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Monday, June 24, 2024
DC Comics Shipping from Lunar Distributors for June 25, 2024
Monday, April 15, 2024
Comics Review: "REDCOAT #1" - Oh Well, Whatever, Nevermind
Monday, March 13, 2023
DC Comics Shipping from Lunar Distributors for March 14, 2023
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Monday, May 30, 2022
DC Comics Shipping from Lunar Distributors for May 31, 2022
Action Comics 2022 Annual #1 (One Shot)(Cover A Francesco Francavilla), $5.99
Action Comics 2022 Annual #1 (One Shot)(Cover B Steve Rude Card Stock Variant), $6.99
Batman #125 LED Acetate Poster, $24.99
Batman 2022 Annual #1 (One Shot)(Cover A Mikel Janin), $5.99
Batman 2022 Annual #1 (One Shot)(Cover B Chris Burnham Card Stock Variant), $6.99
Batman Beyond The White Knight Showcase Edition #1, $5.99
Batman Reptilian HC, $24.99
DC Connect #25, AR
Death And Return Of Superman Omnibus HC (2022 Edition), $150.00
Hardware Season One #6 (Of 6)(Cover A Mateus Manhanini), $3.99
Hardware Season One #6 (Of 6)(Cover B Caanan White Card Stock Variant), $4.99
Justice League Road To Dark Crisis #1 (One Shot)(Cover A Daniel Sampere), $5.99
Justice League Road To Dark Crisis #1 (One Shot)(Cover B Chris Burnham Card Stock Variant), $6.99
Justice League Road To Dark Crisis #1 (One Shot)(Cover C Rafael Sarmento Card Stock Variant), AR
Nice House On The Lake #9 (Of 12)(Cover A Alvaro Martinez Bueno), $3.99
Nice House On The Lake #9 (Of 12)(Cover B Kelley Jones Card Stock Variant), $4.99
Shadow War Omega #1 (One Shot)(Cover A Jonboy Meyers), $5.99
Shadow War Omega #1 (One Shot)(Cover B Mikel Janin Card Stock Variant), $6.99
Shadow War Omega #1 (One Shot)(Cover C James Stokoe Card Stock Variant), AR
Superman Son Of Kal-El Volume 1 The Truth HC, $24.99
Teen Titans By Geoff Johns Omnibus HC (2022 Edition), $150.00
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Monday, January 24, 2022
DC Comics Shipping from Lunar Distributors for January 25, 2022
Action Comics #1039 (Cover A Daniel Sampere), $4.99
Action Comics #1039 (Cover B Julian Totino Tedesco Card Stock Variant), $5.99
Action Comics #1039 (Cover C Riccardo Federici Card Stock Variant), AR
All-Star Superman The Deluxe Edition HC, $34.99
Aquaman Green Arrow Deep Target #4 (Of 7)(Cover A Marco Santucci), $3.99
Aquaman Green Arrow Deep Target #4 (Of 7)(Cover B Kael Ngu Card Stock Variant), $4.99
Batman Catwoman Special #1 (One Shot)(Cover A John Paul Leon), $9.99
Batman Catwoman Special #1 (One Shot)(Cover B Lee Weeks), $9.99
Batman Catwoman Special #1 (One Shot)(Cover C Bill Sienkiewicz), AR
Crisis On Multiple Earths Volume 2 Crisis Crossed TP, $39.99
DC Connect #21, AR
DC Vs Vampires #4 (Of 12)(Cover A Otto Schmidt), $3.99
DC Vs Vampires #4 (Of 12)(Cover B Francesco Mattina Card Stock Variant), $4.99
Deathstroke Inc. #5 (Cover A Howard Porter), $3.99
Deathstroke Inc. #5 (Cover B Ivan Tao Card Stock Variant), $4.99
Deathstroke Inc. #5 (Cover C Lucio Parrillo Peacemaker Card Stock Variant), $4.99
Deathstroke Inc. #5 (Cover D Nathan Szerdy Card Stock Variant), AR
Detective Comics #1050 (Cover A Irvin Rodriguez), $5.99
Detective Comics #1050 (Cover B Lee Bermejo Card Stock Variant), $6.99
Detective Comics #1050 (Cover C Jorge Molina Connecting Legacy Thomas Martha Bruce Card Stock Variant), $6.99
Detective Comics #1050 (Cover D Jorge Molina Connecting Legacy Alfred Gordon Young Bruce Card Stock Variant), $6.99
Detective Comics #1050 (Cover E Jorge Molina Connecting Legacy Batman Robin Batgirl Card Stock Variant), $6.99
Detective Comics #1050 (Cover F Jorge Molina Connecting Legacy Joker Card Stock Variant), $6.99
Detective Comics #1050 (Cover G Jay Fabok Team Card Stock Variant), AR
Detective Comics #1050 (Cover H Jorge Fornes Card Stock Variant), AR
Flash #778 (Cover A Brandon Peterson), $3.99
Flash #778 (Cover B Jorge Corona Card Stock Variant), $4.99
Flash By Geoff Johns Omnibus Volume 3 HC, $99.99
Gen 13 Starting Over The Deluxe Edition HC, $49.99
Harley Quinn #11 (Cover A Riley Rossmo), $3.99
Harley Quinn #11 (Cover B Derrick Chew Card Stock Variant), $4.99
Harley Quinn #11 (Cover C Dima Ivanov Peacemaker Card Stock Variant), $4.99
Harley Quinn #11 (Cover D Acky Bright Card Stock Variant), AR
Human Target #4 (Of 12)(Cover A Greg Smallwood), $4.99
Human Target #4 (Of 12)(Cover B Dave Johnson), $4.99
Justice League #71 (Cover A Yanick Paquette & Nathan Fairbairn), $4.99
Justice League #71 (Cover B Alexander Lozano Card Stock Variant), $5.99
Mister Miracle The Great Escape GN, $16.99
Peacemaker Disturbing The Peace #1 (One Shot)(Cover A Juan Ferreyra), $5.99
Peacemaker Disturbing The Peace #1 (One Shot)(Cover B Garry Brown), $5.99
Peacemaker Disturbing The Peace #1 (One Shot)(Cover C Ryan Brown), AR
Peacemaker Disturbing The Peace #1 (One Shot)(Cover D Amanda Conner), AR
Robin #10 (Cover A Simone Di Meo), $3.99
Robin #10 (Cover B Francis Manapul Card Stock Variant), $4.99
Robin #10 (Cover C Nikola Cizmesija Card Stock Variant), AR
Static Season One #5 (Of 6)(Cover A Khary Randolph), $3.99
Static Season One #5 (Of 6)(Cover B Nikolas Draper-Ivey Card Stock Variant), $4.99
Superman ’78 #6 (Of 6)(Cover A Mikel Janin), $3.99
Superman ’78 #6 (Of 6)(Cover B Rafa Sandoval Card Stock Variant), $4.99
Superman And Robin Special #1 (One Shot)(Cover A Viktor Bogdanovic), $5.99
Superman And Robin Special #1 (One Shot)(Cover B Jorge Jimenez Card Stock Variant), $6.99
Superman And Robin Special #1 (One Shot)(Cover C Rafa Sarmento Card Stock Variant), AR
Task Force Z #4 (Cover A Eddy Barrows & Eber Ferreira), $3.99
Task Force Z #4 (Cover B Riley Rossmo Card Stock Variant), $4.99
Task Force Z #4 (Cover C Dan Mora Peacemaker Card Stock Variant), $4.99
Task Force Z #4 (Cover D Dan Schoening Card Stock Variant), $4.99
Teen Titans Academy #11 (Cover A Rafa Sandoval), $3.99
Teen Titans Academy #11 (Cover B Fico Ossio Card Stock Variant), $4.99
Teen Titans Go DC Super Hero Girls Exchange Students TP, $9.99
Wonder Girl #7 (Cover A Matteo Scalera), $3.99
Wonder Girl #7 (Cover B Julian Totino Tedesco Card Stock Variant), $4.99
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Thursday, September 16, 2021
Comics Review: "GEIGER #6" is Hot!
GEIGER #6
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum and Brian Cunningham
COVER: Gary Frank with Brad Anderson
VARIANT COVER ARTISTS: Jerry Ordway with Brad Anderson; Paul Pelletier and Norm Rapmund with Alex Sinclair; Gary Frank with Brad Anderson
48pp, Colors, 4.99 U.S. (September 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
“Man vs. Machine”
Geiger is a comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet and focuses on a “walking bomb” hero. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger is set 20 years after the nuclear conflict known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. In Boulder City, Nevada, there resides the fearsome man known by many names: Joe Glow, The Meltdown Man, and the Walking Bomb, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
Geiger #6 (“Man vs. Machine”) opens with the narrator providing a grand intro for the latest chapter of the tale of Geiger, which includes a bit of a side story about “The Unnamed.” Back to 2050, the King of Vegas has a map and plots his planned conquest of NORAD.
Meanwhile, in NORAD, Geiger and the children, Hailee and Henry, race to escape this prison, and Hailee is forced to give Henry some bad news. Geiger is determined to protect these children, but in order to do that he will have to battle “Junkyard Joe.” And this is one opponent who won't go down as easily as the others did. Plus, Hailee makes a friend and a benefactor (of sorts) in Rick.
THE LOWDOWN: As first issues go, Geiger #1 was mostly an introduction, kind of like a prologue. It introduced the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now. By the time we reached this sixth and final issue of the first volume and story arc of Geiger, we have a lead character that is revealed and world that is more revealed to the readers.
Geoff John brings all the emotions, feelings, thrills, and scares of the previous issues and funnels them into the series' best issue yet. All I can say is that it was a blast, a thrill, and a joy to read, and it also left me anxious to discover what comes next. Apparently, there will be a spin off and a “Geigerverse.”
As Geiger has progressed, Gary Frank's art captured the emotions and passions of intimate moments and the crazy violence of the action scenes. Here, Frank delivers page after page of explosive power, particularly in the Geiger vs. Junkyard Joe battles. Brad Anderson's colors don't just capture the best moments; they also make many great moments. Rob Leigh's lettering keeps this story steady through several violent showdowns and maintains a balance in this volatile issue.
This creative team delivers a winner in Geiger #6, and they also leave us wanting more. I did not know what to expect from Geiger in the beginning, other than it being another star-driven creator-owned comic book project from Image Comics. Now, that I know what I know, I confident in recommending this exceptional series.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).
Monday, August 9, 2021
Comics Review: GEIGER #5
GEIGER #5
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum and Brian Cunningham
COVER: Gary Frank with Brad Anderson
VARIANT COVER ARTISTS: Jerry Ordway with Brad Anderson; Paul Pelletier and Norm Rapmund with Alex Sinclair; Gary Frank with Brad Anderson
32pp, Colors, 3.99 U.S. (August 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
“God Bless America”
Geiger is a comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet and focuses on a “walking bomb” hero. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger is set 20 years after the nuclear conflict known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. In Boulder City, Nevada, there resides the fearsome man known by many names: Joe Glow, The Meltdown Man, and the Walking Bomb, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
Geiger #5 (“God Bless America”) opens with a recitation of the story up to this point. Then, after a hard encounter with “the Organ People,” Geiger is in a state of radioactive disarray, and the children, Hailee and Henry, are in the custody of remnants of the old world. These mysterious new figures are excited to now have the “nuclear football” that was in the children's possession, but they want to know how their late mother, Carolina, came to have it.
When a heartbreaking revelation causes Geiger to break with this happy paradise, their new pals call upon an ancient warrior. Meanwhile, the King, formerly “the Prince,” and his “Nuclear Knights” continue to track Geiger.
THE LOWDOWN: As first issues go, Geiger #1 was mostly an introduction, kind of like a prologue. It introduced the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now. Geiger #2 went inside Las Vegas. With Geiger #3, Geoff Johns began to excavate the heart of the character drama and the passion of old grudges and conflicts. With Geiger #4, Johns executed his first game changer – in terms of Geiger and the children's fates – and readers got a Mad Max 2/The Road Warrior action sequence.
Geiger #5 is the penultimate issue of the series' first story arc. Geoff Johns offers the series' most emotionally fulfilling chapter, and he elevates the children from mere pawns into major characters that deliver turning points in the narrative.
As in the third issue, Gary Frank's art captures the emotions and passions of intimate moments and of pivotal scenes in Geiger #5. The storytelling pours the hotter blood of the relationships of the past that shape the present of Geiger's narrative. Close-ups are painfully familiar, but that makes this fifth issue in which things seem to matter the most.
I'm all in on Geiger now, and I highly recommend it.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Friday, July 30, 2021
Comics Review: GEIGER #4
GEIGER #4
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum and Brian Cunningham
COVER: Gary Frank with Brad Anderson
VARIANT COVER ARTISTS: Brad Walker; Shawn Martinbrough; Gary Frank
32pp, Colors, 3.99 U.S. (July 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
“The Organ People”
Geiger is a comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet and focuses on a “walking bomb” hero. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger is set 20 years after the nuclear conflict known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. In Boulder City, Nevada, there resides the fearsome man known by many names: Joe Glow, The Meltdown Man, and the Walking Bomb, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
Geiger #4 (“The Organ People”) opens with another flashback reveal of Tariq's past life. Now, it's time for Geiger and the siblings, Hailee and Henry, to begin their journey to the place on the map the children's later mother, Candace, gave to them. Early in the journey, they meet “the Organ People,” and things change.
Meanwhile, back in Vegas, the identity of “the Beast” is revealed. Plus, rival casino bosses strike a dangerous bargain.
THE LOWDOWN: As first issues go, Geiger #1 was mostly an introduction, kind of like a prologue. It introduced the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now. Geiger #2 went inside Las Vegas. With Geiger #3, Geoff Johns began to excavate the heart of the character drama and the passion of old grudges and conflicts.
With Geiger #4, Johns executes his first game changer – in terms of Geiger and the children's fates. Readers, however, will love the Mad Max 2/The Road Warrior action sequence and the A Boy and His Dog vibe.
In the third issue, Gary Frank's pencil art captures the emotions, passions, and hotter blood of the relationships of the past that shape the present of Geiger's narrative. In this fourth issue, Frank goes back to the kind of action comic book art and graphical storytelling that he regularly executes as a superstar superhero comic book artist. He makes Geiger #4 a bracing read.
I'm all in on Geiger now, and I highly recommend it.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Tuesday, July 6, 2021
Comics Review: GEIGER #3
GEIGER #3
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum
COVER: Gary Frank with Brad Anderson
VARIANT COVER ARTISTS: Jeff Lemire; Lee Weeks; Gary Frank
32pp, Colors, 3.99 U.S. (June 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
“Fallout”
Geiger is a new comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger is set 20 years after the nuclear conflict known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. In Boulder City, Nevada, there resides the fearsome man known by many names: Joe Glow, The Meltdown Man, and the Walking Bomb, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
As Geiger #3 (“Fallout”) opens, a flashback reveals Tariq's past life when he began his fight against cancer. Back in the present, Tariq, now known as “Geiger,” has saved two siblings, Hailee and Henry, from Nightcrawlers. What will he do with these kids … when all he wants to be is alone?
Meanwhile, another flashback reveals Geiger's first encounter with the young King of Camelot and his Knights. With this King spoiling for revenge, Geiger may have to take a serious look at whatever these two children's plans are.
THE LOWDOWN: As first issues go, Geiger #1 was mostly an introduction, kind of like a prologue. It introduced the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now. Geiger #2 went inside Las Vegas.
With Geiger #3, Geoff Johns begins to excavate the heart of the character drama and the passion of old grudges and conflicts. It feels like the third issue is the first one with some real emotion in the story.
In this third issue, Gary Frank's pencil art captures the emotions, passions, and hotter blood of the relationships of the past that shape the present of Geiger's narrative. Frank conveys the evil and petulance of the fake boy king in a way that strikes out at the reader, while he reveals Tariq/Geiger in layers that finally opens up the character to readers. Brad Anderson's colors, however, keeps this “revealing” from dispelling the mystery by painting color and shadow in equal measure.
I'm all in on Geiger now, and I highly recommend it.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
A
[This comic book includes a preview of Ordinary Gods #1 by Kyle Higgins and Felipe Watanabe.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Saturday, May 29, 2021
Review: "WONDER WOMAN 1984" Means Well, But is Stupid
TRASH IN MY EYE No. 37 of 2021 (No. 1775) by Leroy Douresseaux
Wonder Woman 1984 (2020)
Running time: 151 minutes (2 hours, 31 minutes)
MPAA – PG - 13 for sequences of action and violence
DIRECTOR: Patty Jenkins
WRITERS: Patty Jenkins, Geoff Johns, and Dave Callahan; from a story by Patty Jenkins and Geoff Johns (based on characters appearing in comic books published by DC Comics and created by William Moulton Marston)
PRODUCERS: Charles Roven, Zack Snyder, Deborah Snyder, Patty Jenkins, Gal Gadot, and Stephen Jones
CINEMATOGRAPHER: Matthew Jensen (D.o.P.)
EDITOR: Richard Pearson
COMPOSER: Hans Zimmer
SUPERHERO/FANTASY
Starring: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, Kristen Wiig, Pedro Pascal, Lucian Perez, Kristoffer Polaha, Natasha Rothwell, Ravi Patel, Oliver Cotton, Lilly Aspell, and Lynda Carter
Wonder Woman 1984 is a 2020 superhero fantasy film from director Patty Jenkins. The film stars the DC Comics superhero, Wonder Woman, who first appeared in All Star Comics #8 (1941) and was created by writer William Moulton Marston (with artist Harry George Peter). It is a direct sequel to 2017's Wonder Woman and is also the ninth film in the DC Extended Universe (DCEU) film series. In Wonder Woman 1984, our titular hero must battle a colleague and a businessman whose desire to have everything they ever wanted and much more could destroy the world.
Wonder Woman 1984 opens on the island of Themyscira, the home of the Amazons. There, young Diana (Lilly Aspell) is trying to be the most accomplished Amazon. In an athletic event against older Amazons, young Diana must also learn an important lesson about getting what she wants.
The story moves to 1984. Diana Prince (Gal Gadot) works cultural anthropology and archaeology at the Smithsonian Institution in Washington, D.C. Secretly, Diana is also the superhero known as “Wonder Woman.” At work, Diana meets and eventually befriends a new museum employee, Barbara Minerva (Kristen Wiig), a shy woman whose professions are geology, gemology, and lithology, in addition to being a cryptozoologist. Barbara is barely seen by her co-workers, and she comes to envy Diana, whose radiance draws people to her.
One day, the FBI asks the museum to identify some stolen antiquities, and among them is a mysterious item, a “citrine” that turns out to be called the “Dreamstone.” Also interested in this item is a failing businessman, Maxwell “Max” Lord (Pedro Pascal), who believes that the stone has “wish-granting” powers that can both save his failing oil company, “the Black Gold Cooperative,” and make him the powerful man he has always wanted to be. No one really understands how dangerous the Dreamstone can be, even Diana, who gets her deceased lover, Steve Trevor (Chris Pine), back into her life.
I like that Wonder Woman 1984 deals with such themes as immediate gratification, getting things the easy way without working for it, cheating to get what you want, and the desire to have something before you are ready to have it. However, it is the execution of these themes that is problematic. For a film that beats viewers over the head with the idea that it is bad to get whatever you wish for, Wonder Woman 1984 is filled with magical thinking. This film's story is illogical, nonsensical, silly, and full of pretty pictures while being largely empty and devoid of substance.
Having Steve Trevor's spirit possess the body of an actual living man and control it is a horrible idea. Supposedly, co-writer/director Patty Jenkins says that the Trevor subplot is a reference to the body-switching trope found in films like Freaky Friday: The Movie (1976) and Big (1988). If true, this explanation is lame. Having Wonder Woman basically hold a man hostage so that she can use his body to play kissy-face with her dead lover's spirit does not seem like something Wonder Woman would actually do. I won't go into the non-consensual element of this relationship...
However, that is just one element of the entire nonsense that is having Steve Trevor in this film. In one sequence, it just happens to be the Fourth of July, which leads to Wonder Woman and Trevor stealing a conveniently located jet and flying through the clouds that are lit up by the holiday fireworks below. Wonder Woman asks Trevor what makes flying as a pilot so special to him, and the dude says that it is because of the wind and the air...
I'm not even sure why this movie is called Wonder Woman 1984, as very little about that year really permeates this film. 1984 seems like nothing more than an arbitrary date, while calling this film “Wonder Woman: The Year of Schmaltz and Syrupy Sentiment” would seem more accurate.
Nothing epitomizes Wonder Woman 1984's nonsensical, trite, contrived nature than the “lead” villain, Max Lord. Heaven knows that Pedro Pascal gives it his all in order to fill the vast emptiness that is Max, but even his acting skills can't save this bomb of a character. Patty Jenkins and Geoff Johns' hackneyed script gives Max a child, Alistair (Lucian Perez), a pensive-faced waif who just loves his daddy no matter how much daddy ignores and minimizes him. The presence of the child only emphasizes how lame Max Lord is.
The better villain is Kristen Wiig's Cheetah (who is not called that in the film), but the script relegates Barbara Minerva/Cheetah to side-piece status. Minerva and Cheetah had the potential to be an excellent counter to Diana Prince/Wonder Woman, but no, the man-villain must be the center of attention. Also, I'm pretty sure that Cheetah appears merely for licensing purposes – perhaps, as a hard-to-find, low-run, female action figure.
Just as she was the last time, Gal Gadot is gorgeous in this film, but whereas the Wonder Woman she played in the original film was so strong, independent, and fierce, the Wonder Woman of the sequel is a clueless broad who pines after the ghost of a long dead man. Everything the heroine of this sequel does is either strange or thoughtless, and she puts herself and others in danger cause she's just gotta have her (dead) man! Wonder Woman 1984 turns Gadot's Wonder Woman from historical in the first film to hysterical in the sequel.
The only reason that I am not giving Wonder Woman 1984 a grade of “D” or even of “F” is because I was so happy to see Lynda Carter, TV's Wonder Woman of the 1970s, in a mid end credits scene. Yeah, that's a spoiler that I didn't warn you about, but hey, I am warning you about the rest of Wonder Woman 1984. Now, dear readers, you can watch it while expecting much less of it than I did.
4 of 10
C
Thursday, April 8, 2021
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.
-----------------------
Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).
Wednesday, May 12, 2021
Comics Review: GEIGER #2
GEIGER #2
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum
COVER: Gary Frank with Brad Anderson
VARIANT COVER ARTISTS: Bryan Hitch; Mahmud Asrar; Gary Frank with Brad Anderson
32pp, Colors, 3.99 U.S. (May 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
Geiger is a new comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger is set 20 years after the nuclear conflict known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. In Boulder City, Nevada, there resides the fearsome man known by many names: Joe Glow, The Meltdown Man, and the Walking Bomb, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
Geiger #2 opens with a flashback into Tariq's past life. Then, the story moves fully into Las Vegas. There, a waitress in the fiefdom of Camelot has a plan to save her children – her older child, daughter Hailee, and younger child, son Henry – from the perverted desires of the thugs that rule Camelot.
Carolina's plan involves a powerful relic from before the war. Will this relic bring hope or finish what the war started? It depends on who gets Carolina's prize – the “Casino Warlords of Las Vegas” or the monster called Geiger.
THE LOWDOWN: As first issues go, Geiger #1 was mostly an introduction, kind of like a prologue. It introduced the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now. Honestly, Geiger #1 was not Geoff Johns or Gary Frank's best work.
Still, I was intrigued by the concept, and Geiger #2 starts to deliver on the series' potential. I thought that once writer Geoff Johns took readers into Las Vegas the intensity would rise, and it does. If Geiger is the hero of Geiger the comic book, Las Vegas, in the form of “Casino Warlords,” will be the source of the villains and adversaries. From what we see of Vegas, I think Johns is promising lots of conflict and action-driven drama.
In Geiger, Frank's pencil art is rougher and less refined than his usual work, which, as I wrote before, is a good thing here. Geiger is dark, and perhaps, it will be apocalyptic, so with colorist Brad Anderson, Frank is preparing us for action, but not the shiny, superhero kind. I think I should keep following Geiger … for the time being.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
A-
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------------
Monday, May 10, 2021
Review: "JUSTICE LEAGUE" Sucks, Yet the Republic Survives
TRASH IN MY EYE No. 32 of 2021 (No. 1770) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Justice League (2017)
Running time: 120 minutes (2 hours)
MPAA – PG-13 for sequences of sci-fi violence and action
DIRECTORS: Zack Snyder and Joss Whedon
WRITERS: Chris Terrio and Joss Whedon; from a story by Chris Terrio and Zack Snyder (based on characters appearing in comic books published by DC Comics)
PRODUCERS: Charles Roven, Jon Berg, Geoff Johns, and Deborah Snyder
CINEMATOGRAPHER: Fabian Wagner (D.o.P.)
EDITORS: Martin Walsh, David Brenner, and Richard Pearson
COMPOSER: Danny Elfman
SUPERHERO/FANTASY
Starring: Ray Fisher, Ben Affleck, Gal Gadot, Jason Momoa, Henry Cavill, Ezra Miller, Amy Adams, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Amber Heard, Joe Morton, Kobna Holdbrook-Smith, Anthony Wise, and Ciarán Hinds (voice)
Justice League is a 2017 superhero film officially directed by Zack Snyder, but completed by director Joss Whedon. The film is based on the DC Comics superhero team, the Justice League of America, that first appeared as a group in the comic book, The Brave and the Bold #28 (cover dated: March 1960). Justice League is the fourth film in the DCEU (DC Extended Universe) film series. Justice League the film sees a group of allies slowly come together to face a threat to Earth.
Justice League introduces a being named “Steppenwolf” (voice of Ciarán Hinds). Thousands of years ago, Steppenwolf and his legions of “Parademons” tried to take over the earth using the combined energies of three “Mother Boxes,” but he was defeated. In the present, it is two years after the death of Superman (as seen in the film, Batman v Superman: Dawn of Justice), and his death has apparently triggered the reactivation of the Mother Boxes.
Now, Steppenwolf has returned to Earth, and although he is unaware of Steppenwolf, Batman/Bruce Wayne (Ben Affleck) knows that something is wrong because he has been battling the scattered Parademons that have been appearing in Gotham City and elsewhere. Batman also knows that what is happening is too big for him to fight alone, so he has begun the difficult task of finding and recruiting other “metahumans” (superheroes) into a team that can take on the biggest threats to Earth.
Wonder Woman/Diana Prince (Gal Gadot) is familiar with Steppenwolf and is ready to unite. The new young hero, Flash/Barry Allen (Ezra Miller), is more than happy to be part of a team. However, the mysterious undersea metahuman, The Aquaman/Arthur Curry (Jason Momoa), brushes off Batman. Woman Woman approaches the techno-organic metahuman, Cyborg/Victor Stone (Ray Fisher), whose powers and abilities are constantly evolving, but he also brushes off the idea of joining Batman and Wonder Woman's cause.
Even if Batman, Wonder Woman, and Flash can convince Aquaman and Cyborg to join, their powers may not be enough to stop Steppenwolf and the Parademons. They need Superman/Clark Kent (Henry Cavill), but he is dead. So can this “Justice League” change that?
Zack Snyder's first two films in the DCEU film series, Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016), are interesting films. Man of Steel contains moments of true beauty and is an imaginative and poignant retake on the story of Superman. Batman v Superman is filled with great moments and has several brilliantly-staged action set pieces. However, both films are at time foolishly bombastic and bombastically foolish.
Zack Snyder began production on what was to be his third DCEU film, Justice League, in early 2016, but left the film in May 2017 in order to deal with the aftermath of the death of his daughter. Warner Bros. Pictures brought in Joss Whedon to finish the film. Whedon is beloved in fandom because he is the creator of the long-running “Buffy the Vampire Slayer” television series. He also wrote and directed two films for Marvel Studios, Marvel's The Avengers (2012) and Avengers: Age of Ultron (2015), each of which grossed over a billion dollars in worldwide box office.
Whedon apparently changed the story that Zack Snyder's version of Justice League would have told – to some extent. I have read that as much as seventy-five percent of the Justice League film that reached movie theaters in late 2017 is the result of Whedon's reshoots of the film.
The result is a film that does not move or sound like either Man of Steel or Batman v Superman: Dawn of Justice, nor does it have the genuine sense of superhero team dynamics, conflict, and melodrama that Whedon's Avengers films have. Whedon's Justice League is neither bombastic nor foolish. It is a collection of crescendos that fade away. Justice League seems like a collection of loosely connected subplots and action scenes taken from another movie and stuck together to make a new blasé movie.
In Justice League, the dialogue is mostly awful. All the emotions (grief, exhalation, anger, etc.) seem forced or outright phony. The actors struggle with the mediocre character writing; sometimes, it gets so bad that it seems as if they are struggling to act. Steppenwolf is a scary villain that is played as comically histrionic. Also, the film treats the obviously dangerous Paramdemons as nothing more than props to be destroyed by the powers of the members of the Justice League.
There are a few good moments in Justice League. The revival of Superman and the subsequent battle between the League and the Man of Steel is genuinely intense. Every time I watch it, my attention is glued to the screen.
Justice League is not a bad movie; it doesn't have the gumption to be good or bad. It is a movie that is without a heart, and it comes across as nothing more than an assembly line product put out to benefit a movie studio financially. It certainly was not put out to truly entertain the audiences that wanted to be entertained by it. Zack Snyder's version of Justice League will make its debut as Zack Snyder's Justice League on the HBO Max streaming service soon (as of this writing). Perhaps, it would have been better that Justice League been delayed than it be released in 2017 as a mostly flavorless misfire.
4 of 10
C
Friday, March 4, 2021
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------
Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).
Monday, April 19, 2021
Image Comics Shipping from Diamond Distributors for April 21, 2021
IMAGE COMICS
OCT200088 DIE DIE DIE TP VOL 02 (MR) $16.99
FEB210013 GEIGER #1 CVR E FRANK GLOW IN THE DARK VAR $3.99
FEB210189 HAHA #4 (OF 6) CVR A HORVATH (MR) $3.99
FEB210190 HAHA #4 (OF 6) CVR B SHEA (MR) $3.99
FEB210092 MONSTRESS #33 (MR) $3.99
FEB210193 MOONSHINE #24 (MR) $3.99
FEB210197 NOMEN OMEN #14 (OF 15) CVR A CAMAGNI (MR) $3.99
FEB210198 NOMEN OMEN #14 (OF 15) CVR B SCALERA (MR) $3.99
FEB210016 OLD GUARD TALES THROUGH TIME #1 (OF 6) CVR A FERNANDEZ (MR) $3.99
FEB210017 OLD GUARD TALES THROUGH TIME #1 (OF 6) CVR B CAMAGNI (MR) $3.99
FEB210018 OLD GUARD TALES THROUGH TIME #1 (OF 6) CVR C BATTLEFIELD VAR $3.99
FEB210199 POST AMERICANA #5 (OF 6) (MR) $3.99
FEB218542 RADIANT BLACK #2 2ND PTG $3.99
FEB210200 RADIANT BLACK #3 CVR A COSTA $3.99
FEB210201 RADIANT BLACK #3 CVR B CAREY $3.99
FEB210203 RAIN LIKE HAMMERS #4 (OF 5) (MR) $4.99
FEB210213 STRAY DOGS #3 CVR A FORSTNER & FLEECS $3.99
FEB210214 STRAY DOGS #3 CVR B HORROR MOVIE VAR FORSTNER & FLEECS $3.99
FEB218439 ULTRAMEGA BY JAMES HARREN #1 CVR A HARREN 2ND PTG (MR) $7.99
FEB210217 ULTRAMEGA BY JAMES HARREN #2 CVR A HARREN (MR) $7.99
FEB210218 ULTRAMEGA BY JAMES HARREN #2 CVR B BERTRAM (MR) $7.99
FEB210098 WALKING DEAD DLX #13 CVR A FINCH & MCCAIG (MR) $3.99
FEB210099 WALKING DEAD DLX #13 CVR B MOORE & MCCAIG (MR) $3.99
FEB210100 WALKING DEAD DLX #13 CVR C TEDESCO (MR) $3.99
JAN218760 WALKING DEAD DLX #13 CVR D RAPOZA (MR) $3.99
Saturday, April 10, 2021
Comics Review: "GEIGER #1" is Interesting, but Doesn't Explode
GEIGER #1
IMAGE COMICS/Mad Ghost
STORY: Geoff Johns
ART: Gary Frank
COLORS: Brad Anderson
LETTERS: Rob Leigh
EDITOR: Pat McCallum
COVER: Gary Frank
VARIANT COVER ARTISTS: Erik Larsen; Jason Fabok; Gary Frank
32pp, Colors, 3.99 U.S. (April 2021)
Rated “T+/Teen Plus”
Geiger created by Geoff Johns and Gary Frank
Geiger is a new comic book series from writer Geoff Johns and artist Gary Frank. Published by Image Comics, Geiger is set on a dying Earth in the years after a nuclear war ravaged the planet. Colorist Brad Anderson and letterer Rob Leigh complete the series' creative team.
Geiger #1 opens 20 years after the nuclear war known as the “Unknown War” ravaged the planet, turning Earth into a dying world. In the state of Nevada, desperate outlaws battle for survival in a world of rapidly disappearing resources and supplies. But there is still time for myths and legends.
In the wasteland that was Boulder, Nevada, there is man even the most fearsome avoid. People have given him a multitude of nicknames: Joe Glow, The Meltdown Man, the Monster of Boulder City, the One Who Walks Outside Without a Suit, the Walking Bomb, and the Man of Mass Destruction, to name a few. But before the war, he was simply a man named Tariq Geiger. So who or what is Geiger, now?
THE LOWDOWN: As first issues go, Geiger #1 is mostly an introduction, kind of like a prologue. This first issue introduces the title character, Geiger, giving readers a look at who he was in the past and a glance at who he is now.
Honestly, Geiger #1 isn't Geoff Johns or Gary Frank's best work, but it is intriguing. One has to consider what they have done as a creative team, such as the recently acclaimed Doomsday Clock, a sequel (of sorts) to Alan Moore and Dave Gibbons' legendary comic book, Watchmen. So Johns and Frank are not going to deliver “perfect ten” comic books every time they drop a new issue or graphic novel.
Frank's pencil art is rougher and less refined than his usual work, which is a good thing here. It is as if Frank is letting readers now that Geiger isn't some superhero fast food or dessert. Frank's compositions and graphical storytelling are edgy and bleak, and it all looks like he is indicating that he is embarking on something quite different from past works. To go along with this, colorist Brad Anderson offers earthy tones instead of his usual bright superhero comics colors.
Writer Geoff Johns seems to be mixing genres in the creation of Geiger. The post-apocalypse apparently has crime lords, mutants, and loners. Geiger has elements that are similar to those found in Harlan Ellison's short story, “A Boy and His Dog” and in the Mad Max films. There are probably elements from other fictions that I don't recognize, and future issues could reveal even more. Letterer Rob Leigh keeps the pace nice and easy so that readers can slowly figure their way around Geiger.
Geiger intrigues me, but honestly, I am not sure that I would keep reading Geiger if I had to buy it. But since I don't have to pay for it, I'll keep reading … for the time being.
I READS YOU RECOMMENDS: Fans of Geoff Johns and Gary Frank will want to check out Geiger.
B+
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/geoffjohns
http://www.madghost.com/
https://twitter.com/1moreGaryFrank
https://twitter.com/ImageComics
https://imagecomics.com/
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
------------------
Tuesday, March 2, 2021
Review: "Aquaman" Rides High on the High Seas
TRASH IN MY EYE No. 23 of 2021 (No. 1761) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Aquaman (2018)
Running time: 143 minutes (2 hours, 23 minutes)
MPAA – PG-13 for sequences of sci-fi violence and action, and for some language
DIRECTOR: James Wan
WRITERS: David Leslie Johnson-McGoldrick and Will Beall; from a story by Geoff Johns, James Wan, Will Beall (based on the character created by Paul Norris and Mort Weisinger and appear ing DC Comics)
PRODUCERS: Rob Cowan and Peter Safran
CINEMATOGRAPHER: Don Burgess
EDITOR: Kirk Morri
COMPOSER: Rupert Gregson-Williams
SUPERHERO/FANTASY/SCI-FI/ACTION/ADVENTURE
Starring: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Ludi Lin, Temuera Morrison, Randall Park, Michael Beach, and Nicole Kidman
Aquaman is a 2018 superhero science fiction and fantasy film from director James Wan. It is the sixth film in the DC Extended Universe (DCEU), which is comprised of films based upon DC Comics characters. Aquaman was created by artist Paul Norris and editor Mort Weisinger and first appeared in More Fun Comics #73 (cover dated: November 1941). Aquaman the film focuses on a half-breed who is heir to the throne of an underwater kingdom and his quest to prevent an all-out war between the worlds of the land and the seas.
Aquaman opens in 1985. Thomas Curry (Temuera Morrison), a lighthouse keeper in Amnesty Bay, Maine, rescues Atlanna (Nicole Kidman), the queen of the underwater kingdom of Atlantis, during a storm. They fall in love and have a son named Arthur, who has the power to communicate with sea creatures. Eventually, however, Atlantean soldiers arrive to retrieve Atlanna, who had fled her arranged marriage in Atlantis.
The film movies to the present day, several months after the events depicted in the film, Justice League. Arthur Curry (Jason Momoa), now also known as the “Aquaman,” attempts to live a normal life in Amnesty Bay, but his Atlantean heritage is about to intrude on his life. Arthur has a half-brother, Orm Marius (Patrick Wilson), who is the current King of Atlantis and who is also the second son of Atlanna. Orm is attempting to rally the undersea kingdoms to his cause. He wants to unite and to attack the surface world for polluting the oceans. Princess Y'Mera Xebella Challa, also known simply as Mera (Amber Heard), is betrothed to Orm, but refuses to aid him or her father, King Nerius of Xebel (Dolph Lundgren), in their plans.
Mera travels to the surface where she meets Arthur and tries to convince him to help her in stopping Orm. She also wants Arthur to take his rightful place as King of Atlantis. Before he does that, however, Arthur must recover a magic artifact, the lost “Sacred Trident of Atlan,” which will mark its possessor as the rightful ruler of Atlantis. The problem is that Arthur does not want to be King of Atlantis nor anywhere else for that matter.
Watching Aquaman, I could not help but notice that many of its story points and plot elements were glaringly similar to that of Marvel Studios' Black Panther, which debuted earlier in the same year that Aquaman hit theaters, 2018. Whereas Black Panther was edgy, philosophically in tune with Pan-Africanism, and socially relevant, Aquaman is simply a grand, old-fashioned, action-adventure fantasy film, and there is nothing wrong with that. Aquaman is solidly entertaining.
If Aquaman must be accused of copying other films, in terms of visual concepts and world-building, Aquaman leans heavily on the Star Wars prequel films and on Tron: Legacy. And once again, there is nothing wrong with that. Many big-budget, tent-pole films borrow from other movies of similar to its type. Aquaman dazzles the eyes and blows the mind. It is such a spectacular visual effects feast for the eyes, senses, and imagination that I am surprised that it did not get any Oscar nominations in the categories of visual effects, art direction-set decoration, and costume design. That such a visually resplendent film did not get in Oscar nominations says something about the nominating process of the Academy Awards in many areas.
I must admit that I think that this film does have a few sizable problems. Aquaman's stiff, overly-formal, highfalutin' dialogue hampers the acting, which isn't all that good to begin with. The character writing is also average, so it is not as if the actors have much to work with in building strong dramatic characters. Still, I'd have to be feeling generous to say that Jason Momoa was more than average as Arthur Curry/Aquaman, although he does appear to be trying hard. Patrick Wilson and Yahya Abdul-Mateen II overact and ham-it-up as Orm and Black Manta, respectively. Willem Dafoe is practically a wooden idol as Vulko, and Amber Heard seems to think that she is playing Mera in a spoof of a superhero movie rather than acting in a “serious” superhero film.
I would normally give a film with such average character drama on the part of the screenplay and such awkward acting a grade of “B.” The directing by James Wan is strong enough, however, and, once again, the film is such a visual effects orgasm that I will bump up Aquaman's final grade a little.
7 of 10
B+
Saturday, November 28, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
------------------------
Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).
Monday, December 28, 2020
DC Comics New Releases from Lunar/UCS Distributors for December 29, 2020
Batman Annual #5 (Cover A Derrick Chew), $4.99
Batman Annual #5 (Cover B InHyuk Lee Card Stock Variant), AR
Batman Detective Comics Volume 4 Cold Vengeance TP, $29.99
Batman The Rise And Fall Of The Batmen Omnibus HC, $150.00
Dark Nights Death Metal The Last 52 War Of The Multiverses #1 (One Shot)(Cover A Dan Mora), $8.99
Dark Nights Death Metal The Last 52 War Of The Multiverses #1 (One Shot)(Cover B Gary Frank), AR
Green Lantern By Geoff Johns Volume 4 TP, $39.99
Jinny Hex Special #1 (One Shot)(Cover A Nick Derington), $4.99
Jinny Hex Special #1 (One Shot)(Cover B Nick Derington Jinny Hex Variant), AR
Justice League Endless Winter #2 (Of 2)(Cover A Mikel Janin), $4.99
Justice League Endless Winter #2 (Of 2)(Cover B Daniel Warren Johnson Card Stock Variant), AR
New Teen Titans Volume 12 TP, $19.99
Tales From The Dark Multiverse Dark Nights Metal #1 (Cover A David Marquez), $5.99
Wonder Woman Volume 3 Loveless TP, $17.99
Young Justice Volume 2 Lost In The Multiverse TP, $17.99
Sunday, December 13, 2020
"Wonder Woman 1984" Makes Virtual World Premiere Tues., Dec. 15th
DC FanDome Presents: “Wonder Woman 1984” Virtual World Premiere Fan-first Event on Tuesday, December 15 at 12 PM PST
Watch the Virtual Red Carpet With the Stars of “Wonder Woman 1984” From Anywhere in the World—Just a Click Away
Certain Lucky Loyalty Program Moviegoers Can Watch the Virtual Premiere on the Big Screen and Be the First Audiences to Experience the Full-length Movie in Select CinemaSafe IMAX & Premium Format Theaters
BURBANK, Calif.--(BUSINESS WIRE)--“Wonder Woman 1984” star Gal Gadot took to TikTok and announced that, via the hugely popular DC FanDome virtual event platform, fans around the globe will have a front row seat to the digital red carpet for Warner Bros. Pictures’ and Patty Jenkins’ hugely anticipated DC Super Hero action adventure. Some lucky fans will also be among the first audiences anywhere to see the entire film on the big screen in select theaters around the world.
Jenkins and Gadot stated, “We have the best fans in the world and that’s why we’re so excited to celebrate the launch of ‘Wonder Woman 1984’ in such a big way. Having it be a virtual event allows us to share the moment with Wonder Woman superfans everywhere who might not otherwise have the chance to experience a movie premiere.”
The Virtual World Premiere Red Carpet: Taking place in the ultimate fan-first destination, the DC FanDome Hall of Heroes, “attendees” can join the celebration of the upcoming film. In true Hollywood fashion, the film’s director, Patty Jenkins, and stars Gal Gadot, Chris Pine, Kristen Wiig and Pedro Pascal – along with a special guest – will be on the red carpet to talk with host Tiffany Smith, and answer questions from fans. As Gadot herself revealed via TikTok today, the virtual event takes place on December 15 at 12:00 PM PST.
When they “arrive,” viewers can check out the massive screens within the Hall of Heroes as they project fans from around the world. Next, they will be treated to a special behind-the-scenes featurette, leading into the talent from “Wonder Woman 1984” stepping onto the carpet and into frame for an exciting conversation about the film. Later, the audience will enjoy a one-of-a-kind performance from world-renowned composer Hans Zimmer, who created the score. And there will be an exclusive sneak peek at the highly anticipated film.
To watch the Virtual Red Carpet, fans can go to:
- DCFanDome.com, which will be supported across all WB, DC, HBO Max and AT&T social channels; and
- TikTok, Twitter, Instagram, YouTube and Facebook.
- On Demand on HBO Max (in app and on the website); and
- On Demand on talent and Warner Bros./WarnerMedia social channels; and
- Select exhibition partners.
The In-Theater Virtual Premiere + Feature Film Experience: Certain lucky loyalty program members will be offered the opportunity to watch the Virtual Red Carpet on the big screen in select CinemaSafe theaters in IMAX and premium formats. Immediately following the event, they will be the first audiences to experience the full-length feature film “Wonder Woman 1984.”
DC FanDome Presents “Wonder Woman 1984” will also support World Central Kitchen, a nonprofit, non-governmental organization founded by chef José Andrés that uses the power of food to heal communities and strengthen economies in times of crisis and beyond. Fans interested in donating will find a link on the DC FanDome site beginning on the 15th.
From director Patty Jenkins and starring Gal Gadot in the title role, “Wonder Woman 1984” fast forwards to the 1980s as Wonder Woman’s next big screen adventure finds her riding lightning across the sky, donning wings of gold, and chasing a dream while in pursuit of two new formidable foes: Max Lord and the Cheetah.
In “Wonder Woman 1984,” the fate of the world is once more on the line, and only Wonder Woman can save it. This new chapter in the Wonder Woman story finds Diana Prince living quietly among mortals in the vibrant, sleek 1980s—an era of excess driven by the pursuit of having it all. Though she’s come into her full powers, she maintains a low profile, curating ancient artifacts and only performing her superheroic acts incognito. But now, Diana will have to step directly into the spotlight and muster all her wisdom, strength and courage in order to save mankind from a world of its own making.
The film also stars Chris Pine as Steve Trevor, Kristen Wiig as the Cheetah, Pedro Pascal as Max Lord, Robin Wright as Antiope and Connie Nielsen as Hippolyta.
Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Gal Gadot and Stephen Jones produced the film. Rebecca Steel Roven Oakley, Richard Suckle, Marianne Jenkins, Geoff Johns, Walter Hamada, Chantal Nong Vo and Wesley Coller served as the executive producers.
Jenkins directed from a screenplay she wrote with Geoff Johns & Dave Callaham, story by Jenkins & Johns, based on characters from DC. Wonder Woman was created by William Moulton Marston. Joining the director behind the scenes are several members of her “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”). Oscar-nominated editor Richard Pearson (“United 93”) cut the film. The music is by Oscar-winning composer Hans Zimmer (“Dunkirk,” “The Lion King”).
Warner Bros. Pictures Presents an Atlas Entertainment/Stone Quarry Production, a Patty Jenkins Film, “Wonder Woman 1984.” The film is distributed by Warner Bros. Pictures. It will be released in theaters internationally beginning December 16, and in the U.S. in theaters and on HBO Max on December 25, 2020.
www.wonderwomanmovie.com
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Monday, November 16, 2020
DC Comics New Releases from Lunar/UCS Distributors for November 17, 2020
DC COMICS:
Aquaman #65 (Cover A Robson Rocha & Daniel Henriques), $3.99
Aquaman #65 (Cover B Joshua Middleton Team Variant), AR
Batman #103 (Cover A Jorge Jimenez), $3.99
Batman #103 (Cover B Francesco Mattina Card Stock Variant), AR
Batman #103 (Cover C Jorge Jimenez Bruce Wayne Card Stock Variant), AR
Batman By Tom King And Lee Weeks Deluxe Edition HC, $49.99
Batman The Road To No Man’s Land Omnibus HC, $125.00
Batman Three Jokers HC, $29.99
Blackest Night Brightest Day Box Set (12/17/20 per Lunar Distribution), $299.99
Catwoman #27 (Cover A Joelle Jones), $3.99
Catwoman #27 (Cover B Jenny Frison Card Stock Variant), AR
Dark Nights Death Metal #5 (Of 7)(Cover A Greg Capullo & Jonathan Glapion), $4.99
Dark Nights Death Metal #5 (Of 7)(Cover B David Finch Martian Manhunter Variant), AR
Dark Nights Death Metal #5 (Of 7)(Cover C Stanley Artgerm Lau Kull Variant), AR
Dark Nights Death Metal #5 (Of 7)(Cover D Kael Ngu Spectre Variant), AR
Dark Nights Death Metal #5 (Of 7)(Cover E Doug Mahnke), AR
Dark Nights Death Metal #5 (Of 7)(Cover F Greg Capullo & Jonathan Glapion Black & White Variant), AR
Dollar Comics The Sandman #23 (Cover A Dave McKean), $1.00
Flash Volume 13 Rogues’ Reign TP, $17.99
Flash Year One TP, $17.99
JLA By Grant Omnibus Omnibus HC, $150.00
Joker Harley Criminal Sanity #6 (Of 8)(Cover A Francesco Mattina), $5.99
Joker Harley Criminal Sanity #6 (Of 8)(Cover B Jason Badower), AR
Justice League #57 (Cover A Liam Sharp), $3.99
Justice League #57 (Cover B Philip Tan), AR
Looney Tunes #257 (Cover A Scott Gross), $2.99
Nightwing #76 (Cover A Travis Moore), $3.99
Nightwing #76 (Cover B Alan Quah), AR
Plunge HC, $24.99
Rorschach #2 (Of 12)(Cover A Jorge Fornes), $4.99
Rorschach #2 (Of 12)(Cover B Peach Momoko), AR
Super Sons Omnibus Expanded Edition HC (11/24/20 per UCS Comic Distributors), $99.99
Superman Action Comics Volume 3 Leviathan Hunt TP, $16.99
Teen Titans #47 (Cover A Bernard Chang), $3.99
Teen Titans #47 (Cover B Babs Tarr Team Variant), AR
Underworld Unleashed The 25th Anniversary Edition TP, $29.99
Monday, May 25, 2020
DC Comics from Diamond Distributors for May 27, 2020
FEB200431 AQUAMAN #59 TYLER KIRKHAM VAR ED $3.99
FEB200510 BASKETFUL OF HEADS #7 (OF 7) (MR) $3.99
FEB200511 BASKETFUL OF HEADS #7 (OF 7) GABRIEL RODRIGUEZ VAR ED (MR) $3.99
FEB200434 BATMAN AND THE OUTSIDERS #12 $3.99
FEB200435 BATMAN AND THE OUTSIDERS #12 MICHAEL GOLDEN VAR ED $3.99
FEB200436 BATMAN BEYOND #43 $3.99
FEB200437 BATMAN BEYOND #43 FRANCIS MANAPUL VAR ED $3.99
FEB200520 BOOKS OF MAGIC #19 (MR) $3.99
FEB200525 DC SUPER STARS #17 FACSIMILE EDITION $4.99
FEB200445 FLASH #753 $3.99
FEB200446 FLASH #753 JUNGEUON YOON VAR ED $3.99
FEB200447 FLASH #754 $3.99
FEB200555 FLASH BY MARK WAID TP BOOK 07 $39.99
FEB200528 FLASH GIANT #4 $4.99
FEB200451 GREEN LANTERN SEASON 2 #3 $3.99
FEB200452 GREEN LANTERN SEASON 2 #3 (OF 12) SCOTT WILLIAMS VAR ED $3.99
FEB200562 HARLEY QUINN & POISON IVY HC $24.99
FEB200457 HAWKMAN #23 $3.99
FEB200458 HAWKMAN #23 GERARDO ZAFFINO VAR ED $3.99
FEB200459 HE MAN AND THE MASTERS OF THE MULTIVERSE #6 (OF 6) $3.99
FEB200522 HOUSE OF WHISPERS #20 (MR) $3.99
FEB200460 JOKER HARLEY CRIMINAL SANITY #4 (OF 9) (MR) $5.99
FEB200461 JOKER HARLEY CRIMINAL SANITY #4 (OF 9) MIKE MAYHEW VAR ED (M $5.99
FEB200464 JUSTICE LEAGUE #45 $3.99
FEB200465 JUSTICE LEAGUE #45 DAN MORA VAR ED $3.99
FEB200516 LOW LOW WOODS #5 (OF 6) (MR) $3.99
FEB200517 LOW LOW WOODS #5 (OF 6) JENNY FRISON VAR ED (MR) $3.99
JAN200516 MY VIDEO GAME ATE MY HOMEWORK TP $9.99
FEB200572 NIGHTWING TP VOL 01 THE GRAY SON LEGACY $19.99
FEB200529 OUR FIGHTING FORCES GIANT #1 $4.99
FEB200575 STARGIRL BY GEOFF JOHNS TP (RES) $34.99
FEB200489 SUICIDE SQUAD #5 $3.99
FEB200490 SUICIDE SQUAD #5 JEREMY ROBERTS VAR ED $3.99
FEB200577 SUPERMAN ACTION COMICS TP VOL 02 LEVIATHAN RISING $17.99
SEP190601 SUPERMAN BATMAN OMNIBUS HC VOL 01 $125.00
FEB200579 SUPERMAN HC VOL 03 THE TRUTH REVEALED $24.99
FEB200497 TEEN TITANS #41 $3.99
FEB200498 TEEN TITANS #41 KHARY RANDOLPH VAR ED $3.99
FEB200500 TERRIFICS #27 $3.99
FEB200503 WONDER WOMAN #755 $3.99
FEB200504 WONDER WOMAN #755 IAN MACDONALD VAR ED $3.99
FEB200531 WONDER WOMAN GIANT #4 $4.99
JAN209134 YEAR OF THE VILLAIN HELL ARISEN #3 (OF 4) 3RD PTG $4.99
Sunday, May 17, 2020
DC Comics On-Sale Tuesday, May 19, 2020
New Comic Books:
DCeased: Unkillables #3 (of 3)
The Dollhouse Family #6 (of 6)
The Flash GIANT #4
Plunge #3 (of 6)
Superman’s Pal Jimmy Olsen #10 (of 12)
Red Hood: Outlaw #45
Wonder Woman #755
Year of the Villain: Hell Arisen #3 (3rd Printing)
New Collected Editions:
Harley Quinn and Poison Ivy
Nightwing: The Gray Son Legacy
Stargirl by Geoff Johns
The Flash by Mark Waid Book Seven
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