Showing posts with label David Duchovny. Show all posts
Showing posts with label David Duchovny. Show all posts

Thursday, August 31, 2023

Negromancer News Bits and Bites from August 27th to 31st, 2023 - Update #9

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From Variety:  Meg Ryan returns to movie theaters as director, writer, and co-star of the romantic-comedy, "What Happens Later," co-starring David Duchovny. The film is due Oct. 13th.

STREAMING - From Deadline:  Hulu has cancelled the Elle Fanning-Nicholas Hoult drama, "The Great," after three seasons.

DISNEY - From Deadline:  Another Disney investor suit targets Disney, CEO Bob Iger, and former CEO Bob Chapek over "alleged sleight of hand accounting" used to hide streaming losses.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/25 to 8/27/2023 weekend box office is Sony Pictures' "Gran Turismo" with an estimated take of 17.3 million dollars. That could change because today (Sunday, Aug. 27th) is the second annual "National Cinema Day," in which tickets at participating theaters is $4.

From THR:  Director Greta Gerwig's "Barbie" is now Warner Bros. Pictures' most successful film at the global box office.  It's has passed the 1.342 billion that "Harry Potter and the Death Hallows - Part 2" grossed globally.

DISNEY - From Deadline:  Disney continues the Disney+ content purge.  It is not going forward with "Nautilus," the live-action "Captain Nemo" series from the United Kingdom that it commissioned two years ago.

SCANDAL - From Deadline:  The fall of former Disney Channel child star, Mitchel Musso, continues with an arrest in Texas for multiple charges, including "public intoxication."

ANIMATION - From Deadline:  The hit Adult Swim (Cartoon Network) animated series "Rick and Morty," will return for its Season 7 on Sunday, Oct. 15 at 11 p.m. ET/PT with all new episodes.

OBITS:

From Deadline:  American television game show host and animal rights activist, Bob Barker, has died at the age of 99, Saturday, August 26, 2023.  He is best known for his 35-year stint hosting the CBS daytime game show, "The Price is Right." He also hosted the former CBS/NBC/syndicated game show, "Truth or Consequences," from 1956 to 1975.  He received 43 Daytime Emmy Award nominations. He won the award for "Outstanding Game Show Host" 14 times as the host of "The Price is Right," and he won four "Outstanding Game Show" Emmy Awards as executive producer of "The Price is Right."

From Deadline:  Film and television actress and writer and voice actress, Arleen Sorkin, has died at the age of 68, Thursday, August 24, 2023.  Arleen is best known as the voice actress who originated the role of the character, Harley Quinn, first on "Batman: The Animated Series" (1992-95).  She performed the voice for Harley Quinn in at least 50 times for TV, film, webseries, and videogames.  Harley Quinn's co-creator, Paul Dini, also used Arleen as inspiration for the character.  Sorkin is also known for playing the soap opera character, Calliope Jones, over 400 times over a 26-year period on the former NBC soap, "Days of Our Lives."  Sorkin received two Daytime Emmy Award nominations and one News and Documentary Emmy Award nomination.

WRITERS/ACTORS STRIKE:

From THR:  As talks with the Writers Guild of America stall, the studio trade association, AMPTP, has retained D.C.-based firm, The Levinson Group, to pursue a fresh messaging strategy.

From Deadline:  Regarding the Hollywood writers strike, the AMPTP (representing the studios) released the details of a proposed labor agreement that it made to the WGA (the Writers Guild) on August 11th.

From Deadline:  A pair of former production assistants-turned-assistant directors have created a nonprofit in hopes of providing financial aid to PAs (production assistants) who’ve been put out of work due to the strike.

From Deadline:  Writers Guild (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) will resume strike talks today, Fri., Aug. 11th.

From Deadline:  Meeting for the first time in more than three months, the Writers Guild and the AMPTP on Friday failed to reach an agreement to resume contract negotiations. The Writers Strike will go on indefinitely.

From Deadline:  Hollywood’s superstars are answering the call from the SAG-AFTRA Foundation, donating $1 million or more each to help their fellow performers during the ongoing actors and writers strikes.  Among the big donors are Leonardo DiCaprioMeryl StreepOprah Winfrey, and Ryan Reynolds and Blake Lively.

From Deadline:  If you are interested, here is a list of the film and TV productions SAG-AFTRA has granted waivers to continue filming.

From Variety:  International superstar, Dwayne Johnson, makes a seven-figure contribution to the "SAG-AFTRA Foundation Relief Fund." Foundation president, actor Courtney B. Vance, says the amount will remain confidential.

From Variety:  Why haven't A-list stars joined the SAG-AFTRA picket line?, asks "Variety."

From Deadline:  Author George R.R. Martin, whose works were the basis for HBO's "Game of Thrones," says the strikes will be long and bitter.

From THR:  Production works at Warner Bros. Animation (66) and at Cartoon Network (22) have gone public with their attempt to unionize via The Animation Guild.

From Variety:  Halted film productions due to the writers and actors strikes are costing each Hollywood studio at least 600,000 dollars per week.

From Variety:  Said at a strike meeting: “Without a transformative change in SAG-AFTRA’s current contract with the AMPTP, the acting profession will no longer be an option for future generations of performers, and actors already working in the industry will need to pursue other careers in order to survive.”

From Deadline:  If you are a "social media influencer" who is NOT  a member of SAG-AFTRA, you can be barred from future membership for promoting a film or television series during the actors' strike.

From Variety:  The SAG/AFTRA strike begins in New York and Los Angeles.  Hollywood actors began striking today, Fri., July 14th.

From Deadline:  The site has the video of the powerful strike speech given by SAG-AFTRA president, Fran Drescher, the actress best known for CBS' former sitcom, "The Nanny."

From Deadline:  Concerning the Hollywood writers strike (via the WGA), the Hollywood Studios (as represented by the AMPTP) is to let the writers go broke before resuming talks deep into the Fall.

From Deadline: SAG-AFTRA is already preparing strike picket signs in case the actors' strike begins next week.

From Deadline:  WGA is picketing the New York City filming location of the 12th series of FX's "American Horror Story" (entitled "Delicate") after series co-creator Ryan Murphy threaten litigation against an east coast strike captain.

From THR:  TV super-producer, Ryan Murphy, in a letter from his attorney to the leadership of the Writers Guild of America, threatened litigation against Warren Leight, an East Coast strike captain and Strike Rules Compliance Committee member who has subsequently forfeited those positions.

From Deadline:  The Hollywood studios via the AMPTP has given Canadian actors a new contract, including a 5 percent raise.

From Deadline:  Writers Strike puts the spotlight back on the challenge from writers for animation productions to be covered by the WGA.

From THR:  Studios won't give writers better pay, and now, are laying off janitors.

From Deadline:  The Directors Guild of America (DGA) has reached a tentative new three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP). So what does the Writers Guild (WGA), currently on strike and negotiating with the AMPTP, think of that deal.

From Deadline:  Netflix shareholders declined to support the 2023 pay packages of top executives during a non-binding vote at the company’s annual shareholder meeting on Thursday.  The vote won't prevent these execs from getting their loot (an total of $166 million), but this is a rare public rebuke.  The Writers Guild of America (WGA) has urged shareholders to vote "No" because the pay was "inappropriate" at this time.

From Deadline:  Warner Bros Discovery chief David Zaslav gave the commencement address at Boston University. There he was met with jeers and also chants of "pay your writers" from picketers and from some in the audience.

From Deadline:   President Joe Biden speaks on the Writers Guild of America strike.

From Deadline:  Retaliation! The studios have starting informing writer-producers who have "overall" and "first-look" deals that such deals are being suspended.

From Deadline:  Retaliation!  Prolific HBO creator, David Simon, who is best known for "The Wire," is one of the many writers who have had their overall deals suspended the studios due to the WGA strike.  Simon has been with HBO for 25 years.

From Deadline:  The Writers Guild of America (WGA) is on strike.

From Deadline:  Disney, HBO/HBO Max, and CBS have sent letters to showrunners (the TV equivalent of film directors) instructing them to return to work, inspite of the writer's strike.

From Deadline:  The WGA's chief negotiator, Ellen Stutzman, talks about the state of the writers' strike, including the lack of engagement on the part of the strike's other party, AMPTP.

From Deadline:  What went wrong between the WGA and AMPTP? What could they not agree on that led to a strike?

From Deadline:  The site explains the WGA strike: the issues, the stakes, movies and TV shows affected, and how long it might last.

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Wednesday, October 28, 2020

"The Craft: Legacy" Hits PVOD Tonight at Midnight

Blumhouse’s and Columbia Pictures’ The Craft: Legacy from Writer/Director Zoe Lister-Jones, to Hit PVOD and EST in North America for Halloween, Starting Midnight October 28, 2020

Culver City, CA – Blumhouse Productions and Columbia Pictures announced today that The Craft: Legacy will be available widely on PVOD this Halloween with leading digital retailers for a 48-hour rental period at a suggested retail price of $19.99, and for premium digital purchase at a suggested retail price of $24.99. An international theatrical release is anticipated in several territories, with details to be solidified in the weeks ahead.

Zoe Lister-Jones’ film, from Blumhouse and Red Wagon Entertainment for Columbia Pictures, is a continuation of the cult hit The Craft (1996), in which an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers. Written and directed by Zoe Lister-Jones, the film stars Cailee Spaeny (Bad Times at the El Royale, On the Basis of Sex), Gideon Adlon (The Society, Blockers, The Mustang), Lovie Simone (Selah & the Spades, Greenleaf), Zoey Luna (Pose, Boundless), Nicholas Galitzine (Cinderella), with Michelle Monaghan and David Duchovny.

“I'm thrilled to be able to share The Craft: Legacy with audiences all over the world this Halloween," said the film’s writer and director, Zoe Lister-Jones. "It's been a true privilege to take on such an iconic title. I can't wait for the world to meet the incredible young women who make up our new coven.”

“Zoe Lister-Jones has put a bewitching twist on continuing The Craft franchise, and October is the perfect season for it,” said producer Jason Blum. “We’re thrilled that our partners at Sony Pictures are looking at the landscape opportunistically this Halloween, for audiences to watch at home in the U.S.”

Zoe Lister-Jones is writing, directing, and executive producing. Jason Blum is producing for Blumhouse. Academy Award®-winning producer Douglas Wick (who also produced the original film) and Lucy Fisher are producing for Red Wagon Entertainment. Executive producing are Andrew Fleming, who directed and co-wrote the original film; Lucas Wiesendanger, from Red Wagon Entertainment; Daniel Bekerman; Beatriz Sequeira, Jeanette Volturno, and Couper Samuelson for Blumhouse; and Natalia Anderson.
 

About Sony Pictures Entertainment:
Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group production organizations include Columbia Pictures, Sony Pictures Animation, Screen Gems, TriStar Pictures, 3000 Pictures, Stage 6 Films, AFFIRM Films, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html.

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Friday, October 2, 2020

Columbia Pictures Announces "The Craft: Legacy" for Premium Video on Demand

Blumhouse’s and Columbia Pictures’ The Craft: Legacy from Writer/Director Zoe Lister-Jones, to Hit PVOD and EST in North America for Halloween, Starting Midnight October 28, 2020

Culver City, CA – Blumhouse Productions and Columbia Pictures announced that The Craft: Legacy will be available widely on PVOD this Halloween with leading digital retailers for a 48-hour rental period at a suggested retail price of $19.99, and for premium digital purchase at a suggested retail price of $24.99. An international theatrical release is anticipated in several territories, with details to be solidified in the weeks ahead.

Zoe Lister-Jones’ film, from Blumhouse and Red Wagon Entertainment for Columbia Pictures, is a continuation of the cult hit, The Craft (1996), in which an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers. Written and directed by Zoe Lister-Jones, the film stars Cailee Spaeny (Bad Times at the El Royale, On the Basis of Sex), Gideon Adlon (The Society, Blockers, The Mustang), Lovie Simone (Selah & the Spades, Greenleaf), Zoey Luna (Pose, Boundless), Nicholas Galitzine (Cinderella), with Michelle Monaghan and David Duchovny.

“I'm thrilled to be able to share The Craft: Legacy with audiences all over the world this Halloween," said the film’s writer and director, Zoe Lister-Jones. "It's been a true privilege to take on such an iconic title. I can't wait for the world to meet the incredible young women who make up our new coven.”

“Zoe Lister-Jones has put a bewitching twist on continuing The Craft franchise, and October is the perfect season for it,” said producer Jason Blum. “We’re thrilled that our partners at Sony Pictures are looking at the landscape opportunistically this Halloween, for audiences to watch at home in the U.S.”

Zoe Lister-Jones is writing, directing, and executive producing. Jason Blum is producing for Blumhouse. Academy Award®-winning producer Douglas Wick (who also produced the original film) and Lucy Fisher are producing for Red Wagon Entertainment. Executive producing are Andrew Fleming, who directed and co-wrote the original film; Lucas Wiesendanger, from Red Wagon Entertainment; Daniel Bekerman; Beatriz Sequeira, Jeanette Volturno, and Couper Samuelson for Blumhouse; and Natalia Anderson.


About Sony Pictures Entertainment:
Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group production organizations include Columbia Pictures, Sony Pictures Animation, Screen Gems, TriStar Pictures, 3000 Pictures, Stage 6 Films, AFFIRM Films, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html.

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Thursday, June 23, 2016

Carrie Fisher, Gillian Anderson Headline Wizard World Comic Con Chicago 2016

Star Wars’ Carrie Fisher, the Cast of Back to the Future, Michael J. Fox, Christopher Lloyd, and Lea Thompson and the X-Files’ Gillian Anderson to Attend Wizard World Comic Con Chicago August 20th-21st, 2016

LOS ANGELES--(BUSINESS WIRE)--Wizard World, Inc., (WIZD) the preeminent producer of Wizard World Comic Cons across North America, is proud to announce that Star WarsCarrie Fisher will make her first Wizard World appearance ever in Chicago, where she will join the Back to the Future trio of Michael J. Fox, Christopher Lloyd, and Lea Thompson. Also, The X-FilesGillian Anderson will join the previously announced David Duchovny, Mitch Pileggi & William B. Davis for a cast reunion, August 20-21, 2016.

    @carrieffisher, @realmikefox, @GillianA among @wizardworld Chicago guest August 20-21

"Great Scott! Looking forward to meeting everyone at Wizard World in Chicago,” exclaimed Christopher Lloyd.

“We are thrilled with these amazing new guest additions,” says John Maatta, Wizard World Chairman & CEO. “The fans have come to expect the very best TV & Film stars in Chicago, and we are delivering. Stay tuned for more exciting guest announcements over the coming weeks!”

The beloved Back to the Future stars will take part in a Wizard World Q&A panel, hosted by Michael Klastorin, the production publicist on the second and third films in the series, and author of “Back to the Future: The Ultimate Visual History.” The panel will discuss entertaining behind the scenes stories of the making of the films, and reflect upon the impact the film has had on movie-going fans of all ages for more than three decades.

Located at the Donald E. Stephens Convention Center in Rosemont, IL, they will join previously announced guests including Norman Reedus (The Walking Dead), Sebastian Stan (Captain America: The Winter Soldier), Bruce Campbell (Evil Dead), the cast of Netflix’s “Marvel’s Daredevil” including Charlie Cox (Matt Murdock/Daredevil), Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Jon Bernthal (Frank Castle/The Punisher), Elodie Yung (Elektra Natchios), and Rosario Dawson (Claire Temple), and more.

To purchase Admissions and VIP Admissions for the event, set for August 18-21, and to view the schedule, location, show hours, hotel & travel info, please visit: http://wizardworld.com/comiccon/chicago


About Wizard World, Inc. (OTCBB:WIZD)
Wizard World, Inc. produces comic, gaming and pop culture conventions across North America that celebrate the best in pop-fi, pop culture, movies, television, cosplay, comics, graphic novels, toys, video gaming, sci-fi, gaming, original art, collectibles, contests and more. A first-class lineup of topical programming takes place at each event, with celebrity Q&A's, comics-themed sessions, costume contests, movie screenings, evening parties and more. Wizard World has also launched the Wizard World Store, CONtv, a digital media channel in partnership with leading independent content distributor Cinedigm™ (NASDAQ: CIDM), and ComicConBox™, a premium subscription-based monthly box service. Fans can interact with Wizard World on Facebook, Twitter, Pinterest, Instagram and other social media services.

Wizard World 2016 schedule available at: www.wizardworld.com/wizcon.html.

Forward-Looking Statements
This press release may contain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995 that involve certain risks and uncertainties. The actual results or outcomes of Wizard World, Inc. may differ materially from those anticipated. Although Wizard World, Inc. believes that the assumptions underlying the forward-looking statements contained herein are reasonable, any such assumptions could prove to be inaccurate. Therefore, Wizard World, Inc. can provide no assurance that any of the forward-looking statements contained in this letter will prove to be accurate.

In light of the significant uncertainties and risks inherent in the forward-looking statements included in this letter, such information should not be regarded as a representation by Wizard World, Inc. that its objectives or plans will be achieved. Included in these uncertainties and risks are, among other things, fluctuations in operating results, general economic conditions, uncertainty regarding the results of certain legal proceedings and competition. Forward-looking statements consist of statements other than a recitation of historical fact and can be identified by the use of forward-looking terminology such as "may," "intend," "expect," "will," "anticipate," "estimate" or "continue" or the negatives thereof or other variations thereon or comparable terminology. Because they are forward-looking, such statements should be evaluated in light of important risk factors and uncertainties. These risk factors and uncertainties are more fully described in Wizard World, Inc.'s most recent Annual and Quarterly Reports filed with the Securities and Exchange Commission, including under the heading entitled "Risk Factors." Wizard World, Inc. does not undertake an obligation to update publicly any of its forward-looking statements, whether as a result of new information, future events or otherwise, except as required by law.

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Saturday, April 23, 2016

Cast of Marvel/Netflix's "Daredevil" to Appear at Wizard World Chicago 2016

The Cast of “Marvel’s Daredevil” to Attend Wizard World Comic Con Chicago August 20th-21st

Charlie Cox, Deborah Ann Woll, Elden Henson, Jon Bernthal, Elodie Yung, and Rosario Dawson Will Be In Attendance

LOS ANGELES--(BUSINESS WIRE)--Wizard World, Inc. (OTCBB: WIZD), the preeminent producer of Comic Cons across North America, announced that the cast of Netflix’s breakout hit series “Marvel’s Daredevil” will be on the scene at Wizard World Chicago, August 18 -21, 2016, at the Donald E. Stephens Convention Center. Actors from the show scheduled to attend include Charlie Cox (Matt Murdock/Daredevil), Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Jon Bernthal (Frank Castle/The Punisher), Elodie Yung (Elektra Natchios), and Rosario Dawson (Claire Temple). All of the cast members are scheduled to appear Saturday, August 20th - Sunday, August 21st, 2016, and will meet & greet fans, sign autographs, pose for professional photographs (Photo Ops), and conduct interactive Q&A panels.

    Meet cast of @Daredevil at #wizardworld Chicago Aug. 20-21

"I am beyond excited to be with my ‘Daredevil’ cast-mates at Wizard World Chicago Comic Con; Chicago is one of my favorite cities," says Elden Henson, ‘Foggy Nelson.’ “I am so grateful to the fans for their overwhelmingly positive reaction to the show, and to Wizard World for creating an opportunity to interact with them!! I can’t wait to meet you all in August!”

“‘Marvel’s ‘Daredevil’ was one of last year’s most exciting new shows and the introduction of fan favorite characters brought to life by an amazingly talented cast,” said Randy Malinoff, COO of Wizard World. “Wizard World is always looking to provide our fans with fun and unique opportunities to interact with their favorite shows, movies, comic books, and more, so we’re thrilled they’ll have the chance to interact with this great cast.”

"Marvel's Daredevil" on Netflix is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up a practice in his hometown neighborhood of Hell's Kitchen, New York where he fights against injustice as a respected lawyer by day and a masked vigilante by night.

The “Daredevil” cast will be joined by previously announced guests including Norman Reedus (The Walking Dead), Sebastian Stan (Captain American: The Winter Soldier), David Duchovny (X-Files), Bruce Campbell (Evil Dead), and more.

To purchase tickets and to view the schedule, location, show hours, hotel & travel info, please visit: http://wizardworld.com/comiccon/chicago


About Wizard World, Inc. (OTCBB: WIZD)
Wizard World, Inc. produces comic, gaming and pop culture conventions across North America that celebrate the best in pop-fi, pop culture, movies, television, cosplay, comics, graphic novels, toys, video gaming, sci-fi, gaming, original art, collectibles, contests and more. A first-class lineup of topical programming takes place at each event, with celebrity Q&A's, comics-themed sessions, costume contests, movie screenings, evening parties and more. Wizard World has also launched the Wizard World Store, CONtv, a digital media channel in partnership with leading independent content distributor Cinedigm™ (NASDAQ: CIDM), and ComicConBox™, a premium subscription-based monthly box service. Fans can interact with Wizard World on Facebook, Twitter, Pinterest, Instagram and other social media services.

Wizard World 2016 schedule available at: www.wizardworld.com/wizcon.html.

Forward-Looking Statements
This press release may contain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995 that involve certain risks and uncertainties. The actual results or outcomes of Wizard World, Inc. may differ materially from those anticipated. Although Wizard World, Inc. believes that the assumptions underlying the forward-looking statements contained herein are reasonable, any such assumptions could prove to be inaccurate. Therefore, Wizard World, Inc. can provide no assurance that any of the forward-looking statements contained in this letter will prove to be accurate.

In light of the significant uncertainties and risks inherent in the forward-looking statements included in this letter, such information should not be regarded as a representation by Wizard World, Inc. that its objectives or plans will be achieved. Included in these uncertainties and risks are, among other things, fluctuations in operating results, general economic conditions, uncertainty regarding the results of certain legal proceedings and competition. Forward-looking statements consist of statements other than a recitation of historical fact and can be identified by the use of forward-looking terminology such as "may," "intend," "expect," "will," "anticipate," "estimate" or "continue" or the negatives thereof or other variations thereon or comparable terminology. Because they are forward-looking, such statements should be evaluated in light of important risk factors and uncertainties. These risk factors and uncertainties are more fully described in Wizard World, Inc.'s most recent Annual and Quarterly Reports filed with the Securities and Exchange Commission, including under the heading entitled "Risk Factors." Wizard World, Inc. does not undertake an obligation to update publicly any of its forward-looking statements, whether as a result of new information, future events or otherwise, except as required by law. 

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Thursday, February 23, 2012

Review: "Full Frontal" is a Frontal Assault on Hollywood Sameness

TRASH IN MY EYE No. 134 (of 2003) by Leroy Douresseaux

Full Frontal (2002)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for language and some sexual content
DIRECTOR: Steven Soderbergh
WRITER: Coleman Hough
PRODUCERS: Gregory Jacobs and Scott Kramer
CINEMATOGRAPHER: Peter Andrews (Steven Soderbergh)
EDITOR: Sarah Flack
COMPOSER: Jacques Davidovici

COMEDY/DRAMA/ROMANCE

Starring: Julia Roberts, Blair Underwood, David Duchovny, Nicky Katt, Catherine Keener, David Hyde Pierce, Tracey Vilar, Mary McCormack, Jeff Garlin, Erika Alexander, Enrico Colantoni with Terrence Stamp, David Fincher, and Brad Pitt

Steven Soderbergh laid down the law to his large cast of stars for his low budget ($2 million) film, Full Frontal, denying them the amenities that movie stars have come to expect on the sets of films in which they appear (star). Apparently, he really wanted the focus to be on actually making a film and less on the celebrity politics of Hollywood filmmaking. Full Frontal is one of those “meta” films like Spike Jonze’s two films, Being John Malkovich and Adaptation, in which there is a film within a film within a film, a story within a story, and a play within a play. All the elements: filmmakers, actors, characters, settings, story and script blend together to create some kind of hyper fictional/documentary movie hybrid.

Full Frontal follows a day in the life of a group of men and women in Hollywood as they approach an evening birthday party for their friend Gus/Bill (David Duchovny). If you’re wondering why Duchovny’s character has two names it’s because this is a movie within a movie, and some of the film’s characters have dual identities: one is a “real person” and the other is a fictional character. If this is confusing, it is because Full Frontal can be very hard to follow, unlike the aforementioned Spike Jonze films which were both written by Charlie Kaufman and which were both very easy to follow.

Julia Roberts and Blair Underwood (an under appreciated and underutilized actor likely because he is Africa-American) play dual parts and it’s a doozy to separate the lives of four characters that are so alike both professionally and personally. The script by Coleman Hough has that thing we all look for in a story that’s supposed to engage us – pathos. It is a fine dramatic presentation of several slices of several lives ably put to words, and Soderbergh expertly captures the sometimes-farcical nature of life and the sometimes quiet, sometimes manic nature of the beast that is romance.

Full Frontal is a movie within a movie and a film about filmmaking for people who really like movies. Yes, it’s sometimes confusing and following it is occasionally arduous, but numerous excellent performances, sharp film editing, and some neat star cameos make it worth the effort. Steven Soderbergh is a gifted, imaginative and inventive director who really loves to play around with the process of making movies, so anything he makes is not just interesting; it’s damn interesting. Plus, Full Frontal is such an absolute pleasure to watch, even if it bends the mind one too many times.

8 of 10
A

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Monday, November 1, 2010

Review: Well, at Least I Liked "Connie and Carla" (Happy B'day, Toni Collette)


TRASH IN MY EYE No. 198 (of 2004) by Leroy Douresseaux

Connie and Carla (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for thematic elements, sexual humor, and drug references
DIRECTOR: Michael Lembeck
WRITER: Nia Vardalos
PRODUCERS: Gary Barber, Roger Birnbaum, Jonathan Glickman, Tom Hanks, and Rita Wilson
CINEMATOGRAPHER: Roger Greatrex
EDITOR: David Finfer

COMEDY/MUSIC

Starring: Nia Vardalos, Toni Collette, David Duchovny, Stephen Spinella, Alec Mapa, Christopher Logan, Robert Kaiser, Ian Gomez, Nick Sandow, Dash Mihok, Robert John Burke, and Boris McGiver with Debbie Reynolds

Connie and Carla was a box office dud, but I wanted to see the movie the first time I saw a commercial for it. Having finally seen the comedy/faux musical, I enjoyed it as much as I thought I would. It’s a good old fashion fish-out-of-water and mistaken identity comedy, and it has two exceptional leads in Nia Vardalos and Toni Collette.

In the film, Connie (Nia Vardalos) and Carla (Toni Collette) are two struggling Chicago dinner theatre performers, making a living where they can, in this case, at an airport bar. They witness their boss’ murder at the hands of Rudy (Robert John Burke), a Russian mobster. Unfortunately, when their boss knew he was in trouble, he slipped a kilo of cocaine that belonged to Rudy in Carla’s bag. Now, Rudy wants his coke and the girls dead, so Connie and Carla head out to the place no one would think of looking for them because it has no dinner theatre, Los Angeles.

After unsuccessfully hunting for work, they pretend to be drag queens and begin a drag musical act that is so popular, it lifts the status of the club where they perform. The local drag queens and the straight community embrace them, and they turn their new boss, Stanley’s (Ian Gomez), bar into a very hot dinner theatre club. Connie also falls for Jeff (David Duchovny), the straight brother of one of the drag queens, but Jeff thinks Connie is a man, much to her chagrin. However, they left Connie’s dumb boyfriend, Al (Nick Sandow), and Carla’s equal dumb squeeze, Mikey (Dash Mihok), behind in Chicago. Before long Al and Mikey and Rudy and his musical theatre-loving henchman, Tibor (Boris McGiver) come looking for the girls. Can they save their own lives and keep the fact that they’re women pretending to be men pretending to be women secret?

Nia Vardalos’s script combines the best elements of films like Sister Act, Some Like it Hot, and Victor/Victoria, and director Michael Lembeck puts together a comedy that mixes slap stick and poignant political correctness into entertainment. It’s the most feel-good drag queen movie from a major Hollywood studio that I’ve seen, mainly because it treats it subject matter in a glossy way. The film assumes that if you’re a good guy, you accept drag queens even if you’re not 100% OK with their culture and lifestyle.

Sociology aside, the lead actresses make this film. Ms. Vardalos is just plain funny; she has a face and personality made for broad, goofy, dumb, obvious comedies. If it’s a farce or a tale about different cultures and groups thrown together, she can milk it for lots of yucks. Ms. Vardalos is also blessed with an excellent co-star in Toni Collette. Although many remember her as the put upon mother in The Sixth Sense, Ms. Collette is a fine actress who is an exceptionally good comedic character actress; she’s a pleasure to watch.

If one isn’t uptight about drag queens or gays, if one is secure with one’s sexual orientation, and if one isn’t a religious bigot, Connie and Carla is light-hearted fun. It’s not the smartest movie, but between the music, show tunes, dance routines, and broad drag queen humor, it’s darn funny.

7 of 10
B+

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Friday, February 12, 2010

Review: "Zoolander" is Smart and Silly

TRASH IN MY EYE No. 4 (of 2001) by Leroy Douresseaux

Zoolander (2001)
Running time: 89 minutes (l hour 39 minutes)
MPAA – PG-13 on appeal for sexual content and drug references
DIRECTOR: Ben Stiller
WRITERS: Drake Sather & Ben Stiller and John Hamburg, from a story by Drake Sather and Ben Stiller (based upon characters created by Sather and Stiller)
PRODUCERS: Stuart Cornfeld, Scott Rudin, and Ben Stiller
CINEMATOGRAPHER: Barry Peterson
EDITOR: Greg Hayden
COMEDY

Starring: Ben Stiller, Owen Wilson, Christine Taylor, Will Ferrell, Milla Jovovich, Jerry Stiller, David Duchovny, Jon Voight, and Judah Friedlander with cameos by Christian Slater, Cuba Gooding, Jr., Tommy Hilfiger, Natalie Portman, Fabio, Lenny Kravitz, Gwen Stefani, Paris Hilton, David Bowie, and Tyson Beckford

In Stiller’s uproarious satire, Zoolander, he plays Derek Zoolander, male model and three-time winner of the “Male Model of the Year” award until he loses to a virile young rival named Hansel (Owen Wilson, Shanghai Noon). In a bit of soul searching, Zoolander returns to his coal-mining hometown in South New Jersey only to be rejected by his clan, which includes his stone faced father (Jon Voight) and a largely silent brother (Vince Vaughn). A gay fashion maven Jacobim Magutu (Will Ferrell, who is increasingly being revealed to be a talented character actor with each film) recruits a spiritually lost Zoolander to kill the Prime Minister to Malaysia. The PM’s child labor laws threaten a shadowy cabal of clothing manufacturer’s, of which Magutu is part.

Clearly, the filmmakers mean this film to be a satire of the fashion industry, but it is a thin, superficial satire, which relies on poking fun at and holes in stereotypes of which the audience is familiar. If satire preaches to the already converted, Zoolander’s brand of satire will reap boffo box office. The movie does not focus so much on the industry as it does on what the general public perceives to be the fashion industry. This is not an insiders view like Robert Altman’s Ready to Wear. This movie really satirizes vanity, self-centeredness, selfishness, and ignorance more so than fashion, clothiers, designers, models and such.

Stiller’s Zoolander is a harmless buffoon, a clown for whom one can feel love and sympathy and at whom one can feel annoyance. Although he is the lead, Zoolander is not one of those super ego characters that act like a black hole and sucks the charm and life out of interesting supporting characters. This is why Wilson can shine so much as the postmodern, globetrotting adventurer, Hansel. The secret of Hansel’s charm is not his looks but rather his disdain for the obviously superficial Zoolander. Hansel successfully feigns disdain for fashion, but forwards a public persona of one who loves rugged manly adventure. Hansel is Zoolander’s foil and provides a nice dynamic of tension that the movie needs and does not get from its assassination plot line.

Clearly the filmmakers doubted that an entire movie could be made around Zoolander’s and his cronies’ lives, so they attached the thin genre thread of international intrigue to the story. It is a concession to the idea of plot and high concept. Movies can hang on characterization and characters’ charms and quirkiness. However, many movie producers believe that a movie has to be about “something.” The belief is that it is easier for a studio to sell a movie that is described as “vain supermodels must stop an assassination attempt planned by an evil fashion designer” than, say, a movie described as “a hilarious send-up of the fashion world.”

Zoolander also fairly bursts at the seems with superstar cameos, but the main cast is so good that one quickly forgets each cameo appearance as soon as it comes and goes, the exception being the nice surprise appearance by Wynona Ryder. Stiller and Wilson are really good, and there is a bite to their rivalry and a realness to their later reconciliation. Will (“Saturday Night Live,” The Ladies Man) can bury himself in a part and make it very good, although his character Magutu did seem a bit dark for this movie.

Christine (who played Marcia Brady in the Brady Bunch movies of the 1990’s) Taylor is a competent, if under utilized, foil for the two male models, and one gets the feeling that she could have added so much more to the movie had a little attention been turned her way. Milla (Fifth Element) Jovovich is lost in make up and in a perpetual scowl, but that doesn’t hide Jovovich’s immense talent. Stiller’s father Jerry Stiller (“Seinfeld”) plays an agent; it is an awkward forced part that is at times funny and at other times, fat that can be trimmed.

The movie is very funny and snide to the point of excess. Stiller, who proved to be a capable director is Reality Bites, fills each frame to the brim in order to create the atmosphere of his comedy. From wall hangings, to signs, sculptures, and costumes, he uses the visuals to establish his humor. A scene at a gas station is so funny and so well staged that it almost guarantees us a future of excellent comedy from Stiller, and it was worth at least half the admission price.

An excellent effort by all and well worth the time.

7 of 10
B+

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