The Academy Awards is an American film accolade. It is best known as the “Oscars,” and is an annual awards ceremony honoring cinematic achievements primarily in the American film industry. The various category winners are awarded a copy of a statuette that is officially called the “Academy Award of Merit,” but has become commonly known by its nickname, the “Oscar.” The awards were first presented in 1929 at the Hollywood Roosevelt Hotel. The Academy Awards are overseen by the Academy of Motion Picture Arts and Sciences (AMPAS).
91st Oscars for outstanding film achievements of 2018 were presented on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and was televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars ceremony was also televised live in more than 225 countries and territories worldwide.
2019 / 91st Academy Award winners (for film achievements in 2018):
Best motion picture of the year
“Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
Achievement in directing
“Roma” Alfonso Cuarón
Performance by an actor in a leading role:
Rami Malek in “Bohemian Rhapsody”
Performance by an actress in a leading role:
Olivia Colman in “The Favourite”
Performance by an actor in a supporting role:
Mahershala Ali in “Green Book”
Performance by an actress in a supporting role:
Regina King in “If Beale Street Could Talk”
Best animated feature film of the year:
“Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
Achievement in cinematography:
“Roma” Alfonso Cuarón
Achievement in costume design:
“Black Panther” Ruth Carter
Best documentary feature:
“Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
Best documentary short subject:
“Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton
Achievement in film editing
“Bohemian Rhapsody” John Ottman
Best foreign language film of the year:
“Roma” Mexico
Achievement in makeup and hairstyling:
“Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney
Achievement in music written for motion pictures (Original score):
“Black Panther” Ludwig Goransson
Achievement in music written for motion pictures (Original song):
“Shallow” from “A Star Is Born”
Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
Achievement in production design:
“Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
Best animated short film:
“Bao” Domee Shi and Becky Neiman-Cobb
Best live action short film:
“Skin” Guy Nattiv and Jaime Ray Newman
Achievement in sound editing:
“Bohemian Rhapsody” John Warhurst and Nina Hartstone
Achievement in sound mixing:
“Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
Achievement in visual effects:
“First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
Adapted screenplay:
“BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
Original screenplay:
“Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
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Showing posts with label Farrelly Brothers. Show all posts
Showing posts with label Farrelly Brothers. Show all posts
Monday, February 25, 2019
91st Academy Awards Announced; Complete Winners List
Labels:
2018,
Academy Awards,
Alfonso Cuaron,
AMPAS,
animation news,
Black Panther,
Documentary News,
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Regina King,
Short Films,
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Spike Lee
Thursday, September 27, 2018
"Widows," "Green Book" to Screen at Austin Film Festival 2018
Austin Film Festival Announces Full Film and Conference Schedule
Slate Includes Centerpiece Film Ben is Back, Widows, Green Book, Friends from College Season 2 Premiere, Wildlife
AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival & Writers Conference (AFF), the premier film festival recognizing the writers’ contributions to film, television, and new media, announced today the full schedule of films and panels for the 25th Anniversary festival, this October 25-November 1, 2018. AFF’s feature film slate includes 23 World, North American, and US Premieres, a robust retrospective series, and highly anticipated marquee titles, including Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s dramedy period piece Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo, Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection, with writer/director Peter Hedges in attendance.
AFF also announced its 2018 television program. Included this year is comedy series Friends From College, launching on Netflix in 2019. Creators Francesca Delbanco and Nicholas Stoller will present a special preview screening of the Season 2 premiere episode. Creator Justin Marks and executive producer Jordan Horowitz will also be on hand at the Festival to present the season 2 premiere of their espionage spy thriller Counterpart, starring Academy Award® winner J.K. Simmons, premiering on Starz later this year.
AFF’s retrospective series will feature Tony Gilroy presenting his 1995 film Dolores Claiborne based on Stephen King’s novel, Graham Yost presenting his 1994 action classic Speed, and writer Mick Garris in attendance for a special Halloween presentation of Hocus Pocus.
Other World Premieres include The Dancing Dogs of Dombrova, F/11 and Be There, The Amaranth, A Girl Named C, and Waiting for the Miracle to Come.
The full Film and Conference schedule can be found at www.austinfilmfestival.com.
ABOUT AUSTIN FILM FESTIVAL:
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. AFF is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department and the Texas Commission on the Arts. All attendees and events are based on permitting schedules and are subject to change and/or cancellation without notice.
------------------------
Slate Includes Centerpiece Film Ben is Back, Widows, Green Book, Friends from College Season 2 Premiere, Wildlife
AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival & Writers Conference (AFF), the premier film festival recognizing the writers’ contributions to film, television, and new media, announced today the full schedule of films and panels for the 25th Anniversary festival, this October 25-November 1, 2018. AFF’s feature film slate includes 23 World, North American, and US Premieres, a robust retrospective series, and highly anticipated marquee titles, including Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s dramedy period piece Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo, Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection, with writer/director Peter Hedges in attendance.
AFF also announced its 2018 television program. Included this year is comedy series Friends From College, launching on Netflix in 2019. Creators Francesca Delbanco and Nicholas Stoller will present a special preview screening of the Season 2 premiere episode. Creator Justin Marks and executive producer Jordan Horowitz will also be on hand at the Festival to present the season 2 premiere of their espionage spy thriller Counterpart, starring Academy Award® winner J.K. Simmons, premiering on Starz later this year.
AFF’s retrospective series will feature Tony Gilroy presenting his 1995 film Dolores Claiborne based on Stephen King’s novel, Graham Yost presenting his 1994 action classic Speed, and writer Mick Garris in attendance for a special Halloween presentation of Hocus Pocus.
Other World Premieres include The Dancing Dogs of Dombrova, F/11 and Be There, The Amaranth, A Girl Named C, and Waiting for the Miracle to Come.
The full Film and Conference schedule can be found at www.austinfilmfestival.com.
ABOUT AUSTIN FILM FESTIVAL:
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. AFF is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department and the Texas Commission on the Arts. All attendees and events are based on permitting schedules and are subject to change and/or cancellation without notice.
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Labels:
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Tuesday, March 4, 2014
2014 Razzie Awards - Complete Winners aka Losers List
by Amos Semien
The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.
And now… the haters. The winners (or losers, if you will) of the 2014 Razzie Awards were announced Saturday, March 1, 2014, one day before the Academy Awards ceremony (or “Oscar eve”) – the traditional date for the Razzies.
After Earth and Movie 43 each won three awards. Movie 43, an anthology comedy film, was named “Worst Picture” of 2013. Grown Up 2, the Adam Sandler and pals film that was a sequel to an earlier Adam Sandler and pals film, had received nine nominations, but did not win any – apparently the biggest shutout in Razzie Award history.
2014 / 34th Annual Razzie Awards winners (for the year in film, 2013):
WORST PICTURE:
Movie 43 – Relativity Media
WORST ACTOR
Jaden Smith: After Earth
WORST ACTRESS
Tyler Perry: A Madea Christmas
WORST SUPPORTING ACTRESS
Kim Kardashian: Tyler Perry’s Temptation
WORST SUPPORTING ACTOR
Will Smith: After Earth
WORST DIRECTOR:
The 13 People Who Directed Movie 43 (Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Bob Odenkirk, Brett Ratner, and Jonathan van Tulleken)
WORST SCREEN COMBO
Jaden Smith & Will Smith on Planet Nepotism: After Earth
WORST SCREENPLAY
Movie 43: Written by 19 “Screenwriters” (Steve Baker, Ricky Blitt, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bob Odenkirk, Bill O'Malley, Matthew Alec Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken and Jonas Wittenmark)
WORST REMAKE, RIP-OFF or SEQUEL
The Lone Ranger – Walt Disney Pictures
http://www.razzies.com/
--------------------------------
The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.
And now… the haters. The winners (or losers, if you will) of the 2014 Razzie Awards were announced Saturday, March 1, 2014, one day before the Academy Awards ceremony (or “Oscar eve”) – the traditional date for the Razzies.
After Earth and Movie 43 each won three awards. Movie 43, an anthology comedy film, was named “Worst Picture” of 2013. Grown Up 2, the Adam Sandler and pals film that was a sequel to an earlier Adam Sandler and pals film, had received nine nominations, but did not win any – apparently the biggest shutout in Razzie Award history.
2014 / 34th Annual Razzie Awards winners (for the year in film, 2013):
WORST PICTURE:
Movie 43 – Relativity Media
WORST ACTOR
Jaden Smith: After Earth
WORST ACTRESS
Tyler Perry: A Madea Christmas
WORST SUPPORTING ACTRESS
Kim Kardashian: Tyler Perry’s Temptation
WORST SUPPORTING ACTOR
Will Smith: After Earth
WORST DIRECTOR:
The 13 People Who Directed Movie 43 (Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Bob Odenkirk, Brett Ratner, and Jonathan van Tulleken)
WORST SCREEN COMBO
Jaden Smith & Will Smith on Planet Nepotism: After Earth
WORST SCREENPLAY
Movie 43: Written by 19 “Screenwriters” (Steve Baker, Ricky Blitt, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bob Odenkirk, Bill O'Malley, Matthew Alec Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken and Jonas Wittenmark)
WORST REMAKE, RIP-OFF or SEQUEL
The Lone Ranger – Walt Disney Pictures
http://www.razzies.com/
--------------------------------
Labels:
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Farrelly Brothers,
Gore Verbinski,
Jaden Smith,
Jerry Bruckheimer,
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Razzie Award,
Tyler Perry,
Walt Disney Studios,
Will Smith
Friday, April 13, 2012
"Stuck on You" Not a Typical Farrelly Brothers Film
TRASH IN MY EYE No. 76 (of 2004) by Leroy Douresseaux
Stuck on You (2003)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG-13 for crude and sexual humor, and some language
DIRECTOR: The Farrelly Brothers
WRITERS: Bobby Farrelly and Peter Farrelly; from a story by Charles B. Wessler, Bennett Yellin, and the Farrelly Brothers
PRODUCERS: Bobby Farrelly, Peter Farrelly, Bradley Thomas, and Charles B. Wessler
CINEMATOGRAPHER: Dan Mindel (D.o.P)
EDITORS: Christopher Greenbury and Dave Terman
COMPOSER: Charlie Gartner
COMEDY with elements of drama
Starring: Matt Damon, Greg Kinnear, Eva Mendes, Cher, Seymour Cassel, Griffin Dunne, Wen Yann Shih, Jackie Flynn, Terence Bernie Hines, with Frankie Muniz, Jesse Ventura, and Meryl Streep
The subject of this review is Stuck on You, the 2003 comedy from brotherly filmmaking duo, Bobby and Peter Farrelly. The film follows the adventures of conjoined twin brothers who want to become professional actors.
In the Farrelly Bros.’ film, Stuck on You, Bob Tenor (Matt Damon) and his brother Walt (Greg Kinnear) are conjoined twins (also known as Siamese twins) living in Martha’s Vineyard and working at Bob restaurant, Quickie Burger. When Walt decides to pursue his acting career, Bob, of course, has to move to L.A. with Walt. The twins find fame and fortune when Cher (playing herself) picks the boys to be “co-stars” in a new TV show she’s obliged to do, hoping that the presence of the conjoined siblings will get the show cancelled. Of course, it doesn’t work, and the brothers become the program’s true stars. When Bob loses her girlfriend, however, the brothers may just have to do the thing that’s been in the back of their minds for most of their lives – have a difficult and dangerous surgery that will separate them. And even then, can they stand being apart from each other?
Farrelly films are known for the sibling directors including such shocking elements as characters with handicaps, physical deformities, retardation, and anything that makes a person really stand out in a crowd. Some of their characters are also astoundingly dumb, naïve, and stupid. Farrelly films succeed because their characters oddities make us uncomfortable, no matter how PC or charitable we may pretend to be. Within the context of the film, all the characters may act as if nothing is peculiar, but we know better, and this strangeness often leads to belly laughs.
In this Stuck on You, the Farrelly’s have toned things down considerable. Odd and odd-looking character prevail, but it all seems somewhat mundane, as if odd really isn’t odd. It’s part of the everyday fabric of the outside world. The citizens of Bob and Walt’s hometown certainly don’t act as if anything is “wrong” with the brothers; indeed, even the folks in la-la land don’t act all that freaked out by conjoined twins.
What makes Stuck on You work and that’s different from other Farrelly Bros. films is the poignancy; there is a realness to the story that goes beyond the usual craziness of Farrelly world. Damon and Kinnear are very good actors, and they sell us on the close-knit relationship between the brothers. Both are good-looking men and have charming personalities, so the audience is likely endeared to them. The closer the actors make us feel towards the characters, the more likely we’re going to laugh at the crazy things that happen to them and root for them to overcome obstacles.
Ultimately, it’s Damon and Kinnear who really sell this film as a heart-warming comedy and make it worth watching. That’s important because, Stuck on You is the antithesis of Farrelly classics like Kingpins and There’s Something About Mary. For all the laughs, the film is, indeed, quite dramatic, and while that drags at the film a few times, there are many heart-warming moments to go along with the belly laughs.
7 of 10
B+
Stuck on You (2003)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG-13 for crude and sexual humor, and some language
DIRECTOR: The Farrelly Brothers
WRITERS: Bobby Farrelly and Peter Farrelly; from a story by Charles B. Wessler, Bennett Yellin, and the Farrelly Brothers
PRODUCERS: Bobby Farrelly, Peter Farrelly, Bradley Thomas, and Charles B. Wessler
CINEMATOGRAPHER: Dan Mindel (D.o.P)
EDITORS: Christopher Greenbury and Dave Terman
COMPOSER: Charlie Gartner
COMEDY with elements of drama
Starring: Matt Damon, Greg Kinnear, Eva Mendes, Cher, Seymour Cassel, Griffin Dunne, Wen Yann Shih, Jackie Flynn, Terence Bernie Hines, with Frankie Muniz, Jesse Ventura, and Meryl Streep
The subject of this review is Stuck on You, the 2003 comedy from brotherly filmmaking duo, Bobby and Peter Farrelly. The film follows the adventures of conjoined twin brothers who want to become professional actors.
In the Farrelly Bros.’ film, Stuck on You, Bob Tenor (Matt Damon) and his brother Walt (Greg Kinnear) are conjoined twins (also known as Siamese twins) living in Martha’s Vineyard and working at Bob restaurant, Quickie Burger. When Walt decides to pursue his acting career, Bob, of course, has to move to L.A. with Walt. The twins find fame and fortune when Cher (playing herself) picks the boys to be “co-stars” in a new TV show she’s obliged to do, hoping that the presence of the conjoined siblings will get the show cancelled. Of course, it doesn’t work, and the brothers become the program’s true stars. When Bob loses her girlfriend, however, the brothers may just have to do the thing that’s been in the back of their minds for most of their lives – have a difficult and dangerous surgery that will separate them. And even then, can they stand being apart from each other?
Farrelly films are known for the sibling directors including such shocking elements as characters with handicaps, physical deformities, retardation, and anything that makes a person really stand out in a crowd. Some of their characters are also astoundingly dumb, naïve, and stupid. Farrelly films succeed because their characters oddities make us uncomfortable, no matter how PC or charitable we may pretend to be. Within the context of the film, all the characters may act as if nothing is peculiar, but we know better, and this strangeness often leads to belly laughs.
In this Stuck on You, the Farrelly’s have toned things down considerable. Odd and odd-looking character prevail, but it all seems somewhat mundane, as if odd really isn’t odd. It’s part of the everyday fabric of the outside world. The citizens of Bob and Walt’s hometown certainly don’t act as if anything is “wrong” with the brothers; indeed, even the folks in la-la land don’t act all that freaked out by conjoined twins.
What makes Stuck on You work and that’s different from other Farrelly Bros. films is the poignancy; there is a realness to the story that goes beyond the usual craziness of Farrelly world. Damon and Kinnear are very good actors, and they sell us on the close-knit relationship between the brothers. Both are good-looking men and have charming personalities, so the audience is likely endeared to them. The closer the actors make us feel towards the characters, the more likely we’re going to laugh at the crazy things that happen to them and root for them to overcome obstacles.
Ultimately, it’s Damon and Kinnear who really sell this film as a heart-warming comedy and make it worth watching. That’s important because, Stuck on You is the antithesis of Farrelly classics like Kingpins and There’s Something About Mary. For all the laughs, the film is, indeed, quite dramatic, and while that drags at the film a few times, there are many heart-warming moments to go along with the belly laughs.
7 of 10
B+
Labels:
2003,
Cher,
Eva Mendes,
Farrelly Brothers,
Greg Kinnear,
Matt Damon,
Meryl Streep,
Movie review
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