Showing posts with label George Lucas. Show all posts
Showing posts with label George Lucas. Show all posts

Saturday, April 26, 2025

A "Star Wars" Link-o-Rama 2025 by Negromancer - UPDATE #12

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.
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NEWS AND RUMORS:

GEORGE LUCAS - From Variety:  At a 45th anniversary event for "The Empire Strikes," George Lucas explains why "Yoda" speaks backward.

COMICS - From BleedingCool:  Marvel has released solicitation information concerning the "Star Wars" titles that it will publish in July 2025.

STARFIGHTER - From StarWars:  The "Star Wars" film to be directed by "Deadpool & Wolverine" director Shawn Levy and to star Ryan Gosling has a title, "Star Wars: Starfighter."  The film, which is set five years after the events of "Star Wars: The Rise of Skywalker," the film will go into production this fall with an anticipated theatrical release date of Memorial Day 2027.

PUBLICATIONS - From StarWars:  "Star Wars Celebration Japan" offered fans a look at covers for upcoming "Star Wars" comic books, manga, novels, artbooks and reference books.

RUMORS - From Variety:  Oscar-winner Mikey Madison ("Anora") has reportedly past on a reported offer to appear in director Shawn Levy's rumored "Star Wars" project starring Ryan Gosling.

EPISODE III - From WorldofReel:  The 20th anniversary release of "Star Wars: Episode III - Revenge of the Sith" is on April 25th. The opening weekend at the domestic box office looks to be around 15+ million dollars.

JOHN BOYEGA - From VarietyJohn Boyega addresses the Sith elephant in the "Star Wars" room.  To racist white fans of "Star Wars," there is no room for a black heroes

OBIT - From Variety:  New Zealand actor of the stage, musical theater, and film and television, Clive Revill, died at the age of 94, Tuesday, March 11, 2025.  He provided the voice of "The Emperor" in the original theatrical release of 1980s' "The Empire Strikes Back."  Revill was twice nominated for a Tony Award, "Best Featured Actor for a Musical" for his role in the original 1961 Broadway production of "Irma La Douce" and "Best Actor in a Musical" for his role in the original 1963 Broadway production of "Oliver!"

ANDOR - From THR:  The acclaimed Disney+ "Star Wars" drama, "Andor," is now also available on Hulu.  The first three episodes are free on the Disney+ "YouTube" channel.  The 12-episode second season debuts exclusively on Disney+ April 22nd.

REY SKYWALKER - From Variety:  The planned "Rey Skywalker" movie now has a writer, George Nolfi, ("The Bourne Ultimatum").  Daisey Ridley will reprise her role as Rey.

FUTURE - From THRRyan Gosling is reportedly in talks to be the star of director Shawn Levy's ("Deadpool & Wolverine") planned "Star Wars" movie.

MARVEL COMICS - From BleedingCool:  Marvel is launching a new flagship "Star Wars" comic book series in May 2025.  This new "Star Wars #1" will debut stories set after the events depicted in the 1983 film, "Star Wars: Return of the Jedi."  It will be written by Alex Segura and drawn by Phil Noto.  According to the press information:  "It's the dawn of the New Republic, and as the dust settles after the Battle of Jakku our rebel heroes — Luke Skywalker, Princess Leia Organa, and Han Solo — find themselves forging a new order as pirates and thieves swarm to fill the power vacuum left behind by the fallen Empire." The series will reintroduce characters like Mon Mothma and Beilert Valance, among others.

MARVEL COMICS - From BleedingCool:  To celebrate "Black History Month," Marvel Comics will celebrate Black "Star Wars" characters with variant covers featuring them on four "Star Wars" titles published in February 2025.

NEW TRILOGY - From Deadline:  Lucasfilm has hired writer-producer-director Simon Kinberg to develop a new "Star Wars" trilogy - Episodes 10, 11, and 12.

From THR:  Related to the Simon Kinberg news, the new trilogy will supposedly focus on the the sequel trilogy star, "Rey Skywalker."

MARVEL COMICS - From BleedingCool:  Marvel will publish a "Star Wars" one-shot comic book, "Star Wars: A New Legacy," in 2025.  It will set up the relaunch of Marvel's ongoing "Star Wars" flagship comic book and also celebrate the tenth anniversary of Marvel regaining the license to publish "Star Wars" titles from Dark Horse Comics. Since then, however, Dark Horse gained a new license to publish "Star Wars" comics for juvenile readers.


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STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:  "Star Wars: The Phantom Menace"
From Negromancer:  "Star Wars: Attack of the Clones"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

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Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Thursday, April 24, 2025

Review: "STAR WARS: EPISODE III - REVENGE OF THE SITH" is Darker Than Ever

TRASH IN MY EYE No. 82 (of 2005) by Leroy Douresseaux

Star Wars: Episode III – Revenge of the Sith (2005)
Running time:  140 minutes (2 hours, 20 minutes)
MPAA – PG-13 for sci-fi violence and some intense images
DIRECTOR:  George Lucas
WRITER:  George Lucas
PRODUCER:  Rick McCallum
CINEMATOGRAPHER:  David Tattersall (D.o.P.)
EDITORS:  Roger Barton and Ben Burtt
COMPOSER:  John Williams
Academy Award nominee

SCI-FI/FANTASY and ACTION/ADVENTURE and WAR/THRILLER

Starring:  Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Jimmy Smits, (voice) Frank Oz, Anthony Daniels, Christopher Lee, Keisha Castle-Hughes, Silas Carson, Ahmed Best, and Kenny Baker

Star Wars: Episode III – Revenge of the Sith is a 2005 American science fiction, war, action, and epic space opera film from writer-director George Lucas.  It is the sixth film in the Star Wars film franchise, which began with 1977's Star Wars.  Revenge of the Sith is chronologically the third film in the “Skywalker Saga,” and is a direct sequel to the second film in the saga, Star Wars: Episode II – Attack of the Clones.  Revenge of the Sith opens near the end of the Clone Wars, as a Jedi Master pursues a new threat, while his former apprentice is lured into a sinister plot for galactic domination.

George Lucas had access to digital cameras, computer generated images, or CGI, and better special effects for his Star Wars prequel trilogy, technology he didn’t have when he made his original trilogy.  Still, after the first two films of the prequel trilogy, it was obvious that the newer series lacked the heart of the original series.  It didn’t seem to resonate with audiences, critics, and hardcore Star Wars fans the way the original had.

That changes with the closing film of the prequel trilogy, Star Wars: Episode III – Revenge of the Sith.  Revenge of the Sith is about three times the film that Episodes I and II are, at least the second half of Sith is.  The first hour gets bogged down in those SFX that Lucas loves so much and that, because of his over reliance on them, hurt the first two prequel films, but this time improved digital photography makes the merger of the real and CGI appear seamless.  Watch this film and you realize that Lucas has learned one thing – make it look so good that they don’t see the smoke dissipating and the mirrors crack.

Star Wars: Episode III – Revenge of the Sith opens three years after the events depicted in Star Wars: Episode II – Attack of the Clones.  The war between the Republic and the separatist’s droid army is at a standstill.  Led by General Grievous, the separatists have laid siege to the Republic’s capitol home world, and Grievous is holding the Republic’s leader, Supreme Chancellor Palpatine (Ian McDiarmid), hostage.  The Jedi heroes, Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen), arrive just in time to rescue the Chancellor.  After Anakin rescues him, the Machiavellian Palpatine, who has always taken an interest in the young Jedi hero, entices Anakin to become closer to him and takes him into his confidence.

As Jedi leaders, Obi-Wan, Yoda (voice of Frank Oz), and Mace Windu (Samuel L. Jackson) try to hold the Republic together and defeat the separatists.  Meanwhile, Anakin begins his journey to the Dark Side, putting his friendship with Obi-Wan and his marriage to his wife, Padmé (Natalie Portman), who is pregnant, at risk.

The CGI (computer generated imagery) and special effects blend in so well with the real actors and (what there is of it) props, better than they have in previous Star Wars films, perhaps because the film was shot using digital cameras.  Don’t know, but I know the film looks darn good.  Beautiful cinematography, riveting battle scenes set deep in space, over great cities, and in exotic alien locales.  Maybe, Lucas decided that Star Wars films work best when they look like the kind of video games that really click with gamers – tight story, but even tighter action.  Don’t let drama get in the way of great duels, spectacular battles, and awesome explosions.

The acting is shaky, and the actors deliver 98 percent of the mediocre dialogue in a mantra-like neutral monotone.  Hayden Christensen waffles between acceptable and lame.  Ewan McGregor is about the same as before.  Samuel L. Jackson and Natalie Portman were better than I’d heard in early reviews of this film (at least to me).  Ian McDiarmid is suave and deliciously evil as the Supreme Chancellor; he’s the great villain as superb cinematic dessert.  Sadly, only the CGI Yoda matches the intensity that McDiarmid brings to his performance as the wicked Palpatine.

I won’t blame it all on the actors because it’s not as if the plot, script, and concept often make sense.  Anakin is lame, unlikable, and whiny.  The Jedi, at least the prequel version, aren’t as bright and as perceptive as one would assume of a group that wields such power; they certainly don’t have their shit together.  Watch them interact with Anakin, and this whole “chosen one” thing just seems like malarkey; he doesn’t act like one, and the rest of the Jedi certainly don’t seem like they know how to handle one or at least monitor one.

Still, in spite of shaky internal logic and the senses-shattering siege of digital glory, Revenge of the Sith is, not only the best of the prequels, it competes with Return of the  Jedi to be the best Star Wars film since The Empire Strikes Back.  It’s fun, and the second half is so thrilling that it makes up for a meandering first half full of overdone effects.  It’s tragic.  It’s dark, and it sweetly unites the prequel trilogy with the original, answering some old questions and justifying some of the revisions Lucas has been putting the original series through for two and a half decades.  It’s a grand finish, and if you’ve ever seen the 1977 film, Star Wars, or any other Star Wars film, then you must also see this one.

I must add that Star Wars: Episode I – The Phantom Menace is my favorite of the prequel films for nostalgic reasons.  It is the only Star Wars film that I watched with a group of friends, whereas I saw the others alone.

It is not that this is a great film, and it’s more skillful than artful.  This is simply the best that a Star Wars prequel film could be.  Star Wars: Episode III – Revenge of the Sith is the one that brings balance to the Force.

8 of 10
A
★★★★ out of 4 stars

May 22, 2005

Reedited and rewritten:  Tuesday, April 22, 2025


NOTES:
2006 Academy Awards, USA:  1 nomination: “Best Achievement in Makeup” (Dave Elsey and Nikki Gooley)

2006 Grammy Awards:  1 nomination: “Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media” (John Williams)


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Tuesday, April 22, 2025

Review: "STAR WARS: EPISODE II - ATTACK OF THE CLONES" is Stuffed with Spectacle

TRASH IN MY EYE No. 93 (of 2003) by Leroy Douresseaux

Star Wars: Episode II – Attack of the Clones (2002)
Running time:  142 minutes (2 hours, 22 minutes)
MPAA – PG for sustained sequences of sci-fi action/violence
DIRECTOR:  George Lucas
WRITERS:  Jonathan Hales and George Lucas; from a story by George Lucas
PRODUCER:  Rick McCallum
CINEMATOGRAPHER:  David Tattersall (D.o.P.)
EDITOR:  Ben Burtt with George Lucas
COMPOSER:  John Williams
Academy Award nominee

SCI-FI/FANTASY and ACTION/ADVENTURE/WAR

Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Christopher Lee, Samuel L. Jackson, Frank Oz (voice), Ian McDiarmid, Temuera Morrison, Jimmy Smits, Ahmed Best (voice), and Anthony Daniels & Kenny Baker

Star Wars: Episode II – Attack of the Clones is a 2002 American science fiction, war, action, and epic space opera film from director George Lucas.  It is the fifth film in the “Star Wars” film franchise, which began with 1977's Star Wars.  Attack of the Clones is chronologically the second film in the “Skywalker Saga,” and is a direct sequel to the first film in the saga, Star Wars: Episode I – The Phantom MenaceAttack of the Clones finds a Jedi Master investigating the mystery behind a secret clone army allegedly created at the behest of the Jedi, while his young Jedi apprentice engages in romance forbidden by the Jedi Order.

What a difference a year makes.  When I first saw Star Wars: Episode II – Attack of the Clones in theaters last year, I hated it.  Now a year later, I’ve watched it on home video, and the movie sure seems a lot better.  Attack of the Clones is the second of three prequels to Star Wars, the 1977 film that had two sequels.  The prequels, of which includes this film and Star Wars: Episode I – The Phantom Menace, are the backstory to Star Wars, what happened before the 1977 film that is now called Star Wars: Episode IV – A New Hope.  For one thing, the plot of Episode II is much better than Episode I’s plot.

Star Wars: Episode II – Attack of the Clones begins something like 10 years after Menace.  Anakin Skywalker (Hayden Christensen) is now the Padawan learner (apprentice) to his master Obi-Wan Kenobi (Ewan McGregor).  The Jedi Council assigns master and student to guard Senator Padme Amidala (Natalie Portman), who has had two close attempts on her life.

While Anakin guards Amidala, Kenobi rushes across the galaxy to track the assassin who targeted her, a bounty hunter named Jango Fett (Temuera Morrison).  Kenobi discovers a mysterious Clone Army supposedly ordered ten years earlier by representatives of the galactic Republic.  That is just the outer strand of an ever-widening web of mystery and intrigue that began with an attempt on Amidala’s life.  Meanwhile, Anakin and Amidala are dangerously falling in love against a backdrop of political turmoil.

There are two holdovers from The Phantom Menace that I had hoped would not make it to Clones, mediocre acting and wooden dialogue.  Although the actors seem more comfortable and there is a tad bit more rhythm to the acting, the performances are still too stiff and formal and the dialogue is delivered in an awkward fashion as if everyone in the cast were rank-amateurs.  Sometimes I get the feeling that director/creator George Lucas thinks he’s making some great sprawling British epic film in the vein of Sir David Lean, so all of his actors’ speeches must be affected.  It just comes across as fake.

The action sequences and fight scenes are good, especially the Yoda (voice of Frank Oz) and Count Dooku (Christopher Lee) lightsaber duel, which has to be seen to be believed.  I never knew Yoda had it in him.  The special effects in The Phantom Menace were impressive, but no thanks to The Matrix, released the same year, the SFX in The Phantom Menace suddenly seemed dated, compared to the revolutionary work in The Matrix.  The SFX are still good in Attack of the Clones, and there is so much of it; sometimes it’s hard to differentiate between what’s live action and what’s computer-generated.  However, Star Wars SFX is no longer as awe-inspiring as it once was; now it comes across as looking like the effects in a really good video game.

The film does have the feel of a sprawling epic, but Lucas’s direction hops around too much.  He seems uncomfortable dealing with emotion and love in his story lines.  He doesn’t have to turn on the waterworks as if this was some Technicolor melodramatic weepy, but he should give the actors enough screen time to make the emotions palatable.  Before any kind of mood can be established, Lucas is racing off to the next battle scene.  He comfortable staging awesome battles filled war machines of the most fantastic and imaginative designs.  However, his “character moments” feel as if he shoehorned them in, if only to remind his audience that this is supposed to be the love story of Anakin and Amidala that would later lead to such tragedy and heartbreak.  Before any heat can generate, he drops the personal moments like soiled diapers and is off to the next videogame-style battle scene.

Still, Star Wars fans should like Star Wars: Episode II – Attack of the Clones (which Disney renamed Star Wars: Attack of the Clones) for the most part, and I imagine that it will hold up over time.  I know Star Wars fans always have such high hopes.  However, after the first two prequels, I think we should understand that the films are meant simply to enforce brand awareness and sell merchandise.  Any pretense to cinematic art is just that – a pretense...

6 of 10
B
★★★ out of 4 stars

RE-edited with some rewriting:  Monday, April 21, 2025


NOTES:
2003 Academy Awards, USA:  1 nomination: “Best Visual Effects” (Rob Coleman, Pablo Helman, John Knoll,and Ben Snow)


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Tuesday, December 10, 2024

A "Star Wars" Link-o-Rama 2024 by Negromancer - UPDATE #25

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

NEWS AND RUMORS:

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.
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NEWS:

MARVEL COMICS - From BleedingCool:  To celebrate "Black History Month," Marvel Comics will celebrate Black "Star Wars" characters with variant covers featuring them on four "Star Wars" titles published in February 2025.

NEW TRILOGY - From Deadline:  Lucasfilm has hired writer-producer-director Simon Kinberg to develop a new "Star Wars" trilogy - Episodes 10, 11, and 12.

From THR:  Related to the Simon Kinberg news, the new trilogy will supposedly focus on the the sequel trilogy star, "Rey Skywalker."

MARVEL COMICS - From BleedingCool:  Marvel will publish a "Star Wars" one-shot comic book, "Star Wars: A New Legacy," in 2025.  It will set up the relaunch of Marvel's ongoing "Star Wars" flagship comic book and also celebrate the tenth anniversary of Marvel regaining the license to publish "Star Wars" titles from Dark Horse Comics. Since then, however, Dark Horse gained a new license to publish "Star Wars" comics for juvenile readers.

AHSOKA - From THR:  In an article, "Is Disney Bad at Star Wars? An Analysis," we learn that a second season of "Star Wars: Ahsoka" is in development.

OBITUARY - From StarWars:  The "Star Wars" website remembers the voice of "Darth Vader," Emmy and Tony-winning actor, James Earl Jones, who passed away yesterday (Mon., Sept. 9th). The release also includes a statement from "Star Wars" creator, George Lucas.

THE ACOLYTE - From Deadline:  There will not be a second season of "The Acolyte," per information obtained by "Deadline."

PUBLISHING - From ComicsBeat:  Multiple publishers gather at the San Diego Comic-Con panel, "Star Wars: Stories from a Galaxy Far, Far Away," to discuss publishing plans for 2024-25.

THE ACOLYTE - From Deadline: As the debut of the Lucasfilm Disney+ series, "Star Wars: The Acolyte" arrives, Lucasfilm CEO Kathleen Kennedy says that "storytelling needs to be representative of all people." That means she ain't here for your whining about "woke."

GEORGE LUCAS - From DeadlineStar Wars creator George Lucas was fêted with an Honorary Palme d’Or at this evening’s closing ceremony of the 2024 / 77th Cannes Film Festival closing ceremony.  Lucas' longtime friend, collaborator, and mentor, Francis Ford Coppola, joined him on stage. This article includes video footage of the rapturous applause Lucas received.

From CBR:  At the 77th Cannes Film Festival, George Lucas explained in an interview why he sold Lucasfilm and Star Wars to the Walt Disney Company.

THE MANDALORIAN - From THR:  Oscar-nominated actress Sigourney Weaver is in talks to join the "Star Wars" film, "The Mandalorian & Grogu." It will be the first Star Wars movie to go into production since "Star Wars: The Rise of Skywalker."

EPISODE I - From Space:  "Star Wars: Episode I - The Phantom Menace" has returned to movie theaters in celebration of the 25th anniversary of its original theatrical release.  During the first weekend of its return to theaters, the film took in 8.1 million dollars in 2,700 domestic theaters, including 150 premium screens and 130 specialty motion D-Box/4D auditoriums.  The movie includes an exclusive look at the upcoming Disney+ Star Wars series, "The Acolyte."

DAWN OF THE JEDI - From THR:  Oscar and Emmy-nominated writer Beau Willimon ("House of Cards") will write the screenplay for the "Star Wars" film, "Dawn of the Jedi," which is scheduled to be directed by James Mangold

OBIT - From DeadlineDianne Crittenden, the casting director for the original "Star Wars," has died at the age of 82, Tuesday, March 19th, 2024.  Over her 40 year career, Crittenden was the casting director on three of Terrence Malick's films, including his first, "Badlands."  Her works includes such films as "On Golden Pond," "Witness," and "Spider-Man 2."

THE ACOLYTE - From Deadline:  The new Lucasfilm "Star Wars" series, "Star Wars: The Acolyte," is set to debut on Disney+ June 4th.  The series, which is led by Amandla Stenberg, is set in the final days of the "High Republic" era.

LANDO - From Deadline:  What would it take for Billy Dee Williams to return to "Star Wars?"  "Pay me a lot of money," he says.

OBIT - From Variety:  Voice actor Mark Dodson has died at the age of 64, Saturday, March 2, 2024.  Dodson performed a voice role in three "Star Wars" productions.  Dodson voiced "Salacious Crumb" in "Star Wars: Return of the Jedi" (1983).  He performed "voice characterizations" in the ABC television film, "Ewoks: The Battle for Endor" (1985).  He voiced "Niima Scavenger" in "Star Wars: Episode VII – The Force Awakens" (2015).  Dodson also provided vocal effects for some of the "Mogwai" in "Gremlins" (1984) and "Gremlins 2: The Next Batch" (1990).

THE ACOLYTE - From Collider:  "The Acolyte" is a Disney+ series set 100 years before "Star Wars: Episode I - The Phantom Menace" during the "High Republic" era.  "Collider" is reporting that the series will hit Disney+ Summer 2024.

THE MANDALORIAN - From THRGina Carano used her social media posts to be fired from her role as "Cara Dune" from the Lucasfilm/Disney+ series, "The Mandalorian."  Now, she is suing Disney for discrimination and wrongful termination and Elon Musk and Twitter/X is helping to fund the lawsuit.  One of the remedies of her lawsuit is that Disney be forced to recast her in "The Mandalorian."

OBIT - From StarWars:  There has been a death in the Lucasfilm family.  Emmy Award-nominee, Carl Weathers, died at the age of 76, Thursday, February 1, 2024.  With the launch of The Mandalorian on Disney+, Weathers joined the "Star Wars" family as Greef Karga — an expeditor for the Bounty Hunter Guild who rises to become Magistrate of Nevarro, and ally to the Mandalorian and Grogu.  Weathers would receive an Emmy Award nomination for his performance. In addition, Weathers directed the critically-acclaimed episodes, “Chapter 12: The Siege” and "Chapter 20: The Foundling."

MARVEL - From BleedingCoolDarth Maul will be the star of a four-issue comic book miniseries from Marvel Comics, entitled "Star Wars: Darth Maul - Black, White & Red." The fun starts April 25th, 2024.

From BleedingCool:  Comic book writer Charles Soule says he has big plans for Marvel's current "Star Wars" comic book, culminating in a big reveal in "Star Wars #50."

AHSOKA - From Variety:  Lucasfilm has confirmed that series creator, Dave Filoni, is working on a second season of the Disney+ series, "Ahsoka," starring Rosario Dawson.

THE MANDALORIAN - From DeadlineLucasfilm announced the news of a new Star Wars film, "The Mandalorian & Grogu," which will be directed and produced by "The Mandalorian" creator, Jon Favreau.  Details as to the film's plot are being kept secret, but production will begin sometime this year. In addition to Favreau, producers of the project include Kathleen Kennedy and Dave Filoni.

NEW JEDI ORDER - From ScreenRant:  Director Sharmeen Obaid-Chinoy teases "Star Wars: New Jedi Order." Production could begin soon with Daisy Ridley confirmed to return as "Rey Skywalker" in a story set 15 years after the events of Star Wars: Rise of Skywalker.  Obaid-Chinoy says, “I’m very thrilled about the project because I feel what we’re about to create is something very special. And we’re in 2024 now, and it’s about time that we had a woman come forward to shape a story in a galaxy far, far away.”

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STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:   "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

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Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Saturday, March 23, 2024

Negromancer News Bits and Bites from March 17th to 23rd, 2024 - UPDATE #15

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

ENTERTAINMENT AND CULTURE NEWS:

NEWS - From CNN:  ISIS has claimed responsibility for an attack at a popular concert hall complex, "Crocus City Hall," near Moscow on Friday, March 22nd, after assailants stormed the venue with guns and incendiary devices.  The death toll has risen to 115 people, with at least 145 injured.

MEDIA - From Variety:  What happens to Paramount Global if it is sold? What happens if it is sold in pieces?

MOVIES - From THR:  Recent Oscar winner, Da'Vine Joy Randolph ("The Holdovers"), is in talks to to join a musical in development at Universal from director Michel Gondry and producer Pharrell Williams that has Kelvin Harrison Jr. attached to star. The untitled coming-of-age project is said to be inspired by Williams’ formative years growing up in Virginia Beach in the 1970s.

EMMYS - From Variety:  The site offers some early prediction for the 2024 / 76th Primetime Emmy Awards, which is currently scheduled for September 15, 2024.  The nominations will be announced July 17, 2024.

MOVIES - From WorldofReel:  Earlier this year, director Ryan Coogler (Fruitvale Station) put up for a bid a film project starring his frequent collaborator, Michael B. Jordan (Creed).  Rumors suggest the film will focus on a battle between vampires and the Ku Klux Klan of the 1960s.  The film is due in theaters March 7, 2025 from Warner Bros.

DISNEY/TRAILER - From THR:  Director Fede Alvarez says that both Ridley Scott (director of "Alien") and James Cameron (director of Aliens) have seen his upcoming franchise film, "Alien: Romulus."  There is a teaser trailer for the film, which is due in theaters August 16th.

MOVIES - From EW:  "Entertainment Weekly" has a first look at Michael Keaton and other cast members of the Beetlejuice sequel, "Beetlejuice Beetlejuice."  The article also has some quotes from director Tim Burton.

DISNEY - From Variety:  "Star Wars" mastermind, George Lucas, Disney’s largest individual shareholder, has come out with a statement supporting Disney’s board and CEO Bob Iger, urging Disney investors to reject bids by two activist investor groups to take seats on the media company’s board.

MOVIES - From FandomWire:  Rumors say that actor Aaron Taylor-Johnson has been offered the chance to be the next "James Bond."  Taylor-Johnson says "I find it charming and wonderful that people see me in that role.

MUSIC - From RollingStone:  The venerable magazine reports on "Suno," the AI music generator, a so-called ChatGPT for music.  There is also an example of what Suno can do, an unsettling Delta blues song.

MOVIES - From THR:  Director Rian Johnson (Knives Out) and his production company, T-Shirt, with partner, Ram Bergman, has signed a two-film deal with Warner Bros.

ANIMATION - From Deadline:  Emmy winners, Bill Hader and Quinta Brunson, will lead Warner Bros. Animation's "The Cat in the Hat," which is due in theaters March 26, 2026.

DISNEY - From Deadline:  Disney's recent animated film, "Wish," will debut on Disney+ April 3rd.

CANNES - From Deadline:  The site looks at the English-language films seeking to make a splash at the 2024 / 77th Cannes Film Festival.

BOX OFFICE - From BoxOfficePro:  The winner of the 3/15 to 3/17/2024 weekend box office is Universal Pictures/DreamWorks Animation's "Kung Fu Panda 4" with an estimated take of 30 million dollars.

NAACP/BLM - From Deadline:  The 2024 / 55th Annual NAACP Image Awards came to a close.  Grammy-winning recording artist, Usher, won the "Entertainer of the Year."  "The Color Purple" continued with wins in the category of "Outstanding Motion Picture," "Outstanding Actress in a Motion Picture" (Fantasia Barrino), "Outstanding Supporting Actor in a Motion Picture" (Coleman Domingo), "Outstanding Supporting Actress in a Motion Picture" (Taraji P. Henson).  The film also won in five other categories.

ANIMATION - From CartoonBrew:  According to reports, DreamWorks Animation is going to let go of hundreds of its staffers, and some departments will be cut by half or more.  DreamWorks Animation COO Randy Lake won't say people are being "laid off," but this "downsizing" will occur because many staffers will not have their contracts renewed.

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AWARDS:

NAACP/BLM - From Deadline:  The 2024 / 55th Annual NAACP Image Awards came to a close.  Grammy-winning recording artist, Usher, won the "Entertainer of the Year."  "The Color Purple" continued with wins in the category of "Outstanding Motion Picture," "Outstanding Actress in a Motion Picture" (Fantasia Barrino), "Outstanding Supporting Actor in a Motion Picture" (Coleman Domingo), "Outstanding Supporting Actress in a Motion Picture" (Taraji P. Henson).  The film also won in five other categories.

From THR:  Key award season dates leading up to the 2024 / 96th Academy Awards, which are Sunday, March 10th, 2024.

From Variety:  The winners at the 2024 / 96th Academy Awards were announced.  "Oppenheimer" took the lead with seven wins, including "Best Picture," "Best Director" (Christopher Nolan), "Best Actor" (Cillian Murphy), and "Best Supporting Actor" (Robert Downey, Jr.).

From Variety: The nominations for the 2024 / 96th Academy Awards have been announced.  "Oppenheimer" leads with 13 nominations, and "Poor Things" follows with 11.  The winners will be announced Sun., March 10th, 2024.

From Variety:  The Producers Guild of America has announced the winners for the 2024 / 35th Annual Producers Guild Awards.  "Oppenheimer" has won the top prize, the "Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures."

From Deadline:  The winners at the 2024 / 77th BAFTA Film Awards have been announced.  "Oppenheimer" wins seven awards, including "Best Film," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From THR:   The Directors Guild of America has announced the winners at the 2024 / 76th DGA Awards.  Christopher Nolan won the top category, "Outstanding Directorial Achievement in Theatrical Feature Film of 2023," for his work on his blockbuster film, "Oppenheimer."

From Deadline:  The winners at the 2024 / 51st Annie Awards have been announced.  "Spider-Man: Across the Spider-Verse" won six, including "Best Feature."  Its predecessor, "Spider-Man: Into the Spider-Verse" also won six categories, including "Best Feature."

From AwardsWatch:  The NAACP has announced the nominees for the 2024 / 55th NAACP Image Awards.  By visiting www.naacpimageawards.net, the public can vote to determine the winners of the 55th NAACP Image Awards’ in select categories. Voting closes February 24th at 9:00 p.m. NAACP will also recognize winners in non–televised Image Awards categories March 11–14th, which will stream via naacpimageawards.net.  The winners will be revealed during the two–hour LIVE TV special, airing Saturday, March 16, 2024 at 8:00 PM ET/ PT on BET and CBS.

From THR:  The Art Directors Guild (IATSE Local 800) has announced the winners at the 28th Art Directors Guild Awards.  "Poor Things," "Oppenheimer," and "Saltburn" win top prizes.

From Deadline:  The nominations for the 2024 Writers Guild Awards have been announced. The winners will be announced on April 14th, more than a month after the Oscars.

From Variety:  The nominations for the 2024 / 77th EE BAFTA Film Awards have been announced.  "Oppenheimer" leads with 13 nominations, and "Poor Things" follows with 11 nominations.  The winners will be announced Feb. 18th.

From Variety:  The Producers Guild of America has announced the nominees for the 2024 / 35th annual Producers Guild Awards.  For the first time in the history of the awards, two international films, "Anatomy of a Fall" and "The Zone of Interest," have made been nominated in the PGA's top category, "Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures." The winners will be announced Feb. 25th.

From Variety:   The nominees for the 2024 / 51st Annie Awards have been announced.  Netflix's "Nimona" leads the features categories with nine nominations.  The winners will be announced Sat., Feb. 17th.

From Deadline:  The Screen Actors Guild nominations for the 2024 / 30th annual SAG Awards have announced. "Barbie" and "Oppenheimer" leads the film side of things with four nominations apiece.  The winners will be announced Saturday, Feb. 24th.

From AwardsWatch:  The Latino Entertainment Journalists Association has announced the 6th Annual LEJA Awards.  "Past Lives" won "Best Picture."  Actor Coleman Domingo won "Best Actor" for his role in "Rustin" and "Best Supporting Actor" for his role in "The Color Purple."

From AwardsWatch:  The Vancouver Film Critics Circle has announced its 2023 film awards.  "Anatomy of a Fall" won "Best Picture."

From Variety:  The Directors Guild of America has announced the nominations for the 2024 / 76th DGA Awards.  In the top category, "Outstanding Directorial Achievement in Theatrical Feature Film of 2023," the nominees are Greta Gerwig for "Barbie," Christopher Nolan for “Oppenheimer,” Martin Scorsese for “Killers of the Flower Moon,” Yorgos Lanthimos for “Poor Things,” and Alexander Payne for “The Holdovers.”  The winners will be announced Feb. 10th.

From AwardsWatch:  The London Critics Circle announced the winners of its 44th annual film awards. "The Zone of Interest" won three awards, including "Film of the Year" and "Best Director" (Jonathan Glazer).

From AwardsWatch:  The Kansas City Film Critics Circle (KCFCC) has won the 2023 film awards.  "Oppenheimer" won six awards, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy tied with Paul Giamatti for "The Holdovers").

From Variety:  The American Cinema Editors has announced the nominees for the 2024 / 74th Annual ACE Eddie Awards.  The winners will be announced March 3rd, 2024.

From AwardsWatch:  The Online Film Critics Society (OFCS) has named its 2023 film awards. "Oppenheimer" won eight awards, including "Best Picture" and "Best Director" (Christopher Nolan).

From AwardsWatch:  The Houston Film Critics Society (HFCS) has announced its 2023 films awards.  "Poor Things" won three awards, including "Best Picture."

From AwardsWatch:  The Chicago Indie Critics (CIC) has announced its 2023 films awards.  "Oppenheimer" won seven awards, including "Best Studio Film." Celine Song's "Past Lives" won three, including "Best Independent Film."

From Variety:  The Motion Picture Sound Editors has revealed the nominations for the 71st annual MPSE Golden Reel Awards in categories spanning feature film, television, animation, computer entertainment and student productions.  The winners will be announced March 3rd.

From AwardsWatchThe Iowa Film Critics Association (IFCA) has announced its 2023 film awards.  Alexander Payne's "The Holdovers" won four awards, including "Best Picture."

From Variety:  The Visual Effects Society has announced the nominations for the 2024 / 22nd Annual VES Awards have been announced.  The winners will be announced Feb. 21st.

From AwardsWatch:  The North Dakota Film Society (NDFS) has announced its 2023 films awards.  "Oppenheimer" won nine awards, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From AwardsWatch:  The Music City Film Critics Association has announces it MCFCA 2023 Film Awards.  Oppenheimer won seven awards, including "Best Picture" and "Best Director" (Christopher Nolan).

From AwardsWatch:  The Portland Critics Association (PCA) has announced its 2023 films awards.  "Oppenheimer" won nine awards, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From Deadline:  The African-American Film Critics Association (AAFCA) announced the 15th annual African-Ameri an Film Critics Awards. "American Fiction" was voted the #1 film and won four awards, including "Best Comedy." Ava DuVernay's "Origin" was voted the #2 film and won three awards, including "Best Drama." 

From Deadline:  The winners of the 2024 / 29th Annual Critics Choice Awards have been announced.  "Oppenheimer" won eight awards, including "Best Picture" and "Best Director" (Christopher Nolan).

From AwardsWatch:  The Hawaii Film Critics Society (HFCS) has announced its 2023 films awards.  "Barbie" wins four awards, including "Best Picture."

From AwardsWatch:  The Denver Film Critics Society (DFCS) has announced the winners of its 2023 films awards.  "Oppenheimer" won four awards, including "Best Film," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From AwardsWatch:  The American Society of Cinematographers (ASC) revealed the nominees for the "2024 / 38th Annual ASC Awards" with categories in feature film, documentary, television and music video categories.  The winners will be announced March 3rd, 2024.

From AwardsWatch:  The Austin Film Critics Association (AFCA) has announced its 2023 film awards.  "Killers of the Flower Moon" won "Best Picture."

From AwardsWatch:  The Seattle Film Critics Society (SFCS) announced the winners in 21 categories for the 2023 Seattle Film Critics Society Awards.  Director Celine Song’s "Past Lives" was named the "Best Picture of 2023."

From AwardsWatch:  The Cinema Audio Society (CAS) has announced the nominations for the 60th CAS Awards.  The winners will be announced March 2nd.

From AwardsWatch:  The Art Directors Guild (IATSE Local 800) has announced the nominations for the 28th Art Directors Guild Awards. The winners will be announced Feb. 10th.

From AwardsWatch:  The Hollywood Creative Alliance (HCA) has announced it 2024 ASTRA Film Awards.  "Barbie" won eight awards, including "Best Picture.

From AwardsWatch:  The Greater Western New York Film Critics Association (GWNYFCA) has announced its 2023 film awards.  "Past Lives" was named "Best Picture."

From NSFC:  The National Society of Film Critics announce its 58th annual NSFC Awards.  "Past Lives" was named "Best Picture of 2023."

From Deadline:  The 2024 / 81st Golden Globes Awards ceremony was held Sun. night, Jan. 7th, 2024.  "Oppenheimer" won five awards, including "Best Motion Picture-Drama," "Best Director" (Christopher Nolan), "Best Actor-Drama" (Cillian Murphy), and "Best Supporting Actor-Motion Pictures" (Robert Downey, Jr.). "Poor Things" won "Best Motion Picture-Musical or Comedy."

From Deadline:  NIGHT 2 of the 75th Creative Arts Emmys took place Sun., Jan. 7th, 2024.  (Former) President Barack Obama and Keke Palmer were among the winners.

From Deadline:  NIGHT 1 of the 75th Creative Arts Emmys took place Sat., Jan. 6th, 2024.  HBO's "The Last of Us" lead the night with 8 wins, including wins in both "Guest Actor in a Drama Series" categories: Nick Offerman (Guest Actor) and Storm Reid (Guest Actress).

From AwardsWatch:  The 5th annual DiscussingFilm Critics Awards were announced.  "Oppenheimer" won eight awards, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From AwardsWatch:   The Utah Film Critics Association (UFCA) has announced its 2023 film awards. "Past Lives" won three awards, including "Best Picture" and "Best Director" (Celine Song).

From AwardsWatch:  The Georgia Film Critics Association (GFCA) has announced its 2023 film awards.  "Oppenheimer" won seven honors, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From AwardsWatch:  The San Francisco Bay Area Film Critics Circle (SFBAFCC) has announced its 2023 film awards.  "Oppenheimer" was named "Best Picture."

From AwardsWatch:  The Columbus Film Critics Association (COFCA) has announced its 2023 film awards.  "Killers of the Flower Moon" won six awards including "Best Film" and "Best Director" (Martin Scorsese).

From AwardsWatch:  The Costume Designers Guild (Local 892) announced the official nominees list for the 26th CDGA (Costume Designers Guild Awards). The annual CDGA ceremony will take place Wed., Feb. 21st, 2024.

From Variety:   The British Academy has unveiled the results of the first round of voting across all 24 categories for the 2024 / 77th BAFTA Film Awards.  These results are known as "the longlists."  "Barbie," "Killers of the Flower Moon," and "Oppenheimer" all appeared on the longlist of 15 categories.  The nominations will be announced Jan. 18th, and the winners will be announced Feb. 18th.

From AwardsWatch:  The Oklahoma Film Critics Circle (OFCC) has announced its 2023 film awards.  "Killers of the Flower Moon" won five awards, including "Best Film," "Best Director" (Martin Scorsese), and "Best Actress" (Lily Gladstone).

From AwardsWatch:  The Critics Association of Central Florida (CACF) has announced the winners of its 2023 films awards.  "Oppenheimer" won 10 awards, including "Best Picture" and "Best Director" (Christopher Nolan). 

From AwardsWatch:  U.K. Film Critics Association (UKFCA) has announced the winners of its 2023 films awards.  "Oppenheimer" won three awards: "Best Film," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From VarietyThe Make-Up Artists & Hair Stylists Guild (MUAHS, IATSE Local 706) has announced nominations for the 11th MUAHS Guild AwardsGuardians of the Galaxy Vol. 3 led with five mentions in the film categories and ABC's "Dancing with the Stars" led with four in the television categories. The winners will be announced Sunday, February 18, 2024.

From AwardsWatch:  The Nevada Film Critics Society has announced its 2023 film awards.  "Oppenheimer" won five awards, including "Best Picture" and "Best Director" (Christopher Nolan).

From AwardsWatch:  Florida Film Critics Circle (FFCC) has announced its 2023 film awards.  Hayao's Miyazaki's anime film, "The Boy and the Heron" was named "Best Picture."

From AwardsWatch:  The Black Film Critics Circle (BFCC) has announced its 2023 films awards.  "American Fiction" won six awards, including "Best Picture," "Best Director" (Cord Jefferson), and Best Actor (Jeffrey Wright).

From AwardsWatch:  The San Diego Film Critics Society (SDFCS) has announced its 2023 film awards.  Always trying to be difficult, it named "Are You There God? It's Me, Margaret" the "Best Picture."  It named Martin Scorsese "Best Director" for "Killers of the Flower Moon."

From AwardsWatch:  The Dublin Film Critics Circle has announced its 2023 film awards.  "Past Lives" wins "Best Film" and "Best Director" (Celine Song)"

From AwardsWatch:  The North Texas Film Critics Association (NTFCA) has announced its 2023 films awards.  "Oppenheimer" wins five awards, including "Best Picture" and "Best Director" (Christopher Nolan).

From AwardsWatch:  The Southeaster Film Critics Association (SEFCA) has announces its 2023 films awards.  "Oppenheimer" won eight awards including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy).

From AwardsWatch:  The Indiana Film Journalists Association (IFJA) has announced its 2023 films awards.  "Poor Things" won six awards, including "Best Pictuere," "Best Director" (Yorgos Lanthmos), "Best Actress" (Emma Stone"), and "Best Supporting Actor" (Mark Ruffalo).

From AwardsWatch:  The Philadelphia Film Critics Circle (PFCC) has announced it 2023 film awards.  "Poor Things" won four awards, including "Best Picture," "Best Director" (Yorgos Lanthimos), and "Best Actress" (Emma Stone).

From AwardsWatch:  The St. Louis Film Critics Association (StLFCA) has announced its 2023 awards.  "Oppenheimer" won seven awards, including "Best Picture," "Best Director" (Christopher Nolan), and "Best Actor" (Cillian Murphy)

From AwardsWatch:  The Phoenix Film Critics Society (PFCS) has named its 2023 film awards.  "Killers of the Flower Moon" wins "Best Picture."  Oppenheimer wins six, including "Best Director" for Christopher Nolan.

From AwardsWatch:  The Dallas-Ft. Worth Film Critics Association (DFWFCA) has named its 2023 films awards.  "The Holdovers" wins "Best Picture."  "Oppenheimer" wins four, including "Best Director" for Christopher Nolan.

From AwardsWatch:  The Toronto Film Critics Association (TFCA) have announced their 2023 film awards.  "The Zone of Interest" wins "Best Picture" and "Best Director" (for Jonathan Glazer).

From AwardsWatch:  The 2023 Boston Online Film Critics Association (BOFCA) awards have been announced.  "Killers of the Flower Moon" wins "Best Picture," one of two awards its won.  "Oppenheimer" wins five, including a "Best Director" for Christopher Nolan.

From AwardsWatch:  The nominations for the 2024 / 24th annual Black Reel Awards have been announced.  "The Color Purple" leads with 19 nominations.  The winners will be announced Jan. 16th, 2024.

From AwardsWatch:  The Phoenix Critics Circle (PCC) has announced its 2023 film awards.  "Past Lives" wins "Best Picture."

From AwardsWatch:  The New York Film Critics Online (NYFCO) have named "Killers of the Flower Moon" the "Best Film" of 2023.  Christopher Nolan wins "Best Director" for "Oppenheimer."

From AwardsWatch:  The Las Vegas Film Critics Society have named "Oppenheimer" the "Best Picture" of 2023, with the film's director, Christopher Nolan, winning "Best Director."

From AwardsWatch:  The winners at the 2023 Chicago Film Critics Association Awards have been announced.  "Killers of the Flower Moon" wins "Best Picture," and Christopher Nolan wins "Best Director" for "Oppenheimer."

From THR:   The winners at the 2023 / 49th annual Los Angeles Film Critics Association Awards have been announced.  The Holocaust historical drama, "The Zone of Interest," wins four awards, including "Best Picture," "Best Director" (Jonathan Glazer), and "Best Actress" (Sandra Huller).

From Deadline:  The nominations for the 2024 / 29th annual Critics Choice Awards have been announced. "Barbie" leads with 18 nominations.

From Deadline:  The nominations for the 2024 / 81st annual Golden Globe Awards have been announced.  The winners will be announced Jan. 7th, 2024 on CBS and Paramount Plus.

From AwardsWatch:  The Las Vegas Film Critics have announced their 2023 LVFC Awards nominations.  "Barbie" and "Oppenheimer" are the leading vote getters.  The winners will be announced Wed., Dec. 13th.

From THR:  The winners at the 2023 European Film Awards have been announced.  "Anatomy of a Fall" won five awards including for "Best Film," "Best Director" (Justine Triet), and "Best Actress" (Sandra Huller).

From AwardsWatch:  The 2023 National Board of Review film honors have been announced.  "Killers of the Flower Moon" won "Best Film," "Best Director" (Martin Scorsese), and "Best Actress" (Lily Gladstone).

From AwardsWatch:  The American Film Institute (AFI) names its top ten films: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, May December, Oppenheimer, Past Lives, Poor Things, and Spider-Man: Across the Spider-Verse.  It also names its top ten television series: Abbott Elementary, The Bear, Beef, Jury Duty, The Last of Us, The Morning Show, Only Murders in the Building, Poker Face, Reservation Dogs, and Succession.

From AwardsWatch:  "Barbie" and "Oppenheimer" lead the nominations for "Astra Film & Creative Arts Awards," which are put on by the "Hollywood Creative Alliance" (formerly known as the Hollywood Critics Association).  The winners will be announced Jan. 6th, 2024 in Los Angeles.

From Deadline:  At the 2023 / 26th British Independent Film Awards, director Andrew Haigh's "All of Us Strangers" won seven awards, including "Best British Independent Film."

From Variety:  The winners at the 2023 / 89th New York Film Critics Circle Awards have been announced.  "Killers of the Flower Moon" (directed by Martin Scorsese) was named "Best Film of 2023."  Christopher Nolan won "Best Director" for his film, "Oppenheimer."

From Variety:  The winners at the 2023 / 33rd Annual Gotham Awards were announced Mon., Nov. 27th.  Writer-director Celine Song's South Korean romantic drama, "Past Lives" won the "Best Feature" award.

BEST PICTURE COUNT:
All of Us Strangers: 1
American Fiction: 2
Anatomy of a Fall: 2
Barbie: 2
The Boy and the Heron: 1
The Holdovers: 2
Killers of the Flower Moon: 9
Oppenheimer: 24
Past Lives: 9
Poor Things: 4
The Zone of Interest: 3

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Thursday, September 28, 2023

Review: "American Graffiti" is Still Crusin' to Rock 'n' Roll 50 Years On

TRASH IN MY EYE No. 45 of 2023 (No. 1934) by Leroy Douresseaux

American Graffiti (1973)
Running time:  110 minutes (1 hour, 50 minutes)
MPAA – PG
DIRECTOR:  George Lucas
WRITERS:  George Lucas and Gloria Katz & Willard Huyck
PRODUCERS:  Francis Ford Coppola and Gary Kurtz
CINEMATOGRAPHERS:  Jan D'Alquen (D.o.P.) and Ron Eveslage (D.o.P.)
EDITORS:  Verna Fields and Marcia Lucas
Academy Award nominee

DRAMA/HISTORICAL/MUSIC

Starring:  Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Wolfman Jack, Bo Hopkins, Manuel Padilla Jr., Beau Gentry, and Harrison Ford

American Graffiti is a 1973 coming-of-age, music-driven, comedy and drama film directed by George Lucas.  Lucas, who co-wrote the screenplay with the husband and wife team of Willard Huyck and Gloria Katz, based the story on his experiences in the cruising, and street-racing, and rock 'n' roll cultures of his youth.  American Graffiti focuses on a group of teenagers and their adventures over the course of one summer night in 1962.

American Graffiti opens in the Summer 1962.  The location is California's central valley, apparently in and around the city of Modesto.  There, through a series of vignettes, we watch as a group of teenagers enjoy the last evening of their summer vacation.

For recent high school graduates and friends, Curtis “Curt” Henderson (Richard Dreyfuss) and Steve Bolander (Ronny Howard), this is their last night in town before they board a plane the next day and go “back east” for college.  Steve doesn't believe that he can achieve the goals his wants by staying home, even if leaving means parting from his girlfriend, Curt's sister, Laurie (Cindy Williams).  However, Curt, who has recently received scholarship money from a local business group, isn't sure that he wants to leave.  Besides, tonight, he wants to chase the mystery woman who has caught his eye, a blonde driving a white Ford Thunderbird.

Curt and Steve's two friends are also having a big night.  The first is John Milner (Paul Le Mat), the central valley drag-racing king.  He has just learned that someone wants to challenge him for his crown, a confident ladies' man named Bob Falfa (Harrison Ford).  Meanwhile, the second character is the unpopular, but well-meaning Terry “The Toad” Fields (Charlie Martin Smith), who has just come into possession of Steve's car.  He is supposed to protect it until Steve returns from “back east” for Christmas.  Tonight, however, Terry hopes the car will help him land a date.  Meanwhile, in the background, the popular disc jockey, Wolfman Jack (himself), plays an array of rock 'n' roll hits.

As “DVD Netflix” prepares to shutdown, I've been racing to catch up on certain films that I have never seen or have not seen in a long time.  I recently decided to sample some films in which 2023 is the fiftieth anniversary of their original theatrical releases.  That includes such films as Walt Disney's Robin Hood, (hopefully)Woody Allen's Sleeper, and the Bruce Lee classic, Enter the Dragon.

As a kid, I was aware of American Graffiti long before I ever saw it.  I was and still am a huge fan of American Graffiti director, George Lucas's most famous film, Star Wars (1977).  So, as a kid, I read every article I could find about Star Wars, and they often mentioned his two earlier feature-length films, THX-1138 (1971) and American Graffiti.  [I also vaguely remember the release of the sequel, More American Graffiti.]

I also knew that a few film and television stars that I liked had starred or appeared in American Graffiti, specifically Richard Dreyfuss, Ron Howard, and Harrison Ford.  Besides that fact that American Graffiti was a George Lucas movie, Ford was the other reason I most wanted to see the film.

I finally first saw American Graffiti on television, and though my memory is hazy on the facts, I'm sure I saw it at least a few years after the release of the sequel.  I remember liking it, enough that I planned on watching it again.  Decades later, this recent viewing is the first time that I've seen the film since that first viewing.

I still like it a lot.  I'm still a fan of Ford, Howard, and Dreyfuss, and along the way, I became a fan of some of its other young stars, including Charles Martin Smith, Cindy Williams, and the recently-deceased Bo Hopkins (1938-2022).  The truth is that I'm crazy about the Hollywood icon, Harrison Ford, and, as for as I'm concerned, any movie with Ron Howard and Charles Martin Smith as actors is cinematic porn.  [Both Howard and Smith are also film directors.]

Watching the film this time, I was initially annoyed by Lucas' method of telling this story in a series of vignettes that constantly moved from one character to the next.  The film essentially has four plots that revolve around one of four characters, Curt, Steve, John, or Terry.  It took me nearly half the film to realize that the vignettes allow Lucas to depict and to reveal each one of these four young men's goals, conflicts, and fears.  This depiction of their inner selves makes them more interesting to me.  Not only did I root for them, but I also wanted to know more about them.  I wanted to know what was going to happen to them, both in the immediate and far future.

American Graffiti apparently helped launch a wave of nostalgia for and interest in the culture and times of the 1950s and early 1960s or at least an idealized, trouble free, white-washed version of it.  The film apparently renewed the ABC network's interest in what would become one of its most popular sitcoms, “Happy Days” (1974-84).  That long-running and popular television series also presented an idealized, trouble free, white-washed version of the 1950s and early 1960s.

Thus, as much as I enjoyed this viewing of American Graffiti, and as much as I'm interested in its characters, I done with it.  I'm not done with its lovely soundtrack – played in the background so that both the characters and audiences can hear these early classics of rock 'n' roll.  These musical recordings make this special night in the summer of 1962 really special.  Still, American Graffiti is an ode to George Lucas' memories.  It is a cinematic dream he fashioned from the varied experiences of his privileged youth.  I don't really relate to it the way I do other films that are also far from my experiences – such as The Best Years of Our Lives (1946) or Licorice Pizza (2021).

I wouldn't call American Graffiti a great film, so much as I'd call it a unique and important American film.  Why is it important?  Well, American Graffiti is a prime example of the fantasies that the Hollywood dream factory can make of real moments in time.  It's George Lucas' story – his story – presented as a fairy tale about one unforgettable night that will never be repeated.

8 of 10
A
★★★★ out of 4 stars

Thursday, September 28, 2023

You can buy the American Graffiti film and soundtrack at AMAZON.

NOTES:
1974 Academy Awards, USA:  5 nominations: “Best Picture” (Francis Ford Coppola and Gary Kurtz), “Best Actress in a Supporting Role” (Candy Clark), “Best Director” (George Lucas), “Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced” (George Lucas Gloria Katz, and Willard Huyck), and “Best Film Editing” (Verna Fields and Marcia Lucas)

1975 BAFTA Awards:  1 nomination: “Best Supporting Actress” (Cindy Williams)

1974 Golden Globes, USA:  2 wins:  “Best Motion Picture - Comedy or Musical” or “Most Promising Newcomer – Male” (Paul Le Mat); 2 nominations: “Best Actor in a Motion Picture - Comedy or Musical” (Richard Dreyfuss) and “Best Director - Motion Picture” (George Lucas)

1995 National Film Preservation Board, USA:  “National Film Registry”


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Thursday, June 29, 2023

Review: "INDIANA JONES and the Kingdom of the Crystal Skull" is a Nice Coda

TRASH IN MY EYE No. 27 (of 2008) by Leroy Douresseaux

Indiana Jones and the Kingdom of the Crystal Skull (2008)
Running time:  126 minutes (2 hours, 6 minutes)
MPAA – PG-13 for adventure violence and scary images
DIRECTOR:  Steven Spielberg
WRITERS:  David Koepp; from a story by George Lucas and Jeff Nathanson
PRODUCER:  Frank Marshall
CINEMATOGRAPHER:  Janusz Kaminski (D.o.P.)
EDITOR:  Michael Kahn, A.C.E.
COMPOSER:  John Williams

ACTION/ADVENTURE

Starring:  Harrison Ford, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt, Jim Broadbent, and Shia LaBeouf

There is that old saying, “you can’t go home again,” but you can.  It is simply that the present does not have the cherished golden glow of cherished memories of an idealized past.  With that in mind, in 2008, we saw the return of Indiana Jones to the big screen for the first time in 19 years.

Indiana Jones and the Kingdom of the Crystal Skull is an action-adventure film from director Steven Spielberg.  It is the fourth entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark (1981).  Kingdom of the Crystal Skull finds Indiana Jones fighting a Soviet plot to uncover the secret behind mysterious artifacts known as the “Crystal Skulls.”

Indiana Jones and the Kingdom of the Crystal Skull begins in the desert Southwest in 1957 at the height of the Cold War.  There, Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) and his sidekick, George “Mac” McHale (Ray Winstone), encounter the icy cold Soviet beauty, Irina Spalko (Cate Blanchett), and her elite military unit on a remote airfield.  The Soviets want something from Indy, but in the end, he barely escapes the nefarious Soviets.

Afterwards, Indy returns to Marshall College, where he is known as “Professor Jones,” and finds that things have gone from bad to worse.  The government is suspicious of Indy’s recent activities and forced Jones’ close friend and dean of the college, Dean Charles Stanforth (Jim Broadbent), to fire him.  On his way out of town, Indy meets the rebellious young biker, Mutt Williams (Shia LaBeouf), who asks Indy for his help in a deeply personal mission.  If he helps Mutt, Indy could very well make one of the most spectacular archaeological finds in history – the Crystal Skull of Akator, a legendary object of fascination and superstition.

As Indy and Mutt comb the most remote corners of Peru, Spalko and the Soviet agents are also hot on the trail of the Crystal Skull, which they believe can help the Soviets dominate the world, if they can unlock its secrets.  Peru, however, is not only the home of the Crystal Skull, it is also the place where Indiana Jones makes a surprise reunion and learns an even more shocking secret, as he and his friends desperately battle to protect the powerful Crystal Skull.

Indiana Jones and the Kingdom of the Crystal Skull lacks the old school, B-movie serial charm of the original Raiders of the Lost Ark.  It doesn’t have the gleefully and deliberately gruesome spirit of Indiana Jones and the Temple of Doom (1984), nor the comic charm of Indiana Jones and the Last Crusade (1989).

What Indiana Jones and the Kingdom of the Crystal Skull does have is entertainment value by the truckload.  This pleasing popcorn movie has a mix of action, adventure, and nostalgia that turns it into the perfect summer romp for an afternoon at the movie theater.

Why keep pretending!?  Karen Allen, as the original Indiana Jones heroine, Marion Ravenwood, is back, and that makes this somewhat inferior Indiana Jones sequel even more enjoyable.  Throw in another secret, and Kingdom of the Crystal Skull is a must-see for Indy fans.  Obviously many fans had questions and concerns coming into this new film.  Chief among them would be the use of CGI.  Between the time that The Last Crusade appeared and now, CGI has, for the most part, replaced practical and physical special effects in mainstream Hollywood films.

No, the use of CGI (which the filmmakers claimed was only used on 30% of the film) to create lush jungles, impossible fight scenes (like the sword duel between Mutt and Irina, most of it on top of moving vehicles), and exotic locales doesn’t ruin Kingdom of the Crystal Skull, although this flick lacks the grit and tough guy spirit of the other films.  But let’s face it; Harrison Ford is no longer a spring chicken, so this film needs CGI slickness to give the action a manic video game feel to it.  Kingdom of the Crystal Skull is a modern action movie, and all the quiet, dramatic moments are used to merely prepare us for the next death-defying chase, whereas they existed for themselves in the early films.  Still, the modern touches work.

Set in 1957, the film drops many 1950’s cultural and pop culture tropes: Elvin Presley, B-movie sci-fi, aliens, Communism, bikers, etc.  The fear of being turned into the other or being forced into a like or hive mind is prevalent, as is Steven Spielberg’s familiar motif that knowledge only robs reality of its sense of wonder (OK…).  However, the age of their star Harrison Ford required the driving force behind Indiana Jones, Spielberg and George Lucas, to accept that it’s sometimes okay to grow up.

That’s why Indiana Jones and the Kingdom of the Crystal Skull is ultimately less a sequel than it is a coda or epilogue to Harrison Ford as Indiana Jones, which is likely the reason that Karen Allen/Marion Ravenwood, the most beloved woman in Indy’s life, is back.  It’s time to grow up and movie on, and what a silly and fun send off this is.  Flaws and all, Kingdom of the Crystal Skull is a good old American summer movie blockbuster.  As the credits rolled on the film’s happy finale, I realized that Indy and I were going our separate ways, but with wonderful memories as parting gifts.

6 of 10
B
★★★ out of 4 stars

NOTES:
2009 BAFTA Awards:  1 nomination: “Best Special Visual Effects” (Pablo Helman, Marshall Richard Krasserm and Steve Rawlins)

Sunday, May 25, 2008

Edited:  Saturday, November 5, 2022

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