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Showing posts with label Ghost in the Shell. Show all posts
Showing posts with label Ghost in the Shell. Show all posts
Monday, April 9, 2018
Comic Books, Magazines and Books from Diamond Distributors for April 11, 2018
Labels:
AfterShock Comics,
Archie,
Avengers,
Book News,
Comics,
Diamond,
Disney Books,
FCBD,
Ghost in the Shell,
Harry Potter,
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Pixar,
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Titan Publishing,
Valiant,
VIZ Media
Sunday, October 8, 2017
Review: Live-Action "GHOST IN THE SHELL" is a Miscast Misfire
TRASH IN MY EYE No. 17 (of 2017) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Ghost in the Shell (2017)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence, suggestive content and some disturbing images
DIRECTOR: Rupert Sanders
WRITERS: Jamie Moss, William Wheeler, and Ehren Kruger (based on the comic, Ghost in the Shell, by Masamune Shirow)
PRODUCERS: Avi Arad, Michael Costigan, and Steven Paul
CINEMATOGRAPHER: Jess Hall (D.o.P.)
EDITORS: Billy Rich and Neil Smith
COMPOSERS: Lorne Balfe and Clint Mansell
SCI-FI/ACTION
Starring: Scarlett Johansson, Pilou Asbaek, Takeshi Kitano, Juliette Binoche, Michael Carmen Pitt, Chin Han, Danusia Samal, Kaori Momoi, and Peter Ferdinando
Ghost in the Shell is a 2017 science fiction and action film from director Rupert Sanders. The film is based on the manga (Japanese comics) created by Masamune Shirow and published in 1989 and 1990. Ghost in the Shell the movie focuses on a first-of-its-kind cyborg super-soldier that fights terrorists and dangerous criminals.
Ghost in the Shell is set in Tokyo, Japan, in the the near-future. Most humans have augmented various traits like vision, strength, and intelligence with cybernetics, and the line between human and robotics has blurred. Major Mira Killian (Scarlett Johansson) is a young woman who survived a terrorist attack that killed her parents. Her body was destroyed, but she was saved by the world's leading developer of “augmentative technology,” Hanka Robotics, via the secret “Project 2571.” Mira's brain (her “ghost”) was placed in a mechanical body or “shell.” Now, she is cyborg counter-terrorism operative in a unit known as “Section 9.”
A year after her rebirth, Major is involved in an operation to discover the whereabouts of the mysterious hacker and cyber-terrorist known only as “Kuze” (Michael Carmen Pitt). An electronic or digital encounter with Kuze causes the glitches that Major has been suffering to intensify. Major has also discovered that this case is raising troubling questions about what really happened to her and that will bring her into direct conflict with Hanka's domineering CEO, Cutter (Peter Ferdinando).
I would call Ghost in the Shell mediocre or average, but those words don't quite describe the listless, empty nature of this film. Ghost in the Shell has been praised for its special effects, soundtrack, and design, but little of that impresses me. In fact, the visual effects look like leftovers from Steven Spielberg's 2002 film, Minority Report.
It looks to me as if Ghost in the Shell's director, Rupert Sanders, is desperately trying to make his film look and sound like Ridley Scott's beloved 1982 film, Blade Runner. Ghost in the Shell, however, has neither Blade Runner's style nor its jazzy, Film-Noir vibe; actually Ghost in the Shell is simply a limp and lame attempt to copy Blade Runner.
Some have been critical of Ghost in the Shell's story and its lack of character development. Yeah, I would describe it as “lack of character development,” and the screenplay is indeed hackneyed. You can see it story points coming miles away; everything Major knows is a lie; she shares a past connection with the villain; being a human is the most important thing... yadda, yadda, yadda.
Because Ghost in the Shell is an original Japanese work of fiction, some people were upset that Scarlett Johansson, a white woman, plays the lead. I have read the original manga, and Major is drawn to look like a white woman. Even if she were not depicted as white, it still would not bother me all that much that a white actress plays the part of Major.
It is not Johansson's skin color that is the problem. It is her wooden, monotone performance. It is as if Scarlett is pretending to be a ghost with no personality that lives inside a mannequin. It is obvious that I am disappointed in this movie. As an adaptation of a visually striking manga/comic, Ghost in the Shell is simply a major misfire.
3.5 out of 10
C-
Wednesday, August 30, 2017
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------
[This review was originally posted on Patreon.]
Ghost in the Shell (2017)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence, suggestive content and some disturbing images
DIRECTOR: Rupert Sanders
WRITERS: Jamie Moss, William Wheeler, and Ehren Kruger (based on the comic, Ghost in the Shell, by Masamune Shirow)
PRODUCERS: Avi Arad, Michael Costigan, and Steven Paul
CINEMATOGRAPHER: Jess Hall (D.o.P.)
EDITORS: Billy Rich and Neil Smith
COMPOSERS: Lorne Balfe and Clint Mansell
SCI-FI/ACTION
Starring: Scarlett Johansson, Pilou Asbaek, Takeshi Kitano, Juliette Binoche, Michael Carmen Pitt, Chin Han, Danusia Samal, Kaori Momoi, and Peter Ferdinando
Ghost in the Shell is a 2017 science fiction and action film from director Rupert Sanders. The film is based on the manga (Japanese comics) created by Masamune Shirow and published in 1989 and 1990. Ghost in the Shell the movie focuses on a first-of-its-kind cyborg super-soldier that fights terrorists and dangerous criminals.
Ghost in the Shell is set in Tokyo, Japan, in the the near-future. Most humans have augmented various traits like vision, strength, and intelligence with cybernetics, and the line between human and robotics has blurred. Major Mira Killian (Scarlett Johansson) is a young woman who survived a terrorist attack that killed her parents. Her body was destroyed, but she was saved by the world's leading developer of “augmentative technology,” Hanka Robotics, via the secret “Project 2571.” Mira's brain (her “ghost”) was placed in a mechanical body or “shell.” Now, she is cyborg counter-terrorism operative in a unit known as “Section 9.”
A year after her rebirth, Major is involved in an operation to discover the whereabouts of the mysterious hacker and cyber-terrorist known only as “Kuze” (Michael Carmen Pitt). An electronic or digital encounter with Kuze causes the glitches that Major has been suffering to intensify. Major has also discovered that this case is raising troubling questions about what really happened to her and that will bring her into direct conflict with Hanka's domineering CEO, Cutter (Peter Ferdinando).
I would call Ghost in the Shell mediocre or average, but those words don't quite describe the listless, empty nature of this film. Ghost in the Shell has been praised for its special effects, soundtrack, and design, but little of that impresses me. In fact, the visual effects look like leftovers from Steven Spielberg's 2002 film, Minority Report.
It looks to me as if Ghost in the Shell's director, Rupert Sanders, is desperately trying to make his film look and sound like Ridley Scott's beloved 1982 film, Blade Runner. Ghost in the Shell, however, has neither Blade Runner's style nor its jazzy, Film-Noir vibe; actually Ghost in the Shell is simply a limp and lame attempt to copy Blade Runner.
Some have been critical of Ghost in the Shell's story and its lack of character development. Yeah, I would describe it as “lack of character development,” and the screenplay is indeed hackneyed. You can see it story points coming miles away; everything Major knows is a lie; she shares a past connection with the villain; being a human is the most important thing... yadda, yadda, yadda.
Because Ghost in the Shell is an original Japanese work of fiction, some people were upset that Scarlett Johansson, a white woman, plays the lead. I have read the original manga, and Major is drawn to look like a white woman. Even if she were not depicted as white, it still would not bother me all that much that a white actress plays the part of Major.
It is not Johansson's skin color that is the problem. It is her wooden, monotone performance. It is as if Scarlett is pretending to be a ghost with no personality that lives inside a mannequin. It is obvious that I am disappointed in this movie. As an adaptation of a visually striking manga/comic, Ghost in the Shell is simply a major misfire.
3.5 out of 10
C-
Wednesday, August 30, 2017
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------
Labels:
2017,
Action,
comic book movies,
DreamWorks,
Ghost in the Shell,
Manga Adaptation,
Movie review,
Paramount Pictures,
Scarlett Johansson,
sci-fi
Thursday, April 14, 2016
"Ghost in the Shell" Live-Action Film Begins Production
PARAMOUNT PICTURES AND DREAMWORKS PICTURES’ “GHOST IN THE SHELL” IS IN PRODUCTION IN NEW ZEALAND
HOLLYWOOD, CA – Paramount Pictures and DreamWorks Pictures have announced that production is underway on “GHOST IN THE SHELL,” starring Scarlett Johansson (“AVENGERS: Age of Ultron,” “Lucy”) and directed by Rupert Sanders (“Snow White and the Huntsman”). The film is shooting in Wellington, New Zealand.
Paramount Pictures will release the film in the U.S. on March 31, 2017.
The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad (“The Amazing Spider-Man 1 & 2,” “Iron Man”), Ari Arad (“Ghost Rider: Spirit of Vengeance”), and Steven Paul (“Ghost Rider: Spirit of Vengeance”). Michael Costigan (“Prometheus”), Tetsu Fujimura (“Tekken”), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL” film and television series, and Jeffrey Silver (“Edge of Tomorrow,” “300”) will executive produce.
Based on the internationally-acclaimed sci-fi property, “GHOST IN THE SHELL” follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force, Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic’s advancements in cyber technology.
“We are so pleased to be in Wellington to shoot ‘GHOST IN THE SHELL,’” said producers Avi Arad, Ari Arad, Michael Costigan and Jeffrey Silver. “The city boasts state-of-the-art production facilities and a rich urban landscape that make it an ideal setting for a sci-fi action film. The crew-base in New Zealand working on the film is first class, and working with Sir Richard Taylor and the team at Weta Workshop is inspirational on every level. The people of New Zealand have been terrific partners in helping us bring this story and its beloved characters to audiences around the world and we are thankful for their continued hospitality.”
Paramount Pictures and DreamWorks Pictures have entered into a marketing agreement with the New Zealand Film Commission (NZFC), Tourism New Zealand (TNZ), Callaghan Innovation and the Ministry of Business Innovation and Employment (MBIE) which recognizes the significant economic, cultural and industry development benefits the production will bring to New Zealand. The collaboration will further promote New Zealand’s growing screen industry, develop local talent and showcase New Zealand to the rest of the world.
“The production will broaden the perceptions of the diversity of New Zealand’s locations by showcasing a science fiction urban setting in New Zealand,” says Dave Gibson NZFC Chief Executive.
Tourism New Zealand’s Chief Executive Kevin Bowler said: “Tourism New Zealand is thrilled to be working with Paramount Pictures for the first time on ‘GHOST IN THE SHELL.’ Film tourism is an important element in Tourism New Zealand’s work to inspire people to visit New Zealand and we look forward to this new opportunity to showcase New Zealand to the rest of the world.”
The cast of “GHOST IN THE SHELL” includes Beat Takeshi Kitano (“BATTLE ROYALE” series) as Daisuke Aramaki, Juliette Binoche (“The English Patient”) as Dr. Ouelet, Michael Pitt (“Hannibal,” “Boardwalk Empire”) as Kuze, Pilou Asbæk (“Lucy”) as Batou, and Kaori Momoi (“Memoirs of a Geisha”). The members of Section 9 are played by Chin Han (“INDEPENDENCE DAY: RESURGENCE”), Danusia Samal (“Tyrant”), Lasarus Ratuere (“Terra Nova”), Yutaka Izumihara (“Unbroken”) and Tuwanda Manyimo (“The Rover”).
The film’s crew includes Cinematographer Jess Hall (“The Spectacular Now”), Editor Neil Smith (“Snow White and the Huntsman”), Production Designer Jan Roelfs (“FAST & FURIOUS 6”), and Costume Designers Kurt Swanson and Bart Mueller (“The Hunger Games: Mockingjay – Parts 1& 2”).
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About DreamWorks Pictures
DreamWorks Pictures is a production label of Amblin Partners, a content creation company formed by the former DreamWorks Studios, Participant Media, Reliance Entertainment and Entertainment One (eOne). The company develops and produces films using the Amblin, DreamWorks Pictures and Participant banners and includes Amblin Television, a longtime leader in quality programming. The company’s first film, “Bridge of Spies,” was released to critical acclaim in October 2015. Other projects in various stages of production include: “The Light Between Oceans,” scheduled for release by Disney in 2016; “The Girl on the Train,” scheduled for release in October 2016; “A Dog’s Purpose,” scheduled for release in the first quarter of 2017; “Ready Player One,” scheduled for release in December of 2017; and “Ghost in the Shell,” starring Scarlett Johansson that is currently in production and scheduled for release in 2017. Upcoming shows from Amblin TV include “All the Way,” an HBO movie directed by Jay Roach and starring Bryan Cranston; and “American Gothic,” a summer series that will air on CBS and begin production in February 2016.
DreamWorks Pictures can be found at:
Facebook: www.facebook.com/DreamWorksPictures
Twitter: DW_Pictures
About the New Zealand Film Commission
The New Zealand Film Commission invests in original and culturally significant films, encourages talented New Zealand filmmakers through developing career pathways and facilitating connections offshore, and works to increase the number of people seeing New Zealand films here and overseas. It is responsible for marketing New Zealand’s screen production industry overseas and attracting international screen productions to New Zealand. The NZFC supports the growth of economic activity and helps ensure New Zealand has sustainable screen sector businesses operating within an internationally competitive screen sector. The NZFC also helps negotiate co-production treaties and is responsible for administering the New Zealand Screen Production Grant, the Post, Digital and Visual Effects Grant and the 5% Uplift, and for certifying official co-productions and New Zealand films for tax purposes.
About Tourism New Zealand
Tourism New Zealand markets New Zealand to the world as a visitor destination. In the year ending February 2016, 3.2 million international visitors came to New Zealand. International tourism is one of New Zealand’s largest earners of foreign exchange, adding around NZ$11.8 billion annually to the nation’s economy. www.tourismnewzealand.com
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Labels:
anime news,
DreamWorks,
Ghost in the Shell,
International Cinema News,
Juliette Binoche,
Manga,
movie news,
Paramount Pictures,
Scarlett Johansson
Monday, November 2, 2015
FUNimation Entertainment Announces Release Dates for "Ghost in the Shell: The New Movie"
FUNimation Entertainment Announces North American Theatrical Dates For "Ghost In The Shell: The New Movie"
Iconic Sci-Fi Franchise in Theaters across U.S. and Canada on November 10, 11 and 16
FLOWER MOUND, Texas /CNW/ -- FUNimation® Entertainment announced today the North American theatrical dates for the release of "Ghost in The Shell: The New Movie." This is the first movie in more than ten years for the Ghost in The Shell sci-fi franchise, which will screen in more than 330 theaters across the United States and Canada on November 10, 11 and 16, 2015.
"Ghost in The Shell is truly an iconic franchise in the world of anime, and FUNimation is pleased to bring this long awaited, new film to audiences across North America," said Gen Fukunaga, founder and CEO of FUNimation. "Long-time fans as well as new fans from last year's Arise series will be blown away by this action packed movie."
"This is the Ghost in The Shell film for the modern era. We encourage fans to purchase tickets in advance so they don't miss the opportunity to experience all of the action on the big screen," said Mike Duboise, EVP and COO of FUNimation.
For more than 25 years "Ghost in The Shell" has delivered a compelling story and artistic experience resulting in an international fan base that keeps coming back for more. The first theatrical release for the franchise screened in 1995, which originated six years earlier in 1989 as a manga series. In 2002, "Ghost in The Shell" became a televised anime series. Last year's four-part saga "Ghost in The Shell: Arise" gave fans the opportunity to delve deeper into the origin stories of the characters they have come to know and love.
Film Synopsis
Set in a futuristic Japan after the end of a brutal world war, science has advanced by leaps and bounds giving humanity the choice to prolong life and reduce suffering with the use of sophisticated cybernetics. With all of humanity linked into one system of minds and personalities known as ghosts, the biggest threat to civilization is the cyber terrorists capable of hijacking people's bodies and memories.
When a ghost-infecting virus known as Fire-Starter begins spreading through the system resulting in the assassination of the Japanese Prime Minister, Major Motoko Kusanagi and her elite team of special operatives are called in to track down its source. As they delve deeper and deeper into their investigation, they uncover traces of government corruption and a shadowy broker that bears an all-too-familiar face.
When your target can be anywhere and look like anyone, the only choice you have is to trust your ghost, and hope you aren't infected too.
For more information on "Ghost in The Shell: The New Movie" and to purchase tickets, please visit www.ghostintheshellnewmovie.com. The official theatrical trailer can be viewed here.
Like us on Facebook at www.facebook.com/ghostintheshellanime & www.facebook.com/funimation, and follow us on Twitter at www.twitter.com/funimation.
About FUNimation Entertainment
FUNimation Entertainment is the leading anime company in North America. FUNimation has a proven formula for launching and advancing brands. They manage a full spectrum of rights for most of their brands including broadcasting, licensing, production, Internet, and home video sales and distribution. For more information about FUNimation Entertainment and its brands, visit www.funimation.com.
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Labels:
anime news,
Ghost in the Shell,
Japan,
movie news,
press release,
PRNewswire
Friday, July 2, 2010
Entire "Ghost in the Shell" Saga at VIZ Cinema in July
VIZ CINEMA PRESENTS THE ENTIRE SAGA OF MOST VENERABLE ANIME FILM FRANCHISE OF ALL TIME, GHOST IN THE SHELL
July Edition Of Sci-Fi Anime Madness Offers Six Feature Films Based On Hit Manga Series Set To Play In A Special Week-Long Anime Film Festival
VIZ Cinema and NEW PEOPLE are proud to present, in association with Bandai Entertainment and Manga Entertainment, Sci-fi Anime Madness Volume 2: Ghost in the Shell Marathon with a very special series of feature film screenings taking place July 3rd – 8th at the theatre located in San Francisco’s Japantown. The creation of veteran anime writer/director/producer Mamoru Oshii, Ghost in the Shell and its subsequent sequels thrilled audiences and inspired a generation of filmmakers to became one of the most revered anime franchises of all times.
Tickets, screening times and more details are available at: www.vizcinema.com.
Ghost in the Shell is based on a popular manga series created by Shirow Masamune and was turned into a feature film in 1995 that went on to become an international smash hit. It was followed by a theatrical film sequel in 2004, Ghost in the Shell 2: Innocence, which was also directed by Mamoru Oshii. The VIZ Cinema marathon will also screen three feature-length film re-cuts including “The Laughing Man,” that features a separate, self-contained storyline based on the Stand Along Complex anime TV series, produced in 2005, as well as “Individual Eleven,” and “Solid State Society, two features based on the second season of the anime television series that was produced in 2006.
Ghost In The Shell (Original Version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 1995, 85min, Digital, English Subtitles)
In 2029 A female government cyber agent and the Internal Bureau of Investigations are hot on the trail of “The Puppet Master,” a computer virus capable of invading cybernetic brains and altering its victims’ memories. This is the acclaimed sci-fi action masterpiece that proclaimed a new era of anime and helped to define the cyber-punk genre.
Ghost In The Shell 2.0 (CGI version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 2008, 85min, Digital, English Subtitles)
This is a new, visually enhanced version of the classic original movie.
Ghost In The Shell 2: Innocence, July 3rd
(Directed by Mamoru Oshii, 2004, 100min, Digital, English Subtitles)
This is the gripping sequel to the original Ghost in the Shell film.
Ghost In The Shell Stand Along Complex: The Laughing Man, July 4th and also July 6th
(Directed by Kenji Kamiyama, 2005, 106min, Digital, English Subtitles)
The feature film adaptation of the Stand Alone Complex series, re-cut to tell the story of a police battle with an evil computer hacker.
Ghost In The Shell: Individual Eleven 161, July 4th and also July 7th
(Directed by Kenji Kamiyama, 2006, 161min, Digital, English Subtitles)
A feature-length OAV feature with a new self-contained story, adapted from Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.
Ghost In The Shell: Solid State Society 108, July 4th and also July 8th
(Directed by Kenji Kamiyama, 2006, 108min, Digital, English Subtitles)
A film adaptation of the Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.
VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.
July Edition Of Sci-Fi Anime Madness Offers Six Feature Films Based On Hit Manga Series Set To Play In A Special Week-Long Anime Film Festival
VIZ Cinema and NEW PEOPLE are proud to present, in association with Bandai Entertainment and Manga Entertainment, Sci-fi Anime Madness Volume 2: Ghost in the Shell Marathon with a very special series of feature film screenings taking place July 3rd – 8th at the theatre located in San Francisco’s Japantown. The creation of veteran anime writer/director/producer Mamoru Oshii, Ghost in the Shell and its subsequent sequels thrilled audiences and inspired a generation of filmmakers to became one of the most revered anime franchises of all times.
Tickets, screening times and more details are available at: www.vizcinema.com.
Ghost in the Shell is based on a popular manga series created by Shirow Masamune and was turned into a feature film in 1995 that went on to become an international smash hit. It was followed by a theatrical film sequel in 2004, Ghost in the Shell 2: Innocence, which was also directed by Mamoru Oshii. The VIZ Cinema marathon will also screen three feature-length film re-cuts including “The Laughing Man,” that features a separate, self-contained storyline based on the Stand Along Complex anime TV series, produced in 2005, as well as “Individual Eleven,” and “Solid State Society, two features based on the second season of the anime television series that was produced in 2006.
Ghost In The Shell (Original Version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 1995, 85min, Digital, English Subtitles)
In 2029 A female government cyber agent and the Internal Bureau of Investigations are hot on the trail of “The Puppet Master,” a computer virus capable of invading cybernetic brains and altering its victims’ memories. This is the acclaimed sci-fi action masterpiece that proclaimed a new era of anime and helped to define the cyber-punk genre.
Ghost In The Shell 2.0 (CGI version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 2008, 85min, Digital, English Subtitles)
This is a new, visually enhanced version of the classic original movie.
Ghost In The Shell 2: Innocence, July 3rd
(Directed by Mamoru Oshii, 2004, 100min, Digital, English Subtitles)
This is the gripping sequel to the original Ghost in the Shell film.
Ghost In The Shell Stand Along Complex: The Laughing Man, July 4th and also July 6th
(Directed by Kenji Kamiyama, 2005, 106min, Digital, English Subtitles)
The feature film adaptation of the Stand Alone Complex series, re-cut to tell the story of a police battle with an evil computer hacker.
Ghost In The Shell: Individual Eleven 161, July 4th and also July 7th
(Directed by Kenji Kamiyama, 2006, 161min, Digital, English Subtitles)
A feature-length OAV feature with a new self-contained story, adapted from Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.
Ghost In The Shell: Solid State Society 108, July 4th and also July 8th
(Directed by Kenji Kamiyama, 2006, 108min, Digital, English Subtitles)
A film adaptation of the Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.
VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.
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Labels:
anime news,
event,
Ghost in the Shell,
movie news,
New People,
VIZ Cinema,
VIZ Media
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