TRASH IN MY EYE Reviews: Fantasy

Showing posts with label Fantasy. Show all posts

Saturday, December 21, 2024

Review: "SONIC THE HEDGEHOG 3" Finds Jim Carrey Going Super-Sonic

TRASH IN MY EYE No. 59 of 2024 (No. 2003) by Leroy Douresseaux

Sonic the Hedgehog 3 (2024)

Running time: 109 minutes (1 hour, 49 minutes)

MPA – PG for action, some violence, rude humor, thematic elements and mild language.

DIRECTOR: Jeff Fowler

WRITERS: Pat Casey & Josh Miller and John Whittington; based on a story by Pat Casey & Josh Miller (based on the Sega video game)

PRODUCERS: Toby Ascher, Neal H. Moritz, Toru Nakahara, and Hitoshi Okuno

CINEMATOGRAPHER: Brandon Trost (D.o.P.)

EDITOR: Al LeVine

COMPOSER: Tom Holkenborg (Junkie XL)

FANTASY/FAMILY and ACTION/ADVENTURE/COMEDY

Starring: Jim Carrey, James Marsden, Tika Sumpter, Lee Majdoub, Natasha Rothwell, Shemar Moore, Adam Pally, Krysten Ritter, Alyla Browne, and Tom Butler; (voices) Ben Schwartz, Colleen O'Shaughnessey, Idris Elba, and Keanu Reeves

SUMMARY OF THE REVIEW:

Jim Carrey makes “Sonic and the Hedgehog 3” the best film of the series by making it his personal showcase. He gives this film dramatic and comedic depth that I was not expecting; he gifts it the best of him.

This is still a Sonic the Hedgehog film, and once again voice actor Ben Schwartz brings Sonic to life in a way that makes him feel like a real-life character instead of being nothing more than one more special effect.

Sonic the Hedgehog 3 is dynamic and engaging in a way that makes it a family film which can impress adults as much as it entertains the kids.

Sonic the Hedgehog 3 is a 2024 action-adventure, fantasy and comedy film from director Jeff Fowler. The film is based on the Sega Corporation's video game series and media franchise which began with the 1991 “Sega Genesis” game, Sonic the Hedgehog. The film is also the third entry in Sonic the Hedgehog film series. Sonic the Hedgehog 3 finds Sonic and his family taking on two powerful new adversaries, including one with a shocking connection to an old enemy.

Sonic the Hedgehog 3 finds Sonic the Hedgehog (voice of Ben Schwartz) celebrating the anniversary of his arrival on Earth with his adopted parents, Tom (James Marsden) and Maddie Wachowski (Tika Sumpter). Also celebrating are the two newest members of the family, Knuckles the Echidna (voice of Idris Elba) and Miles “Tails” Prower (voice of Colleen O'Shaughnessey). Together, Sonic, Knuckles, and Tails form “Team Sonic.”

However, while Sonic and family are celebrating, they don't know that trouble is brewing. In Tokyo Bay is a secret prison run by the “Guardian Units of Nations” (G.U.N.), the military of Earth's government. For decades, they have been holding an alien prisoner. He is Shadow the Hedgehog (voice of Keanu Reeves), an anthropomorphic hedgehog like Sonic.

Now, Shadow has joined forces with the man who freed him, a mysterious scientist who has been stealing tech from Dr. Ivo Robotnik (Jim Carrey), Sonic's enemy. That forces Robotnik to unite with “Team Sonic” in order to stop Shadow and his mysterious benefactor's mission of revenge against the Earth and mankind. But can Sonic and his family really trust Robotnik?

Back in 2022, I saw Sonic the Hedgehog 2 because my niece asked to me to take her to the theater to see it. A few days ago, I saw the first film, Sonic the Hedgehog (2020), for the first time (via Prime Video). It got me in the mood for the new film, Sonic the Hedgehog 3, because, once again, my niece wanted me to take her to the theater to see it.

Sonic the Hedgehog 3 is the best of the series mainly because Jim Carrey, in a dual role, gives one of his best performances in recent years. In the first two films, Carrey relied on his familiar over-the-top shtick and shenanigans. In this new film, Carrey unleashes the breath and length of his talent as a performer and actor. In Sonic the Hedgehog 3, Carrey is peak 1990s Carrey, and if this were not a Sonic the Hedgehog movie, he would be getting movie awards season notice for his performance in this film. And this film is all the better for what Carrey does.

Once again, voice performer Colleen O'Shaughnessey makes Tails seem like both an innocent kid and a veteran tech expert. In the second film, Idris Elba used his voice acting skills to make Knuckles a tough guy, but here, he gets a chance to brings some gravitas to the character. As usual, Ben Schwartz brings Sonic to life as a fully developed film character and makes Sonic's doubts and dilemmas seem genuine. Schwartz delivers exuberance and drama in his voice performance as Sonic.

Director Jeff Fowler shows that he can play in the big leagues of giant, event action films after directing the bouncy and pleasant first two films. Fowler and his cohorts take the Sonic film franchise from a special effects fun fest to an action-adventure movie with more on the line than eye-popping visual effects (VFX), although there is plenty of that.

So after saying all that, it is obvious that I like Sonic the Hedgehog 3. It is not perfect, and this film is obviously not for certain audiences. It's not really for me, but still, Sonic the Hedgehog 3 manages to surprise and entertain me. And my niece was crazy about it.

7 of 10

B+

★★★½ out of 4 stars

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Friday, December 20, 2024

Review: Humor Makes First "SONIC THE HEDGEHOG" Film Pleasingly Pleasant

TRASH IN MY EYE No. 58 of 2024 (No. 2002) by Leroy Douresseaux

Sonic the Hedgehog (2020)

Running time: 99 minutes (1 hour, 39 minutes)

MPA – PG for action, some violence, rude humor and brief mild language

DIRECTOR: Jeff Fowler

WRITERS: Pat Casey & Josh Miller (based on the Sega video game)

PRODUCERS: Toby Ascher, Neal H. Moritz, Toru Nakahara, and Takeshi Ito

CINEMATOGRAPHER: Stephen F. Windon (D.o.P.)

EDITORS: Debra Neil-Fisher and Stacy Schroeder

COMPOSER: Tom Holkenborg (Junkie XL)

FANTASY/FAMILY and ACTION/ADVENTURE/COMEDY

Starring: James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally, Lee Majdoub, Neal McDonough, Tom Butler, Frank C. Turner, Melody Niemann, and Jim Carrey; and (voices) Ben Schwartz and Donna Jay Fulks

Sonic the Hedgehog is a 2020 action-adventure, fantasy and comedy film directed by Jeff Fowler. The film is based on the Sega Corporation video game series and media franchise that began with the 1991 Sega Genesis game, Sonic the Hedgehog. In Sonic the Hedgehog the movie, Sonic takes refuge on Earth, but when his speed accidentally knocks out power in part of the United States, he draws the attention of a mad scientist.

Sonic the Hedgehog introduces Sonic (voice of Ben Schwartz). He is an anthropomorphic (which means he is an animal that can walk and talk like a human), blue hedgehog who has the ability to move at superhuman speed. Ten years earlier, Sonic fled to Earth to escape his enemies with the aid of a golden ring that opened a portal to Earth. He carried a bag of more such rings with him to Earth.

Currently, Sonic lives an enjoyable secret life in a cavern under the rural town of Green Hills, Montana. He zooms around the area, and has become something of a local legend, “the blue devil.” He longs to make friends and spies on local sheriff, Thomas Michael “Tom” Wachowski (James Marsden), whom Sonic calls the “Donut Lord,” and Tom's wife, Maddie (Tika Sumpter), whom Sonic calls “Pretzel Lady.” What Sonic does not know is that Tom and Maddie are planning to relocate to San Francisco.

It is Sonic's loneliness which leads him to initiating an accident that causes a massive power outage across the Pacific Northwest. Determined to discover the origin of this power outage, the U.S. Joint Chiefs of Staff reluctantly enlists the services of eccentric roboticist and scientific genius, Dr. Robotnik (Jim Carrey). Now, Sonic is forced to seek help from Tom Wachowski, but can this thrown-together duo escape the clutches of Robotnik and his drone army?

I had no intention of watching Sonic the Hedgehog from the first time I heard about the movie's production back in the 20-teens. I also had no plans on seeing its 2022 sequel, Sonic the Hedgehog 2, but when it was first released, my niece asked to me to take her to the theater to see it, as she did not want to wait for it to stream on Paramount+. Because she rarely asks me to take her to the movies and because she usually turns down my offers to accompany me when I'm going, I (reluctantly) agreed to see Sonic the Hedgehog 2 with her.

Well, the third film, Sonic the Hedgehog 3, has been released, and my niece wants me to take her to see that one, too. I found Sonic the Hedgehog 2 to be much better than I thought it would be, and I was able to follow it without having seen the first film. However, I decided that it was past time to see the original, and I was able to because it is available via my Amazon Prime Video subscription.

I must say that I found the first film pleasingly pleasant. Sonic the Hedgehog's visual effects (VFX) and humor drive the film's narrative and makes even the most raucous action and chases scenes sometimes breathtaking, sometimes funny, and sometimes both. I think the film's director, Jeff Fowler, and his film editors get the most humor and energy that they can out of a lightweight script. The result is an lighthearted and entertaining family film.

Voice actor Ben Schwartz brings Sonic to life as a fully developed film character. Schwartz makes Sonic's doubts and dilemmas seem genuine, and his exuberant voice performances makes Sonic one of the most lovable CGI movie characters in recent memory.

The second standout performance comes from Jim Carrey. With Carrey, audiences get the good, the bad, and ugly of the actor and former stand-up comedian's constant over-the-top mode. However, in Sonic the Hedgehog, he gives a delightful comic performance. His Robotnik is not so much over-the-top as he is the wackiest of wacky mad scientist; then, Carrey bumps that up a notch. Carrey would actually steal this movie if Ben Schwartz was not pitch perfect as Sonic.

So it turns out that I like Sonic the Hedgehog as much as I liked Sonic the Hedgehog 2. I highly recommend Sonic the Hedgehog for those looking for something that would be quite a treat for family movie night.

6 of 10

★★★ out of 4 stars

Friday, December 20, 2024

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Sunday, December 15, 2024

Review: "KRAVEN THE HUNTER" Has a Beast in Aaron Taylor-Johnson

TRASH IN MY EYE No. 57 of 2024 (No. 2001) by Leroy Douresseaux

Kraven the Hunter (2024)

Running time: 127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence, and language

DIRECTOR: J.C. Chandor

WRITERS: Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)

PRODUCERS: Avi Arad, David B. Householter, and Matt Tolmach

CINEMATOGRAPHER: Ben Davis (D.o.P.)

EDITORS: Chris Lebenzon and Craig Wood

COMPOSERS: Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

SUMMARY OF THE REVIEW:

“Kraven the Hunter” has already established itself as having the lowest opening weekend debut of any film carry the Marvel brand, but it is a lot better than many of the other comic book films that came before it

Star Aaron Taylor-Johnson is indeed a star as he carries this film to victory, and he maximizes several intense scenes with co-star, Oscar-winner Russell Crowe

You don't have to be a fan of comic book movies to enjoy “Kraven the Hunter” because its intensity and its extreme and extremely violent action scenes and sequences are exceptionally entertaining

Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor. The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964). This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series. The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison. Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.” Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe). Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana. A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.” His activities as “The Hunter” have earned him the ire of many criminals. Kraven has a kill-list, and once someone is on it, they don't get off until he kills them. Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier. Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted. Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey. Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films. It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024). This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man. Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated. If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior. Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film. The screenplay, regardless of whatever number of writers contributed to it, intrigued me. Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies. Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film. As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star. As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent. Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him. Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so. Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance. Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

8 of 10

★★★★ out of 4 stars

Sunday, December 15, 2024

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Saturday, December 7, 2024

Review: Disney's "MOANA 2" Sails Towards New Horizons

TRASH IN MY EYE No. 55 of 2024 (No. 1999) by Leroy Douresseaux

Moana 2 (2024)

Running time: 100 minutes (1 hour, 40)

MPA – PG for action/peril

DIRECTORS: David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller

WRITERS: Jared Bush and Dana Ledoux Miller; Jared Bush & Dana Ledoux Miller and Bek Smith

PRODUCERS: Christina Chen and Yvette Merino

EDITORS: Michael Louis Hill and Jeremy Milton

ORIGINAL SONGS: Opetaia Foa'il, Mark Mancina, Abigail Barlow, and Emily Bear

COMPOSER: Mark Mancina

ANIMATION/FANTASY/MUSICAL and FAMILY/DRAMA

Starring: (voices) Auli'i Cravalho, Dwayne Johnson, Hualalai Chung, Rose Matafeo, David Fane, Amhimai Fraser, Khaleesi Lambert-Tsuda, Rachel House, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, and Alan Tudyk

SUMMARY OF REVIEW:

Moana 2 is not as inspired as the original film, but this sequel charts its own path towards adventure

The title character, Moana, is still a hero who takes her friends and the audience on the greatest of adventures, and that is more than enough reason for fans of the original film to come back for more in Moana 2

Moana 2 is a 2024 American computer-animated, fantasy-adventure, and musical film directed by David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller. It is produced by Walt Disney Animation Studios – the 63rd full-length animated feature film produced by that studio, and it is a Walt Disney Pictures release. The film is a direct sequel to the 2016 animated feature, Moana. Moana 2 finds Moana and Maui on a journey to find a lost island that could reunite the people of the ocean.

Moana 2 opens three years after the adventures Moana (Auli'i Cravalho) had with the demigod, Maui (Dwayne Johnson), and the island goddess of Te Fiti (as seen in Moana). Moana is now officially her people's “wayfinder.” She has spent the time since then exploring the islands near her home island of Motunui in the hope that she will find other people connected to the ocean.

During a celebration, Moana has a vision of her wayfinding ancestor, Tautai Vasa (Gerald Ramsey). He reveals why none of those peoples are connected anymore. A long time ago, the malicious storm god, Nalo, wanted power over the mortals. To gain that power, Nalo sunk a legendary island called “Motufetu,” the island which connected all islands and the people of the sea, down to the depths of the ocean. Tautai also warns Moana that the people of Motunui will go extinct in the future if Moana cannot find a way to raise Motufetu.

Moana assembles a wayfinding crew of people from Motunui: the clever craftswoman, Loto (Rose Matafeo); the tribal historian and Maui fanboy, Moni (Haulalai Chung); and a grumpy elderly farmer, Keke (David Fane), alongside her pet pig, Pua, and pet rooster, Heihei. They set off in a boat designed and built by Loto, to follow the path of a meteor that Tautai says will blaze a trail across the ocean towards Motufetu. But first, Moana and her crew must find Maui, who just so happens is being held prisoner by the forces aligned against Moana's quest.

I wrote this in my recent review of the first film, Moana: I always struggle with writing reviews of modern Disney computer-animated feature films. The animation is always superb. The character design is consistently imaginative and inventive, and the character animation – regardless of whether the characters are human, animals, creatures of fantasy, or machines – is flawless. The production design, art direction, set decoration, and graphic design are so good that just about every Disney animated movie gets its own art book – deservedly so.

Well, I don't have to struggle with my review of Moana 2 because it looks just as good as the first film. While the tattoos on Maui's body are still good, they don't get as much screen time as they did in the original film, so they can't steal the show. Instead, Moana has a little sister, Simea (Khaleesi Lambert Tsuda), who does that in several scenes set on Motunui.

Moana 2 is very entertaining, but it is not quite as good as the original film. Because we know many of the characters, especially Moana and Maui, there is not the same joy of discovery. The call to adventure is not as complicated in Moana 2 as it was the first time. It is pretty straightforward here: find Motufetu. And the big showdown in Moana 2 is not quite the showdown the first film offered. Moana 2 simply lacks the inspiration of Moana.

That said, Moana 2 offers stunning imagery that overrides the moments when the story drags or goes adrift, and the film moves towards new horizons for the franchise. Moana, once again superbly given voice by actress Auli'i Cravalho, and Maui, once again made cool by Dwayne Johnson's voice performance, are still great characters. And they go on the best adventures.

Moana 2 is the kind of big, colorful, soaring animated adventure that we expect from Walt Disney Animation Studios. It is not perfect, but it is the kind of film that keeps me loving the world's longest-running animation studio. Fans of Moana and of Disney Animation will not want to miss Moana 2.

7 of 10

B+

★★★½ out of 4 stars

Saturday, December 7, 2024

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Wednesday, October 30, 2024

Review: "HALLOWEEN III: Season of the Witch" is More Strange Than Good

TRASH IN MY EYE No. 155 (of 2003) by Leroy Douresseaux

Halloween III: Season of the Witch (1982)

Running time: 98 minutes (1 hour, 38 minutes)

MPAA – R

DIRECTOR: Tommy Lee Wallace

WRITER: Tommy Lee Wallace

PRODUCERS: John Carpenter and Debra Hill

CINEMATOGRAPHER: Dean Cundey (D.o.P.)

EDITOR: Millie Moore

COMPOSERS: John Carpenter and Alan Howarth

HORROR/SCI-FI/FANTASY

Starring: Tom Atkins, Stacy Nelkin, Dan O’Herlihy, Michael Currie, Ralph Strait, Jadeen Barbor, and Brad Schacter

Halloween III: Season of the Witch is a 1982 American horror and science fiction-fantasy film from director Tommy Lee Wallace. It is the third installment in the Halloween film series and the only one not to feature the franchise's star antagonist, Michael Myers. British science fiction author, Nigel Kneale, and series co-creator, John Carpenter, joined director Tommy Lee Wallace in contributing to the writing of this film. Season of the Witch focuses on a doctor who uncovers a plot use children and a particular brand of Halloween masks to resurrect an ancient ritual.

When her father is murdered in his hospital bed, Ellie Grimbridge (Stacy Nelkin) begins to suspect the involvement of a powerful novelty company with whom her father, Harry (Al Berry), had a relationship. She convinces an over-stressed physician Dr. Daniel “Dan” Challis (Tom Atkins) to accompany her to the headquarters of the company, Silver Shamrock, where they meet the company’s creepy owner Conal Cochran (Dan O’Herlihy).

Silver Shamrock’s big sales push occurs at Halloween, and everywhere the two go, they encounter omnipresent television ads for the company’s three Halloween masks. As Halloween gets closer, the world around Dan and Ellie becomes more perilous and stranger, and they delve deeper into Silver Shamrock’s evil plans for the holiday.

After wrapping up the story he began in the 1978 film, Halloween, in the sequel, Halloween II (1981), John Carpenter had different plans. He intended Halloween III: Season of the Witch to be the first in an annual series of Halloween movies that each told a different Halloween related story. Each film would, of course, have the “Halloween” brand name, but this film failed at the box office and killed that plan. Directed by Tommy Lee Wallace, the film editor of the original Halloween and for Carpenter's 1980 film, The Fog, Season of the Witch is average horror film with the potential to be something really great. It is gross-filled genre fare having equal doses of horror, mystery, and science fiction.

It is difficult to point out concretely just where it all went wrong. The mystery element is great, while the science fiction element is far fetched and more fantasy than science. The sci-fi/fantasy element fails because of a lack of proper execution and because the magical elements are flat and unconvincing. The horrific aspects are strong, and the dénouement is bracing and unsettling. Somewhere along the line, however, it all falls apart, and the movie can leave the viewer as unsatisfied as it will leave him curious about what happens in the story after the movie fades to black.

Still, I’d watch it again. There’s something in it, warts and all, that intrigues me, and I wish the filmmakers had taken the time to get whatever it is right.

4 of 10

★★ out of 4 stars

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Friday, September 6, 2024

Review: "BEETLEJUICE BEETLEJUICE" is Morbidly Wonderful and Wonderfully Morbid

TRASH IN MY EYE No. 42 of 2024 (No. 1986) by Leroy Douresseaux

Beetlejuice Beetlejuice (2024)

Running time: 104 minutes (1 hour, 44 minutes)

MPA – PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use.

DIRECTOR: Tim Burton

WRITERS: Alfred Gough & Miles Millar; from a story by Alfred Gough & Miles Millar and Seth Grahame-Smith (based on characters created by Michael McDowell and Larry Wilson)

PRODUCERS: Tim Burton, Dede Gardner, Tommy Harper, Jeremy Kleiner, and Marc Toberoff

CINEMATOGRAPHER: Haris Zambarloukos (D.o.P.)

EDITOR: Jay Prychidny

COMPOSER: Danny Elfman

COMEDY/FANTASY/HORROR

Starring: Michael Keaton, Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, Willem Dafoe, Monica Bellucci, Arthur Conti, Nick Kellington, Santiago Cabrera, Burn Gorman, Sami Slimane, Amy Nuttall, and Danny DeVito

SUMMARY OF THE REVIEW:

“Beetlejuice Beetlejuice” is that rare sequel that is as weird and as wonderful as its weird and wonderful predecessor

Michael Keaton, Winona Ryder, and Catherine O’Hara are so good at reprising their original roles that it is hard to believe that it has been 36 years since they first played them

“Beetlejuice Beetlejuice” is director Tim Burton's most crowd-pleasing film since 1999's “Sleepy Hollow”

Beetlejuice Beetlejuice is a 2024 American dark fantasy and comic-horror film from director Tim Burton. It is a direct sequel to Burton's 1988 film, Beetlejuice. Beetlejuice Beetlejuice finds three generations gathering after a family tragedy only to discover that the latest generation's actions have lead to a new encounter with the Afterlife and also has drawn the attentions of a certain bio-exorcist.

Beetlejuice Beetlejuice opens over three decades after the events depicted in Beetlejuice. Lydia Deetz (Winona Ryder) is now a “psychic mediator” who hosts a supernaturally themed talk show, “Ghost House,” produced by her current boyfriend, Rory (Justin Theroux). Lydia is estranged from her daughter, Astrid Deetz (Jenna Ortega), who is resentful that Lydia had a falling out with Astrid's father, Richard (Santiago Cabrera), who died during an expedition to the Amazon.

Lydia is stressed of late because she has been seeing visions of Betelgeuse (Michael Keaton), the “bio-exorcist” from the Afterlife who tried to force her to marry him over thirty years ago. Meanwhile, in the Afterlife, Betelgeuse (pronounced “Beetlejuice”) is having his own relationship problems as he has learned that his former wife, Delores (Monica Bellucci), a soul-sucking witch, has been revived and is hunting him in order to avenge the wrong she believes he did to her.

Back in the world of the living, Lydia's stepmother, Delia Deetz (Catherine O'Hara), informs her that her husband, Lydia's father, Charles Deetz, has died. Lydia, Astrid, and Delia return to Winter River (the setting of the original film) for Charles' funeral. The three women suddenly find their worlds turned upside down when the Afterlife intrudes and Betelgeuse plots to turn this series of unfortunate events in his favor.

Because of the decades long wait for this sequel, I wondered about the quality of Beetlejuice Beetlejuice. After seeing it, I am pleased and happy to say that I enjoyed it as much as I have any film I've seen this year (2024). I saw Beetlejuice Beetlejuice during a Thursday night preview showing, and there were several children present. The children were restless and acted up a bit, especially early on. Beetlejuice Beetlejuice is not a children's film, or it is, at least, not as child-friendly as the first film. Beetlejuice had a darkly humorous and macabre sensibility that was similar to the work of the late Charles Addams (1912-1988), the cartoonist for The New Yorker magazine who was best known for his recurring characters that became known as “The Addams Family.”

Beetlejuice Beetlejuice is a darker film with a morbid rather than a macabre sensibility. The specter of death – especially sudden, violent, accidental death – hangs over this film. Yet it all seems like ghoulish fun and games, thanks in part to director Tim Burton's creative cohorts. The costume design, production design, film editing, cinematography, lighting, visual effects (practical and CGI), and musical score (by frequent Burton collaborator, Danny Elfman), recall the creative and intense inventiveness of the original film They make Beetlejuice Beetlejuice more grand theater than “Grand Guignol.” Still, I don't think elementary school age children, in general, will really enjoy this new film.

I'd call Beetlejuice Beetlejuice perfect except I do take exception with the film's writing. Although the overall plot is very interesting, the screenplay has some extraneous threads and inessential characters. I won't mention them just in case they end up being spoilers.

I will say that Tim Burton is fortunate to have the trio of Michael Keaton, Winona Ryder, and Catherine O’Hara carrying the load for Beetlejuice Beetlejuice. When I first saw Beetlejuice, I didn’t care for Michael Keaton’s performance as Betelgeuse. I thought his manic energy seemed forced and phony and that the late Robin Williams, who was really coming into his own as a movie star at the time, would have been a better choice. Sixteen years later (2004), I watched Beetlejuice again, and that time I thought Keaton was perfect. Go figure! How wrong I was. With Beetlejuice Beetlejuice, Keaton proves that no one can be the “ghostest with the mostest” like him.

As Lydia Deetz, Winona Ryder truly evolves the character in interesting and genuinely human ways. Ryder could easily pull off a third film if one were to be made in the next decade (hopefully earlier). Given chance, Catherine O'Hara always proves that she is a giant among comedic actors, and does so again. What she offered in the original film, she offers in comedic droves here.

I had a thoroughly great time at the movies last night, and even the restless kids could not ruin the very funny “Soul Train” references. Beetlejuice Beetlejuice is that rare sequel that matches the original film in many ways and surpasses it in others. As a movie fan, I feel blessed to have it.

8 of 10

★★★★ out of 4 stars

Friday, September 6, 2024

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Thursday, August 22, 2024

Review: Brandon Lee Gives "THE CROW" Staying Power

TRASH IN MY EYE No. 38 of 2024 (No. 1982) by Leroy Douresseaux

The Crow (1994)

Running time: 102 minutes (1 hour, 42 minutes)

MPAA – R for a great amount of strong violence and language, and for drug use and some sexuality

DIRECTOR: Alex Proyas

WRITERS: David J. Schow and John Shirley (based on the comic book series and comics strip created by James O'Barr)

PRODUCERS: Jeff Most and Edward R. Pressman

CINEMATOGRAPHER: Dariusz Wolski (D.o.P.)

EDITORS: Dov Hoenig and M. Scott Smith

COMPOSER: Graeme Revell

SUPERHERO/FANTASY/ACTION/CRIME

Starring: Brandon Lee, Michael Wincott, Ernie Hudson, Rochelle Davis, Bai Ling, Sofia Shinas, Anna Thomson, David Patrick Kelly, Angel David, Laurence Mason, Michael Massee, Tony Todd, Jon Polito, Bill Raymond, Marco Rodriguez, and Kim Sykes

The Crow is a 1994 American superhero and dark fantasy film from director Alex Proyas. The movie is based on The Crow comic book series and on the character that first appeared in the comic book, Caliber Presents #1 (cover dated: January 1989), all created by James O'Barr. The Crow the movie focuses on a musician who returns from the dead a year after he and his girlfriend were brutally murdered to seek vengeance against their murderers.

The Crow is infamous for the death of its lead actor, Brandon Lee (1965-1993), the son of film icon, Bruce Lee. On March 31, 1993, Lee was fatally wounded by a discharge from a prop gun. At that point, Lee had completed almost all his scenes for the film. Through the use of special effects, digital face replacement, stunt doubles, and rewrites, Proyas was able to finish the film, and it was released in May 1994.

The Crow is set in a crime-ravaged and decrepit city that is like Detroit, Michigan, and the story opens on October 30th, Devil's Night (an infamous celebration in Detroit). It introduces rock musician, Eric Draven (Brandon Lee), and his fiancée, Shelly Webster (Sofia Shinas). They are going to be married on Halloween. Instead, Eric is beaten and murdered. Shelly is brutally beaten and raped and later dies of her injuries.

One year later, Eric Draven rises from the grave as an avenging spirit, The Crow (Brandon Lee). He has returned to killed the men who murdered him and Shelly: T-Bird (David Patrick Kelly), Funboy (Michael Massee), Tin Tin (Laurence Mason), and Skank (Angel David). Sarah (Rochelle Davis), a young girl who was Eric and Shelly's friend, and Albrecht (Ernie Hudson), and an outcast police officer, become personally involved in Eric's return as The Crow. Waiting in the background, however, is Top Dollar (Michael Wincott), the crime lord who is connected to what happened to Eric and Shelley and who sees The Crow's rampage as a threat to his criminal empire.

Despite the notoriety it gained because of the onset tragedy, The Crow should also be known as a really good film. It was Alex Proyas first major directorial effort, and that shows in the occasional clumsiness in the flow of the narrative. However, Proyas unleashes a film that is highly-stylized and drenched in darkness that has a painterly quality. In other films, this darkness would merely be a case of a poor lighting and mediocre cinematography. Here, the film's production values and contributions from the cinematographer, production design/art direction team, hair and make-up crew, and film editors contribute to the creation of dark and gloomy cinematic art.

Proyas finds the film's substance in Eric Draven/The Crow's quest for revenge. In this film, retribution has depth, weight, feel soul; in that, The Crow is like its comic book source material. Proyas finds power and vulnerability in his lead character the way he finds power and juice in the violence that must happen before Draven can return to his grave.

Proyas, who would go on to direct Will Smith in I, Robot (2004), gets fine performances from a number of supporting actors, especially Ernie Hudson, Michael Wincott, and Rochelle Davis. He gets the most out of his star, Brandon Lee, who was likely on the verge of blowing up. In this film, Lee has his own charisma and presence, different from that of his father, Bruce Lee, who made his most charismatic turn in Enter the Dragon (1973). Was The Crow going to be Brandon's Enter the Dragon? I don't know, but Brandon makes The Crow feel solid in its slightest moments and grander in its biggest and most violent moments.

The Crow is a flawed jewel, but not a heavily flawed jewel. Also, I imagine that it is a lot more influential than movie buffs realize. I can see bits and pieces of it in later films like Blade (1998), The Matrix (1999), and The Dark Knight (2008). The on-set death of its star cast a melancholy mood over The Crow, but the determination of the filmmakers, cast, and crew eventually brought it out to the public. The Crow is not a morbid curiosity. It is more like a rose that survived a deluge of misfortune.

8 of 10

★★★★ out of 4 stars

Thursday, August 22, 2024

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Tuesday, August 13, 2024

Review: "HAUNTED MANSION" is Surprisingly Charming and Delightfully Scary

TRASH IN MY EYE No. 35 of 2024 (No. 1979) by Leroy Douresseaux

Haunted Mansion (2023)

Running time: 123 minutes (2 hours, 3 minutes

MPA – PG-13 for some thematic action and scary action

DIRECTOR: Justin Simien

WRITER: Katie Dippold

PRODUCERS: Jonathan Eirich and Dan Lin

CINEMATOGRAHER: Jeffrey Waldron (D.o.P.)

EDITOR: Phillip J. Bartell

COMPOSER: Kris Bowers

COMEDY/FAMILY/FANTASY/HORROR

Starring: LaKeith Stanfield, Rosario Dawson, Owen Wilson, Tiffany Haddish, Danny DeVito, Chase Dillon, J.R. Adduci, Charity Jordan, Hasan Minhaj, Daniel Levy, and Jared Leto (voice) with Winona Ryder

Haunted Mansion is a 2023 American supernatural horror-comedy and family film from director Justin Simien. Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969. Haunted Mansion the movie focuses on a single mom and a group of peculiar locals who attempt to exorcise her new home, an old mansion, of its troublesome ghosts.

Haunted Mansion opens in New Orleans, Louisiana. Ben Matthias (LaKeith Stanfield) is an astrophysicist developing a camera to detect dark matter. He marries Alyssa (Charity Jordan), a tour guide for the city's famously haunted places. Tragedy strikes, and Ben gives up his career and continues to operate Alyssa's tour despite the face that he does not believe in ghosts and the supernatural.

Meanwhile, Gabbie (Rosario Dawson), a doctor from New York, and her young son, Travis (Chase Dillon), move to the formerly lavish, but now rundown mansion, Gracey Manor. Her plan is to transform the abandoned place into a bed and breakfast, but she and Travis soon discover that the place is infested by so many ghosts that they can't count them all.

Father Kent (Owen Wilson), a local Catholic priest who claims to be an exorcist, is helping Gabbie with the hauntings. He hires Ben to photograph Gracey Manor's ghosts because Ben has a “dark matter” camera that may be able to photograph ghosts. Kent also calls in Harriet (Tiffany Haddish), a psychic with genuine abilities, and Bruce (Danny DeVito), a college historian and professor who has written a book on Gracey Manor, as additional help.

However, the ghosts of Gracey Manor immediately attach themselves to anyone who enters the mansion. Those same ghosts are apparently afraid of an alpha ghost who is seeking one more ghost to add to his menagerie, an act that would give him ultimate power. Can a singe mother, her son, a grieving tour guide with a ghost camera, an eccentric psychic, an odd priest, a cantankerous historian, and Madame Leota (Jamie Lee Curtis), the ghostly psychic trapped in a huge crystal ball, exercise the horrible evil that haunts Gracey Mansion? Or will one of them have to make the ultimate sacrifice?

I have to admit that last summer, as I watched the advertisements for Haunted Mansion, I could never convince myself that it was a must-see film. I did plan to see it... eventually because I had seen the previous take on the Disney ride, the Eddie Murphy-vehicle, The Haunted Mansion (2003). Also, I have had my eye on Justin Simien, the director of Haunted Mansion, since I saw his 2014 film, Dear White People. But I thought I could wait, and so I did.

Recently, I finally did see Haunted Mansion, and I am surprised by how much I like it. It is sweet and charming, and it is one of those perfect scary family movies. I love it. July 28, 2024 was the one-year anniversary of Haunted Mansion original theatrical release, and the film was a huge box office disappointment. The mistake was Disney releasing the film against 2023's box office behemoths, Barbie and Oppenheimer, which were still at the height of their box office powers in the last weekend of July 2023.

Haunted Mansion should have been a late September to early October 2023 theatrical release. This film is perfect Halloween, from its kooky cast of characters to the literal 1001 ghosts with stories. I think Tiffany Haddish gets the most eccentric mileage out of her character, the psychic Harriet. Although, LaKeith Stanfield can be a bit stiff at times, the way he plays Ben Matthias brings some center and balance to the wackiness and supernatural craziness.

Jamie Lee Curtis shines in her small role as the ghostly psychic, Madame Leota, and Owen Wilson as Father Kent and Danny DeVito as Bruce are pitch perfect. Rosario Dawson and Chase Dillon are perfectly “Disney normal” as the mother and son combo of Gabbie and Travis.

Writer Katie Dippold's screenplay, Justin Simien's direction, and the rest of the film's creative crew deliver a haunted house film that is as lavish in its production values as it is rich in chills and thrills. The cast fills that haunted house with the consummate scary movie characters. The Haunted Mansion 2003 was a bit of a box office disappointment, but it has gone on to become a Disney television Halloween favorite. Given time, Haunted Mansion 2023 will also become a beloved Disney Halloween trick-or-treat.

8 of 10

★★★★ out of 4 stars

Tuesday, August 13, 2024

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Sunday, August 11, 2024

Review: "THE HAUNTED MANSION" 2003 is Perfect for a Family Fright Night

TRASH IN MY EYE No. 2 (of 2004) by Leroy Douresseaux

The Haunted Mansion (2003)

Running time: 88 minutes (1 hour, 28 minutes)

MPAA – PG for frightening images, thematic elements and language

DIRECTOR: Rob Minkoff

WRITER: David Berenbaum

PRODUCERS: Don Hahn and Andrew Gunn

CINEMATOGRAHER: Remi Adefarasin (D.o.P.)

EDITOR: Priscilla Nedd-Friendly

COMPOSER: Mark Mancina

COMEDY/FAMILY/FANTASY/HORROR

Starring: Eddie Murphy, Terence Stamp, Nathaniel Parker, Marsha Thomason, Jennifer Tilly, Wallace Shawn, Dina Waters, Marc John Jefferies, and Aree Davis

The Haunted Mansion is a 2003 American supernatural horror-comedy film directed by Rob Minkoff and starring Eddie Murphy. Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969 and at the Walt Disney World Resort in Florida in 1971. The Haunted Mansion the movie focuses on a realtor and his family who are summoned to a haunted mansion where they must learn lessons about the importance of family if they want to escape.

In the film, The Haunted Mansion, Jim Evers (Eddie Murphy) is a workaholic real estate agent. He is allegedly part of a team, Evers & Evers, with his wife, Sara (Marsha Thomason, the British actress who played Martin Lawrence’s love interest in Black Knight). However, you’d hardly know that they are a team because Jim spends so much time away from Sara and their children. And since Sara (as many movie wives do) complains that he spends too much time away from the family, Jim decides to take the family on a trip to a lake.

Sara, however, gets an invitation to visit Gracey Manor, a foreboding manor locked behind a huge iron gate and nestled in a jungle of sinister vegetation. If that wasn’t enough to say “haunted house,” the mansion has a rather spacious scenic graveyard on the property. Sara alone had been invited, but Jim insists that they make the visit to Gracey as part of their vacation stop, so their children, sassy girl Megan (Aree Davis), and the seemingly perpetually terrified Michael (Marc John Jefferies) go along.

At the mansion, the imposing butler Ramsley (Terence Stamp), an emaciated and cadaverous figure with an obvious air of menace about him, greets the Evers. They meet the mansion’s owner, Master Gracey (Nathaniel Parker), a deeply troubled man who claims to be the original owner’s heir. Gracey is apparently obsessed with Sara, and gradually Jim, Michael and Megan start to figure out the dreadful truth, but is it in time to save the family? Will it take a band of ghosts to teach Jim Evers a lesson about the importance of family?

This premise for the film The Haunted Mansion, based upon a Disney World theme park ride, actually works, for the most part. Director Rob Minkoff (The Lion King, Stuart Little) displays a deft touch in keeping the film both suspenseful and funny, and he expertly juggles live action so that the special effects seamlessly fit rather than seeming to have been thrown in. Mansion is also a lot funnier than the ads for the film imply; in fact, most of the ads come across as being out of context. This movie is pure fluff, but it’s done quite well, so someone in Disney marketing should get a reprimand.

I loved the costumes, and especially the art direction (Beat Frutiger and Tomas Voth) and set decoration (Rosemary Brandenburg). The house and graveyard recall Bela Lugosi, Lon Chaney, Christopher Lee, and Peter Cushing, a whole host of Hammer films, as well as Abbot & Costello and four decades of Scooby-Doo cartoons. What a delightful mix! As usual, Rick Baker does stellar makeup effects work in bringing corpses to life; this man is a national treasure.

The acting is good, and Murphy gives one of his better performances as a star of family-friendly movies. Usually, his acting seems out of place and kind of awkward in films like Daddy Day Care (where he was good), but here his fit is natural and he seems inspired.

There is a peculiar racial subtext to this film that the storytellers attempt to conceal, but it will be obvious to most adults. Maybe that would have made this story richer; as it is, it gives a dark edge to the inspired fluff. Still, The Haunted Mansion is fine the way it is. The characters have a lot with which to deal, and the resolution makes sense even if the execution of the ending stumbles a bit. It’s a fine family film. It has that Disney flavor that suggests Disney films from the 1950’s and 60’s, so I think The Haunted Mansion could become a Disney Halloween stable.

6 of 10

★★★ out of 4 stars

Edited: Saturday, July 27, 2024

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Tuesday, July 2, 2024

Review: "DESPICABLE ME 2" Will Make Kids Happy, Happy, Happy...

TRASH IN MY EYE No. 27 of 2024 (No. 1971) by Leroy Douresseaux

Despicable Me 2 (2013)

Running time: 98 minutes (1 hour, 38 minutes)

MPAA – PG for rude humor and mild action

DIRECTORS: Pierre Coffin and Chris Renaud

WRITERS: Ken Daurio and Cinco Paul

PRODUCERS: Janet Healy and Chris Meledandri

EDITOR: Gregory Perler

COMPOSERS: Heitor Pereira (score) and Pharrell Williams (songs)

Academy Award nominee

ANIMATION/FANTASY and ACTION/COMEDY/FAMILY

Starring: (voice) Steve Carell, Kristen Wiig, Miranda Cosgrove, Dana Gaier, Elsie Fisher Russell Brand, Benjamin Bratt, Moises Arias, Ken Jeong, Steve Coogan, Pierre Coffin, and Chris Renaud

Despicable Me 2 is a 2013 computer-animated action-fantasy and comedy film directed by Pierre Coffin and Chris Renaud. The film is produced by Illumination Entertainment and distributed by Universal Pictures. It is a direct sequel to the 2010 film, Despicable Me. Despicable Me 2 finds bad guy-tuned-dad guy, Gru, recruited by a secret organization to discover who stole a deadly chemical.

Despicable Me 2 finds Gru (Steve Carell), formerly the world’s number one super-villain, settled into his role as the adopted father of the three orphan girls: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Fisher). All is not well at home, however. Gru is trying to get his “jams and jellies” business to succeed, while one of his female neighbors tries to set him up on a blind date. Also, Gru's longtime gadget man, Dr. Nefario (Russell Brand), quits so that he can take a job that will allow him to be a bad guy again.

But Gru's old life comes calling when the Anti-Villain League (AVL) demands that he help them discover who stole the dangerous transmutation serum, “PX-41.” They appoint AVL agent, Lucy Wilde (Kristen Wiig), as his partner. The two set up in a fake business, a bakery named “Bake My Day,” in Paradise Mall, a shopping mall near Gru's home. As for the thief of the serum, Gru has a suspect in mind, a former super-villain who supposedly died in a volcano, but AVL doesn't believe him. Meanwhile, someone is stealing some of Gru's little helpers, the Minions.

I really liked the original Despicable Me, but when Despicable Me 2 arrived back in 2013, I decided not to see it because... well, because the first was enough. I'd gotten all the cuteness of Margo, Edith, and Agnes that I needed, and I had gotten the best of Gru's character arc and transformation from villain to father.

However, I was shocked to find that I really liked the first full-length trailer for the upcoming Despicable 4 (2024). So I decided to watch Despicable Me 2 for the first time, and I was right the first time. The first film was really enough for me. The girls are still cute, but there is less of them so that there can be more screen time for Gru's burgeoning relationship with Lucy Wilde. I'm only kinda interested in that. Gru's character arc in this film isn't as engaging as it was in the first film. Clearly, the Minions needed more screen time than they got here, although they do play a pivotal part in the villain's wacky plot. In fact, two years after the release of this film, the Minions got their own movie, 2015's Minions.

Despicable Me 2 isn't bad, but the film's storytellers play it safe rather than advance the elements that made the first film a surprise hit. It earned two Oscar nominations, one for Pharrell Williams' song, “Happy,” which was practically ubiquitous from July 2013 to well into 2014. I'm just not sure how invested I can be in this franchise, although the fourth film has sort of captured my interest. It is really in the last twenty minutes of the film before the end credits that Despicable Me 2 really comes to life. That's okay for me, but I'm sure family audiences will find it more than okay.

6 of 10

★★★ out of 4 stars

Tuesday, July 2, 2024

NOTES:

2014 Academy Awards, USA: 2 nominations: “Best Animated Feature Film of the Year” (Chris Renaud, Pierre Coffin, Christopher Meledandri) and “Best Achievement in Music Written for Motion Pictures, Original Song” (Pharrell Williams-music and lyrics for the song, “Happy”)

2013 BAFTA Children's Awards: 1 win: “BAFTA Kids Vote – Feature Film”

2014 BAFTA Awards: 1 nomination: “Best Animated Film” (Chris Renaud and Pierre Coffin)

2013 Golden Globes, USA: 1 nomination: “Best Animated Feature Film”

2014 Black Reel Awards: 1 nomination: “Outstanding Song” (Pharrell Williams-Performer & Writer for the song “Happy”)

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Friday, March 29, 2024

Review: "GODZILLA X KONG: THE NEW EMPIRE" is Entertaining, Imaginative and Extraneous

TRASH IN MY EYE No. 18 of 2024 (No. 1962) by Leroy Douresseaux

Godzilla x Kong: The New Empire (2024)

Running time: 115 minutes (1 hour, 55 minutes)

MPA – PG-13 for creature violence and action

DIRECTOR: Adam Wingard

WRITERS: Terry Rossio, Simon Barrett, and Jeremy Slater; from a story by Terry Rossio, Simon Barrett, and Adam Wingard (based on characters owned by Toho Co., Ltd.)

PRODUCERS: Alex Garcia, Eric McLeod, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER: Ben Seresin (D.o.P.)

EDITOR: Josh Schaeffer

COMPOSERS: Tom Holkenborg and Antonio Di Iorio

SCI-FI/FANTASY/ADVENTURE

Starring: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen, Rachel House, Ron Smyck, Chantelle Jamieson, Greg Hatton, and Kevin Copeland

SUMMARY OF THE REVIEW:

-- Godzilla x Kong: The New Empire is as visually stunning as the two previous MonsterVerse series films, and the monster-fight action is awesome.

-- However, the story is not compelling, and the characters feel like props. Thus, Godzilla x Kong is really for fans of the series.

Godzilla x Kong: The New Empire is a 2024 monster movie and science fiction-fantasy adventure film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, this film is the fourth entry in the “MonsterVerse” film series, which began with Godzilla (2014). Godzilla x Kong: The New Empire brings the two ancient titans together in order to fight an ancient, prophesied threat to the surface world.

Godzilla x Kong: The New Empire opens some time after the defeat of Mechagodzilla (as seen in Godzilla vs. Kong). In the “Hollow Earth,” Kong is in the process of establishing his territory, which means defeating vicious predators. Monarch has planted a base in Hollow Earth, Monarch Outpost One, in order to monitor Kong. That outpost itself is monitored on the surface by a Monarch base in Barbados, which is where Kong expert and Monarch scientist, Dr. Ilene Andrews (Rebecca Hall), lives with her adopted daughter, Jia (Kaylee Hottle), the last living member of Skull Island's indigenous tribe, the Iwi.

Jia is deaf and communicates with Kong via sign language. She has begun experiencing dreams, flashbacks, and hallucinations that seem to be related to a signal emanating from somewhere in the Hollow Earth. Godzilla, who has been romping across Europe is also sensing that signal, and the King of the Monsters is absorbing energy in preparation for some unknown, coming battle.

Kong explores a sinkhole near his home and discovers an uncharted region hidden within the Hollow Earth. Exploring it, he finally encounters other giant apes like himself, including an adolescent giant ape. However, these giant apes are aggressive and apparently serve a mysterious alpha giant ape leader, and this leader controls something that not only endangers the Hollow Earth, but also the surface world. Only Kong and Godzilla can end this threat, but will the Earth's two greatest Titans join forces or just try to kill each other, again?

The “MonsterVerse” is an American multimedia franchise that includes movies; a streaming live-action television series (Apple TV+) and a streaming animated series (Netflix); books and comic books; and video games. It is a shared fictional universe that includes the character, “Godzilla” and other characters owned and created by the Japanese entertainment company, Toho Co., Ltd. The MonsterVerse is a reboot of Toho's Godzilla franchise. It is also a reboot of the King Kong franchise, which is based on the character, “King Kong,” that was created by actor and filmmaker, Merian C. Cooper (1893-1973).

In preparation for Godzilla x Kong: The New Empire, I watched and reviewed the previous four films in MonsterVerse series. They are Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021).

Godzilla x Kong: The New Empire has a hard act to follow in the previous film, Godzilla vs. Kong, and while the new film is entertaining, it never really establishes the stakes of the conflicts it depicts. To me, the threat didn't really seem like it would lead to the end of the world. Godzilla x Kong is loud and proud, a true monster movie built on sensations, muscular CGI, and visually stunning visual special effects. Godzilla x Kong is big, bigger, BIG, and it probably should be seen on IMAX, but its story is no bigger than a mini-max.

Godzilla x Kong exists because Warner Bros. Pictures and Legendary Entertainment want it to exist as a product designed to make a lot of money now and to continue contributing to the MonsterVerse revenue stream for some time to come. It's not that I did not enjoy Godzilla vs. Kong. I laughed several times, and it did hold my attention. It is probably the least dark film in the series, but it is also the least important. Honestly, I think Godzilla x Kong: The New Empire director Adam Wingard made a much more compelling film with his 2011 feature, You're Next, which was made for .007 percent of Godzilla x Kong's budget. [You're Next's screenplay was written by Wingard's frequent collaborator, writer Simon Barrett, who is also a co-writer on Godzilla x Kong.]

Another strange thing about this film is that the characters all feel unnecessary. Kaylee Hottle's Jia is very important to Godzilla x Kong's narrative, but Jia often feels like a prop. Dan Stevens' Trapper is a generic character, played by Stevens with generic verve. I liked Brian Tyree Henry's Bernie Hayes in Godzilla vs. Kong, but here, he feels too frantic and forced. I get that Hayes is comic relief, but has become too much comic relief. Hayes is utterly wasted here – half chatterbox, half-on-the-edge-of-being-substantial.

I pushed Godzilla x Kong: The New Empire from my mind as soon as I got up from my seat in the theater. Still, fans of the MonsterVerse films will likely really enjoy it.

6 of 10

★★★ out of 4 stars

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Wednesday, March 27, 2024

Review: "GODZILLA VS. KONG" Rocks 'n' Roars

TRASH IN MY EYE No. 17 of 2024 (No. 1961) by Leroy Douresseaux

Godzilla vs. Kong (2021)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – PG-13 for intense sequences of creature violence/destruction and brief language

DIRECTOR: Adam Wingard

WRITERS: Terry Rossio and Michael Dougherty & Zach Shields; from a story by Max Borenstein and Eric Pearson (based on characters owned by Toho Co., Ltd.)

PRODUCERS: Jon Jashni, Alex Garcia, Eric McLeod, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER: Ben Seresin (D.o.P.)

EDITOR: Josh Schaeffer

COMPOSER: Tom Holkenborg

SCI-FI/FANTASY/ADVENTURE

Starring: Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Bryan Tyree Henry, Shun Oguri, Eiza Gonzalez, Julian Dennison, Lance Reddick, Kaylee Hottle, Hakeem Kae-Kazim, Ronny Chieng, Demian Bichir, and Kyle Chandler

Godzilla vs. Kong is a 2021 monster movie and science fiction-fantasy adventure film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, this film is the fourth entry in the “MonsterVerse” film series, which began with Godzilla (2014). Godzilla vs. Kong finally brings about the long awaited confrontation between Godzilla and Kong.

Godzilla vs. Kong opens three years after the dragon-like extraterrestrial King Ghidorah awakened the monstrous “Titans” around the world before being defeated by Godzilla. On Skull Island, Monarch has imprisoned Kong within a game preserve that is covered by a giant dome where they monitor him. Skull Island has been taken over by the storm that previously kept it hidden from the world. Kong has befriended Jia (Kaylee Hottle), the island's last native human and the young adopted daughter of Kong expert, Ilene Andrews (Rebecca Hall). Jia is deaf and communicates with Kong via sign language.

Across the world, at Apex Cybernetics in Pensacola, Florida, CEO Walter Simmons (Demian Bichir) is up to something sinister, and that has drawn the attention of Godzilla, who reappears after three years and attacks the facility. That doesn't stop Simmons, who travels to Denham University of Theoretical Science in Philadelphia, in order to recruit former Monarch scientist, Nathan Lind (Alexander Skarsgard), to lead a mission into the legendary “Hollow Earth,” which is Lind's area of expertise. But the mission needs Kong, and that's where Ilene and her daughter, Jia, come in.

Meanwhile, Bernie Hayes (Bryan Tyree Henry), an Apex Cybernetics employee and a Titan conspiracy podcast host, is investigating Apex's activities. Hayes finds a kindred spirit in Madison Russell (Millie Bobby Brown), daughter of Monarch scientist, Dr. Mark Russell (Kyle Chandler), who is also suspicious of Apex. With her friend, Josh Valentine (Julian Dennison), in tow, Millie joins Bernie on an adventure that will take them halfway across the world to where Apex is hiding its most sinister secret, one that is tied to the mission into the Hollow Earth and its secrets.

The fifth film in the MonsterVerse series, Godzilla x Kong: The New Empire, is due to be released March 29, 2023, so I have decided to watch and review the previous four films: Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and 2021's Godzilla vs. Kong (which is the subject of this review).

Godzilla vs. Kong is, thus far, the best of the “MonsterVerse” films. Each film is its own thing, although they are all monster movies. Godzilla 2014 is a science fiction mystery film. Kong: Skull Island is a lost world story, thoroughly wrapped in pseudo-science and weird fiction. Godzilla: King of the Monsters is a VFX-slick, CGI-fuel-injected, modernized take on the original 1950s, Japanese Gojira/Godzilla films.

Godzilla vs. Kong is the monster movie as an old school science fiction-fantasy action-adventure film that has been all gussied up with CGI and dazzling, glowing, supernatural special effects. I could feel the science fiction mood through Tom Holkenborg's score which reminded me of Daft Punk's glorious score for Tron: Legacy (2010). Godzilla vs. Kong's “Hollow Earth” subplot is the film Fantastic Voyage (1966) wishes it could have been. Godzilla vs. Kong is wall-to-wall adventure. It is a sci-fi travelogue from one end of the Earth to the other, whether it is breathlessly racing from Florida to Hong Kong for a mecha showdown or plunging into a mind-bending journey inside the deepest reaches of the planet.

As for the confrontation between Godzilla and Kong: the first one in this film is an impossible battle that is a work of genius on the part of everyone involved. What is more shocking is that the second confrontation, which occurs in the film's last act, is even better and even more eye-popping.

Godzilla vs. Kong is the ultimate monster showdown spectacle. I was not able to turn away from it, and a day after seeing it, I'm still buzzing from it as I write this review. Godzilla vs. Kong is peak “MonsterVerse,” and I pity the films in the series that come after it.

8 of 10

★★★★ out of 4 stars

Wednesday, March 27, 2024

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Friday, March 22, 2024

Review: "GHOSTBUSTERS: FROZEN EMPIRE" is Lukewarm

TRASH IN MY EYE No. 16 of 2024 (No. 1960) by Leroy Douresseaux

Ghostbusters: Frozen Empire (2024)

Running time: 115 minutes (1 hour, 55 minutes)

MPA – PG-13 for supernatural action/violence, language and suggestive references

DIRECTOR: Gil Kenan

WRITERS: Gil Kenan and Jason Reitman (based on the film, Ghost Busters, written by Dan Aykroyd and Harold Ramis and directed by Ivan Reitman)

PRODUCERS: Jason Reitman, Jason Blumenfeld, and Ivan Reitman

CINEMATOGRAPHER: Eric Steelberg

EDITORS: Nathan Orloff and Shane Reid

COMPOSER: Dario Marianelli

FANTASY/COMEDY/ACTION/MYSTERY

Starring: Mckenna Grace, Finn Wolfhard, Carrie Coon, Paul Rudd, Logan Kim, Celeste O'Connor, Ernie Hudson, Kumail Nanjiani, Patton Oswalt, Emily Alyn Lind, James Acaster, Dan Ackroyd, Annie Potts, William Atherton, and Bill Murray

Ghostbusters: Frozen Empire is a 2024 supernatural comedy, action and mystery film from director Gil Kenan. It is the fifth entry in the Ghostbusters film franchise, and it is the third sequel to the original film, 1984's Ghost Busters (now known as “Ghostbusters”). In Frozen Empire, the old and new Ghostbusters must take on an evil force unleashed from an ancient artifact.

Ghostbusters: Frozen Empire opens in New York City in 1904 where a group of fireman enters a hotel suite and finds an entire party frozen solid in the middle of an extremely hot summer. In the present day, Callie Spengler (Carrie Coon) and her two children, son, Trevor (Finn Wolfhard), and daughter, Phoebe (Mckenna Grace), have moved from Summerville, Oklahoma to New York City, with Phoebe's former summer school teacher, Gary Grooberson (Paul Rudd), in tow. The four live in the old Ghostbusters' NYC firehouse that had been maintained by original Ghostbuster, Dr. Winston Zeddemore (Ernie Hudson).

Now, Phoebe, Trevor, Callie, and Gary are the active Ghostbusters, but a particular Ghostbusting case leads to significant damage in the city. That brings them to the attention of the mayor and leads to Phoebe being forced out of the Ghostbusters because she is underage at 15-years-old. But the world of the supernatural does not stop because of the human world's concerns.

Original Ghostbuster, Dr. Raymond “Ray” Stantz (Dan Aykroyd), has come into possession of a peculiar artifact, which he turns over to Winston Zeddemore's top-secret research lab. Meanwhile, Phoebe, sidelined as a Ghostbuster, is trying to find her place in the world of the Ghostbusters. Then, Garraka, an ancient god, is freed. He wants to gather all the ghosts ever captured by the Ghostbusters and turn them into his personal army as he brings about a new ice age. Despite her troubles, Phoebe will have to figure out how to stop the ancient evil that is Garraka before it's too late.

I was a huge fan of the original Ghostbusters films, Ghostbusters (1984) and its sequel, Ghostbusters II (1989). I enjoyed Ghostbusters: Afterlife (2021), and I thought that film's teen characters, siblings Phoebe and Trevor, and their friends, Podcast (Logan Kim) and Lucky Domingo (Celeste O'Connor), made a great foundation for the new Ghostbusters.

Thus, I was surprised to see Phoebe and Trevor playing Ghostbusters with the adults, their mother, Callie, and their quasi-stepfather, Gary. Honestly, I find Carrie Coon's Callie and Paul Rudd's Gary to be extraneous here. I have no interest in their characters beyond what they did in Ghostbusters: Afterlife. In fact, this film has too many characters. Bill Murray's Dr. Peter Venkman, Annie Potts' Janine Melnitz, and William Atherton's Mayor Walter Peck are also mostly irrelevant. Pretty much everything these characters do could have been passed off to other characters or deleted because it wasn't important enough to clutter up the narrative.

Ghostbusters: Frozen Empire spends much of its first half meandering around assorted relationship dysfunction, including one involving a ghost. Then, the film rushes to a forced satisfactory conclusion that wastes a truly scary monster in Garraka. I am glad that Ernie Hudson's Winston Zeddemore has a substantial part in this film, especially because Hudson spent the first two films fighting off Columbia Pictures' executives and Ghostbusters cast mates who were determined to sideline his character.

As a franchise, Ghostbusters needs to move on from its past or just die. The young characters: Phoebe and Trevor Spengler, Podcast, and Lucky Domingo are the franchise's present and true future. When this Ghostbusters film focuses on them, it feels alive and is fun. When it doesn't, Ghostbusters: Frozen Empire is frozen and freezer-burned.

[This film has one mid-credits scene.]

5 out of 10

C+

★★½ out of 4 stars

Friday, March 22, 2024

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