Review: "Judge Dredd" Simply a Stallone Movie

TRASH IN MY EYE No. 9 (of 2013) by Leroy Douresseaux


Judge Dredd (1995)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – R for continuous violent action
DIRECTOR: Danny Cannon
WRITERS: William Wisher and Steven E. de Souza; from a story by Michael De Luca and William Wisher (based on characters created by John Wagner and Carlos Ezquerra)
PRODUCERS: Charles M. Lippincott and Beau E.L. Marks
CINEMATOGRAPHER: Adrian Biddle
EDITORS: Harry Keramidas and Alex Mackie
COMPOSER: Alan Silvestri

SCI-FI/ACTION

Starring: Sylvester Stallone, Armand Assante, Rob Schneider, Jurgen Prochnow, Max von Sydow, Diane Lane, Joan Chen, and Balthazar Getty

The subject of this movie review is Judge Dredd, a 1995 science fiction movie starring Sylvester Stallone. The film is based on the comic strip Judge Dredd, which appears in the British science fiction comics anthology, 2000 AD. The title character, Judge Dredd, first appeared in 2000 AD #2 (March 5, 1977) and was created by writer John Wagner and artist Carlos Ezquerra. Judge Dredd the movie is set in a dystopian future, where Dredd, the most famous judge, is falsely convicted of a crime.

In the 3rd millennium, much of Earth is a desert wasteland. Most humans reside in one of the huge Mega-Cities. There, the justice system is maintained by a corps of Judges who are police officer, judge, jury, and executioner – basically a cop with instant field judiciary powers. In Mega-City One, the most famous is Judge Joseph Dredd (Sylvester Stallone), best known as simply Judge Dredd.

Dredd’s brother, Rico (Armand Assante), and the corrupt Judge Griffin (Jurgen Prochnow) hatch a plot to frame Judge Dredd for the murder of the muck-racking journalist, Vardas Hammond and his wife. After the prison transport ship that is taking him to a penal colony crashes, Dredd and another prisoner, Herman “Fergie” Ferguson (Rob Schneider), return to Mega-City One to set things straight and stop a conspiracy.

The people behind Judge Dredd the movie basically took characters and situations from the Judge Dredd comics series. Then, they used them to make a Sylvester Stallone movie, specifically a Sylvester Stallone science fiction/action movie. Once you accept that this is not really a Judge Dredd the comic strip movie, then, you can decide if you like this Sylvester Stallone science fiction/action movie.

I do like it. Sure, it is a moronic 1980s action movie, feeling a bit behind the times because of its mid-1990s release date, but it is harmless fun. There are some things that stand out as being good about Judge Dredd. For one, it has a sense of humor. The second thing is Armand Assante’s performance. He does a slight impersonation of Stallone, without mocking him, but it is enough to convince viewers that his character, Rico, is the brother of Dredd – as played by Stallone.

The production values: art direction, sets, costumes, etc. are unexpectedly good and surprisingly colorful. The visual effects are also good, although dated. These unexpected things make Judge Dredd a bit of a surprise. I remember not liking this movie the first time I saw it, but now, I have to admit that I enjoyed it.

5 of 10
C+

NOTES:
1996 Razzie Awards: 1 nomination: “Worst Actor” (Sylvester Stallone, also for Assassins-1995)

Saturday, January 26, 2013

Review: "The Hunted" - White Ninja for Dummies

TRASH IN MY EYE No. 68 (of 2004) by Leroy Douresseaux


The Hunted (1995)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – R for strong bloody ninja violence and some sexuality
WRITER/DIRECTOR: J.F. Lawton
PRODUCERS: John Davis and Gary W. Goldstein
CINEMATOGRAPHER: John Conroy
EDITORS: Robert A. Ferretti and Eric Strand

DRAMA/MARTIAL ARTS with elements of a thriller

Starring: Christopher Lambert, John Lone, Joan Chen, Yoshido Harada, Yôko Shimada, Mari Natsuki, and Michael Warren

J.F. Lawton wrote two very successful movies – the hugely popular film Pretty Woman (which sent Julia Robert’s career into orbit) and Under Siege (the action film that briefly put Steven Seagal on the A- list), and he created the TV series V.I.P. Thus, he may never be remembered for the film he wrote and directed in the mid-90’s, the so-so Far East martial arts drama/thriller, The Hunted. It’s the story of an American businessman (Christopher Lambert) who witnesses the assassination of a prostitute(?) and earns the ire of her assassin, Kinjo (John Lone), a ninja killer with a rep of legendary proportions. His self-appointed protector is Takeda (Yoshido Harada), a samurai whose family has a centuries old grudge against Kinjo’s clan.

The film is combination of a few things, none of them very well done. Half the film is a low rent martial arts drama and revenge story that borrows Asian customs in the sort of half-assed way syndicated television series do. Basically, an American filmmaker makes a thoroughly mediocre version of what a Hong Kong, Chinese, or Japanese director would make. The other half of the film is a crime drama. A critic in the midst of reviewing the Coen Bros. Miller’s Crossing once said that every American director who aspires to greatness has to do a mob movie or movie about organized crime. This is Lawton’s attempt at it with ninja’s replacing the Irish, Jews, and Italians of American mob pictures.

The really offensive thing about this film is that Paul Racine, the American played by Lambert (of Highlander fame), ends up saving the day. After nearly two hours of grinding an ancient grudge between Japanese clans, the Westerner ends up the last man standing, and he gets the Japanese girl. I have to admit that I really liked this film the first time I saw it, except for Racine coming out on top, which is politically correct in terms of making big bucks at the American box office. Upon second viewing, I realized that this is a tepid flick that goes on for too long. Although it has lots of potential and a few interesting scenes, The Hunted struggles just to be an average flick.

3 of 10
C-