Review: "BEETLEJUICE BEETLEJUICE" is Morbidly Wonderful and Wonderfully Morbid

TRASH IN MY EYE No. 42 of 2024 (No. 1986) by Leroy Douresseaux

Beetlejuice Beetlejuice (2024)

Running time:  104 minutes (1 hour, 44 minutes)

MPA – PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use.

DIRECTOR:  Tim Burton

WRITERS:  Alfred Gough & Miles Millar; from a story by Alfred Gough & Miles Millar and Seth Grahame-Smith (based on characters created by Michael McDowell and Larry Wilson)

PRODUCERS:  Tim Burton, Dede Gardner, Tommy Harper, Jeremy Kleiner, and Marc Toberoff

CINEMATOGRAPHER:  Haris Zambarloukos (D.o.P.)

EDITOR:  Jay Prychidny

COMPOSER:  Danny Elfman

COMEDY/FANTASY/HORROR

Starring:  Michael Keaton, Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, Willem Dafoe, Monica Bellucci, Arthur Conti, Nick Kellington, Santiago Cabrera, Burn Gorman, Sami Slimane, Amy Nuttall, and Danny DeVito

SUMMARY OF THE REVIEW:

“Beetlejuice Beetlejuice” is that rare sequel that is as weird and as wonderful as its weird and wonderful predecessor

Michael Keaton, Winona Ryder, and Catherine O’Hara are so good at reprising their original roles that it is hard to believe that it has been 36 years since they first played them

“Beetlejuice Beetlejuice” is director Tim Burton's most crowd-pleasing film since 1999's “Sleepy Hollow” 

Beetlejuice Beetlejuice is a 2024 American dark fantasy and comic-horror film from director Tim Burton.  It is a direct sequel to Burton's 1988 film, Beetlejuice.  Beetlejuice Beetlejuice finds three generations gathering after a family tragedy only to discover that the latest generation's actions have lead to a new encounter with the Afterlife and also has drawn the attentions of a certain bio-exorcist.

Beetlejuice Beetlejuice opens over three decades after the events depicted in Beetlejuice.  Lydia Deetz (Winona Ryder) is now a “psychic mediator” who hosts a supernaturally themed talk show, “Ghost House,” produced by her current boyfriend, Rory (Justin Theroux).  Lydia is estranged from her daughter, Astrid Deetz (Jenna Ortega), who is resentful that Lydia had a falling out with Astrid's father, Richard (Santiago Cabrera), who died during an expedition to the Amazon.

Lydia is stressed of late because she has been seeing visions of Betelgeuse (Michael Keaton), the “bio-exorcist” from the Afterlife who tried to force her to marry him over thirty years ago.  Meanwhile, in the Afterlife, Betelgeuse (pronounced “Beetlejuice”) is having his own relationship problems as he has learned that his former wife, Delores (Monica Bellucci), a soul-sucking witch, has been revived and is hunting him in order to avenge the wrong she believes he did to her.

Back in the world of the living, Lydia's stepmother, Delia Deetz (Catherine O'Hara), informs her that her husband, Lydia's father, Charles Deetz, has died.  Lydia, Astrid, and Delia return to Winter River (the setting of the original film) for Charles' funeral.  The three women suddenly find their worlds turned upside down when the Afterlife intrudes and Betelgeuse plots to turn this series of unfortunate events in his favor.

Because of the decades long wait for this sequel, I wondered about the quality of Beetlejuice Beetlejuice.  After seeing it, I am pleased and happy to say that I enjoyed it as much as I have any film I've seen this year (2024).  I saw Beetlejuice Beetlejuice during a Thursday night preview showing, and there were several children present.  The children were restless and acted up a bit, especially early on.  Beetlejuice Beetlejuice is not a children's film, or it is, at least, not as child-friendly as the first film.  Beetlejuice had a darkly humorous and macabre sensibility that was similar to the work of the late Charles Addams (1912-1988), the cartoonist for The New Yorker magazine who was best known for his recurring characters that became known as “The Addams Family.”

Beetlejuice Beetlejuice is a darker film with a morbid rather than a macabre sensibility.  The specter of death – especially sudden, violent, accidental death – hangs over this film.  Yet it all seems like ghoulish fun and games, thanks in part to director Tim Burton's creative cohorts.  The costume design, production design, film editing, cinematography, lighting, visual effects (practical and CGI), and musical score (by frequent Burton collaborator, Danny Elfman), recall the creative and intense inventiveness of the original film  They make Beetlejuice Beetlejuice more grand theater than “Grand Guignol.”  Still, I don't think elementary school age children, in general, will really enjoy this new film.

I'd call Beetlejuice Beetlejuice perfect except I do take exception with the film's writing.  Although the overall plot is very interesting, the screenplay has some extraneous threads and inessential characters.  I won't mention them just in case they end up being spoilers.

I will say that Tim Burton is fortunate to have the trio of Michael Keaton, Winona Ryder, and Catherine O’Hara carrying the load for Beetlejuice Beetlejuice.  When I first saw Beetlejuice, I didn’t care for Michael Keaton’s performance as Betelgeuse.  I thought his manic energy seemed forced and phony and that the late Robin Williams, who was really coming into his own as a movie star at the time, would have been a better choice.  Sixteen years later (2004), I watched Beetlejuice again, and that time I thought Keaton was perfect.  Go figure!  How wrong I was.  With Beetlejuice Beetlejuice, Keaton proves that no one can be the “ghostest with the mostest” like him.

As Lydia Deetz, Winona Ryder truly evolves the character in interesting and genuinely human ways.  Ryder could easily pull off a third film if one were to be made in the next decade (hopefully earlier).  Given chance, Catherine O'Hara always proves that she is a giant among comedic actors, and does so again.  What she offered in the original film, she offers in comedic droves here.

I had a thoroughly great time at the movies last night, and even the restless kids could not ruin the very funny “Soul Train” references.  Beetlejuice Beetlejuice is that rare sequel that matches the original film in many ways and surpasses it in others.  As a movie fan, I feel blessed to have it.

8 of 10

A

★★★★ out of 4 stars

Friday, September 6, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: "HAUNTED MANSION" is Surprisingly Charming and Delightfully Scary

TRASH IN MY EYE No. 35 of 2024 (No. 1979) by Leroy Douresseaux

Haunted Mansion (2023)

Running time:  123 minutes (2 hours, 3 minutes

MPA – PG-13 for some thematic action and scary action

DIRECTOR:  Justin Simien

WRITER:  Katie Dippold

PRODUCERS:  Jonathan Eirich and Dan Lin

CINEMATOGRAHER:  Jeffrey Waldron (D.o.P.)

EDITOR:  Phillip J. Bartell

COMPOSER:  Kris Bowers

COMEDY/FAMILY/FANTASY/HORROR

Starring:  LaKeith Stanfield, Rosario Dawson, Owen Wilson, Tiffany Haddish, Danny DeVito, Chase Dillon, J.R. Adduci, Charity Jordan, Hasan Minhaj, Daniel Levy, and Jared Leto (voice) with Winona Ryder

Haunted Mansion is a 2023 American supernatural horror-comedy and family film from director Justin Simien.  Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969.  Haunted Mansion the movie focuses on a single mom and a group of peculiar locals who attempt to exorcise her new home, an old mansion, of its troublesome ghosts.

Haunted Mansion opens in New Orleans, Louisiana.  Ben Matthias (LaKeith Stanfield) is an astrophysicist developing a camera to detect dark matter.  He marries Alyssa (Charity Jordan), a tour guide for the city's famously haunted places.  Tragedy strikes, and Ben gives up his career and continues to operate Alyssa's tour despite the face that he does not believe in ghosts and the supernatural.

Meanwhile, Gabbie (Rosario Dawson), a doctor from New York, and her young son, Travis (Chase Dillon), move to the formerly lavish, but now rundown mansion, Gracey Manor.  Her plan is to transform the abandoned place into a bed and breakfast, but she and Travis soon discover that the place is infested by so many ghosts that they can't count them all.

Father Kent (Owen Wilson), a local Catholic priest who claims to be an exorcist, is helping Gabbie with the hauntings.  He hires Ben to photograph Gracey Manor's ghosts because Ben has a “dark matter” camera that may be able to photograph ghosts.  Kent also calls in Harriet (Tiffany Haddish), a psychic with genuine abilities, and Bruce (Danny DeVito), a college historian and professor who has written a book on Gracey Manor, as additional help.

However, the ghosts of Gracey Manor immediately attach themselves to anyone who enters the mansion.  Those same ghosts are apparently afraid of an alpha ghost who is seeking one more ghost to add to his menagerie, an act that would give him ultimate power.  Can a singe mother, her son, a grieving tour guide with a ghost camera, an eccentric psychic, an odd priest, a cantankerous historian, and Madame Leota (Jamie Lee Curtis), the ghostly psychic trapped in a huge crystal ball, exercise the horrible evil that haunts Gracey Mansion?  Or will one of them have to make the ultimate sacrifice?

I have to admit that last summer, as I watched the advertisements for Haunted Mansion, I could never convince myself that it was a must-see film.  I did plan to see it... eventually because I had seen the previous take on the Disney ride, the Eddie Murphy-vehicle, The Haunted Mansion (2003).  Also, I have had my eye on Justin Simien, the director of Haunted Mansion, since I saw his 2014 film, Dear White People.  But I thought I could wait, and so I did.

Recently, I finally did see Haunted Mansion, and I am surprised by how much I like it.  It is sweet and charming, and it is one of those perfect scary family movies.  I love it.  July 28, 2024 was the one-year anniversary of Haunted Mansion original theatrical release, and the film was a huge box office disappointment.  The mistake was Disney releasing the film against 2023's box office behemoths, Barbie and Oppenheimer, which were still at the height of their box office powers in the last weekend of July 2023.

Haunted Mansion should have been a late September to early October 2023 theatrical release.  This film is perfect Halloween, from its kooky cast of characters to the literal 1001 ghosts with stories.  I think Tiffany Haddish gets the most eccentric mileage out of her character, the psychic Harriet.  Although, LaKeith Stanfield can be a bit stiff at times, the way he plays Ben Matthias brings some center and balance to the wackiness and supernatural craziness.

Jamie Lee Curtis shines in her small role as the ghostly psychic, Madame Leota, and Owen Wilson as Father Kent and Danny DeVito as Bruce are pitch perfect.  Rosario Dawson and Chase Dillon are perfectly “Disney normal” as the mother and son combo of Gabbie and Travis.

Writer Katie Dippold's screenplay, Justin Simien's direction, and the rest of the film's creative crew deliver a haunted house film that is as lavish in its production values as it is rich in chills and thrills.  The cast fills that haunted house with the consummate scary movie characters.  The Haunted Mansion 2003 was a bit of a box office disappointment, but it has gone on to become a Disney television Halloween favorite.  Given time, Haunted Mansion 2023 will also become a beloved Disney Halloween trick-or-treat. 

8 of 10

A

★★★★ out of 4 stars

Tuesday, August 13, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from September 12th to 18th, 2021 - Update #22

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From  VanityFair:  The site has a "first look" at Guillermo Del Toro's upcoming film, "Nightmare Alley."

From Variety:  The first trailer for Del Toro's "Nightmare Alley" has arrives.  The film is due December 17, 2021.

MOVIES - From Deadline:   Denis Villeneuve's "Dune" has opened in France.

ANIMATION - From HuffPost:   Disney's reboot of its animated hits series "The Proud Family," (2001-05) will feature a number of prominent guest stars, including Lizzo, Lil Nas X, and Gabrielle Union, to name a few.  The reboot arrives in 2022.

MOVIES - From Variety:   Whitney Houston's iconic, hit film, "The Bodyguard" (1992), is being remade.  Lawrence Kasdan, the writer-producer of the original film, is returning to produce.

VIDEO GAMES - From Deadline:   Anthony Mackie will star in and executive produce Sony Pictures Television and Playstation Productions' live-action television series adaptation of the video game, "Twisted Metal."

TRAILER - From BoxOfficePro:   Walt Disney Studios has released a new poster and a new trailer for Steven Spielberg's "West Side Story."

MOVIES - From Deadline:   "Firestarter" reboot lead Ryan Kiera Armstrong and 2013 "Evil Dead" star Shiloh Fernandez have joined Nicolas Cage in the action-western, "The Old Way."

MOVIES - From Deadline:   Producer/director Ivan Reitman and stars Arnold Schwarzenegger and Danny DeVito are prepping a sequel to their 1988 hit film, "Twins."  Entitled "Triplets," Tracy Morgan will join the mix as a long lost sibling.

ANIMATION - From Deadline:   Laika's ("Paranorman") next animated feature will be "Wildwood," an adaptation of the bestselling novel written by The Decemberists’ Colin Meloy, and illustrated by Carson Ellis.  The film will be directed by Laika President and CEO Travis Knight.

MOVIES - From Deadline:  Christopher Nolan has chosen Universal Pictures to finance and distribute his next film, which focuses on J. Robert Oppenheimer and his role in the development of the atomic bomb during World War II.

COVID-19 - From YahooEntertainment:   Colorado-based Bob Enyart has become at least the fifth well-known right wing radio talk show host to die from complications of COVID-19 after opposing vaccines and other COVID-related public safety health measures.

NETFLIX/ANIME - From Variety:  Actress Hayley Atwell ("Agent Carter") will be the voice of "Lara Croft" in Netflix's "Tomb Raider" anime.

LGBTQ - From Deadline:   Actress Raven-Symone said that Disney offered to make her character, "Raven Baxter," from the classic Disney television series, "That's So Raven" (2003-07), a lesbian for the spinoff "Raven's Home," which currently airs on Disney Channel.  She says she declined the offer.

BOX OFFICE - From BoxOfficePro:  The winner of the 9/10 to 9/12/2021 weekend box office is Disney/Marvel Studios' "Shang-Chi and the Legend of the Ten Rings" with an estimated take of $35.8 million dollars.

From BoxOfficePro:  Disney has announced that its remaining 2021 theatrical releases will be exclusive to movie theaters for a 30- or 45-day exclusivity window.  Most of the remaining films will be exclusive to theaters for 45 days.

From Negromancer:  My movie review of Shang-Chi.

EMMY AWARDS - From Deadline:   Here is a complete winners' list from the two-day, three-part ceremony for the 2021 Creative Arts Emmy Awards.

From Deadline:  Netflix and its series, "The Queen's Gambit," leads round one (of three) the 2021 Creative Arts Emmy Awards. 

MOVIES - From WeGotThisCovered:  The release of Oscar-winner Guillermo del Toro's next film, "Nightmare Alley," has been pushed back a little, from Dec. 3rd to Dec. 17th.

MOVIES - From Deadline:   Christopher Nolan is shopping his next project around Hollywood.  It focuses on J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.

OBITS:

From Variety:   Actress, singer, and dancer, Jane Powell, has died at the age of 92, Thursday, September 16, 2021.  She made her film debut as a teenage singer in the musical, "Song of the Open Road" (1944). Powell went onto appear in a number of MGM musicals, such as "A Date with Judy" (1948), "Royal Wedding" (1951), "Seven Brides for Seven Brothers" (1954), and "Hit the Deck" (1955).  She was one of the last surviving stars of the "Golden Age of Hollywood."

From Deadline:  Actor and comedian, Norm Macdonald, has died at the age of 61, Wednesday, September 14, 2021, after a reported decade-long battle with cancer.  He was a cast member of "Saturday Night Live" from 1993 to 1998, and was best known for his three seasons as the show's anchor for the "Weekend Update" segment.  Macdonald also wrote for "The Dennis Miller Show" and "Roseanne." and he had a number of recurring television roles, including on ABC's former sitcom, "The Middle" and on Cartoon Network's "Mike Tyson Mysteries."

Review: "Anything Else" is Familiar Woody Allen

TRASH N MY EYE No. 119 (of 2004) by Leroy Douresseaux

Anything Else (2003)
Running time:  108 minutes 91 hour, 48 minutes)
MPAA – R for a scene of drug use and some sexual references
WRITER/DIRECTOR:  Woody Allen
PRODUCER:  Letty Aronson
CINEMATOGRAPHER:  Darius Khondji
EDITOR:  Alisa Lepselter

COMEDY/ROMANCE

Starring:  Woody Allen, Jason Biggs, Fisher Stevens, Anthony Arkin, Danny DeVito, Christina Ricci, Kadee Strickland, Jimmy Fallon, Diana Krall, William Hill, Stockard Channing, Maurice Sonnenberg, Kenneth Edelson, David Conrad, and Joseph Lyle Taylor

The subject of this movie review is Anything Else, a 2003 romantic comedy from writer-director Woody Allen.  The film is a contemporary romantic comedy set in New York City and follows an older guy as he guides his younger protégé through a messy and hilarious love story.

Woody Allen’s Anything Else is a movie about two relationships.  First, there is the friendship between an aged, aspiring comedy writer, David Dobel (Woody Allen), and a young, struggling comedy writer, Jerry Falk (Jason Biggs, American Pie).  Dobel is apparently severely paranoid, but he dispenses much wisdom and advice to Falk, who is in the middle of a messy situation.  That situation is the second relationship upon which the film focuses.  Falk is deeply in love with Amanda (Christina Ricci), a young actress who is insecure about her weight, among others things.  Amanda also claims to be uptight and insecure about her relationship with Jerry, but she may only be using that as a cover for having one or several affairs.

Anything Else isn’t among Allen’s best work, but it’s better than his least work – sort of in the middle.  It’s intermittently funny, sometimes outrageous, but too often dull and dry.  Allen’s dialogue, is as usual, crackling, but it takes almost half the film before the witty repartee begins to flow.  When Allen is not the lead in his film or if he’s not in his film, he usually has another character stand in for him.  While Allen is in Anything Else as David Dobel, Jason Biggs’ Jerry Falk is the Woody character or character type we’ve seen in films like Annie Hall or Manhattan.  Biggs does a passable job in this role, but that’s all; thankfully Woody is so good at writing himself, even for other actors to play, that the film doesn’t fall apart.  But nor does it ever really come together as anything more than several scenes that would make good exercises for an acting class.

Christina Ricci steals the show, although her performance takes a bit of time to get going.  Despite its obvious flaws, Anything Else is worth seeing, not only for Allen fans, but also for fans of Ms. Ricci.

6 of 10
B

Updated:  Wednesday, July 24, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Likeable Characters Make "The OH in Ohio" (Happy B'day, Parker Posey)

TRASH IN MY EYE No. 10 (of 2007) by Leroy Douresseaux

The OH in Ohio (2006)
Running time: 89 minutes (1 hour, 29 minutes)
MPAA – R for sexual content, language, and some drug content
DIRECTOR: Billy Kent
WRITERS: Adam Wierzbianski; from a story by Sarah Bird, Billy Kent, and Adam Wierzbianski
PRODUCERS: Miranda Bailey, Francey Grace, and Amy Salko Robertson
CINEMATOGRAPHER: Ramsey Nickell (director of photography)
EDITORS: Paul Bertino and Michael R. Miller
COMPOSER: Bruno Coon

COMEDY with elements of romance

Starring: Parker Posey, Paul Rudd, Mischa Barton, Miranda Bailey, Liza Minnelli, Keith David, Tim Russ, and Danny DeVito

The subject of this movie review is The OH in Ohio, a 2006 indie comedy from director Billy Kent. The film stars Parker Posey and Paul Rudd as a couple whose problems with the orgasm causes them marital strife.

Pricilla Chase (Parker Posey) has fashioned the perfect life for herself. She married her high school sweetheart, biology teacher Jack Chase (Paul Rudd), and she’s a high-powered advertising executive. Pricilla, however, has left something out of her life – her orgasm, and Jack claims that her inability to have an orgasm has ruined their marriage. While Jack goes off rediscovering his manhood with a smart young coed, Kristen Taylor (Mischa Barton), Pricilla sets off to discover self-pleasure and along the way falls for the unlikeliest lover, Wayne the Pool Guy (Danny DeVito).

The OH in Ohio is an entertaining indie film, one of those that appeals to a much wider audience than the small one that had a chance to see it during a limited theatrical run and film festival showings. Although the script is funny, the strength of the picture comes from the ability of the actors to make the most of their parts – another trait of indie flicks. Each actor takes his or her part, regardless of size, and gives it some zing and zest so that the character engages the viewer and sticks in his mind throughout the movie, even if the character only appears on screen once or twice.

Credit goes to director Billy Kent for allowing his actors to make use of their ability to take characters off the written page and embellish them. Although the leads are good, Mischa Barton as Kristen Taylor and Keith David as Coach Popovitch (hilariously blunt and randy) sparkle in support of the leads. The OH in Ohio is what many indie films are – movies defined by their quirky characters (think Little Miss Sunshine), and this is a movie for people who love characters.

6 of 10
B

Monday, January 15, 2007

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Review: Visually Splendid "Batman Returns" is not Wholly Splendid

TRASH IN MY EYE No. 33 (of 2003) by Leroy Douresseaux

Batman Returns (1992)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG-13
DIRECTOR: Tim Burton
WRITERS: Daniel Waters; from a story by Sam Hamm and Daniel Waters (based upon the Batman characters created by Bob Kane and Bill Finger)
PRODUCERS: Denise Di Novi and Burton
CINEMATOGRAPHER: Stefan Czapsky
EDITORS: Bob Badami and Chris Lebenzon
COMPOSER: Danny Elfman
Academy Award nominee

SUPERHERO/CRIME/ROMANCE with elements of action

Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Michael Murphy, Pat Hingle, Vincent Schiavelli, Paul Reubens, and Diane Salinger

The subject of this movie review is Batman Returns, a 1992 superhero film directed by Tim Burton and starring Michael Keaton as Batman/Bruce Wayne. It is a sequel to the 1989 film, Batman, which was also directed by Burton.

When The Penguin (Danny DeVito) rises from the sewers of Gotham City, Batman (Michael Keaton) must battle him and as nefarious cohorts, the conniving industrialist Max Shreck (Christopher Walken) and the feminist empowered Catwoman (Michelle Pfeiffer), as they help Penguin run a very popular candidate in the Gotham mayoral race.

Unlike his first Batman film, Tim Burton had more control over Batman Returns, and it’s quite obvious. Stylistically, Batman Returns is closer to Beetlejuice and Edward Scissorhands than Batman is, which was Burton’s first film after Beetlejuice. However, Batman Returns has more rank humor than the original, and the sexual innuendo ranges from juvenile to forced. Batman was sly and occasionally witty; it was dark but not morbid as Returns is.

Still, the combination of Burton and screenwriter Daniel Waters (a writer with a darkly humorous and imaginative sense) create a Batman film like no other. This one is a dark fairytale immersed in issues of identity, empowerment, abandonment, class privilege, social and gender discrimination, and sexual politics. The story has a lot of nice ideas, maybe too many. It flits from one to the other, leaving one half developed or dismissed, only to be cobbled up later and still make little sense. It’s as if Batman Returns needed a rewrite or received too many in an attempt to make it less complicated and more like the summer blockbuster geared towards selling merchandise that it was supposed to be.

I like it more now than I did when I first saw it in 1992, when I thought it was an over produced mess; now I think it’s over produced and a bit messy. The production designs of Bo Welch (Beetlejuice), art decoration by Rick Heinrichs, and set decoration by Cheryl Carasik look beautiful and exquisite, everything from the abandoned zoo to Gotham’s many store fronts, each one of them decorated for the Christmas season. The cinematography by Stefan Czapsky (He would later shoot Burton’s masterpiece Ed Wood) is drenched in gorgeous blues, luminous white light, and slinky shadows that cover the town like sensuous drapery. Batman Returns looks like a children’s storybook painted by a master.

But in the end, Batman Returns is clunky in spirit and execution. It doesn’t flow or have a rhythm, and the acting is also too hit or miss. That goes for everyone, especially the villains. Burton publicly acknowledged not really caring for the Batman character, and it shows. For much of his film, the hero is an afterthought or merely window dressing, only there because the studio demands it. How else can you sell Batcrap if Batman’s not in the movie. Oh, well. I’ll look at this as a beautiful misfire and a brilliant mistake. I’ll watch it again, if only to pine away at what could have been.

5 of 10
B-

NOTES:
1993 Academy Awards: 2 nominations: “Best Effects, Visual Effects” (Michael L. Fink, Craig Barron, John Bruno, and Dennis Skotak) and “Best Makeup” (Ve Neill, Ronnie Specter, and Stan Winston)

1993 BAFTA Awards: 2 nominations: “Best Make Up Artist” (Ve Neill and Stan Winston) and “Best Special Effects” (Michael L. Fink, John Bruno, Craig Barronm, and Dennis Skotak)

1993 Razzie Awards: 1 nomination: “Worst Supporting Actor” (Danny DeVito)

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Review: "Get Shorty" Still Stands Tall (Happy B'day, John Travolta)

TRASH IN MY EYE No. 48 (of 2005) by Leroy Douresseaux

Get Shorty (1995)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for language and some violence
DIRECTOR: Barry Sonnenfeld
WRITER: Scott Frank (based upon the novel by Elmore Leonard)
PRODUCERS: Danny DeVito, Michael Shamberg, and Stacey Sher
CINEMATOGRAPHER: Donald Peterman
EDITOR: Jim Miller
Golden Globe winner

CRIME/COMEDY with elements of drama

Starring: John Travolta, Gene Hackman, Rene Russo, Danny DeVito, Dennis Farina, Delroy Lindo, James Gandolfini, Jon Gries, David Paymer, Renee Props, Martin Ferrero, Miguel Sandoval, and Jacob Vargas with (uncredited) Bette Midler, Harvey Keitel, and Penny Marshall

Get Shorty is a 1995 crime comedy starring John Travolta. The film is based upon the 1990 novel, Get Shorty, by Elmore Leonard.

Ten years later, Get Shorty, is still as slick and as cool as it was the day it debuted. Although it’s 2005 sequel, Be Cool, is filled with hilarious characters and situations, Get Shorty emphasized polished filmmaking, laid back acting, and subtle comedy to make it more of a humorous comedy than the riotous laugh fest its sequel is. Get Shorty fits right in with several other adult crime films from the mid to late 90’s because it doesn’t pretend to be for everyone, so it didn’t pander to juveniles and those with juvenile mindsets. With an emphasis on sharp writing, adult situations, engaging characters, snappy dialogue, and non-gratuitous violence, these films, which included The Negotiator, Jackie Brown, and Out of Sight, were a welcomed treat for adult viewers.

In Las Vegas to collect a debt for his boss, Ray “Bones” Barboni, Chili Palmer (John Travolta), a cool Miami loan shark/shylock, agrees to collect another bad debt, this one from trash movie producer Harry Zimm (Gene Hackman) in Los Angeles. Zimm gets lucky because Chili is a movie buff and pitches a movie idea to Zimm. They become partners and Chili easily slips into the life of a film producer. He schmoozes stars, gets reservations to all the best restaurants, and romances B-movie scream queen, Karen Flores (Rene Russo). Chili however isn’t the only mobster who wants in on the movie business. Harry Zimm owes another shady lender, Bo Catlett (Delroy Lindo), money, and Catlett wants to force his way in on a deal for a hot script Zimm has. Add Catlett to a mix of angry drug dealers, relentless DEA agents, vain movie star Martin Weir (Danny DeVito), double and triple crossing, and Ray Bones showing up in town looking for him, and Chili will need to use all his wiles to get his way.

In Get Shorty, the cast members use their star power and screen personas to add zest to these characters that were born in the mind of Elmore Leonard, a novelist who creates memorable characters for his numerous novels. Director Barry Sonnenfeld gives the film an easy mood, and allows his cast to give performances that crackle. John Travolta embodies that don’t-give-a-shit attitude of confident thug. Gene Hackman is funny, sly, and adds subtle touches that make Harry Zimm zing.

In the final analysis, the film does come across as too glossy. It rushes to a tacked-on happy ending, and the characters beg to be better known or more developed. It’s because the cast make these stock characters as flavorful as they are in Leonard’s novels (although in smaller servings) that Get Shorty is still such fun to watch.

8 of 10
A

NOTES:
1996 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Travolta); 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Screenplay - Motion Picture” (Scott Frank)

April 3, 2005

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"Be Cool" Never Heats Up

TRASH IN MY EYE No. 33 (of 2005) by Leroy Douresseaux


Be Cool (2005)
Running time: 114 minutes (1 hour, 54 minutes)
MPAA – PG-13 for violence, sensuality, and language including sexual references
DIRECTOR: F. Gary Gray
WRITER: Peter Steinfeld (from the novel by Elmore Leonard)
PRODUCERS: Danny DeVito, David Nicksay, Michael Shamberg, and Stacey Sher
CINEMATOGRAPHER: Jeffrey L. Kimball
EDITOR: Sheldon Kahn

CRIME/COMEDY

Starring: John Travolta, Uma Thurman, Vince Vaughn, Cedric the Entertainer, André (3000) Benjamin, Steven Tyler, Christina Milian, Harvey Keitel, Dwayne “The Rock” Johnson, Paul Adelstein, Danny DeVito, Robert Pastorelli, James Woods, and Debi Mazar with Joe Perry and Aerosmith, The Black Eye Peas with Sergio Mendes, The RZA, Kobe Bryant, and Seth Green

Be Cool is a 2005 crime comedy and is also a sequel to the 1995 film, Get Shorty. It is adapted from the 1999 novel of the same name by Elmore Leonard.

Ten years after Get Shorty, the sequel, Be Cool, shows up at theatres. Both films are based upon novels by Elmore Leonard, whose books have long been a source of film materials for Hollywood. Be Cool is not as witty and as sharp as Get Shorty, but it certainly tries to be the same blunt comic crime caper that the latter was. It has the characters, the cast, and some truly sidesplitting comedy, but ultimately, a faulty script and clunky directing mar a film that was so close to being a really fine crime comedy.

Chili Palmer (John Travolta), the Miami-based shylock who came to Hollywood and charmed and bullied his way into filmmaking, is now tired of the movie business. He’s interested in music, and when Tommy Athens (James Woods), a friend who owns a record label, is murdered by Russian mobsters before Chili’s eyes, that homicide opens the door for him. Chili meets Linda Moon (Christina Milian), a struggling singer stuck with a wannabe Negro named Raji (Vince Vaughn) for a manager. Chili, in his usual way, relieves Raji of Linda’s contract with him, and becomes her new manager.

Chili makes his next connection with Tommy’s widow, Edie Athens (Uma Thurman), who after some convincing is ready to take on Chili and Linda. However, there is the issue of Linda contract with Raji, and Raji’s partner, Nick Carr (Harvey Keitel) who isn’t crazy about letting go off a potential star. Edie also has another big problem: Tommy owed $300,000 to Sin LaSalle (Cedric Entertainer), a very successful, but violently inclined record producer. Raji, Nick, and Sin all see Chili as their problem; as they angle towards him, he’ll try to make Linda a star, woo Edie, and get his way, always dealing with violence and pressure by his motto, be cool.

There are probably a lot more belly laughs in Be Cool than Get Shorty, and that makes it worth seeing. The cast is littered with star turns and novel and hilarious supporting performances, especially Vaughn as Raji and The Rock as his gay, wannabe actor bodyguard, Elliot Wilhelm. Christina Milian holds her own; she works in this movie because her confidence makes her come across as a fine singer and actress, even if there might be stronger singing voices and better young actresses than her.

Travolta reportedly suggested Uma Thurman as his leading lady for Be Cool because they could recapture their screen chemistry from Pulp Fiction, which restarted Travolta’s career and boosted Ms. Thurman’s, but they don’t. Yes, a rapport and friendliness exist between them, but they are sluggish here. Travolta is Chili Palmer, but he’s on automatic here, older and heavier. Even Thurman looks strained, only managing about half the time to have the perkiness, determination, and raw magnetism that show themselves in her collaborations with Quentin Tarantino.

The lion’s share of the blame from this go to writer Paul Steinfeld and director F. Gary Gray. They never seem to be able to integrate the music business element into this plot (after all it’s about Chili getting in the music business), and the film’s musical numbers (except the Aerosmith/Christina Milian performance) and music videos ring hollow. This is a gangster film with laughs, lots of them, but these hilarious and likeable characters don’t seem to be in music because the music industry isn’t in this film the way the movie business was clearly and strongly a part of Get Shorty. Still, Travolta, Ms. Thurman, and a supporting cast of wacky players make this a crime comedy worth seeing, even if you can’t make it to the theatre.

5 of 10
B-

IMDb Celebrates 20 Years with the Stars

Press release:

20 A-List Actors, Writers, Directors and Producers Count Down to 20 Years of IMDb

IMDb’s 20th Anniversary Celebration Features Kevin Spacey, Will Ferrell, Josh Brolin, Susan Sarandon, Tim Roth, Oliver Stone and many more

SEATTLE--(BUSINESS WIRE)--IMDb.com, Inc. (http://www.imdb.com/), the authoritative source of information on movies, TV and celebrities, and part of the Amazon.com, Inc. group of companies, today announced and launched IMDb20, the company’s 20-year anniversary campaign. Beginning today, IMDb will treat fans to an original video interview with a different A-list artist each day, culminating on Oct. 17, 2010, (the date of IMDb’s 20th anniversary). The goal of the online countdown and companion editorial section is to celebrate the films of the past 20 years.

"We are humbled by the fan and industry support we have received over the past 20 years," said Col Needham, IMDb’s founder and CEO. "With our first-ever foray into original video content, we’re celebrating our collective love of film and bringing fans even closer to their favorite artists."

"IMDb saved me an insane amount of time in my life," said director Kevin Smith. "I think of every fight I ever got in with somebody who just didn’t have a crucial piece of movie information at their fingertips. I said one thing. They said another. Loggerheads. Relationships destroyed. IMDb comes along and just immediately solves that. It’s an insanely useful tool. I hit it everyday. It’s my homepage. Because that’s my stock-in-trade. That’s my currency. What I speak is movies."

"I go to IMDb more than you should," said Danny DeVito. "I go at least a couple of times a day. Sometimes many more than that. It’s because of the things I talk about with folks. I’m always dealing with actors, movies and what not. And I want to find out things about people and projects. It’s my go-to place to find out all kinds of information."

Original Celebrity Content and Online Countdown
Participating celebrities sat down for an exclusive video interview with IMDb in which they discussed personal topics pertaining to film, including: Favorite films, performances and lines of movie dialogue; who makes them starstruck; roles they would have liked to play; and much more.

Each day, an exclusive celebrity interview will premiere on IMDb’s homepage and at www.imdb.com/20.

User-Generated List-Making Tool & Special Editorial Section
Fans can tune in each day at www.imdb.com/20 to watch the IMDb Star of the Day video interview. Users will be invited to create their own Top 20 film lists via IMDb’s just-launched list-making tool. Fans can also conveniently share lists and the original celebrity video interview of the day on a variety of social networks.

IMDb’s expert editorial team has created a year-by-year retrospective featuring the following for each year that IMDb has been in operation: Box Office Returns; The Year in Movies; Trivia; Trailers, Top 20 Lists, Photo Galleries; Editorial Lists; Notable and Influential Films; Award-Winners; The Year in IMDb History; and In Memoriam.

To discover and share exclusive IMDb20 content and watch today’s Star of the Day interview, go to: www.imdb.com/20


About IMDb.com
IMDb (http://www.imdb.com/) is one of the most popular online entertainment destinations, with over 57 million unique visitors each month. IMDb offers a searchable database of over 1.5 million movies, TV and entertainment programs and over 3.2 million cast and crew members, making it the Web's most comprehensive and authoritative source of information on movies, TV and celebrities. IMDb features include cast lists, photographs, quotes, trivia, reviews, box-office data, celebrity biographies, coverage of film festivals and major events, and the ability for users to watch trailers, clips and thousands of full-length TV episodes and movies for free. IMDb also offers IMDbPro (http://www.imdbpro.com/), a site designed specifically for entertainment industry professionals, and IMDb Resume (www.imdbresume.com), a service that enables actors and crew members to promote themselves directly to IMDb's audience of movie lovers and movie professionals. Subscribers to IMDbPro now also get all of the benefits of Resume as well. IMDb.com is operated by IMDb.com, Inc., a wholly-owned subsidiary of Amazon.com, Inc. (NASDAQ:AMZN) (http://www.amazon.com/).

Review: Tim Burton's "Big Fish" Out of Water

TRASH IN MY EYE No. 3 (2004) by Leroy Douresseaux

Big Fish (2003)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for a fight scene, some images of nudity and a suggestive reference
DIRECTOR: Tim Burton
WRITER: John August (from a novel by Daniel Wallace, Big Fish: A Novel of Mythic Proportions)
PRODUCERS: Bruce Cohen, Dan Jinks, and Richard D. Zanuck
CINEMATOGRAPHER: Philippe Rousselot
EDITOR: Chris Lebenzon
COMPOSER: Danny Elfman
Academy Award nominee

DRAMA with elements of comedy and fantasy

Starring: Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Alison Lohman, Helena Bonham Carter, Robert Guillaume, Marion Cotillard, Matthew McGroroy, David Denman, Steve Buscemi, Danny DeVito, Ada Tai, Arlene Tai, Deep Roy, and Hailey Ann Nelson

Tim Burton is an imaginative, creative, and innovative filmmaker, but his eccentric vision is traditionally wasted on studio fare. He’s sometimes managed to make average to very good movies out of junk, as in Planet of the Apes. He’s made visually appealing films that sadly misfire, Mars Attacks. He’s made fairy tales and fables into visually appealing films like Edward Scissorhands and Sleepy Hollow. He occasionally makes a films that live up to people’s expectations of him as a great filmmaker, as in Beetlejuice and Ed Wood. His new film Big Fish belongs in the category with Planet of the Apes.

Will Bloom (Billy Crudup) has a father Ed Bloom (Albert Finney) who likes to spin tall yarns. It’s how Ed tells the story of his life, mixing tall tales (or big fish stories) with what actually happened; that must mean his stories have a life lesson somewhere inside. As the Young Ed (Ewan McGregor), he claims to have had many adventures: as a star athlete, as a circus worker, and as a soldier. Will grows to hate those stories and what he sees as his father’s dishonesty. He goes away, until his mother Sandra (Jessica Lange) calls Will and his wife Josephine (Marion Cotillard) home because Ed is dying. Ed wants to make peace with his father, so he tries again to figure out fact from fiction, but maybe he’s missing the point.

For all his visual aplomb and quirkiness, Tim Burton made a pleasant, but ultimately safe father-son movie with a few oddball characters thrown into the mix. And when it’s all said and done, there’s nothing really odd about them other than they might not look or act like the average folks. On the surface, they may appear strange, but underneath, they’re just your typical country witticism-spewing role players. There’s potential in each one, but Burton wastes it by making them less dangerous. Fairy tales and oddities are dangerous because they challenge our preconceived notions of what is and what is not. To make them little more than weird looking is to take away what makes them truly different and all you have left is fluff.

It’s not entirely Burton’s fault; he’s admitted before that he wouldn’t know a good screenplay if he saw one, and weak screenplays are often the biggest flaw of his films. He focuses on making his movies look unusual, but the story ultimately fails to live up to his visual promise.

The acting in Big Fish is pretty good, but it’s wasted. How can you have a major talent like Jessica Lange and regulate her to making sad faces with sad smiles. Don’t get me started on Robert Guillaume playing the patient and wise Negro who just so happens to say those typically wise-Negro words that finally make Will “get it” about his father.

Big Fish isn’t bad; it’s just pleasant. It’s not a bad time at the movies. There are some laughs and some clever moments. There’s a bit of magic in the air, but be careful you don’t choke on maudlin and sentiment.

5 of 10
C+

NOTES:
2004 Academy Awards: 1 nomination for “Best Music, Original Score” (Danny Elfman)


2004 BAFTA Awards: 7 nominations: “Best Achievement in Special Visual Effects” (Kevin Scott Mack, Seth Maury, Lindsay MacGowan, and Paddy Eason), “Best Film” (Bruce Cohen, Dan Jinks, and Richard D. Zanuck), “Best Make Up/Hair” (Jean Ann Black and Paul LeBlanc), “Best Performance by an Actor in a Supporting Role” (Albert Finney), “Best Production Design” (Dennis Gassner), “Best Screenplay – Adapted” (John August), and “David Lean Award for Direction” (Tim Burton)


2004 Golden Globes: 4 nominations: “Best Motion Picture - Musical or Comedy,” “Best Original Score - Motion Picture” (Danny Elfman), “Best Original Song - Motion Picture” (Eddie Vedder for the song "Man of the Hour"), and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Albert Finney)

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