TRASH IN MY EYE Reviews: Comics Review

Showing posts with label Comics Review. Show all posts

Tuesday, December 24, 2024

Comics Review: Disney's "DUCKTALES #2" - Loose Change is Coming

DUCKTALES VOLUME 1, ISSUE #2

DYNAMITE ENTERTAINMENT

STORY: Brandon Montclare

ART: Tomasso Ronda

COLORS: Agnese Eterno

LETTERS: Fabio Amelia

EDITOR: Nate Cosby

COVER: Ivan Bigarella

VARIANT COVER ARTISTS: Francesco Tomaselli; Carlo Lauro; Alan Quah; Ivan Bigarella; Tomasso Ronda

32pp, Color, $4.99 U.S. (December 2024)

All Ages

Based on “Uncle Scrooge” by Carl Barks

“Four Corners of Your World” Part Two: “The Phantom of the Scrooge-A-Rama-Dome!”

“DuckTales” was an animated television series that ran from 1987 to 1990. Produced by Walt Disney Television Animation and Tokyo Movie Shinsha, DuckTales was syndicated to American local television stations and ran for 100 episodes. The series also yielded a theatrical spin-off movie, DuckTales The Movie: Treasure of the Lost Lamp (1990). In 2017, a second “DuckTales” series ran for 69 episodes over three seasons (2017-2021).

DuckTales was inspired by and based upon the Uncle Scrooge comics book and other comic books set in the world of Donald Duck that Carl Barks, legendary comic book writer-artist, created mainly from the early 1940s and into the 1960s. The TV show followed the adventures of Donald Duck's uncle, Scrooge McDuck; his three grandnephews Huey, Dewey, and Louie (who were also Donald's nephews), and a close group of friends.

There were several DuckTales-related comics publications and comic books published on and off over a period from 1988 to 2020. Dynamite Entertainment brings DuckTales back to comic books with DuckTales Volume 1. It is written by Brandon Montclare; drawn and by Tomasso Ronda; colored by Agnese Eterno; and lettered by Fabio Amelia.

DuckTales Volume 1 #2 (“The Phantom of the Scrooge-A-Rama-Dome!”) opens in Scrooge's home, “McDuck Manor,” which sits right at the center of Duckburg. Scrooge is going to take Huey, Dewey, and Louie on a sightseeing tour through Duckburg, and the sites are the places that exist because of him. One of them is Duckburg's premiere movie house, “the Scrooge-A-Rama Dome,” which he owns.

Scrooge built the Scrooge-A-Rama Dome to be to most palatial of motion picture palaces – inspired by both the grandeur of the Colosseum in Rome and the chance to charge top-dollar admission fees. And it just so happens that Scrooge and the nephews have arrived during the “Monthly Monster Movie Marathon.” However, the sight of loose change sends Scrooge spiraling back to one of his craziest duels with his old adversary, Magica de Spell. Meanwhile, what is the mystery behind the theater's two employees, Mr. Frank and Beans?

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. DuckTales Volume 1, Issue #2 is the latest.

I thought the first issue of the new DuckTales comic book series was more an introductory chapter than a first chapter of a serial. I was right because writer Brandon Montclare was establishing with the first issue that this was going to be a comic book about stories, in particular the stories that Scrooge has to tell. Truthfully, there is a lot of mystery and adventure in Scrooge's hometown of Duckburg, and his adventures outside the burg may sometimes tie into events within the burg.

With this second issue, Montclare offers a delightful story of the stage and the screen and of the kooky people on stage and behind the scenes. With that Montclare offers a most delightful tale that Uncle Scrooge want to tell.

Artist Tomasso Ronda presents beautiful art and engaging storytelling. His art looks as if it has stepped off the Disney animation reel and it makes the story pop with suspense and fun. Colorist Agnese Eterno captures the colorful magic of the wonderful storytelling worlds of Disney. Together Ronda and Eterno bring the spark of imagination that is Disney comics to this story. It does not read like a licensed comic book; it reads like the kind of fun comic book I would have loved as a kid. Even Fabio Amelia's lettering fits right in and feels like Disney comics

DuckTales #2 is an impressive second issue. It suggests that this series has staying power, and I hope that you, dear readers, help it stay around.

I READS YOU RECOMMENDS: Fans of Disney comic books and of DuckTales will want to try DuckTales Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.disney.com/

https://x.com/Disney

https://www.dynamite.com/htmlfiles/

https://x.com/DynamiteComics

https://www.facebook.com/DynamiteComics/

https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w

https://www.linkedin.com/company/dynamite-entertainment

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Monday, December 23, 2024

Comics Review: "CONAN THE BARBARIAN #9" and King Kull Go Man on Man

CONAN THE BARBARIAN #9 (2023)

TITAN COMICS/Heroic Signatures

STORY: Jim Zub

ART: Roberto de la Torre

COLORS: Dean White

LETTERS: Richard Starkings of Comicraft

EDITOR: Chris Butera

COVER: Mike Deodato with Jão Canola

VARIANT COVER ARTISTS: E.M. Gist; Mike Deodato; Ickpot, Roberto de la Torre; Chris Moreno; Francesca Baerald

32pp, Color, $3.99 U.S. (April 2024)

Suggested for mature readers

“The Age Unconquered” Part I: “Suffer Not the King of Wonders”

Conan the Cimmerian was born in the pulp fiction of Robert E. Howard (REH), first appearing in the magazine, Weird Tales (1932). In 1970, Marvel Comics brought Conan to the world of comic books via the title, Conan the Barbarian. With only a few pauses, Conan comic books have been published for the better part of five decades.

Titan Comics and Heroic Signatures are the new producers of Conan comic books, and they launched a new Conan the Barbarian series in 2023. The current story arc is written by Jim Zub; drawn by Roberto de la Torre; colored by Dean White; and lettered by Richard Starkings. Entitled “The Age Unconquered,” this arc finds Conan's body and/or soul transported 80,000 years into the past

Conan the Barbarian #9 (“Suffer Not the King of Wonders”) opens in the wake of the incidents related to Conan's involvement in the theft of the artifact known as “Tarim's Touch.” Conan recognized the artifact as a shard of the cursed “Black Stone,” which he'd once broken with the help of a Pict blade. The theft led to the death of Conan's cohorts, the “Gloryhounds”...

… and left Conan apparently transported eighty thousand years into the past, to the time of Kull of Atlantis, also known as “Kull the Conqueror.” Conan also meets the legendary figure, Brule the Spear-slayer, a Pict. After proving his mettle, Conan is allowed to travel with Brule and his men to Valusia, “the City of Wonders.” There, Conan will meet King Kull, but it will be like nothing he expects.

THE LOWDOWN: Titan Comics has been providing me with PDF copies of their publications for review for several years now. Conan the Barbarian #9 is one of them.

Writer Jim Zub has moved the Conan the Barbarian comic book series in a new direction. Conan has been transported from “the Hyborean Age,” the age in which Conan's creator, Robert E. Howard, set his adventures, to “the Thurian Age,” the time in which Howard sets the adventures of Conan's precursor, Kull of Atlantis.

It is a big change, but it allows Zub to make Conan a stranger in a strange land, and that itself presents new opportunities for conflict and tension. This ninth issue delivers on that potential with a showdown between Conan and Kull.

What really makes this story work is Roberto de la Torre's haunted storytelling. Mixing elements and graphical styles of Frank Frazetta, Al Williamson, and John Buscema, de la Torre guides this first chapter from the mists of lost time to the brutal death match between the two beasts of Howard's oeuvre. It is nice to see de la Torre recall the Conan comic books of yesteryear in telling this fantastic story, and it is nice that Dean White's colors amplify the mystery rather than brighten it. Richard Starking's stark lettering is the pounding audio track to this fine opening chapter.

“The Age Unconquered” may end up conquering us, dear readers, as it carries us to a new direction for Conan the Barbarian.

I READS YOU RECOMMENDS: Fans of Conan comic books will want to try Titan Comics and Heroic Signatures' Conan the Barbarian.

[This comic book includes the essay, “Shining Cities and Stone Age Kingdoms: Robert E. Howard's Thurian Age” the ninth installment of Conan/Howard essays by Jeffrey Shanks.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://titan-comics.com/

https://twitter.com/ComicsTitan

https://www.instagram.com/titancomics/

https://www.facebook.com/ComicsTitan

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Saturday, December 14, 2024

Comics Review: "NOW #13" Offers Comics From Around the World

NOW: THE NEW COMICS ANTHOLOGY #13

FANTAGRAPHICS BOOKS

CARTOONISTS: Roman Muradov; Nathan Gelgud; Caitlin Skaalrud; Stacy Gougoulis; Cyntha Alfonso; Josh Pettinger; Ross Murray; Steven Weissman; Emil Friis Ernst; Kayla E.

DESIGN: Kayla E.

EDITOR: Eric Reynolds

COVER: Kayla E.

BACKCOVER: Kayla E.

ISBN: 978-1-68396-963-1; paperback (May 2024)

112pp, Color, $12.99 U.S.

NOW: The New Comics Anthology is an alternative-comics anthology series launched in 2017 and edited by Eric Reynolds. Now is published by alt-comix and art comics publisher, Fantagraphics Books. Over its four-plus decades of existence, Fantagraphics has published what is probably the most diverse collection of comic book anthologies in the history of North American comic books. That line-up includes such titles as Anything Goes, Critters, Mome, Pictopia, and Zero Zero, to name a few.

NOW: The New Comics Anthology #13 offers a selection of works from ten cartoonists and comics creators, as well as a back cover “comics strip” from one of its contributors, Kayla E. Now #13, as usual, holds to editor Eric Reynolds' creed (from NOW #1) that this anthology showcase “...as broad a range of quality comic art as possible...”

The current contributors list also includes a Leroy favorite, the great Steven Weissman. But let's take a look at each of Now #13's cartoonists' contributions individually:

THE LOWDOWN: The illustration that acts as Now #13's cover art is entitled “There is a Great Void,” and is produced by Kayla E. Kayla is all over this issue.

“Conceptual Illustration” by Roman Muradov:

This is a funny one-pager about a particular moment in an art/illustration class. It reminds me of the stories friends of mine told me about disputes between instructors and professors and students in college art classes.

“Paul Schrader on Big Decisions and Pauline Kael” and “Paul Schrader: Man of His Word” by Nathan Gelgud”:

Cartoonist Nathan Gelgud's comics are sometimes about the movies and movie stars, and he offers two such entries in Now #13. The first is this volume's second story, “Paul Schrader on Big Decisions and Pauline Kael.” The second is this volume's fourth story, “Paul Schrader: Man of His Word.” Both of them focus on real-life screenwriter and film director, Paul Schrader, who is best known for his collaborations with director Martin Scorsese. Schrader wrote Scorsese's 1976 film, Taxi Driver, and co-wrote his 1980 film, Raging Bull.

These two stories portray Schrader, who can be both outspoken and an outspoken asshole, as the put-upon one. That gives the “adversaries” in both stories a target for their ire, which in turn creates humorous scenarios. I find these two stories entertaining because I am a fan of American films and of its history, but both stories would be funny even if the characters had different professions. I could read a rather large collection of these humorous American cinema-related stories, or I'm sure I could enjoy more of Gelgud's work in general.

“How to Make Comics” by Caitlin Skaalrud”

If someone were to describe making comics, Skaalrud's contributions to Now #13 perfectly captures what it can be like trying to make comics. Sometimes, it is a vain attempt to orchestrate chaos and then, attempt to make chaos friends with madness and disorder. Also, “How to Make Comics” is a beautiful and lyrical narrative work.

“Pig” by Stacy Gougoulis:

Told in pages of three-color, with the third color shifting at varying intervals, “Pig” is about love and mortality. Centering on an elderly woman in need of a heart and on the pig that might provide that heart, Gougoulis' story challenges the reader's perception of how the story should, could, or would end. I'm not crazy about “choose your adventure” stories because I want to read the author's story even if I don't like the ending (see Anthony Horowitz's Moriarity: A Novel). “Pig” exemplifies why we should almost always choose the author's adventure.

“Escape from the Center” by Cynthia Alfonso:

This is like an exhibit at a college art show, and that's okay. I like it.

“Laird Bell” by Josh Pettinger:

This is a very sharp short, short story that uncomfortably made me think of the recent fatal shooting attack on a CEO of a repulsive health insurance conglomerate. With “Laird Bell,” Pettinger deftly manages to make what is scary seem sweet, quaint, and humorous. Sadly, fiction is the only place where scenarios involving stalking and homicidal intent are sweet.

“Anything Sinister” by Ross Murray:

If there is an entry here that could launch a television series on a streaming network, it is New Zealander Ross Murray's “Anything Sinister.” Focusing on a woman beset by a mysterious and debilitating back injury, it encapsulates how an unexpected event, especially a lingering medical condition can leave a person without any resources or without enough resources to make his or her life not fall apart. Considering the events of my life these past years, I felt “Anything Sinister” in my heart. It made me tear-up.

“The Vals Vs. Fresh Gurls” by Steven Weissman:

This story is a lot funnier and more playful than Weissman's usual Now contributions.

“Lizard Person” by Emil Fries Ernst:

The Danish cartoonist offers a story that is impressively metaphorical. You won't see the ending coming, although it seems obvious once you get there.

“You Cannot Live on Bread Alone” and “L'il Kayla Takes a Tumble” (back cover) by Kayla E.:

Kayla E. takes old comics and re-purposes them for her dark tales of domesticity and modern life. If the classic TV series, “I Love Lucy,” were created today, it would be closer to Kayla E.'s vision than it would be to the original 1950s series.

I usually pick a “best of” entry after each edition of Now that I review. My favorite Now #13 entry is “Anything Sinister” by Ross Murray. The truth is that I could have picked any of several stories as my Now #13 favorite. This edition of the series really emphasizes something that can get lost in the focus on the art comics aspects of Now, and that is the fact that this anthology has featured and continues to feature some excellent storytelling in the form of the comics medium. Also, there is a nice international flavor to Now #13.

If Now were a prose anthology, critics would call it “literary.”

I READS YOU RECOMMENDS: Fans of classic alternative-comics anthologies and of The New Yorker will want to discover NOW: The New Comics Anthology.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.fantagraphics.com/

https://x.com/fantagraphics

https://www.instagram.com/fantagraphics/

https://www.facebook.com/fantagraphics/

https://www.youtube.com/channel/UCtLxEaspctVar287DtdsMww

Now #13 contributors on the Web. Please, visit them and maybe buy something:

Cynthia Alfonso: https://www.instagram.com/zyn_vaites/

https://www.kaylaework.com/

Emil Friis Ernst: https://www.beingernst.com/

https://nathangelgud.com/

https://www.stacygougoulis.com/

Roman Muradov: https://bluebed.net/

https://www.rossmurray.com/

https://www.instagram.com/josh_pettinger/?hl=en

Caitlin Skaalrud: https://www.talkweirdpress.org/

https://www.instagram.com/wei_ss_man/?hl=en

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Saturday, December 7, 2024

Comics Review: "THE MAGIC ORDER 5 #3" is More Proof of This Franchise's Greatness

THE MAGIC ORDER 5 #3 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Matteo Buffagni

COLORS: Giovanna Niro

LETTERS: Clem Robins

EDITOR: Daniel Chabon

EDITORIAL: Sarah Unwin

COVER: Matteo Buffagni with Giovanna Niro

VARIANT COVER ARTIST: Matteo Buffagni

32pp, Color, $4.99 U.S. (December 2024)

Rating: 18+

The Magic Order created by Mark Millar at Netflix

“The Death of Cordelia Moonstone”

The Magic Order 5 is a six-issue miniseries from writer Mark Millar and artist Matteo Buffagni. This is the fifth installment of The Magic Order series, which began with the 2018-19 miniseries written by Millar and drawn by Olivier Coipel. The Magic Order is a band of sorcerers, magicians, and wizards – with a focus on the Moonstone family and its leader, Cordelia Moonstone – that live ordinary lives by day, but protect humanity from darkness and monsters of impossible sizes by night. Colorist Giovanna Niro and letterer Clem Robins complete the series creative team.

The Magic Order 5 finds Cordelia preparing for her death – the punishment for using black magic (back in Volume 1). However, a new case has dropped itself in front of her, but it all may be a front for some really bad people trying to collect the price on Cordelia's head. The end is coming in three days.

The Magic Order 5 #3 opens on a lonely, rural Vermont road. “Skin-Walker Sam,” the magical hit-man, makes his latest move in a track that will bring him closer to his target, Cordelia Moonstone. Meanwhile, Cordelia believes that she has uncovered the identity of the entities behind the kidnapping of male toddlers from across the country. The “why” is horrific, especially because the perpetrators were supposedly destroyed by The Magic Order long ago.

Later, when a walk in the city turns into a dog day afternoon, Cordelia will have to rely on a really bad hombre, Clyde Bailey, to save her life. Meanwhile, Sister Moon is sending someone to claim the magic world's most attractive bounty.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is The Magic Order 5 #3.

I have often said that The Magic Order is my favorite of the titles that Mark Millar has created for Netflix since it bought Millarworld. Millar has filled this franchise with surprises, and each issue of The Magic Order 5 gets crazier with the unexpected. The Magic Order has previously been described as “Harry Potter series meets The Godfather,” and if that is true, then, it is more like The Godfather. I will say that adults who have to tolerate Harry Potter only because of their kids will find that someone has created a supernatural drama and crime thriller just for them.

The art team of Matteo Buffagni and colorist Giovanna Niro are delivering stellar work early in this series. At the halfway point, Buffagni's storytelling dives deep into the peril of Cordelia Moonstone with Niro's coloring blazing a dazzling path to the finale. As usual, Clem Robins's lettering is the gentle chamber music by which to read this deathwatch.

The Magic Order 5 is plotting something mind-bending; that I know, dear readers. Don't miss the twenty-first century's best American comic book about wizards and sorcerers.

I READS YOU RECOMMENDS: Fans of Mark Millar and of The Magic Order will want to read The Magic Order 5.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.mrmarkmillar.com/

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://twitter.com/themagicorder

http://www.millarworld.tv/

https://www.darkhorse.com/

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Friday, December 6, 2024

Comics Review: "NIGHT CLUB II #4" - Jack's Tribe is Winning

NIGHT CLUB II #4 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (December 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #4 opens as Risso, Kendra, and their friends run wild through their Philadelphia stomping grounds. As the high school jocks and cool kids, they were bad enough when they were regular human beings. As vampires, they are monsters. Risso was a minor thug for the local drug lord, Rufus Tee. Now, Risso wants everything Tee has, including his life.

These young vampires are terrorizing the town and not even the cops can stop them. Amy/Yellowbird is alone in the wake of what seemed like Danny/Starguard's destruction. What is her next move if she is going to stop Risso and Kendra in their vampire tracks?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #4.

Writer Mark Millar uses the first issue of Night Club II to bring us to the current state of affairs. With the second issue, Millar quickly moves things forward, and shit gets real deep, real quick. Issue #3 is the best and most consequential of this series... so far. Now, issue #4 moves into the aftermath of the third issue's shocking affairs. I think that there are a lot of “secrets” to Millar's three-decades long successful tenure writing comic books for U.S. publishers. One of them is that he always has at least one major surprise per issue, and that surprise never seems contrived. In this fourth issue, Millar shows off another “secret of his success,” and that is to always keep things fresh. I'll be honest, dear readers, after this fourth issue, I thought Risso should have his own comic book.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Ramirez's storytelling has made Night Club II a vampire comic book like no other. Stylish and gaudy, Night Club jumps off the page with Ramirez's incomparable graphics. Colorist Fabiana Mascolo brings the funk and flash to Ramirez's art. Clem Robins' lettering, as always, is a perfect accompaniment.

Night Club II does not disappoint, dear readers. It is one of the standards in American vampire comic books.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Tuesday, December 3, 2024

Comics Review: "GEEK-GIRL #14" Throws Down the Geek-Girl Fight!

GEEK-GIRL #14

MARKOSIA ENTERPRISES, LTD.

STORY: Sam Johnson

ART: Carlos Granda

COLORS: Chunlin Zhao

LETTERS: Paul McLaren

COVERS: Carlos Granda with Chunlin Zhao; L.C. Freitas and Flinn Douglas with Chunlin Zhao

24pp, Color, $3.99 U.S. (December 2024)

Rated T+

Geek-Girl created by Sam Johnson

“Identity Crisis” Part 4: “Lightning Stormed”

Created by Sam Johnson, Geek-Girl is a comic book character that debuted in the 2016 Geek-Girl miniseries, She returned in a second miniseries, 2018's Geek-Girl Vol. 2, which subsequently became an ongoing series. Geek-Girl Vol. 2 is written by Sam Johnson; drawn by Carlos Granda; colored by Chunlin Zhao; and lettered by Paul McLaren.

Geek-Girl focuses on Ruby Kaye of Acorn Ridge, Maine, a sexy and popular college coed who inadvertently becomes a superhero. Ruby dons a pair of super-tech eye glasses that give her super-powers. Ruby's BFF, Summer James, then talks her into trying to be a superhero, even providing her with a moniker. Now, Ruby is Maine's newest superhero, “Geek-Girl,” but the female super-villain, Identity Thief, has stolen her powers.

Geek-Girl #14 (“Lightning Stormed”) finds “Identity Thief,” the villain who stole Geek-Girl's powers, living an imposter's life as Ruby. She is also living the high-life, partying with Karin Carpenter, Teyla, Alex, and Jools. What Identity Thief doesn't know is that Ruby is lurking, ready to strike back in order to retrieve her powers.

Meanwhile, Ruby's BFF, Summer, is out to get her own super-powers. That brings her to the strange and weird “Mr. Phenomenal,” but getting those powers means that Summer has to sign a contract. Does she understand all it will cost her to become a superhero?

Meanwhile, the League of Larcenists find themselves at the mercy of the denizens of the incarceration/rehabilitation center, “The Diner.” Can Chromex/Delfi Matrix answer Xie's questions that way she is supposed to answer them?

THE LOWDOWN: Geek-Girl creator-writer Sam Johnson regularly sends me PDF review copies of the latest issues of Geek-Girl, and has been doing so for several years. I enjoy reading about Geek-Girl and her (mis)adventures. I like this comic book enough to keep encouraging you to give this series a try, dear readers.

Geek-Girl #14 is deep into the “Identity Thief” story line that began in Geek-Girl #11. Writer Sam Johnson has completely sold this story line of the crisis of Ruby Kaye to his readers. Johnson makes you feel that Ruby is indeed in crisis and that she has been violated in the most horrible and intimate of ways. I'm constantly on edge, irritated, and anxious about Ruby's situation, even when I am reading about other characters' subplots. Johnson has created a perfect interplay of tension and conflict in this arc, not only with Ruby, but also with some of the other characters as well – for instance, Summer and her quest for super-powers.

Artist Carlos Granda is quite good at capturing facial expressions and the quirkiness and oddness in the way people act in the context of emotions and speech. That really serves him well in Geek-Girl #14, which is heavy on conversation, personality, and interpersonal relationships. Granda's excellent storytelling here shows all the more under Chunlin Zhao's excellent colors and Paul McLaren's consistent lettering.

As usual, I enjoyed Geek-Girl #14, and I continue to recommend it to you, dear readers. Geek-Girl captures the charm and magic of classic comic books and adds a clever modern touch.

I READS YOU RECOMMENDS: Fans of lovable superheroes will find an all-around winner in Geek-Girl.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can get more information about Geek-Girl #14 and purchase it here or at https://samjohnsoncomics.wixsite.com/geekgirlcomics.

You can also buy Geek-Girl #14 and its various editions at eBayUK or at https://www.ebay.co.uk/itm/305939069480?itmmeta=01JDTDHCEHHA4NF8H6XVNX231A&hash=item473b63ba28:g:1osAAOSwXuhnSGU~

https://twitter.com/daSamJohnson

https://twitter.com/Markosia

https://twitter.com/Markosia_News

https://markosia.com/

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Monday, December 2, 2024

Comics Review: "ARCHIE IS MR.JUSTICE #1" Certainly Surprises

ARCHIE IS MR. JUSTICE, NO. 1 (OF 4)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Tim Seeley

ART: Mike Norton

COLORS: Glenn Whitmore

LETTERS: Jack Morelli

EDITOR: Jamie Lee Rotante

EiC: Mike Pellerito

COVER: Reiko Murakami

VARIANT COVER ARTISTS: Francesco Francavilla; Matt Talbot

32pp, Color, $3.99 U.S. (January 2025); on sale in comic book shops November 20, 2024

Rating: Teen+

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character. In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics has also published superhero comic books featuring offbeat characters. The latest is a new four-issue comic book series, entitled Archie is Mr. Justice. The first issue is written by Tim Seeley; drawn by Mike Norton; colored by Glenn Whitmore; and lettered by the great Jack Morelli. Archie is Mr. Justice focuses on teenager Archie Andrews and his superhero persona, “Mr. Justice.” With the aid of his friend, Jughead Jones, Archie battles the greedy real estate magnate, Hiram Lodge.

Archie is Mr. Justice #1 is a tale told by the dearest friend of Mr. Justice. That would be Jughead Jones. Young Archie Andrews is your typical teenager, except for the fact that he has super-powers. Archie also has an undying urge to do what’s right, which inspires him to create a superhero persona, “Mr. Justice.” Guiding Archie on the path of super-heroism is his best friend, Jughead, who provides the comic book template for Archie's alter-ego.

The pair aims to right the wrongs of Hiram Lodge, a greedy developer and real estate tycoon. Lodge has turned Archie and Jughead's tranquil hometown of Riverdale into a luxury city, forcing families out and big businesses in – creating a city of haves and have-nots. Can Archie’s brand of justice bring Riverdale into a new prosperous era, or will his need to do good ultimately be his downfall?

THE LOWDOWN: I have been reading comic books, on and off, for decades. I have sporadically read Archie Comics titles over that time. For many years now, Archie's marketing department has been sending PDF copies of some of their titles for review. Archie is Mr. Justice No. 1 is the latest.

Archie Comics has been reviving some of the old M.L.J. “Golden Age” superheroes for several years now. The latest to rise from the grave is “Mr. Justice,” also known as “the Royal Wraith.” Created by writer Joe Blair and artist Sam Cooper, Mr. Justice was an 18th century English prince who was murdered by rebels. Chance and circumstance brought about his return to the mortal world in the 1940s in the form of Mr. Justice. Mr. Justice first appeared in Blue Ribbon Comics #9 (cover dated: February 1941; M.L.J. Magazines), which, in a bit of meta-fiction, is the comic book that appears in Archie is Mr. Justice #1 as one of Jughead's comic books. From this particular comic book, Archie takes inspiration for his “Mr. Justice” identity.

Writer Tim Seeley offers in this first issue an enjoyable comic book that captures both a superhero coming of age and also a young hero who initiates the crusade that may likely bring about his downfall. In a way, Seeley spins a comic book yarn that reads as if it came from age at least 40 years ago. It is straightforward, dramatic, melodramatic, and poignant and tragic in a way that engages the reader without unnecessary complication.

Artist Mike Norton is a veteran storyteller whose clean drawing style also recalls a classic era of comic books He conveys the light and darkness in Archie's mission, while also capturing the nuance and darkness in Jughead's narration. Glenn Whitmore's colors also captures the nuance and shifting moods of this story, and Jack Morelli's lettering provides a steady beat for a story that gets more intense with each page.

I am surprised by Archie is Mr. Justice #1. It is a powerful first issue when I expected it to be no more than mildly entertaining. I am more than mildly shocked, dear readers. Give this a try.

I READS YOU RECOMMENDS: Fans of Archie Comics' superhero titles will want to try Archie is Mr. Justice No. 1.

[This comic book includes a two-page section on the making of Archie is Mr. Justice No. 1.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://archiecomics.com/

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Thursday, November 28, 2024

Comics Review: "PRODIGY: Slaves of Mars #4" Goes Into the Star Gate

PRODIGY: SLAVES OF MARS #4 (OF 5)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Stefano Landini

COLORS: Michele Assarasakorn

LETTERS: Clem Robins

EDITOR: Daniel Chabon

EDITORIAL: Sarah Unwin

COVER: Stefano Landini with Michele Assarasakorn

VARIANT COVER ARTIST: Stefano Landini

32pp, Color, $4.99 U.S. (November 2024)

Rated M / Mature

Prodigy created by Mark Millar at Netflix

Prodigy: Slaves of Mars is a five-issue comic book miniseries produced by writer Mark Millar. It is the third entry in the Prodigy series, following the original 2018-19 six-issue miniseries, Prodigy, and the 2022 miniseries, Prodigy: The Icarus Society. This new series' creative team is comprised of artist Stefano Landini; colorist Michele Assarasakorn; and letterer Clem Robins. Prodigy focuses on the adventures of the world's smartest man, Edison Crane.

In Prodigy: Slaves of Mars, Edison returns to New York City from an adventure in the Himalayas to find his company, Crane Solutions, in disarray. He also learns that his father, the former Senator Whitney Crane, is dead on Mars after discovering some shocking secret. Now, a wanted man, Edison only has one person left to whom he can turn. That would be his older, smarter brother, Elijah Crane.

Prodigy: Slaves of Mars #4 opens with a flashback to the day 15-year-old Elijah left the Crane family because he just couldn't take his father's antics any longer. Move to the modern day, and Elijah ascertains that their father discovered a series of “star gates” on Earth. So Edison and Elijah head to the most consequential star gate, the one in Sigiriya, Sri Lanka. Now, it is time to get down to the mystery of their father, Whitney, and his involvement with a mission to Mars. They're about to get more answers than they expected.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest title to mark my return is Prodigy: Slaves of Mars #4.

Of course, Prodigy: Slaves of Mars #4 is a blast to read, just as the first three issues were. This being the penultimate issue (second-to-last), writer Mark Millar fills it with surprises. He also continues to tease us with more of his obsessions with “Ancient Aliens” and secret space programs. You already know about Millar's love of secrets and conspiracies if you have read Prodigy: The Icarus Society #1 or read Prodigy: The Evil Earth, the trade collection of the first miniseries.

The art team of illustrator Stefano Landini and colorist Michele Assarasakorn unveil the surprises in a steady stream of straightforward storytelling. Throwing caution to the wind, they present graphical storytelling that races from page to page in a loose drawing style and muted coloring style that captures the weird aesthetic of this franchise. As always, Clem Robins provides the perfect soundtrack to this chapter with his classic lettering.

We have been set up for a great ending, dear readers. Catch up if you need to.

I READS YOU RECOMMENDS: Fans of Mark Millar and of his comic book, Prodigy, will want to read Prodigy: Slaves of Mars.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://twitter.com/mrmarkmillar

https://www.netflix.com/

https://twitter.com/netflix

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Sunday, November 24, 2024

Comics Review: "SPACE GHOST #6" Burns Like a Wildfire

SPACE GHOST VOL. 1 #6

DYNAMITE ENTERTAINMENT

STORY: David Pepose

ART: Jonathan Lau

COLORS: Andrew Dalhouse

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Francesco Mattina

VARIANT COVER ARTISTS: Jae Lee with June Chung; Bjorn Barends; Anthony Marques and J. Bone

32pp, Color, $4.99 U.S. (October 2024)

Rated “Teen”

“Two Against Moltar!”

Space Ghost is a superhero character created by the American animation studio and production company, Hanna-Barbera Productions. The character first appeared in the Saturday morning cartoon series, “Space Ghost,” which was originally broadcast on CBS from September 1966 to September 1967 for 20 episodes.

In his original incarnation, Space Ghost was a superhero whose base of operations was a small world known as “Ghost Planet.” He fought super-villains in outer space with his teen sidekicks, Jan and Jace, and their monkey, Blip. His main weapons were power bands he wore around his wrists and lower arms; the bands fired off multiple energy beam-based attacks, including heat, cold, and force, to name a few. Space Ghost could also fly, survive in space, and turn invisible (his “Inviso Power”). He also had a space ship known as “the Phantom Cruiser.”

Space Ghost sporadically appeared in various comic book publications over a fifty year period. Dynamite Entertainment has just launched a new Space Ghost comic book as part of its licensing agreement with Warner Bros. Entitled Space Ghost Volume 1, it is written by David Pepose; drawn by Jonathan Lau; colored by Andrew Dalhouse; and lettered by Taylor Esposito. In the new series, twins Jan and Jace Keplar and their pet monkey, Blip, meet that legendary cosmic vigilante known as “the Space Ghost.”

Space Ghost Volume 1 #6 (“Two Against Moltar!”) opens in the wake of the events in Zorak's lair on Grax-3. Jace feels mentally shattered by the tough choice he had to make in that battle with religious zealot. Now, Space Ghost and Jan fight as a duo, while Jace has decided that he no longer wants to be in on the action and violence.

Meanwhile, Robo-Corp is working hard to keep the forces of the Galactic Federation busy and distracted. To that end, Robo-Corp's CEO, Doctor Xander Ibal, has decided to assist their heaviest hitter, Moltar, in his quest for vengeance against Contra Industries. That Moltar's attack on Contra can gain Ibal access to “Lucidium crystals” is an unexpected bonus. Will Space Ghost and Jan alone be enough to stop the fiery, molten insanity of Moltar?

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. Space Ghost Volume 1 #6 is the latest.

Writer David Pepose and artist Jonathan Lau are creating a true heir to Hanna-Barbera's original “Space Ghost” television series. They have fashioned a kind of sci-fi, outer space, Film-Noir sensibility to add to the original production's moody and ominous atmosphere. Pepose and Lau have brought freshness and newness to Space Ghost without resorting to a reboot. There are no dark and gritty theatrics of the kind that have plagued modern comic books ever since Batman: The Dark Knight Returns and Watchmen made the industry's balls drop nearly four decades ago.

Space Ghost #6 is a special issue because the authors have seriously considered the trials and tribulations of a child soldier without turning Space Ghost into an episode of “Frontline.” This issue brings some threads from the first story arc to a close, nicely, I must say. As usual, Andrew Dalhouse's lovely colors add the perfect moody haunted tones, and letterer Taylor Esposito once again adds the fuel to make it all burn, baby, burn.

I'm having a blast reading Space Ghost Volume 1, dear readers. I want this for you, too. This Space Ghost is super, man.

I READS YOU RECOMMENDS: Fans of Dynamite Entertainment's Warner Bros. comic book series will want to read Space Ghost Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/DynamiteComics

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https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w

https://www.linkedin.com/company/dynamite-entertainment

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Thursday, November 21, 2024

Comics Review: "SCOOBY-DOO, Where Are You? #130" Showcases Valerio Chiola

SCOOBY-DOO, WHERE ARE YOU? (2010) #130

DC COMICS

STORY: Sholly Fisch; Scotty Beatty

PENCILS: Valerio Chiola; Robert Pope

INKS: Valerio Chiola; Scott McRae

COLORS: Valerio Chiola; Heroic Age

LETTERS: Saida Temofonte; Dezi Sienty

EDITORS: Courtney Jordan; Kwanza Johnson (reprint)

COVER: Valerio Chiola

32pp, Color, $2.99 U.S. (December 2024)

Ages 8+

“Mayor May Not!”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #130 opens with “Mayor May Not!,” which is written by Sholly Fisch and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma attending a costume ball thrown by Mayor Flowers. The party is also a campaign event for the mayor's reelection campaign. It seems as if the mayor has invited the whole city to this event, but did he also unknowingly invite a werewolf?

As usual, the second story, “Paranoidal Activity,” is a reprint story. It is written by Scott Beatty and drawn by Robert Pope and Scott McRae. [This story was originally published in Scooby-Doo, Where Are You #19 (cover date: May 2012).] The story opens as the Mystery Machine drives up to “the Spectral Silk Mill.” Mystery Inc. has been called to this old silk mill by its current owners, Mr. Stanislaus and Mr. Oliveri, to discover if the place really is haunted. For their latest case, the gang has decided to test their new high tech equipment in the detection of ghosts. Will that work, or will it just get in the way of the ghost-busting?

Scooby-Doo, Where Are You? #130 doesn't really have a theme so much as it finds its ghostly instigators in suspects that manage to be both surprising and expected. This isn't a particularly good issue, but like #129, the lead story is drawn by Valerio Chiola. I really dig Chiola's quirky and funky illustrative style which brings some needed freshness to the pages of this series that is well into its second decade. Chiola's squashed and stretched art reminds me of legendary cartoonist and Plastic Man creator, Jack Cole, and it looks like some of the graphical storytelling frequently found in kids' comics and graphic novels.

Scooby-Doo, Where Are You? #130 may not be top of the line, but it is still a Scooby-Doo comic book. So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Deadman Tells the Spooky Tales” by Franco and Sara Richard, Isaac Goodhart, and others.]

Reviewed by Leroy Douresseaux a.k.a."I Reads You"

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Wednesday, November 20, 2024

Comics Review: "DUCKTALES Volume 1 #1" is Ready for Adventure

DUCKTALES VOLUME 1, ISSUE #1

DYNAMITE ENTERTAINMENT

STORY: Brandon Montclare

ART: Tomasso Ronda

COLOR: Tomasso Ronda

LETTERS: Fabio Amelia

EDITOR: Nate Cosby

COVER: Ivan Bigarella

VARIANT COVER ARTISTS: Francesco Tomaselli; Carlo Lauro; Alan Quah; Ivan Bigarella; Tomasso Ronda

32pp, Color, $4.99 U.S. (November 2024)

All Ages

Based on “Uncle Scrooge” by Carl Barks

“Four Corners of Your World” Part One: “The More Things Change...”

There were several DuckTales-related comics publications and comic books published on and off over a period from 1988 to 2020. Dynamite Entertainment brings DuckTales back to comic books with DuckTales Volume 1. It is written by Brandon Montclare; drawn and colored by Tomasso Ronda; and lettered by Fabio Amelia.

DuckTales Volume 1 #1 (“The More Things Change...”) opens in “The Money Bin,” the large storage building where Scrooge McDuck keeps his three cubic acres of cash. Huey, Dewey, and Louie are engaged in the drudge work that is counting their Uncle Scrooge's money when suddenly old McDuck himself suddenly appears while engaging in his favorite hobby – diving and swimming in his cash. This excites the nephews, but they want more.

Suddenly, they want to hear stories about the old days when Scrooge was building his fortune. The boys imagine faraway lands and legendary places. But what if they knew what their uncle knows? The greatest mysteries may be right there in their hometown of Duckburg.

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. DuckTales Volume 1, Issue #1 is the latest.

This first issue sports nice art and colors by Tomaso Ronda, and Ronda's graphical and illustrative style would be a perfect fit in any one of the classic Disney comic books published in the U.S. over the last four decades. Even Fabio Amelia's lettering feels like Disney comics.

However, writer Brandon Montclare's story for this debut issue feels like a waiting game, as if Montclare simply wants to establish this central conceit. The real adventure is like the adventure stories the nephews want so badly: it's coming, but not just yet. The end of this first issue teases some interesting characters and intriguing possible future story lines. In the meantime, it seems that we have to wait a little longer. However, that means this series does not start off with a blast, which is not quite the “DuckTales” way.

I READS YOU RECOMMENDS: Fans of Disney comic books and DuckTales will want to try DuckTales Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Sunday, November 10, 2024

Comics Review: "NEMESIS: ROGUES' GALLERY #4" Has a Perfect Last Panel

NEMESIS: ROGUES' GALLERY #4 (OF 5)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Valerio Giangiordano

COLORS: Lee Loughridge

LETTERS: Clem Robins

EDITOR: Daniel Chabon

EDITORIAL PRODUCTION: Sarah Unwin

COVER: Valerio Giangiordano with Lee Loughridge

32pp, Color, $4.99 U.S. (November 2024)

Age range: 14+

Nemesis created by Mark Millar and Steve McNiven

Nemesis: Rogues' Gallery is a five-issue comic book miniseries from writer Mark Millar. It is a sequel to the miniseries, Nemesis Reloaded (2023) and Big Game (2023). Published by Dark Horse comics, the new series finds the super-killer, Nemesis, on a mission of revenge. Rogues' Gallery is drawn by Valerio Giangiordano; colored by Lee Loughridge; and lettered by Clem Robins.

Nemesis: Rogues Gallery finds Nemesis on a mission to once again be the world's greatest super-villain. Now, out for revenge against everyone who wronged him, Nemesis must rebuild his empire and his fortune... this time with a sidekick, Pedro Hernandez, following him every step of the way.

Nemesis: Rogues Gallery #4 opens in the compound of billionaire Adrian Zigo. Nemesis and Pedro are there in their fake billionaire identities under the guise of attending Zigo's charity auction. The duo is really present in order to launch their plot to steal a hundred million-dollar diamond.

But there is always a surprise, and it comes in the form of an attack led by Andy, the nurse who was once kind to Nemesis before the villain blinded him. Andy and his men are surprisingly well armed, but the biggest surprise is the identity of the person who joins the attack against Nemesis and Pedro.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest comic book to mark my return is Nemesis: Rogues' Gallery #4.

Mark Millar continues to deliver in this, the ultimate modern super-villain comic book franchise. For the fourth issue, Millar unleashes action violence on a level to match that of a Hollywood action movie. However, Millar is never without surprises, and he offers two shockers, one related to the real-world that took my breath away.

Artist Valerio Giangiordano continues to deliver stellar storytelling with a gritty, crime-noir take on violent superhero/fantasy action. Why do what everyone else is doing when you can do you, as Giangiordano is doing. There is a deranged, edgy comedy vibe here that takes Nemesis to a new level. Colorist Lee Loughridge, who knows how to deal with “the dark,” perfectly accentuates Valerio's storytelling with colors that suggest murder, mayhem, explosions, and more murder. Letterer Clem Robins captures the deranged narcissism of the title character by making us believe this comic book has a soundtrack.

Nemesis: Rogues' Gallery promised to be a good time, and it has delivered all the way to the penultimate issue. It may also end up being the best evil Batman comic book in ages.

I READS YOU RECOMMENDS: Fans of Mark Millar's comic books and of Valerio Giangiordano's art will desire Nemesis: Rogues' Gallery.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.mrmarkmillar.com/

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

http://www.millarworld.tv/

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Thursday, November 7, 2024

Comics Review: "JOSIE Annual Spectacular #1" is Rockin' the Monster Suburbs

JOSIE ANNUAL SPECTACULAR, NO. 1

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn, Holly G!

PENCILS: Steven Butler; Dan DeCarlo; Holly G!

INKS: Lily Butler; Jim DeCarlo; John Costanza

COLORS: Glenn Whitmore; Bill Yoshida

LETTERS: Jack Morelli; Bill Yoshida

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Steven Butler and Lily Butler with Rosario “Tito” Peña

32pp, Color, $3.99 U.S. (December 2024); on-sale November 6, 2024

Rating: All-Ages

Josie and the Pussycats in “Encore No More!”

In December 1962, Archie Comics introduced the character, Josie Jones, in Archie's Pals 'n' Gals #23 (cover dated: Winter 1962-1963). Created by Dan DeCarlo, Josie Jones would become “Josie McCoy,” and she would join her friends, Melody and Valerie, in the band, “Josie and the Pussycats.”

Archie is releasing a trio of “annual spectaculars” that involve the machinations of a new character, “Mother Striga.” She made her debut in Sabrina Annual Spectacular, No. 1. Her story continued in the Archie Halloween Spectacular. Striga's debut arc concludes in Josie Annual Spectacular, No. 1 (November 6, 2024).

Josie Annual Spectacular, No. 1 includes one new story and two reprint stories with the second reprint being a two-part tale. The new story, the Mother Striga tale, is entitled “Encore No More!” It is written by Ian Flynn; drawn by Steven Butler (pencils) and Lily Butler (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Josie and the Pussycats in “Encore No More!”:

Alexandra Cabot makes an emergency call to her friend, Sabrina the Teenage Witch. Apparently, Mother Striga has bewitched Josie and the Pussycats, and their concert at Eyegore Estates has turned into a real monsters ball. Their music is brainwashing the monster-people. Luckily, Sabrina believes that this state of affairs can play in her favor in ending the threat of Mother Striga. But she'll need Alexandra's help to do it.

Meanwhile, Sabrina's cat, Salem Saberhagen, and Alexandra's cat, Sebastian, are reunited. Now, it is up to them to do their part to free Josie and the Pussycats.

THE LOWDOWN: I have been a fan of the Josie and the Pussycats franchise since I was a small child. I am crazy about classic Josie comic books that were published from the 1960s to the early 1980s, and I still love the two 1970s animated television series based on the comics.

Josie Annual Spectacular No. 1 brings an end to the Mother Striga introductory story arc. I imagine that the character will make a return, likely in an “Archie Horror” one-shot. Writer Ian Flynn does good work getting a lot out of what amounts to a 15-page story that is serialized over three issues. Honestly, he offers enough subplots and ideas for three full issues, but he ends this arc on a nice and unusual note. I must mention that while “Encore No More!” is ostensibly a Josie and the Pussycats tale, Josie supporting character, Alexandra Cabot, and Sabrina are the leads.

I am really impressed with the art throughout this arc. The team of Steven Butler (pencils) and Lily Butler (inks) deliver some really good-looking art. Their compositions are like an homage to Josie and the Pussycats legend Dan DeCarlo, but with a stylish modern sensibility. It really is eye candy. The colors by Glenn Whitmore add a surreal touch to the art and to the story, while also giving the narrative a kind of low wattage occult edginess. The lettering by the great Jack Morelli gives voice to the spicy dialogue which closes this story on a winning note... and a note of warning.

In these reviews, I always warn readers that I will always recommend classic-style Archie Comics titles. Josie Annual Spectacular No. 1 is kinda new because it is classic-style Archie Comics with an eye towards reinvigorating it. I recommend this entire “Mother Striga” line.

I READS YOU RECOMMENDS: Fans of classic-style Archie Comics and of Josie and the Pussycats will definitely want to get a copy of Josie Annual Spectacular No. 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://archiecomics.com/

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https://www.goodreads.com/user/show/8914136-archie-comics

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Monday, November 4, 2024

Comics Review: "THE MAGIC ORDER 5 #2" - You're Just Caroline from the Block

THE MAGIC ORDER 5 #2 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Matteo Buffagni

COLORS: Giovanna Niro

LETTERS: Clem Robins

EDITOR: Daniel Chabon

EDITORIAL: Sarah Unwin

COVER: Matteo Buffagni with Giovanna Niro

VARIANT COVER ARTIST: Matteo Buffagni

32pp, Color, $4.99 U.S. (October 2024)

Rating: 18+

The Magic Order created by Mark Millar at Netflix

“The Death of Cordelia Moonstone”

The Magic Order 5 is a six-issue miniseries from writer Mark Millar and artist Matteo Buffagni. This is the fifth installment of The Magic Order series, which began with the 2018-19 miniseries written by Millar and drawn by Olivier Coipel. The Magic Order is a band of sorcerers, magicians, and wizards – with a focus on the Moonstone family and its leader, Cordelia Moonstone – that live ordinary lives by day, but protect humanity from darkness and monsters of impossible sizes by night. Colorist Giovanna Niro and letterer Clem Robins complete the series creative team.

The Magic Order 5 finds Cordelia preparing for the end, her punishment for using black magic. However, a new case has dropped itself in front of her, but it all may be a front for some really bad people trying to collect the price on Cordelia's head.

The Magic Order 5 #2 opens in Lincoln Park Hospital, Chicago. Cordelia is under the care of a psychiatrist who insists that her name is not Cordelia Moonstone, but is instead “Caroline Stone.” Also, She isn't the leader of monster fighting wizards; she is really a hotel receptionist.

Cordelia Moonstone was raised to believe that her family was all that stood between the world we know and the other world of eternal darkness. Has it all been in her imagination? Is she really simply just a woman with serious mental health problems? Are the only monsters the ones that exist in her head? Clyde Bailey, a former really bad hombre, may be the only one who can answer those questions.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is The Magic Order 5 #2.

Mark Millar is probably the only “mainstream” comic book writer who delivers outstanding pop comics every time, and I don't mean starts off great and... peters out. I mean A-rated entertainment every time. The Magic Order 5 has certainly started out as consistently outstanding pop comics. As Millar executes twists and turns in the narrative, we have no choice but to batten down the hatches as we vainly try to figure out where this franchise ends, why it ends, and how it ends.

The art team of Matteo Buffagni and colorist Giovanna Niro deliver stellar work early in this series. The compositions have a fine art quality that when merged with the plot creates a disquieting sense of doom. This makes The Magic Order 5 seem like a well-appointed funeral. Finally, Clem Robins's lettering is the gentle chamber music by which to read this deathwatch.

The Magic Order 5 is plotting something mind-bending; that I know, dear readers. Don't miss it.

I READS YOU RECOMMENDS: Fans of Mark Millar and of The Magic Order will want to read The Magic Order 5.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.mrmarkmillar.com/

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://twitter.com/themagicorder

http://www.millarworld.tv/

https://www.darkhorse.com/

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Friday, November 1, 2024

Comics Review: "NIGHT CLUB II #3" - Sh*t Gets Deep

NIGHT CLUB II #3 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (October 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #3 opens as Sam begins to realize that he has made a mistake. However, he is NOT ready to realize how big a mistake it is. Once upon a time, three nerdy friends became the first vampire-superheroes and also the coolest superheroes around. Now, their high school's worst bullies are a new gang of vampires. Will this be a case of out with the old (The Night Club) and in the with the new (the assholes)?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #3.

Writer Mark Millar used the first issue of Night Club II to bring us to the current state of affairs. With the second issue, Millar quickly moved things forward, and shit got real deep, real quick. The result is that issue #3 is the best and most consequential of this series... so far. Millar has mastered upping the ante, so he is relishing slowly tearing down everything we thought we knew about The Night Club.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Now, Ramirez wants to rub the consequences in our faces with his quicksilver storytelling. Colorist Fabiana Mascolo brings the funk to Ramirez widescreen antics in a way that makes this story pop off the page. Clem Robins' lettering, as always, is a perfect accompaniment.

Yeah, shit 'bout to get even deeper.

Night Club II does not disappoint, dear readers. It's taking us where we never expected to go in vampire comic books.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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