Review: "BOO! 2: A Madea Halloween" is a Typical Inferior Sequel

TRASH IN MY EYE No. 8 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Boo 2! A Madea Halloween (2017)
Running time:  101 minutes
MPAA – PG-13 for sexual references drug content, language and some horror images
WRITER/DIRECTOR:  Tyler Perry
PRODUCERS:  Ozzie Areu, Will Areu, Tyler Perry, and Mark E. Swinton
CINEMATOGRAPHER:  Richard Vialet (D.o.P.)
EDITOR:  Larry Sexton
COMPOSER:  Philip White

HALLOWEEN/COMEDY

Starring:  Tyler Perry, Cassi Davis, Patrice Lovely, Yousef Erakat, Diamond White, Lexy Panterra, Andre Hall, Brock O'Hurn, Tito Ortiz, Taja V. Simpson, Inanna Sarkis, Hannah Stocking, Mike Tornabene, Akende Munalula, and Elizabeth Hinkler and Emily Hinkler

Boo 2! A Madea Halloween is a 2017 comedy and Halloween movie from writer-director Tyler Perry.  It is a direct sequel to Boo! A Madea Halloween (2016) and is also the tenth film in the Madea film series.  In Boo 2!, Madea and friends travel to a supposedly haunted campground to rescue a teen relative, but end up running for their lives from the boogeyman.

Boo 2! A Madea Halloween opens on the 18th birthday of Tiffany Simmons (Diamond White).  Tiffany is the daughter of Brian Simmons (Tyler Perry) and his ex-wife, Debrah (Taja V. Simpson).  Tiffany wants to be treated like an adult, which is just fine with Debrah and her new husband, Calvin (Akende Munalula).  However, Brian still sees Tiffany as a baby girl, and he has planned for Tiffany a birthday party that is more appropriate for a child.

Brian's aunt, Mabel “Madea” Simmons (Tyler Perry); Brian's father who is also Madea's brother, Joe Simmons (Tyler Perry); Betty Ann “Aunt Bam” Murphy (Cassi Davis); and Hattie Mae Love (Patrice Lovely) also attend the party.  Unhappy with the party and the guests, Tiffany and her friend, Gabriella (Inanna Sarkis), make plans to attend a late-night Halloween party being thrown by Jonathan (Yousef Erakat) and the brothers of Upsilon Theta fraternity.  However, the party is being thrown at the notorious and supposedly haunted campground at “Lake Derrick.”

Madea overhears Tiffany's Lake Derrick plans and alerts her father, Brian, who decides to let Tiffany attend the party just to teach her lesson.  Madea is unwilling to let it go at that, so she rounds up Joe, Bam, and Hattie to take a trip to Lake Derrick and rescue Tiffany and Gabriella from that Halloween party.  However, it is Madea and company who will find themselves needing to be rescued from a chainsaw wielding maniac, ghostly sisters, and assorted monsters.

I am playing catch-up on my Madea movies, as this film was released almost two-and-a-half years ago, and the (allegedly) last Madea film, A Madea Family Funeral (2019), was released a year ago.  When I reviewed Boo! A Madea Halloween back in 2017, I wrote that the film had “its moments,” and I gave it a grade of “B-.”  Since that review, I have seen the film countless times, and it has become one of my favorite Madea movies and one of my favorite Halloween movies.  If I graded the original film now, I would give it at least an “A-.”

Boo 2! A Madea Halloween actually has its moments.  The first hour of the film has an awkward pace, and that hour is not well-written.  Early on, Boo 2! seems like nothing more than a quickly-produced sequel meant to grab cash from a surprise hit movie.  The final forty minutes of t Boo 2! really picks up, and it gets close to being as funny as the original film.

So if you did not get enough Boo! A Madea Halloween and want a little more, you have Boo 2! A Madea Halloween.  And if you need to see every Madea movie, then, you will want to see Boo 2!  If you don't like Madea, well...

C+
5 of 10

Tuesday, March 10, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.


------------------------

Review: First "Boo! A Madea Halloween" Not One of the Better Madea Movies

TRASH IN MY EYE No. 20 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Boo! A Madea Halloween (2016)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for drug use and references, suggestive content, language, some horror images and thematic material
WRITER/DIRECTOR:  Tyler Perry
PRODUCERS:  Ozzie Areu, Tyler Perry, and Will Areu
CINEMATOGRAPHER:  Richard Vialet (D.o.P.)
EDITOR:  Larry Sexton
COMPOSER:  Elvin Ross

HALLOWEEN/COMEDY

Starring:  Tyler Perry, Cassi Davis, Patrice Lovely, Bella Thorne, Yousef Erakat, Lexy Panterra, Andre Hall, Brock O'Hurn, Liza Koshy, Diamond White, Mike Tornabene, Javan Johnson, Angela Ray, and Tyga

Boo! A Madea Halloween is a 2016 comedy and Halloween movie from writer-director Tyler Perry.  The idea for this film originated from a fictitious Madea Halloween movie (entitled “Boo!”) that was referenced several times in writer-director Chris Rock's film, Top Five (2014).  In Boo! A Madea Halloween, Madea fends off noisy spirits and evil clowns while keeping an eye on two high school girls who want to party with a gang of college frat boys.

Boo! A Madea Halloween begins about mid-day on Halloween.  At Upsilon Theta college fraternity house. Jonathan (Yousef Erakat), the fraternity leader, and his fellow fraternity brothers are finalizing plans for their big Halloween party for that night.  The brothers take notice of 17-year-old Tiffany Simmons (Diamond White) and her three friends, 17-year-old Aday (Liza Koshy), 18-year-old Rain (Bella Thorne) and 18-year-old Leah (Lexy Panterra), as they walk past their fraternity house.  Jonathan invites the four teens to their party.

However, Tiffany's father, Brian Simmons (Tyler Perry), does not want Tiffany and Aday to attend the party because, at the age of 17, they are too young to be partying with college-age young men.  Sensing that his daughter will disobey him, Brian convinces his aunt, Mabel “Madea” Simmons (Tyler Perry), to stay at his house and babysit Tiffany.  Madea's brother, Joe Simmons (Tyler Perry), who is Brian's father; marijuana aficionado, Betty Ann “Aunt Bam” Murphy (Cassi Davis); and Joe's lover, Hattie Mae Love (Patrice Lovely), tag along.

Madea is strict, but Tiffany proves to be more stubborn and also craftier than Madea expects.  When she discovers that Tiffany and Aday have indeed gone to the fraternity party, Madea is ready to deal out some punishment; instead, this pugnacious matron will spend a haunted Halloween dealing with ghosts, goblins, ghouls, poltergeists, zombies, and killer clowns.

Boo! A Madea Halloween has its moments.  It is a Madea movie after all, and if you enjoy the antics of Tyler Perry's most beloved character, Mabel “Madea” Simmons, you will find something or some things to like about Boo! A Madea Halloween.  However, it is the weakest “Madea-verse” movie since Meet the Browns (2008), in which Madea only made a cameo appearance.

I like Boo!'s young and diverse cast, although I wish the characters lived up to the energy brought by the young actors.  The youthful energy is needed because characters that are old favorites have worn out their welcome; Aunt Bam, I'm looking at you.  And Uncle Joe isn't at his best here.

This isn't one of Tyler Perry's better efforts at playing Madea, but there is a gem or two here (such as Madea in church, wanting to be “saved”).  It is only a passable Halloween movie.  That said, I want more Madea and there is a sequel to Boo!, due this fall.  So, it is fair to say that Boo! A Madea Halloween is strictly for Madea fans.

5 of 10
B-

Thursday, August 24, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-------------------------------

Happy Negromancer Year 2017

Welcome to a New Year! Welcome to Negromancer 2.0.  This is the rebirth of Negromancer, the former movie review website as a new movie review and movie news site.

Support me on Patreon.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

And a Very Negromancer Thanksgiving to All

I gonna jump ahead a holiday - Peace on Earth, y'all!

To All the Mothers of the World...

Happy Mother's Day from Negromancer.  Also, all the aunts, sisters, grannies, Big Sisters, step-moms and other steps and surrogates - Happy Mother's Day to you, also.

Review: "A Madea Christmas" a Funny and Odd Christmas Movie

TRASH IN MY EYE No. 56 (of 2014) by Leroy Douresseaux

Tyler Perry's A Madea Christmas (2013)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for sexual references, crude humor and language
DIRECTOR:  Tyler Perry
WRITER:  Tyler Perry (based on the stage play, A Madea Christmas, written by Tyler Perry)
PRODUCERS:  Ozzie Areu, Tyler Perry, and Matt Moore
CINEMATOGRAPHER:  Alexander Gruszynski (D.o.P.)
EDITOR:  Maysie Hoy
COMPOSER:  Christopher Young

CHRISTMAS/COMEDY/DRAMA

Starring:  Tyler Perry, Larry the Cable Guy, Anna Maria Horsford, Tika Sumpter, Eric Lively, JR Lemon, Kathy Najimy, Chad Michael Murray, Alicia Witt, Noah Urrea, and Lucy Whelchel

A Madea Christmas is a 2013 comedy, drama, and Christmas movie from writer-director Tyler Perry.  The film is based on Perry's musical play, A Madea Christmas, which was first performed in 2011.  A Madea Christmas the movie finds Madea in rural Alabama after being coaxed into helping a relative pay her daughter a surprise visit for Christmas.

As A Madea Christmas begins, Mabel “Madea” Simmons (Tyler Perry) is working at Tifton's department store for some extra Christmas cash, thanks to her niece, Eileen Murphy (Anna Maria Horsford), who works at the store.  Eileen is sad that her daughter, Lacey (Tika Sumpter), is living in the small town of Bucktussle, Alabama, and she wants to visit her.  Eileen coaxes Madea into accompanying her for a surprise Christmas visit.

What Eileen does not realize is that her daughter is now Lacey Williams and is married to her college sweetheart, Conner Williams (Eric Lively).  Lacey is not ready to tell her mother that she is married to a White man, but may be forced to when Eileen and Madea arrive.  Also arriving at Lacey and Conner's doorstep are Conner's parents, Kim and Buddy Williams (Kathy Najimy and Larry the Cable Guy).

A Madea Christmas is an odd entry in Tyler Perry's Madea film series.  First, the film deals, in a fluffy way, with racism, and is also set in a town and area that is largely white.  With its mushy sentiment, soft-focused racial harmony, and easy pace,  A Madea Christmas seems like an original holiday movie for either the Lifetime or Hallmark cable networks.

I found this film enjoyable and comfy, and although Madea does dispense her usual unique brand of wisdom, the film is not as preachy as previous Madea films.  A Madea Christmas' dominant theme seems to be that parents should accept that their children will live the lives the children choose and not the ones the parents want.  There is also a subplot about a sensitive and talented boy, Bailey McCoy (Noah Urrea), whose father, Tanner McCoy (Chad Michael Murray), is a racist and a bully (but not really in an especially offensive way).  This subplot encapsulates how A Madea Christmas goes out of its way not to offend or scare white audiences.

I don't think that A Madea Christmas will be a Christmas classic, but it is definitely a different kind of Christmas movie.  I found it to be quiet funny at times, and I plan on seeing it again.

6 of 10
B

Tuesday, December 23, 2014


NOTES:
2014 Razzie Awards:  1 win: “Worst Actress” (Tyler Perry); 4 nominations: “Worst Picture,” “Worst Supporting Actor” (Larry the Cable Guy), “Worst Screen Combo” (Tyler Perry, Larry the Cable Guy, Tyler Perry & EITHER Larry the Cable Guy OR That Worn-Out Wig & Dress), and “Worst Screenplay” (Tyler Perry)

A Negromancer Father's Day 2014

Negromancer wants to wish a Happy Father's Day to all who qualify.  That would be the fathers, grandfathers, great-grandfathers (and other greats), uncles, cousins, big brothers, stepfathers, surrogate dads, coaches, and others who act as stand-in father figures.  That also includes all the women out there doin' the darn thing as a male role model and/or provider.  Have a great day!

Negromancer Says: Happy Mother's Day!

Happy Mother's Day, Mama.  Happy Mother's Day to mothers, grannies, aunties, surrogates, sisters, those who mother, and the women in our lives.

Veterans Day 2013

Negromancer says "Thank you!"

Also, thinking about the Red Tails and the men and women of color who fought and need to hear our praise.

Happy Mother's Day 2013

Negromancer wants to wish a "Happy Mother's Day" to all mothers, grandmothers, aunts, sisters, and everyone who assumes a "motherly" role for others.

"May the Fourth" Be With You - Star Wars Fan Holiday

Millions of Star Wars Fans Around the World Prepare to Celebrate May the 4th

SAN FRANCISCO--(BUSINESS WIRE)--Since the very first Star Wars movie came out in 1977, fans everywhere have made the galactic saga their own and found creative ways to celebrate their love of the Force. One of the most visible ways is annually transforming the date of May 4th into “May the Fourth,” the day that Star Wars fandom has created to share their passion around the world. Fans of all ages wear their favorite Star Wars items, partake in parties and screenings, and pass on messages of “May the Force be with you” in person and online.

Lucasfilm has long supported Star Wars fans in their grassroots celebrations, whether they be extravagant or small. Visit Lucasfilm’s official May the 4th microsite, http://maythe4th.starwars.com, for Star Wars Day news, ideas on how to celebrate, special events calendar, themed recipes, fun crafts and activities, fan photos, and a regularly updated list of deals and promotions from major online and brick-and-mortar retailers. Keep track of the Force of fans on Twitter with the #maythe4thbewithyou hashtag -- @StarWars will be tweeting highlights on May the 4th and in the days leading up to it.


About Lucasfilm Ltd.
Lucasfilm Ltd., a wholly owned subsidiary of The Walt Disney Company, is a global leader in film, television and digital entertainment production. In addition to its motion-picture and television production, the company's activities include visual effects and audio post-production, cutting-edge digital animation, interactive entertainment software, and the management of the global merchandising activities for its entertainment properties including the legendary STAR WARS and INDIANA JONES franchises. Lucasfilm Ltd. is headquartered in northern California.

Lucasfilm, the Lucasfilm logo, STAR WARS and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. TM & © 2013 Lucasfilm Ltd. All rights reserved. All other trademarks and trade names are properties of their respective owners.

Happy Valentine's Day 2013

Cause you readers are Negromancer's Valentines.

Merry Christmas and Happy Holidays from Negromancer

Enjoy the day and the season for family and friends... even if they make the day and the season less enjoyable.

Negromancer's Thankful

Happy Thanksgiving to all you readers and visitors.  We are thankful for your support, from visits to purchases and donations.  You keep us going.  Let's do this again next Thanksgiving.

Review: "Trading Places" is Timeless (Remembering Denholm Elliot)

TRASH IN MY EYE No. 83 (of 2003) by Leroy Douresseaux

Trading Places (1983)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – R
DIRECTOR: John Landis
WRITERS: Timothy Harris and Herschel Weingrod
PRODUCER: Aaron Russo
CINEMATOGRAPHER: Robert Paynter (D.o.P.)
EDITOR: Malcolm Campbell
COMPOSER: Elmer Bernstein
Academy Award nominee

COMEDY

Starring: Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliot, Jamie Lee Curtis, Kristin Holby, and Paul Gleason

The subject of this movie review is Trading Places, a 1983 comedy film and satire from director John Landis. The film stars Dan Aykroyd and Eddie Murphy as a snobbish commodities trader and a streetwise con artist, respectively, who plot revenge against two conniving millionaires who cruelly use them in a personal wager.

Rare is the comedy film that enjoys success across a broad spectrum of viewer types and still remain popular even two decades after its initial release. That is exactly the case with director John Landis’s buddy, comic caper Trading Places.

Mortimer (Don Ameche) and Randolph Duke (Ralph Bellamy), millionaire commodity brokers, have made a bet. Randolph believes that he can take a common criminal off the streets, Billy Ray Valentine (Eddie Murphy), and make him into a successful businessman, the old nature vs. environment/nurture. Mortimer disagrees, siding with nature, and the brothers bet one dollar to whoever wins. To learn if even a man who has been brought up in the right environment and has gotten everything he wants can go bad, they pick their hand-chosen successor at Duke and Duke, the snobbish Louis Winthorp III (Dan Aykroyd), and frame him for a few crimes. He loses his job and winds up in jail. The Dukes give Billy Ray Louis’s home and job at Duke and Duke. When Billy Ray accidentally discovers the wager, the wily young con artist joins Louis, Ophelia (Jamie Lee Curtis) a hooker with a heart of gold who has befriended Louis, and Louis’s butler Coleman (Denholm Elliot) to turn the tables on the two callous Duke Brothers.

One of the things that makes this film so much fun is that it plays upon broad socio-economic stereotypes that are very familiar to audiences. What makes these almost stock characters work so well is a combination of excellent comic actors and a good comedic script. Dan Akyroyd is a very good actor, but he is mostly known as a comedian; combine good acting with a great sense of comic timing, and you have a great performance.

Eddie Murphy’s star as a movie actor was rapidly rising at this point in his career, but he was already a quite accomplished player in the cast of “Saturday Night Live.” The Murphy here is still the brash, streetwise, fast talker bursting with the kinda of “black comedy” that both black and white audiences love – you know, the sassy and mouthy Negro who always has a come back or something smart-alecky to say. That Murphy is mostly gone and rarely makes a film appearance now almost 20 years into Murphy’s film career, but looking back, one can see that he makes Billy Ray Valentine both hilarious and loveable – the guy you can root for and with whom you can almost identify.

Kudos also go to longtime screen veterans Bellamy, Ameche, and Elliot for bravura performances that take stock characters and give them flavor and delightful personalities. We also get the added gem of seeing Ms. Curtis in a role that didn’t require her to run from a knife-wielding murder. Up to this point in her career, Ms. Curtis had become the new "Scream Queen" of horror films.

If you haven’t seen this film, you don’t know what you’re missing. If you’ve seen it once before, you should be at least on your tenth viewing.

8 of 10
A

NOTES:
1984 Academy Awards: 1 nomination: “Best Music, Original Song Score and Its Adaptation or Best Adaptation Score” (Elmer Bernstein)

1984 BAFTA Awards: 2 wins: “Best Supporting Actor” (Denholm Elliott) and “Best Supporting Actress” (Jamie Lee Curtis); 1 nomination: “Best Screenplay – Original” (Timothy Harris and Herschel Weingrod)

1984 Golden Globes, USA: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Eddie Murphy)

Review: Visually Splendid "Batman Returns" is not Wholly Splendid

TRASH IN MY EYE No. 33 (of 2003) by Leroy Douresseaux

Batman Returns (1992)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG-13
DIRECTOR: Tim Burton
WRITERS: Daniel Waters; from a story by Sam Hamm and Daniel Waters (based upon the Batman characters created by Bob Kane and Bill Finger)
PRODUCERS: Denise Di Novi and Burton
CINEMATOGRAPHER: Stefan Czapsky
EDITORS: Bob Badami and Chris Lebenzon
COMPOSER: Danny Elfman
Academy Award nominee

SUPERHERO/CRIME/ROMANCE with elements of action

Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Michael Murphy, Pat Hingle, Vincent Schiavelli, Paul Reubens, and Diane Salinger

The subject of this movie review is Batman Returns, a 1992 superhero film directed by Tim Burton and starring Michael Keaton as Batman/Bruce Wayne. It is a sequel to the 1989 film, Batman, which was also directed by Burton.

When The Penguin (Danny DeVito) rises from the sewers of Gotham City, Batman (Michael Keaton) must battle him and as nefarious cohorts, the conniving industrialist Max Shreck (Christopher Walken) and the feminist empowered Catwoman (Michelle Pfeiffer), as they help Penguin run a very popular candidate in the Gotham mayoral race.

Unlike his first Batman film, Tim Burton had more control over Batman Returns, and it’s quite obvious. Stylistically, Batman Returns is closer to Beetlejuice and Edward Scissorhands than Batman is, which was Burton’s first film after Beetlejuice. However, Batman Returns has more rank humor than the original, and the sexual innuendo ranges from juvenile to forced. Batman was sly and occasionally witty; it was dark but not morbid as Returns is.

Still, the combination of Burton and screenwriter Daniel Waters (a writer with a darkly humorous and imaginative sense) create a Batman film like no other. This one is a dark fairytale immersed in issues of identity, empowerment, abandonment, class privilege, social and gender discrimination, and sexual politics. The story has a lot of nice ideas, maybe too many. It flits from one to the other, leaving one half developed or dismissed, only to be cobbled up later and still make little sense. It’s as if Batman Returns needed a rewrite or received too many in an attempt to make it less complicated and more like the summer blockbuster geared towards selling merchandise that it was supposed to be.

I like it more now than I did when I first saw it in 1992, when I thought it was an over produced mess; now I think it’s over produced and a bit messy. The production designs of Bo Welch (Beetlejuice), art decoration by Rick Heinrichs, and set decoration by Cheryl Carasik look beautiful and exquisite, everything from the abandoned zoo to Gotham’s many store fronts, each one of them decorated for the Christmas season. The cinematography by Stefan Czapsky (He would later shoot Burton’s masterpiece Ed Wood) is drenched in gorgeous blues, luminous white light, and slinky shadows that cover the town like sensuous drapery. Batman Returns looks like a children’s storybook painted by a master.

But in the end, Batman Returns is clunky in spirit and execution. It doesn’t flow or have a rhythm, and the acting is also too hit or miss. That goes for everyone, especially the villains. Burton publicly acknowledged not really caring for the Batman character, and it shows. For much of his film, the hero is an afterthought or merely window dressing, only there because the studio demands it. How else can you sell Batcrap if Batman’s not in the movie. Oh, well. I’ll look at this as a beautiful misfire and a brilliant mistake. I’ll watch it again, if only to pine away at what could have been.

5 of 10
B-

NOTES:
1993 Academy Awards: 2 nominations: “Best Effects, Visual Effects” (Michael L. Fink, Craig Barron, John Bruno, and Dennis Skotak) and “Best Makeup” (Ve Neill, Ronnie Specter, and Stan Winston)

1993 BAFTA Awards: 2 nominations: “Best Make Up Artist” (Ve Neill and Stan Winston) and “Best Special Effects” (Michael L. Fink, John Bruno, Craig Barronm, and Dennis Skotak)

1993 Razzie Awards: 1 nomination: “Worst Supporting Actor” (Danny DeVito)

-----------------

Happy Father's Day 2012 from Negromancer

I know so many fathers.  But unlike what I did for this recent Mother's Day (in which I tried to list all the mothers I knew personally or knew the people in their lives personally), I won't rattle off a list of papas.  Beside, uncles and grandfathers have been put into the Father's Day roll of honor.

So I'll just send out a wide signal to all the fathers I know and to the ones who visit this blog: Happy Father's Day!

Happy Mother's Day! from Negromancer

Yes, I wish a Happy Mother's Day to my own mother (Hi, Mama!) and my sisters:  Tracy, Laura, and Liz.  I also wish a Happy Mother's Day to Debbie, Megan, Rachel, Mrs. Dupuy, Mrs. Bob McLeod, all my relatives who are mothers, and all those others I just can't think of right now.

And a Happy Mother's Day to you, dear readers, who are mothers, grandmothers, aunts, sisters, foster mothers, and others who provide a mother's touch.

It's a Very Merry (Negromancer) Christmas

Be good to each other.  Happy Holidays! Remember the less fortunate.

Merry Christmas!

Happy Mother's Day, Mom

And a Happy Mother's Day! to all the mothers, daughters, sisters, aunts and to the baby mamas and the baby mama's mamas and the baby mama's mama's mamas... mama's mamas

Seriously, Happy Mother's Day.