Review: 1940 "Pride and Prejudice" is Bubbly (Remembering Jane Austen)

TRASH IN MY EYE No. 243 (of 2006) by Leroy Douresseaux

Pride and Prejudice (1940) – B&W
Running time:  118 minutes (1 hour, 58 minutes)
DIRECTOR:  Robert Z. Leonard
WRITERS:  Aldous Huxley and Jane Murfin (based upon Helen Jerome’s dramatization of Jane Austen’s novel)
PRODUCER:  Hunt Stromberg
CINEMATOGRAPHER:  Karl Freund
EDITOR:  Robert Kern
COMPOSER:  Herbert Stothart
Academy Award winner

COMEDY/DRAMA/ROMANCE

Starring:  Greer Garson, Laurence Olivier, Mary Boland, Edna May Oliver, Maureen O’Sullivan, Ann Rutherford, Frieda Inescort, Edmund Gwenn, Karen Morely, Heather Angel, Marsha Hunt, Bruce Lester, Edward Ashley, and Melville Cooper

The subject of this movie review is Pride and Prejudice, a 1940 comedy, drama, and romance from director Robert Z. Leonard (The Great Ziegfeld).  The film is based on Pride and Prejudice, the novel by Jane Austen that was first published in 1813.

However, the screenplay is adapted from Pride and Prejudice: A Sentimental Comedy Written in Three Acts.  This was a stage adaptation of Austen’s novel that was written by Helen Jerome and was played on Broadway in 1935.  Aldous Huxley, the English writer who is best known for his novel, Brave New World (1932), is one of this film’s two screenwriters.  The 1940 film also deviates from the novel, including a change in the time period in which the story takes place.

Status-conscious Mrs. Bennet (Mary Boland) is eager to marry her five daughters, while Mr. Bennet (Edmund Gwenn) would just love a peaceful home.  The Bennets however are middle class and “penniless,” so when two upper class men become interested in her eldest daughters, Elizabeth (Greer Garson) and Jane (Maureen O’Sullivan), a furious class war begins.

The strong-willed Elizabeth or Lizzy runs up against the proud and arrogant Mr. Darcy (Laurence Olivier), a man with a large fortune.  Jane falls for Charles Bingley (Bruce Lester), whose sister, Caroline (Frieda Inescort), holds the Bennets in disdain.  Although she continuously rebuffs her suitor, Lizzy can’t help but be attracted to the smoldering Darcy, even if she is prejudiced against his prideful ways.

Warner Bros.’s DVD box set of MGM literary adaptation, Motion Picture Masterpieces, offers many delights, and I’ve been waiting a long time for one in particular: Pride and Prejudice, MGM’s adaptation of Jane Austen’s much-loved (and much filmed) novel.  This version is largely unfaithful to Austen’s book (being as the movie is adapted from an adaptation of the original novel), but this is still highly entertaining.  The film is a comic romance and light drama, with Austen’s biting insults turned into witty banter fit for a comedy and romance.  Mannered melodrama also passes as dramatic turmoil and conflict.  Still, this lively movie almost makes one forget literary accuracies.  I found myself thrilling to the amusing twists, childish feuds, and slight class warfare, as I waited for the inevitable happy ending.

Greer Garson plays Lizzy Bennet as a strong and independent woman who can give both severe and playful rebukes.  Initially, Laurence Olivier’s Mr. Darcy comes across as supremely aloof.  That is before he turns the character more benign than petty, and Darcy’s off-putting aloofness becomes delightfully aloof.  Until the 1990’s, Olivier can be considered the supreme cinematic interpreter of an Austen male character.

Surprisingly, MGM, in a bid to keep Pride and Prejudice’s budget modest, reused many of the costumes Walter Plunkett designed for Gone with the Wind, so some of women of Pride and Prejudice look like Southern belles.  However, famed MGM designer Adrian created gowns for the film’s principals, and Gile Steele designed handsome and lavish suits for the men.  Pride and Prejudice won an Oscar for its art direction (for a black and white film), and the movie’s setting and backdrops represent the best of what MGM’s 1930’s-40’s dream factory could do when it came to production values.

So when such gorgeous production values are added to witty repartee, lovable characters, and bubbly comic romance, the viewer usually gets a winner and that is what Pride and Prejudice is – a winner and a personal favorite of mine.

7 of 10
A-

Tuesday, November 28, 2006

Updated:  Friday, July 18, 2014

NOTES:
1941 Academy Awards, USA:  1 win: “Best Art Direction, Black-and-White” (Cedric Gibbons and Paul Groesse)

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Review: 2005 Take on "Pride & Prejudice" is a Winning Romance (Happy B'day, Keira Knightley)

TRASH IN MY EYE No. 103 (of 2006) by Leroy Douresseaux


Pride & Prejudice (2005)
COUNTRY OF ORIGIN: France/UK
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG for some mild thematic elements
DIRECTOR: Joe Wright
WRITER: Deborah Moggach (from the novel by Jane Austen)
PRODUCERS: Tim Bevan, Eric Fellner, and Paul Webster
CINEMATOGRAPHER: Roman Osin (director of photography)
EDITOR: Paul Tothill
Academy Award nominee

ROMANCE/COMEDY/DRAMA

Starring: Keira Knightley, Rosamund Pike, Jena Malone, Talulah Riley, Carey Mulligan, Brenda Blethyn, Simon Woods, Matthew Macfadyen, Tom Hollander, and Donald Sutherland, Kelly Reilly, Tamzin Merchant, and Judi Dench

The subject of this movie review is Pride & Prejudice, a 2005 British romance film. This French-British production is an adaptation of Jane Austen’s novel, Pride and Prejudice, which was first published in 1813. The 2005 movie was the second time the book had been adapted as a feature film, while there have been numerous television adaptations, including a few in non-English speaking countries.

Mrs. Bennet (Brenda Blethyn) has five daughters: the radiantly beautiful Jane (Rosamund Pike, who is, of course, radiantly beautiful), the spirited Elizabeth or Lizzie (Keira Knightley), the feuding Mary (Talulah Riley) and Kitty (Carey Mulligan), and Lydia (Jena Malone), and the girls are well aware of their mother’s fixation on finding them husbands and securing their futures financially. Thus, begins a story of love, misunderstandings and class divisions in England in the 18th century.

The excitement and drama begins when a wealthy bachelor, Mr. Bingley (Simon Woods), takes up residence in a mansion near the Bennets’ home. Serene and beautiful, Jane catches the eye of Mr. Bingley. Meanwhile, Lizzie catches the eye of her distant cousin, Mr. Collins (Tom Hollander), who, as the nearest male relative, will inherit the Bennets’ home upon the death of Mr. Bennet (Donald Sutherland). Lizzie refuses his offer of marriage, with support of her father who dotes on her, but angers her mother.

Mr. Bingley has an even wealthier friend, the snobbish Mr. Darcy (Matthew Macfadyen). There is something between Lizzie and Mr. Darcy, but their many spirited and often quarrelsome encounters are not an encouragement for union. When Mr. Bingley abruptly leaves for London, Lizzie blames Mr. Darcy for contributing to what seemed like a likely marriage between Jane and Bingley. However, a crisis with the youngest daughter Lydia opens Lizzie’s eyes to what Mr. Darcy is really like. The fuss and confusion leaves no one unchanged, and forces each person to examine personal beliefs, but will it bring Mr. Bingley and Jane and Lizzie and Mr. Darcy together?

Working Title Films’ (Bridget Jones’s Diary, Love Actually) production of Pride & Prejudice is the first theatrical film version of Jane Austen’s classic 1813 novel in 65 years (since a 1940 film starring Greer Garson and Laurence Olivier). Director Joe Wright presents Austen’s novel of first impressions and the issues surrounding courtship and marriage among the landed gentry as a comic romance that satires the politics and procedures of engagements while still tugging at our heartstrings. If the film bears more than a striking resemblance to Ang Lee’s 1995 Jane Austen adaptation, Sense and Sensibility, it’s because Emma Thompson, who wrote and starred in that film, reportedly did extensive rewriting of Deborah Moggach’s screenplay for this film.

However, Sense and Sensibility was a somber drama with comic touches, while Pride and Prejudice is thoroughly romantic and comic. There are moments of serious contemplation and ugly class confrontation, but for the most part there’s comedy in the romantic goings-on. Dario Marianelli’s score, highlighted by lush and swirling piano melodies, capture both the mood of sweeping romance and sly comedy. The production values (costume, art direction, photography) juxtaposes the different environments: middle class and upper class, impeccably clean mansions and dusty middle class farmhouses with startling frankness that makes the audience understand how wide the division between classes was. It makes it easier to laugh at how Lizzie keeps missing the obvious about Mr. Darcy and at how Mr. Darcy seems so befuddled and clumsy for all that he shows arrogance and conceit on the surface. We can both laugh at and deeply appreciate Mrs. Bennet’s desperation in obtaining financial security for her daughters in the form of husbands who, if not well-to-do, have solid professions.

The performances are remarkable in that they fit a comedy so very well, although they would seem too light and flimsy were this straight drama. If Keira Knightley initially came across as wrong for the part in a Jane Austen adaptation, she proves that wrong. Her high-spirited, tomboyish persona and droll comic wit (which isn’t obvious unless you really pay attention to her in other movies) bring Lizzie to life as a fully realized, three-dimensional, rich character. Knightley understands the tone director Joe Wright set for his adaptation of Pride & Prejudice, and she meets it in this winning romance.

9 of 10
A+

NOTES:
2006 Academy Awards: 4 nominations: “Best Performance by an Actress in a Leading Role” (Keira Knightley), “Best Achievement in Art Direction” (Sarah Greenwood-art director and Katie Spencer-set decorator), “Best Achievement in Costume Design” (Jacqueline Durran), and “Best Achievement in Music Written for Motion Pictures, Original Score” (Dario Marianelli)

2006 BAFTA Awards: 1 win: “Carl Foreman Award for the Most Promising Newcomer” (Joe Wright-director); 5 nominations: “Alexander Korda Award for Best British Film” (Tim Bevan, Eric Fellner, Paul Webster, Joe Wright, and Deborah Moggach), “Best Costume Design” (Jacqueline Durran), “Best Make Up/Hair” (Fae Hammond), “Best Performance by an Actress in a Supporting Role” (Brenda Blethyn), and “Best Screenplay – Adapted” (Deborah Moggach)

2006 Golden Globes: 2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actress in a Motion Picture - Comedy or Musical” (Keira Knightley)

Tuesday, May 16, 2006

Review: "Sense and Sensibility" is Still a Gem (Happy B'day, Emma Thompson)

TRASH IN MY EYE No. 86 (of 2006) by Leroy Douresseaux

Sense and Sensibility (1995)
Running time: 136 minutes (2 hour, 16 minutes)
MPAA – PG for mild thematic elements
DIRECTOR: Ang Lee
WRITER: Emma Thompson (based upon the novel by Jane Austen)
PRODUCER: Lindsay Doran
CINEMATOGRAPHER: Michael Coulter
EDITOR: Tim Squyres
Academy Award winner

DRAMA/ROMANCE

Starring: Emma Thompson, Kate Winslet, Alan Rickman, Hugh Grant, Gemma Jones, Greg Wise, Elizabeth Spriggs, Emilie François, Robert Hardy, James Fleet, Harriet Walter, Ian Brimble, Hugh Laurie, Imelda Staunton, Imogen Stubbs, and Tom Wilkinson

Elinor Dashwood (Emma Thompson) and her romantically inclined sister, Marianne (Kate Winslet), search for marriage amid 19th century etiquette, ethics, and class. Their troubles begin when their father, Mr. Dashwood (Tom Wilkinson), dies, but by law, their half-brother, John Dashwood (James Fleet), from Mr. Dashwood’s first marriage, inherits the country estate in which the sisters live with their mother, Mrs. Dashwood (Gemma Jones), and younger sister, Margaret (Emilie François). Although he has a home in London, John wants the estate for him and his wife, Fanny (Harriet Walter). Shortly after John and Fanny arrive, they get a visit from Edward Ferrars (Hugh Grant), Fanny’s older brother. Elinor strikes up a intimate friendship with the aspiring clergyman, but they must part when Elinor and her family have to vacate the estate to John.

The Dashwoods find a small cottage belonging to a distant relative, Sir John Middleton (Robert Hardy), who lives nearby with his mother-in-law, the very friendly, but prying Mrs. Jennings (Elizabeth Spriggs). It is at their new home where Marianne charms two suitors – the staid Colonel Brandon (Alan Rickman) and the lively and vigorous, John Willoughby (Greg Wise). Marianne prefers the dashing Willoughby over the older Col. Brandon. Meanwhile, Elinor braves the choppy straights of a circuitous courtship with Edward, whose heart has been promised many years prior to another young woman. However, the Dashwoods’ lack of a fortune affects Elinor and Marianne’s ability to find suitable husbands among their social set, so the sisters face heartbreak and triumphant as dark and old secrets are revealed.

Sense and Sensibility is an excellent and splendidly produced costume drama. It is better than most 19th century period dramas produced for film or television (British TV, in particular), although I wouldn’t put it up with the Merchant/Ivory production, Howard’s End. As usual, the technical aspects of the film are good, in particular the costumes and makeup. The sets and locations are a little more grounded in reality than is normal for a 19th century English period piece. This movie isn’t all pristine chambers and lavishly furnished estates. The characters deal with living in poorly heated homes, dirt and dust, and horse manure in the streets.

Critics and fans were shocked that a Chinese director, Ang Lee (up until that time not well known except to art house fans), could direct a British costume drama. However, he simply does, and brings fresh touches to the genre. The film is as natural and as passionate as it is refined and aloof. There is an emotional edge that makes the film engage the audience more than costume dramas normally do. The laughs are heartier; the snobbery is more savage and hurtful; the disappointment more bitter; and the romance more urgent – this is Ang’s touch. One can see that Elinor (expertly played by Emma Thompson, who won an Oscar for adapting Jane Austen’s novel) is as hearty and as resolute as she is reserved. The film’s best performance comes from Kate Winslet, who brings a raw insistence to her pursuit of her man; she’s like a real teenage girl.

The movie’s veracity is the cherry on top that makes Sense and Sensibility a memorable and exceptional costume drama.

9 of 10
A+

NOTES:
1996 Academy Awards: 1 win” “Best Writing, Screenplay Based on Material from Another Medium” (Emma Thompson); 6 nominations: “Best Actress in a Leading Role” (Emma Thompson), “Best Actress in a Supporting Role” (Kate Winslet), “Best Cinematography” (Michael Coulter), “Best Costume Design” (Jenny Beavan and John Bright), “Best Music, Original Dramatic Score” (Patrick Doyle), and “Best Picture” (Lindsay Doran)

1996 BAFTA Awards: 3 wins: “Best Film” (Lindsay Doran and Ang Lee), “Best Performance by an Actress in a Leading Role” (Emma Thompson), “Best Performance by an Actress in a Supporting Role” (Kate Winslet); 9 nominations: “Anthony Asquith Award for Film Music” (Patrick Doyle), “BAFTA Film Award Best Cinematography” (Michael Coulter), “Best Costume Design” (Jenny Beavan and John Bright), “Best Make Up/Hair” (Morag Ross and Jan Archibald), “Best Performance by an Actor in a Supporting Role” (Alan Rickman), “Best Performance by an Actress in a Supporting Role” (Elizabeth Spriggs), “Best Production Design” (Luciana Arrighi), “Best Screenplay – Adapted” (Emma Thompson), and “David Lean Award for Direction” (Ang Lee)

1996 Golden Globes: 2 wins: “Best Motion Picture – Drama,” and “Best Screenplay - Motion Picture” (Emma Thompson); 4 nominations: “Best Director - Motion Picture” (Ang Lee), “Best Original Score - Motion Picture” (Patrick Doyle), “Best Performance by an Actress in a Motion Picture – Drama” (Emma Thompson), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Kate Winslet)

Friday, April 21, 2006

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