Support Leroy on Patreon.
ECO - From YahooNews: A zombie apocalypse would wipe out humanity in 100 days.
----------
TELEVISION - From YahooTV: Comedy duo, Key and Peele, bring back one of their most popular routines, the "Obama anger translator," for one last hurrah.
----------
LGBT - From Variety: Sony Pictures Classics buys hot gay love story, "Call Me by Your Name," before it makes its Sundance 2017 debut.
----------
CELEBRITY - From YahooCelebrity: After battling a mysterious illness, Val Kilmer makes his first red carpet appearance in over a year.
----------
MOVIES - From Variety: Ralph Fiennes and Hugh Laurie are joining Will Ferrell and John C. Reilly's "Holmes and Watson."
----------
MOVIES - From Variety: Keegan-Michael Key joins the cast of "The Predator" (the reboot of the Predator film franchise). The film is due February 2018.
----------
TELEVISION - From TheWrap: Kirsten Dunst will star and executive produce with George Clooney a dark comedy for AMC, entitled "On Becoming a God in Central Florida."
----------
OBIT - From Variety: The actress Francine York has died at the age of 80, Friday, January 6, 2017. She has more than 150 film and TV credits. That includes an appearance in the cult film, "The Doll Squad" and playing Lydia Limpet, the hench-woman of the Bookworm on the 1960s "Batman" TV series.
From Variety: Veteran Indian actor, Om Puri, has died at the age of 66, Friday, January 6, 2017. You might recognize a younger him in the Oscar-winning "Gandhi."
----------
POLITICS - From NYDailyNews: Ann Coulter hits rock bottom, but at least we learn that she is a Nazi-Bitch.
----------
CELEBRITY-STAR WARS - From YahooCelebrity: "People" offers details into the memorial for Carrie Fisher held, Thursday, January 5, 2016.
----------
COMICS-FILM - From THR: In "Thor: Ragnarok," Thor and Hulk will fight in the gladiator ring.
----------
COMICS-FILM - From THR: Sterling K. Brown, who had a star-making turn in FX's "The People v O.J. Simpson: American Crime Story," has joined the cast of Marvel Studios' "Black Panther."
----------
TELEVISION - From Deadline: The team behind the TV series, "Jane the Virgin," is working on a reboot of "Charmed," The WB TV series that ran from 1998 to 2006.
----------
CELEBRITY - From People: Jessica Biel and husband Justin Timberlake's antics at a recent Los Angeles Lakers game cause a stir.
----------
AWARDS - From TheWrap: Writers Guild of America has announced its WGA nominees for 2016.
----------
MOVIES - From THR: Rachel McAdams and Jason Batemon are teaming for the comedy, "Game Night."
----------
MOVIES - From TheWrap: Sylvester Stallone and Adam Driver (Kylo Ren in "The Force Awakens") are teaming for the film project, "Tough as They Come."
----------
OBIT - From Variety: George Kosana has died at the age of 81, Monday, January 2, 2017. Kosana's most famous role was as "Sheriff McClelland" in "Night of the Living Dead." He was also one of 10 investors originally involved in the film.
----------
CELEBRITY - From YahooCelebrity: Although Angelina Jolie has agreed to Brad Pitt's request to keep divorce documents concerning child custody sealed, she says that he is terrified that the truth will come out. What truth, girl?
----------
CELEBRITY - From YahooNews: There was apparently a fight at the funeral of comedian Ricky Harris on Tuesday, January 3, 2017. Comedian/actress Sherri Shepherd filmed the bout. Harris, known for his recurring role on "Everybody Hates Chris," died Monday, December 26, 2016.
----------
CELEBRITY - From CNN: 50-year-old Janet Jackson has given birth to a baby boy.
----------
LGBT - From YahooNews: Anti-gay bigot, Kim Burrell, will not appear on "The Ellen DeGeneres Show" as scheduled.
----------
NEWS - From YahooNews: FOX News hosts Megyn Kelly is moving to NBC.
From YahooNews: Is Kelly's departure a catastrophe for Fox?
----------
STAR WARS - From YahooNews: Actress Joely Fisher, sister of Carrie Fisher, says "We lost our hero."
----------
BOX OFFICE - From BoxOfficeMojo: "Rogue One" won the three-day New Year's weekend box office, 12/30/2016 to 1/1/2017, with an estimated take of $49.5 million. Over the four-day New Year's holiday weekend, which includes Monday, 1/2/2017, "Rogue One" took in $64.3 million.
----------
COMICS-FILM - From BleedingCool: Leslie Jones, of "Saturday Night Live" and the recent "Ghostbusters" reboot, is campaigning to be Ryan Reynolds sidekick in "Deadpool" sequel.
----------
COMICS-ANIMATION - From BleedingCool: Miles Morales (the "Black" Spider-Man) and Spider-Gwen are featured prominently in merchandising for upcoming Spider-Man Disney XD animated series.
----------
COMICS-FILM - From Variety: Ben Affleck seems ambivalent about directing his superhero movie, "The Batman," according to some.
----------
COMICS-FILM - From SlashFilm: Just two months off his big screen debut, Marvel's Doctor Strange has been confirmed to appear in Marvel Studios' "Thor: Ragnarok."
----------
MOVIES - ThePlaylist: Ridley Scott worries about the future of cinema. Says that he has been asked several times to direct superhero movies.
----------
MOVIES - From Deadline: Don Cheadle talks about his 10-year quest to bring the life of Miles Davis to the big screen.
----------
CELEBRITY - From Deadline: A photo gallery of film, TV, and media people who died during 2016.
----------
BOX OFFICE - From Variety: "Rogue One" ($50 million) and "Sing" ($41.4) are topping the New Year's Day holiday weekend so far.
----------
OBITUARY - From Variety: The actor William Christopher has died at the age of 84, Saturday, December 31, 2016. He was best known for playing "Father John Mulcahy" on the long-running TV series, "M*A*S*H."
----------
DISNEY - From BleedingCool: Tyrus Wong, an acclaimed Disney artist, has died at the age of 106, Friday, December 30, 2016. Named a "Disney Legend" in 2001, Wong's paintings were the inspiration for Walt Disney's animated feature film, "Bambi."
TRAILERS AND VIDEOS:
From YouTube: The video for "In My Foreign," the lead single from the "xXx: The Return of Xander Cage" soundtrack.
From YouTube: Just cause I like it, here is another chance to see A.O.A.'s "Afraid of Americans," a remake of a 1990s David Bowie song.
Showing posts with label Jessica Biel. Show all posts
Showing posts with label Jessica Biel. Show all posts
Saturday, January 7, 2017
Wednesday, January 1, 2014
Review: "Stealth" Has Plenty of Cool Moments (Happy B'day, Richard Roxburgh)
Stealth (2005)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – PG-13 for intense action, some violence, brief strong language, and innuendo
DIRECTOR: Rob Cohen
WRITER: W.D. Richter
PRODUCERS: Mike Medavoy, Laura Ziskin, and Neal H. Moritz
CINEMATOGRAPHER: Dean Semler
EDITOR: Stephen Rivkin
COMPOSER: BT
SCI-FI/ACTION/THRILLER with elements of war
Starring: Josh Lucas, Jessica Biel, Jamie Foxx, and Sam Shepard, Joe Morton, Richard Roxburgh, David Miller, and Wentworth Miller (voice)
The subject of this movie review is Stealth, a 2005 science fiction and action thriller from director Rob Cohen (The Fast and the Furious, xXx). The film follows three pilots, who are part of a top-secret military program, and their struggle to control an artificial intelligence used to operate a robotic stealth aircraft.
Lt. Ben Gannon (Josh Lucas), Kara Wade (Jessica Biel), and Henry Purcell (Jamie Foxx) are three Navy pilots deeply ensconced in a top-secret military program that tests the next generation in fighter jets, the Talon. The trio tests their Talons in preparation for strategic air strikes against terrorists and their leaders, and the strikes have to be dead perfect in order to absolutely minimize collateral damage, i.e. civilian deaths. However, the pilots are saddled with a fourth jet; called EDI (voice of Wentworth Miller), the jet is unmanned, and is instead run by an artificially intelligent computer. After being struck by lightning, EDI really develops a mind of its own and begins choosing its own targets. Gannon, Wade, and Purcell must stop EDI before he/it starts a world war.
Rob Cohen, the man who directed The Fast and the Furious and xXx, brings us Stealth, and if The Fast and The Furious and Top Gun had a sci-fi baby, Stealth would be it. Although the script by W.D. Richter borrows heavily from films such as the aforementioned Top Gun and also 2001: A Space Odyssey, Stealth is pure fun, packing all the eye-popping, adrenaline-rush, video game style action movie thrills of Cohen’s earlier films. The dialogue is lame, and the acting is suspect, very much so at the beginning (don’t look for Jamie Foxx to come anywhere near the magic of his Oscar-winning performance in Ray); however, by the time we reach the middle of the film the cast is deep into action movie mode, spouting lines of intense dialogue and emoting just the way they should for a military thriller.
Stealth may be a throwaway summer action blockbuster, but like films such as Con Air, Face/Off, and Cohen’s other hit action flicks, this movie delivers, and it looks great on the big screen. The jet flight sequences and battle scenes are thrilling; if you really dig such movies, this is a must see on the big screen. Some may say that Stealth plays lightly with the consequences of dropping bombs on civilian populations and jets shooting missiles down from the sky, but this vicarious thrill is some of the best fun one can have at war games with nothing more than your eyes and neck strained or hurt. Think of this as The Fast and the Furious of near future air combat, and sit back and enjoy the ride because Stealth can cure most any need for speed.
7 of 10
B+
Updated: Wednesday, January 01, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Wednesday, July 31, 2013
Review: "Blade: Trinity" is An Average End to a Special Franchise (Happy B'day, Wesley Snipes)
TRASH IN MY EYE No. 240 (of 2004) by Leroy Douresseaux
Blade: Trinity (2004)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for strong pervasive violence and language, and some sexual content
DIRECTOR: David S. Goyer
WRITER: David S. Goyer (based upon characters by Marv Wolfman and Gene Colan)
PRODUCERS: Wesley Snipes, Peter Frankfurt, Lynn Harris, and David S. Goyer
CINEMATOGRAPHER: Gabriel Beristain
EDITORS: Conrad Smart and Howard E. Smith
COMPOSERS: Ramin Djawadi and The RZA
ACTION/HORROR/FANTASY
Starring: Wesley Snipes, Kris Kristofferson, Ryan Reynolds, Jessica Biel, Parker Posey, Cascy Beddow, Dominic Purcell, Triple H (Paul Michael Levesque), Natasha Lyonne, Eric Bogosian, Vitaly Kravchenko, James Remar, and Patton Oswalt
The subject of this movie review is Blade: Trinity, a 2004 vampire horror and superhero action movie from writer-director David S. Goyer. It is the third and final movie in the Blade film series produced by New Line Cinema. Blade: Trinity finds Blade a wanted man by the FBI and forced to unite with a band of vampire hunters called the Nightstalkers in order to battle his most challenging opponent ever, Dracula.
Early in Blade: Trinity, a group of vampires by led nasty girl vamp princess, Danica Talos (Parker Posey), awakens the original vampire, Dracula (Dominic Purcell), who is buried deep within a pyramid in Iraq. Apparently, the vampires are desperate to rid themselves of their mortal enemy, the vampire hunter, Blade (Wesley Snipes), aka the Daywalker, and hope Dracula, who goes by the name Drake, will defeat Blade. Meanwhile, Danica and her crew have also set Blade up so that he mistakenly kills a human he thinks is a vampire. The murder sets the corrupt police and media against him. The FBI track Blade to his new lair and launch an attack. During the strike, Blade’s mentor, father figure, and weapons creator, Abraham Whistler (Kris Kristofferson), is killed, and the FBI captures Blade.
Enter The Nightstalkers, a group of human vampire hunters, Blade never knew existed. One of them is Abigail Whistler (Jessica Biel), Abraham Whistler’s out-of-wedlock daughter, and she is an ass-kicking, bow-hunting babe who doesn’t flinch from going toe to toe with bloodsuckers. Add a third partner to Blade and Abigail, and you have a trinity. The third player is the buff, wise-cracking Hannibal King (Ryan Reynolds), who was once turned into a vampire, and later cured by Abigail. Together, the trio must hunt down Drake and his vampire cabal and stop them from implementing the vampire final solution against humanity.
Blade: Trinity is the least in terms of quality of the three Blade films, but it still manages to be a thrill (sometimes). Writer/director David S. Goyer (who also wrote the screenplays for the previous Blade films) and cinematographer Gabriel Beristain (who also shot Blade II) were also determined to make this film look different from the previous two. Blade: Trinity looks like an extended music video, but the photography has the crystal clear quality of digital video, so much so that the film looks like a television program shot in high definition. Goyer also dropped a lot of the muddy and murky CGI that didn’t always work in Blade II.
It’s the performances that really hamper Blade: Trinity; in fact, it wouldn’t be too mean to say that the acting is atrocious. Wesley Snipes always played Blade as stoic, with little to say except for a few lines delivered in a thuggish monotone. However, Snipes is often too stiff, here. He’s is too “in character,” and that keeps Blade from interacting with the other characters. Granted Blade is a loner, but he goes overboard this time. There are huge segments in this film in which he hardly utters more than a few grumbles. Thankfully, towards the end of the film, he does come to life as a badass delivering the kind of lines that would fit right into a blaxtiploitation or Quentin Tarantino movie.
Ryan Reynolds really tries to liven up this film as Hannibal King, but rarely is anybody up to his challenge. His lines are always funny, but often fall flat or are lost in the moroseness of the rest of the cast. Jessica Biel is almost undead herself in this film, but she’s fine and pretty and moves well; that saves her performance (a little). Parker Posey is miscast and is made up to look like an ugly, pasty-white trash, hag vampire. Though she has a (very) few moments, she’s simply annoying. If Dominic Purcell gets anything out of this film, it’s that he’s one of the worst and least intriguing Dracula’s in cinema history; that would include Dracula’s that have appeared in Scooby-Doo cartoons and other Hanna-Barbera animated programs.
The stiff (non) acting is what makes Blade: Trinity seem so listless and clunky for about half the film’s running time – that and the fact that the vampires spend most of the time brooding and hiding in their tacky skyscraper/palace. Blade: Trinity is as much a hunt as it is a waiting game, but the waiting is the hardest part. The film is pretty to look at, and the film score (co-written by The RZA of The Wu-Tang Clan who also co-wrote music for Tarantino’s Kill Bill films) and soundtrack are killer. But for all the credit I give Goyer, the film’s plot is… dumb and stretched thin, and falls apart to almost nonexistence. At times, the film is lethargic and meanders, playing a waiting game until the final act. Though I love Blade, even I have to admit that unless you’re a fan of the series, you can catch this one when it’s on home video.
5 of 10
B-
Update: Wednesday, July 31, 2013
----------------------------------
-----------------------------------
Tuesday, June 18, 2013
Review: "Texas Chainsaw Massacre" Remake Just a Remake
The Texas Chainsaw Massacre (2003)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong horror violence/gore, language and drug content
DIRECTOR: Marcus Nispel
WRITER: Scott Kosar (based upon the original screenplay by Kim Henkel and Tobe Hooper)
PRODUCERS: Michael Bay and Mike Fleiss
CINEMATOGRAPHER: Daniel C. Pearl (D.o.P.)
EDITOR: Glen Scantlebury
COMPOSER: Steve Jablonsky
Razzie Awards nominee
HORROR
Starring: Jessica Biel, Jonathan Tucker, Erica Leerhsen, Mike Vogel, Eric Balfour, Andrew Bryniarski, David Dorfman, Lauren German, Terrence Evans, Marietta Marich, Heather Kafka, Kathy Lamkin, Brad Leland, Mamie Meek, and John Larroquette (voice)
The Texas Chainsaw Massacre, the 2003 remake of the 1974 horror film classic, is a by-the-books horror film with a few pages missing. It’s scary, and has all the requisite bumps. All jokes aside, there are some really intense moments. It seems that the idea of a chainsaw-wielding maniac chasing people, even fictional ones, is really unsettling. The characters here, however, seem a bit too dumb, and the film also has too many throwaway characters that could have been left out of the film.
The story is basically the same. Five teenagers or young people take the back roads of rural Texas to trouble where they encounter a monstrous killer who murders his victims with a chainsaw. In the original film, the kids took a detour to visit an old family estate of one of the youths. This time around, the gang gets sidetracked when they encounter a young woman wandering in a semi-daze along the road. After she kills herself, the kids look for help from the local law, and that’s how they set themselves up for gruesome deaths.
If the original TCM can be seen as a work of art in the horror genre, the remake is simply product – a professionally done movie meant to separate teens and other horror fans from their cash. There are no artistic pretensions here. It’s not half bad, and actually quite intense, creepy, and skin crawling during most of the movie. Having the cinematographer of the original film, Daniel Pearl, return to photograph this movie was an excellent choice by the producers. Pearl creates some spine-chilling and hair-raising shots in this movie that help to sell the film’s horrific atmosphere.
I have mixed feelings about the cast, but Jessica Biel is a champ and does a star turn in this film. The Texas Chainsaw Massacre 2003 is an easy recommendation for any and all who like scary movies.
5 of 10
C+
NOTES:
2004 Razzie Awards: 1 nomination: “Worst Remake or Sequel”
Tuesday, March 12, 2013
2013 Sundance London Feature Film and Panel Programmes
Sundance London Film and Music Festival - April 25 to 28, 2013:
FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.
Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere
Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere
Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere
God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere
In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere
The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere
The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere
Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere
Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere
Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere
Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere
SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.
History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere
Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere
Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere
UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.
In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere
The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere
The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere
The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)
SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.
The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere
Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere
The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.
Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.
Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere
Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.
Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere
Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere
The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere
PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.
The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.
Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.
Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.
FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.
Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere
Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere
Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere
God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere
In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere
The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere
The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere
Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere
Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere
Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere
Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere
SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.
History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere
Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere
Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere
UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.
In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere
The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere
The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere
The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)
SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.
The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere
Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere
The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.
Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.
Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere
Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.
Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere
Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere
The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere
PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.
The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.
Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.
Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.
Thursday, March 8, 2012
Review: "The Rules of Attraction" Breaks Rules (Happy B'day, James Van Der Beek)
TRASH IN MY EYE No. 49 (of 2003) by Leroy Douresseaux
The Rules of Attraction (2002)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – R for strong sexual content, drug use, language and violent images (edited for re-rating)
DIRECTOR: Roger Avary
WRITER: Roger Avary (based upon the novel by Bret Easton Ellis)
PRODUCER: Greg Shapiro
CINEMATOGRAPHER: Robert Brinkmann
EDITOR: Sharon Rutter
COMPOSERS: tomandandy
DRAMA
Starring: James Van Der Beek, Ian Somerhalder, Shannyn Sossamon, Jessica Biel, Kate Bosworth, Jay Baruchel, Clifton Collins, Jr., Faye Dunaway, Swoosie Kurtz, Eric Stoltz, Fred Savage, and Kip Pardue
Roger Avary’s (who won an Oscar for co-writing Pulp Fiction) film The Rules of Attraction, an adaptation of Bret Easton Ellis’s novel of the same name, initially received an NC-17 rating before being edited to an R, and I have to say that I’d be afraid to see the “harsher” version that was too much for the tepid appetites of the MPAA rating board. It’s an apocalyptic love story about a love triangle involving three very self-absorbed students at a small New England college. It’s not for everyone, but it’s a bracing movie that throws safe filmmaking conventions to the wind and takes the viewer on a helter-skelter ride into the lust lives of hedonistic youth.
Paul Denton (Ian Somerhalder) is in love with Sean Bateman (James Van Der Beek, Varsity Blues, “Dawson’s Creek”), while Sean is in love with Lauren Hynde (Shannyn Sossamon) who is in love with the mostly absent Victor Johnson (Kip Pardue). Sean and Lauren manage to cobble up some kind of relationship, and while Sean really starts to dig Lauren, he can’t help but screw it up. Meanwhile, the beautiful, bisexual Paul has the extreme hots for Sean, but Sean barely even notices him. So Paul pursues; Sean pursues, and Lauren kind of pursues, but she’s in sort of a zone of indecision – attracted to Sean and pining for Victor.
The novel was apparently told from several points of view, so to keep that spirit, Avary breaks linear time, shifts between varying points of view, compares and contrasts POV, and allows interior communication between character and viewer. In Sean’s case, we get a jumble and confusing mess of interior monologues that serve to establish his inability to relate to others beyond his need of them. Avary gives the film the running theme of that no one really ever knows anyone else and that maybe people don’t really want other people to know them. And to ask another for such an intimate entry is looked upon as disingenuous. Each character is so caught up in his desire for his object of attraction that he never really tries to know that person.
The Rules of Attraction is a fascinating, satiric, and darkly comic look at attraction and at obtaining the object of attraction. If it has a fault, it’s is that the film lapses into small, but periodic dry spells and moments of pointless observation that stop the movie instead of moving the story forward. However, the acting is very good, particular Van Der Beek in one of those roles that supposed to show the world that the pretty boy actor can be grim and gritty.
If there are rules of attraction, no one here seems to know them; the characters seem to play it by the seats of the pants they’re so quick to drop. I love this film. It’s a stunning visual testament to the ugliness and unbridled power of pursuit, a love story that’s different yet uncomfortably familiar.
7 of 10
B+
-----------------------
Saturday, March 3, 2012
Review: "The Illusionist" Casts a Spell (Happy B'day, Jessica Biel)
The Illusionist (2006)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for some sexual and violent content
DIRECTOR: Neil Burger
WRITER: Neil Burger (based upon the short story “Eisenheim the Illusionist” by Steven Millhauser)
PRODUCERS: Michael London, Brian Koppelman, David Levien, and Bob Yari & Cathy Schulman
CINEMATOGRAPHER: Dick Pope, BSC
EDITOR: Naomi Geraghty
2007 Academy Award nominee
DRAMA/FANTASY/MYSTERY/ROMANCE
Starring: Edward Norton, Paul Giamatti, Jessica Biel, Rufus Sewell, Eddie Marson, Jake Wood, Tom Fisher, Karl Johnson, Eleanor Tomlinson, and Aaron Johnson
The subject of this movie review is The Illusionist, a 2006 period drama written and directed by Neil Burger. Burger loosely bases his screenplay on “Eisenheim the Illusionist,” a 1989 short story by Pulitzer Prize-winner, Steven Millhauser.
When he was a boy, Eduard Abramovicz (Aaron Johnson) fell in love with the Duchess Sophie von Teschen (Eleanor Tomlinson) an aristocrat well above his social standing. Her parents kept them apart, so Eduard left his home and traveled the world. Early 1900’s, Eduard returns to Vienna as Eisenheim the Illusionist (Edward Norton), an extraordinary conjurer and master magician. During one of his performances, Eisenheim fatefully encounters the Duchess (Jessica Biel), now a beautiful young woman engaged to marry Crown Prince Leopold (Rufus Sewell). Eisenheim employs his powers to win back her love, which is not necessary, as she never stopped loving him.
While Sophie is smitten with Eisenheim, Leopold feels threatened by the stage magician’s strange tricks, and attempts to apply cold logic to expose what he sees as Eisenheim’s scams. Leopold, however, has a history of abusing his female companions, and his apparent assault of Sophie during a jealous rage pits him against the illusionist extraordinaire in a duel of authority and stage magic. Caught in the middle of Eisenheim and Leopold’s feud is Chief Inspector Walter Uhl (Paul Giamatti), who deeply admires Eisenheim’s skills, but must serve Leopold if he wishes to advance socially and politically.
In his film, The Illusionist, director Neil Burger uses a mesmerizing performance by two-time Oscar nominee Edward Norton (Primal Fear, American History X) to deliver an enchanting supernatural mystery tale full of forbidden romance, imperial politics, and dazzling magic. Burger and cinematographer Dick Pope use autochrome photography to take the recognizable world and transfer it to the realm of mystery where everything is beautiful, but also has a disturbing undertone. Director and cinematographer saturate the world of The Illusionist in gold and green and then, allow the shadows to play ever so slightly on the edges of the picture’s frame. It’s a unique look that heightens the sense of magic, mystery, dreams, and that feeling of an otherness – the paranormal.
Not only did Burger build an enthralling world with his creative staff, but he also allowed his actors to play, guiding their considerable talents into selling this narrative. Paul Giamatti is excellent as the Chief Inspector Uhl, who admires Eisenheim, but is trapped between a rock and a hard place as Leopold’s strong-arm man. Giamatti wears his emotions on his face quite well – obvious, but with subtlety and grace, so he lets us see the struggle. Uhl admires Eisenheim even as he must control him. Sewell is super intense as Leopold, and he also allows to the audience to see the brilliant mind behind the face of a man with control issues. Jessica Biel is tolerable, but even her best moments seem weak compared to everyone else.
Still, this movie’s star is Edward Norton. Intelligent and intense, Norton always brings an air of elegance to his performances. Truthfully, he’s just too damn talented, and the fire of his abilities can burn through a weekly structured film. Here, there is no such problem. Norton’s Eisenheim is dark and mysterious, and we are drawn to this handsome creature who seems to have dark forces at play behind his placid face and his genial smile. Norton never lets us truly know Eisenheim, but he draws us to the character like moths to the magician’s exquisite flame. In the end, The Illusionist leaves so many questions unanswered, and it is indeed a great film that makes the viewer love the magic, mystery, and the great unknown of that which is supernatural. Neither The Illusionist nor its star character will let us know how a magician does “it,” but that won’t stop the audience from being spellbound and loving both.
8 of 10
A
NOTES:
2007 Academy Awards: 1 nomination: “Best Achievement in Cinematography” (Dick Pope)
Friday, February 16, 2007
---------------
Friday, January 7, 2011
Review: Someone Likes "Next" (Happy B'day, Nicolas Cage)
TRASH IN MY EYE No. 141 (of 2007) by Leroy Douresseaux
Next (2007)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for intense sequences of violent action and some language
DIRECTOR: Lee Tamahori
WRITERS: Gary Goldman, Jonathan Hensleigh, and Paul Bernbaum; from a screen story by Gary Goldman (based upon the short story “The Golden Man” by Philip K. Dick)
PRODUCERS: Nicolas Cage, Norm Golightly, Todd Garner, Arne L. Schmidt, and Graham King
CINEMATOGRAPHER: David Tattersall, BSC
EDITOR: Christian Wagner
ACTION/SCI-FI/THRILLER
Starring: Nicolas Cage, Julianne Moore, Jessica Biel, Thomas Kretschmann, Tory Kittles, and Peter Falk
Starring Oscar-winner Nicolas Cage (Leaving Las Vegas), Oscar-nominee Julianne Moore (Far From Heaven), and not-hard-on-the-eyes Jessica Biel (The Illusionist), Next is a sci-fi/action flick based upon the 1954 story, “The Golden Man” by the late Philip K. Dick. Dick was the visionary science fiction author whose novels and stories have been adapted into such films as Blade Runner, Minority Report, and Paycheck.
Next focuses on Cris Johnson (Nicolas Cage), a Las Vegas magician with a secret gift that is both a blessing and a curse to him. Cris has the uncanny ability to know what will be the next thing that happens to him because he can see two minutes into the future. Performing under the stage name, Frank Cadillac, Cris uses his extrasensory talent to make a living off cheap stage tricks and off his gambling winnings at the blackjack table. His latest project is to find and meet, Liz (Jessica Biel), a young woman who seems to have a strange effect on his powers.
Other eyes, however, have been taking notice of Cris’ talent and dexterity with the portal of time. Callie Ferris (Julianne Moore), an FBI counter-terror agent is eager to tap Cris’ brain to help thwart a terrorist group’s planned attack on Los Angeles with a nuclear time bomb. Using all her wiles, Callie, with the help of a fellow agent, Cavanaugh (Tory Kittles), pursues Cris trying to convince him to help her. When the terrorists, who are also aware of his powers, kidnap Liz, Cris may be forced to put his reluctance aside to save Liz and stop nuclear destruction in California.
Directed by Lee Tamahori (Once Were Warriors, Die Another Day), Next is an absurd popcorn flick, but easy to watch and enjoy. Of course, it wasn’t really worth a trip to the theatre, as it’s more like a big-budget, prestige “original movie” from the Sci-Fi Channel. Still, it’s occasionally clever, and Tamahori is actually quite good at making action-filled set pieces that somehow manage to catch the attention of an unwary action movie junkie.
Nicolas Cage isn’t very good here, but neither is he very bad. He’s only cheesy bad, as is the rest of the cast. In fact, it’s a good thing that Jessica Biel is easy on the eyes, because her acting talent sure ain’t the thing that is getting her roles. Nicolas Cage is a movie star and there’s something about him on the big screen that is attractive. Put him and Biel together, and that’s not a bad thing, even when it’s not really that good a thing – as in Next.
6 of 10
B
Wednesday, December 12, 2007
Next (2007)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for intense sequences of violent action and some language
DIRECTOR: Lee Tamahori
WRITERS: Gary Goldman, Jonathan Hensleigh, and Paul Bernbaum; from a screen story by Gary Goldman (based upon the short story “The Golden Man” by Philip K. Dick)
PRODUCERS: Nicolas Cage, Norm Golightly, Todd Garner, Arne L. Schmidt, and Graham King
CINEMATOGRAPHER: David Tattersall, BSC
EDITOR: Christian Wagner
ACTION/SCI-FI/THRILLER
Starring: Nicolas Cage, Julianne Moore, Jessica Biel, Thomas Kretschmann, Tory Kittles, and Peter Falk
Starring Oscar-winner Nicolas Cage (Leaving Las Vegas), Oscar-nominee Julianne Moore (Far From Heaven), and not-hard-on-the-eyes Jessica Biel (The Illusionist), Next is a sci-fi/action flick based upon the 1954 story, “The Golden Man” by the late Philip K. Dick. Dick was the visionary science fiction author whose novels and stories have been adapted into such films as Blade Runner, Minority Report, and Paycheck.
Next focuses on Cris Johnson (Nicolas Cage), a Las Vegas magician with a secret gift that is both a blessing and a curse to him. Cris has the uncanny ability to know what will be the next thing that happens to him because he can see two minutes into the future. Performing under the stage name, Frank Cadillac, Cris uses his extrasensory talent to make a living off cheap stage tricks and off his gambling winnings at the blackjack table. His latest project is to find and meet, Liz (Jessica Biel), a young woman who seems to have a strange effect on his powers.
Other eyes, however, have been taking notice of Cris’ talent and dexterity with the portal of time. Callie Ferris (Julianne Moore), an FBI counter-terror agent is eager to tap Cris’ brain to help thwart a terrorist group’s planned attack on Los Angeles with a nuclear time bomb. Using all her wiles, Callie, with the help of a fellow agent, Cavanaugh (Tory Kittles), pursues Cris trying to convince him to help her. When the terrorists, who are also aware of his powers, kidnap Liz, Cris may be forced to put his reluctance aside to save Liz and stop nuclear destruction in California.
Directed by Lee Tamahori (Once Were Warriors, Die Another Day), Next is an absurd popcorn flick, but easy to watch and enjoy. Of course, it wasn’t really worth a trip to the theatre, as it’s more like a big-budget, prestige “original movie” from the Sci-Fi Channel. Still, it’s occasionally clever, and Tamahori is actually quite good at making action-filled set pieces that somehow manage to catch the attention of an unwary action movie junkie.
Nicolas Cage isn’t very good here, but neither is he very bad. He’s only cheesy bad, as is the rest of the cast. In fact, it’s a good thing that Jessica Biel is easy on the eyes, because her acting talent sure ain’t the thing that is getting her roles. Nicolas Cage is a movie star and there’s something about him on the big screen that is attractive. Put him and Biel together, and that’s not a bad thing, even when it’s not really that good a thing – as in Next.
6 of 10
B
Wednesday, December 12, 2007
---------------------
Monday, January 3, 2011
Review: "I Now Pronounce You Chuck and Larry" Dumb and Eloquent
TRASH IN MY EYE No. 144 (of 2007) by Leroy Douresseaux
I Now Pronounce You Chuck and Larry (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for crude sexual content throughout, nudity, language, and drug references
DIRECTOR: Dennis Dugan
WRITERS: Barry Fanaro and Alexander Payne and Jim Taylor; from a treatment by Lew Gallo
PRODUCERS: Michael Bostick, James D. Brubaker, Jack Giarraputo, Adam Sandler, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler
EDITOR: Jeff Gourson
COMEDY
Starring: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Ving Rhames, Steve Buscemi, Nicholas Turturro, Nick Swardson, Blake Clark, Mary Pat Gleason, Cole Morgan, Shelby Adamowsky, and Robert Smigel; also Rob Schneider and David Spade
In I Now Pronounce You Chuck and Larry, two guys’ guys pose as gay lovers in order for one of the men to make sure his children get his insurance benefits.
New York City firemen Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are the pride of their fire station. Loyal to the core, they’ll do anything for each other, but after Larry saves Chuck’s life, Chuck is about to find out just how much owing his buddy will cost him. When widower Larry realizes that civil service red tape might keep his children, Eric (Cole Morgan) and Tori (Shelby Adamowsky), from getting his life insurance benefits, he knows that one of the ways to insure his children’s financial future is to get married.
Still deeply mourning his late wife, Larry hasn’t dated since her death or really moved on from that tragedy. A newspaper article gives him a crazy idea – domestic partnership benefits for same-sex couples, so he asks Chuck to pose as his live-in gay lover. Chuck, however, has a vigorous sex life as a heterosexual and often entertains several women at a time, and wants no part of Larry’s plan. But he owes Larry. After the friends start posing as love-struck newlyweds, nosey city bureaucrat, Clinton Fitzer (Steve Buscemi), starts to investigate the alleged relationship, so the buddies are forced to present a genuine picture of domestic bliss. After the boys hire a lawyer that specializes in their situation, Chuck falls hard for their sexy attorney, Alex McDonough (Jessica Biel), and his lust just might reveal his and Larry’s secret.
I Now Pronounce You Chuck and Larry is a somewhat badly made, broad comedy, but it sure is funny. The writers seem to have written a flimsy script that simply plays up to the numerous possibilities for comic misunderstanding this concept offers. It’s not lacking in cleverness so much as it is overly abundant in crassness and gross-out humor. That crudeness is actually personified more in Ving Rhames’ Fred G. Duncan, a sort of Mandingo as giant, threatening homo, than it is in Adam Sandler’s Chuck, who is a self-admitted “whore.” In fact, neither Sandler nor Kevin James is anywhere near doing his best work. As for Biel, her body is still a wonderland, and we get to see quite a bit of it.
Although this movie comes across as a rutting goat, where I Now Pronounce You Chuck and Larry actually beats the low expectations that many had for it is in the film’s not-too-preachy attitude about acceptance of gays and the gay lifestyle. The filmmakers and their stars, Sandler and Kevin, vigorously assault anti-gay sentiment, gay-bashing, and gay slurs wherever they find it. The film also offers generous samples of gay clubs, drag queens, and flashy dancing.
On the other hand, the film does offer several brief scenes that reveal the not-fun-side of being a gay couple. Quite frankly, it’s uncomfortable and embarrassing to watch Chuck and Larry’s friends and colleagues suddenly become quite skittish about their old friends once they discover that the duo is a gay couple. Even worse is to watch the people that Larry knows from his children’s school, sports leagues, and the Boy Scouts suddenly remove his name from participation lists. It’s almost as if he died.
How this mixture of raunch and gross can have positive messages about family and acceptance of others is a mystery. That the filmmakers made a bad movie so funny and entertaining is an even deeper mystery.
6 of 10
B
Friday, December 28, 2007
I Now Pronounce You Chuck and Larry (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for crude sexual content throughout, nudity, language, and drug references
DIRECTOR: Dennis Dugan
WRITERS: Barry Fanaro and Alexander Payne and Jim Taylor; from a treatment by Lew Gallo
PRODUCERS: Michael Bostick, James D. Brubaker, Jack Giarraputo, Adam Sandler, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler
EDITOR: Jeff Gourson
COMEDY
Starring: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Ving Rhames, Steve Buscemi, Nicholas Turturro, Nick Swardson, Blake Clark, Mary Pat Gleason, Cole Morgan, Shelby Adamowsky, and Robert Smigel; also Rob Schneider and David Spade
In I Now Pronounce You Chuck and Larry, two guys’ guys pose as gay lovers in order for one of the men to make sure his children get his insurance benefits.
New York City firemen Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are the pride of their fire station. Loyal to the core, they’ll do anything for each other, but after Larry saves Chuck’s life, Chuck is about to find out just how much owing his buddy will cost him. When widower Larry realizes that civil service red tape might keep his children, Eric (Cole Morgan) and Tori (Shelby Adamowsky), from getting his life insurance benefits, he knows that one of the ways to insure his children’s financial future is to get married.
Still deeply mourning his late wife, Larry hasn’t dated since her death or really moved on from that tragedy. A newspaper article gives him a crazy idea – domestic partnership benefits for same-sex couples, so he asks Chuck to pose as his live-in gay lover. Chuck, however, has a vigorous sex life as a heterosexual and often entertains several women at a time, and wants no part of Larry’s plan. But he owes Larry. After the friends start posing as love-struck newlyweds, nosey city bureaucrat, Clinton Fitzer (Steve Buscemi), starts to investigate the alleged relationship, so the buddies are forced to present a genuine picture of domestic bliss. After the boys hire a lawyer that specializes in their situation, Chuck falls hard for their sexy attorney, Alex McDonough (Jessica Biel), and his lust just might reveal his and Larry’s secret.
I Now Pronounce You Chuck and Larry is a somewhat badly made, broad comedy, but it sure is funny. The writers seem to have written a flimsy script that simply plays up to the numerous possibilities for comic misunderstanding this concept offers. It’s not lacking in cleverness so much as it is overly abundant in crassness and gross-out humor. That crudeness is actually personified more in Ving Rhames’ Fred G. Duncan, a sort of Mandingo as giant, threatening homo, than it is in Adam Sandler’s Chuck, who is a self-admitted “whore.” In fact, neither Sandler nor Kevin James is anywhere near doing his best work. As for Biel, her body is still a wonderland, and we get to see quite a bit of it.
Although this movie comes across as a rutting goat, where I Now Pronounce You Chuck and Larry actually beats the low expectations that many had for it is in the film’s not-too-preachy attitude about acceptance of gays and the gay lifestyle. The filmmakers and their stars, Sandler and Kevin, vigorously assault anti-gay sentiment, gay-bashing, and gay slurs wherever they find it. The film also offers generous samples of gay clubs, drag queens, and flashy dancing.
On the other hand, the film does offer several brief scenes that reveal the not-fun-side of being a gay couple. Quite frankly, it’s uncomfortable and embarrassing to watch Chuck and Larry’s friends and colleagues suddenly become quite skittish about their old friends once they discover that the duo is a gay couple. Even worse is to watch the people that Larry knows from his children’s school, sports leagues, and the Boy Scouts suddenly remove his name from participation lists. It’s almost as if he died.
How this mixture of raunch and gross can have positive messages about family and acceptance of others is a mystery. That the filmmakers made a bad movie so funny and entertaining is an even deeper mystery.
6 of 10
B
Friday, December 28, 2007
----------------------------
Subscribe to:
Posts (Atom)