Review: "Y TU MAMA TAMBIEN" is a Serious and Sexy Standout

TRASH IN MY EYE No. 49 of 2024 (No. 1993) by Leroy Douresseaux

Y tu mamá también (2001)

COUNTRY OF ORIGIN:  Mexico; Language:  Spanish

Running time:  106 minutes (1 hour, 46 minutes)

MPAA – initially not rated

DIRECTOR:  Alfonso Cuarón

WRITERS:  Alfonso Cuarón and Carlos Cuarón

PRODUCERS:  Alfonso Cuarón and Jorge Vergara

CINEMATOGRAPHER:  Emmanuel Lubezki (D.o.P.)

EDITORS:  Alfonso Cuarón and Alex Rodríguez

Academy Award nominee

DRAMA

Starring:  Maribel Verdú, Diego Luna, Gael García Bernal, Ana López Mercado, Nathan Grinberg, Verónica Langer, María Aura, Silverio Palacios, Mayra Serbulo, and Daniel Giménez Cacho (narrator)

Y tu mamá también is a 2001 Mexican coming-of-age comedy-drama and road film from director Alfonso Cuarón.  The title is Spanish for “And Your Mother Too.”  Y tu mama también follows two teenage boys and an older woman as they embark on a road trip with Mexico's late 1990s political upheaval as a backdrop.

Before Harry Potter and the Prisoner of Azkaban (2004) and Children of Men (2006) brought him mainstream acclaim, Mexican film director Alfonso Cuarón burst onto the international film scene with Y tu mama también.  It became one of the most talked about movies of 2002.

Y tu mamá también introduces rich teenage friends, Tenoch Iturbide (Diego Luna) and Julio Zapata (Gael García Bernal).  Abandoned by their girlfriends for the summer, they are on the prowl for new sexual experiences.  At a wedding, they meet the alluring Luisa Cortes (Maribel Verdú), the Spanish wife of one of Tenoch's relatives.  Both boys are smitten with her and try to impress her by weaving tales of Boca del Cielo – Heaven’s Mouth, a beautiful, secret beach.

Of course, there is no such place, but the boys are trying to get Luisa to join them on a road trip to the fictitious locale.  Although she at first declines the sweet offer, Luisa changes her mind when she receives two pieces of bad news practically simultaneously.  Once on the journey, however, the trio finds that their little escapade is riddled with conflict and sometimes interrupted by moments of seduction.

Y tu mama también is an original take on the road movie.  Occasionally harsh (lots of painful revelations and venomous quarrels between the two boys) and often funny (the good-matured ribbing and frank conversations among the trio), the film is filled with witty banter.  The poignancy is found in the fact that this coming of age journey that both strengthens and builds bonds also means that things are coming to an end.  The sense of death, finality, and dissolution infuses this film giving even the sun-drenched Mexican locale a melancholy air.

Y tu mama también is also politically astute, with Cuarón and his co-writer Carlos Cuarón nimbly and skillfully dropping in commentary about political corruption and fraud rampant throughout the corruption (via the narrator).  Cuarón also presents the rampant and widespread poverty among Mexican citizens offering it as a veritable visual feast.  Everywhere the boys go, there is abundant evidence of the impoverished lives of so many people.

Perhaps, Cunard's best choice as director is allow his film to feel so natural, especially in the acting of the three main actors: Maribel Verdú, Diego Luna, and Gael García Bernal who give smooth, flowing performances.  Cuarón doesn’t portray anything as being stages, and he presents this film as if we were peaking through a window that gives us an intimate view of these three lives in transition.  Cuarón doesn’t just put us there; he makes us feel.  That makes Y tu mama también such a wonderfully entertaining film that reaches out to touch the viewer on a personal level.

8 of 10

A

★★★★ out of 4 stars

Friday, November 15, 2024

NOTES:

2003 Academy Awards:  1 nomination: “Best Writing, Original Screenplay” (Alfonso Cuarón and Carlos Cuarón)

2003 BAFTA Awards:  2 nominations:  “Best Film not in the English Language” (Alfonso Cuarón and Jorge Vergara) and “Best Screenplay – Original” (Alfonso Cuarón and Carlos Cuarón)

2002 Golden Globes:  1 nomination: “Best Foreign Language Film” (Mexico)

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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2014 Cannes Film Festival Jury Announced

On Monday (April 28, 2014), the 2014 Cannes Film Festival (Festival de Cannes 2014) announced the names of jury members for the 2014 edition of the festival.  Jane Campion, who previously won the festival’s highest honor, the Palme d’Or (the Golden Palm), is jury president.

The 2014 Cannes Film Festival runs from Wednesday, May 14, 2014 to Sunday, May 25, 2014, with the closing ceremony and awards handed out Saturday, May 24, 2014.

2014 Cannes Film Festival: THE JURY

• Jane CAMPION – President
• (Director, Screenwriter, Producer – New Zealand)

• Carole BOUQUET (Actress – France)

• Sofia COPPOLA (Director, Screenwriter, Producer – United States)

• Leila HATAMI (Actress – Iran)

• JEON Do-yeon (Actress – South Korea)

• Willem DAFOE (Actor – United States)

• Gael GARCIA BERNAL (Actor, Director, Producer – Mexico)

• JIA Zhangke (Director, Screenwriter, Producer – China)

• Nicolas Winding REFN (Director, Screenwriter, Producer – Denmark)

Jury Member biographies are provided courtesy of the festival:

Carole Bouquet, Actress (France)
After her film debut in 1977 with Luis Buñuel in That Obscure Object of Desire, Bouquet alternated between arthouse and blockbuster productions. A Bond Girl in 1981 in For Your Eyes Only, she worked with Bertrand Blier on Buffet Froid (1979) and Too Beautiful For You (1989) for which she won the César for Best Actress. She appeared in Le jour des idiots by Werner Schroeter, Michel Blanc’s Dead Tired and Embrassez qui vous voudrez, Lucie Aubrac by Claude Berri, L’Enfer by Danis Tanovic, Nordeste by Juan Diego Solanas (Festival de Cannes 2005) and Unforgivable by André Téchiné.

Sofia Coppola, Director and screenwriter (United States)
Coppola’s first feature film, The Virgin Suicides (1999) was selected for the Directors’ Fortnight at Cannes, where it met with international critical acclaim. Four years later, after several Oscar nominations for Lost in Translation, including Best Director, she walked off with the Best Screenplay award. Her third film, Marie-Antoinette was selected in Competition at Cannes in 2006. After picking up a Golden Lion in Venice for Somewhere (2010), Sofia Coppola opened Un Certain Regard with her last film The Bling Ring at the Festival de Cannes in 2013.

Leila Hatami, Actress (Iran)
Born in Tehran into a family of filmmakers, she started out acting in films directed by her father, Ali Hatami, before starring in Dariush Mehrjui’s Leila (1998) which brought her to national attention. It was Asghar Farhadi who established her on the world stage with A Separation (Golden Bear at the 2011 Berlin Festival). She picked up the Best Actress award in Karlovy Vary for her role in Ali Mosaffa’s Last Step in 2012.

Jeon Do-yeon, Actress (South Korea)
The first Korean actress to receive the Best Actress award at the Festival de Cannes for her role in Secret Sunshine by Lee Chang-dong (2007), Jeon Do-yeon started out as a television actress before turning exclusively to cinema. Her major films include I Wish I Had a Wife by Ryoo Seung, My Mother, The Mermaid by Park Jin-pyo and The Housemaid by Im Sang-soo, presented at Cannes in 2010. A massive celebrity in her country, she has just finished shooting Memories of the Sword by Park Heung-sik.

Willem Dafoe, Actor (United States)
Twice nominated for an Oscar, for Oliver Stone’s Platoon and Shadow of the Vampire, Dafoe has appeared in 80 films including Grand Budapest Hotel by Wes Anderson, Light Sleeper by Paul Schrader, The Last Temptation of Christ by Martin Scorsese, Antichrist by Lars von Trier and The English Patient by Anthony Minghella. He will soon be appearing in A Most Wanted Man by Anton Corbijn and Pasolini by Abel Ferrara. A co-founder of the Wooster Group – an experimental theatre collective – he is currently on tour with Bob Wilson’s play The Old Woman.

Gael García Bernal, Actor, director and producer (Mexico)
Bernal first came to public attention in Iñárritu’s Amorres Perros, soon followed by Y Tu Mamá También by Alfonso Cuarón. He then featured in films directed by some of the greats of international cinema, such as The Motorcycle Diaries by Walter Salles, Pedro Almodóvar’s Bad Education, The Science of Sleep by Michel Gondry, Babel by Gonzalez Iñárritu, and The Limits of Control by Jim Jarmusch. In 2005, he founded his Canana production company with Diego Luna and in 2010, after a few short films, directed his first feature film, Deficit, selected at La Semaine de la Critique at Cannes.

Nicolas Winding Refn, Director, screenwriter and producer (Denmark)
His first film, Pusher (1996), written and directed at the age of 24, immediately became a cult movie and he shot to fame throughout the world. He then directed Bleeder (1999), Fear X (2003), Pusher II & III (2004 & 2005), Bronson (2008) and Valhalla Rising (2009), all characteristic of the style that came to be dubbed "Refn-esque". In 2011, Drive was presented at the Festival de Cannes and won the Best Direction prize, awarded by the Jury presided by Robert De Niro. His last film, Only God Forgives, featured in Competition at Cannes in 2013.

Jia Zhangke, Director, screenwriter and producer (China)
After first studying art Jia Zhangke, born in 1970, attended the Beijing Film Academy in the 1990s. After the success of his first film, Xao Wu (1998), he directed Platform (Zhantai, 2000) and Unknown Pleasures (Ren xiao yao, 2002) selected for Venice and Cannes respectively. Still Life picked up the Golden Lion in Venice in 2006. He also presented 24 City at the Festival de Cannes, in Competition in 2008 and I Wish I Knew for Un Certain Regard in 2010. Last year, A Touch of Sin garnered the Best Screenplay prize awarded by the Jury presided by Steven Spielberg.

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Social Action Campaign Accompanies Release of "No"

Participant Media's Social Action Campaign for Oscar®-Nominated Chilean Film No, Focuses on the Importance of Freedom of Expression

No Mas—takepart.com/nomas-- Provides a Platform for Individuals to Speak up for Those Who Can't

LOS ANGELES--(BUSINESS WIRE)--Inspired by Participant Media's and Sony Pictures Classics' No, the Chilean Academy Award® nominee for Best Foreign Language Film opening in the U.S. on February 15th, Participant in collaboration with Freedom House, Amnesty International, and Reporters Without Borders has designed a Social Action campaign focused on the importance of freedom of political expression. "No Mas"--takepart.com/nomas – provides a platform for individuals to speak up for others who are living in nations that silence any opposition to the establishment.

Chad Boettcher, Participant's Executive Vice President of Social Action & Advocacy, said, "As the film shows how, through an ingenious advertising campaign in 1988 the Chilean public were persuaded to just say No to Pinochet's despotic reign, our Social Action campaign for No gives those of us who enjoy freedom of expression the creative digital tools to protest the injustices happening in the world today on behalf of those without that freedom. By joining forces with three of the leading organizations working in this space, we have been able to identify some key opportunities to make a difference."

Visitors are encouraged to exercise their right to free speech--a right too often taken for granted and not enjoyed by everyone—by creating a personalized “No Mas” badge. Then they are urged to sign pledges of support for those in oppressive countries who have been silenced, including a Bahraini human rights activist who was imprisoned for Tweeting, and a young Cuban who’s been incarcerated for listening to hip hop music with political lyrics.

In addition, visitors will be able to view a short video that illustrates how historically those who have been oppressed have said "No Mas. " This will serve as a topic of discussion on "No Mas Mondays" when every week in February, Takepart is hosting live Twitter chats where @TakePart will be talking with talent and experts about the film, the historic 1988 No campaign and the importance of freedom of political expression today. Join on February 4th for a live chat with Ivan Sigal, the executive director of Global Voices, a non-profit online global citizens’ media initiative.

Daniel Calingaert, Executive Vice President of Freedom House, said, “The movie “NO” is a wonderful illustration of the collective power of citizens’ voices and should inspire us all to raise ours for the many people in this world who face harassment, imprisonment, torture and even death when they stand up for their rights. Freedom House is pleased to join with Participant Media and our sister human rights organizations to lend our collective voice to ensure that others are not silenced.”

Sunjeev Bery, Advocacy Director for the Middle East and North Africa, Amnesty International USA added, “Through this campaign, Americans can stand up for freedom in Bahrain, where the government is imprisoning nonviolent protestors like Nabeel Rajab. Citizens are being imprisoned by the Bahraini government simply for expressing themselves or criticizing the monarchy.”

Said Christophe Deloire, Executive Director, Reporters Sans Frontieres-Reporters Without Borders International, "At Reporters Without Borders, we are particularly proud to work with Participant Media on the No Mas campaign and bring attention to the journalists, bloggers and all the other news providers who are fighting for the freedom to inform and to be informed.


About No
No, Academy Award® nominee for Best Foreign Language Film, was directed by Pablo Larrain, written by Pedro Peirano and stars Gael Garcia Bernal, Alfredo Castro, Antónia Zegers, Luis Dnecco, Marcial Tafle, Nastor Cantillana, Jaime Vadell and Pascal Montero.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders for the NO persuade a brash young advertising executive, Rene Saavedra (Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

About Participant Media
Participant Media (www.participantmedia.com) is an entertainment company that focuses on documentary and non-documentary feature films, television, publishing and digital content about the real issues that shape our lives. For each of its projects, Participant creates social action and advocacy programs to transform the impact of the media experience into individual and community action. Participant’s online Social Action Network is TakePart (takepart.com). Founded by Jeff Skoll in 2004, Jim Berk serves as CEO. Participant's films include The Kite Runner, Charlie Wilson's War, An Inconvenient Truth, Good Night, and Good Luck, The Visitor, Food, Inc., The Cove, The Crazies, Countdown to Zero, Waiting for "Superman,” Fair Game, PAGE ONE: Inside The New York Times, The Help, Contagion, The Best Exotic Marigold Hotel, Lincoln, Promised Land and No.

About Sony Pictures Classics
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards® (25 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for Amour, Midnight In Paris, An Education, Capote, Howards End and Crouching Tiger, Hidden Dragon.

Review: "The Motorcycle Diaries" Reveals a Land and its People (Happy B'Day, Gael Garcia Bernal)

TRASH IN MY EYE No. 27 (of 2005) by Leroy Douresseaux

Diarios de motocicleta (2004)
COUNTRY OF ORIGIN: USA, Brazil and others; Language: Spanish and others
The Motorcycle Diaries (USA)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – R for language
DIRECTOR: Walter Salles
WRITER: Jose Rivera (from the book Notas de viaje by Ernesto Guevara and Con el Che por America Latina by Alberto Granado)
PRODUCERS: Michael Nozik, Edgard Tenenbaum, and Karen Tenkhoff
CINEMATOGRAPHER: Eric Gautier
EDITOR: Daniel Rezende
Academy Award winner

DRAMA/ADVENTURE/BIOGRAPHY

Starring: Gael García Bernal, Rodrigo De la Serna, Mercedes Morán, Jean Pierre Noher, and Lucas Oro

Before he was Che Guevara, the legendary Cuban revolutionary who also fought in the Congo and Bolivia, 23-year old Ernesto Guevara de la Serna (Gael García Bernal) and his older friend Alberto Granado (Rodrigo De la Serna) traveled across South America on Alberto’s beat up late 30’s model motorcycle, “The Mighty One.” The duo’s adventures are sometimes comic (wooing women and numerous episodes of falling off their bike or pushing it for miles), suspenseful (fighting Ernesto’s asthma), or serious (volunteering to work at a leper colony). As the film progresses, we see the journey, which lasted over a year from 1951-52, have a profound effect on Ernesto as he saw the people of South America as one people rather than as a collection of provincial states. The journey would lead him to become the revolutionary, “Che” Guevara, who would have a huge impact on many nations.

Diarios de motocicleta (The Motorcycle Diaries) is a subtle travelogue that shows us how our surroundings can shape who we are, as we see Ernesto Guevara’s long journey change him, or at least make him no longer be the person he was when he left home. Gael García Bernal and Rodrigo De la Serna give delicate performances that resonate over this stirring, yet quiet film. The actors seem to have a real friendship that carries over to the characters and vice versa. Rodrigo’s Alberto is the jolly free-spirited, womanizing clown who keeps Che from going to deep into himself and disappearing from us. Bernal gives us an Ernesto/Che who shows his intellectual and spiritual awakening in his smooth gaze and facial expressions.

Director Walter Salles and cinematographer Eric Gautier create a layered film by allowing the wonderful and diverse settings and exotic locales to permeate the film story. The Motorcycle Diaries literally reeks of being a foreign movie. Of course, there is the language, but unlike many American films, there is no sense of forcing genre conventions on this tale of how the land transforms the soul of a man. Sometimes, Diaries is too low key, but its power comes from its visuals. Every frame and each scene is like a magical symbol simultaneously telling a story and taking us on a journey that might mean spiritual transformation. It’s a film for those who are interested in seeing a movie that reveals the heart and spirit of the land and its people.

7 of 10
A-

NOTES:
2005 Academy Awards: 1 win: “Best Achievement in Music Written for Motion Pictures, Original Song” (Jorge Drexler for the song "Al Otro Lado Del Río"); 1 nomination: “Best Writing, Adapted Screenplay” (Jose Rivera)

2005 BAFTA Awards: 2 wins “Anthony Asquith Award for Film Music” (Gustavo Santaolalla) and “Best Film not in the English Language” (Michael Nozik, Edgard Tenenbaum, Karen Tenkhoff, and Walter Salles); 5 nominations: “Best Cinematography: (Eric Gautier), “Best Film” (Michael Nozik, Edgard Tenenbaum, and Karen Tenkhoff), “Best Performance by an Actor in a Leading Role” (Gael García Bernal), “Best Performance by an Actor in a Supporting Role” (Rodrigo De la Serna), and “Best Screenplay – Adapted” (José Rivera)

2005 Golden Globes: 1 nomination: “Best Foreign Language Film” (Brazil)

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