Review: "GODZILLA: KING OF THE MONSTERS" Does Too Much

TRASH IN MY EYE No. 15 of 2024 (No. 1959) by Leroy Douresseaux

Godzilla: King of the Monsters (2019)

Running time: 132 minutes (2 hours, 12 minutes)

MPA – PG-13 for sequences of monster action violence and destruction, and for some language

DIRECTOR:  Michael Dougherty

WRITERS:  Michael Dougherty and Zach Shields; from a story by Max Borenstein and Michael Dougherty and Zach Shields (based on characters owned by Toho Co., Ltd.)

PRODUCERS:  Jon Jashni, Alex Garcia, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER:  Lawrence Sher (D.o.P.)

EDITORS:  Bob Ducsay, Roger Barton, and Richard Pearson

COMPOSER:  Bear McCreary

SCI-FI/ACTION/MILITARY

Starring:  Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Ziyi Zhang, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O'Shea Jackson, Jr., David Strathairn, Anthony Ramos, Elizabeth Faith Ludlow, CCH Pounder, and Joe Morton

Godzilla: King of the Monsters is a 2019 monster movie and action film directed by Michael Dougherty.  Produced by Legendary Pictures and distributed by Warner Bros. Pictures, this film is the third entry in the “MonsterVerse” film series, which began with Godzilla (2014).  Godzilla: King of the Monsters pits the monster-monitoring agency, Monarch, against a legendary monster, and the only hope for the world is the missing Godzilla.

Godzilla: King of the Monsters opens five years after the events depicted in Godzilla (2014).  The world is now aware of the existence of giant monsters called “Titans.”  Monarch is the U.S. government agency that monitors and studies the Titans (which it once called “MUTOs” or “massive unidentified terrestrial organisms).  It has bases (bunkers) around the world where its scientists struggle to find a way in which humanity and the Titans can share the planet.

In a bunker located in the Rainforest of Xishuangbanna in China's Yunnan Province, Monarch scientist Dr. Emma Russell (Vera Farmiga) has developed a device, called “ORCA,” that can emit frequencies that can attract Titans or alter their behavior.  However, her research has attracted the attention of Alan Jonah (Charles Dance), a former British military officer turned eco-terrorist, who wants control of ORCA.  He kidnaps Emma and her daughter, Madison Russell (Millie Bobby Brown).

Monarch scientists, Dr. Ishiro Serizawa (Ken Watanabe) and Vivienne Graham (Sally Hawkins), approach Emma's estranged husband and Madison's father, Dr. Mark Russell (Kyle Chandler), to help track down Emma, Jonah, and ORCA.  However, Jonah has already forced Emma to use ORCA to awaken the legendary “Monster Zero,” the three-headed dragon known as King Ghidorah.  Now, Serizawa must convince the U.S. government and military that the only Titan capable of stopping Ghidorah is “Gojira,” a.k.a. “Godzilla.”  But where is Godzilla?  Also, where do newly awakened Titans, “Mothra” and “Rodan,” stand in this battle royale of monsters?

The “MonsterVerse” is an American multimedia franchise that includes movies; a streaming live-action television series (Apple TV+) and a streaming animated series (Netflix); books and comic books; and video games.  It is a shared fictional universe that includes the character, “Godzilla” and other characters owned and created by the Japanese entertainment company, Toho Co., Ltd.  The MonsterVerse is a reboot of Toho's Godzilla franchise.  It is also a reboot of the King Kong franchise, which is based on the character, “King Kong,” that was created by actor and filmmaker, Merian C. Cooper (1893-1973).

The fifth film in the MonsterVerse series, Godzilla x Kong: The New Empire, is due to be released sometime in March 2023, so I have decided to watch and review the previous four films:  Godzilla (2014), Kong: Skull Island (2017), 2019's Godzilla: King of the Monsters (which is the subject of this review), and Godzilla vs. Kong (2021).

Godzilla: King of the Monsters is the ultimate giant monster smack-down.  With the wizardry of digital VFX and supernatural CGI, King of the Monsters is a monster mash infused with visual splendor.  This movie is non-stop action, practically from the start.  It is so much an action movie that if you could cut it, King of the Monsters would bleed fire and brimstone.  To add the craziness, each new monster reveal is mind-blowing and even mind-bending...

...but after about 75 minutes, Godzilla: King of the Monsters wore me down.  The writers and actors have fashioned a cast that has almost twenty characters with dramatic potential.  The Russell family subplot about the loss the son, Andrew, is only used to sell dysfunctional family contrivances, which is a shame.  The monster movie theatrics get bigger and bigger with each minute of this story, but the drama and story shrink with each minute until they are flimsy like wet toilet paper.

Godzilla: King of the Monsters is as exciting as any other blockbuster.  Few, if any, monster movies will ever be as epic as it is when it comes to big monster fights.  Few monster movies will ever be as gorgeous as it is in terms of cinematography, special effects, production values, and visuals.  This is “cinema of sensations” writ large and out of control, and that's a shame.  Godzilla: King of the Monsters is a monster of a movie, but I wish its human element was just as awesome.

[This film has one scene after the end credits.]

B

6 of 10

★★★ out of 4 stars

Thursday, March 21, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "GODZILLA" 2014 is Still Awesome

TRASH IN MY EYE No. 7 of 2024 (No. 1951) by Leroy Douresseaux

Godzilla (2014)

Running time: 123 minutes (2 hours, three minutes)

MPAA – PG-13 for intense sequences of destruction, mayhem and creature violence

DIRECTOR:  Gareth Edwards

WRITERS:  Max Borenstein; from a story by Dave Callaham

PRODUCERS:  Jon Jashni, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER:  Seamus McGarvey (D.o.P.)

EDITOR:  Bob Ducsay

COMPOSER:  Alexandre Desplat

SCI-FI/ACTION/MILITARY/THRILLER

Starring:  Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe, Carson Bolde, Sally Hawkins, Juliette Binoche, David Strathairn, Richard T. Jones, and Victor Rasuk

Godzilla is a 2014 science fiction-monster film and military thriller directed by Gareth Edwards.  Produced by Legendary Pictures and distributed by Warner Bros. Pictures, the movie was the first in the “MonsterVerse” film series, and it is a reboot of Toho Co., Ltd.'s Godzilla film franchise.  Godzilla 2014 focuses on the reappearance of monstrous creatures that have the power to destroy human civilization, but one of them may be humanity's only hope for survival.

Godzilla opens in 1999.  Dr. Ishiro Serizawa (Ken Watanabe) and Vivienne Graham (Sally Hawkins), two scientists from “Project Monarch,” are investigating the skeleton of a monstrous creature that was unearthed in the Philippines.  Meanwhile, in Janjira, Japan, Joe Brody (Bryan Cranston), the supervisor at the Janjira Nuclear Power Plant, prepares for another day of work with his wife, Sandra Brody (Juliette Binoche).  Something odd has been happening in and around the power plant, and before the day is over, the plant will collapse due to what seems to be an earthquake.  It is an incident that will leave Joe Brody broken and haunted.

Fifteen years later, Lt. Ford Brody (Aaron Taylor-Johnson) is a U.S. Navy EOD officer (United States Navy Explosive Ordinance Disposal).  The son of Joe and Sandra, Ford has moved on with his life and is now on-leave in San Francisco with his wife, Elle Brody (Elizabeth Olsen), a nurse, and their son, Sam (Carson Bolde).  However, Ford is forced to return to Japan when he learns that his father has been detained for trespassing in Janjira's quarantine zone (Q zone).  Joe is determined to find the cause of the meltdown 15 years ago at the Janjira power plant.  Ford thinks his father is crazy and does not believe anything he tells him.

However, what Ford is about to witness will introduce him to the world of the MUTO (massive unidentified terrestrial organism).  One such MUTO has the power to disrupt human civilization by emitting an intense electromagnetic pulse (EMP), and now, it's headed for the United States.  Monarch's Dr. Serizawa believes that the only thing that can stop the MUTO is an ancient alpha predator he calls “Gojira.”  But Gojira is also a MUTO...

The “MonsterVerse” is an American multimedia franchise that includes movies; a streaming live-action television series (Apple TV+) and a streaming animated series (Netflix); books and comic books; and video games.  It is a shared fictional universe that includes the character, “Godzilla” and other characters owned and created by the Japanese entertainment company, Toho Co., Ltd.  The MonsterVerse is a reboot of Toho's Godzilla franchise.  It is also a reboot of the King Kong franchise, which is based on the character, “King Kong,” that was created by actor and filmmaker, Merian C. Cooper (1893-1973).

The fifth film in the MonsterVerse series, Godzilla x Kong: The New Empire, is due to be released sometime in March, so I have decided to watch and review the previous four films:  Godzilla (which is the subject of this review), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021).  I have previously seen Godzilla and Kong: Skull Island, but I have not previously reviewed them.

I watched parts of Godzilla 2014 more times than I can remember over the last decade.  It is a fascinating American “kaiju” film.  “Kaiju” is a Japanese sub-genre of science fiction that features giants monsters, and the term can also be used to refer to the giant monsters themselves.  Godzilla 2014 is very well directed by Englishmen, Gareth Edwards, who first came to notice because of his excellent 2010 film, Monsters, and later gained notoriety as the director of Rogue One: A Star Wars Story (2016).  Edwards is a natural when it comes to big monsters and big monster conspiracies and threats.

The film includes some good performances, although Bryan Cranston is the real standout with his intense, heartbreaking turn as Joe Brody.  Elisabeth Olsen as Elle Brody is sidelined and wasted, and Aaron Taylor-Johnson gamely plays Lt. Ford Brody as the film's ostensible lead, who is more dragged along by the film's action than leading it.

What makes this modern Godzilla film exceptional to me is the work of the technicians, artisans, and crew that don't always get credit for making a film work.  Godzilla's camera work, the lighting, the film editing, the film score, the visual effects, the sound editing and mixing combine to create a film that is successful in what it conveys.  What this film is pushing to us is a deep and abiding sense of mystery.  It is in the shadows that hides the monsters and incredible battles.  It is in the mood altering and heartbeat pacing score by the great Alexandre Desplat.

The mystery is in the sound and in the silence.  It is in the flitting light and frequent flares and in the subtle film editing that hides itself while controlling the film's pace and mood.  Godzilla's technical skill is the art of cinematic craftsmanship coming together, and that is best exemplified in the beautiful, breathtaking “Halo drop” sequence.

Godzilla's sense of mystery keeps the film from coming across like lowbrow, popcorn entertainment, which was the fate of director Roland Emmerich's 1998 film, Godzilla.  Godzilla 2014's characters are in the dark almost as much as the audience is.  By maintaining a sense of mystery, the film's narrative could convince me that humanity may be on the precipice of extinction, and it did.  I highly recommend the MonsterVerse Godzilla, and I'll keep watching it.

A

8 of 10

★★★★ out of 4 stars

Saturday, February 10, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "Nomadland" is Frances McDormand's Land

TRASH IN MY EYE No. 64 of 2021 (No. 1802) by Leroy Douresseaux

Nomadland (2020)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – R for some full nudity.
DIRECTOR:  Chloé Zhao
WRITER:  Chloé Zhao (based on the non-fiction book by Jessica Bruder)
PRODUCERS:  Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears, and Chloé Zhao
CINEMATOGRAPHER:  Joshua James Richards (D.o.P.)
EDITOR:  Chloé Zhao
COMPOSER:  Ludovico Einaudi
Academy Award winner including “Best Picture”

DRAMA

Starring:  Frances McDormand, David Strathairn, Linda May, Charlene Swankie, and Bob Wells

Nomadland is a 2020 drama film directed by Chloé Zhao.  The film is an adaptation of the 2017 nonfiction book, Nomadland: Surviving America in the Twenty-First Century, by author Jessica Bruder.  Nomadland the film depicts the real-world phenom of “nomads” people who live as transients, traveling around the United States and living in motor vehicles (“vandwelling”).  The film portrays this through the eyes of a woman who leaves her hometown to live as a vandwelling working nomad.

Nomadland opens sometime in 2011.  Sixty-something Fern (Frances McDormand) recently lost her job after the “US Gypsum Corporation” plant in Empire, Nevada shut down.  Fern had worked there for years along with her husband, who recently died.  Empire, a company town of US Gypsum, basically becomes a ghost town as almost everyone leaves after the jobs disappear.

Fern decides to sell most of her belongings and purchases a van, which she names “Vanguard.”  It becomes her new home.  Fran travel the country searching for work, sometimes working at an Amazon fulfillment center.  When she isn't at Amazon, Fern embarks on a journey through the American West, a modern-day nomad, living in her van.  Is this her new life or is it just a temporary state?

It has been noted that a number of real-life nomads and vandwellers appear as themselves in Nomadland, especially of note, Bob Wells, one of the best known proponents of vandwelling.  However, Nomadland, despite its title, is not so much about nomads and vandwelling as it is about Fern's journey.  The film's writer-director Chloe Zhao chronicles Fern's evolution from someone who becomes a vandweller out of necessity into someone who seems to fully embrace the life of a nomad.

In that, I can see why McDormand would go on to win the Academy Award for “Best Actress” for her performance as Fern.  McDormand creates in Fern a character that seems so real that I found myself believing that Fern was a real person.  This certainly helps to sell the docudrama mode Zhao sometimes adopts to tell particular chapters of this film.  In a career filled with virtuoso performances, Nomadland presents one of McDormand's very best.  Although the film does have another professional actor, David Strathairn, playing a character named “Dave,” a nomad who falls in love with Fern.  However, Strathairn and his character seem like a sapling trying to stay rooted in the hurricane that is McDormand's performance.

Nomadland is poetic and poignant; sometimes, it is poignant to the point of being too sorrowful to watch.  The film captures the restlessness in Fern, and its director captures the precariousness of Fern's new lifestyle.  Nomadland is about Fern's journey and life in Nomadland.  The “nomadland” and its nomads, are there to serve the purpose of her story.  If the film's title were more honest, it would be entitled “Fern” or “Fern in Nomadland.”  Nomadland is like a series of vignettes about Fern more than it is an actual story about something.

Still, Nomadland is a powerful character study that is successful because it is in the hands of both a powerful actress, Frances McDormand, and highly-skilled film director, Chloe Zhao, who can create multiple layers within the story of a character.  Nomadland reminds me of director Martin Scorsese's Raging Bull (1980).  People see it as a great film, while I see it as a good, but meandering film that has built a great reputation largely on a truly great, generational performance by by its leading man, Robert DeNiro (who also won the “Best Actor” Oscar for this role).  Nomadland is a really good, but meandering film that has built a great reputation on...

As a character study, Nomadland is an exceptional film, but it has no larger meaning beyond being an exceptionally well-made film.  Nomadland is one of those film's that will make some people ask, “What's the point of this?”  Art for art's sake? Oscar bait? – I couldn't really answer that question.  However, I will give Nomadland a higher grade than I gave Raging Bull.

8 of 10
A

Sunday, October 31, 2021


NOTES:
2021 Academy Awards, USA:  3 wins: “Best Motion Picture of the Year” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, and Chloé Zhao), “Best Performance by an Actress in a Leading Role” (Frances McDormand), and “Best Achievement in Directing” (Chloé Zhao); 3 nominations: “Best Adapted Screenplay” (Chloé Zhao), “Best Achievement in Film Editing” (Chloé Zhao), and “Best Achievement in Cinematography” (Joshua James Richards)

2021 BAFTA Awards:  4 wins: “Best Film” (Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears, and Chloé Zhao), “Best Leading Actress” (Frances McDormand), “Best Director” (Chloé Zhao), and “Best Cinematography” (Joshua James Richards); 3 nominations: “Best Screenplay-Adapted” (Chloé Zhao), “Best Sound” (Sergio Diaz, Zach Seivers, and Mike Wolf Snyder), and “Best Editing” Chloé Zhao)

2021 Golden Globes, USA:  2 wins: “Best Motion Picture – Drama” and “Best Director - Motion Picture” (Chloé Zhao); 2 nominations: “Best Screenplay - Motion Picture” (Chloé Zhao) and “Best Performance by an Actress in a Motion Picture – Drama” (Frances McDormand)


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Amazon Announces Six Pilots for 2015 "Fall Pilot Season"

Amazon Announces Lineup for its 2015 Fall Pilot Season

Following Amazon’s five Primetime Emmy wins, six pilots will launch from acclaimed creators Shane Black (Lethal Weapon, Iron Man 3), Louis CK (Louie), Diablo Cody (Juno), Sacha Baron Cohen (The Dictator), Steven Conrad (The Secret Life of Walter Mitty), Jonathan Dayton & Valerie Faris (Little Miss Sunshine), Nicole Holofcener (Enough Said), Bob Nelson (Nebraska), Tig Notaro (Boyish Girl Interrupted), Christine Vachon (Still Alice), and Nicole Yorkin & Dawn Prestwich (The Killing)

Shows feature noted talent including Anna Camp (Pitch Perfect), Flea (The Big Lebowski), Ryan Kwanten (True Blood), Shaquille O’Neal (Blended), Terry O’Quinn (Lost), Chris Parnell (Saturday Night Live), Mary Lynn Rajskub (24), Christina Ricci (Monster), and David Strathairn (The Bourne Ultimatum)

SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon today announced the lineup for its fall pilot season which is scheduled to debut later this year exclusively on Amazon Video in the US, UK, Germany and Austria. Amazon customers will find a wide-range of genres in this latest slate of pilots ranging from Good Girls Revolt, a powerful story set in 1969 about a group of young women seeking to be treated fairly and ultimately sparking changes that upend marriages, careers, love and friendship; Z, a half-hour bio-series pilot of Lost Generation legend Zelda Sayre Fitzgerald and her passionate love affair with iconic author F. Scott Fitzgerald; Highston, a family comedy about invisible celebrity friendships to Edge, a western set in the post-Civil War era where one cowboy doles out his own savage brand of justice; and more.

    “We have something for everyone in this season and I am excited to see which shows spark conversation amongst our customers and what they want to be made into series.”

Amazon customers will once again be invited to watch and provide feedback on the shows they want to see turned into full series for Prime members. All pilots will be available via the Amazon Video app for TVs, connected devices and mobile devices, or online at Amazon.com/amazonvideo.

The new half-hour pilots premiering later this year include Highston from Bob Nelson (Nebraska), Directors Jonathan Dayton & Valerie Faris (Little Miss Sunshine) and Executive Producer Sacha Baron Cohen (The Dictator); One Mississippi from Executive Producers Louis CK (Louie), Tig Notaro (Boyish Girl Interrupted), Diablo Cody (Juno) and Executive Producer/Director Nicole Holofcener (Enough Said); and Z from Dawn Prestwich (The Killing) and Nicole Yorkin (The Killing), produced by Pam Koffler and Christine Vachon (Still Alice) and directed by Tim Blake Nelson (Anesthesia). The hour-long pilots will include Edge from Shane Black (Lethal Weapon, Iron Man 3) and Fred Dekker (Tales from the Crypt, Star Trek: Enterprise); Good Girls Revolt written by Dana Calvo (Made in Jersey); and Patriot (working title) from Steven Conrad (The Secret Life of Walter Mitty, The Weather Man).

As well, these pilots feature notable actors including Anna Camp (Pitch Perfect), Flea (The Big Lebowski), Ryan Kwanten (True Blood), Shaquille O’Neal (Blended), Terry O’Quinn (Lost), Chris Parnell (Saturday Night Live), Mary Lynn Rajskub (24), Christina Ricci (Monster), and David Strathairn (The Bourne Ultimatum).

“Our latest pilot season brings together a diverse group of shows that we think customers will really enjoy,” said Roy Price, Vice President, Amazon Studios. “We have something for everyone in this season and I am excited to see which shows spark conversation amongst our customers and what they want to be made into series.”

Amazon’s fall pilot season includes the following shows:

Edge

Based on George G. Gilman's best-selling book series of the same name, which has been described as “the most violent western in print,” Edge showcases the sly, raw power of the western genre. Set in 1868, Max Martini (Pacific Rim, Captain Phillips) stars as Josiah ‘Edge' Hedges—a Union officer turned cowboy, who prowls the post-Civil War American West doling out his own peculiar (and savage) brand of justice. When we meet Edge in the pilot, his mission is personal and his vengeance hath no fury. Edge also stars Ryan Kwanten (True Blood) as Merritt Harknett, and Yvonne Strahovski (The Astronaut Wives Club, Chuck) as Beth. Edge was developed by Shane Black (Lethal Weapon, Iron Man 3) and Fred Dekker (Tales from the Crypt, Star Trek: Enterprise), teleplay by Dekker and Black, is directed by Black, and executive produced by Black, Dekker, Barry Josephson (Bones, Turn: Washington Spies), and David Greenblatt (Battle Los Angeles).

Good Girls Revolt

In 1969, while a cultural revolution with a soundtrack to match swept through the free world, there was still one place that refused to change with the times: newsrooms. Good Girls Revolt follows a group of young female researchers at "News of the Week," who simply ask to be treated fairly. Their revolutionary request will spark convulsive changes and upend marriages, careers, sex lives, love lives, and friendships. Good Girls Revolt stars Genevieve Angelson (Backstrom) as Patti, Anna Camp (Pitch Perfect) as Jane, Erin Darke (We Need to Talk About Kevin) as Cindy, Chris Diamantopoulos (Silicon Valley) as Finn, Hunter Parrish (Weeds) as Doug, Jim Belushi (Show Me a Hero) as Wick McFadden, Joy Bryant (Parenthood) as Eleanor Holmes Norton, and Grace Gummer as Nora Ephron. A co-production with TriStar Television, Good Girls Revolt is written and created by Dana Calvo (Made in Jersey), directed by Liza Johnson (Return), and executive produced by Calvo, Lynda Obst (Interstellar), Darlene Hunt (The Big C), Don Kurt (Justified) and Jeff Okin (Dark Skies, Stanley Park). The pilot is inspired by the landmark sexual discrimination cases chronicled in Lynn Povich's book, The Good Girls Revolt.

Highston

Highston Liggetts (newcomer Lewis Pullman) is a 19-year-old with a wide circle of celebrity friends—that only he can see. His parents, Jean (Mary Lynn Rajskub, 24), and Wilbur (Chris Parnell, Saturday Night Live) force him to get psychiatric help, but his Uncle Billy (Curtis Armstrong, American Dad!) thinks he’s just fine. Highston is a comedy about what it means to be normal in a world that’s anything but. The pilot guest stars Shaquille O’Neal (Thunderstruck) and Flea (The Big Lewbowski), and is written by Oscar-nominee Bob Nelson (Nebraska), directed by Independent Spirit Award winners Jonathan Dayton and Valerie Faris (Little Miss Sunshine), and executive produced by Sacha Baron Cohen (The Dictator), Todd Hoffman (Love Stinks), Nelson, and Todd Schulman (Bruno).

One Mississippi

A dark comedy, loosely inspired by Tig Notaro’s (Boyish Girl Interrupted) life, One Mississippi follows Tig as she deals with the complex reentry into her childhood hometown of Bay Saint Lucille, Mississippi, to deal with the unexpected death of her mother, the interminable life of the party, Caroline. Reeling from her own recently declining health, Tig struggles to find her footing with the loss of the one person who actually understood her, with help from her older but not always wiser brother, Remy, played by Noah Harpster (Transparent), and her emotionally distant stepfather, Bill, played by John Rothman (The Devil Wears Prada). A surprise visit from Tig’s girlfriend, Brooke, played by Casey Wilson (Gone Girl) only compounds the reality of how out of place Tig is in a world without her mother. A co-production with FX Productions, One Mississippi is written and executive produced by Notaro and Diablo Cody (Juno), executive produced by Louis CK (Louie), Blair Breard (Louie), and Dave Becky (Everybody Hates Chris), with pilot directed and executive produced by Nicole Holofcener (Enough Said).

Patriot

The political thriller Patriot follows the complicated life of intelligence officer John Tavner (Australian newcomer Michael Dorman, Wonderland). His latest assignment is to prevent Iran from going nuclear, requiring him to forgo all safety nets and assume a perilous "non-official cover" -- that of a mid-level employee at a Midwestern industrial piping firm. A bout with PTSD, the Federal government’s incompetence, and the intricacies of keeping a day job in the “front” industrial piping company, cause a barrage of ever-escalating fiascos that jeopardize Tavner’s mission. The pilot also stars Terry O’Quinn (Lost) as Tom Tavner, John's State Department Director of Intelligence father, Michael Chernus (Manhattan Project), as John's older brother Edward Tavner, a young Texas congressman, Kathleen Munroe (Call Me Fitz), as John's wife Alice, Aliette Opheim (Sandor slash Ida) as Agathe, a brilliant young homicide detective from Luxembourg hot on John's trail, and Kurtwood Smith (That 70s Show) as Mr. Claret, John's stickler of a new "boss" at the piping firm. Patriot is written and directed by Steven Conrad (The Secret Life of Walter Mitty, The Weather Man), and executive produced by Conrad, Gil Bellows (Temple Grandin), Glen Ficarra (Crazy Stupid Love, Focus), Charlie Gogolak (Focus), and John Requa (Crazy Stupid Love, Focus).

Z

Z is a bio-series pilot based on the life of Zelda Sayre Fitzgerald, the brilliant, beautiful and talented Southern Belle who becomes the original flapper and icon of the wild, flamboyant Jazz Age in the 20s. Starring Christina Ricci (Monster) as Zelda Sayre, Z starts before she meets the unpublished writer F. Scott Fitzgerald (Gavin Stenhouse, Allegiance), and moves through their passionate, turbulent love affair and their marriage—made in heaven, lived out in hell as the celebrity couple of their time. The series travels through the wild parties, the wicked jazz, the dissolute artists of the era, as well as the alcoholism, adultery and struggle with dashed dreams and mental illness that characterizes their later years. Z dives into the fascinating life of a woman ahead of her time, an artist determined to establish her own identity in the tempestuous wake of a world-famous husband. The show pulls back the curtain on her triumphs and dark secrets. It's a modern take on one of the most notorious love stories of all time, played out in salons and speak-easies from Montgomery, Alabama to the Cote D'Azur. Z is written by Dawn Prestwich (The Killing) and Nicole Yorkin (The Killing), directed by Tim Blake Nelson (Anesthesia), and executive produced by Pamela Koffler (Still Alice) and Christine Vachon (One Hour Photo) of Killer Films, as well as Ricci. The show also guest stars David Strathairn (Good Night and Good Luck) as Judge Anthony Dickerson Sayre, Kristine Nielsen (Savages) as Minnie Sayre, Maya Kazan (The Knick) as Livye Hart, Sarah Schenkkan (30 Rock) as Eleanor Browder, Jamie Anne Allman (The Killing) as Tootsie Sayre, and Holly Curran (Alpha House) as Tilde Sayre.


About Amazon Video
Amazon Video includes tens of thousands of movies and TV episodes available on Prime Video at no additional charge to Prime members, as well as access to hundreds of thousands of titles to buy or rent. Amazon Video is the only service in the world that brings customers both of these options in one place.

Prime Video, available on Amazon Video, lets Prime members enjoy binge-worthy TV shows including Amazon Original Series airing now such as the multi-Golden Globe-winning and Emmy-winning series Transparent, Hand of God, Bosch, Catastrophe and Mozart in the Jungle as well as hit series like Sex and the City, Veep, Girls, The Sopranos, Entourage, Curb Your Enthusiasm and The Wire. Prime Video also offers members blockbuster movies such as Transformers: Age of Extinction, Teenage Mutant Ninja Turtles, Jack Ryan: Shadow Recruit, Star Trek Into Darkness and The Hunger Games: Catching Fire, among others. Prime members have access to a collection of kids shows including Amazon Original Series Annedroids, Gortimer Gibbon’s Life on Normal Street and the Annecy, Annie and multi-Emmy Award-winning Tumble Leaf, as well as popular shows from Nickelodeon and Nick Jr. including SpongeBob SquarePants, Dora the Explorer, Team Umizoomi, and Blue’s Clues.

Prime members can look forward to several new upcoming original series premiering this year, with the coming-of-age dramedy Red Oaks premiering on October 9, followed by the much anticipated adaptation of Philip K. Dick’s The Man in the High Castle on November 20, and season two of Emmy-winning Transparent December 4. Coming in 2016 will be the second seasons of Mozart in the Jungle, Bosch and romantic comedy, Catastrophe, along with the debut season of The New Yorker Presents.

In addition to tens of thousands of titles to instantly stream on Prime Video, the Amazon Prime membership (www.amazon.com/prime) includes more than one million songs, more than a thousand playlists and hundreds of stations through Prime Music, unlimited Free Two-Day Shipping on millions of items, early access to select Lightning Deals, unlimited photo storage with Amazon Photos, and access to borrow from more than 800,000 books for Kindle owners–all for $99 a year.

Amazon Video can be accessed through the Amazon Video app on TVs, connected devices and mobile devices, or online at Amazon.com/amazonvideo. Prime Video titles can also be downloaded for offline enjoyment—the only subscription streaming service to offer this functionality. Customers who are not already Prime members can sign up for a free trial at Amazon.com/prime.

About Amazon
Amazon.com opened on the World Wide Web in July 1995. The company is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon.

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"Godzilla" Surpasses $300 Million in Worldwide Box Office

“Godzilla” is Still Roaring at the Box Office, Surpassing $300 Million Worldwide in Only 10 Days

BURBANK, Calif.--(BUSINESS WIRE)--Riding on the tail of its enormous opening weekend, Warner Bros. Pictures’ and Legendary Pictures’ “Godzilla” will stomp across the $300 million mark at the worldwide box office today, Sunday, May 25th, only its tenth day in release. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan Vandenberg.

    “There was tremendous anticipation for ‘Godzilla,’ and the film delivered in a huge way. We congratulate the cast, filmmakers and our partners at Legendary on reaching this benchmark, and, as word of mouth continues to build, we anticipate big returns to continue well into the summer.”

Internationally, the film opened at number one in every major market in which it has been released, including the UK, Australia, Russia, Mexico, Brazil, Korea, Germany, France and Italy, to name only a few. It also has much-anticipated openings in key markets, including China on June 13th.

“Legendary Pictures wishes to thank our filmmaking partners, our strategic partners worldwide and Warner Bros. for helping to bring this film to theaters around the globe,” said Jon Jashni, Legendary’s President and Chief Creative Officer. “It is very validating for Gareth, for us and for Toho to have been able to reach this early milestone in only a matter of days.”

Fellman stated, “There was tremendous anticipation for ‘Godzilla,’ and the film delivered in a huge way. We congratulate the cast, filmmakers and our partners at Legendary on reaching this benchmark, and, as word of mouth continues to build, we anticipate big returns to continue well into the summer.”

Kwan Vandenberg added, “Godzilla is a global icon and we couldn’t be more excited to work with Legendary, Gareth Edwards and his remarkable cast and crew in bringing a film worthy of that legacy to moviegoers the world over. With outstanding buzz, ‘Godzilla’ rose to the top of even the most crowded international markets, with numbers that have now pushed Warner Bros.’ international grosses past the $1 billion mark for the 14th year in a row.”

The film attracted a huge 3D viewership globally, accounting for more than half of 3D sales in both the U.S. and abroad.

Many moviegoers have opted to see the massive creature on the biggest screen possible, generating record numbers for IMAX®, which saw the highest-grossing opening weekend of the year, for “Godzilla.”

The world’s most revered creature is reborn as Warner Bros. Pictures and Legendary Pictures unleash the epic action adventure “Godzilla,” from visionary director Gareth Edwards (“Monsters”).

The film stars an international ensemble cast led by Aaron Taylor-Johnson (“Kick-Ass”), Oscar® nominee Ken Watanabe (“The Last Samurai,” “Inception”), Elizabeth Olsen (“Martha Marcy May Marlene”), Oscar® winner Juliette Binoche (“The English Patient,” “Cosmopolis”), and Oscar® nominee Sally Hawkins (“Blue Jasmine”), with Oscar® nominee David Strathairn (“Good Night, and Good Luck,” “The Bourne Legacy”) and Emmy® and Golden Globe Award winner Bryan Cranston (“Argo,” TV’s “Breaking Bad”).

Edwards directed “Godzilla” from a screenplay by Max Borenstein, story by David Callaham, based on the character “Godzilla” owned and created by TOHO CO., LTD. Thomas Tull produced the film, along with Jon Jashni, Mary Parent and Brian Rogers. Patricia Whitcher and Alex Garcia served as executive producers, alongside Yoshimitsu Banno and Kenji Okuhira.

Warner Bros. Pictures and Legendary Pictures present a Legendary Pictures production, a Gareth Edwards film, “Godzilla.” The film is presented in 3D, 2D and IMAX® in select theatres and is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, except in Japan, where it is distributed by Toho Co., Ltd. Legendary Pictures is a division of Legendary Entertainment. “Godzilla” has been rated PG-13 for intense sequences of destruction, mayhem and creature violence.

www.godzillamovie.com

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"Godzilla" Soundtrack Arrives May 13th 2014

GODZILLA: ORIGINAL MOTION PICTURE SOUNDTRACK Due May 13th from WaterTower Music

Featuring Original Music by Golden Globe and Grammy Award® Winner Alexandre Desplat

Soundtrack Premiere on Spotify

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music today announced the release of the soundtrack to Warner Bros. Pictures and Legendary Pictures’ epic action adventure “Godzilla”, which hits theatres May 16. The 20-track “Godzilla” soundtrack features new music from Golden Globe and Grammy Award® winner, and six time Academy Award® nominee Alexandre Desplat, and will be released both digitally and on CD on May 13. The Godzilla soundtrack premieres today on Spotify, and is currently available for preorder now at iTunes and Amazon.

    “a great sense of continuity between what you’re seeing and hearing.”

The Parisian-born composer worked closely with director Gareth Edwards (“Monsters”) as the score was taking shape to establish what he describes as “a great sense of continuity between what you’re seeing and hearing.” Desplat elaborates, “When I played back music for him in my studio, I could see him watching the images and listening at the same time…Gareth is very sensitive to music and that was fantastic for me.”

“Alexandre is a bit of a hero of mine musically, and the score he created for this film is just stunning,” says Edwards. “I’m really excited. I can’t quite believe not only that Alexandre composed the Godzilla soundtrack, he’s done my soundtrack. It’s the most amazing gift I think I’ll ever get.”

With the great force of Godzilla propelling the action, Desplat also relished the opportunity to make a big sonic impact with the music as he recorded the final score with the Hollywood Studio Orchestra. “I’ve never done a monster movie before, so coming to this with more than a hundred musicians—double brass, double horns—allowed me to open the frame of my imagination to another territory, and that’s very exciting,” Desplat describes.

The Godzilla track list is as follows:
                1.         Godzilla!
                2.         Inside The Mines
                3.         The Power Plant
                4.         To Q Zone
                5.         Back to Janjira
                6.         Muto Hatch
                7.         In The Jungle
                8.         The Wave
                9.         Airport Attack
                10.         Missing Spore
                11.         Vegas Aftermath
                12.         Ford Rescued
                13.         Following Godzilla
                14.         Golden Gate Chaos
                15.         Let Them Fight
                16.         Entering The Nest
                17.         Two Against One
                18.         Last Shot
                19.         Godzilla’s Victory
                20.         Back To The Ocean

The world’s most revered monster is reborn as Warner Bros. Pictures and Legendary Pictures unleash the epic action adventure “Godzilla.” From visionary new director Gareth Edwards (“Monsters”) comes a powerful story of human courage and reconciliation in the face of titanic forces of nature, when the awe-inspiring Godzilla rises to restore balance as humanity stands defenseless.

The film stars an international ensemble cast led by Aaron Taylor-Johnson (“Kick-Ass”), Oscar® nominee Ken Watanabe (“The Last Samurai,” “Inception”), Elizabeth Olsen (“Martha Marcy May Marlene”), Oscar® winner Juliette Binoche (“The English Patient,” “Cosmopolis”), and Oscar® nominee Sally Hawkins (“Blue Jasmine”), with Oscar® nominee David Strathairn (“Good Night, and Good Luck,” “The Bourne Legacy”) and Emmy® and Golden Globe Award winner Bryan Cranston (“Argo,” TV’s “Breaking Bad”).

Edwards directed “Godzilla” from a screenplay by Max Borenstein, story by David Callaham, based on the character “Godzilla” owned and created by TOHO CO., LTD. Thomas Tull produced the film, along with Jon Jashni, Mary Parent and Brian Rogers. Patricia Whitcher and Alex Garcia served as executive producers, alongside Yoshimitsu Banno and Kenji Okuhira. Warner Bros. Pictures and Legendary Pictures present a Legendary Pictures production, a Gareth Edwards film, “Godzilla.” The film will be presented in 3D, 2D and IMAX® in select theatres and is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, except in Japan, where it is distributed by Toho Co., Ltd. Legendary Pictures is a division of Legendary Entertainment. www.Godzillamovie.com

WaterTower Music, the in house music label for Warner Bros., has been releasing recorded music since 2001. Distributed through InGrooves Fontana, WTM has released over 150 titles, including the film soundtracks to “Gravity,” “Man of Steel,” “The Dark Knight Rises,” “The Hobbit: An Unexpected Journey,” “The Hobbit: The Desolation of Smaug,” “Game of Thrones,” and “The Great Gatsby Jazz Recordings” among others.

Review: Sayles Draws Viewers in "LIMBO" (Happy B'day," David Strathairn)

TRASH IN MY EYE No. 34 (of 2003) by Leroy Douresseaux

Limbo (1999)
Running time:  126 minutes (2 hours, 6 minutes)
MPAA – R for language
EDITOR/WRITER/DIRECTOR:  John Sayles
PRODUCER:  Maggie Renzi
CINEMATOGRAPHER:  Haskell Wexler
COMPOSER:  Mason Daring
Palme d'Or nominee

DRAMA/THRILLER/ROMANCE

Starring:  Mary Elizabeth Mastrantonio, David Strathairn, Venessa Martinez, Kris Kristofferson, and Casey Siemaszko

The subject of this movie review is Limbo, a 1999 drama and crime-thriller from writer-director John Sayles.  The film focuses on a fisherman who tries to protect his new girlfriend and her daughter from his past and his brother’s present.  The film was nominated for the Palme d'Or at the 1999 Cannes Film Festival, and at the 1999 Seattle International Film Festival, Sayles received the “Golden Space Needle Award” for “Best Director.”  The National Board of Review, USA also gave Limbo a “Special Recognition” award “For excellent in filmmaking.”

John Sayles is a true independent filmmaker, rarely dealing with the major studios to produce his pictures, although they have distributed them, as is the case with Limbo.  Upon seeing this film, one can understand why he remains an independent.  Most directors can do this kind of film once or twice, but to make a career out of films like this, a director has to have an iron will.

Joe Gastineau (David Strathairn, a veteran of several Sayles films) lives, but that’s all he does.  He merely lives, working a few odd jobs in a small Alaska town.  He meets and helps out Donna De Angelo (Mary Elizabeth Mastrantonio, Robin Hood: Prince of Thieves) a lovelorn lounge singer and the mother of one of Joe’s coworkers Noelle (Vanessa Martinez), and Joe gently falls for Donna.  When Joe’s self-inflated half-brother Bobby (Casey Siemaszko, Young Guns) blows into town, the four take a journey to up-country Alaska that changes and endangers their lives.

The acting is good, especially from the trio of Strathairn, Ms. Mastrantonio, and Ms. Martinez.  Strathairn is a vulnerable and moody character, but a quite approachable guy, a strong and supportive man when he has to be.  Ms. Mastrantonio is punch drunk from the love of broken relationships, but she never gives up on the positive, even when things keep falling apart.  Ms. Martinez is the sullen, self-pitying teen; quiet and withdrawn, she is an imaginative storyteller who can take elements of her life and create metaphorical delights.  Sayles has affection for these characters, and, because he takes time to give them depth, we care about them.

Sayles, a novelist and short story writer, creates films with characters that are very much like real people.  Each and every character has their own story, and a Sayles movie is actually of composition containing all these characters’ stories.  His gift is to show the viewers enough of each story so that they can get a feel for the film.  We see more of the lead characters’ stories, but we get a taste of every person’s story.  He is a visionary, able to weave stories with the same complexities and depth of a novel into the visual shorthand of a film.

Critics have accused his films of not having passion, but they have sold their souls for the press junkets and star interviews of the major studios and their product.  A Sayles film is vibrant and engaging.  He makes you think, and he lets you be part of the film, to put yourself inside the story.  This is as vicarious a thrill as any adrenalin-monkey action movie.

8 of 10
A

NOTE:
1999 Cannes Film Festival:  1 nomination: “Palme d'Or” (John Sayles)

Updated:  Sunday, January 26, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: McDonnell, Woodard Shine in "Passion Fish" (Happy B'day, Mary McDonnell)

TRASH IN MY EYE No. 11 (of 2003) by Leroy Douresseaux

Passion Fish (1992)
Running time: 135 minutes (2 hours, 15 minutes)
MPAA – R
EDITOR/WRITER/DIRECTOR: John Sayles
PRODUCERS: Sarah Green and Maggie Renzi
CINEMATOGRAPHER: Roger Deakins
COMPOSER: Mason Daring
Academy Award nominee

DRAMA

Starring: Mary McDonnell, Alfre Woodard, David Strathairn, Lenore Banks, Vondie Curtis-Hall, Nora Dunn, Angela Bassett, Mary Portser, and Will Mahoney

The subject of this movie review is Passion Fish, a 1992 drama from writer-director John Sayles. The film tells the story of a paralyzed soap opera actress and the bond she forms with one of her nurses.

Some would decry that Passion Fish, like most John Sayles films (Matewan, Eight Men Out), lacks precisely that: passion. The truth is that John Sayles films eschew the emotional histrionics that so many filmmakers mistake for emotional honesty. Plus, many directors (American directors are afflicted with this curse) probably think that you have to turn of the intensity to capture the attentions of a jaded audience. Besides, the word “passion” is not a lone adjective in the title, but half of a whole that describes the film’s central theme.

Mary-Alice Culhane (Mary McDonnell, Dances with Wolves), a popular soap opera actress, is left paralyzed and wheel chair bound after a car accident. She returns to her Louisiana childhood home where she runs through a succession of nurses until she meets the fiery Chantelle (Alfre Woodard, Grand Canyon), who is running from her own debilitating sickness. Together, they traverse the narrow road and rough terrain of healing, because, in the end, they are alike and really need each other. In the meantime, they also both find new male friends and companions. Mary attaches to an old-fashioned Cajun (Sayles veteran David Strathairn, City of Hope) and Chantelle to a black Cowboy (Vondie Curtin-Hall, Die Hard 2).

Sayles directs this film with deliberate slowness, a languid pace that mirrors Passion Fish’s sultry and humid setting. He gives his cast a chance to slip into the skins of their roles, and there is a pay off – believable performances and characters that feel right in their environments. His script is full of his sharp wit and his lush and rich dialogue, for which he has deft ear.

The performances are excellent. Although Ms. McDonnell alone earned an Academy Award nomination for performance, Ms. Woodard turns in an exemplary performance as Chantelle, desperately fighting her addiction and desperate to reclaim her child. As a duo, they subtly draw us into their lives, and we can’t help but leave a part of ourselves with them as they chose to remain together – forever or for as long as it takes them to heal.

I can’t stress enough how Sayles builds this movie on good acting and a strong story. For those who like strong characters with which one can identify, this movie has them. Passion Fish is truly a fine film for audiences looking for mature subject matter, and is another delight in the beautiful filmography of a great American independent filmmaker, John Sayles.

8 of 10
A

NOTES:
1993 Academy Awards: 2 nominations: “Best Actress in a Leading Role” (Mary McDonnell) and “Best Writing, Screenplay Written Directly for the Screen” (John Sayles)

1993 Golden Globes, USA: 2 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Mary McDonnell) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Alfre Woodard)

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Warner Bros. Starts Production on "Godzilla"

Warner Bros. Pictures and Legendary Pictures Announce Cast and Start of Production for “Godzilla”

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Legendary Pictures announced today the final principal cast for the upcoming tent pole “Godzilla.” Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, and Juliette Binoche are starring in the film, with David Strathairn and Bryan Cranston.

The companies also announced that principal photography began today on location in Vancouver.

Gareth Edwards is directing the film from a screenplay by Max Borenstein, Frank Darabont and Dave Callaham. Legendary’s Thomas Tull and Jon Jashni are producing with Mary Parent and Brian Rogers. Alex Garcia and Patricia Whitcher are serving as executive producers alongside Yoshimitsu Banno and Kenji Okuhira.

A presentation of Warner Bros. Pictures and Legendary Pictures, “Godzilla” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, except in Japan, where it will be distributed by Toho Co., Ltd. Legendary Pictures is a division of Legendary Entertainment.

Slated to open on May 16, 2014, the film is expected to be presented in 3D.

Google Play and Steven Spielberg Host "Lincoln" Sept. 13th

You’re Invited to a Google Play Hosted Hangout with Director Steven Spielberg and Joseph Gordon-Levitt for the World Premiere of the “Lincoln” Trailer on September 13th

First-Time-Ever Event Will Be Broadcast Live in Times Square

BURBANK, Calif.--(BUSINESS WIRE)--DreamWorks Pictures and Google Play announced today that they will debut the theatrical trailer for “Lincoln” during a Google+ Hangout on Thursday, September 13, 2012, at 4 p.m. PT.

The event will also feature a live conversation with Spielberg and Joseph Gordon-Levitt, who portrays Robert Todd Lincoln in the highly anticipated film slated for release in November.

The “Lincoln” trailer will be the first film trailer to launch during a Google+ Hangout, which allows people to connect face-to-face-to-face via group video chat. In another first, the Hangout will also be broadcast live on the ABC SuperSign in the heart of New York City’s Times Square.

The Hangout is being hosted by Google Play, which boasts the world’s largest collection of ebooks and is home to millions of songs, thousands of movies and TV shows, and a growing selection of magazines. Not to mention over 600,000 apps and games.

Fans interested in participating are asked to upload a short video to their own YouTube channel with the #LincolnHangout tag explaining who they are, why they are interested in “Lincoln” and what they would like to ask Spielberg and Gordon-Levitt about the film.

To learn more about the submission process and about how to tune in to this live Hangout, visit www.lincolnmoviehangout.com.


ABOUT THE MOVIE
Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

Starring Daniel Day-Lewis, Sally Field, David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook and Tommy Lee Jones, “Lincoln” is produced by Steven Spielberg and Kathleen Kennedy, with a screenplay by Tony Kushner, based in part on the book, Team of Rivals: The Political Genius of Abraham Lincoln, by Doris Kearns Goodwin. The DreamWorks Pictures/Twentieth Century Fox film, in association with Participant Media, releases in U.S. theaters exclusive on November 9, 2012, with expansion on November 16, 2012.

Review: "Sneakers" Has a Winning Ensemble Cast (Happy B'day, Sidney Poitier)

TRASH IN MY EYE No. 113 (of 2005) by Leroy Douresseaux


Sneakers (1992)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13
DIRECTOR: Phil Alden Robinson
WRITERS: Phil Alden Robinson and Lawrence Lasker and Walter E. Parkes
PRODUCERS: Lawrence Lasker and Walter E. Parkes
CINEMATOGRAPHER: John Lindley
EDITOR: Tom Rolf, A.C.E.

CRIME/COMEDY/THRILLER with elements of action and drama

Starring: Robert Redford, Dan Aykroyd, Ben Kingsley, Mary McDonnell, River Phoenix, Sidney Poitier, David Strathairn, Timothy Busfield, Eddie Jones, Donal Logue, and James Earl Jones

Computer expert Martin Bishop (Robert Redford) heads a team of renegade hackers: a former CIA employee, Donald Crease (Sidney Poitier); a gadgets wizard who goes by the name "Mother" (Dan Aykroyd); a young genius named Carl Arbegast (River Phoenix); and a blind soundman, Erwin Emory, who goes by the name “Whistler” (David Strathairn); they are “sneakers,” routinely hired to test security systems for places that don’t need to get broken into or hacked into, such as a bank. Bishop’s past comes back to haunt him when two men claiming to represent the NSA (National Security Agency) blackmail him into helping them retrieve a “black box.” Along with his former girlfriend, Liz (Mary McDonnell), Bishop’s team steals the box and discovers that it may be able to break into any computer system in the world. Now, Bishop and his team are caught between dangerous factions who would kill for the box, so they must embark on their most dangerous assignment to date.

A combination caper film, mystery, espionage thriller and comedy, Sneakers featured an all-star cast when it debuted in late summer of 1992. The blend of star names (Robert Redford and Dan Aykroyd), legendary film figures (Redford again and Sidney Poitier), acclaimed character actors (Mary McDonnell and David Strathairn), and a young gun (the late River Phoenix) gave something for everyone in the audience. The subject matter may have been a bit over the head of much of the audience at the time. The home computer had not yet come into widespread use, and hackers remained a fringe news item, as most people yet did not realize the growing part computers were playing in their lives, so they didn’t understand the dangers of hackers who could break the encryption codes of security networks. Also, Sneakers is an action-thriller with no hyper-kinetic action scenes, but the film was a hit. It’s an espionage and (ostensible) spy thriller without that razor’s edge of tension a film such as Patriot Games gives the audience.

For me, Sneakers remains a personal favorite. It’s a brilliant (seriously) caper film that uncannily has the perfect mixture of comedy, action, and suspense with all the ingredients measured correctly to a fraction. No one actor really shines; in fact, Redford’s Bishop is an odd action lead, but somehow this works. Chemistry exists here, although it seems that the cast and characters occasionally rub each other the wrong way.

Something else about the film that always stands out for me is James Horner’s score, with Branford Marsalis on alto saxophone (I think). Horner’s sweet compositions with Marsalis delectable sax playing are perfect for comic caper flick. This was another feather in the hat for a unique and highly imaginative film composer who always seemed to create film music that perfectly captured a movie’s tone. A little more than six years later, Horner would finally win two long-deserved Oscars for writing a theme song and scoring Titanic.

Sneakers is a nice look back at what was then new technologies, and it boggles the mind how that new tech inspired three men to make such a film as this. While Sneakers is more an exercise in the caper/heist genre than it is a treatise on the consequences of certain people having unlimited access to private information and the ability to manipulate that info, Sneakers remains a pleasant little treat for those who want something different in their high tech thrillers.

7 of 10
B+

Review: "Bob Roberts" is Timeless and Always Timely (Happy B'day, Tim Robbins)

TRASH IN MY EYE No.170 (of 2005) by Leroy Douresseaux

Bob Roberts (1992)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R for momentary language
WRITER/DIRECTOR: Tim Robbins
PRODUCER: Forrest Murray
CINEMATOGRAPHER: Jean Lépine
EDITOR: Lisa Churgin
Golden Globe nominee

COMEDY/POLITICAL

Starring: Tim Robbins, Giancarlo Esposito, Ray Wise, Gore Vidal, Alan Rickman, Brian Murray, Harry J. Lennix, Merrilee Dale, Tom Atkins, David Strathairn, Jack Black, Lynne Thigpen, Helen Hunt, Bob Balaban, with John Cusack, Peter Gallagher, Susan Sarandon, James Spader, and Fred Ward

It’s October 1990. A radical folksinger named Bob Roberts (Tim Robbins) becomes a right wing, Pennsylvania senatorial candidate running against an old-school liberal named Senator Brickley Paiste (Gore Vidal). Bugs Raplin (Giancarlo Esposito), radical writer/editor/publisher of the an independent muck-racking newspaper, the Trouble Times, tries to expose Roberts’ alleged ties to the savings and loans scandals and assorted CIA drug-smuggling and gun-running conspiracies of the late 1980’s. British filmmaker, Terry Manchester (Brian Murray), captures this and all the events that follow Roberts’ campaign, in a documentary through which the movie audience follows Bob Roberts’ narrative.

Tim Robbins scathing satirical comedy was probably preaching to the choir and converted in 1992, in particular to moderates, liberals, and leftists frustrated by 12 years of Republicans being in the White House. Still, the film’s blend of campaign antics, singing, music videos, and political scandal made it arguably the best comedy of the year. Robbins performed a rare trick. Wearing three hats: writer, director, and star, he still managed to make the film as much about the American political landscape of the time as it was about Bob Roberts. For all the preaching, the movie is just plain funny, and is in the tradition of that most famous faux documentary film (or “mockumentary”), This is…Spinal Tap. In fact, the film even has a scene that is a sly homage to Spinal Tap (Roberts and his campaign staff wandering through the bowels of a building trying to find their destination).

Robbins, who received a 1996 Golden Globe nomination in the category of “Best Performance by an Actor in a Motion Picture – Comedy/Musical,” is brilliant as the reptilian, Bob Roberts, who is the kind of rich man that likes to act as if he’s just an ordinary guy – the common man. He blends folk and populism into a slick huckster that says all the right catchphrases to appeal to wealthy conservatives and also to the middle class and working class white people (and some Uncle Toms) who still chafe over the changes wrought by the Civil Rights Movement, the Women’s Rights Movement, the anti-Vietnam War protests and other social movements of the 1960’s and early 1970’s. Also quite entertaining are the folk songs, written by Tim and his brother David Robbins (who also composes the film score), which are full of dead-on right wing, ultraconservative, Republican vileness, venom, misinformation, and propaganda. Plus, each diddy has an uncanny ring of truth that in a way appeals even to moderate and liberal sensibilities.

The film also has standout performances by Giancarlo Esposito as a relentless fringe media reporter and Ray Wise as Robbins’ always-on-the-ball and rarely caught off guard campaign handler, Chet MacGregor. Brian Murray provides a steady, soothing voice as the documentary filmmaker/narrator who keeps everything linear and in order so that the audience understands what’s going on. Look for a small gem of a part by Jack Black, as an intense Bob Roberts acolyte. Actually, all the performances have so much verisimilitude that they, along with many others elements of this film, make Bob Roberts uncomfortable to watch. It hits too close to home, and Americans don’t want anyone, including other Americans, pointing out their blemishes, especially when Americans are well aware our dark side – so much so that they’re trying to keep them in the closet, so to speak.

The surprising thing is that 13-years later, this film is still as funny as it was in 1992. In fact, its socio-political commentary (about right wing politics, sound bite political campaigns, slick, ready-for-TV candidates, shadow governments, “illegal” or trumped up foreign wars and covert operations; and slow moving, old school liberal politicians unable get their message to voters or make themselves appealing to voters) is truer today than it was then, making Bob Roberts something rare – a visionary political film both timely and timeless. Even when it becomes surreally bogged in conspiracy towards the end, Bob Roberts keeps it real. It reminds this Louisiana boy too much of the almost successful U.S. senatorial and gubernatorial campaigns of a former Klansman and how popular this racist was at both his and my old alma mater, Louisiana State University.

9 of 10
A+

Monday, November 07, 2005

NOTES:
1993 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Tim Robbins)

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Julie Taymor's "The Tempest" on DVD September 2011

THE TEMPEST

 

From the visionary Director Julie Taymor (Frida) comes a modern retelling of William Shakespeare’s masterpiece in the visually stunning and innovative feature film THE TEMPEST. Available nationwide on Blu-ray™, DVD, Movie Download, and On-Demand on September 13, 2011.

Film Synopsis:
This modern retelling of William Shakespeare’s final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer’s Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by Julie Taymor (Frida) — and complete with exclusive bonus features — The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound.

U.S. Release Date:
September 13, 2011
(Direct Prebook July 19, 2011/ Distributor Prebook August 2, 2011)

Rating: PG 13 - for some nudity, suggestive content and scary images
Feature Run Time: Approximately 110-minutes
Release Format: Blu-ray™, DVD, Movie Download & On-Demand
Suggested Retail Price: 1-Disc Blu-ray = $39.99 U.S.
1-Disc DVD = $29.99 U.S.
Movie Download High Definition = $39.99 U.S.
Movie Download Standard Definition = $29.99 U.S.
On-Demand = for pricing, please contact your television provider or favorite digital retailer

Bonus Features:
Audio Commentary with Director Julie Taymor Russell Brand Rehearsal Riff
O MISTRESS MINE Reeve Carney Music Video
And more!

Talent:
Helen Mirren (The Debt, State of Play, The Queen)
Russell Brand (Get Him To The Greek; Forgetting Sarah Marshall)
Alfred Molina (The Sorcerer’s Apprentice, Prince of Persia, An Education)
Djimon Hounsou (Blood Diamond)
Alan Cumming (“The Good Wife,” It’s Complicated)
Chris Cooper (Remember Me, The Kingdom)
David Straitharn (The Bourne Ultimatum)

Director/Writer:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark)
Producers:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark) and Ronald Bozeman (Confessions of a Shopaholic)

Review: "Good Night, and Good Luck." is Timeless (Happy B'day, David Strathairn)

TRASH IN MY EYE No. 172 (of 2005) by Leroy Douresseaux

Good Night, and Good Luck. (2005) – B&W
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for mild thematic elements and brief language
WRITER/DIRECTOR: George Clooney
WRITER/PRODUCER: Grant Heslov
CINEMATOGRAPHER: Robert Elswit
EDITOR: Stephen Mirrione
Academy Award nominee

DRAMA/HISTORY with elements of Film-Noir and thriller

Starring: David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson, Frank Langella, Jeff Daniels, Ray Wise, Thomas McCarthy (as Tom McCarthy), Matt Ross, Tate Donovan, Reed Diamond, Robert John Burke, Grant Heslov, Rose Abdoo, Alex Borstein, and Dianne Reeves

The 1950’s were the early days of broadcast journalism, and those early days witnessed a real-life conflict between famed journalist and television newsman, Edward R. Murrow (David Strathairn) and Senator Joseph McCarthy and the House Un-American Activities Committee (HUAC). McCarthy charged that Americans with communist sympathies or some who were outright communists had infiltrated the American government and were a threat to national security. Sen. McCarthy’s detractors called his mission to discover these communist sympathizers as a “witch-hunt.” Murrow believed, as did many others, that Sen. McCarthy’s tactics themselves were un-American, as people were convicted, fired from their jobs, publicly humiliated, and otherwise damaged on the basis of here-say evidence. HUAC didn’t necessarily allow people they accused of being communists to see the evidence against them, nor were the accused allowed to face their accusers.

Murrow, who worked for the CBS news division, decided that people should know about the way Senator McCarthy and HUAC operated and was determined to enlighten the viewing public. Murrow and his staff, headed by his producer Fred Friendly (George Clooney) in the newsroom, examined the lies, misinformation, and scare-mongering tactics perpetrated by Sen. McCarthy during his witch-hunts. In doing so, Murrow and Friendly had to defy both their corporate bosses, exemplified in this film as William Paley (Played Frank Langella, William Samuel Paley founded the Columbia Broadcasting System and led CBS until his death in 1990). Murrow also had to defy the broadcast sponsors of his television news show, See It Now, in this case, aluminum giant, Alcoa. Ed Murrow and Sen. McCarthy’s feud went very public and ugly when the senator accused Murrow of being a communist, but in that climate of fear and fear of government reprisal against them, the CBS news crew continued their reporting on Sen. McCarthy and HUAC, an effort that would be historic and monumental. This is a dramatization or fictional account of those real events.

There is sure to be debate about George Clooney’s debut directorial effort, Good Night, and Good Luck., and Clooney’s is a Hollywood liberal (“liberal” is a dirty word, the term “Hollywood liberal” is a double slur). However, Good Night, and Good Luck. (the title is the phrase the real Ed Murrow used at the end of his TV broadcasts) is a message film, a warning from recent American history as a cautionary tale, and an attempt at film art. As a message film, Good Night may be preaching to the converted. As a warning from the past, it is indeed a riveting cautionary tale. Clooney and his co-writer Grant Heslov emphasize in this tale that while many Americans disagreed with Sen. McCarthy’s activities, many either remained silent hoping he’d go away or said nothing for fear that McCarthy and his supporters would smear them with the accusation of being communists.

It clear (to me, at least) that Clooney thinks that early in this new century, too many Americans disagree with the practices of both the current Presidential administration and the right-leaning and outright right wing media that supports it, and those citizens are silent out of fear, apathy, or, even worse, ignorance. Still, Clooney doesn’t want the film’s obvious detractors accusing him of playing fast and loose with history. No actor portrays Sen. Joseph McCarthy’s in Good Night; he (in a sense) plays himself via archival film footage of HUAC sessions and a few filmed interviews. So Sen. McCarthy can hang himself rather than have the screenwriters Heslov and Clooney do it through a fictional representation of the senator played by an actor.

Thanks for the lesson, George, but is your film any good? Good Night, and Good Luck. is damn good. Clooney presents this film almost as if it were a stage drama, with the stage being the office floor in which the CBS news division prepares its broadcasts. The film only occasionally strays from this womb of determined journalists – a few trips to William Paley’s office and once in a barroom. Good Night is stylish and mannered. Shot in high contrast black and white film (They reportedly shot on color film on a grayscale set, then color-corrected in post-production.), it has a nourish feel. Both dreamlike and mysterious, like a Val Newton horror flick (say Cat People), Good Night is a look into the workplace of men who believe in the principals of their profession and will fight anyone, no matter how powerful, to report the news the way they think it should be. Hell, they’re not shy about editorializing when they think its necessary.

The film remains true to its tagline, “we will not walk in fear of one another,” as the script engages the protagonists against a largely mysterious and unseen enemy who would terrorize the American public with the fear of being publicly ruined if they question the self-appointed judges. In the fact, the choice of using Sen. McCarthy not as an actor, but as an ethereal and ghostly specter living in old film footage adds to the sense of menace the senator is supposed to furnish. Murrow and crew aren’t just fighting a man, they’re fighting a larger thing, an atmosphere of threat with which the journalists must grapple using words and ideas.

The performances in this film are good, but not great, with the exception being David Strathairn as Ed Murrow. Silent and contemplative, Murrow’s mind is always working on the struggle against fear and tyranny – we see that in his acting. In Strathairn, we also see Murrow tackle the big picture (the witch-hunts) and take on a specific villain (McCarthy the ringleader). We can see the pain in Strathairn’s Murrow when he must stay the course, although a friend needs his help in a meaningless side skirmish, but when Clooney and Heslov have Murrow make that choice, that choice makes him seem like a brave man.

Good Night, and Good Luck. is a fine film – all so very well put together, Clooney gives us the candy coating of singer Dianne Reeves (backed by the band that performs with George's aunt, Rosemary Clooney) providing mood establishing jazz interludes. It’s the sweet course of a very good meal.

9 of 10
A+

Saturday, November 12, 2005

NOTES:
2006 Academy Awards: 6 nominations: “Best Motion Picture of the Year” (Grant Heslov), “Best Achievement in Art Direction” (James D. Bissell-art director and Jan Pascale-set decorator), “Best Achievement in Cinematography” (Robert Elswit), “Best Achievement in Directing” (George Clooney), “Best Performance by an Actor in a Leading Role” (David Strathairn), “Best Writing, Original Screenplay” (George Clooney and Grant Heslov)

2006 BAFTA Awards: 6 nominations: “Best Editing” (Stephen Mirrione), “Best Film” (Grant Heslov), “Best Performance by an Actor in a Leading Role” (David Strathairn), “Best Performance by an Actor in a Supporting Role” (George Clooney), “Best Screenplay – Original” (George Clooney and Grant Heslov), and “David Lean Award for Direction” (George Clooney)

2006 Golden Globes: 4 nominations: “Best Director - Motion Picture” (George Clooney), “Best Motion Picture – Drama” “Best Performance by an Actor in a Motion Picture – Drama” (David Strathairn), and “Best Screenplay - Motion Picture” (George Clooney and Grant Heslov)

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Review: "The Bourne Ultimaturm" is Ultimate

TRASH IN MY EYE No. 114 (of 2007) by Leroy Douresseaux

The Bourne Ultimatum (2007)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – PG-13 for violence and intense sequences of action
DIRECTOR: Paul Greengrass
WRITERS: Tony Gilroy, Scott Z. Burns, and George Nolfi; from a screen story by Tony Gilroy (based upon the novel by Robert Ludlum)
PRODUCERS: Frank Marshall and Paul Sandberg
CINEMATOGRAPHER: Oliver Wood
EDITOR: Christopher Rouse
Academy Award winner

DRAMA/ACTION/THRILLER

Starring: Matt Damon, Julia Stiles, David Strathairn, Scott Glenn, Paddy Considine, Edgar Ramirez, Albert Finney, Joan Allen, Chris Cooper, and Corey Johnson

In The Bourne Identity, he fought to answer the question, “Who am I?” In The Bourne Supremacy, he wanted to know, “Who killed my girlfriend,” and he killed for what was done to him. In The Bourne Ultimatum, Jason Bourne (Matt Damon) remembers everything, and his journey takes him from Europe and North Africa to a trip home to New York City where all the answers will be found.

After he got his revenge for the killing of Marie, Bourne planned to disappear and forget the life that was stolen from him, but a front-page story in a London newspaper speculates about his existence. Bourne sets up a meeting with Simon Ross (Paddy Considine), the journalist who wrote the story, but that meeting makes Bourne a target again. The journalist does give him a lead on two top-secret black operations or black-ops programs, Treadstone and its successor Blackbriar, which may hold the key to Bourne’s past. Bourne’s reemergence also gets him marked for death by Noah Vosen (David Strathairn), the head of a new covert wing of the CIA and the director of Blackbriar. Bourne gains the trust of conflicted agent Nicky Parsons (Julia Stiles) and CIA operative/internal investigator and spy hunter Pamela Landy (Joan Allen), and with their help, he will have his day of reckoning.

Like his previous effort in the Jason Bourne series, The Bourne Supremacy, Oscar-nominated director Paul Greengrass (United 93) delivers mind blowing action, whiplash-paced fighting, and thoughtful plotting. Greengrass does this picture with equal parts humor and brutality, and makes it is as smart as it is stylish.

Matt Damon is Jason Bourne, and he leaves no doubt that it would be nearly impossible for anyone to take his place. His acting chops and screen charisma combined with his physical training for the role invents Bourne as a supernatural covert operative who can kick any ass, go anywhere, break into the most secure locations, and be invisible in a crowd.

The supporting cast may not be A-list actors in terms of star power, but they are A+ list in terms of screen acting. Added to Damon’s work here, they put The Bourne Ultimatum over the top. It’s not just a great espionage thriller; it’s the best thriller of the year and a great film. Whether you’re a Bourne fan, or just a friend, mother, father, etc. going along with a fan, you’ll go home impressed and happy.

9 of 10
A+

Sunday, August 12, 2007

NOTES:
2008 Academy Awards: 3 wins: “Best Achievement in Editing” (Christopher Rouse), “Best Achievement in Sound” (Scott Millan, David Parker, and Kirk Francis), and “Best Achievement in Sound Editing” (Karen M. Baker and Per Hallberg)

2008 BAFTA Awards: 2 wins: “Best Editing” (Christopher Rouse) and “Best Sound” (Kirk Francis, Scott Millan, David Parker, Karen M. Baker, and Per Hallberg); 4 nominations: “Best British Film” (Frank Marshall, Patrick Crowley, Paul Sandberg, Paul Greengrass, Tony Gilroy, Scott Z. Burns, and George Nolfi), “Best Cinematography” (Oliver Wood), “Best Director” (Paul Greengrass), and “Best Special Visual Effects” (Peter Chiang, Charlie Noble, Mattias Lindahl, and Joss Williams)

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