Medical Examiner’s office in Florida said Shock G died from an accidental overdose of fentanyl, ethanol and methamphetamine.

BLM - From Truthout:   Darnella Frazier, the Minnesota teen whose cellphone video recording of Derek Chauvin kneeling on George Floyd’s neck last May was key piece of prosecution evidence in the trial the ended with the former Minneapolis police officer’s murder conviction, received an honorary Pulitzer Prize on Friday, June 11th.

NETFLIX - From EW:   "John Wick" actor, Lance Reddick, will play "Albert Wesker" in Netflix's planned "Resident Evil" TV series.  Wesker is actually a character from the "Resident Evil" game franchise.

ANIMATION - From Deadline:  The Lord of the Rings is getting the anime (Japanese animation) treatment with the animated film, "The Lord of the Rings: The War of the Rohirrim," from New Line Pictures and Warner Animation.  The film will be directed by Japanese anime director, Kenji Kamiyama, and Japanese anime company, Sola Entertainment, will provide the animation.

STREAMING - From Deadline: Mario Cantone, Willie Garson, David Eigenberg and Evan Handler, who regulars on HBO's "Sex and the City," are returning for HBO Max's revival, "And Just Like That..."

EMMYS - From Variety:   TNT (7 wins) and ESPN (6 wins) lead the 2021 / 42nd Annual Sports Emmys.

MOVIES - From Variety:  Searchlight Pictures has released the first trailer for "The Eyes of Tammy Faye."  It stars Oscar-nominee Jessica Chastain as Tammy Faye Bakker, wife of infamous televangelist, Jim Bakker (played by Oscar-nominee Andrew Garfield), and is based on a grue story.  You can watch the trailer in the article.

NETFLIX - From Deadline:   Tyler Perry his bring his signature character, Madea, out of retirement for a new Netflix film, "A Madea Homecoming," which will be released in 2022.

MOVIES - From Deadline:  Horror movie super-producer Jason Blum and director Bryan Fuller are behind a new film version of Stephen King's 1983 novel, "Christine."  John Carpenter directed the first film adaptation, which was also released in 1983.

NETFLIX - From Deadline:  Following her breakout role in the Netflix smash hit "Outer Banks," Madelyn Cline has joined the cast of the "Knives Out" sequel.

NETFLIX - From Polygon:   Netflix has provided a first look at its live-action version of the anime classic, "Cowboy Bebop," which includes a look at John Cho's hairdo to play "Spike."

LGBTQ - From TheHill:  Burger King has entered the chicken sandwich wars and has challenged anti-gay chicken fast food franchise, Chick-fil-A, with its own support of LGBTQ+.

MOVIES - From BloodyDisgusting:   At one point, director Neill Blomkamp was going direct "Alien 5," which would have been a direct sequel to writer-director James Cameron's "Aliens" (1986), the second film in the series.  But the film was killed off, but more concept art from the project has emerged.

MOVIES - From BloodyDisgusting:   Writer-director Rob Zombie (House of 1000 Corpses) has announced that he has landed his dream gig.  He will write and direct a film update of the late CBS sitcom, "The Munsters" (1964-66), for Universal Pictures.  The film may also end up being an exclusive release for NBCUniversal's "Peacock" streaming service.

MOVIES - From Variety:   Recent Oscar-nominee Carey Mulligan and Zoe Kazan are attached to star in “She Said,” about "The New York Times" sexual harassment investigation against Harvey Weinstein that kicked off the #MeToo movement.

STREAMING - From Deadline:   In addition to adding new programming to the streaming service, "Paramount+", ViacomCBS is created a low-cost tier to Paramount+ that will be ad-supported.

CELEBRITIES - From BET:  Duchess Meghan Markle and Prince Harry announced that their second child, a baby girl, was born on Friday, June 4, 2021. They’ve decided to name her Lilibet “Lili” Diana Mountbatten-Windsor, after both her grandmother, the late Princess Diana, and her great-grandmother, the Queen of England.

BOX OFFICE - From Deadline:  The winner of the 6/4 to 6/6/2021 weekend box office is "The Conjuring: The Devil Made Me Do It" with an estimated take of 24 million dollars. 

 

From Deadline:  Faith-based (Mormon) film, "Witnesses," makes a strong debut at the specialty box office, but "Bo Gia" still leads.

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TELEVISION - From Deadline:   Executive producer Ryan Murphy has revealed the four actors who will appear in Hulu's "American Horror Stories," the spinoff of his hit FX series, "American Horror Story."

OBITS:

From YahooSports:  Former NFL coach, Jim Fassel, has died at the age of 71, Monday, June 7, 2021.  Fassel was the head coach of the National Football League's "New York Giants" (NFC) from 1997 to 2003.  He led the Giants to Super Bowl XXXV (Jan. 28, 2001), where they lost to the Baltimore Ravens (AFC) 34 to 7.  However, a decade earlier, Fassel was an assistant coach when the Giants won Super Bowl XXV under head coach Bill Parcells.  Fassel was also named "NFL Coach of the Year" in 1997.

From THR:  African-American film, stage and television actor, Clarence Williams III, has died at the age of 81, Friday, June 4, 2021.  His breakout role was in the television series, "The Mod Squad" (1968-73), playing hippie cop, "Lincoln 'Linc' Hayes."  Williams also became a memorable character actor, appearing in films such as "Purple Rain," "I'm Gonna Git You Sucka," "Tales from the Hood," and "Half Baked," to name a few.  Other memorable TV roles included a recurring role on Season Two of the original "Twin Peaks" (1990-91), an episode of "Star Trek: Deep Space Nine," and a supporting role in 10 of the Hallmark Channel's "Mystery Woman" movies.  In 1965, he earned a Tony Award nomination for "Best Featured Actor" in the play, "Slow Dance on the Killing Ground."

Review: "PROMISING YOUNG WOMAN" Rocked Me Like a Hurricane

TRASH IN MY EYE No. 29 of 2021 (No. 1767) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Promising Young Woman (2020)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for strong violence including sexual assault, language throughout, some sexual material and drug use
WRITER/DIRECTOR:  Emerald Fennell
PRODUCERS:  Tom Ackerley, Ben Browning, Emerald Fennell, Ashley Fox, Josey McNamara, and Margot Robbie
CINEMATOGRAPHER:  Benjamin Cracun (D.o.P.)
EDITOR:  Frederic Thoraval
COMPOSER:  Anthony Willis
Academy Award winner

DRAMA/COMEDY/THRILLER

Starring:  Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Laverne Cox, Chris Lowell, Connie Britton, Adam Brody, Max Greenfield, Christopher Mintz-Plasse, Sam Richardson, Alfred Molina, and Molly Shannon

Promising Young Woman is a 2020 black comedy and suspense thriller film from director Emerald Fennell.  The film focuses on a young woman who takes revenge for a traumatic event in her past on the unwary young men who cross her path.

Promising Young Woman introduces Cassandra “Cassie” Thomas (Carey Mulligan), a 30 year-old medical school dropout who lives with her parents, Susan (Jennifer Coolidge) and Stanley Thomas (Clancy Brown), in Ohio.  Seven years earlier, something terrible happened to Cassie's best friend, Nina Fisher, at a party, and it led to both Cassie and Nina leaving the medical school they attended, Forrest University.

Now, Cassie spends her nights feigning drunkenness in clubs, and allowing men to take her to their homes.  Then, she bluntly and forcefully reveals her sobriety when these men try to take advantage of her by having sexual relations with a woman who is too inebriated to give consent.  Things begin to change when Cassie is reunited with a former classmate, Dr. Ryan Cooper (Bo Burnham), a pediatrician.  When another classmate reveals a lurid secret, Cassie resumes her mission of revenge, but can she survive her own mission.

Of the many shocking things about Promising Young Woman, one of them is actress Carey Mulligan.  She completely buries herself in this role, and the waif-like persona she adopted in some of her early films disappears in the storm of the force of nature that is Cassie.  Mulligan's performance as Cassie recalls classic Clint Eastwood movie characters like “Dirty” Harry Callahan and “Preacher” (from 1985's Pale Rider).  I also have to give a shout out to Promising Young Woman's makeup department for its work in creating Cassie's look, which, spiritually, recalls the those vengeful dead girls in such Japanese horror films as Ringu (1998) and Ju-On: The Grudge (2002).

I can't help but be impressed by the debut directorial effort of writer-director Emerald Fennell.  Her film is straight to the point.  Fennell is not being allegorical, metaphorical, or symbolic.  Fennell delivers stunning entertainment that is both a timely message movie and a timeless cinematic film, a mainstream spin of the spirit of The Last House on the Left (1972) and I Spit on Your Grave (1978).  She may or may not be talking to you, sir, but there is no doubt about what Fennell is saying.

In a way, Promising Young Woman is the Get Out of 2020.  Like Jordan Peele's Oscar-winning film, Promising Young Woman is a game changer.  Whereas Peele's Get Out was a revelation in its message about white people's violence against African-American bodies, Fennell's Promising Young Woman is the clarion call to the reckoning for the way men objectify and enact sexual violence on the bodies of women.  Hopefully, Fennell's film is the cinematic earthquake that leads to a Hollywood tsunami.

And yes, Promising Young Woman is entertaining.  It simply manages to also blow your mind, chill your blood … and make some men reflexively cover their jewels.

9 of 10
A+

Monday, March 22, 2021


NOTES:
2021 Academy Awards, USA:  1 win: “Best Original Screenplay” (Emerald Fennell); 4 nominations: “Best Motion Picture of the Year” (Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara), “Best Performance by an Actress in a Leading Role” (Carey Mulligan), “Best Achievement in Directing” (Emerald Fennell), and “Best Achievement in Film Editing” (Frédéric Thoraval)

2021 Golden Globes, USA:  4 nominations: “Best Screenplay - Motion Picture” (Emerald Fennell), “Best Performance by an Actress in a Motion Picture – Drama” (Carey Mulligan), “Best Director - Motion Picture” (Emerald Fennell), “Best Motion Picture - Drama”

2021 BAFTA Awards:  2 wins: “Best Screenplay-Original” (Emerald Fennell) and “Outstanding British Film of the Year” (Emerald Fennell, Ben Browning, Ashley Fox, and Josey McNamara); 4 nominations: “Best Film” (Ben Browning, Emerald Fennell, Ashley Fox, and Josey McNamara), “Best Editing” (Frédéric Thoraval), “Original Score” (Anthony Willis), and “Best Casting” (Lindsay Graham and Mary Vernieu)


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from September 20th to 30th, 2020 - Update #39

by Leroy Douresseaux a.k.a. "I Reads You"

Support Leroy on Patreon:

TELEVISION - From Variety:  NBC has set the cast for Dwayne Johnson's comedy about his younger years, "Young Rock."  Adrian Groulx will play 10-year-old Dwayne.

STREAMING - From Deadline:  Netflix has published the first stills of Gillian Anderson as Margaret Thatcher and newcomer Emma Corrin as Princess Diana in Season 4 of The Crown.

MOVIES - From Deadline:  Dozens of organizations are appealing to the Congress of the United States to help save the movie theater business.

MOVIES - From Deadline:   Oscar-winning director, Barry Levinson ("Rain Man"), has a new film, "Francis and the Godfather," about the making of the legendary, Oscar-winning film, "The Godfather."  Oscar Isaac will play the film's director, Franics Ford Coppola, and Jake Gyllenhaal will play the film's producer, Robert Evans.

COVID-19 - From Deadline:   Emmy-winning actor Jim Parsons ("The Big Bang Theory") has revealed that both he and his husband, Todd Spiewak, was diagnosed with COVID-19 back in March.

AMAZON - From Deadline:  Amazon has bought Sacha Baron Cohen's sequel to his 2006 film, "Borat."  It will debut on Amazon in late October 2020.

DISNEY - From Deadline:  Disney will produce a sequel to it hit, live-action version of "The Lion King."  Oscar-winner Barry Jenkins will direct the sequel.

AVATAR - From Deadline:   Director James Cameron says that his "Avatar 2" is 100 percent complete and that "Avatar 3" is 95 percent finished.

CHADWICK BOSEMAN - From Deadline:   Sienna Miller has said that the late actor Chadwick Boseman ("Black Panther") raised her salary on their film, "21 Bridges," by giving up part of his.

NETFLIX - From Deadline:  A Netflix price hike is "probable."

MOVIES - From THR:   Director M. Night Shyamalan reveals the title ("Old") and artwork for his new film.

BOX OFFICE - From Deadline:   The winner of the 9/25 to 9/27/2020 weekend box office is "Tenet" with an estimated take of $3.4 million.

MUSIC - From YahooLife:   Sign O' The Times: how Prince created a masterpiece – and ruined his career

STREAMING - From Deadline:   Apple has apparently bought directors Joe and Anthony Russo's film, "Cherry," starring Tom Holland ("Spider-Man: Homeing") and Ciara Bravo.

POLITICS - From YahooEntertainment:   Dwayne Johnson, a political independent who has voted for both Democratic and Republican candidates, has made his first ever presidential endorsement, choosing the Democratic presidential tickets of Joe Bidden and Kamala Harris.

ANIMATION - From Deadline:   YouTube star Arif Zahir will replace Mike Henry as the voice of "Cleveland Brown" on Fox's long-running animated series, "Family Guy."

MOVIES - From Deadline:  Ice Cube to star in an untitled science fiction film for director Rich Lee with Timur Bekmambetov and Patrick Aiello producing.

MOVIES - From CBR:  Well, bless his heart - is what you're going to say after reading this "analysis" of the great film director, the late Stanley Kubrick.

MOVIES - From Deadline:  Disney moves Marvel Studios' "Black Widow" release date to May 2021, a full year after its original release date, the latest in release date changes due to the COVID-19 shutdown of movie theaters.  However, Disney holds Pixar's "Soul" to its original release date (Nov. 20th, 2020) and also decides not to move it to Disney+ for streaming.

STREAMING - From Deadline:  Bradley Cooper has chosen Oscar-nominated actress, Carey Mulligan, to play Leonard Bernstein's wife, Felicia, in his Netflix film about Leonard, "Maestro."

LGBTQ - From MensHealth:   16 bisexual movies you need to see.

FILM FESTIVALS - From blogTO:  The blog lists its 10 best films at this year's "Toronto International Film Festival."

STREAMING - From EW:  "The Dark Crystal: Age of Resistance" won recently won an Emmy ("Outstanding Children's Program"), but Netflix has cancelled it after one season.

BOX OFFICE - From Deadline:  The winner of the 9/18 to 9/20/20 weekend box office is "Tenet" with an estimated take of 4.7 million dollars. 

From CNBC:  Movie theater stocks tank after another disappointing box office weekend.

EMMYS - From Deadline:  If you care, this article has a full list of winners at the 2020 / 72nd Annual Primetime Emmy Awards.

From EW:  If you care, this article has a full list of winner at the 2020 / 72nd Annual Creative Arts Emmy Awards. 

From YahooEntertainment:  Last night's Emmy winters delivered impassioned pleas for social reform and for voting.

From Billboard:  Records were set at the 2020 Primetime Emmy Awards, including Zendaya, at 24, being the youngest actress to win "Outstanding Lead Actress in a Drama Series" (for HBO's "Euphoria") and "Schitt's Creek" being the first comedy series to sweep all seven major awards in the comedy category.

From Deadline:  Actor Ron Cephas Jones and his daughter, Jasmine Cephas Jones, become the first father and daughter to win an Emmy the same year.  Ron won for "Outstanding Guest Actor in a Drama Series" (This is Us"), and Jasmine won for "Best Actress in a Short From Comedy or Drama" (for Quibi's "#FreeRayshawn").

From YahooEntertainment:  Every year, there is controversy during the Emmy's "In memoriam" segment.

OBITS:  

From ESPN:  Hall of Fame NFL offensive player, Gale Sayers, has died at the age of 77, Wednesday, September 23, 2020.  A halfback, Sayers was known as the "Kansas Comet," and played seven seasons for the Chicago Bears.  Sayers is also famous for his friendship with his cancer-stricken teammate, Brian Piccolo (who died in 1970), and Sayers' biography was the basis for the beloved 1971 TV Emmy Award-winning movie, "Brian's Song."

From WashPost:   Brian Piccolo's eldest daughter, Lori Piccolo, remembers Gale Sayers and his relationship with her late father.

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From THR:   Astrologer and dancer, Jackie Stallone, has died at the age of Monday, September 21, 2020.  Stallone was also the mother Hollywood superstar, Sylvester Stallone, and singer-actor, Frank Stallone, and the late actress, Toni D'Alto.

From YahooSports:   Hall of Fame NFL defensive player, Larry Wilson, has died at the age of 82, Thursday, September 17, 2020.  Playing at the position of "safety," Wilson played all 13 of his NFL seasons (1960-72) with the St. Louis Cardinals (now Arizona Cardinals).  He was the 1966 "NFL Defensive Player of the Year."  He was inducted into the Pro Football Hall of Fame in 1978.

CORONAVIRUS/COVID-19 NEWS:

From CDC:   The Centers for Disease Control has a "COVID Data Tracker."

From YahooNews:  Why does COVID-19 kill some people and hardly affects others?

From YahooNews:  Yahoo has a dedicated page of links updating news about COVID-19.

From Deadline:  The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.

From TheNewYorker:  The venerable magazine has a dedicate COVID-19 page free to all readers.

From YahooNews:  Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?

From YahooLife:  What is "happy hypoxia?"  And do you have this COVID-19 symptom?

From JuanCole:  Remember when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19.  Here is the video and commentary from Juan Cole.

From TheIntercept:  The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...

From TheAtlantic:  The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.

From ProPublica:  Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns

From TheGuardian:  More than 20 million Americans could have contracted COVID-19, experts say.

From RSN/WashPost:  The COVID-19 mutation that has taken over the world.

7/13 - From YahooSports:  Maybe a pandemic means that there will not be college football this fall.

7/13- From YahooNews:  The CDC adds four new symptoms (including nausea and purple or blue lesions on feet and toes) to the list of COVID-19 symptoms.

7/19 - From YahooFinance:  Harvard Public Health professor Dr. Howard Koh says the U.S. "needs to regroup" to find COVID-19.

7/22 - From YahooNews:  A public health employee predicted Florida's coronavirus catastrophe — then she was fired.

7/22 - From YahooLifestyle:  Florida mom loses son, 20, to coronavirus, and then days later, her daughter.

7/23 - From TheWrap:  The site has a list of movie and TV stars, entertainment and sports figures who have tested positive for COVID-19

From Bloomberg:  Will the COVID-19 pandemic turn Millennials into socialists?

7/27 - From CNN:   Chief of critical care at Baltimore's Mercy Medical Center, Dr. Joseph Costa, passes away due to Covid-19 complications... after treating the hospital's sickest COVID-19 patients.  He was 56 and leaves behind family, including a husband of 28 years.

7/30 - From Deadline:  Emmy-winning actor Bryan Cranston ("Breaking Bad") reveals that he had a bout with COVID-19.

7/31 - From YahooEntertainment:  Writer and actress, Lena Dunham, creator of HBO's "Girls, reveals that she contracted COVID-19 and the symptoms she experiences and still experience.

7/30 - From YahooGMA:  In their bid to crackdown on illegal gatherings amid COVID-19, New York authorities break up an alleged sex party.

7/31 - From Slate:  COVID-19 is airborne - for reals!

8/2 - From TheDailyBeast:  In Mississippi, COVID-19 has coroners terrified.

8/6 - From YahooNews:  Testing everyone constantly could stop the spread of COVID-19... according to this article.

8/8 - From YahooNYT:  The coronavirus is new, but your immune system might recognize it.

8/8 - From YahooNBC:  They thought COVID-19 was a hoax, and they almost died from it or are watching family and loved ones suffer with it or die from it.

8/9 - From YahooNews:  The rest of the world is incredulous at the pitiful U.S. response to COVID-19.

8/9 - From YahooAFP:  According to the real-time tally kept by John Hopkins University, the United States has hit 5 million cases of COVID-19.

8/16 - From Truthout: COVID Deaths Continue to Surge in Countries Led by Far Right Authoritarians

9/19 - From WashPost:  U.S. coronavirus death toll reaches 200,000

9/23 - From CNBC:  Mark Cuban, who owns the NBA's Dallas Mavericks and star of ABC's "Shark Tank," suggests that every household in American get a $1000 check every two weeks for the next two months.

9/28 - From Deadline:  John Hopkins University's coronavirus tracker reports that over 1 million people have died of COVID-19 worldwide.

BLACK LIVES MATTER:

From RSN:   Judge's Blistering Opinion Says Courts Have Placed Police Beyond Accountability

From TheGuardian:  Yusef Salaam, one of the "Central Park Five," says in an interview, "Trump would have had me hanging from a tree in Central Park."

From NPR:  Prosecutors' plea deal required drug suspect to name Breonna Taylor a "co-defendant."

From ChicagoSunTimes:  Rev. Jesse Jackson: America has millions of people in poverty because Americans choose not to demand the policies that would lift them out of poverty.

From APNews:  No one will be held accountable for the killing of Louisville African-American resident, Breonna Taylor.

From Channel4:  Revealed: Trump campaign strategy to deter millions of Black Americans from voting in 2016

"Widows," "Green Book" to Screen at Austin Film Festival 2018

Austin Film Festival Announces Full Film and Conference Schedule

Slate Includes Centerpiece Film Ben is Back, Widows, Green Book, Friends from College Season 2 Premiere, Wildlife

AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival & Writers Conference (AFF), the premier film festival recognizing the writers’ contributions to film, television, and new media, announced today the full schedule of films and panels for the 25th Anniversary festival, this October 25-November 1, 2018. AFF’s feature film slate includes 23 World, North American, and US Premieres, a robust retrospective series, and highly anticipated marquee titles, including Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s dramedy period piece Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo, Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection, with writer/director Peter Hedges in attendance.

AFF also announced its 2018 television program. Included this year is comedy series Friends From College, launching on Netflix in 2019. Creators Francesca Delbanco and Nicholas Stoller will present a special preview screening of the Season 2 premiere episode. Creator Justin Marks and executive producer Jordan Horowitz will also be on hand at the Festival to present the season 2 premiere of their espionage spy thriller Counterpart, starring Academy Award® winner J.K. Simmons, premiering on Starz later this year.

AFF’s retrospective series will feature Tony Gilroy presenting his 1995 film Dolores Claiborne based on Stephen King’s novel, Graham Yost presenting his 1994 action classic Speed, and writer Mick Garris in attendance for a special Halloween presentation of Hocus Pocus.

Other World Premieres include The Dancing Dogs of Dombrova, F/11 and Be There, The Amaranth, A Girl Named C, and Waiting for the Miracle to Come.

The full Film and Conference schedule can be found at www.austinfilmfestival.com.


ABOUT AUSTIN FILM FESTIVAL:
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. AFF is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department and the Texas Commission on the Arts. All attendees and events are based on permitting schedules and are subject to change and/or cancellation without notice.

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Negromancer News Bits and Bites from September 18th to 24th, 2016 - Update #25

Support Leroy on Patreon.

POLITICS - From ThinkProgress:  First the Mus-lambs hated white people because of their freedoms.  Now, the darkies hate white people because of their success.

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OBIT - From YahooMovies:  The actor Bill Nunn has died at the age of 62, Saturday, September 24, 2016.  He was best known for playing "Radio Raheem" in Spike Lee's 1989 film, "Do The Right Thing."  He also had a minor role in Sam Raimi's "Spider-Man" trilogy.

----------
MUSIC - From YahooMusic:  The baby on the iconic cover of Nirvana's "Nevermind" album is now 25-years-old.  He's never made a dime on an LP that has sold over 30 million copies worldwide.

----------
MOVIES - From Variety:  Jake Gyllenhaal and Carey Mulligan join acclaimed actor Paul Dano's directorial debut, "Wildlife."

----------
CELEBRITY - From YahooCelebrity:  Brad Pitt tells his side of the messiness.

----------
CELEBRITY - From YahooCelebrity:  More on allegations about substance abuse, spousal abuse, and more in the ongoing Angelina Jolie and Brad Pitt.

----------
ECO - From Variety:  Shailene Woodley to be honored at Environmental Media Association Awards.

----------
CELEBRITY - From YahooCelebrity:  How Angelina Jolie told Brad Pitt it was over.

----------
BLACK LIVES MATTER - From TheFreeThoughtProject:  Massachusetts state supreme courts says Black men justified in running away from cops.

----------
SPORTS - From Steelers:  Terry Bradshaw talks about playing QB for the Steelers and his biggest regrets.

----------
COMICS - From ScreenRant:  Is Agents of SHIELD connected to "Doctor Strange?"

----------
MOVIES - From RSN:  Can Oliver Stone's film, "Snowden," help Edward Snowden gain a pardon?

----------
CRIME - From RSN:  Connecticut cops are caught on camera fabricating criminal charges against a man who was recording them at a DUI checkpoint.

----------
MOVIES - From Variety:  Rooney Mara to star in pop drama, "Vox Lux."

----------
MOVIES - From Variety:  Deadpool villian, Ed Skrein, in talks to join "Alita: Battle Angel," which Robert Rodriguez is directing and James Cameron is producing.

----------
CELEBRITY - From TMZ:  Angelina Jolie files for divorce from Brad Pitt.

----------
OBIT - From Deadline:  Screenwriter and director Curtis Hanson has died at the age of 71, Tuesday, September 20, 2016.  He won an Oscar for his screenplay for his 1997 film, L.A Confidential.

----------
BLACK LIVES MATTER - From YahooNews:  African-American Terence Crutcher was unarmed and did not shoot at the cops, but was shot to death by a white cop.

CRIME - From YahooNews:  Ahmad Khan Rahami planted bombs in New York City and shot at the cops, but he is still alive.

----------
MOVIES - From Variety:  Jamie Dornan will play "Will Scarlet" in "Robin Hood: Origins."

----------
MOVIES - From Deadline:  Johnny Depp's thriller "Labyrinth" has a distributor.

----------
STAR WARS-COMICS - From YahooMovies:  Marvel's "Star Wars" comics will dig into Yoda's history.

----------
POLITICS - From Truthout:  Here, what's (who's) in Donald Trump's "Basket of Deplorables."

----------
EMMYS - From LATimes:  A complete list of 2016 Emmy Award winners.

----------
BOX OFFICE - From BoxOfficeMojo:  The winner of the 9/16 to 9/18/2016 weekend box office is Sully with an estimated take of $22 million.

----------
EMMYS - From TheWrap:  In case you missed it, Night 1 of the 2016 Creative Arts Emmys - from last week.

From Deadline:  Night 2 of those 2016 Creative Arts Emmys.

----------
OBIT - From TMZ:  Charmain Carr, who played one of the Von Trapp children in "The Sound of Music," has died at the age of 73, Saturday, September 17, 2016.

----------
POLITICS - From ThinkProgress:  Donald Trump trying to rewrite his Birther history about President Obama.

----------
COMICS-FILM - From WeGotThisCovered:  See Oscar-winner J.K. Simmons as "Commissioner James Gordon" in next year's "Justice League."

----------
COMICS-TV - From ScreenRant:  The "Ghost Rider" is a different kind of threat on this season's "Marvel's Agents of SHIELD."

----------
POLITICS - From teleSUR:  Julian Assange offers himself in exchange for Chelsea Manning's freedom.

Baz Luhrmann's "The Great Gatsby" Out May 10, 2013

“The Great Gatsby” to Open in May 2013

Baz Luhrmann’s much-anticipated film receives a May 10 date in North America and will roll out internationally beginning the following week.

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “The Great Gatsby” will open early in the Summer 2013 season, hitting theaters on May 10 in the U.S. and Canada, with an international rollout beginning the following week. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Fellman stated, “Audiences have been looking forward to Baz Luhrmann’s film adaptation of one of the most beloved books of all time, and we felt this beautifully extravagant and dramatic film would be a perfect way for us to kick off our Summer slate.”

Kwan Vandenberg added, “Baz’s unique take on ‘Gatsby’ is glitzy and glamorous, with his juxtaposition of the classic tale and contemporary themes hitting just the right note. This film should really add heat to the competitive Summer season.”

From the uniquely imaginative mind of writer/producer/director Baz Luhrmann comes the new big screen adaptation of F. Scott Fitzgerald’s novel The Great Gatsby. The filmmaker has created his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before, in a film starring Leonardo DiCaprio in the title role.

“The Great Gatsby” follows Fitzgerald-like, would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award® nominee DiCaprio (“J. Edgar,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Oscar® nominee Carey Mulligan (“An Education”) and Joel Edgerton as Daisy and Tom Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.

Oscar® nominee Luhrmann (“Moulin Rouge!”) directs the film in 3D from a screenplay co-written with frequent collaborator Craig Pearce, based on Fitzgerald’s book. Luhrmann produces, along with Catherine Martin, Academy Award® winner Douglas Wick (“Gladiator”), Lucy Fisher and Catherine Knapman. The executive producers are Academy Award® winner Barrie M. Osborne (“Lord of the Rings – Return of the King”) and Bruce Berman.

Two-time Academy Award®-winning production and costume designer Catherine Martin (“Moulin Rouge!”) designs as well as produces. The editors are Matt Villa, Jason Ballantine and Jonathan Redmond, and the director of photography is Simon Duggan. The music is by Craig Armstrong.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, in association with A&E Television, a Bazmark/Red Wagon Entertainment Production, a Film by Baz Luhrmann, “The Great Gatsby.” In theaters May 10, 2013, the film will be distributed in 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

New Release Date for Baz Luhrmann's "The Great Gatsby"

“The Great Gatsby” Moving to Summer 2013

Baz Luhrmann’s 3D Adaptation to Get New Play Date in Sought-After Summer Frame

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Village Roadshow Pictures have moved the release date of “The Great Gatsby” to Summer 2013. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

In making the announcement, Fellman stated, “Based on what we’ve seen, Baz Luhrmann’s incredible work is all we anticipated and so much more. It truly brings Fitzgerald’s American classic to life in a completely immersive, visually stunning and exciting way. We think moviegoers of all ages are going to embrace it, and it makes sense to ensure this unique film reaches the largest audience possible.”

Kwan Vandenberg confirmed, “Baz is known for being innovative, but with this film he has done something completely unexpected—making it in 3D—while capturing the emotion, the intimacy, the power and the spectacle of the time. The responses we’ve had to some of the early sneak peeks have been phenomenal, and we think ‘The Great Gatsby’ will be the perfect summer movie around the world.”

From the uniquely imaginative mind of writer/producer/director Baz Luhrmann comes the new big screen adaptation of F. Scott Fitzgerald’s novel The Great Gatsby. The filmmaker has created his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before, in a film starring Leonardo DiCaprio in the title role.

“The Great Gatsby” follows Fitzgerald-like, would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award® nominee DiCaprio (“J. Edgar,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Oscar® nominee Carey Mulligan (“An Education”) and Joel Edgerton as Daisy and Tom Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.

Oscar® nominee Luhrmann (“Moulin Rouge!”) directs the film in 3D from a screenplay co-written with frequent collaborator Craig Pearce, based on Fitzgerald’s book. Luhrmann produces, along with Catherine Martin, Academy Award® winner Douglas Wick (“Gladiator”), Lucy Fisher and Catherine Knapman. The executive producers are Academy Award® winner Barrie M. Osborne (“Lord of the Rings – Return of the King”) and Bruce Berman.

Two-time Academy Award®-winning production and costume designer Catherine Martin (“Moulin Rouge!”) designs as well as produces. The editors are Matt Villa, Jason Ballantine and Jonathan Redmond, and the director of photography is Simon Duggan. The music is by Craig Armstrong.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, in association with A&E Television, a Bazmark/Red Wagon Entertainment Production, a Film by Baz Luhrmann, “The Great Gatsby.” Opening Summer 2013, the film will be distributed in IMAX® 3D, 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

Review: 2005 Take on "Pride & Prejudice" is a Winning Romance (Happy B'day, Keira Knightley)

TRASH IN MY EYE No. 103 (of 2006) by Leroy Douresseaux


Pride & Prejudice (2005)
COUNTRY OF ORIGIN: France/UK
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG for some mild thematic elements
DIRECTOR: Joe Wright
WRITER: Deborah Moggach (from the novel by Jane Austen)
PRODUCERS: Tim Bevan, Eric Fellner, and Paul Webster
CINEMATOGRAPHER: Roman Osin (director of photography)
EDITOR: Paul Tothill
Academy Award nominee

ROMANCE/COMEDY/DRAMA

Starring: Keira Knightley, Rosamund Pike, Jena Malone, Talulah Riley, Carey Mulligan, Brenda Blethyn, Simon Woods, Matthew Macfadyen, Tom Hollander, and Donald Sutherland, Kelly Reilly, Tamzin Merchant, and Judi Dench

The subject of this movie review is Pride & Prejudice, a 2005 British romance film. This French-British production is an adaptation of Jane Austen’s novel, Pride and Prejudice, which was first published in 1813. The 2005 movie was the second time the book had been adapted as a feature film, while there have been numerous television adaptations, including a few in non-English speaking countries.

Mrs. Bennet (Brenda Blethyn) has five daughters: the radiantly beautiful Jane (Rosamund Pike, who is, of course, radiantly beautiful), the spirited Elizabeth or Lizzie (Keira Knightley), the feuding Mary (Talulah Riley) and Kitty (Carey Mulligan), and Lydia (Jena Malone), and the girls are well aware of their mother’s fixation on finding them husbands and securing their futures financially. Thus, begins a story of love, misunderstandings and class divisions in England in the 18th century.

The excitement and drama begins when a wealthy bachelor, Mr. Bingley (Simon Woods), takes up residence in a mansion near the Bennets’ home. Serene and beautiful, Jane catches the eye of Mr. Bingley. Meanwhile, Lizzie catches the eye of her distant cousin, Mr. Collins (Tom Hollander), who, as the nearest male relative, will inherit the Bennets’ home upon the death of Mr. Bennet (Donald Sutherland). Lizzie refuses his offer of marriage, with support of her father who dotes on her, but angers her mother.

Mr. Bingley has an even wealthier friend, the snobbish Mr. Darcy (Matthew Macfadyen). There is something between Lizzie and Mr. Darcy, but their many spirited and often quarrelsome encounters are not an encouragement for union. When Mr. Bingley abruptly leaves for London, Lizzie blames Mr. Darcy for contributing to what seemed like a likely marriage between Jane and Bingley. However, a crisis with the youngest daughter Lydia opens Lizzie’s eyes to what Mr. Darcy is really like. The fuss and confusion leaves no one unchanged, and forces each person to examine personal beliefs, but will it bring Mr. Bingley and Jane and Lizzie and Mr. Darcy together?

Working Title Films’ (Bridget Jones’s Diary, Love Actually) production of Pride & Prejudice is the first theatrical film version of Jane Austen’s classic 1813 novel in 65 years (since a 1940 film starring Greer Garson and Laurence Olivier). Director Joe Wright presents Austen’s novel of first impressions and the issues surrounding courtship and marriage among the landed gentry as a comic romance that satires the politics and procedures of engagements while still tugging at our heartstrings. If the film bears more than a striking resemblance to Ang Lee’s 1995 Jane Austen adaptation, Sense and Sensibility, it’s because Emma Thompson, who wrote and starred in that film, reportedly did extensive rewriting of Deborah Moggach’s screenplay for this film.

However, Sense and Sensibility was a somber drama with comic touches, while Pride and Prejudice is thoroughly romantic and comic. There are moments of serious contemplation and ugly class confrontation, but for the most part there’s comedy in the romantic goings-on. Dario Marianelli’s score, highlighted by lush and swirling piano melodies, capture both the mood of sweeping romance and sly comedy. The production values (costume, art direction, photography) juxtaposes the different environments: middle class and upper class, impeccably clean mansions and dusty middle class farmhouses with startling frankness that makes the audience understand how wide the division between classes was. It makes it easier to laugh at how Lizzie keeps missing the obvious about Mr. Darcy and at how Mr. Darcy seems so befuddled and clumsy for all that he shows arrogance and conceit on the surface. We can both laugh at and deeply appreciate Mrs. Bennet’s desperation in obtaining financial security for her daughters in the form of husbands who, if not well-to-do, have solid professions.

The performances are remarkable in that they fit a comedy so very well, although they would seem too light and flimsy were this straight drama. If Keira Knightley initially came across as wrong for the part in a Jane Austen adaptation, she proves that wrong. Her high-spirited, tomboyish persona and droll comic wit (which isn’t obvious unless you really pay attention to her in other movies) bring Lizzie to life as a fully realized, three-dimensional, rich character. Knightley understands the tone director Joe Wright set for his adaptation of Pride & Prejudice, and she meets it in this winning romance.

9 of 10
A+

NOTES:
2006 Academy Awards: 4 nominations: “Best Performance by an Actress in a Leading Role” (Keira Knightley), “Best Achievement in Art Direction” (Sarah Greenwood-art director and Katie Spencer-set decorator), “Best Achievement in Costume Design” (Jacqueline Durran), and “Best Achievement in Music Written for Motion Pictures, Original Score” (Dario Marianelli)

2006 BAFTA Awards: 1 win: “Carl Foreman Award for the Most Promising Newcomer” (Joe Wright-director); 5 nominations: “Alexander Korda Award for Best British Film” (Tim Bevan, Eric Fellner, Paul Webster, Joe Wright, and Deborah Moggach), “Best Costume Design” (Jacqueline Durran), “Best Make Up/Hair” (Fae Hammond), “Best Performance by an Actress in a Supporting Role” (Brenda Blethyn), and “Best Screenplay – Adapted” (Deborah Moggach)

2006 Golden Globes: 2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actress in a Motion Picture - Comedy or Musical” (Keira Knightley)

Tuesday, May 16, 2006

Review: Refn and Gosling "Drive" to Greatness

TRASH IN MY EYE No. 18 (of 2012) by Leroy Douresseaux

Drive (2011)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – R for strong brutal bloody violence, language and some nudity
DIRECTOR: Nicolas Winding Refn
WRITER: Hossein Amini (based upon the novel by James Sallis)
PRODUCERS: Michel Litvak, John Palermo, Marc Platt, Gigi Pritzker, and Adam Siegel
CINEMATOGRAPHER: Newton Thomas Sigel (D.o.P.)
EDITOR: Mat Newman
COMPOSER: Cliff Martinez
Academy Award nominee

CRIME/DRAMA/ACTION/THRILLER with elements of romance

Starring: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks, Ron Perlman, and Kaden Leos

I kept hearing good things about the film Drive, a 2011 crime drama and action thriller starring Ryan Gosling. Directed by critically-acclaimed Danish filmmaker, Nicolas Winding Refn, Drive centers on a mysterious getaway driver who lands himself in trouble when he helps out his neighbor’s troubled husband. The good things I heard about this film turned out to be true, and it is one of the very best films of 2011.

In the film, he is only known as The Driver (Ryan Gosling), and he is a supremely skilled getaway driver for those who need to get away after pulling off a heist or robbery. The Driver is also a Hollywood stuntman and mechanic, working on both jobs for garage owner, Shannon (Bryan Cranston). Shannon wants to get involved in stock car racing with The Driver as the man behind the wheel, so Shannon brings in mobster, Bernie Rose (Albert Brooks), as an investor in this venture.

The Driver lives in a low-rent apartment building where he meets and befriends his neighbor, Irene (Carey Mulligan), and her son, Benicio (Kaden Leos). The Driver begins to date Irene, but she is actually married to a man named Standard Gabriel (Oscar Isaac), who is about to be released from prison. After Standard is released, he must find a way to pay back protection money that he owes to a gangster. The Driver tries to help Standard and things go bad on all sides.

Drive is a hard-edged crime thriller with a neo-Film-Noir pedigree. Those who watch it may see the influence of a lot of Los Angeles-based films, including Pulp Fiction and various Michael Mann films. There is also more than a touch of John Carpenter – from the atmospheric, 1980s synth-pop score (created by the always interesting Cliff Martinez) to the somewhat Michael Myers-like Driver. I also see this as partially a blend of Carpenter’s original Halloween (1978) and The Transporter film series.

Whatever its influences are, Drive is simply brilliant. It is cool without being slick and overly produced (like many Hollywood crime movies). Drive is more modern than retro, but it has a timeless quality that also makes it seem to be from a vague near-future. Director Nicolas Winding Refn turned in one of the year’s best feats of film directing simply by making a movie that takes so many influences and inspirations and turns them into an original vision and a film apart from the rest.

This movie has a number of good performances. Of course, Ryan Gosling is the centerpiece. At first, he may come across as flat and too cool, but he slowly unveils a great big darkness that lives just under the surface. Gosling also shows a gentle, romantic, and human side that surprisingly breaks through in the most surprising moments. Plus, Gosling creates, in The Driver, a most memorable man-of-few-words anti-hero. The Driver is another performance that shows just how much talent Gosling has.

Carey Mulligan is solid in a relatively quiet and restrained performance, but she sells every scene in which she appears and matches Gosling when they appear in the same scene. Everything Albert Brooks does in this movie seems fresh and sensational, even when he does something that a movie mobster typically does. He makes the old mobster stereotypes edgy, contemporary, and original.

Drive is a crime flick that is also a dark L.A. fairy tale. It makes violence and brutality seem as if it could be no cooler than it is in Los Angeles. I would have enjoyed seeing more action sequences with cars, but I like Drive too much to complain.

9 of 10
A+

NOTES:
2012 Academy Awards: 1 nomination: “Best Achievement in Sound Editing” (Lon Bender and Victor Ray Ennis)

2012 BAFTA Awards: 4 nominations: “Best Film” (Marc Platt and Adam Siegel), “Best Director” (Nicolas Winding Refn), “Best Editing” (Matthew Newman), “Best Supporting Actress” (Carey Mulligan)

2011 Cannes Film Festival: 1 win: “Best Director” (Nicolas Winding Refn); 1 nomination: “Palme d'Or” (Nicolas Winding Refn)

2012 Golden Globes: 1 nomination: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Albert Brooks)

Friday, March 09, 2012

----------------------

 

Detroit Film Critics are Patrons of "The Artist"

According to John Serba, film critic for The Grand Rapids Press and member of the Detroit Film Critics Society, the group has announced its 2011 winners.

The Detroit Film Critics Society Winners for 2011:

Best Picture: “The Artist”

Best Director: Michel Hazanivicius

Best Actor: Michael Fassbender, “Shame”

Best Actress: Michelle Williams, “My Week with Marilyn”

Best Supporting Actor: Christopher Plummer, “Beginners”

Best Supporting Actress: Carey Mulligan, “Shame”

Best Ensemble: “Carnage”

Best Breakthrough Performance: Jessica Chastain, “The Tree of Life,” “Take Shelter,” “The Help”

Best Screenplay: Steven Zaillian and Aaron Sorkin, “Moneyball”

Best Documentary: “Tabloid”
 

British Independent Film Awards Nominations List

The Moët British Independent Film Awards nominees for 2011:

BEST BRITISH INDEPENDENT FILM Sponsored by Moët & Chandon
SENNA
SHAME
TINKER TAILOR SOLDIER SPY
TYRANNOSAUR
WE NEED TO TALK ABOUT KEVIN

BEST DIRECTOR Sponsored by The Creative Partnership
Ben Wheatley – KILL LIST
Steve McQueen – SHAME
Tomas Alfredson – TINKER TAILOR SOLDIER SPY
Paddy Considine – TYRANNOSAUR
Lynne Ramsay – WE NEED TO TALK ABOUT KEVIN

THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] Sponsored by 3 Mills Studios
Joe Cornish – ATTACK THE BLOCK
Ralph Fiennes – CORIOLANUS
John Michael McDonagh – THE GUARD
Richard Ayoade – SUBMARINE
Paddy Considine – TYRANNOSAUR

BEST SCREENPLAY Sponsored by BBC Films
John Michael McDonagh – THE GUARD
Ben Wheatley, Amy Jump – KILL LIST
Abi Morgan, Steve McQueen – SHAME
Richard Ayoade – SUBMARINE
Lynne Ramsay, Rory Kinnear – WE NEED TO TALK ABOUT KEVIN

BEST ACTRESS Sponsored by M.A.C
Rebecca Hall – THE AWAKENING
Mia Wasikowska – JANE EYRE
MyAnna Buring – KILL LIST
Olivia Colman – TYRANNOSAUR
Tilda Swinton – WE NEED TO TALK ABOUT KEVIN

BEST ACTOR
Brendan Gleeson – THE GUARD
Neil Maskell – KILL LIST
Michael Fassbender – SHAME
Gary Oldman – TINKER TAILOR SOLDIER SPY
Peter Mullan – TYRANNOSAUR

BEST SUPPORTING ACTRESS
Felicity Jones – ALBATROSS
Vanessa Redgrave – CORIOLANUS
Carey Mulligan – SHAME
Sally Hawkins – SUBMARINE
Kathy Burke – TINKER TAILOR SOLDIER SPY

BEST SUPPORTING ACTOR
Michael Smiley – KILL LIST
Tom Hardy – TINKER TAILOR SOLDIER SPY
Benedict Cumberbatch – TINKER TAILOR SOLDIER SPY
Eddie Marsan – TYRANNOSAUR
Ezra Miller – WE NEED TO TALK ABOUT KEVIN

MOST PROMISING NEWCOMER Sponsored by STUDIOCANAL
Jessica Brown Findlay – ALBATROSS
John Boyega – ATTACK THE BLOCK
Craig Roberts – SUBMARINE
Yasmin Paige – SUBMARINE
Tom Cullen – WEEKEND

BEST ACHIEVEMENT IN PRODUCTION Sponsored by Deluxe142
KILL LIST
TYRANNOSAUR
WEEKEND
WILD BILL
YOU INSTEAD

BEST TECHNICAL ACHIEVEMENT
Chris King, Gregers Sall – Editing – SENNA
Sean Bobbitt – Cinematography – SHAME
Joe Walker – Editing – SHAME
Maria Djurkovic – Production Design – TINKER TAILOR SOLDIER SPY
Seamus McGarvey – Cinematography – WE NEED TO TALK ABOUT KEVIN

BEST DOCUMENTARY
HELL AND BACK AGAIN
LIFE IN A DAY
PROJECT NIM
SENNA
TT3D: CLOSER TO THE EDGE

BEST BRITISH SHORT
0507
CHALK
LOVE AT FIRST SIGHT
RITE
ROUGH SKIN

BEST FOREIGN INDEPENDENT FILM
ANIMAL KINGDOM
DRIVE
PINA
A SEPARATION
THE SKIN I LIVE IN

THE RAINDANCE AWARD Sponsored by Exile Media
ACTS OF GODFREY
BLACK POND
HOLLOW
LEAVING BAGHDAD
A THOUSAND KISSES DEEP

THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film) Sponsored by Working Title
To Be Announced

THE VARIETY AWARD
To Be Announced

THE SPECIAL JURY PRIZE
Announced at the Moët British Independent Film Awards on Sunday 4 December.

Baz Luhrmann's "The Great Gatsby" Begins with Leonardo DiCaprio in Lead

“The Great Gatsby” Begins Production

Shooting underway on new adaptation starring Leonardo DiCaprio in the title role, under the direction of Baz Luhrmann

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography began this week on Warner Bros. Pictures’ and Village Roadshow Pictures’ “The Great Gatsby,” the new big screen adaptation of F. Scott Fitzgerald’s novel from the uniquely imaginative mind of writer/producer/director Baz Luhrmann. The filmmaker will create his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before. Leonardo DiCaprio stars in the title role.

“The Great Gatsby” follows Fitzgerald-like, would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz and bootleg kings. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award® nominee DiCaprio (“Blood Diamond,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Joel Edgerton and Oscar® nominee Carey Mulligan (“An Education”) as Tom and Daisy Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.

Oscar® nominee Luhrmann (“Moulin Rouge!”) directs the film in 3D from a screenplay co-written with frequent collaborator Craig Pearce, based on Fitzgerald’s book. Luhrmann produces, along with Catherine Martin, Catherine Knapman, Lucy Fisher and Academy Award® winner Douglas Wick (“Gladiator”). The executive producers are Barrie M. Osborne and Bruce Berman.

Two-time Academy Award®-winning production and costume designer Catherine Martin (“Moulin Rouge!”) also designs with the director. The editors are Jason Ballantine, Matt Villa and Jonathan Redmond, and the director of photography is Simon Duggan.

Luhrmann said, “Fitzgerald loved the movies and was a passionate believer in the power of cinema. “The Great Gatsby” has been adapted for the screen no less than four times. Fitzgerald’s story defies time and geography. The vision and the goal of our remarkable cast and creatives is to do justice to the deftness of Fitzgerald’s telling, and illuminate its big ideas and humanity. This is our challenge and our adventure.”

“The Great Gatsby” is being shot in Luhrmann’s native Australia. The filmmaker stated, “The opportunity to make the film in Australia with the Bazmark creative team is very important to us; the assistance from Screen Australia and the NSW Government has made that possible.”

The film will be distributed in 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

Review: In "Wall Street: Money Never Sleeps" Michael Douglas is Still King

TRASH IN MY EYE No. 9 (of 2011) by Leroy Douresseaux

Wall Street: Money Never Sleeps (2010)
Running time: 133 minutes (2 hours, 13 minutes)
MPAA – PG-13 for brief strong language and thematic elements
DIRECTOR: Oliver Stone
WRITERS: Allan Loeb and Stephen Schiff (based upon characters created by Stanley Weiser and Oliver Stone)
PRODUCER: Edward R. Pressman, Eric Kopeloff, and Oliver Stone
CINEMATOGRAPHER: Rodrigo Prieto (D.o.P.)
EDITORS: David Brenner and Julie Monroe
Golden Globe nominee

DRAMA

Starring: Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, Frank Langella, Susan Sarandon, Vanessa Ferlito, John Buffalo Mailer, Eli Wallach, Austin Pendleton, Oliver Stone and Charlie Sheen

Wall Street: Money Never Sleeps, a film from Oliver Stone, is a sequel to Stone’s 1987 movie, Wall Street. Money Never Sleeps is set 23 years after the original and revolves around the 2008 financial crisis. It focuses on a young trader working to unite a legendary Wall Street figure with his daughter, the trader’s girlfriend. As good as it is, however, the new film does not resonate the way the original did.

The film opens in 2001 with Gordon Gekko (Michael Douglas), the Wall Street titan of the first film, being released from federal prison after serving eight years for insider trading and securities fraud. Jumping seven years later, the film shifts focus to Jacob “Jake” Moore (Shia LaBeouf), a trader at Keller Zabel, a major Wall Street investment bank. Jake is trying to raise 100 million dollars to fund a fusion research project. Keller Zabel, however, is in trouble, and the firm’s managing director, Louis Zabel (Frank Langella), who is also Jake’s mentor, goes down with his firm.

In the aftermath, Jake proposes to his girlfriend, Winnie Gekko (Carey Mulligan), Gordon Gekko’s daughter. Jake also meets Gordon and retries to reunite him with Winnie, who wants nothing to do with her father. Behind Winnie’s back, Jake and Gekko plot revenge against Bretton James (Josh Brolin). The CEO of investment firm Churchill Schwartz, James helped bring down Keller Zabel. Gekko also has a score to settle, but Jake is about to learn how troublesome Gekko is to friend and foe alike.

The original Wall Street was about power, insiders, information, influence, and greed. Wall Street: Money Never Sleeps is about lying, cheating, and a monstrous form of greed that will eat and/or destroy everything around it, regardless of the damage done or even potential harm done to itself. With that kind of subject matter, Money Never Sleeps should be a better film than it is. It is certainly a good film, with excellent performances, but it never reaches its potential.

Neither the film’s writers nor Stone, its director, seem able to distinguish what Money Never Sleeps’ focus is supposed to be. Is it about Jake and Gekko or Jake versus Bretton James or Jake and Gekko versus Bretton? Is it about Jake trying to reunite Gekko with his estranged daughter, Winnie? The film tries all these plots and storylines, but mostly leaves them with unsatisfying and/or half-done resolutions.

Where as the first film had the central conflict of Douglas’ Gordon Gekko versus Charlie Sheen’s Bud Fox (who makes a cameo in the new film), Money Never Sleeps lacks a strong central conflict. The first film dealt with insider trading, giving the audience clear details into how this illegal practice works. Because the bugaboo of the new film is the confusing matter of derivatives, the screenplay avoids the details, and the movie suffers for it.

The performances are all good. Shia LaBeouf is surprising and holds his own against Michael Douglas, affirming that the young actor can be a leading man. Douglas gets better with age, and he has been good for longer than LaBeouf has been alive. It is easy to forget how capable Douglas is of being subtle, as he gives Gekko more layers than the viewer can count.

Watching Douglas, it becomes obvious that even if the new movie is about the new players on Wall Street, the movie loves the smartest, most dangerous, and most enigmatic player, Gordon Gekko. One of the reasons that Wall Street: Money Never Sleeps is good is because it has the strongest element from the first film, Gekko. Despite its strengths, the new film cannot come up with anything of its own that is as memorable as Gordon Gekko.

7 of 10
B+

NOTES:
2011 Golden Globes: 1 nomination: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Michael Douglas)

Friday, January 28, 2011

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"The King's Speech" Rules the British Independent Film Awards

Created in 1998, The British Independent Film Awards (as they describe it) celebrates merit and achievement in independently funded British filmmaking, honor new film talent, and promote British films and filmmaking to a wider public.

2010 Winners

Best British Independent Film
The King's Speech

Best Director of a British Independent Film
Gareth Edwards for Monsters

The Douglas Hickox Award
Clio Barnard for The Arbor

Best Screenplay
David Seidler for The King's Speech

Best Performance by an Actress in a British Independent Film
Carey Mulligan for Never Let Me Go

Best Performance by an Actor in a British Independent Film
Colin Firth for The King's Speech

Best Supporting Actress
Helena Bonham Carter for The King's Speech

Best Supporting Actor
Geoffrey Rush for The King's Speech

Most Promising Newcomer
Joanne Froggatt for In Our Name

Best Achievement In Production
Monsters

The Raindance Award
Son of Babylon

Best Technical Achievement
Gareth Edwards for Monsters

Best British Documentary
Enemies of the People

Best British Short Film
Baby

Best Foreign Independent Film
A Prophet

The Richard Harris Award
Helena Bonham Carter

The Variety Award
Liam Neeson

The Special Jury Prize
Jenne Casarotto

For a complete list of the nominees: http://bifa.org.uk/nominations/2010

Review: An Education

TRASH IN MY EYE No. 21 (of 2010) by Leroy Douresseaux


An Education (2009)
COUNTRY OF ORIGIN: UK
Running minutes: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for mature thematic material involving sexual content, and for smoking
DIRECTOR: Lone Scherfig
WRITER: Nick Hornby (from the memoir by Lynn Barber)
PRODUCERS: Finola Dwyer and Amanda Posey
CINEMATOGRAPHER: John de Borman (D.o.P.)
EDITOR: Barney Pilling
Academy Award nominee

DRAMA/ROMANCE

Starring: Carey Mulligan, Peter Sarsgaard, Alfred Molina, Cara Seymour, Dominic Cooper, Rosamund Pike, Olivia Williams, Matthew Beard, and Emma Thompson

An Education is, at the very least, an exceptional coming-of-age film because it is exceptionally well-directed and well-written, and the actors give high-quality performances. However, it is Carey Mulligan’s star-making turn that anchors An Education.

Set in England in 1961, An Education focuses on Jenny Mellor (Carey Mulligan), a bright schoolgirl who is focused on taking and passing the A-levels, the exams that could help her get into Oxford. She meets David Goldman (Peter Sarsgaard), a charming, older Jewish man, and the two begin a relationship that steadily leads to romance. David even manages to charm Jenny’s protective parents, Jack played by Alfred Molina, giving his usually fine performance, and Marjorie (Cara Seymour).

David introduces Jenny to his fast lifestyle and to his friends, Danny (Dominic Cooper) and Danny’s girlfriend, Helen (Rosamund Pike, who is so radiantly beautiful that she steals practically every scene in which she appears). Jenny becomes torn between studying for a place at Oxford and enjoying the more exciting and fun alternative lifestyle that David offers, but then, she must also confront the darker side of David’s freewheeling lifestyle.

In creating Jenny Mellor, Carey Mulligan fashioned the kind of female character that carries a drama all the way to victory. Mulligan convincingly gives Jenny that cheeky arrogance which makes high school age teens believe they know how to live a much better life than any adult they know has ever lived. Jenny is a clever girl, and Mulligan makes sure her smarts shine through every time. This is a rich, multi-layered performance that absorbs everything that An Education is trying to convey to its audience and makes it crystal clear.

Mulligan’s wonderful turn almost eclipses the exceedingly fine performance by the underrated Peter Sarsgaard as David. Sarsgaard deftly keeps David’s secrets close to him, making David act as the perfect foil for Jenny’s haughty smarts, but Sarsgaard also gives David an edge that is somehow too sweet to resist. Sarsgaard’s wonderful contribution and Mulligan’s terrific performance make An Education a coming-of-age story that will work its magic through the ages.

8 of 10
A

NOTES:
2010 Academy Awards: 3 nominations: “Best Motion Picture of the Year” (Finola Dwyer and Amanda Posey), “Best Performance by an Actress in a Leading Role” (Carey Mulligan), and “Best Writing, Screenplay Based on Material Previously Produced or Published” (Nick Hornby)

2010 BAFTA Awards: 1 win: “Best Leading Actress” (Carey Mulligan); 7 nominations: “Best Costume Design” (Odile Dicks-Mireaux), “Best Director” (Lone Scherfig), “Best Film” (Amanda Posey and Finola Dwyer), “Best Make Up & Hair” (Elizabeth Yianni-Georgiou), “Best Screenplay – Adapted” (Nick Hornby), “Best Supporting Actor” (Alfred Molina), and “Outstanding British Film” (Amanda Posey, Finola Dwyer, Lone Scherfig, and Nick Hornby)

2010 Golden Globes: 1 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Carey Mulligan)

Tuesday, April 13, 2010