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From HitFix: The movies Spielberg wishes he'd made.
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From ChicagoMagazine: Spike Lee: Rahm Emanuel tried to bully me.
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From Deadline: George Clooney set to direct a script by Joel and Ethan Coen.
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From Variety: R.J. Cyler of "Me and Earl and the Dying Girl" is the "Blue Ranger" in the Lionsgate reboot.
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From GoldDerby: An article about best animated feature dark horse, Anomalisa.
From Variety: Fox is apparently re-imagining "Rocky Horror Picture Show" as a TV special. Laverne Cox of "Orange in the New Black" has been cast as "Frank-N-Furter."
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From Variety: Chris Rock may host the 88th Oscar ceremony.
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From CinemaBlend: Fox may have found a director for its future box office disappointment, Gambit, an X-Men film starring Channing Tatum. That might be Doug Liman.
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From TheWrap: Oscar and multiple-Grammy winner Adele teases new music? First album in five years supposed to hit in November
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From BoxOfficeMojo: "Goosebumps" wins the 10/16 to 10/18/2015 weekend box office with an estimated take of $23.5 million.
COMICS: Titles and Films:
From CinemaBlend: Marvel's next wide idea.
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From TheWrap: David Goyer is developing a TV show about Superman's home planet, Krypton, for the Syfy Channel.
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From Empire: "Ant-Man" director, Peyton Reed, is in negotiations to return for the 2018 film, "Ant-man and the Wasp."
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From CinemaBlend: "Ant-Man" is a big hit in China.
STAR WARS:
From YahooNews: 112 views in 24 hours.
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From CinemaBlend: The final trailer is here.
TRAILERS and PREVIEWS:
From YouTube: See the new trailer for David O. Russell's "Joy" starring Jennifer Lawrence.
Showing posts with label Joel Silver. Show all posts
Showing posts with label Joel Silver. Show all posts
Saturday, October 24, 2015
Thursday, October 30, 2014
Production Begins on Shane Black's "The Nice Guys"
Silver Pictures’ “The Nice Guys” in Production
Cameras roll on Shane Black’s detective thriller starring Russell Crowe and Ryan Gosling, with additional cast set to star, including Matt Bomer, Kim Basinger and more
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Silver Pictures’ upcoming detective thriller “The Nice Guys,” from director Shane Black (“Kiss Kiss Bang Bang,” “Iron Man 3”). The film, which stars Oscar winner Russell Crowe (“Gladiator,” “Man of Steel”) and Oscar nominee Ryan Gosling (“Half Nelson,” “Drive,” “Crazy, Stupid, Love.”), is shooting in Atlanta and Los Angeles. It is being produced by Joel Silver (“Non-Stop,” “The Matrix” series, the “Sherlock Holmes” series).
Recently added to the cast are Matt Bomer (“Magic Mike,” HBO’s “The Normal Heart”), Oscar winner Kim Basinger (“L.A. Confidential”), Angourie Rice (“These Final Hours”), Beau Knapp (“Super 8”), Keith David (“Pitch Black,” “Mr. & Mrs. Smith”) and Margaret Qualley (HBO’s “The Leftovers”).
“The Nice Guys” takes place in 1970s Los Angeles, when down-on-his-luck private eye Holland March (Gosling) and hired leg-breaker Jackson Healy (Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.
Black directs from an original screenplay he wrote with Anthony Bagarozzi. Silver is producing under his Silver Pictures banner, with Ken Kao of Waypoint Entertainment, Hal Sadoff, and Michael Malone serving as executive producers. Waypoint is co-financing, and Alex Walton and Ken Kao’s BLOOM is handling international sales.
The creative team behind “The Nice Guys” includes director of photography Philippe Rousselot (the “Sherlock Holmes” series, “Big Fish”), production designer Richard Bridgland (“Serena,” “Unknown”), editor Joel Negrón (“21 Jump Street”), and costume designer Kym Barrett (“The Matrix” series).
“The Nice Guys,” set for release on June 17, 2016, will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
About Silver Pictures
Joel Silver’s Silver Pictures is one of Hollywood’s leading producers of action motion pictures. The company’s most recent project, “Non-Stop,” starring Liam Neeson and Julianne Moore and directed by Jaume Collet-Serra, opened in February 2014. The film has earned more than $200 million at the worldwide box office. Silver Pictures recently wrapped production on the much buzzed about “Autobahn,” starring Nicholas Hoult, Felicity Jones, Anthony Hopkins and Ben Kingsley. Additionally, the company is currently in post-production on “The Gunman,” starring Sean Penn, Javier Bardem and Idris Elba and directed by Pierre Morel. In 2012, Silver signed a 5-year non-exclusive distribution deal with Universal Pictures. Silver has produced more than 70 films which have earned more than $13 billion in worldwide revenue. Past credits include the “Sherlock Holmes” franchise, starring Robert Downey Jr., which has earned more than $1 billion at the worldwide box office, the Academy Award-winning “The Matrix” trilogy, the blockbuster “Lethal Weapon” franchise and seminal action films “Die Hard” and “Predator.”
About Waypoint Entertainment
Waypoint Entertainment is a film and television development, production, and finance company cofounded by Ken Kao in 2010. Waypoint’s upcoming slate includes Martin Scorsese’s “Silence,” starring Liam Neeson, Andrew Garfield, Andrew Driver and Ken Watanabe, and Terrence Malick’s next two films, “Knight of Cups,” with Christian Bale, Natalie Portman and Cate Blanchett, and an untitled film featuring Michael Fassbender, Ryan Gosling, Rooney Mara, Natalie Portman and Cate Blanchett.
About BLOOM
BLOOM represents and curates a diversified slate of films ranging from commercial, talent-driven, wide release movies, to specialty films from proven and trusted filmmakers, all the while keeping an eye towards fresh and emerging talent. Alex Walton and financier and producer Ken Kao partnered to form BLOOM, a sales, production and financing outfit which launched just prior to Cannes with two-time Academy Award nominee Gus Van Sant’s “Sea of Trees,” starring Academy Award winner Matthew McConaughey, Academy Award nominees Ken Watanabe and Naomi Watts, which recently wrapped principal photography. Upcoming projects include Michael Apted’s “Unlocked,” starring Noomi Rapace, Academy Award winner Michael Douglas, and Orlando Bloom; Renny Harlin’s “Skiptrace,” starring Jackie Chan and Johnny Knoxville; and “The Hunters,” which will be directed by John Moore. The existing slate includes Gillian Flynn’s best-selling novel “Dark Places,” starring Charlize Theron; “A Walk Among the Tombstones,” starring Liam Neeson; “The Woman in Black: Angel of Death”; “Pele,” the biopic about the legendary Brazilian soccer player; “Jane Got a Gun,” starring Natalie Portman; and “Out of the Dark,” starring Julia Stiles and Scott Speedman.
Cameras roll on Shane Black’s detective thriller starring Russell Crowe and Ryan Gosling, with additional cast set to star, including Matt Bomer, Kim Basinger and more
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Silver Pictures’ upcoming detective thriller “The Nice Guys,” from director Shane Black (“Kiss Kiss Bang Bang,” “Iron Man 3”). The film, which stars Oscar winner Russell Crowe (“Gladiator,” “Man of Steel”) and Oscar nominee Ryan Gosling (“Half Nelson,” “Drive,” “Crazy, Stupid, Love.”), is shooting in Atlanta and Los Angeles. It is being produced by Joel Silver (“Non-Stop,” “The Matrix” series, the “Sherlock Holmes” series).
Recently added to the cast are Matt Bomer (“Magic Mike,” HBO’s “The Normal Heart”), Oscar winner Kim Basinger (“L.A. Confidential”), Angourie Rice (“These Final Hours”), Beau Knapp (“Super 8”), Keith David (“Pitch Black,” “Mr. & Mrs. Smith”) and Margaret Qualley (HBO’s “The Leftovers”).
“The Nice Guys” takes place in 1970s Los Angeles, when down-on-his-luck private eye Holland March (Gosling) and hired leg-breaker Jackson Healy (Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.
Black directs from an original screenplay he wrote with Anthony Bagarozzi. Silver is producing under his Silver Pictures banner, with Ken Kao of Waypoint Entertainment, Hal Sadoff, and Michael Malone serving as executive producers. Waypoint is co-financing, and Alex Walton and Ken Kao’s BLOOM is handling international sales.
The creative team behind “The Nice Guys” includes director of photography Philippe Rousselot (the “Sherlock Holmes” series, “Big Fish”), production designer Richard Bridgland (“Serena,” “Unknown”), editor Joel Negrón (“21 Jump Street”), and costume designer Kym Barrett (“The Matrix” series).
“The Nice Guys,” set for release on June 17, 2016, will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
About Silver Pictures
Joel Silver’s Silver Pictures is one of Hollywood’s leading producers of action motion pictures. The company’s most recent project, “Non-Stop,” starring Liam Neeson and Julianne Moore and directed by Jaume Collet-Serra, opened in February 2014. The film has earned more than $200 million at the worldwide box office. Silver Pictures recently wrapped production on the much buzzed about “Autobahn,” starring Nicholas Hoult, Felicity Jones, Anthony Hopkins and Ben Kingsley. Additionally, the company is currently in post-production on “The Gunman,” starring Sean Penn, Javier Bardem and Idris Elba and directed by Pierre Morel. In 2012, Silver signed a 5-year non-exclusive distribution deal with Universal Pictures. Silver has produced more than 70 films which have earned more than $13 billion in worldwide revenue. Past credits include the “Sherlock Holmes” franchise, starring Robert Downey Jr., which has earned more than $1 billion at the worldwide box office, the Academy Award-winning “The Matrix” trilogy, the blockbuster “Lethal Weapon” franchise and seminal action films “Die Hard” and “Predator.”
About Waypoint Entertainment
Waypoint Entertainment is a film and television development, production, and finance company cofounded by Ken Kao in 2010. Waypoint’s upcoming slate includes Martin Scorsese’s “Silence,” starring Liam Neeson, Andrew Garfield, Andrew Driver and Ken Watanabe, and Terrence Malick’s next two films, “Knight of Cups,” with Christian Bale, Natalie Portman and Cate Blanchett, and an untitled film featuring Michael Fassbender, Ryan Gosling, Rooney Mara, Natalie Portman and Cate Blanchett.
About BLOOM
BLOOM represents and curates a diversified slate of films ranging from commercial, talent-driven, wide release movies, to specialty films from proven and trusted filmmakers, all the while keeping an eye towards fresh and emerging talent. Alex Walton and financier and producer Ken Kao partnered to form BLOOM, a sales, production and financing outfit which launched just prior to Cannes with two-time Academy Award nominee Gus Van Sant’s “Sea of Trees,” starring Academy Award winner Matthew McConaughey, Academy Award nominees Ken Watanabe and Naomi Watts, which recently wrapped principal photography. Upcoming projects include Michael Apted’s “Unlocked,” starring Noomi Rapace, Academy Award winner Michael Douglas, and Orlando Bloom; Renny Harlin’s “Skiptrace,” starring Jackie Chan and Johnny Knoxville; and “The Hunters,” which will be directed by John Moore. The existing slate includes Gillian Flynn’s best-selling novel “Dark Places,” starring Charlize Theron; “A Walk Among the Tombstones,” starring Liam Neeson; “The Woman in Black: Angel of Death”; “Pele,” the biopic about the legendary Brazilian soccer player; “Jane Got a Gun,” starring Natalie Portman; and “Out of the Dark,” starring Julia Stiles and Scott Speedman.
Saturday, December 7, 2013
"Veronica Mars" Movie Due March 14, 2014
Warner Bros.’ “Veronica Mars” Movie Opens on March 14, 2014
Kickstarter Campaign, Launched by Rob Thomas and Kristen Bell, Brings “Veronica Mars” to the Big Screen at AMC Theatres through Record-Breaking Fan Support
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. has announced a spring release date for the Rob Thomas-written and directed “Veronica Mars” feature film, based on the beloved and acclaimed television series of the same name. The film will open in the U.S. on March 14th in AMC Theatres in select markets across the country. The announcement was made today by Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures.
“This project has been a labor of love for everyone involved -- me, the cast, my producing partners. We are so grateful for the outpouring of support from the Kickstarter backers. This movie wouldn’t have happened without them.”
“We are tremendously excited to work with our friends at AMC Theatres in bringing this fan favorite to the big screen,” said Fellman. “Rob has made a high-spirited film with comedy, romance and mystery, and we’re confident its appeal will go well beyond the core group of Kickstarter supporters.”
“We at AMC are excited to partner with Warner Bros. to bring ‘Veronica Mars’ to theatres,” said Nikkole Denson-Randolph, vice president of special and alternative content at AMC Theatres. “Enthusiastic fans of the popular television series helped make this movie a reality, and AMC is proud to serve our guests by playing it in their communities, as well as providing a national platform for the movie to reach a broader audience.”
The “Veronica Mars” movie was made possible by a record-breaking Kickstarter campaign driven by fans of the television show, which ran from 2004 – 2007. Launched by Thomas and series star Kristen Bell, the Kickstarter campaign unleashed an unprecedented level of fan enthusiasm and support, reaching the project goal of $2 million in just 10 hours. At the end of the 31-day campaign, fans contributed $5.7 million, making Veronica Mars the number one funded project in the film category and the third-highest funded project in Kickstarter history. It is the most widely supported Kickstarter campaign ever with more than 91,000 backers, who have remained engaged throughout production with frequent behind-the-scenes updates from Thomas and the film’s cast and crew.
Added Thomas, “This project has been a labor of love for everyone involved -- me, the cast, my producing partners. We are so grateful for the outpouring of support from the Kickstarter backers. This movie wouldn’t have happened without them.”
Fans of the show and the upcoming film can follow its progress, see cast and filmmaker diaries, exclusive content and release information by following the film’s social media presence, including:
Facebook (http://www.facebook.com/TheVeronicaMarsMovie) Twitter (http://twitter.com/VeronicaMars) Instagram http://www.instagram.com/TheVeronicaMarsMovie) YouTube (http://www.youtube.com/veronicamarsmovie) Pinterest (http://pinterest.com/theveronicamars/) Tumblr (http://tumblr.com/OfficialVeronicaMars)
Fans can also get information about the film by following Rob Thomas on Twitter at @RobThomas.
Written and directed by series creator Thomas, “Veronica Mars” stars original show cast members Kristen Bell (“House of Lies,” “Forgetting Sarah Marshall”), Jason Dohring (“The Ringer”), Chris Lowell (“The Help,” “Up in the Air”), Ryan Hansen (“G.I. Joe: Retaliation”), Krysten Ritter (“Don’t Trust the B---- in Apartment 23”), Percy Daggs III (“Detention”), Tina Majorino (“True Blood,” “Grey’s Anatomy”), Francis Capra (“Blood and Bone”), Ken Marino (“Party Down,” “Burning Love”) and Enrico Colantoni (“Just Shoot Me”).
The screenplay for “Veronica Mars” is written by Thomas & Diane Ruggiero from a story by Thomas. The film is produced by Thomas, Dan Etheridge and Danielle Stokdyk. Joel Silver, Kristen Bell and Jennifer Hinkey are serving as executive producers.
In the film, Veronica Mars has put Neptune and her amateur sleuthing days behind her on the eve of graduating law school. While interviewing at high-end law firms, Veronica gets a call from her ex-boyfriend Logan who has been accused of murder. Veronica heads back to Neptune just to help Logan find an attorney, but when things don’t seem right with how Logan’s case is perceived and handled, Veronica finds herself being pulled back into a life she thought she had left behind.
A Warner Bros. Digital presentation, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Kickstarter Campaign, Launched by Rob Thomas and Kristen Bell, Brings “Veronica Mars” to the Big Screen at AMC Theatres through Record-Breaking Fan Support
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. has announced a spring release date for the Rob Thomas-written and directed “Veronica Mars” feature film, based on the beloved and acclaimed television series of the same name. The film will open in the U.S. on March 14th in AMC Theatres in select markets across the country. The announcement was made today by Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures.
“This project has been a labor of love for everyone involved -- me, the cast, my producing partners. We are so grateful for the outpouring of support from the Kickstarter backers. This movie wouldn’t have happened without them.”
“We are tremendously excited to work with our friends at AMC Theatres in bringing this fan favorite to the big screen,” said Fellman. “Rob has made a high-spirited film with comedy, romance and mystery, and we’re confident its appeal will go well beyond the core group of Kickstarter supporters.”
“We at AMC are excited to partner with Warner Bros. to bring ‘Veronica Mars’ to theatres,” said Nikkole Denson-Randolph, vice president of special and alternative content at AMC Theatres. “Enthusiastic fans of the popular television series helped make this movie a reality, and AMC is proud to serve our guests by playing it in their communities, as well as providing a national platform for the movie to reach a broader audience.”
The “Veronica Mars” movie was made possible by a record-breaking Kickstarter campaign driven by fans of the television show, which ran from 2004 – 2007. Launched by Thomas and series star Kristen Bell, the Kickstarter campaign unleashed an unprecedented level of fan enthusiasm and support, reaching the project goal of $2 million in just 10 hours. At the end of the 31-day campaign, fans contributed $5.7 million, making Veronica Mars the number one funded project in the film category and the third-highest funded project in Kickstarter history. It is the most widely supported Kickstarter campaign ever with more than 91,000 backers, who have remained engaged throughout production with frequent behind-the-scenes updates from Thomas and the film’s cast and crew.
Added Thomas, “This project has been a labor of love for everyone involved -- me, the cast, my producing partners. We are so grateful for the outpouring of support from the Kickstarter backers. This movie wouldn’t have happened without them.”
Fans of the show and the upcoming film can follow its progress, see cast and filmmaker diaries, exclusive content and release information by following the film’s social media presence, including:
Facebook (http://www.facebook.com/TheVeronicaMarsMovie) Twitter (http://twitter.com/VeronicaMars) Instagram http://www.instagram.com/TheVeronicaMarsMovie) YouTube (http://www.youtube.com/veronicamarsmovie) Pinterest (http://pinterest.com/theveronicamars/) Tumblr (http://tumblr.com/OfficialVeronicaMars)
Fans can also get information about the film by following Rob Thomas on Twitter at @RobThomas.
Written and directed by series creator Thomas, “Veronica Mars” stars original show cast members Kristen Bell (“House of Lies,” “Forgetting Sarah Marshall”), Jason Dohring (“The Ringer”), Chris Lowell (“The Help,” “Up in the Air”), Ryan Hansen (“G.I. Joe: Retaliation”), Krysten Ritter (“Don’t Trust the B---- in Apartment 23”), Percy Daggs III (“Detention”), Tina Majorino (“True Blood,” “Grey’s Anatomy”), Francis Capra (“Blood and Bone”), Ken Marino (“Party Down,” “Burning Love”) and Enrico Colantoni (“Just Shoot Me”).
The screenplay for “Veronica Mars” is written by Thomas & Diane Ruggiero from a story by Thomas. The film is produced by Thomas, Dan Etheridge and Danielle Stokdyk. Joel Silver, Kristen Bell and Jennifer Hinkey are serving as executive producers.
In the film, Veronica Mars has put Neptune and her amateur sleuthing days behind her on the eve of graduating law school. While interviewing at high-end law firms, Veronica gets a call from her ex-boyfriend Logan who has been accused of murder. Veronica heads back to Neptune just to help Logan find an attorney, but when things don’t seem right with how Logan’s case is perceived and handled, Veronica finds herself being pulled back into a life she thought she had left behind.
A Warner Bros. Digital presentation, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Thursday, November 7, 2013
Review: "The Matrix Revolutions" is the Good with the Bad
The Matrix Revolutions (2003)
Running time: 129 minutes (2 hours, nine minutes)
MPAA – R for sci-fi violence and brief sexual content
WRITERS/DIRECTORS: The Wachowski Brothers
PRODUCER: Joel Silver
CINEMATOGRAPHER: Bill Pope (D.o.P.)
EDITOR: Zach Staenberg
COMPOSER: Don Davis
SCI-FI/ACTION/THRILLER
Starring: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Jada Pinkett-Smith, Collin Chou, Mary Alice, Tanveer Atwal, Helmut Bakaitas, Monica Bellucci, Nona M. Gaye, Nathaniel Lees, Harold Perrineau, Bruce Spense, Lambert Wilson, and Anthony Zerbe
The subject of this movie review is The Matrix Revolutions, a 2003 science fiction action movie from filmmaker siblings Andy and Larry (now Lana) Wachowski. It is the third film in The Matrix film franchise, and it is both a direct sequel and continuation of The Matrix Reloaded, which was released six months earlier. The Matrix Revolutions focuses on two main plots: the attempt by the human city of Zion to defend itself against a massive invasion of machines and also Neo’s fight to end the human-machine war by battling the rogue Agent Smith.
The Matrix Revolutions end The Matrix trilogy not with a bang but with a whimper, a dud, and a plop. It’s largely a bore, and, while not as talky as the first, the film drags like a wet rag when it does try to be all philosophical. Like Once Upon a Time in Mexico, The Matrix Revolutions is an average, meandering, dull film made by very talented filmmakers who know how to use all kinds of gadgets to make movies, but can’t tell a good story. TMR tries to resolve all the plotlines, while cheekily leaving just enough unresolved to suggest that it is a never-ending story or, at least, that there will be more movies born of this immense cash cow.
The machines finally invade Zion, and human inhabitants of the underground sanctuary are wildly overmatched. Meanwhile, Neo (Keanu Reeves) not only has to battle Agent Smith (Hugo Weaving), who has become a self-replicating virus that is rapidly taking over the Matrix, but Neo also has to travel to the Machine City and make a peace deal with the machine central intelligence. The Oracle (played by Mary Alice, as the original, Gloria Foster, died during filming of the second film), an important (but minor character), plays a larger role in Revolutions as she tries to save the Matrix from all the various rival programs that are attempting to have their own way in the artificial construct into which most of humanity is jacked.
Press for the film is telling audiences that The Matrix Reloaded was about life and that this last film Revolutions is about death. There is death here, but it’s mostly in a lame script and poorly executed concept. The ideas behind The Matrix are grand and interesting. The writer/directors Larry and Andy Wachowski, however, just don’t always know quite how to find that straight line that goes from concept to final product.
Revolutions is dry and slow, and the mish mash stew of Eastern philosophy and computer jargon is tasteless. The cinematography by Bill Pope is lush a landscape of rich and sexy, dark watercolors. The battle between the humans and sentinels in Zion is a spectacular blend of CGI, bravura editing, and human emoting that might not have viewers comparing it to the battles in Braveheart or Saving Private Ryan, but those familiar with video games will recognize this as the most awesome sci-fi battle put on film to date. The leather bar segment and the final duel between Neo and Agent Smith are also fairly spectacular.
If anything, we can always remember The Matrix films for their groundbreaking and mind bending visual effects. There truly is no doubt that these films are three of the most important movies films in advancing the technology and craft of movie making.
If you’ve seen the other two, there’s no point in not finishing this. The Matrix Revolutions, however, is a mediocre movie. The surface pyrotechnics are just fine, but the meat and bones of the film – the story, is weak and lousy; in the end, this is not a tale, but a collection of cool scenes that would be right at home in a video game.
This is the film result of two indulgent filmmakers who needed to be reigned in before their egos and unchecked imaginations went wild and made crap. Sometimes, someone, even a studio executive – a suit, needs to harness the madness of young filmmakers. They owe the audience that much. It’s not at all acceptable that the price of admission buys the messy product of two directors who needed to take their fantasy back to the drawing board one more time.
5 of 10
C+
NOTES:
2004 Black Reel Awards: 1 nomination: “Film: Best Supporting Actress” (Mary Alice)
2004 Image Awards: 3 nominations: “Outstanding Actor in a Motion Picture” (Laurence Fishburne), “Outstanding Supporting Actress in a Motion Picture” (Nona Gaye), and “Outstanding Supporting Actress in a Motion Picture” (Jada Pinkett Smith)
2004 Razzie Awards: 1 nomination: “Worst Director” (Andy Wachowski and Larry Wachowski for The Matrix Reloaded)
Updated: Thursday, November 07, 2013
The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Saturday, June 22, 2013
Review: "Who Framed Roger Rabbit" Retains its Magic (Happy Anniversary)
Who Framed Roger Rabbit (1988)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG
DIRECTOR: Robert Zemeckis with Richard Williams
WRITERS: Jeffrey Price and Peter S. Seaman (based upon the novel Who Censored Roger Rabbit? by Gary K. Wolf)
PRODUCERS: Robert Watts and Frank Marshall
CINEMATOGRAPHER: Dean Cundey (D.o.P.)
EDITOR: Arthur Schmidt
COMPOSER: Alan Silvestri
Academy Award winner
ANIMATION/COMEDY/MYSTERY/FANTASY/ACTION
Starring: Bob Hoskins, Christopher Lloyd, Joanna Cassidy, (voice) Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard Le Parmentier, (voice) Lou Hirsch, Joel Silver, Paul Springer, Richard Ridings, Edwin Craig, and Lindsay Holiday with the voices of Mel Blanc, Mae Questel and Tony Anselmo, with Kathleen Turner
The subject of this movie review is Who Framed Roger Rabbit, a 1988 fantasy and crime comedy from directors Robert Zemeckis and Richard Williams. The film is a mixture of live action (directed by Robert Zemeckis) and animation (directed by Richard Williams). The film is based on the 1981 mystery novel, Who Censored Roger Rabbit?, by author Gary K. Wolf. The film’s initial release renewed interest in the “Golden Age of American animation” (late 1920s to the early 1960s). It also led the modern era of American animation, in particularly the “Disney Renaissance” (which began with Little Mermaid in 1989).
Who Framed Roger Rabbit focuses on a detective who hates “toons” (animated cartoon characters), but who ends up being a cartoon rabbit's only hope to prove his innocence when the rabbit is accused of murder. I have seen Who Framed Roger Rabbit countless times, and it remains one of my all-time favorite films. I also still think that it is a great film, and is arguably the best film of 1988.
Seventeen years ago, Who Framed Roger Rabbit was considered a revolutionary film with its landmark mixture of live-action film and animated characters. Who FramedRoger Rabbit wasn’t the first time that human actors and cartoon characters had mingled, but Who Framed Roger Rabbit was, at the time, the best achievement in live-action/animated film. However, by the time Jurassic Park, which featured the seamless blend of live-action sets and real characters with computer-generated images (or computer rendered characters), appeared, Who Framed Roger Rabbit seemed like an afterthought. After seeing this film for the first time in about 15 years, I’m still impressed by how well this movie’s conceit, that famous animated cartoon characters like Bugs Bunny, Mickey Mouse, Droopy, and others, are real and live side-by-side with us in the real world, still rings true.
The story: ‘Toons (what cartoon characters are called in this film) are real, and their job is to make animated cartoon films for human entertainment. ‘Toon star Roger Rabbit (voice of Charles Fleischer) is worried that his wife, Jessica Rabbit (voice Kathleen Turner), is cheating on him, and it’s affecting his work on the set of his films with his co-star Baby Herman (voice of Lou Hirsch). R.K. Maroon (Alan Tilvern) hires detective Eddie Valiant (Bob Hoskins) to learn the identity of Jessica’s sugar daddy, who turns out to me Marvin Acme (Stubby Kaye), the owner of ‘Toontown, the Los Angeles cartoon suburb where ‘Toons live.
Things get complicated when Acme is found dead, and Roger Rabbit is suspect number one. Roger goes to Valiant for help to clear his name and save him from a date with annihilation at the hands of the menacing Judge Doom (Christopher Lloyd), the dispenser of justice in ‘Toontown, but Valiant is reluctant. He actually took the job snooping on Jessica for money, but he’s hated taking ‘Toon cases since a mysterious ‘Toon killed his brother. However, Roger’s plight strikes a cord of sympathy with Valiant, and he takes Roger’s case. The more Valiant learns, the more intrigued he becomes, especially he learns of a larger and darker conspiracy that threatens not only Roger Rabbit’s life, but the very existence of ‘Toontown.
Beyond featuring the groundbreaking interaction of live and animated characters, Who Framed Roger Rabbit is simply a fine film and both a great technical and artistic achievement; it simply works. The script bears more than a passing resemblance to the municipal conspiracy in Chinatown, and the screenplay’s central mystery plotline develops in a way that keeps the viewer interested in whodunit.
The acting is excellent; from top to bottom the casts sells the idea that they’re interacting with animated characters. This is an especially impressive achievement because the live action was filmed before the animated characters and backgrounds were added. Talk about make-believe, pretend, and plain old acting talent. Christopher Lloyd is a treat to watch as the dark heavy, Judge Dredd-like justice giver – proof positive that he’s a great character actor, especially playing offbeat and wacky characters. Bob Hoskins, who more than anyone in the film, acted with non-existent co-stars, did yeoman’s work, and his performance is an underrated achievement among great comic performances.
The most credit goes to the films directors, and yes, there are two, although Who Framed Roger Rabbit may be listed as “A Robert Zemeckis Film.” True, Zemeckis does an incredible job filming sequences when many of his main actors and some of his sets would have to be added later by the animators. Still, he manages to get the most out of his actors and make the film’s comedy funny and mystery captivating – the best directorial effort of 1988. However, Richard Williams directed the animated sequences, and there aren’t many directors in the history of animated film who outdid his work here. Together Zemeckis and Williams made a classic of live-action and animation that is entertaining, technically brilliant, and a beautiful movie.
10 of 10
NOTES:
1989 Academy Awards, USA: 4 wins: “Best Effects, Sound Effects Editing” (Charles L. Campbell and Louis L. Edemann), “Best Effects, Visual Effects” (Ken Ralston, Richard Williams, Ed Jones, and George Gibbs), “Best Film Editing” (Arthur Schmidt), and “Special Achievement Award” (Richard Williams “for animation direction and creation of the cartoon characters”); 3 nominations: “Best Art Direction-Set Decoration” (Elliot Scott and Peter Howitt), “Best Cinematography” (Dean Cundey), “Best Sound” (Robert Knudson, John Boyd, Don Digirolamo, and Tony Dawe)
1989 BAFTA Awards: 1 win: “Best Special Effects” (George Gibbs, Richard Williams, Ken Ralston, and Ed Jones); 4 nominations: “Best Cinematography” (Dean Cundey), “Best Editing” (Arthur Schmidt), “Best Production Design” (Elliot Scott), and “Best Screenplay – Adapted” (Jeffrey Price and Peter S. Seaman)
1989 Golden Globes, USA: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Bob Hoskins)
Updated: Saturday, June 22, 2013
Sunday, May 19, 2013
Review: "The Matrix Reloaded" a Bold Vision
The Matrix Reloaded (2003)
Running time: 138 minutes (2 hours, 18 minutes)
MPAA – R for sci-fi violence and some sexuality
WRITERS/DIRECTORS: Andy Wachowski and Larry Wachowski
PRODUCER: Joel Silver
CINEMATOGRAPHER: Bill Pope (D.o.P.)
EDITOR: Zach Staenberg
COMPOSER: Don Davis
SCI-FI/ACTION/THRILLER
Starring: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Jada Pinkett-Smith, Harold Perrineau, Jr., Adrian Rayment, Neil Rayment, Gloria Foster, Roy Jones, Jr., Randall Duk Kim, Monica Bellucci, Nona M. Gaye, Helmut Bakaitis, Sing Ngai, Harry Lennix and Anthony Zerbe
The subject of this movie review is The Matrix Reloaded, a 2003 American and Australian science fiction action film from The Wachowski Brothers. It is the sequel to the Oscar-winning, The Matrix (1999). In the film, Neo and the rebel leaders race to stop an army of Sentinels from destroying the human sanctuary, Zion, while Neo’s dreams suggest that Trinity will suffer a dark fate.
I liked The Matrix Reloaded so much that I’d like to bow down at the feet of Andy and Larry Wachowski, the creators/writers/directors behind this brilliant science fiction/action cum philosophical film. This must be the most thoughtful, inventive, and entertaining science fiction film since 2001: A Space Odyssey. It’s amazing what the brothers did when their studios gave them a bigger budget, and when technology gave them the ability to add even greater mind-bending effects than what they had in the first film, The Matrix. Every time George Lucas got more money and improved technology, he only managed to either make a mediocre film or to actually take away from the wonder of the original Star Wars.
Neo (Keanu Reeves) and his compatriots: mentor Morpheus (Laurence Fishburne), lover Trinity (Carrie-Anne Moss) and new crew mate Link (Harold Perrineau, Jr.) have 72 hours to save the day before 250,000 sentinel probes that are digging through the earth to reach Zion. Neo is also trouble Trinity of whom he’s been having bad dreams. The heroes must find The Keymaker (Randall Duk Kim) who knows the way to the Mainframe of the Matrix, the place where Neo might be able to save mankind.
At one point while I was watching this film, I could appreciate the creativity and the urge of the filmmakers to push the boundaries of visual effects, but I found The Matrix Reloaded to be a drag. It seemed to lack the freshness and surprise of the original. I was finding The Matrix Reloaded fresh in its throw-everything-against-the-wall-and-see-what-sticks way. The film seemed to have an awkward rhythm: talk, philosophy, talk, speech, fight, talk, fight, action scene, more talk, etc. This was a story about humans fighting machines, and the entire movie reeked of being artificial, more the result of computer effort than human effort.
I was wrong: human ingenuity and spirit make this film, with the computer as the left hand that helps the human right hand. Suddenly, it all clicked for me, and the film made so much sense. The rest of the way was a breathtaking experience for me. I had to struggle to keep up with the film’s rapid-fire pace. The action is quite intense, and the story is packed with human pathos, intrigue, and mystery. The Wachowski’s really dig into the idea that the Matrix is an artificial intelligence, but an intelligence nonetheless, and it has personalities – multiple personalities with individual agendas.
Great directing, great effects, excellent rhythm, inspired acting – what more do I need to say? This is good. Morpheus is even more mystical and even more frightening. Neo is super cool and super bad, a superman who can unleash his special abilities at the drop of a hat. Trinity is still hot, but she has a purpose; she’s more than just a babe/appendage. She’s the shoulder upon which Neo leans. I was also really surprised by how much the film delves into ideas of and philosophy about freedom, control, and choice.
No kidding, this is great stuff. It does have some weak points. It drags at times before it really gets rolling. Agent Smith (Hugo Weaving) is now as much comic relief as he is a cool villain, whereas he was an all-dangerous and lethal adversary in the first film. And the Twins (Adrian and Neil Rayment), with their blond dreadlocks are good, but they ain’t all that.
There have many good sci-fi films, and there have been some very good sci-fi films, including The Matrix. I don’t know how I’ll feel a year later about this sequel, but right now, I think The Matrix Reloaded is one of the truly great sci-fi films, and probably the best action movie ever made. Although The Matrix Reloaded ends in a cliffhanger, it stands on its own, just whetting your appetite for more. There are enough new revelations about the characters and about the Matrix to keep your head spinning until the next chapter.
9 of 10
A+
NOTES:
2004 Black Reel Awards: 1 nomination: “Best Supporting Actress” (Gloria Foster)
2004 Razzie Awards: 1 nomination: “Worst Director” (Andy Wachowski and Larry Wachowski – also for The Matrix Revolutions-2003)
Saturday, March 30, 2013
Review: "Cradle 2 the Grave" is Not Completely Lifeless
Cradle 2 the Grave (2003)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for violence, language and some sexual content
DIRECTOR: Andrzej Bartkowiak
WRITERS: John O’Brien and Channing Gibson; from a story by John O’Brien
PRODUCER: Joel Silver
CINEMATOGRAPHER: Daryn Okada
EDITOR: Derek G. Brechin
COMPOSERS: Damon “Grease” Blackman and John Frizzell
ACTION/CRIME/DRAMA
Starring: Jet Li, DMX, Anthony Anderson, Kelly Hu, Tom Arnold, Mark Dacascos, Gabrielle Union, Daniel Dae Kim, and Chi McBride (uncredited)
The subject of this movie review is Cradle 2 the Grave, a 2003 action film. Directed by Andrzej Bartkowiak, the film stars legendary action star, Jet Li, and rapper DMX.
Producer Joel Silver brings us another martial artist/rap star “buddy” movie in the tradition of his hit, Exit Wounds. This time Exit Wounds star DMX joins legendary Far East action star Jet Li in Cradle to the Grave. After I watching this movie, I couldn’t figure out the reason for the title, but the name sounds rough and tough, just what you want in your “chop socky-hip hop” movie. No doubt that this is trash, but fun trash, especially if you’re feeling really tolerant; not as good as Exit Wounds, but almost worth the price of admission if you like Li and/or DMX. And I had been waiting for this for a long time.
Fait (DMX) leads a crew of high-tech urban thieves who stumble onto a bag of mysterious black jewels during their heist of a diamond exchange. The diamonds’ owner, the vicious and murderous Ling (Mark Decascos), kidnaps Fait’s daughter and holds her as ransom for the jewels’ return. Fait gets a monkey wrench in his works when another crew steals the diamonds from one of Fait’s bumbling associates (Tom Arnold). Fait and his crew forge an alliance with a Taiwanese intelligence officer, Su (Jet Li), to rescue his child and retrieve the precious black diamonds, which hold a deadly and powerful secret.
Director Andrzej Bartkowiak’s film is clunky and disjointed, but Bartkowiak (who has directed three of Li’s American films) knows that he only has to string together a few “character moments” between scenes with the only important elements of the film: DMX’s grimace and Li’s extended martial arts free-for-alls. Li actually has an extended battle at an underground fight arena that at times defies the imagination and at other times is so wacky that it earns a load of belly laughs. Because the writers gave DMX’s character a child, we actually get a few smiles from the normally scowling star during precious scenes of him “parenting.”
The supporting cast mostly serves as relief from the grim story. Most of the time, Cradle 2 the Grave is a pretty raw cartoon, and it plays rough with its characters. However, Tom Arnold and Anthony Anderson, co-stars in Exit Wounds, return to add much needed comic relief. In fact, Arnold never seems so comfortable in a film role as he does when he’s rollin’ with the homeys. I think he’s added life to his career legs the way John Lithgow did in the early 1990’s by taking a few villainous roles.
I won’t lie to you. This isn’t a good movie, but it can be very entertaining most of the time. You just have to outlast some “dramatic” moments to get to the action, suspense, and thrills. Sometimes, I became very impatient waiting out a few dull minutes just to get to the bloodshed; honestly, there’s no other reason to see this junk other than for the junk: car chases, titillation, shootouts, corrupt cops, thugs, explosions, and Jet Li’s electric hands and feet.
So when’s the next Silver Pictures’ rap-fu joint coming out? DMX and Jackie Chan, perhaps?
4 of 10
C
---------------------------------
Wednesday, October 3, 2012
"V for Vendetta" Surprisingly Both Safe and Edgy
V for Vendetta (2006)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – R for strong violence and some language
DIRECTORS: James McTeigue
WRITERS: The Wachowski Brothers (based upon the DC/Vertigo graphic novel illustrated by David Lloyd)
PRODUCERS: Joel Silver, Grant Hill, and Andy Wachowski and Larry Wachowski
CINEMATOGRAPHER: Adrian Biddle
EDITOR: Martin Walsh
COMPOSER: Dario Marianelli
SCI-FI/FANTASY/ACTION/DRAMA/THRILLER
Starring: Natalie Portman, Hugo Weaving, Stephen Rea, Stephen Fry, John Hurt, Tim Pigott-Smith, and Rupert Graves
The subject of this movie review is V for Vendetta, a 2006 dystopian film and science fiction thriller directed by James McTeigue. The film is produced by the team behind The Matrix, producer Joel Silver and the brothers, Andy and Larry Wachowski, who also wrote this film’s screenplay. This movie is based on the comic book, V for Vendetta, which was written by Alan Moore and drawn by David Lloyd.
In a futuristic Britain ruled by a totalitarian government, represented by Chancellor Adam Sutler (John Hurt), a terrorist freedom fighter who calls himself “V” (Hugo Weaving) begins his campaign to wake up his fellow citizens to rise up against tyranny and throw off the yoke of oppression by blowing up a landmark building. As incomparably charismatic as he is ferociously skilled in the arts of combat and deception, V has secretly obtained a seemingly inexhaustible supply of explosives, hacked his way into the government’s information network (BTN – British Television Network), and built a well-supplied infrastructure that allows him to move and do as he pleases.
V also dresses in black combat gear wrapped in a flowing dark cloak. Best of all, he wears a sweetly creepy Guy Fawkes mask. V encounters Evey (Natalie Portman), a young woman whose parents were killed by the government, and though she at first resists, Evey becomes an unlikely ally in V’s final plot to bring down a cruel, corrupt, and ultimately evil government.
[Guy Fawkes was part of “The Gunpowder Plot,” a Catholic plan to overthrow the English Parliament in 1605. Fawkes was hanged for planting explosives in the Parliament buildings. London revelers celebrate “Guy Fawkes Day” on November 5th and wear stylized masks of Fawke’s mustachioed and bearded face.]
V for Vendetta is the latest comic book to get a big screen adaptation. In the original comic book series (eventually collected in book form – a graphic novel – by DC Comics), which was written by Alan Moore and drawn by David Lloyd, V represented anarchy and the British government was fascist. Written in the 1980’s, the government of V for Vendetta was a stand-in for the government of former Prime Minister Margaret Thatcher. In the film, the British government is more totalitarian, but retains a dash of fascism. However, the movie version of the character V is more about democracy and government by the people – a government that answers directly to the ordinary, everyday person – and uses terror and bombings to destabilize the deceitful government. By showing the government for what it is – evil and corrupt – V hopes to make the people rise up. The V of the comic book wanted to put an end to all governments in favor of anarchy, which is a political theory that believes the highest attainment of humanity is not to be free, unhindered by any kind of outside repression or control.
This film adaptation of V for Vendetta is written and co-produced by The Wachowski Brothers (Andy and Larry), creators of The Matrix. They maintained the comic book’s London setting, but instead of British government is just a stand-in for the administration of President George W. Bush. The viewer doesn’t need to be politically astute to catch the allusions. In fact, of the film’s sub-plot turns on a horrific terrorist attack that happens in the movie’s history (or back story). The terrorists use a biological weapon that causes the death of 100,000 people – this is clearly a nod at 9/11. In fact, The Wachowskis’ script goes so far to suggest that the terrorists who launched the attack were actually high government officials who used the fear and aftermath of the attack to take control of the country. Conspiracy theorists also believe that 9/11 was orchestrated by the Bush Administration to launch foreign wars in Afghanistan and Iraq, as well as use fear of terror to strengthen its power at home.
Alan Moore, who has seen two of his other comic books/graphic novels – The League of Extraordinary Gentlemen and From Hell, turned into films that were not faithful to his comics, was livid about the changes the Wachowskis made to his work and demanded that his name be removed from the project.
The movie itself is very much like a comic book, but that isn’t meant in the pejorative sense. V for Vendetta the movie is full of the kind wild and crazy ideas that comics from the 1940’s and 60’s were so good at introducing. This is all played at with a pop culture sensitivity. Directed by John McTeigue (the “first assistant director” on all three Matrix films and Star Wars: Episode II – Attack of the Clones, among others), V is impressionistic and is meant to hit the audience’s heart by playing with its emotions; that is done by showing the government and its agents committing senseless acts of barbaric cruelty, not only against loyal citizens, but against anyone who is different of thinks differently (freethinkers, homosexuals, protesters, etc.). V speaks of ideas and words, and that’s how the film appeals to the intellect. It’s always giving the viewer something to think about between the cool looking scenes of fighting and of storm troopers, shock troops, and police knocking down doors and knocking heads. It can make you wonder about how much the government lies and tries to manipulate. For added fun, there is even a Bill O’Reilly-like big mouth hollering about faith and unity.
The key to enjoying V for Vendetta is V himself. The other characters are alright, but it’s clear that neither the Wachowskis nor the director love them as much as they love V. In fact, Natalie Portman may be a really fine actress – even a great stage actress, as some say – but her Evey pales next to V, even though she does some good work here and has some scenes that allow her to press her serious actress button real hard.
Played by Hugo Weaving (the evil agent, Mr. Smith, in The Matrix films), V is like Batman in a music video version of George Orwell’s novel, 1984. Although we hear Weaving’s voice, he is always in costume and we never see his face (or body, for that matter). Moving gracefully, sometimes subtle, and sometimes with stylized exaggeration, Weaving shows us how truly cool it looks to wear a costume with a cape and a mask and be the mystery man in the shadows fighting tyranny and oppression. Weaving’s voice and movements turn the Guy Fawkes mask that V wears into an enchanted jester’s face that mocks fear, apathy, and weakness. Weaving’s V makes you want to stand up, be strong, and cast off the chains of oppression and the net of ignorance. Underneath that mask and beneath that costume is a spirit, an essence of a free mind and a free ass.
And though, the V for Vendetta film is sometimes shaky with a narrative that goes all over the place, and though it is a movie with more ideas than it can handle, this movie is bold and audacious. It is a dangerous comic book brought to life as a series of bold and explosive “View Master” reels. It is as sly as it is clumsy, and it is as daring in its ideas as it is confused. V for Vendetta plays it safe, but only a little, while criticizing (our) government, but it gets in enough digs to make us think.
7 of 10
B+
Friday, April 28, 2006
Friday, March 23, 2012
Second Robert Downey Jr. "Sherlock Holmes" Surpasses First in Cash Made
“Sherlock Holmes: A Game of Shadows” Bests Its Predecessor, Nabbing Global Tally of $529 Million and Counting
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” has hit the $529 million benchmark in global box office, with an estimated $186.7 million on the domestic side and $342.3 million internationally, surpassing its predecessor’s worldwide gross of $524.4 million. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
The film has drawn large opening crowds and repeat business since its late December debut, continuing its momentum as it rolled out internationally. In the U.S., “Sherlock Holmes: A Game of Shadows” opened at #1 and spent six weeks in the U.S. top ten. Internationally, it was the #1 film for three straight weeks (January 8 - January 23).
“Our successful box office continues to prove the appeal of Sherlock Holmes, especially in the hands of guy Ritchie and his amazing cast, led by Robert Downey Jr. and Jude Law,” Fellman said. “The film had outstanding results throughout the holidays and continued to gain traction well into 2012.”
“Rolling out this film internationally has been tremendously exciting, as the film has clearly resonated with audiences around the globe,” Kwan-Rubinek added. “The first ‘Sherlock Holmes’ was such a tremendous success overseas, and to surpass that number in these same markets is truly a remarkable achievement. We congratulate the filmmakers and cast, as well as our international teams, on these excellent results.”
“‘Sherlock Holmes: A Game of Shadows’ gave moviegoers another opportunity to experience Guy Ritchie’s fun and inventive take on the legendary detective,” said Sue Kroll, the Studio's President, Worldwide Marketing. “The movie is a great adventure—complete with action, humor and great characters. Congratulations to the filmmakers and cast, who were truly our partners in bringing Sherlock Holmes back to an enthusiastic worldwide audience.”
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
http://www.sherlockholmes2.com/
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” has hit the $529 million benchmark in global box office, with an estimated $186.7 million on the domestic side and $342.3 million internationally, surpassing its predecessor’s worldwide gross of $524.4 million. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
The film has drawn large opening crowds and repeat business since its late December debut, continuing its momentum as it rolled out internationally. In the U.S., “Sherlock Holmes: A Game of Shadows” opened at #1 and spent six weeks in the U.S. top ten. Internationally, it was the #1 film for three straight weeks (January 8 - January 23).
“Our successful box office continues to prove the appeal of Sherlock Holmes, especially in the hands of guy Ritchie and his amazing cast, led by Robert Downey Jr. and Jude Law,” Fellman said. “The film had outstanding results throughout the holidays and continued to gain traction well into 2012.”
“Rolling out this film internationally has been tremendously exciting, as the film has clearly resonated with audiences around the globe,” Kwan-Rubinek added. “The first ‘Sherlock Holmes’ was such a tremendous success overseas, and to surpass that number in these same markets is truly a remarkable achievement. We congratulate the filmmakers and cast, as well as our international teams, on these excellent results.”
“‘Sherlock Holmes: A Game of Shadows’ gave moviegoers another opportunity to experience Guy Ritchie’s fun and inventive take on the legendary detective,” said Sue Kroll, the Studio's President, Worldwide Marketing. “The movie is a great adventure—complete with action, humor and great characters. Congratulations to the filmmakers and cast, who were truly our partners in bringing Sherlock Holmes back to an enthusiastic worldwide audience.”
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
http://www.sherlockholmes2.com/
Friday, January 6, 2012
Sherlock Holmes 2 Still Banging Worldwide Box Office
“Sherlock Holmes: A Game of Shadows” Continues Its Success Worldwide
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” continued its strong run through the holiday frame, with exceptional numbers at both the domestic and international box offices. The international performance is made even more impressive by the fact that the film is tracking better than 2009’s blockbuster “Sherlock Holmes”—which grossed $315 million internationally and $524 million worldwide—with “Sherlock Holmes: A Game of Shadows” still to be released in many major international markets. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
“Sherlock Holmes: A Game of Shadows” has earned more than $265 million worldwide, with an estimated $140 million and counting on the domestic side. Internationally, the box office numbers are pacing ahead of the first “Sherlock Holmes” in the same territories in the same time frame, with the new film yet to open in 25 markets, including Australia, China, Brazil, France, Spain and Japan.
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” continued its strong run through the holiday frame, with exceptional numbers at both the domestic and international box offices. The international performance is made even more impressive by the fact that the film is tracking better than 2009’s blockbuster “Sherlock Holmes”—which grossed $315 million internationally and $524 million worldwide—with “Sherlock Holmes: A Game of Shadows” still to be released in many major international markets. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
“Sherlock Holmes: A Game of Shadows” has earned more than $265 million worldwide, with an estimated $140 million and counting on the domestic side. Internationally, the box office numbers are pacing ahead of the first “Sherlock Holmes” in the same territories in the same time frame, with the new film yet to open in 25 markets, including Australia, China, Brazil, France, Spain and Japan.
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
Thursday, December 29, 2011
"Sherlock Holmes: A Game of Shadows" Lights Up the Box Office
“Sherlock Holmes: A Game of Shadows” Heats up December Box Office
Film is the highest-grossing release of the holiday season to date and has passed $136 million worldwide
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” has followed up its number one opening by emerging as the top-grossing film to date, domestically, in this December’s very competitive holiday box office landscape. The film is estimated to take in $90.56 million through Monday, easily leading the domestic box office for the month. In addition, the film has soared past the $100 million mark globally, earning a combined estimated worldwide total of $136.26, while still only in a limited number of international markets. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
Fellman stated, “Robert Downey Jr. and Jude Law, together with director Guy Ritchie, have once again proven to be a winning combination for moviegoers, and we believe that the audience response and strong word of mouth will continue to carry ‘Sherlock Holmes: A Game of Shadows’ through the holidays and beyond. We congratulate everyone involved in the film on once again making this classic character irresistible to contemporary audiences.”
“Sherlock Holmes: A Game of Shadows” has also opened with impressive numbers in 25 international markets, including the UK, Germany and Italy, with most major territories still to come.
Kwan-Rubinek said, “The first ‘Sherlock Holmes’ was a huge hit with international audiences, and we are extremely pleased with the way moviegoers have again embraced the new film. With many more markets yet to open, we are looking forward to a long and lucrative run for the film.”
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
Film is the highest-grossing release of the holiday season to date and has passed $136 million worldwide
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” has followed up its number one opening by emerging as the top-grossing film to date, domestically, in this December’s very competitive holiday box office landscape. The film is estimated to take in $90.56 million through Monday, easily leading the domestic box office for the month. In addition, the film has soared past the $100 million mark globally, earning a combined estimated worldwide total of $136.26, while still only in a limited number of international markets. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
Fellman stated, “Robert Downey Jr. and Jude Law, together with director Guy Ritchie, have once again proven to be a winning combination for moviegoers, and we believe that the audience response and strong word of mouth will continue to carry ‘Sherlock Holmes: A Game of Shadows’ through the holidays and beyond. We congratulate everyone involved in the film on once again making this classic character irresistible to contemporary audiences.”
“Sherlock Holmes: A Game of Shadows” has also opened with impressive numbers in 25 international markets, including the UK, Germany and Italy, with most major territories still to come.
Kwan-Rubinek said, “The first ‘Sherlock Holmes’ was a huge hit with international audiences, and we are extremely pleased with the way moviegoers have again embraced the new film. With many more markets yet to open, we are looking forward to a long and lucrative run for the film.”
Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
Saturday, December 17, 2011
"Sherlock Holmes: A Game of Shadows" a Familiar, But Fun Game
Sherlock Holmes: A Game of Shadows (2011)
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – PG-13 for intense sequences of violence and action, and some drug material
DIRECTOR: Guy Ritchie
WRITERS: Michele Mulroney and Kieran Mulroney (based on the characters created by Arthur Conan Doyle)
PRODUCERS: Susan Downey, Dan Lin, Joel Silver, and Lionel Wigram
CINEMATOGRAPHER: Philippe Rousselot
EDITOR: James Herbert
COMPOSER: Hans Zimmer
ACTION/MYSTERY/THRILLER
Starring: Robert Downey, Jr., Jude Law, Noomi Rapace, Jared Harris, Stephen Fry, Paul Anderson, Kelly Reilly, Rachel McAdams, Geraldine James, and Eddie Marsan
Sherlock Holmes: A Game of Shadows is a 2011 Sherlock Holmes film and action/mystery movie. It is a direct sequel to the 2009 film, Sherlock Holmes, which brought Sir Arthur Conan Doyle’s famous detective back to the big screen as an in-your-face, two-fisted genius. A Game of Shadows finds Holmes taking on his greatest adversary, Professor Moriarty.
A year after the events of the first film, Sherlock Holmes (Robert Downey, Jr.), the renowned "consulting detective,” is investigating a seemingly unrelated series of crimes around Europe, including a bombing in London and the murder of prominent physician. Holmes believes the crimes are tied to the criminal mastermind, Professor James Moriarty (Jared Harris), who is just as smart as Holmes and more ruthless. Meanwhile, Holmes’ trusted ally and physician, Dr. John Watson (Jude Law), is set to marry Mary Morstan (Kelly Reilly).
It is Watson’s stag (bachelor) party that brings Holmes into contact with Sim (Noomi Rapace), a gypsy fortune teller marked for death by Moriarty. Holmes and Watson follow Sim to Paris where they discover the far-reaching implications of Moriarty’s plot. With his brother, Mycroft Holmes (Stephen Fry), providing some assistance (from a distance), Holmes tries to stop a possible war. But in Moriarty, Holmes may have met an opponent that even he cannot overcome.
Sherlock Holmes: A Game of Shadow offers the same thrills, chills, laughs, and mind games of the first film, except this new movie is more intense than wry. It is darker, has more action, and plays more on the razor’s edge than the first film, which was clever and loose, whereas this film is cunning and taut. You get the idea that the well-being of the world is on the line if Holmes’ slips up, and Moriarty is so damn formidable, Holmes is often outmaneuvered in this story. The best thing director Guy Ritchie gets out of the script is that the action in this story really matters.
Good performances abound. Watching Robert Downey, Jr. play Holmes, I got the feeling that if his brain were not firing on all cylinders, it was close. Downey’s performance was like mixing a high wire act with juggling and being on the receiving end of a knife-throwing act. Jared Harris is superb as Moriarty; I’ve never been more in awe and more afraid of this villain, and I wish Harris’ take on Moriarty had more screen time. Noomi Rapace makes the most of her role as Sim, a character whose screen time exceeds her importance.
Sherlock Holmes: A Game of Shadows sticks with the winning formula of the first film with some refinement. It delivers glossy, high-caliber entertainment with a clever edge that puts it above the typical Hollywood fast food, movie product. I’m already ready for a third Robert Downey, Jr.-Guy Ritchie Sherlock Holmes movie.
7 of 10
B+
Saturday, December 17, 2011
Thursday, December 15, 2011
Sherlock Holmes: A Game of Shadows Soundtrack Now Available
WaterTower Music to Release Soundtrack for Sherlock Holmes: A Game of Shadows on December 13
Soundtrack Composed by Oscar®, Grammy & Golden Globe Award-Winning Composer Hans Zimmer
BURBANK, Calif.--(BUSINESS WIRE)--WaterTower Music has announced the release of Sherlock Holmes: A Game of Shadows - The Original Motion Picture Soundtrack with an original score by Oscar®, Grammy and Golden Globe Award-winning composer Hans Zimmer (Inception, The Dark Knight, Gladiator and The Lion King) at physical and digital retailers on December 13, 2011.
The creation of this album brought Zimmer—who also scored the blockbuster Sherlock Holmes, for which he received an Oscar® nomination—all the way to Slovakia to capture the traditional sounds of the Roma people and bring an authentic musical accompaniment to the picture.
In addition to receiving the 18 tracks on the album, fans who purchase the soundtrack will also be able to download three free additional tracks from the film, along with a video chronicling Mr. Zimmer’s journey to Slovakia to record the music of the Roma people. “While visiting Roma settlements in Slovakia, I discovered unbelievable musicianship,” said Zimmer. “We heard a few bands, loved their playing and invited them to Vienna, where we went into a tiny recording studio and started making music. I don’t speak Romani, and they can’t speak German or English, but when we sat down and started playing, there was no question about what language we needed to speak,” continued Zimmer.
Hans Zimmer has received nine Academy Award® nominations for his scores for Inception, Sherlock Holmes, Gladiator, The Thin Red Line, The Prince of Egypt, As Good As It Gets, The Preacher’s Wife, Rain Man and The Lion King, winning the Oscar® for the last. His more recent film credits include Pirates of the Caribbean: On Stranger Tides, Kung Fu Panda 2 and Rango.
Sherlock Holmes: A Game of Shadows stars Robert Downey Jr., reprising the title role of the world’s most famous detective, and Jude Law as his friend and colleague, Dr. John Watson.
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective.
Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct Sherlock Holmes: A Game of Shadows, the follow-up to the smash hit Sherlock Holmes. The sequel also reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly and Rachel McAdams. Sherlock Holmes: A Game of Shadows was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
Soundtrack Composed by Oscar®, Grammy & Golden Globe Award-Winning Composer Hans Zimmer
BURBANK, Calif.--(BUSINESS WIRE)--WaterTower Music has announced the release of Sherlock Holmes: A Game of Shadows - The Original Motion Picture Soundtrack with an original score by Oscar®, Grammy and Golden Globe Award-winning composer Hans Zimmer (Inception, The Dark Knight, Gladiator and The Lion King) at physical and digital retailers on December 13, 2011.
The creation of this album brought Zimmer—who also scored the blockbuster Sherlock Holmes, for which he received an Oscar® nomination—all the way to Slovakia to capture the traditional sounds of the Roma people and bring an authentic musical accompaniment to the picture.
In addition to receiving the 18 tracks on the album, fans who purchase the soundtrack will also be able to download three free additional tracks from the film, along with a video chronicling Mr. Zimmer’s journey to Slovakia to record the music of the Roma people. “While visiting Roma settlements in Slovakia, I discovered unbelievable musicianship,” said Zimmer. “We heard a few bands, loved their playing and invited them to Vienna, where we went into a tiny recording studio and started making music. I don’t speak Romani, and they can’t speak German or English, but when we sat down and started playing, there was no question about what language we needed to speak,” continued Zimmer.
Hans Zimmer has received nine Academy Award® nominations for his scores for Inception, Sherlock Holmes, Gladiator, The Thin Red Line, The Prince of Egypt, As Good As It Gets, The Preacher’s Wife, Rain Man and The Lion King, winning the Oscar® for the last. His more recent film credits include Pirates of the Caribbean: On Stranger Tides, Kung Fu Panda 2 and Rango.
Sherlock Holmes: A Game of Shadows stars Robert Downey Jr., reprising the title role of the world’s most famous detective, and Jude Law as his friend and colleague, Dr. John Watson.
Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective.
Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.
Filmmaker Guy Ritchie returned to direct Sherlock Holmes: A Game of Shadows, the follow-up to the smash hit Sherlock Holmes. The sequel also reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly and Rachel McAdams. Sherlock Holmes: A Game of Shadows was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for intense sequences of violence and action and some drug material.
http://www.sherlockholmes2.com/
Friday, September 2, 2011
Review: "The Matrix" Has Staying Power (Happy B'day, Keanu Reeves)
TRASH IN MY EYE No. 19 (of 2001) by Leroy Douresseaux
The Matrix (1999)
Running time: 136 minutes (2 hour, 16 minutes)
MPAA – R for sci-fi violence and brief language
DIRECTORS: The Wachowski Brothers
WRITERS: Andy Wachowski and Larry Wachowski
PRODUCER: Joel Silver
CINEMATOGRAPHER: Bill Pope (D.o.P.)
EDITOR: Zach Staenberg
COMPOSER: Don Davis
Academy Award winner
SCI-FI/FANTASY/ACTION with elements of a thriller
Starring: Keanu Reeves, Laurence Fishburne, Carrie-Ann Moss, Hugo Weaving, Joe Pantoliano, Marcus Chong, Gloria Foster, Julian Arahanga, Matt Doran, Belinda McClory, and Anthony Ray Parker
The Matrix is a 1999 science fiction action film. Directed by the brothers Andy Wachowski and Larry Wachowski (who is now Lana), The Matrix was the first of three films and launched a franchise that includes video games, animation (The Animatrix), and a series of comic and webcomics that were eventually collected in two trade paperbacks. The film would go on to be influential and win four Oscars.
A computer programmer and hacker named Thomas A. Anderson (Keanu Reeves) is in a kind of funk; the world does not seem quite right to him, but he cannot put his finger on what bothers him. He encounters a mysterious band of rebels led by the Morpheus (Laurence Fishburne) who tells Anderson that Anderson is really Neo and that he is the Chosen One who will lead humanity out of the bondage in which machines keep them. Morpheus is abetted by Trinity (Carrie-Ann Moss), who believes completely in Neo as the savior.
The year isn’t 1999; it is 200 years later, says Morpheus. The world in which Neo lives is not real; it is instead an elaborate façade called the Matrix created by a malevolent Artificial Intelligence. The real world is a bombed shell of its former self. The ruling cyber intelligence has stored humans in stasis pods and uses humans for the fuel with which it operates itself. The Matrix, a kind of computer simulation of reality into which humanity is plugged, keeps humanity placated while the A.I., to power itself, leeches the energy human bodies naturally generate. Humans think they are living their lives when they are really all asleep and jacked into an electronic version of reality.
Morpheus believes that Neo is the one who will destroy the Matrix. Morpheus and his warriors live in the real world. They can send their consciousness into the Matrix to recruit converts to their cause. Their nemeses are Agents, A.I. who infiltrate and police the Matrix for rebellious humans. Led by the vicious Agent Smith (Hugo Weaving), the Agents pursue Neo and his newfound colleagues.
Written and directed by the Wachowski Brothers, The Matrix is glorious eye candy. Others have described the special effects as mind bending, and some audiences may have perceived them that way. The movie is visually dazzling, exciting, and invigorating; it’s a thrill ride in which you sit back and let yourself be entertained. While the Wachowki’s currently lack the skills to stage shots as well as Hitchcock or Kubrick would, they do know how to compose effective visuals. From a city with a sense of wrongness to the abandoned subway system where Morpheus and his rebels fight beautifully designed and wicked looking machinery, the film’s images deliver a coherent message.
Part Terminator and part The Invisibles (a comic book published by DC comics and created by Grant Morrison), the movie pretends at being ideologically and intellectually deep. However, man versus machine isn’t so much an issue in the movie as it is an impetus for violent action scenes. The brothers were smart in that they allowed Neo’s warrior friends to have the job of explaining the situation behind the Matrix.
The acting is very good. Fishburne has deep resonant tones, and he speaks clearly and confidently as explains things to Reeve’s somewhat slow Neo. Reeves, from the Kevin Costner school of wooden acting and halting speech mannerisms, would have lost the audience had he tried to make explanations. However, the camera loves the cool, West Coast looker, so Neo’s ascension from dull hacker to savior is something the audience can buy. Moss’s Trinity is a stand by you man woman and makes an able sidekick/love interest for Neo, and it is she who carries the load in the relationship. She delivers all the passion and provides all the strength while Neo finds his place as the One.
The most impressive, influential, and groundbreaking films usually sweep the technical Academy Awards for the year in which they are released, which The Matrix did while American Beauty won the high-end trophies. However, like Star Wars, Who Framed Roger Rabbit?, The Terminator, and Jurassic Park, The Matrix will stand the test of time as a technical landmark in cinematic history. Besides that, it’s a very good film. What it lacks in subtlety and intellect, it more than makes up for in visual bravado, suspense, and drama. Like the directors of the best films, the Wachowski’s let the images do the talking.
8 of 10
A
NOTES:
2000 Academy Awards: 4 wins: “Best Effects, Sound Effects Editing” (Dane A. Davis), “Best Effects, Visual Effects” (John Gaeta, Janek Sirrs, Steve Courtley, and Jon Thum), “Best Film Editing” (Zach Staenberg), and “Best Sound” (John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee)
2000 BAFTA Awards: 2 wins: “Best Achievement in Special Visual Effects” (John Gaeta, Steve Courtley, Janek Sirrs, and Jon Thum) and “Best Sound” (David Lee, John T. Reitz, Gregg Rudloff, David E. Campbell, and Dane A. Davis); 3 nominations: “Best Cinematography” (Bill Pope), “Best Editing” (Zach Staenberg), and “Best Production Design” (Owen Paterson)
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Sunday, August 14, 2011
Review: "Gothika" is Creepy and Crazy (Happy B'day, Halle Berry)
Gothika (2003)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for violence, brief language and nudity
DIRECTOR: Mathieu Kassovitz
WRITER: Sebastian Gutierrez
PRODUCERS: Susan Levin, L. Levin, Joel Silver, and Robert Zemeckis
CINEMATOGRAPHER: Matthew Libatique (D.o.P.)
EDITOR: Yannick Kergoat
COMPOSER: John Ottman
HORROR/THRILLER
Starring: Halle Berry, Robert Downey, Jr., Charles S. Dutton, John Carroll Lynch, Bernard Hill, Penélope Cruz, Bronwen Mantel, and Kathleen Mackey
Gothika is a 2003 supernatural thriller and movie vehicle for Halle Berry. It is a ghost story about a female psychiatrist who awakens to fins herself a patient in the very asylum where she works.
Miranda Grey (Halle Berry) is psychiatrist who deals with really crazy people everyday at a prison for the criminally insane. A respected colleague, Dr. Douglas Grey (Charles Dutton), is her husband. One night she leaves work during a driving rainstorm. After taking a detour, a girl suddenly appears on the road ahead of her and forces Miranda to drive her vehicle off the road. When she goes to the girl who obviously seems to be in some kind of distress, something really strange happens. When Miranda awakens, she finds herself locked in the same institution where she worked, and she’s been accused of committing a horribly gruesome crime of which she has no memory.
Quite a few critics have given it bad reviews. One even called it trash – glorious trash, but Gothika is a very entertaining movie. Like a lot of films, it’s really absent of new ideas, and it seems to borrow heavily from What Lies Beneath and The Ring (2002). It is, however, an effective and entertaining horror film and a nicely made thriller. It has some genuinely creepy moments, and at the theatre where I saw it, one girl immediately screamed after a nice “bump in the night” moment.
French director Mathieu Kassovitz is a hot property, and he has the makings of good director, although I don’t see much that would make him stand out from a whole pack of qualified professionals. There are moments in the film, when Kassovitz makes Gothika a bit too mannered and cold. With an asylum for the criminally insane as a setting and a shocking murder upon which the plot turns, Kassovitz needed to make his film get down and dirty. Instead, Gothika is overdressed and over designed, and the cinematography is too slick and glossy.
But you know what? I love watching Halle Berry, and she gets better practically with each film she does. She sells us this film, even when her costar Ms. Cruz seems to be hanging around only to lend her tabloid star presence and her accent. Like the great actresses and stars, Ms. Berry takes us inside the character with her, forcing us to share the extreme terror that comes from loosing one’s memory, place in society, and, most fearsome of all, loosing one’s mind. We can believe that there is a horrible crime hanging over her head, and that she doesn’t remember it and doesn’t want to because it means admitting and learning horrific things. Have fun, and go see this movie.
6 of 10
B
NOTES:
2004 Black Reel Awards: 1 nomination: “Film: Best Actress” (Halle Berry)
2004 Image Awards: 2 nominations: “Outstanding Actress in a Motion Picture” (Halle Berry) and “Outstanding Supporting Actor in a Motion Picture” (Charles S. Dutton)
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Tuesday, June 21, 2011
Review: "The Last Boy Scout" is Still Cool (Happy B'day, Tony Scott)
The Last Boy Scout (1991)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R
DIRECTOR: Tony Scott
WRITERS: Shane Black; from a story by Shane Black and Greg Hicks
PRODUCERS: Joel Silver and Michael Levy
CINEMATOGRAPHER: Ward Russell
EDITORS: Stuart Baird, Mark Goldblatt, and Mark Helfrich
ACTION/CRIME/DRAMA with elements of comedy
Starring: Bruce Willis, Damon Wayans, Noble Willingham, Chelsea Field, Taylor Negron, Danielle Harris, Halle Berry, Bruce McGill, Chelcie Ross, Joe Santos, Bill Medley, Verne Lundquist, Dick Butkus, Lynn Swann, Billy Blanks, Morris Chestnut, Badja Djola, and Eddie Griffin
As the 1990’s opened, the skyrocketing budget of Hollywood film productions was the story about which the entertainment news media couldn’t stop talking. The Bruce Willis headliner, The Last Boy Scout, was the talk of the town from the moment screenwriter, Shane Black, became the first person to sell a script for one million dollars, which he did with The Last Boy Scout Script. After the Hudson Hawk debacle, which saw that super expensive flick, also starring Willis, become a box office dud (although it’s one of my favorite movies), The Last Boy Scout looked like another over-priced dud. However, released during the 1991 holiday season, it became a modest hit, grossing just under $60 million against an estimated production budget of about that much.
Willis is Joseph Cornelius Hallenbeck, Joe for short, a disgraced Secret Service agent who now moonlights as a private detective – a down and out, cynical private dick. Damon Wayans is James Alexander Dix, Jimmy Dix for short, a disgraced former MVP quarterback for the pro football team, the L.A. Stallions, thrown out of the league because he gambled. They meet when Joe accepts a job acting as a bodyguard for Jimmy’s girl friend Cory (Halle Berry), a stripper who dates rich men.
When Cory is murdered in a gangland style hit and a friend of Joe’s is killed by a car bomb, the two come together to solve the murders. What they discover is that both their former employers: Senator Calvin Baynard (Chelcie Ross) who got Joe fired and Sheldon “Shelly” Marcone (Noble Willingham) who owns the Stallions, are united in a shady and deadly deal to legalize gambling on professional football. What Joe and Jimmy find themselves in is a deadly game of life and death that is as bone-crushing and bruising as any football game, and it’s a game that also comes with bullets flying.
The script by Shane Black, who reinvented the cop-buddy action flick with his script for Lethal Weapon, penned a script for The Last Boy Scout that is all over the place. Set in Los Angeles, it shows his love for Raymond Chandler’s private eye stories, but this is more a crime drama than a film noir-ish detective tale. It’s a violent action comedy, and buddy action flick like 48 Hours, in which two men are forced into the situation of being partners and have a hard time warming up to one another.
Besides, it’s genre pedigree, the script is mostly haphazard, as it tries to shoehorn serious human drama into a violent detective/conspiracy framework. The movie jumps around a lot. Sometimes, it’s a melodramatic tale of a broken family. Sometimes, it’s a high-octane action comedy. Sometimes, it’s a shootout picture. Then, it’s a drama again, but a few minutes later, someone has to be shot in the head. A few minutes later, everyone has jokes.
What makes this movie work, ultimately, is director Tony Scott. Riding high off such late 80’s action hits as Top Gun and Beverly Hills Cop II, he was one of Hollywood’s very top action directors, but he was (and still is) an all-around, very skilled filmmaker. Scott is the one who makes just about every one of Black’s genre conventions work. The film comes together slowly, but when it does, it’s with a bang. By the end, The Last Boy Scout is fun and exciting, with a lot of tongue-in-cheek humor because Black is somewhat spoofing the sub-genre he helped to create. Shamelessly and gratuitously violent, it’s the gun violence that keeps this from being an exceptional film.
Willis and Wayans have tolerable film chemistry, and like the film, it takes a bit for them to warm up to each other and get in synch. When all comes together, it’s a doozy – rollicking, hilarious fun for men who love movies. Their performances, like this movie, aren’t worthy of a long-cinematic memory, but when the appetite calls for an action flick, there are worse choices… much worse.
6 of 10
B
Wednesday, January 18, 2006
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Sunday, June 12, 2011
New Sylvester Stallone Movie Begins Filming in Louisiana
Dark Castle Entertainment to Partner with IM Global and After Dark Films on New Sylvester Stallone Action Thriller
- The project re-teams producer Joel Silver with Stallone and with director Walter Hill -
BURBANK, Calif.--(BUSINESS WIRE)--Dark Castle Entertainment will partner with IM Global and After Dark Films on director Walter Hill’s upcoming action thriller starring Sylvester Stallone, it was announced today jointly by the three companies.
The film is scheduled to begin production on location in Louisiana later this month and will be distributed domestically by Warner Bros. Pictures, under its ongoing arrangement with Dark Castle.
Based on the graphic novel Bullet to the Head, written by Matz and illustrated by Colin Wilson, it tells the story of a New Orleans hitman (Stallone) and a New York City cop who form an alliance to bring down the killers of their respective partners.
Joel Silver, Chairman of Dark Castle Entertainment, previously produced the Stallone films “Demolition Man” and “Assassins.” He says, “Sylvester Stallone is an iconic action star the world over and I’m thrilled to be working with him again. I look forward to joining with IM Global and After Dark in bringing this exciting new story to the screen.”
Says IM Global CEO Stuart Ford, “Joel and his Dark Castle team are the perfect partners to help steer a project like this successfully forward and we’re delighted to have them onboard, as well as having Warner Bros. as the U.S. distribution home for the film.”
Silver’s previous creative collaborations with veteran director Hill include the box-office hit “48 Hours,” “Warriors” and HBO’s long-running “Tales from the Crypt.”
The new film, a Warner Bros. Pictures presentation, in association with Dark Castle Entertainment, IM Global and After Dark Films, also features rising star Sung Kang (“Fast Five,” “Ninja Assassin”) in a key supporting role. Additionally serving as producers will be Alexandra Milchan, Miles Millar, Alfred Gough, Kevin King-Templeton and Andrew Rona. Stuart Ford, Brian Kavanaugh-Jones, Deepak Nayar, Courtney Solomon, Allan Zeman and Steve Richards will executive produce.
- The project re-teams producer Joel Silver with Stallone and with director Walter Hill -
BURBANK, Calif.--(BUSINESS WIRE)--Dark Castle Entertainment will partner with IM Global and After Dark Films on director Walter Hill’s upcoming action thriller starring Sylvester Stallone, it was announced today jointly by the three companies.
The film is scheduled to begin production on location in Louisiana later this month and will be distributed domestically by Warner Bros. Pictures, under its ongoing arrangement with Dark Castle.
Based on the graphic novel Bullet to the Head, written by Matz and illustrated by Colin Wilson, it tells the story of a New Orleans hitman (Stallone) and a New York City cop who form an alliance to bring down the killers of their respective partners.
Joel Silver, Chairman of Dark Castle Entertainment, previously produced the Stallone films “Demolition Man” and “Assassins.” He says, “Sylvester Stallone is an iconic action star the world over and I’m thrilled to be working with him again. I look forward to joining with IM Global and After Dark in bringing this exciting new story to the screen.”
Says IM Global CEO Stuart Ford, “Joel and his Dark Castle team are the perfect partners to help steer a project like this successfully forward and we’re delighted to have them onboard, as well as having Warner Bros. as the U.S. distribution home for the film.”
Silver’s previous creative collaborations with veteran director Hill include the box-office hit “48 Hours,” “Warriors” and HBO’s long-running “Tales from the Crypt.”
The new film, a Warner Bros. Pictures presentation, in association with Dark Castle Entertainment, IM Global and After Dark Films, also features rising star Sung Kang (“Fast Five,” “Ninja Assassin”) in a key supporting role. Additionally serving as producers will be Alexandra Milchan, Miles Millar, Alfred Gough, Kevin King-Templeton and Andrew Rona. Stuart Ford, Brian Kavanaugh-Jones, Deepak Nayar, Courtney Solomon, Allan Zeman and Steve Richards will executive produce.
Thursday, February 10, 2011
Review: "Kiss Kiss Bang Bang" is Really Good Good
TRASH IN MY EYE No. 141 (of 2006) by Leroy Douresseaux
Kiss Kiss Bang Bang (2005)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for language, violence, and sexuality/nudity
DIRECTOR: Shane Black
WRITER: Shane Black; from a screen story by Shane Black (based upon the novel, Bodies are Where You Find Them by Brett Halliday)
PRODUCER: Joel Silver
CINEMATOGRAPHER: Michael Barrett
EDITOR: Jim Page
COMEDY/MYSTERY/CRIME with elements of drama and thriller
Starring: Robert Downey, Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon, and Angela Lindvall
New York City petty thief, Harry Lockhart (Robert Downey, Jr.) cons his way into an acting audition while running from the police. Before long he’s whisked away to Los Angeles for an even more important audition, this time for a part in a big movie. Harry finds an authentic acting coach in L.A. detective, Perry Van Shrike (Val Kilmer) or "Gay Perry," to help him prepare for his audition. The bright lights of Hollywood pale, however, when Harry, Perry, and Harry’s high school dream girl, Harmony Faith Lane (Michelle Monaghan), find themselves thrust into a murder mystery – one with an increasingly high body count.
Shane Black’s calling card is that he is the screenwriter who created Lethal Weapon, but his name may also be slightly notorious with his connection to Hollywood budget excesses, especially as he once received a then-record $1.75 million for The Last Boy Scout script. He didn’t create the buddy picture, an action sub-genre that remains popular but really ruled in the 1980’s and early 1990’s (one could say that the buddy-cop flick came to life with 48 Hours). Still, Black’s Lethal Weapon screenplay defined the buddy action flick, and Black became one of the most influential writers of action flicks.
Perhaps, we can view Black’s directorial debut, Kiss Kiss Bang Bang, as a send-up of the genre he, more than any other writer, helped send into the stratosphere of big-time movie making. Almost a movie within a movie, Kiss Kiss Bang Bang seems like a satire of the buddy flick. Self-referential to the point of being meta-fiction, the narrator, Robert Downey, Jr.’s Harry Lockhart, never breaks the fourth wall, but he knows he has an audience.
With all the twists, turns, deceptions, betrayal, and romance in its plot, Kiss Kiss Bang Bang is a clever P. I. (private investigator or private eye) farce set in the glamour weird side of Los Angeles – think rich people and Hollywood types. Many of the characters are on the edge of Tinseltown – on the outside looking in. This movie is like Get Shorty, but it’s filtered through Shane Black’s penchant for L.A. crime stories – cops and detectives working a sort of modern day Film-Noir City of Angels – a kind of neo-Noir. This is also like The Last Boy Scout, without the big budget action sequences, but more outlandish and eccentric.
Watching this film, one has to wonder why it works. Robert Downey, Jr. seems slightly miscast, but he’s such a fine actor that he makes this part his own. Val Kilmer is quite good in a part that seems a bit short for what both the character and actor can bring to the film. Michelle Monaghan also seems miscast, but she has excellent comic sensibilities and over the long haul of the picture makes a very good, if not perfect, fit.
For all the style and ambience Black and his cast bring to this movie, what ultimately makes Kiss Kiss Bang Bang an exceptional film is how shrewdly written it is. Black has astutely filled his script with the kind of off-the-wall dialogue, situations, and scenes that hooks an audience ever deeper into the film, very similar to what Quentin Tarantino did in Pulp Fiction. It’s a cunning move that both keeps an audience with a short attention span engaged while putting a nimble move on the detective genre that makes even the jaded sit up and take notice. Kiss Kiss Bang Bang isn’t everyone’s cup of tea, but it is the droll comedy of 2005. It is also one of the most inventive comic turns on the detective flick (that doesn’t have to rely on parody) in decades.
8 of 10
A
Friday, June 30, 2006
Kiss Kiss Bang Bang (2005)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for language, violence, and sexuality/nudity
DIRECTOR: Shane Black
WRITER: Shane Black; from a screen story by Shane Black (based upon the novel, Bodies are Where You Find Them by Brett Halliday)
PRODUCER: Joel Silver
CINEMATOGRAPHER: Michael Barrett
EDITOR: Jim Page
COMEDY/MYSTERY/CRIME with elements of drama and thriller
Starring: Robert Downey, Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon, and Angela Lindvall
New York City petty thief, Harry Lockhart (Robert Downey, Jr.) cons his way into an acting audition while running from the police. Before long he’s whisked away to Los Angeles for an even more important audition, this time for a part in a big movie. Harry finds an authentic acting coach in L.A. detective, Perry Van Shrike (Val Kilmer) or "Gay Perry," to help him prepare for his audition. The bright lights of Hollywood pale, however, when Harry, Perry, and Harry’s high school dream girl, Harmony Faith Lane (Michelle Monaghan), find themselves thrust into a murder mystery – one with an increasingly high body count.
Shane Black’s calling card is that he is the screenwriter who created Lethal Weapon, but his name may also be slightly notorious with his connection to Hollywood budget excesses, especially as he once received a then-record $1.75 million for The Last Boy Scout script. He didn’t create the buddy picture, an action sub-genre that remains popular but really ruled in the 1980’s and early 1990’s (one could say that the buddy-cop flick came to life with 48 Hours). Still, Black’s Lethal Weapon screenplay defined the buddy action flick, and Black became one of the most influential writers of action flicks.
Perhaps, we can view Black’s directorial debut, Kiss Kiss Bang Bang, as a send-up of the genre he, more than any other writer, helped send into the stratosphere of big-time movie making. Almost a movie within a movie, Kiss Kiss Bang Bang seems like a satire of the buddy flick. Self-referential to the point of being meta-fiction, the narrator, Robert Downey, Jr.’s Harry Lockhart, never breaks the fourth wall, but he knows he has an audience.
With all the twists, turns, deceptions, betrayal, and romance in its plot, Kiss Kiss Bang Bang is a clever P. I. (private investigator or private eye) farce set in the glamour weird side of Los Angeles – think rich people and Hollywood types. Many of the characters are on the edge of Tinseltown – on the outside looking in. This movie is like Get Shorty, but it’s filtered through Shane Black’s penchant for L.A. crime stories – cops and detectives working a sort of modern day Film-Noir City of Angels – a kind of neo-Noir. This is also like The Last Boy Scout, without the big budget action sequences, but more outlandish and eccentric.
Watching this film, one has to wonder why it works. Robert Downey, Jr. seems slightly miscast, but he’s such a fine actor that he makes this part his own. Val Kilmer is quite good in a part that seems a bit short for what both the character and actor can bring to the film. Michelle Monaghan also seems miscast, but she has excellent comic sensibilities and over the long haul of the picture makes a very good, if not perfect, fit.
For all the style and ambience Black and his cast bring to this movie, what ultimately makes Kiss Kiss Bang Bang an exceptional film is how shrewdly written it is. Black has astutely filled his script with the kind of off-the-wall dialogue, situations, and scenes that hooks an audience ever deeper into the film, very similar to what Quentin Tarantino did in Pulp Fiction. It’s a cunning move that both keeps an audience with a short attention span engaged while putting a nimble move on the detective genre that makes even the jaded sit up and take notice. Kiss Kiss Bang Bang isn’t everyone’s cup of tea, but it is the droll comedy of 2005. It is also one of the most inventive comic turns on the detective flick (that doesn’t have to rely on parody) in decades.
8 of 10
A
Friday, June 30, 2006
---------------------------
Monday, October 4, 2010
Sherlock Holmes Was Fresh for the Twenty-Oh-Nine
TRASH IN MY EYE No. 1 (of 2010) by Leroy Douresseaux
Sherlock Holmes (2009)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for intense sequences of violence and action, some startling images, and a scene of suggestive material
DIRECTOR: Guy Ritchie
WRITERS: Michael Robert Johnson, Anthony Peckham, and Simon Kinberg; from a screen story by Lionel Wigram and Michael Robert Johnson (based on the characters created by Arthur Conan Doyle)
PRODUCERS: Susan Downey, Dan Lin, Joel Silver, and Lionel Wigram
CINEMATOGRAPHER: Philippe Rousselot
EDITOR: James Herbert
COMPOSER: Hans Zimmer
Academy Award nominee
ACTION/MYSTERY
Starring: Robert Downey, Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan, Robert Maillet, Geraldine James, Kelly Reilly, William Houston, Hans Matheson, James Fox, and William Hope
At Christmas 2010, the film Sherlock Holmes brought Sir Arthur Conan Doyle’s famous detective back to the big screen. This new film features a Sherlock Holmes and Dr. Watson that are different from the most famous screen Holmes and Watson, actors Basil Rathbone (as Holmes) and Nigel Bruce (as Watson). Directed by Guy Ritchie, this Christmas 2009 Sherlock Holmes is something of an in-your-face buddy movie that is more event movie entertainment than it is detective film, but what fun it certainly is.
Sherlock Holmes (Robert Downey, Jr.), the renowned "consulting detective,” has made his reputation finding the truth at the heart of the most complex mysteries. That includes a recent case in which Holmes rescued a kidnapped young woman from the clutches of the murderous occultist, Lord Blackwood (Mark Strong). Without a new case, Holmes is bored and also fretting over the impending marriage of his trusted ally and physician, Dr. John Watson (Jude Law) to Mary Morstan (Kelly Reilly).
Then, a new storm gathers over London, one bringing a threat unlike anything that Holmes has ever confronted. Although hung from the gallows for a string of brutal, ritualistic murders, Lord Blackwood has reportedly returned from the dead. Seemingly connected to dark and powerful forces, Blackwood launches a plot to change the British Empire forever, and his apparent resurrection has sent London into a panic. Somehow, Irene Adler (Rachel McAdams), a woman from America with whom Holmes has a tempestuous relationship, is also involved in this madness. Holmes may have found just the challenge he has been looking for.
Dynamic would be a good way to describe Guy Ritchie’s Sherlock Holmes. Everything well-mannered and traditional about Sherlock Holmes has been redone as rowdy and fast-paced. This primordial classical mystery has become the classic, loud, Hollywood blockbuster, event motion picture, and there’s nothing wrong with that. Sherlock Holmes satisfies, going down like a Big Mac when you’re especially hungry (and you don’t remember them tasting so good). Writer Lionel Wigram, who received a “screen story” credit for this film, is actually the writer who fashioned this reinvention of Sherlock Holmes. Wigram merely emphasized Holmes’ less social tendencies and his martial arts prowess (both part of the original Holmes stories). Is there a better way to re-imagine a Victorian era character for modern movie audiences than as a smart ass outsider who kicks ass?
Robert Downey, Jr. and Jude Law make this movie. Of course, Downey plays the venerable sleuth as a master of deduction who sees what is invisible to everyone else. Downey’s Holmes also engages in heart-stopping, bare-knuckle brawls, dodges explosions that would kill most, and leaps from buildings like a mad acrobat. This is Holmes as Indiana Jones, a crowd pleaser and man of the people. With a wink and a nudge, this Holmes is scruffy and frumpy, and you will not see him in a coat and tie – and forget about the deerstalker hat.
Jude Law’s genial Dr. John Watson is smart, has an eye for detail, and banters with Holmes as if the duo were an old couple. Law’s Watson, however, hides a thug beneath the whimsical, at-ease nature, and he looks as if his nice suit really hides a pair of brass knuckles and a blackjack.
Sherlock Holmes is not without its problems. One of them is that the director and the writers are so in love with their nouveau take on Holmes and Watson that they lose Lord Blackwood, an intriguing adversary whose potential is wasted. Ultimately, this film is like National Treasure with a Victorian James Bond, but is still Sherlock Holmes. Like many holiday crowd-pleasers, it is indeed forgettable. You will, however, remember that it was fun to watch, enough to want to see this Sherlock Holmes movie again – perhaps even enjoy repeated viewings on its eventual home, cable television.
7 of 10
B+
Friday, January 15, 2010
NOTES:
2010 Academy Awards: 2 nominations: “Best Achievement in Art Direction” (Sarah Greenwood-art director and Katie Spencer-set decorator) and “Best Achievement in Music Written for Motion Pictures, Original Score” (Hans Zimmer)
2010 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Robert Downey Jr.)
Sherlock Holmes (2009)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for intense sequences of violence and action, some startling images, and a scene of suggestive material
DIRECTOR: Guy Ritchie
WRITERS: Michael Robert Johnson, Anthony Peckham, and Simon Kinberg; from a screen story by Lionel Wigram and Michael Robert Johnson (based on the characters created by Arthur Conan Doyle)
PRODUCERS: Susan Downey, Dan Lin, Joel Silver, and Lionel Wigram
CINEMATOGRAPHER: Philippe Rousselot
EDITOR: James Herbert
COMPOSER: Hans Zimmer
Academy Award nominee
ACTION/MYSTERY
Starring: Robert Downey, Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan, Robert Maillet, Geraldine James, Kelly Reilly, William Houston, Hans Matheson, James Fox, and William Hope
At Christmas 2010, the film Sherlock Holmes brought Sir Arthur Conan Doyle’s famous detective back to the big screen. This new film features a Sherlock Holmes and Dr. Watson that are different from the most famous screen Holmes and Watson, actors Basil Rathbone (as Holmes) and Nigel Bruce (as Watson). Directed by Guy Ritchie, this Christmas 2009 Sherlock Holmes is something of an in-your-face buddy movie that is more event movie entertainment than it is detective film, but what fun it certainly is.
Sherlock Holmes (Robert Downey, Jr.), the renowned "consulting detective,” has made his reputation finding the truth at the heart of the most complex mysteries. That includes a recent case in which Holmes rescued a kidnapped young woman from the clutches of the murderous occultist, Lord Blackwood (Mark Strong). Without a new case, Holmes is bored and also fretting over the impending marriage of his trusted ally and physician, Dr. John Watson (Jude Law) to Mary Morstan (Kelly Reilly).
Then, a new storm gathers over London, one bringing a threat unlike anything that Holmes has ever confronted. Although hung from the gallows for a string of brutal, ritualistic murders, Lord Blackwood has reportedly returned from the dead. Seemingly connected to dark and powerful forces, Blackwood launches a plot to change the British Empire forever, and his apparent resurrection has sent London into a panic. Somehow, Irene Adler (Rachel McAdams), a woman from America with whom Holmes has a tempestuous relationship, is also involved in this madness. Holmes may have found just the challenge he has been looking for.
Dynamic would be a good way to describe Guy Ritchie’s Sherlock Holmes. Everything well-mannered and traditional about Sherlock Holmes has been redone as rowdy and fast-paced. This primordial classical mystery has become the classic, loud, Hollywood blockbuster, event motion picture, and there’s nothing wrong with that. Sherlock Holmes satisfies, going down like a Big Mac when you’re especially hungry (and you don’t remember them tasting so good). Writer Lionel Wigram, who received a “screen story” credit for this film, is actually the writer who fashioned this reinvention of Sherlock Holmes. Wigram merely emphasized Holmes’ less social tendencies and his martial arts prowess (both part of the original Holmes stories). Is there a better way to re-imagine a Victorian era character for modern movie audiences than as a smart ass outsider who kicks ass?
Robert Downey, Jr. and Jude Law make this movie. Of course, Downey plays the venerable sleuth as a master of deduction who sees what is invisible to everyone else. Downey’s Holmes also engages in heart-stopping, bare-knuckle brawls, dodges explosions that would kill most, and leaps from buildings like a mad acrobat. This is Holmes as Indiana Jones, a crowd pleaser and man of the people. With a wink and a nudge, this Holmes is scruffy and frumpy, and you will not see him in a coat and tie – and forget about the deerstalker hat.
Jude Law’s genial Dr. John Watson is smart, has an eye for detail, and banters with Holmes as if the duo were an old couple. Law’s Watson, however, hides a thug beneath the whimsical, at-ease nature, and he looks as if his nice suit really hides a pair of brass knuckles and a blackjack.
Sherlock Holmes is not without its problems. One of them is that the director and the writers are so in love with their nouveau take on Holmes and Watson that they lose Lord Blackwood, an intriguing adversary whose potential is wasted. Ultimately, this film is like National Treasure with a Victorian James Bond, but is still Sherlock Holmes. Like many holiday crowd-pleasers, it is indeed forgettable. You will, however, remember that it was fun to watch, enough to want to see this Sherlock Holmes movie again – perhaps even enjoy repeated viewings on its eventual home, cable television.
7 of 10
B+
Friday, January 15, 2010
NOTES:
2010 Academy Awards: 2 nominations: “Best Achievement in Art Direction” (Sarah Greenwood-art director and Katie Spencer-set decorator) and “Best Achievement in Music Written for Motion Pictures, Original Score” (Hans Zimmer)
2010 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Robert Downey Jr.)
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