Showing posts with label Charles Ferguson. Show all posts
Showing posts with label Charles Ferguson. Show all posts

Wednesday, March 16, 2011

Review: Oscar-Winning "Inside Job" Calls Out Wall Street and its Congressional Ho's

TRASH IN MY EYE No. 23 (of 2011) by Leroy Douresseaux

Inside Job (2010)
Running time: 120 minutes (2 hours)
MPAA – PG-13 for some drug and sex-related material
WRITER/DIRECTOR: Charles Ferguson
PRODUCERS: Charles Ferguson and Audrey Marrs
CINEMATOGRAPHERS: Svetlana Cvetko and Kalyanee Mam
EDITORS: Chad Beck and Adam Bolt
COMPOSER: Alex Heffes
Academy Award winner

DOCUMENTARY

Starring: Matt Damon (narrator) Jonathan Alpert, Robert Gnaizda, Christine Lagarde, George Soros, and Eliot Spitzer

At the recent 2011 Academy Awards ceremony, Inside Job won the best documentary feature Oscar. Directed by Charles Ferguson (No End in Sight), Inside Job is about the financial crisis of 2007-2010. It provides a comprehensive analysis of the financial services industry’s systematic corruption of the United States. The film also looks at the subsequent consequences of that corruption: millions of people losing their jobs and homes, the worst recession since the Great Depression, and a near collapse of the global financial system.

Ferguson uses thorough research of financial issues and extensive interviews of key financial insiders, politicians, journalists, and academics. The director paints a portrait of a rogue industry that relies on powerful insiders to control government regulation of itself. Insiders in politics and academia also help to shape the financial services industry’s flow of information to the public. Filmed mostly in the United States, Inside Job connects the dots by visiting Iceland, England, France, Singapore, and China, where we see unemployment, foreclosed homes, shuttered factories, and tent cities for the homeless.

As he did in the excellent No End in Sight, Charles Ferguson presents a dizzying array of interviews, information, history, and even a few reluctant talking-head types as he explains how we got to the derivatives market, what that market did, and how we got to our current financial recession and malaise. Watch this film and Ferguson will make it clear that the financial crisis was an inside job because all the players: CEOs, corporate board members, banking chieftains, government regulators, Presidential cabinet appointees, university economic professors and directors, etc. are all insiders; they rig the system and suck up all the cash for themselves. We live outside their little world, but what they do can and often does harm our larger world.

Two things about this movie stand out. First, the movie informs us that, thus far, no one has gone to jail for causing the financial crisis. Secondly, Matt Damon’s narration of Inside Job transforms the film from mere documentary into a gripping account that is part journalism, part storytelling, and all take-down of the financial services and its overeager servant, the U.S. government.

Most of all, Inside Job is simply a great movie.

9 of 10
A+

NOTES:
2011 Academy Awards: 1 win: “Best Documentary, Features” (Charles Ferguson and Audrey Marrs)

Sunday, March 13, 2011

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Sunday, February 27, 2011

"Inside Job" Wins Best Documentary Feature Oscar

Documentary (Feature)

“Inside Job” Charles Ferguson and Audrey Marrs WINNERS

“Exit through the Gift Shop” Banksy and Jaimie D'Cruz

“Gasland” Josh Fox and Trish Adlesic

“Restrepo” Tim Hetherington and Sebastian Junger

“Waste Land” Lucy Walker and Angus Aynsley
 

Monday, February 7, 2011

Christopher Nolan Recieves First Guild Award with WGA Win

After recieving several nominations from the Writers, Directors, and Producers Guilds, Christopher Nolan finally won a guild award, receiving the "Original Screenplay" award from the Writers Guild of America for the screenplay of his hit film, Inception, in a ceremony held Saturday night (Feb. 5th).  However, the frontrunner for the original screenplay Oscar is The King's Speech, which the WGA ruled ineligible for its awards.

2011 WRITERS GUILD WINNERS COMPLETE LIST:

SCREEN
Original Screenplay: Christopher Nolan, "Inception"
Adapted Screenplay: Aaron Sorkin, "The Social Network"
Documentary Screenplay: Charles Ferguson, Chad Beck and Adam Bolt, "Inside Job"

TELEVISION
Drama Series: "Mad Men," written by Jonathan Abrahams, Lisa Albert, Keith Huff, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Erin Levy, Tracy McMillan, Dahvi Waller, Matthew Weiner (AMC)

Comedy Series: "Modern Family," written by Jerry Collins, Paul Corrigan, Alex Herschlag, Abraham Higginbotham, Elaine Ko, Joe Lawson, Steven Levitan, Christopher Lloyd, Dan O'Shannon, Jeffrey Richman, Brad Walsh, Ilana Wernick, Bill Wrubel, Danny Zuker (ABC)

New Series: "Boardwalk Empire," written by Meg Jackson, Lawrence Konner, Howard Korder, Steve Kornacki, Margaret Nagle, Tim Van Patten, Paul Simms, Terence Winter (HBO)

Episodic Drama: ""The Chrysanthemum and the Sword" ("Mad Men"), written by Erin Levy (AMC)

Episodic Comedy: "When It Rains, It Pours" ("30 Rock"), written by Robert Carlock (NBC)

Long Form - Original: "The Special Relationship," written by Peter Morgan (HBO)

Long Form - Adaptation: "The Pacific, Part Eight," written by Robert Schenkkan and Michelle Ashford (HBO)

Animation: "The Prisoner of Brenda" ("Futurama"), written by Ken Keeler (Comedy Central)

Comedy/Variety Series: "The Colbert Report," written by Barry Julien, Dan Guterman, Eric Drysdale, Frank Lesser, Glenn Eichler, Jay Katsir, Max Werner, Meredith Scardino, Michael Brumm, Opus Moreschi, Peter Gwinn, Rich Dahm, Rob Dubbin, Scott Sherman, Stephen Colbert, Tom Purcell, Peter Grosz, Paul Dinello (Comedy Central)

Comedy/Variety - Special: "National Memorial Day Concert 2010," written by Joan Meyerson (PBS)

Daytime Drama: "As the World Turns," written by Susan Dansby, Lucky Gold, Janet Iacobuzio, Penelope Koechi, David Kreizman, Leah Laiman, David A. Levinson, Leslie Nipkow, Jean Passanante, Gordon Rayfield, David Smilow (CBS)

Children's - Episodic & Specials: "Happy Ha-Ha Holidays," written by Michael G. Stern, Randi Barnes, Rick Gitelson, Scott Gray (Disney Channel)

Children's - Long Form or Special: "Avalon High," written by Julie Sherman Wolfe and Amy Talkington

Documentary - Current Events: "Flying Cheap" ("Frontline"), written by Rick Young

Documentary - Other Than Current Events: "Wyatt Earp" ("American Experience"), written by Rob Rapley

News - Regularly Scheduled, Bulletin or Breaking Report: "Sunday Morning Almanac" ("CBS Sunday Morning"), written by Thomas A. Harris

News - Analysis, Feature or Commentary: "Resurrecting Eden" ("60 Minutes"), written by Jenny Dubin

RADIO
Documentary: "2009 Year in Review," written by Gail Lee, CBS Radio News
News - Regularly Scheduled or Breaking Report: "CBS World News Roundup," written by Paul Farry, CBS Radio News
News: Analysis, Feature or Commentary: "Passages," written by Gail Lee, CBS Radio News

PROMOTIONAL WRITING AND GRAPHIC ANIMATION
On-Air Promotion (Radio or Television): "CSI" Promos, written by Anne de Vega, CBS
Television Graphic Animation: "Sunday Morning, By Design," graphic designer Bob Pook, graphic artist Diane Robinson, CBS News

VIDEOGAME
Videogame Writing: "Assassin's Creed: Brotherhood," written by Patrice Desilets, Jeffrey Yohalem, Corey May, Ethan Petty, Nicholas Grimwood, Matt Turner (Ubisoft)

NEW MEDIA
Original New Media: "The Real Thing," "Identity Crisis," "Girl Talk," "Naming Things," "Curtain Up" ("Anyone But Me"), written by Susan Miller and Tina Cesa Ward
Derivative New Media: "Strip Pong," "Tear Jerks," "Brainstorm" ("Frank vs Lutz"), written by Jon Haller

Sunday, January 30, 2011

Directors Guild Awards Friend "The King's Speech"

The winners of the Directors Guild of America Outstanding Directorial Achievement Awards for 2010 were announced last night (Sat. Jan. 29th).  The big news:  Tom Hooper won the DGA's "Outstanding Directorial Achievement in Feature Film" for The King's Speech.  The awards were handed out at the 63rd Annual DGA Awards Dinner at the Grand Ballroom in Los Angeles.  For a complete list of winners and nominees, please visit the DGA site.

The Directors Guild Awards Winners:

Best Feature Film: Tom Hooper, The King’s Speech

Best Documentary: Charles Ferguson, Inside Job

Dramatic Series: Martin Scorsese, Boardwalk Empire

Comedy Series: Michael Spiller, Modern Family, Halloween Episode

TV Movie/Miniseries: Mick Jackson, Temple Grandin
 
The winner of Outstanding Directorial Achievement in Feature Film has traditionally served as a near-perfect barometer for predicting the winner of the best director Oscar. Only six times since the DGA Award's inception in 1948 has the winner not gone on to receive the Academy Award for Best Director.
 
Here are the six DGA winners who did NOT win the best director Oscar the same year (with the Oscar winner in parenthesis):
 
1968: Anthony Harvey for The Lion in Winter (Carol Reed-Oliver!)
1972: Francis Ford Coppola for The Godfather (Bob Fosse-Cabaret)
1985: Steven Spielberg for The Color Purple (Sydney Pollack-Out of Africa)
1995: Ron Howard for Apollo 13 (Mel Gibson-Braveheart)
2000: Ang Lee for Crouching Tiger, Hidden Dragon (Steven Soderbergh-Traffic)
2002: Rob Marshall for Chicago (Roman Polanski-The Pianist)

Tuesday, January 25, 2011

2011 Oscar Nominations: Documentary Feature

Documentary (Feature)

“Exit through the Gift Shop” Banksy and Jaimie D'Cruz

“Gasland” Josh Fox and Trish Adlesic

“Inside Job” Charles Ferguson and Audrey Marrs

“Restrepo” Tim Hetherington and Sebastian Junger

“Waste Land” Lucy Walker and Angus Aynsley

Wednesday, December 1, 2010

Countdown to Oscar 2011: "Winter's Bone" Wins Big at Gotham Awards

The Gotham Awards were handed out Monday night, November 29th. The Gotham Awards honor independent films.  The winners are as follows:

Best Film: Winter’s Bone
Best Documentary: The Oath
Best Ensemble: Winter’s Bone
Best Breakthrough Performance: Ronald Bronstein, Daddy Longlegs
Best Breakthrough Director: Kevin Asch, Holy Rollers
Best Film Not Playing At A Theater Near You: Littlerock
Festival Genius Audience Award: Waiting for “Superman”

Here is a list of the nominees (with the winners in bold) for the 20th Anniversary Gotham Independent Film Awards:

Best Feature
Winter’s Bone
Debra Granik, director; Anne Rosellini, Alix Madigan-Yorkin, producers (Roadside Attractions)

Black Swan
Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)

Blue Valentine
Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)

The Kids Are All Right
Lisa Cholodenko, director; Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann, producers (Focus Features)

Let Me In
Matt Reeves, director; Simon Oakes, Alex Brunner, Guy East, Tobin Armbrust, Donna Gigliotti, John Nording, Carl Molinder, producers (Overture Films)

Best Documentary
The Oath
Laura Poitras, director/producer (Zeitgeist Films and American Documentary/POV)

12th & Delaware
Heidi Ewing and Rachel Grady, directors/producers (HBO Documentary Films)

Inside Job
Charles Ferguson, director; Charles Ferguson, Audrey Marrs, producers (Sony Pictures Classics)

Public Speaking
Martin Scorsese, director; Martin Scorsese, Graydon Carter, Margaret Bodde, Fran Lebowitz, producers (HBO Documentary Films)

Sweetgrass
Lucien Castaing-Taylor and Ilisa Barbash, directors; Ilisa Barbash, producer (Cinema Guild)

Best Ensemble Performance
Winter’s Bone
Jennifer Lawrence, John Hawkes, Dale Dickey, Lauren Sweetser, Garret Dillahunt, Kevin Breznahan
(Roadside Attractions)

The Kids Are All Right
Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska, Josh Hutcherson (Focus Features)

Life During Wartime
Shirley Henderson, Ciarán Hinds, Allison Janney, Michael Lerner, Chris Marquette, Rich Pecci, Charlotte Rampling, Paul Reubens, Ally Sheedy, Dylan Riley Snyder, Renée Taylor, Michael Kenneth Williams (IFC Films)

Please Give
Catherine Keener, Amanda Peet, Oliver Platt, Rebecca Hall, Ann Guilbert, Lois Smith, Sarah Steele, Thomas Ian Nicholas (Sony Pictures Classics)

Tiny Furniture
Lena Dunham, Laurie Simmons, Grace Dunham, Rachel Howe, Merritt Wever, Amy Seimetz, Alex Karpovsky, David Call, Jemima Kirke, Sarah Sophie Flicker, Garland Hunter, Isen Hunter (IFC Films)

Breakthrough Director
Kevin Asch for Holy Rollers (First Independent Pictures)
John Wells for The Company Men (The Weinstein Company)
Glenn Ficarra and John Requa for I Love You Phillip Morris (Roadside Attractions)
Tanya Hamilton for Night Catches Us (Magnolia Pictures)
Lena Dunham for Tiny Furniture (IFC Films)

Breakthrough Actor
Ronald Bronstein in Daddy Longlegs (IFC Films)
Prince Adu in Prince of Broadway (Elephant Eye Films)
Greta Gerwig in Greenberg (Focus Features)
Jennifer Lawrence in Winter’s Bone (Roadside Attractions)
John Ortiz in Jack Goes Boating (Overture Films)

Best Film Not Playing at a Theater Near You
Littlerock
Mike Ott, director; Frederick Thornton, Laura Ragsdale, Sierra Leoni, producers

Kati with an i
Robert Greene, director; Douglas Tirola, Susan Bedusa, producers

On Coal River
Francine Cavanaugh and Adams Wood, directors; Jillian Elizabeth, Adams Wood, Francine Cavanaugh, producers

Summer Pasture
Lynn True and Nelson Walker, directors/producers; Tsering Perlo, co-director/co-producer

The Wolf Knife
Laurel Nakadate, director/producer

Saturday, October 16, 2010

Documentary "No End in Sight" is Simply Brilliant



TRASH IN MY EYE No. 139 (of 2007) by Leroy Douresseaux

No End in Sight (2007)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – no rated
WRITER/DIRECTOR: Charles Ferguson
PRODUCERS: Jennie Amias, Charles Ferguson, Audrey Marrs, and Jessie Vogelson
CINEMATOGRAPHER: Antonio Rossi
EDITORS: Chad Beck and Cindy Lee
Academy Award nominee

DOCUMENTARY – Politics, Iraq War

Starring: Campbell Scott (narrator), Chris Allbritton, Richard Armitage, Amazia Baram, Ambassador Barbara Bodine, Gerald Burke, Gen. Jay Garner, Col. Paul Hughes, George Packer, Paul Pillar, Nir Rosen Walter Slocombe, Col. Lawrence Wilkerson with Seth Moulton, Hugo Gonzales, and David Yancey

No End in Sight is the acclaimed documentary from award-winning documentary filmmaker (and former Brookings Institution fellow) Charles Ferguson. No End in Sight examines the decisions that led to the U.S. invasion of Iraq in March of 2003 but mostly focuses on the handling of the subsequent occupation as managed by the administration of President George W. Bush. The film, which premiered at the 2007 Sundance Film Festival (where it won the “Special Jury Prize for Documentaries”), features exclusive interviews with central players in the planning and execution of the invasion. Using these interviews, Ferguson also offers a detailed analysis of the American occupation of Iraq through most of 2006.

Masterfully edited and tightly composed as a narrative, No End in Sight provides a broad view of the poor planning and general incompetence in managing post-invasion Iraq. The film also reveals the Bush administration’s ignorance about Iraq and the high-level arrogance that in turn resulted in poor decision making early in the occupation of Iraq. Charles H. Ferguson, a political scientist and software entrepreneur, pulls no punches as he chronicles the twists and turns the Bush administration took to lead American down the path to war, but rather than merely acting as a Bush-hater, Ferguson wants to make us mad. Arrogance, mishandling, GOP cronyism, willful ignorance, etc. cost the United States dearly in Iraq. Ferguson’s argument is that the early days of the occupation should and could have gone much better that it did, but the early mistakes essentially made the occupation of Iraq, over the long run, a disaster for the U.S., if not outright dooming the occupation to failure. The film seems to say, “We should be mad because it should have gone better.”

No End in Sight doesn’t necessarily take sides. Was the 2003 invasion of Iraq right or wrong? Ferguson avoids that question, for the most part. Instead, he focuses on how U.S. success in Iraq was lost from the beginning, and that’s damning enough.

9 of 10
A+

Wednesday, November 28, 2007

NOTES:
2008 Academy Awards: 1 nomination: “Best Documentary, Features” (Charles Ferguson and Audrey Marrs)