Showing posts with label Daffy Duck. Show all posts
Showing posts with label Daffy Duck. Show all posts

Thursday, March 13, 2025

Review: "DAFFY DUCK'S QUACKBUSTERS" Mixes Old and New Quite Well

TRASH IN MY EYE No. 250 (of 2004) by Leroy Douresseaux

Daffy Duck’s Quackbusters (1988) – animated
Running time:  78 minutes (1 hour, 18 minutes)
MPAA – PG
DIRECTORS:  Greg Ford and Terry Lennon with Friz Freleng; Chuck Jones; Robert McKimson; and Maurice Noble
WRITERS:  Greg Ford and Terry Lennon (story) with John W. Dunn; Michael Maltese; and Tedd Pierce
PRODUCER:  Steven S. Greene
EDITORS:  Treg Brown; Jim Champin

ANIMATION/COMEDY/FAMILY

Starring:  (voice) Mel Blanc, Julie Bennett, Roy Firestone, June Foray, Ben Frommer, B.J. Ward, and Mel Tormé

Daffy Duck's Quackbusters is a 1988 animated compilation film directed by Greg Ford and Terry Lennon.  The film is comprised of classic Warner Bros. Cartoons animated shorts with animated bridging sequences and other new material.  It was released to theaters in September 1988 and was released on VHS in July 1989, which is how I saw it.

This film was the final theatrical production in which the primary “Looney Tunes” voice actor, Mel Blanc, provided the voices of the various Looney Tunes characters before his death in July 1989.  Daffy Duck's Quackbusters focuses on Daffy Duck who opens a detective agency for the supernatural with the help of his Looney Tunes buddies in a bid to deal with meddlesome ghosts.

Daffy Duck's Quackbusters is preceded by Night of the Living Duck, a 1988 Daffy Duck animated theatrical short.  It works as a kind of appetizer for what comes next.  Then, comes Daffy Dilly, a 1948 Chuck Jones cartoon in which Daffy Duck (Mel Blanc) tries to earn a rich reward by making ailing millionaire J.B. Cubish (Mel Blanc), who hasn’t laughed in ages, laugh one more time.  This short is the jump-off point for Quackbusters' story, as it ends and new animation footage and the film’s main plot and narrative begin.

The plot concerns Daffy who has inherited the bulk of J.B. Cubish’s fortune, but Cubish’s will stipulates that Daffy must use the money to further business and enterprise and also for goodwill.  Daffy brushes off the stipulation, but he soon discovers that Cubish’s spirit/ghost/poltergeist can reach beyond death and take his millions with him to the next world.  Every time Daffy lies, cheats, or acts like a jerk to someone, cue the lightening and magic and Daffy’s inherited millions start to disappear as wads of cash fade away.

Enraged, Daffy forms a ghost-busting agency, “Ghouls ‘R’ Us,” a group of “paranormalists” who fight meddlesome ghosts (like Cubish), as well as monsters, aliens, and other weird creatures.  The agency is really a front for Daffy, behind which he can hide and pretend to do good.  He convinces Bugs Bunny (Mel Blanc) and Porky Pig (Mel Blanc), as well as Porky's pet, Sylvester the Cat (Mel Blanc), to join the agency.  Daffy sends them out ghost and monster hunting, but in the end, as with all his machinations, Daffy is destined to fail.

I have been anticipating the new animated film, The Day the Earth Blew Up: A Looney Tunes Movie (2024), which just went into wide theatrical release in the United States.  With that in mind, I decided to re-edit my review of Daffy Duck’s Quackbusters.  This film falls into the tradition of such Warner Bros. Looney Tunes films as Daffy Duck’s Fantastic Island (1983) and The Looney Looney Bugs Bunny Movie (1981).  Quackbusters is a kind of “clip show” movie in which the filmmakers combine new, original animated film footage with footage from classic “Looney Tunes” and “Merrie Melodies” cartoons – also called a “compilation film.”

Writer-directors Greg Ford and Terry Lennon and their fellow filmmakers seamlessly weave classic cartoons with new animation.  In fact, one has to look carefully to see where the Ford/Lennon-directed animation ends and old cartoons by famed Looney Tune/Merrie Melodies directors begin and then move back to Ford and Lennon’s work.  In fact, only 40 percent of this film is classic animation from the 40s and 50s.  These include The Abominable Snow Rabbit (1961) with Bugs and Daffy; Hyde & Go Tweet (1960) with Sylvester and Tweety; The Prize Pest (1951) with Porky and Daffy; Punch Trunk (1953); Scaredy Cat (1948); and its 1954 remake, Claws for Alarm (1954), both with Porky and Sylvester; and Transylvania 6-5000 (1963) with Bugs.

The other 60 percent is made of brand new animation and two of Ford and Lennon’s late 80’s animated shorts.  That includes The Duxorcist, which, when it appeared in 1987, was the first Warner Bros. animated theatrical short in 20 years, and also the aforementioned Night of the Living Duck.  The new animation and narrative is so well done and incorporated with the older material that Daffy Duck’s Quackbusters is the best of the clip show movies.  In fact, the new animation, while not nearly as good as the “Golden Age” Warner material, only looks a little off in a few minor instances.

Daffy Duck’s Quackbusters is not great, but is certainly good.  It is fun, kid’s stuff that is as surprisingly entertaining as it is well put together and designed.  I think Looney Tunes fans, in moments of nostalgia, will like this, so it is too bad that Warner has not tried this again (as of this writing).

6 of 10
B
★★★ out of 4 stars

Re-edited:  Thursday, March 13, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, November 14, 2013

Review: "Looney Tunes: Back in Action" is Surprisingly Quite Good

TRASH IN MY EYE No. 166 (of 2003) by Leroy Douresseaux

Looney Tunes: Back in Action (2003)
Running time:  91 minutes (1 hour, 31 minutes)
MPAA – PG for some mild language and innuendo
DIRECTOR:  Joe Dante with Eric Goldberg (animation director)
WRITER:  Larry Doyle
PRODUCERS:  Bernie Goldmann, Joel Simon, and Paula Weinstein
CINEMATOGRAPHER:  Dean Cundey (D.o.P.)
EDITORS:  Rick W. Finney and Marshall Harvey
COMPOSER:  Jerry Goldsmith

ANIMATION/ACTION/ADVENTURE and COMEDY/FAMILY/FANTASY

Starring:  Brendan Fraser, Jenna Elfman, Steve Martin, Timothy Dalton, Heather Locklear, John Cleese, Joan Cusack, Bill Goldberg, Dan Stanton, Don Stanton, Matthew Lillard, Ron Perlman, and (voices) Joe Alaskey, Bob Bergen, Casey Kasem, Frank Welker, Billy West, with (receiving no screen credit) Peter Graves and Michael Jordan

The subject of this movie review is Looney Tunes: Back in Action, a 2003 adventure and comedy film from director Joe Dante.  Back in Action blends live-action and animation and stars Bugs Bunny, Daffy Duck and the rest of the Looney Tunes characters.  In the movie, the Looney Tunes help a down-on-his-luck security guard find his missing father and the mythical Blue Monkey diamond.

Right out of the box, let’s proclaim Looney Tunes: Back in Action a fantastically funny film, almost as good as the gold standard of films that mix live action and animation, Who Framed Roger Rabbit? and better than Space Jam.  It’s not dumb and hackneyed as some have claimed; nor is it a cynical attempt to market Time Warner trademarks and merchandise.  Just about anyone who has ever loved the Looney Tunes characters will love this film.

As simple and as silly as it is, LT:BIA’s story ends up making a very funny film.  Daffy Duck (Joe Alaskey) is having another of his many conniptions about his status as second banana to Bugs Bunny (Joe Alaskey), but this time Kate Houghton (Jenna Elfman), an eager young Warner Bros. Studio executive fires Daffy.  Daffy’s shenanigans also cost a studio lot guard, DJ Drake (Brendan Fraser), his job.

Later Daffy and DJ discover that DJ’s dad, Damien Drake (Timothy Dalton), the famous spy movie star, is actually a real life spy.  He’s been kidnapped and is being held hostage in Las Vegas.  Via a special spy signal, he asks his son to find the Blue Monkey Diamond and keep it from the evil Mr. Chairman (Steve Martin), head of the Acme Corporation, who wants to use the diamond’s mystical powers to turn everyone on the planet into monkeys.  It’s up to DJ, Kate, Bugs, and Daffy to find the jewel, rescue DJ’s dad, and save the world.

The films is technically well made, and the merger of animation and live action is easily on par, if not superior to Roger Rabbit.  Joe Dante (Gremlins), no stranger to special effects and genre films, does a fantastic job prepping his film, especially its stars, to act with characters and effects that would only be added after the principal photography was finished.  Animation director Eric Goldberg has also done some of the best helming of animated film in years.  It’s the best work this year by a director of animation after the Finding Nemo crew, which is clearly evident in the Bugs/Daffy/Elmer Fudd (Billy West) surrealistic and imaginatively designed race through the Louvre in Paris.

The cast of actors is fantastic.  Brendan Fraser is an underrated actor, movie star, and comedian.  He’s excellent with physical comedy, and by now has a knack for working in an environment where a lot of the film elements are added after he does his work.  Jenna Elfman is a pleasant surprise, and she has excellent chemistry with her costars, live and animated.

The films gets a hardy recommendation because it’s such fun.  The fact that almost all major and minor characters that have ever appeared in a Warner Bros. Looney Tunes cartoon have a part in the film makes it a must see.  There’s even a small scene that plugs 2004’s Scooby-Doo 2, and if that’s not enough for certain moviegoers, then, they are indeed in need of a laugh.  Looney Tunes: Back in Action is just what the doctor ordered.

8 of 10
A

Updated: Wednesday, November 13, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Wednesday, May 30, 2012

Review: Mel Tormé Brings Life to "The Night of the Living Duck" (Happy B'day, Mel Blanc)



TRASH IN MY EYE No. 4 (of 2005) by Leroy Douresseaux

The Night of the Living Duck (1988)
Running time: 7 minutes
WRITERS/DIRECTORS: Greg Ford and Terry Lennon
PRODUCER: Steven S. Greene

SHORT/ANIMATION/COMEDY/FAMILY with elements of horror

Starring: (voice) Mel Blanc and Mel Tormé

The Night of the Living Duck is a 1988 animated short film starring Daffy Duck. It also appears as the opening sequence of Daffy Duck’s Quackbusters.

The Night of the Living Duck (a Merrie Melodies) was the second theatrical animated short produced by Warner Bros. after a 20-year dry spell, and it also appeared theatrically with the film Gorillas in the Mist: The Story of Dian Fossey. It was also the last Warner Bros. cartoon short to feature the voice of Mel Blanc.

Daffy Duck (Mel Blanc) is reading a monster comic book that ends in a cliffhanger. While rifling through his bookcase for the next issue, an ugly, decorative stone idol falls from the shelf and conks him on the head. Daffy, of course, falls into a dream in which he is a lounge singer at a nightclub for monsters. The club patrons include such classic Universal Monsters as Dracula, Frankenstein, The Wolfman, and the Creature from the Black Lagoon, as well as other film maniacs such as Leatherface from The Texas Chainsaw Massacre and Godzilla. When Daffy finds that the customers aren’t happy with his act, he sprays his throat with Eau de Torme and entertains his audience with a rendition of “Monsters Lead Such Interesting Lives” in a voice that sounds just like Mel Tormé’s!

Like its predecessor, The Duxorcist, The Night of the Living Duck is actually quite entertaining. In terms of story, it isn’t as good as the best Looney Tunes or Merrie Melodies, but it would make the B-list. The animation, however, is only as good as the least of Warner’s theatrical shorts, but the truth is that the art of classic hand drawn animated shorts is lost. Still, The Night of the Living Duck has its moments. While Mel Blanc’s voice was worn down by the time he worked on this short, Mel Tormé’s turn as Daffy Duck’s singing voice is priceless and is the element that keeps this cartoon from being run-of-the-mill.

7 of 10
B+

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