Negromancer News Bits and Bites for the Week of January 25th to 31st, 2015 - Updated #19

NEWS:

From DenofGeek:  The simple reason why there was no "Tangled 2."

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From YahooNews:  First Lady Michelle Obama defends American Sniper at launch of "6 Certified."

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From YahooBeauty:  Disney introduces first Latina Disney Princess.

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From Grantland:  A really fine article about retired actor, Oscar-winner Gene Hackman.

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From Vulture:  Liam Hemsworth reportedly has been offered the lead in the Independence Day follow-up.

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From People:  Alex Gibney, a great director of great documentary films, has a shocking new film about Scientology.

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From Vulture:  Guardians of the Galaxy star, Chris Pratt, is rumored to be the new Indiana Jones.

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From ThePlaylist:  The leads in Paul Feig's Ghostbusters reboot are Kristen Wiig, Melissa McCarthy, Kate McKinnon & Leslie Jones.  Or these are the four who are in contract talks to star in the film.

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From Alternet:  Seven things about Chris Kyle not in American Sniper.

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From YahooMovies:  The winner of the box office for the weekend of 1/23 to 1/25/2015 is American Sniper with an estimated take of $64.4 million.  The film is a repeat winner, and this is one of the best second weekends ever.

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From Variety:  Kaya Scodelario has been named as the female lead in "Pirates of the Caribbean 5."

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From YahooMovies:  Oscar winner Dianne Wiest is struggling to pay her rent.


COMICS BOOKS:

From NerdReactor:  Jason Momoa likes the idea of a brown-skinned Aquaman.

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From YahooGames:  An article about TV shows based on comic books.

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From Variety:  Melissa Benoist is CBS' Supergirl.

From Variety:  Mehcad Brooks is the love interest of CBS' Supergirl.

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From Newsarama:  10 things worth noticing in the Fantastic Four trailer.

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From YahooTV:  The first teaser for the Fantastic Four reboot, and I think it looks great.  Now, will the movie be good...

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From CinemaBlend:  How the costumes in the Fantastic Four reboot film might look.

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From IGN:  Fox wants to develop a live action X-Men television series.


TRAILERS:

From 20th Century Fox:  The first teaser trailer for this year's Fantastic Four reboot.


MISC.:

From YahooSports:  Serena Williams wins her 6th Australian open title.  It is also her 19th major title (Grand Slam tournament) win, which is second all-time behind Stefi Graf's 22 (in the Open era).

First Burton/Depp Joint, "Edward Scissorhands" is a Classic

TRASH IN MY EYE No. 34 (of 2012) by Leroy Douresseaux


Edward Scissorhands (1990)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13
DIRECTOR: Tim Burton
WRITERS: Caroline Thompson; from a story by Tim Burton and Caroline Thompson
PRODUCERS: Tim Burton and Denise Di Novi
CINEMATOGRAPHER: Stefan Czapsky (D.o.P.)
EDITOR: Richard Halsey
COMPOSER: Danny Elfman
Academy Award nominee

FANTASY/ROMANCE

Starring: Johnny Depp, Winona Ryder, Dianne Wiest, Alan Arkin, Anthony Michael Hall, Kathy Baker, Robert Oliveri, Conchata Ferrell, Caroline Aaron, O-Lan Jones, Dick Anthony Williams, and Vincent Price

The subject of this movie review is Edward Scissorhands, a fairy tale film from director Tim Burton and starring Johnny Depp in the title role. Edward Scissorhands is the first of several films in which Burton and Depp have collaborated, including the shortly to be released Dark Shadows.

A romantic fantasy, the film opens with an elderly woman telling her granddaughter where the snow outside their window comes from (because they live in an area in which snow is not common). That story begins when a local Avon saleswoman, Peg Boggs (Dianne Wiest) visits a Gothic mansion that sits on a hill just outside her suburban neighborhood. She finds Edward (Tim Burton) hiding in the castle. Edward is a mechanical young man created by an old inventor (Vincent Price), and he has scissor-like contraptions where his wrists and hands should be.

Peg takes Edward home where he befriends her son, Kevin (Robert Oliveri), meets her husband, Bill (Alan Arkin), and later meets and falls in love with her teen daughter, Kim (Winona Ryder). At first Edward fits right in with the family, and the neighbors also take to him, especially after they discover that he has skills they can put to use. However, petty jealousies, simple misunderstandings, and selfish interests soon make it difficult and dangerous for both the Boggs and Edward.

Critics and movie fans have described Edward Scissorhands as Tim Burton’s most personal film. According to the 2006 book, Burton on Burton (by author Mark Salisbury), the title character of Edward Scissorhands comes out of a teenaged Burton’s feelings of isolation and also his inability to fit in and to communicate with the people in the suburb where he grew up. The more I saw of Burton and of his work, both films and illustrations, the more Edward Scissorhands’ themes of self-discovery and isolation made sense to me. I can see Burton, a Goth-type teen with his strange drawings and stranger looks, not exactly fitting in with the conformity zone that suburban areas are (at least on the surface, cause there’s no telling what goes on behind closed doors).

Seriously though, I think Edward Scissorhands goes beyond mere commentary about familiar suburban vs. rebel themes. In the film, the Boggs live in a drab suburban world that manages to make even the pastel colors that blanket the wood frame homes seem dull and boring. When Edward comes into the Boggs’ world, it isn’t so much that he is a breath of fresh air. It is that he becomes a novelty act, and he is accepted, for the most part, as long has his talents are of use to his new neighbors and as long he entertains. The black-garbed Edward is the proverbial Negro in a white bougie woodpile.

Edward, although he is a mechanical boy, has a good soul and has an open spirit. He isn’t clueless, as throughout the film, we can observe how quickly Edward learns. He has a surprising sense of humor, born of the way he can see past the façades people put forth. The problem for Edward is that he is open-minded or, at least, open to new experiences; his neighbors are not.

In this film’s last act, the neighbors reveal themselves for what they really are – a white citizens council, a lynch mob willfully ignoring any truths so that they can kill someone. They want an excuse, any excuse, to get out the torches and pitchforks. Hell, when it comes down to it, they don’t really need an excuse. It is not a coincidence that the most understanding and sympathetic person to Edward, outside the Boggs, is an African-American police officer played by the late Dick Anthony Williams (who died in February of this year.)

One can make an argument that Edward Scissorhands is Burton’s best film. For all its autobiographical elements, it is his sharpest and most satirical drama. In the context of Burton’s apparent persecuted youth, Edward Scissorhands is the revenge of the nerd that made it in spite of the haters.

9 of 10
A+

NOTES:
1991 Academy Awards: 1 nomination: “Best Makeup” (Ve Neill and Stan Winston)

1992 BAFTA Awards: 1 win: “Best Production Design” (Bo Welch); 3 nominations: “Best Costume Design” (Colleen Atwood), “Best Make Up Artist” (Ve Neill), and “Best Special Visual Effects” (Stan Winston)

1991 Golden Globes, USA: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Johnny Depp)

Wednesday, May 09, 2012

Original "Footloose" Still Cuts Loose

TRASH IN MY EYE No. 81 (of 2011) by Leroy Douresseaux


Footloose (1984)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG
DIRECTOR: Herbert Ross
WRITER: Dean Pitchford
PRODUCERS: Lewis J. Rachmil and Craig Zadan
CINEMATOGRAPHER: Ric Waite (D.o.P.)
EDITOR: Paul Hirsch
Academy Award nominee

DRAMA/MUSIC with elements of romance

Starring: Kevin Bacon, Lori Singer, John Lithgow, Dianne Wiest, Christopher Penn, Sarah Jessica Parker, John Laughlin, Elizabeth Gorcey, Frances Lee McCain, Jim Youngs, Lynne Marta, Arthur Rosenberg, and Timothy Scott

Footloose is a 1984 teen drama in which the story is driven, in part, by its pop music soundtrack. The film was a hit upon its initial release, and the soundtrack sold over nine millions copies, with two songs from the film earning Oscar nominations. Footloose spawned a 1998 Broadway musical and is the subject of a 2011 remake.

Footloose focuses on Ren MacCormack (Kevin Bacon), a teenager raised in Chicago. As the movie begins, Ren and his mother, Ethel (Frances Lee McCain), have just moved to the small Midwestern town of Bomont to live with Ethel’s sister, Lulu (Lynne Marta) and her husband, Wes Warnicker (Arthur Rosenberg). Ren soon makes a friend of a local kid, Willard Hewitt (Chris Penn), and eventually attracts the attention of a wild, but pretty teen girl, Ariel Moore (Lori Singer).

Ren, who likes to dance and play loud music, soon learns that dancing and loud music are not allowed in Bomont, mainly because of Ariel’s stern father, Reverend Shaw Moore (John Lithgow). Ren decides that his senior class should have a prom, but he and his small circle of friends may have to take on the entire town, especially the town council, if they want to hold a dance in public.

There is a lot of cheesy synthesizer-driven music on the soundtrack and plenty of weird dance moves are on display. Still, Footloose is actually a good little teen drama. It’s like an ABC After School Special with a soundtrack, and if Dean Pitchford’s script is anything, it is sincere.

The story is rarely overwrought, and Pitchford created familiar characters without making them stereotypes. I’ve seen John Lithgow’s character, Rev. Moore, described as a “bible thumper,” and Moore is not. Even if the character were, Lithgow, an accomplished actor, would never play Shaw Moore as such. He is a complex man who means well and sincerely cares about the people of Bomont. The arc of his character is a journey to make sure that his good intentions don’t pave a road to Hell.

Kevin Bacon made a star turn as Ren in Footloose, and while the character can be a bit overexcited, Bacon makes Ren likeable and genuine. Of course, Sarah Jessica Parker sparkles, showing a hint of what her fans love about her today, and it’s good to see Chris Penn young, in shape, and nice looking – the Chris Penn before the weight, the drugs, and the tragic ending.

Footloose stands the test of time. I think it is as good today as it was 27-and-a-half years ago. I will give it the same grade I gave it back then, and I’d even watch it again. Its story of friendship and small town melodrama are more engaging than quaint.

6 of 10
B

NOTES:
1985 Academy Awards: 2 nominations: “Best Music, Original Song” (Kenny Loggins-music and Dean Pitchford-lyric for the song "Footloose") and “Best Music, Original Song” (Tom Snow and Dean Pitchford for the song "Let's Hear It for the Boy")

1985 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Kenny Loggins and Dean Pitchford for the song "Footloose")

Wednesday, October 12, 2011

Review: "The Lost Boys" is Eternally Youthful and Forever a Winner

TRASH IN MY EYE No. 142 (of 2005) by Leroy Douresseaux

The Lost Boys (1987)
Opening date: July 31, 1987
Running time: 97 minutes
MPAA – R
DIRECTOR: Joel Schumacher
WRITERS: Janice Fischer & James Jeremias and Jeffrey Boam, story by Janice Fischer & James Jeremias
PRODUCER: Harvey Bernhard
CINEMATOGRAPHER: Michael Chapman
EDITOR: Robert Brown

HORROR/COMEDY

Starring: Jason Patric, Corey Haim, Jami Gertz, Corey Feldman, Edward Herrmann, Bernard Hughes, Kiefer Sutherland, and Dianne Wiest, Jamison Newlander, Brooke McCarter, Billy Wirth, Alex (Alexander) Winter, and Chance Michael Corbitt

“Sleep all day. Party all night. It’s fun to be a vampire.” was the tagline to The Lost Boys, a Joel Schumacher film that heavily re-imagines J.M. Barrie’s classic play and novel, Peter Pan. The film was a minor hit back when it was released in 1987, but the film has become even more popular (even a kind of cult hit) through its release on home video and later DVD, and its numerous appearances on various cable TV channels. The Lost Boys also cleverly tweaks and twists some classic vampire myths, folklore, and legends – including some that were invented by Hollywood.

Financial troubles force recent divorcee Lucy Emerson (Dianne Wiest) and her two teenage sons, Michael (Jason Patric) and Sam Emerson (Corey Haim), to move to Santa Carla, CA (actually filmed in Santa Cruz, CA) to live with her father (Bernard Hughes). At first, her younger son, Sam laughs off the rumors of vampires in Santa Carla that he hears from the two brothers, Edgar (Corey Feldman) and Alan Frog, (Jamison Newlander) who run their parents comic book shop on the Santa Carla Boardwalk. However, when Michael starts acting strange (stays out all night, sleeps all day, and tries to attack Sam) and showing classic signs of vampirism, Sam joins forces with the Frog Brothers to find and destroy the head vampire, which she free Michael of the vampire’s curse. Meanwhile, Michael has fallen for a half-vampire teenager named Star (Jami Gertz) and promises to help her and half-vampire boy, Laddie Thompson (Chance Michael Corbitt), for whom she cares. He’s also fallen in with a quartet of brash, teen vampires led by the charismatic David (Kiefer Sutherland).

I’ve seen The Lost Boys so many times, and I’m such a big fan that I don’t know if I can fairly review it for a viewer who hasn’t seen it. Heck, I’d recommend it to anybody. What do I like about it? Hmmm, where to start? It’s a fun, comic horror film, and puts a hip, cool spin on vampires – as they relate to Hollywood productions. It was not quite an MTV-type movie, but it did tap into the early to mid-80’s youth, cultural zeitgeist, if only to get some nice establishing shots of Santa Carla’s youth. Tapping into the style of young people in the mid-80’s also resulted in some flashy costumes of The Lost Boys’ teen characters. Corey Feldman, Corey Haim, and Jamison Newlander looked as if they’d step off the set of a Lionel Richie video (for either of the songs “All Night Long” or “Dancing on the Ceiling”). Jami Gertz and the Lost Boys (even the little half-vampire boy, Laddie) have mounds of big hair to go with the puffy shirts, faux Pirates of Penzance costumes, and Amadeus-vomit-leather ensembles. Somehow, it all looks and feels right – especially the handsome and alluring Kiefer Sutherland who plays a kind of teen rebel/pied piper vampire. He’s the real Peter Pan in this Lost Boys set.

As far as the filmmaking goes: Thomas Newman’s score is a smooth, crisp, and tight suite of music to suggest creepiness. The rewrites that director Joel Schumacher demanded of the original script (and likely done by Jeffrey Boam) turned the story into a tight little thriller with a slight fairy tale feel to it. Once upon a time, two boys and their mother moved to a town of vampires… and everybody was hip, cool, and now.

8 of 10
A

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