2013 Canadian Screen Awards - Film Nominees

by Leroy Douresseaux

The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

The 2013 Canadian Screen Awards are scheduled to be held on March 3, 2013, to honor achievements in Canadian film and television production in 2012. This will be the first-ever Canadian Screen Awards ceremony. In addition, the new Canadian Screen Awards will include awards for achievements in digital media.

The 2013 Canadian Screen Award nominations were announced on January 15, 2013. The awards ceremony will be hosted by Martin Short.

I am posting the nominations in the feature film, documentary film, and short film categories. Visit the Canadian Screen Awards website for a complete list of nominees.


FEATURE FILMS: NOMINATIONS BY CATEGORY
BEST MOTION PICTURE / MEILLEUR FILM (Sponsor / Commanditaire : Comweb Group / William F. White International Inc.)
L'AFFAIRE DUMONT - Nicole Robert
INCH'ALLAH - Luc Déry, Kim McCraw
LAURENCE ANYWAYS - Lyse Lafontaine
MIDNIGHT'S CHILDREN - David Hamilton
REBELLE / WAR WITCH - Pierre Even, Marie-Claude Poulin
STILL MINE - Tamara Deverell, Jody Colero, Avi Federgreen, Michael McGowan

ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire : Pinewood Toronto Studios)
MICHAEL DOWSE - Goon
XAVIER DOLAN - Laurence Anyways
DEEPA MEHTA - Midnight's Children
KIM NGUYEN - Rebelle / War Witch
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE
JAMES CROMWELL – Still Mine
PATRICK DROLET - Tout ce que tu possèdes / All That You Possess
MARC-ANDRÉ GRONDIN - L'affaire Dumont
DAVID MORSE - Collaborator
MELVIL POUPAUD - Laurence Anyways

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE
EVELYNE BROCHU - Inch'Allah
GENEVIÈVE BUJOLD – Still Mine
MARILYN CASTONGUAY - L'affaire Dumont
SUZANNE CLÉMENT - Laurence Anyways
RACHEL MWANZA - Rebelle / War Witch

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN
JAY BARUCHEL - Goon
KIM COATES - Goon
STEPHAN JAMES - Home Again
SERGE KANYINDA - Rebelle
ELIAS KOTEAS - Winnie

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE / INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN
SEEMA BISWAS - Midnight's Children
FEFE DOBSON - Home Again
ALICE MOREL MICHAUD – Les Pee Wee 3D
GABRIELLE MILLER - Moving Day
SABRINA OUAZANI - Inch'Allah

ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire : Astral’s Harold Greenberg Fund)
JASON BUXTON - Blackbird
XAVIER DOLAN - Laurence Anyways
KIM NGUYEN - Rebelle / War Witch
MICHAEL MCGOWAN - Still Mine
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

ADAPTED SCREENPLAY / MEILLEURE ADAPTATION
DAVID CRONENBERG - Cosmopolis
JAY BARUCHEL, EVAN GOLDBERG - Goon
ANITA DORON - The Lesser Blessed
MARTIN VILLENEUVE - Mars et Avril
SALMAN RUSHDIE - Midnight's Children

ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE
EMMANUEL FRECHETTE, JOSÉE ARSENAULT - Rebelle / War Witch
ARVINDER GREWAL - Antiviral
ANDRÉ GUIMOND - L'affaire Dumont
DILIP MEHTA - Midnight's Children
ANNE PRITCHARD - Laurence Anyways

ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES (Sponsor / Commanditaire : Christie Digital)
NICOLAS BOLDUC - Rebelle / War Witch
PHILIPPE LAVALETTE - Inch'Allah
GILES NUTTGENS - Midnight's Children
BOBBY SHORE - Goon
BRENDAN STEACY – Still Mine

ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES
XAVIER DOLAN, FRANÇOIS BARBEAU - Laurence Anyways
PATRICIA HENDERSON - Mad Ship
WENDY PARTRIDGE - Resident Evil: Retribution
WENDY PARTRIDGE - Silent Hill: Revelation 3D
ÉRIC POIRIER - Rebelle / War Witch

ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE
RICHARD COMEAU - Rebelle / War Witch
RODERICK DEOGRADES – Still Mine
VALÉRIE HÉROUX - L'affaire Dumont
SOPHIE LEBLOND - Inch'Allah
KIMBERLEE MCTAGGART – Blackbird

ACHIEVEMENT IN MAKE-UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire : Lancôme)
KATIE BRENNAN, KAROLA DIRNBERGER, PAUL JONES - Silent Hill: Revelation 3D
BRENDA MAGALAS, LORI CAPUTI - Goon
CATHERINE DAVIES-IRVINE, TRASON FERNANDES - Antiviral
MARLÈNE ROULEAU, ANDRÉ DUVAL - L'affaire Dumont
COLLEEN QUINTON, KATHY KELSO, MICHELLE CÔTÉ, MARTIN LAPOINTE - Laurence Anyways

ACHIEVEMENT IN MUSIC - ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE
NOIA - Laurence Anyways
BENOIT CHAREST - Mars et Avril
DON ROOKE, HUGH MARSH, MICHELLE WILLIS – Still Mine
HOWARD SHORE - Cosmopolis
E.C. WOODLEY - Antiviral

ACHIEVEMENT IN MUSIC - ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire : Slaight Music)
EMILY HAINES, JAMES SHAW, HOWARD SHORE - Cosmopolis - Long to Live
ERLAND & THE CARNIVAL - Rufus - Wanting
ERLAND & THE CARNIVAL - Rufus - Out of Sight

ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire : Deluxe Toronto Ltd.)
SYLVAIN ARSENEAULT, STEPH CARRIER, LOU SOLAKOFSKI, DON WHITE - Midnight's Children
OLIVIER CALVERT, PASCAL BEAUDIN, LUC BOUDRIAS, DANIEL BISSON - Mars et Avril
CLAUDE LA HAYE, DANIEL BISSON, BERNARD GARIÉPY STROBL - Rebelle / War Witch
PHILIP STALL, IAN RANKIN, LOU SOLAKOFSKI, JACK HEEREN - Antiviral
ZANDER ROSBOROUGH, ALLAN SCARTH - The Disappeared

ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE
• PIERRE-JULES AUDET, MICHELLE CLOUTIER, THIERRY BOURGAULT D'AMICO, NATHALIE FLEURANT, CÉDRICK MARIN, NICOLAS GAGNON - L'affaire Dumont

• MARTIN PINSONNAULT, JEAN-FRANCOIS B. SAUVÉ, SIMON MEILLEUR, CLAIRE POCHON - Rebelle / War Witch

• STEPHEN BARDEN, STEVE BAINE, KEVIN BANKS, ALEX BULLICK, JILL PURDY - Resident Evil: Retribution

• SYLVAIN BRASSARD, STÉPHANE CADOTTE, ISABELLE FAVREAU, PHILIPPE RACINE - Laurence Anyways

• ALLAN SCARTH, BOB MELANSON, ZANDER ROSBOROUGH, CORY TETFORD - The Disappeared

ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS
• DENNIS BERARDI, KEITH ACHESON, MICHAEL BORRETT, WILSON CAMERON, MICHAEL DICARLO, TOM NAGY, BRITTON PLEWES, SCOTT RIOPELLE, MATT WHELAN, WOJCIECH ZIELINSKI - Silent Hill: Revelation 3D

• CARLOS MONZON, MARTIN BELLEAU, DOMINIC DAIGLE, NATHALIE DUPONT, GAËL HOLLARD, BENOÎT LADOUCEUR, VIVIANE LEVESQUE BOUCHARD, JÉRÉMIE LODOMEZ, ANNIE NORMANDIN, ALEXANDRA VAILLANCOURT - Mars et Avril

• DENNIS BERARDI, JASON EDWARDH, MATT GLOVER, TREY HARRELL, LEANN HARVEY, JO HUGHES, ETHAN LEE, SCOTT RIOPELLE, ERIC ROBINSON, KYLE YONEDA - Resident Evil: Retribution

• ÈVE BRUNET, MARC MORISSETTE, ALEXANDRA VAILLANCOURT - Rebelle / War Witch

• RALPH MAIERS, DEBORA DUNPHY, JOHN FUKUSHIMA, PATRICK KAVANAUGH, BILL MARTIN, CHRIS PHILIPS, JEREMY PRICE, KENTON RANNIE, LAUREN WEIDEL - Midnight's Children

THEATRICAL DOCUMENTARIES & SHORT FILMS: NOMINATIONS BY CATEGORY

TED ROGERS BEST FEATURE LENGTH DOCUMENTARY AWARD / PRIX TED ROGERS POUR LE MEILLEUR LONG MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Rogers Group of Funds)
ALPHÉE DES ÉTOILES - Hugo Latulippe, Eric De Gheldere, Colette Loumède
INDIE GAME: THE MOVIE - Lisanne Pajot, James Swirsky
OVER MY DEAD BODY - Brigitte Poupart, Virginie Dubois, Stéphanie Morissette
STORIES WE TELL - Sarah Polley, Anita Lee
THE WORLD BEFORE HER - Nisha Pahuja, Ed Barreveld, Cornelia Principe

BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Hot Docs)
THE BOXING GIRLS OF KABUL - Ariel Nasr, Annette Clarke
THE FUSE: OR HOW I BURNED SIMON BOLIVAR - Igor Drljaca
KEEP A MODEST HEAD / NE CRÂNE PAS SOIS MODESTE - Deco Dawson, Catherine Chagnon, Craig Trudeau
LET THE DAYLIGHT INTO THE SWAMP - Jeffrey St. Jules, Anita Lee
THREE WALLS - Zaheed Mawani, Andrea Bussmann

BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE
CHEF DE MEUTE - Chloé Robichaud, Fanny-Laure Malo, Sarah Pellerin
FROST - Jeremy Ball, Lauren Grant, Robert Munroe
LE FUTUR PROCHE / THE NEAR FUTURE - Sophie Goyette
PREMIÈRE NEIGE / FIRST SNOW - Michaël Lalancette
THROAT SONG - Miranda de Pencier, Stacey Aglok MacDonald

BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION
BYDLO - Patrick Bouchard, Julie Roy
DEMONI - Theodore Ushev
EDMOND WAS A DONKEY - Franck Dion, Richard Van Den Boom, Julie Roy
PAULA - Dominic Étienne Simard, Julie Roy

2013 Claude Jutra Award (best feature film by a first-time film director):
Jason Buxton, Blackbird

2013 Golden Reel Award (presented to the Canadian film with the biggest box office gross of the year):
Resident Evil: Retribution

http://www.academy.ca/awards/

Review: "Mother and Child" Honest and Real

TRASH IN MY EYE No. 25 (of 2011) by Leroy Douresseaux

Mother and Child (2009/2010)
Running time: 127 minutes (2 hour, 7 minutes)
MPAA – R for sexuality, brief nudity, and language
WRITER/DIRECTOR: Rodrigo García
PRODUCERS: Lisa Maria Falcone and Julie Lynn
CINEMATOGRAPHER: Xavier Pérez Grobet (D.o.P.)
EDITOR: Steven Weisberg
Image Award winner

DRAMA

Starring: Naomi Watts, Annette Bening, Kerry Washington, Jimmy Smits, Samuel L. Jackson, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, Shareeka Epps, David Morse, Eileen Ryan, Amy Brenneman, and David Ramsey

Mother and Child is an ensemble drama film released in 2010, after premiering at the 2009 Toronto International Film Festival. Focusing on the complications and complexities of motherhood and adoption, the film is poignant, powerful, and even beautiful. It is also sometimes grueling to watch.

Mother and Child opens almost 40 years earlier on a scene in which a 14-year-old girl prepares to have sex with a teen boy. She gets pregnant and later gives up her baby for adoption. 37 years later, we learn that the baby is Elizabeth Joyce (Naomi Watts), a high-powered attorney returning to Los Angeles, the place of her birth. Elizabeth takes a job at a law firm owned by a man named Paul (Samuel L. Jackson). Elizabeth begins an affair with Paul, but this is but one affair of many for a woman who uses her sex appeal to have the upper hand in situations in which she does not have control.

Meanwhile, her birth mother, Karen (Annette Bening), is a 50-something physical therapist still riddled by the guilt of giving up her baby. Although initially resistant, she begins a relationship with Paco (Jimmy Smits), a co-worker who seems to be therapeutic for Karen. At the same time, a small businesswoman, Lucy (Kerry Washington), and her husband, Joseph (David Ramsey), begin the process of adoption. However, the birthmother, a difficult young woman named Ray (Shareeka Epps), interrogates Lucy and seems hostile to Joseph.

Top to bottom, Mother and Child is filled with splendid acting, and there isn’t an actor, regardless of the size of his or her part, who does not deliver the kind of first-class performance that a professional actor should always give. Naomi Watts, Annette Bening, Sam Jackson, and Shareeka Epps give distinctive performances that add both surprising nuance to a film that rages with dark emotions and strong feelings (particularly anger, bitterness, and regret).

Writer and director Rodrigo García composed a sumptuous screenplay rich with characters and vivid characterizations. It is Garcia’s directing, however, that is the star here, as he gives his actors the space they need to develop these characters and to deliver on the characters’ promise without slowing the film.

Still, there are moments in Mother and Child that feel contrived and overwrought, as if Garcia doesn’t trust his cast to deliver or his audience to understand his film, which is as spiritual as it is dramatic. Garcia captures how vulnerable people are when they open themselves to relationships, and he accurately depicts the bitterness people feel over perceived betrayals. Sometimes the raw emotions are too much to bear (or watch). As good as this film is, and Mother and Child is exceptionally good, I sometimes got a feeling or a notion that things were a little overdone. But don’t let that keep you from seeing one of 2010’s very best films.

8 of 10
A

NOTES:
2011 Black Reel Awards: 2 nominations: “Best Supporting Actor” (Samuel L. Jackson) and “Best Supporting Actress” (Shareeka Epps)

2011 Image Awards: 1 win: “Outstanding Supporting Actor in a Motion Picture” (Samuel L. Jackson); 2 nominations: “Outstanding Independent Motion Picture” and “Outstanding Writing in a Motion Picture-Theatrical or Television” (Rodrigo García)

----------------------

The Hurt Locker: Do Believe the Hype

TRASH IN MY EYE No. 40 (of 2010) by Leroy Douresseaux


The Hurt Locker (2008/2009)
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – R for war violence and language
DIRECTOR: Kathryn Bigelow
WRITER: Mark Boal
PRODUCERS: Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro
CINEMATOGRAPHER: Barry Ackroyd
EDITORS: Chris Innis and Bob Murawski
COMPOSERS: Marco Beltrami and Buck Sanders
Academy Award winner

WAR/DRAMA/ACTION

Starring: Jeremy Renner, Anthony Mackie, Brian Geraghty, Christian Camargo, Guy Pearce, Ralph Fiennes, David Morse, and Evangeline Lilly

When the 2010 Academy Awards ceremony was over, The Hurt Locker, an independently produced war movie set in Iraq, was named “Best Picture” of 2009. The film’s director, Kathryn Bigelow, became the first woman to win the Oscar for “Best Director.” That would have seem unlikely just two years earlier because films about the war in Iraq were failing at the box office and getting mostly mixed reviews from film critics. The Hurt Locker is special, however; it is truly a great film.

The Hurt Locker is set in the summer of 2004. Sergeant JT Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are part of a small counterforce specifically trained to deal with the homemade bombs know as IEDs (Improvised Explosive Devices), and they’ve just lost their team leader. The officer who takes over the team, Sergeant First Class William James (Jeremy Renner), shocks Sanborn and Eldridge with how he simply disregards military protocol and basic safety measures. Depending upon one’s perspective, James is either a swaggering cowboy looking for kicks even when the margin of error is zero, or he is the consummate professional, meticulous in the mastery of his treacherous craft.

Sanborn and Eldridge have only 38 days left in their tour of Iraq, and if they are to survive that remaining time, they must learn to understand James and to work with him, even if they cannot contain him or control his behavior. With each mission seemingly more dangerous than the last, James blurs the line between inspiring bravery and reckless bravado, and for Sanborn and Eldridge, it seems as if it is only a matter of time before disaster strikes.

If someone asked me if I were surprised at how good The Hurt Locker is, I would say yes. If someone asked me if I were surprised that Kathryn Bigelow could make a film as good as The Hurt Locker, I would say no. Prior to this film, Bigelow had shown a penchant for tense thrillers (Near Dark) and evocative character drama (The Weight of Water), and The Hurt Locker is a taut, riveting, psychological thriller, rich with resonant character drama. This film is a confluence of events, in which a great script needed a skilled and talented director to turn it into an incredible film.

In fact, everything about The Hurt Locker is superbly done. The script by Mark Boal, who was an imbedded journalist in Iraq in 2004, is one of those screenplays that is a memorable story of war because it is also an incredible story not about the war, but about the young men on the ground fighting it. Bigelow transforms the power of Boal’s screenplay (which eventually won an Oscar) into a film that captures Boal’s spellbinding story of unique warriors.

This film feels explosively real because Bigelow gets great performances of her characters, especially the Bravo company trio of James, Sanborn, and Eldridge. Jeremy Renner makes James’ addiction to his job and the way he does it a beautiful, mesmerizing thing. The underrated and underappreciated Anthony Mackie is consummate in his depiction of the by-the-book Sanborn. Brian Geraghty is a delight as the conflicted, boyish Eldridge.

Kathryn Bigelow and her creative crew and collaborators turned the war film into art. Bigelow’s actors made The Hurt Locker the great modern war film about modern war. In their performances, they say everything about war and about the kind of war that is Iraq without being political.

10 of 10

NOTES:
2010 Academy Awards: 6 wins: “Best Motion Picture of the Year” (Kathryn Bigelow. Mark Boal, Nicolas Chartier, and Greg Shapiro), “Best Achievement in Directing” (Kathryn Bigelow), “Best Achievement in Editing” (Bob Murawski and Chris Innis), “Best Achievement in Sound” (Paul N.J. Ottosson and Ray Beckett), “Best Achievement in Sound Editing” (Paul N.J. Ottosson), “Best Writing, Screenplay Written Directly for the Screen” (Mark Boal); 3 nominations: “Best Achievement in Cinematography” (Barry Ackroyd), “Best Achievement in Music Written for Motion Pictures, Original Score” (Marco Beltrami and Buck Sanders), and “Best Performance by an Actor in a Leading Role” (Jeremy Renner)

2010 BAFTA Awards: 6 wins: “Best Film” (Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro), “Best Cinematography” (Barry Ackroyd), “Best Director” (Kathryn Bigelow), “Best Editing” (Bob Murawski and Chris Innis), “Best Screenplay – Original” (Mark Boal), “Best Sound” (Ray Beckett, Paul N.J. Ottosson, and Craig Stauffer); 2 nominations: “Best Leading Actor” (Jeremy Renner) and “Best Special Visual Effects” (Richard Stutsman)

2010 Golden Globes: 3 nominations: “Best Director - Motion Picture” (Kathryn Bigelow), “Best Motion Picture – Drama, and “Best Screenplay - Motion Picture” (Mark Boal)

Friday, June 04, 2010

Review: Shia LaBeouf the Real Deal in "Disturbia"

TRASH IN MY EYE No. 64 (of 2007) by Leroy Douresseaux

Disturbia (2007)
Running time: 104 minutes; MPAA – PG-13 for sequences of terror and violence and for some sexuality
DIRECTOR: D.J. Caruso
WRITERS: Christopher Landon and Carl Ellsworth; from a story by Christopher Landon
PRODUCERS: Joe Medjuck, E. Bennett Walsh and Jackie Marcus
CINEMATOGRAPHER: Rogier Stoffers, NSC
EDITOR: Jim Page

THRILLER/HORROR with elements of drama and romance

Starring: Shia LaBeouf, David Morse, Sarah Roemer, Carrie-Anne Moss, Aaron Yoo, Jose Pablo Cantillo, Matt Craven, and Viola Davis

For his new film, Disturbia, director D.J. Caruso (Taking Lives) takes a youth-oriented spin on Alfred Hitchcock classic Rear Window and submerges it deep in the slasher film sub-genre that has thrived on and off since the late 1970’s. Meanwhile, his star, Shia LaBeouf is hitting his stride as an in-demand actor. Although Shia is playing a teen again as he did so famously in the Disney Channel series, Even Stevens (for which he won a Daytime Emmy Award) and his hit big-screen debut, Holes, he’s grown up now.

After his father dies, Kale (LaBeouf) becomes sullen and withdrawn. After he punches his high school Spanish teacher, Kale gets three months of house arrest, avoiding time in prison because of his hard-working mother, Julie (Carrie-Anne Moss). Kale must wear an ankle monitor, and he can’t go beyond a 100-yard perimeter from a sensor in his kitchen. After a while, he grows tired of videogames, surfing the Net, TV, and junk food, so he turns to spying on his neighbors with the help of his best friend, Ronnie (Aaron Yoo), and some second hand surveillance equipment. That’s how he meets his hot new neighbor, fellow teen Ashley (Sarah Roemer). She joins Ronnie and Kale in their fun and games, and Kale falls hard for Ashley. Their fun and games takes a really bad turn when they discover that Kale’s next-door neighbor, Mr. Turner (David Morse), may be a serial killer. No one believes them, and Mr. Turner’s secrets may cost them their lives.

While I thought that there were enough skilled filmmakers involved to at least make Disturbia hit all the right notes as a movie thriller, I was still surprised by how much I liked it. The film does indeed hit all the right notes and, with a heavy hand, hit all the right buttons. It’s occasionally heart stopping, mostly scary, and downright nasty and dirty. True, it’s not a thinking man’s thriller because there are way too many holes in the plot and flaws in the logic. Still, it works as an entertaining, escapist horror/thriller.

As Ashley, Sarah Roemer seems a bit too physically mature for just about any character the remarkably boyish Shia LaBeouf could play. She is a hottie, and he’s quite likable, so their relationship benefits the film more than it harms it. David Morse’s Mr. Turner is an old-fashioned slasher – a murderer hiding out in the tree-lined streets of suburbia where beautiful two-story homes hide dysfunctional families. As usual Mr. Turner uses his neighborhood home as burying ground for his large number of kills. He may not be supernatural, but Mr. Turner is just as foul and as dangerous as Freddie, Jason or Michael.

6 of 10
B

Sunday, April 15, 2007

------------------