Showing posts with label John Cusack. Show all posts
Showing posts with label John Cusack. Show all posts

Wednesday, September 23, 2020

Review: "Chi-raq" Dares to Be Truly Different

TRASH IN MY EYE No. 17 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Chi-Raq (2015)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – R for strong sexual content including dialogue, nudity, language, some violence and drug use
PRODUCER/DIRECTOR:  Spike Lee
WRITERS:  Spike Lee and Kevin Willmott (based on the play by Aristophanes)
CINEMATOGRAPHER:  Matthew Libatique
EDITOR:  Ryan Denmark and Hye Mee Na
COMPOSER:  Terence Blanchard

DRAMA/MUSICAL/POLITICS

Starring:  Nick Cannon, Teyonah Parris, Wesley Snipes, Angela Bassett, Samuel L. Jackson, John Cusack, Jennifer Hudson, David Patrick Kelly, D.B. Sweeney, Dave Chappelle, Steve Harris, Harry Lennix, Irma P. Hall, Thomas J. Byrd, Roger Guenveur Smith, and La La Anthony

Chi-Raq is satirical political drama and musical from director Spike Lee.  Set in Chicago, Chi-Raq uses the classical Greek comedy play, Lysistrata (written by Aristophanes), as the basis for a story about the gang violence that is plagues real-world Chicago.  In Chi-Raq, a woman leads a group of like-minded females to challenge the on-going violence in Chicago's Southside.

Lysistrata (Teyonah Parris) dates Demetrius “Chi-Raq” Dupree (Nick Cannon), leader of the Spartans gang (who wear purple).  He is in the middle of an on-going war against the rival gang, the Trojans (who wear orange), lead by Cyclops (Wesley Snipes), who orders a hit on Chi-Raq during a Spartan music concert.

After Chi-Raq (presumably) kills a child with a stray bullet during a shootout, Lysistrata finds herself having to examine her part in the ongoing violence in Chicago's Southside.  Lysistrata organizes a group of women who are associated with male gang members and encourages them to withhold sex from their men until they stop the violence.  Lysistrata's movement challenges the nature of race, sex, and violence in the United States of America, and it begins to spread around the world.  However, as more people go without sex, the movement raises tensions in all of Chicago.

Chi-Raq is another bold stroke of idiosyncratic Spike Lee art.  Lee was Kanye West before Kanye West.  Stubborn and independent from the beginning, Lee remains that way.  Chi-Raq is everything it seems:  political satire, social satire, farce, comedy, Negro spiritual, racial drama, soulful musical, and even a cry in the wilderness to Black folks in America.  “Stop killing ourselves!” Lee screams via his art.  If only it were that simple.

Chi-Raq is film art, beautiful, poignant, brash, colorful – all of it embodied by the full-throated, shameless narration of Samuel L. Jackson's refreshing Dolmedes.  In the end, hopefully, Chi-Raq can be more than art.  Can it initiate social change.  Well, the problems that it depicts and tackles are complicated and ingrained in ways that would have us throw up our hands in surrender if we took time to really think about those problems.

I can hope for the best, but in the meantime, I can appreciate a filmmaker who really deserves to be called a “visionary,” Spike Lee.  Chi-Raq is a testament to his imagination.

9 of 10
A+

Friday, September 2, 2016


NOTES:
2016 Black Reel Awards:  1 win: “Outstanding Actress, Motion Picture” (Teyonah Parris); 6 nominations: “Outstanding Motion Picture” (Spike Lee), “Outstanding Supporting Actress, Motion Picture” (Angela Bassett), “Outstanding Director, Motion Picture” (Spike Lee), “Outstanding Ensemble” (Kim Coleman-Casting Director), “Outstanding Score” (Terence Blanchard), and “Outstanding Original or Adapted Screenplay, Motion Picture” (Spike Lee and Kevin Willmott)

2016 Image Awards:  4 nominations: “Outstanding Actress in a Motion Picture” (Teyonah Parris), “Outstanding Supporting Actress in a Motion Picture” (Angela Bassett), “Outstanding Supporting Actress in a Motion Picture” (Jennifer Hudson), and “Outstanding Independent Motion Picture”


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Monday, October 7, 2019

Review: "Toy Story 4" is Very Good, But Not Great

TRASH IN MY EYE No. 13 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Toy Story 4 (2019)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – G
DIRECTOR:  Josh Cooley
WRITERS:  Andrew Stanton and Stephany Folsom; from an original story by John Lasseter, Andrew Stanton, Josh Cooley, Valerie LaPointe, Rashida Jones, Will McCormack, Martin Hynes, and Stephany Folsom
PRODUCER:  Mark Nielsen and Jonas Rivera
EDITOR:  Axel Geddes
COMPOSER:  Randy Newman

ANIMATION/ADVENTURE/DRAMA/COMEDY/FAMILY

Starring:  (voices) Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele,  Madeleine McGraw, Christina Hendricks, Keanu Reeves, Ally Maki, Jay Hernandez, Lori Alan, Joan Cusack, Wallace Shawn, John Ratzenberger, Carl Weathers, and June Squibb

Toy Story 4 is a 2019 computer-animated feature film from Pixar Animation Studios.  It is the fourth film in the Toy Story franchise.  The new film focuses on a new toy and a road trip that will change the life of a beloved toy.

Toy Story 4 opens nine years earlier when Woody (Tom Hanks) and the gang were still Andy's toys.  Woods leads the successful rescue of a toy car, R.C.   In the present, Woody and the other toys are happy in their new life as the toys of a little girl named Bonnie (Madeleine McGraw).  Bonnie is about to enter kindergarten and is distressed about going to school.  Woody sneaks into Bonnie's backpack and joins her on her first day of school.  Woody's action even lead to Bonnie using discarded arts and crafts supplies to transform a “spork” (spoon-fork) into a new toy she names “Forky” (Tony Hale).  Although Forky becomes Bonnie's favorite toy, the spork does not believe that he is a toy, and he is always trying to return to a trash can.

Bonnie and her mom (Lori Alan) and dad (Jay Hernandez) go on an RV road trip, and Bonnie takes Forky, Woody and company with her.  Instead of enjoying the trip, Woody spends his time trying to rescue Forky.  This misadventure leads Woody to an antique story, Second Chance Antiques, and also to a fairground/playground, where he is reunited with old friends and makes new friends.  And Woody learns just how big the world can be for a toy with an open mind.

Toy Story 4 is a good movie, not as good as Toy Story, Toy Story 2, and Toy Story 3, but quite good.  Keegan-Michael Key as Ducky and Jordan Peele as Bunny are nice additions to the cast.  Keanu Reeves is a surprise and gives a surprising voice performance as Duke Kaboom, the Canadian daredevil toy.  The sycophantic ventriloquist's dummies, “the Bensons,” are a nice, creepy distraction.  Christina Hendricks is appropriately pathetic and menacing as the tragically desperate doll, Gabby Gabby.

But Toy Story 4 is, more than the first three films, a movie about adult issues and regrets that tries to be a family movie, if not an outright kids' movie.  More than anything, Toy Story 4 is Woody's movie.  [In this film, Tim Allen's Buzz Lightyear is a supporting character and not a co-lead].  In this movie, Tom Hanks gives one of the best voice performances for an animated film that I have had the pleasure of enjoying.  In Hanks' performance, you can feel it.  Woody is like a father who “lost” one child, Andy (because he grew up and gave away his toys), so he is an obsessive “helicopter parent” about the new child, Molly, who does not need Woody as much as he thinks she does – if at all.

It would be pretentious of me to say that this movie is about becoming a man and putting away the things of boy.  No, I think Toy Story 4 is about the change and the passage of time that is forced upon us, so if we don't change and move on, change and the passage of time is going to happen anyway.

Yes, each Toy Story film has its Mission: Impossible-like operation in which our beloved toys try to save another toy or toys, my favorite being the race to save Woody from an unscrupulous toy dealer and a devious toy in Toy Story 2.  In Toy Story 4, the new “toy,” Forky, needs to be saved, and Woody keeps endangering first, himself, and then, others in increasingly desperate and dangerous bids to save the spork.

Ultimately, however, this movie feels like the franchise has come back one too many times.  The end of Toy Story 3, in which a grown-up Andy gave his beloved Woody and the other toys to Molly, was really meant to be the happily ever after.  Once Toy Story 3 grossed over a billion dollars in worldwide box office, it seemed like common-moneymaking-sense to make a fourth film.  Don't make another Toy Story film, Disney.  Let Toy Story 4 be a very good, but not great coda to the series.

7 out of 10
B+

Tuesday, July 2, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, August 16, 2017

Elijay Wood to Appear at Salt Lake Comic Con 2017

Elijah Wood Makes Rare Appearance At Salt Lake Comic Con 2017

- Even the smallest person can change the course of the future -

SALT LAKE CITY--(BUSINESS WIRE)--Salt Lake Comic Con (http://saltlakecomiccon.com/) announced today that the world’s most famous hobbit, Elijah Wood, will attend the 5th Annual Salt Lake Comic Con that takes place September 21-23, 2017 at the Salt Palace Convention Center for a panel, photo ops and autograph signing with his Salt Lake Comic Con fans.

Wood is an actor, voice actor, producer and DJ. He’s best known for his starring role as Frodo Baggins in the Lord of the Rings Trilogy. The Lord of the Rings series won a total of 17 Academy Awards and grossed almost $3 billion at the global box office. In addition to Lord of the Rings, Wood appeared in Back to the Future Part II, Deep Impact, Eternal Sunshine of the Spotless Mind, Sin City and Green Street.

Wood is also the voice of Mumble in the award-winning animated musical films Happy Feet and Happy Feet Two, Tim Burton’s 9 and the animated series Tron: Uprising. In 2005 he started his own record label, Simian Records.

“The Lord of the Rings trilogy was an epic series and Elijah’s role as Frodo made him a fan favorite around the world and certainly for our Utah fans,” said Dan Farr, Salt Lake Comic Con Founder and Show Producer. “We’re thrilled that Elijah can join us in September. This is one of our strongest celebrity lineups yet and we know that our fans will be excited to meet the hero responsible for ensuring the destruction of the Sauron, the Dark Lord.”

In addition to Wood, Salt Lake Comic Con will feature one of its strongest lineups yet from fandoms such as The Arrow, Walking Dead, Star Trek, Back to the Future and Guardians of the Galaxy. Individual celebrity attendees include: Val Kilmer, Dick Van Dyke, John Cusack, Jon Bernthal, Christopher Lloyd, Wil Weaton, Michael Rooker, Rob Schneider, Catherine Tate, John Barrowman, Willa Holland, Joan Cusack, Elodie Yung, Sean Gunn, Michael Biehn, Eliza Dushku and Richard Dean Anderson. There are still more guests to announce before the show in September.

“Lord of the Rings is hugely popular with our fans and Elijah has been one of the top guest requests from our fans,” said Bryan Brandenburg, Salt Lake Comic Con Co-Founder and Chief Marketing Officer. “Elijah Wood hasn’t been available for this kind of appearance for several years so we are so excited that the stars aligned for his very rare appearance at our comic con. Our star studded lineup is incredibly strong and the addition of Elijah and the remaining announcements will seal this year’s event as being truly our best ever.”

Salt Lake Comic Con is September 21-23, 2017 at the Salt Palace Convention Center. For more information or to buy your ticket(s) now visit, http://www.saltlakecomiccon.com/. Shipping Deadline ended Monday, August 14, 2017.


ABOUT SALT LAKE COMIC CON:
Salt Lake Comic Con is organized by Dan Farr Productions (DFP), in partnership with ABC4/CW30 of the Nexstar Broadcasting Group, and was co-founded by Dan Farr and Bryan Brandenburg. DFP is an event and marketing group devoted to organizing events, launching and acquiring new shows, and partnering with premium celebrities and brands in the pop culture arena, including Salt Lake Gaming Con and Pop Life Asia. DFP is dedicated to producing spectacular celebrations of popular culture that lead the market in providing exceptional and rewarding experiences for our consumers, fans, celebrity guests, vendors and partners. Find out more at: www.SaltLakeComicCon.com, www.abc4.com/.

Salt Lake Comic Con
http://www.saltlakecomiccon.com

Salt Lake Comic Con Tickets
http://saltlakecomiccon.com/tickets/

Salt Lake Comic Con Guests
http://www.saltlakecomiccon.com/guests/

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Thursday, July 16, 2015

Amazon Studios Acquires Spike Lee's New Film, "Chi-Raq"

Amazon Studios Announces Spike Lee’s Chi-Raq as First-Ever Amazon Original Movie

Film features Nick Cannon, Wesley Snipes, Jennifer Hudson, Teyonah Parris, D.B. Sweeney, Harry Lennix, Steve Harris, Angela Bassett with John Cusack and Samuel L. Jackson

SEATTLE--(BUSINESS WIRE)--(NASDAQ:AMZN)–Amazon Studios today announced that Spike Lee’s next major film (working title, Chi-Raq) is the first-ever Amazon Original Movie produced. Chi-Raq will feature Nick Cannon, Wesley Snipes, Jennifer Hudson, Teyonah Parris, D.B. Sweeney, Harry Lennix, Steve Harris, Angela Bassett with John Cusack and Samuel L. Jackson. In what will be her breakout-starring role, Teyonah Parris will play the central lead character. Chi-Raq was shot entirely in Chicago and wrapped last week.

    “I’m honored to be part of the film that will launch Amazon Studios and to tell a story that is so important. Please don’t be fooled by the title of Chi-Raq, this new Spike Lee joint will be something very special. We have assembled a stellar cast”

Written by both the critically acclaimed filmmaker Spike Lee (Do The Right Thing), and writer/director Kevin Willmott (C.S.A.: Confederate States Of America), and directed by Lee, Chi-Raq will shed light on the serious, but often overlooked issue of violence in inner city Chicago.

“Spike Lee is one of the most distinct and visionary filmmakers of our time,” said Ted Hope, Head of Motion Picture Production at Amazon Studios. “It would be impossible to find a better filmmaker with whom to launch our studio. He has a unique voice, a distinct eye, and he tackles important subjects with humor and heart, pointing to solutions and not exploiting the problems. Chi-Raq may be his greatest, and definitely his boldest film yet—everything about it is distinctive.”

“I’m honored to be part of the film that will launch Amazon Studios and to tell a story that is so important. Please don’t be fooled by the title of Chi-Raq, this new Spike Lee joint will be something very special. We have assembled a stellar cast,” said Spike Lee.

Bob Berney, Head of Marketing and Distribution at Amazon Studios, explained, “For Chi-Raq, and for future projects, we will collaborate with a top-tier theatrical distributor who shares our vision and passion. We will work together to craft bold and distinctive marketing and distribution approaches for all our films.”

First announced in January, Amazon Original Movies is an initiative by Amazon to produce and acquire original movies for theatrical release and early window distribution exclusively for Prime members. With creative development and production headed up by independent film visionary Ted Hope, Amazon Original Movies focuses on unique stories, voices, and characters from top and up-and-coming creators. Bob Berney recently joined the Amazon Original Movies team to lead theatrical distribution and marketing efforts and will be managing third-party distributors.

Amazon Original Movies will join Amazon Original Series such as Catastrophe, Bosch, Mozart in the Jungle, Alpha House and multi-Golden Globe winner Transparent, all available exclusively on Amazon for Prime members. Also premiering this fall are new Amazon Original series Hand of God, Red Oaks, and The Man in the High Castle.


About Amazon Instant Video
Amazon Instant Video offers Amazon Prime members instant access to stream tens of thousands of movies and TV episodes, including award-winning Amazon Original Series, available at no additional cost. New release movies and current TV shows are available for rent or purchase.

Prime members can enjoy binge-worthy TV shows including Amazon Original Series airing now such as the multi-Golden Globe-winning series Transparent, the hour-long drama Bosch, based on Michael Connelly’s best-selling books, the Roman Coppola and Jason Schwartzman comedy, Mozart in the Jungle, and the comedy created by and starring Rob Delaney and Sharon Horgan, Catastrophe, in addition to HBO favorites like The Sopranos, True Blood and Girls, and popular primetime series including 24, Downton Abbey, Extant, Falling Skies, Grimm, Hannibal, Justified, Orphan Black, Teen Wolf, The Americans, and Under the Dome. Prime members also have access to a collection of kids shows now airing including Amazon Original Series Annedroids, Gortimer Gibbon’s Life on Normal Street and the Annecy, Annie and multi-Emmy Award-winning Tumble Leaf, as well as popular shows from Nickelodeon and Nick Jr. including SpongeBob SquarePants, Dora the Explorer, Team Umizoomi, and Blue’s Clues. In addition to tens of thousands of titles to instantly stream, the Amazon Prime membership (www.amazon.com/prime) includes more than one million songs, more than a thousand playlists and hundreds of stations through Prime Music, unlimited Free Two-Day Shipping on millions of items, early access to select Lightning Deals, unlimited photo storage with Amazon Photos, and access to borrow from more than 800,000 books for Kindle owners–all for $99 a year.

Customers can watch movies and TV shows with the Amazon Video app. The Amazon Video app is available on hundreds of devices including Amazon Fire TV, Fire TV Stick, Roku, smart TVs and Blu-ray players from Samsung, Sony, LG, and Panasonic, the Xbox, PlayStation, and Wii game consoles, as well as on mobile devices like Fire tablets, Fire phone, iPhone, iPad, and Android tablets and phones. Customers can also watch online at Amazon.com/AIV.

Comprehensive cast and crew information, including bios and filmographies, is available on Amazon’s IMDb (www.imdb.com), the world’s most popular and authoritative source for movie, TV and celebrity content.

About Amazon
Amazon.com opened on the World Wide Web in July 1995. The company is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire phone, Fire tablets, Fire TV, and Amazon Echo are some of the products and services pioneered by Amazon.

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Thursday, September 25, 2014

Robin Williams Dead at 63 - Breaking... Update #10

Robin Williams, the stand-up comic, television actor, and acclaimed hit-making big screen actor, has died at the age of 63.  He was found in his home and apparently had been battling depression lately.

Williams was known for his comedic and dramatic turns in film - performing in films as diverse as Walt Disney's Aladdin and Mrs. Doubtfire to Awakenings and What Dreams My Come.  He received best actor Oscar nominations:  Good Morning, Vietnam, Dead Poets Society, and The Fisher King.  He won the best supporting actor Oscar for Good Will Hunting (1997).

Williams was a writer and performer on "The Richard Pryor Show" (1977).  His breakout role was as the alien "Mork" for four seasons on the ABC sitcom, "Mork & Mindy," for which he earned an Emmy nomination.

In addition to his Oscar, Williams won two Emmy Awards and several Golden Globe and Grammy Awards.

Williams is survived by a wife and three children.  Negromancer sends condolences to Mr. Williams' family and friends.  R.I.P. Robin Williams.

LINKS:

From YahooNews:  Matt Damon:  Ben and I owe everything to him (Robin Williams)...

From UPI:  PBS is broadcasting a Robin Williams tribute special.  Williams' "Mork & Mindy" costar, Pam Dawber, will guest star on that special.

From YahooNews:  Actress Mila Kunis shares advice Robin Williams gave her.

From The Washington Post via RSN:  Frenetic, Often Fearless

From YahooMovies:  Other "Genie" voice actor has a tribute to Williams.

From YahooGames:  Nintendo responds to petition to include Robin Williams tribute in Zelda game

From FOXNews:  "Mork and Mindy" star Pam Dawber, other celebs react to the news of Robin Williams' death

From Entertainment Weekly's InsideMovies:  Robin Williams: sober and battling Parkinson's, according to wife

From TodayMichael J. Fox "stunned" to learn Robin Williams had Parkinson's

From Today:  Robin Williams was struggling with early Parkinson's, wife say.

From Variety:  Police: Robin Williams' Death Due to Hanging

From YahooFinance:  Robin Williams Set Up a 3-Part Trust Fund for His Kids Amid Money Troubles

From YahooSports:  Robin Williams was the first male Denver Broncos cheerleader

From YahooCelebrity:  The Children of Robin Williams Remember Dad

From InContention:  We might have Robin Williams to thank for Jessica Chastain.

From YahooTV:  Billy Crystal and Whoopi Goldberg give the most eloquent reaction to Robin Williams' death.

From Collider:  R.I.P. Robins Williams, Legendary Comic and Actor at 63

From Deadline:  Singular Talent Robin Williams Commits Suicide at Age 63

From EW InsideMovies:  Robin Williams Dead at 63

From The Hollywood Reporter via Yahoo: Robin Williams Died of Suspected Suicide

From Variety:  Robin Williams Found Dead in Possible Suicide

Robin Williams' Wikipedia page is here.
Robin Williams' IMDb page is here.


Friday, June 20, 2014

Negromancer News Bits and Bites: June 15 to June 21, 2014 - Updated #6


NEWS:

From The WrapMeryl Streep makes a move to television as she will play opera legend Maria Callas in a television film for HBO.  Director Mike Nichols is adapting the Broadway play, "Master Class," which tells the story of Callas' life.

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From Variety: The next "Bourne" movie, starring Jeremy Renner, has been moved from August 14, 2015 to July 15, 2016,  That film will ostensibly be a sequel to the Renner-starring The Bourne Legacy.

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From Variety:  Apparently the F. Gary Gray N.W.A. biopic will take Bourne's August 2015 release date.

From Cinema Blend:  Speaking of the N.W.A. biopic, the film reportedly has its actors to play the lead characters, Ice Cube, Eazy-E, and Dr. Dre.  O'Shea Jackson, Jr. will apparently play his father, Ice Cube, whose birth name is O'Shea Jackson.  At one point, Michael B. Jordan was eyed to play Cube, but his role in the Fantastic Four reboot may have squashed that.

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From YahooJohn Cusack and Adrien Brody join Jackie Chan in the Chinese-language film, "Dragon Blade."  It looks to be the most expensive Chinese-language made to date at $65 million.

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COMIC BOOK MOVIES:

From MarvelRosario Dawson joins Marvel's Netflix series, "Daredevil," which is scheduled to debut in early 2015.

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From The WrapJon Spaihts who wrote Ridley Scott's Prometheus is apparently writing Marvel Studios' planned "Doctor Strange," movie, which would be based on the surgeon turned Sorcerer Supreme, Stephen Strange a/k/a/ Doctor Strange.  Scott Derrickson, who directed the low-budget hit horror film, Sinister, is apparently directing the film.  Jared Leto and Benedict Cumberbatch are the top choices to play Strange.

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From Yahoo Celebrity: Ben Affleck buffs up for Batman role in Batman Vs. Superman: Dawn of Justice.


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STAR WARS News:

From YahooHarrison Ford broke his leg, not his ankle.

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From Heat Celeb News:  More on Harrison Ford's injury on the set of Star Wars Episode VII.

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From GoSanAngelo:  Here is an interesting article about fans who spend much money and time to build their own Star Wars droids.  There is even a club, Astromech.net.

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MISC:

Surprising article from a few years ago:  I was a drunk teenaged wizard.

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From Yahoo: In this installment of Hollywood Time Capsule, the 1999 flick, Wild Wild West, gets a look-back via Entertainment Weekly.

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OBITS:

From the New York Times and Indiewire: Casey Kasem, the famous American disc jockey, radio personality, and voice actor, died Sunday, June 15, 2014.  He was 82-years-old.  Kasem was born Kemal Amen Kasem in Detroit on April 27, 1932 to Lebanese immigrant parents.

I remember Kasem for several reasons.  First of all, I was a big fan of his syndicated radio show, "America's Top 40." Beginning in 1970 and continuing for 24 years, Kasem played the top forty songs on Billboard magazine's weekly "Hot 100" singles chart.  There was also a syndicated television version of the show in the 1980s that showed the music videos for the top ten songs of the week on the "Hot 100" singles chart, and sometimes for songs on Billboard's other singles chart.

But I most treasure and love Casey Kasem as the voice of cartoon character, Norville "Shaggy" Rodgers, beginning with the animated series, "Scooby-Doo, Where Are You?" (1969) and continuing until 1997.  He also provided the voice of Robin on "Super Friends" and Alexander on "Josie and the Pussycats."

Negromancer sends condolences to Casey Kasem's family and friends.  R.I.P. Shaggy.

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From Yahoo Sports:  Former Major League Baseball player, Tony Gwynn, died today, Monday, June 16, 2014 at the age of 54.  He was one of the greatest hitters in the history of Major League Baseball and the greatest pure hitter of his generation.  He played with the San Diego Padres for 20 years (his entire career) and was elected into the National Baseball Hall of Fame in 2007.  He was named on 532 of 545 Hall of Fame voting ballots, for one of the highest percentages ever, 97.61.  Negromancer sends its condolences to Tony Gwynn's family, friends, colleagues, and teammates.  R.I.P. slugger.

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From the New York Times and Yahoo Sports:  I think I've stated before that the Pittsburgh Steelers are my favorite NFL team.  Well, I was saddened to learn that beloved head Coach Chuck Noll died Friday night, June 13, 2013.  Charles Henry Noll was born on January 5, 1932.  He was 82-year-old.

Noll built the "Steel Curtain" Steelers of the 1970s, one of the most dominant teams in NFL history.  The Steelers won the Super Bowls in the 1974, 1975, 1978, and 1979 seasons.  They were the first team to win four Super Bowls.  Noll coached the Steelers from 1969 to 1991 and was elected to the Pro Football Hall of Fame in 1993, his first year of eligibility.

Rest in peace, Coach.  Negromancer offers condolences to Chuck Noll's family and friends.


Thursday, April 17, 2014

Review: "High Fidelity" is Endearing, Refreshing (Happy B'day, Nick Hornby)

TRASH IN MY EYE No. 68 (of 2003) by Leroy Douresseaux

High Fidelity (2000)
Running time:  113 minutes (1 hour, 53 minutes)
MPAA – R for language and some sexuality
DIRECTOR:  Stephen Frears
WRITERS:  D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg (based upon the book by Nick Hornby)
PRODUCERS:  Tim Bevan and Rudd Simmons
CINEMATOGRAPHER:  Seamus McGarvey
EDITOR:  Mick Audsley
COMPOSER:  Howard Shore
BAFTA Award nominee

COMEDY/DRAMA/ROMANCE

Starring: John Cusack, Iben Hejejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Shannon Stillo, Joelle Carter, Lili Taylor, Alex Desert, and Bruce Springsteen

The subject of this movie review is High Fidelity, a 2000 comedy, drama, and romance from director Stephen Frears.  The film is based on the 1995 novel, High Fidelity, from author Nick Hornby.  High Fidelity focuses on a record store owner, who is a compulsive list maker, as he recounts his top five breakups, including the one that just occurred.

After seeing Identity, I decided to go back and see some John Cusack movies that I hadn’t seen.  I can call them “John Cusack movies” in the sense that Cusack’s personality pretty much dominates almost any film in which he stars.  He’s presence is simply quite dynamic and magnetic.  When he first came on the scene, many predicted that he’d be a huge star, and for some reason, his star isn’t as big as it should be.  However, few actors of his generation have a combination of tremendous acting talent and the sense about him that the camera loves.  Some have one or the other, but having both is rare.

In High Fidelity, John is Rob Gordon, owner of Championship Vinyl, a record store the specializes in collectible LP’s, emphasizing vinyl over compact disc, although the store does have a selection of hip and cool cd’s.  As the movie begins, his current girlfriend, Laura Lydon (Iben Hejejle) is leaving him.  So Rob, the film’s very dominate character and a compulsive list maker recounts his top five breakups, all the while trying to regain Laura’s companionship.

The film is based on a novel by Nick Hornby (the film About a Boy is also from one of his novels) and co-written by four writers including Cusack.  Although the film has a director with a pedigree, Stephen Frears (Dangerous Liaisons, The Grifters), and a Hollywood hotshot as one of its screenwriters Scott Rosenberg (Con Air), this is John Cusack’s show.  In the beginning, the character Rob is a little hard to take.  It’s easy to see why he’d have problems with women, although Rob seems to think that his problems stem from his girlfriends.  Cusack builds Rob Gordon slowly, layer upon layer, before our eyes.  Rob talks a lot, and quite a bit of him is a mystery, but Cusack brings us in really close.  He totally breaks the mythical fourth wall between fictional character/performer and viewer, and though Rob remains something of an enigma, we learn enough about him to love him and to root for him.

There are quite a few interesting characters in the film that we don’t see more of because this is Rob’s show.  They might strengthen the story, but the storytelling is still excellent solely because of Cusack’s Rob.  Laura remains as elusive as Rob is, so we might need her version of High Fidelity to get her side of the relationship.

The film is funny, touching, and in its own quirky way, very romantic.  The supporting performances give Cusack’s Rob room to do his thing and give us enough to make Rob’s environment beyond his musings interesting.  High Fidelity could have been a disaster because in many ways, Rob ain’t going anywhere.  He doesn’t have any plans, and he is unsatisfied with his life, but not enough to do something – to act, so we could have brushed him off as a loser.  I didn’t because I want to hear every word he has to say.  Kudos to Cusack for making Rob so endearing and this film so refreshing.

7 of 10
A-

NOTES:
2001 Golden Globes, USA:  1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Cusack)

2001 BAFTA Awards:  1 nominations:  “Best Screenplay – Adapted” (D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg)

2001 Black Reel Awards:  1 nomination: “Theatrical - Best Supporting Actress” (Lisa Bonet)

Updated:  Thursday, April 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.


Sunday, July 7, 2013

Nicolas Cage on "The Frozen Ground" August 2013


Lionsgate presents

THE FROZEN GROUND

A Film by Scott Walker

Starring: Nicolas Cage, John Cusack, Vanessa Hudgens, AND 50 Cent

THE FROZEN GROUND Opens in Theaters and On Demand August 23, 2013

THE FROZEN GROUND is inspired by the incredible true story that follows Alaskan State Trooper Jack Halcombe (Nicolas Cage) as he sets out to end the murderous rampage of Robert Hansen (John Cusack), a serial killer who has gone unnoticed for 13 years. As the bodies of street girls start to pile up in Anchorage, fear strikes a chord with the public. Risking his life, Halcombe goes on a personal manhunt to find the killer before the next body surfaces. When a seventeen year old escapee (Vanessa Hudgens) reveals key information about the case, Halcombe is finally on the trail of the killer. But will he catch him in time to save the next victim?

Trailer: http://www.youtube.com/watch?v=Y_V40je3kiU

Rated: R
Run Time: 104 Minutes

Thursday, April 25, 2013

Review: "Identity" Almost Great

TRASH IN MY EYE No. 61 (of 2003) by Leroy Douresseaux


Identity (2003)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – R for strong violence and language
DIRECTOR: James Mangold
WRITER: Michael Cooney
PRODUCER: Cathy Konrad
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: David Brenner
COMPOSER: Alan Silvestri

HORROR/MYSTER/THRILLER with elements of crime drama

Starring: John Cusack, Ray Liotta, Amanda Peet, Alfred Molina, Clea DuVall, Rebecca De Mornay, John C. McGinley, John Hawkes, Jake Busey, Pruitt Taylor Vince, and Bret Loehr

The subject of this movie review is Identity, a 2003 mystery thriller and psychological horror film from director James Mangold. The film is set at a desolate Nevada motel during a nasty rainstorm. There, ten strangers are stranded and being killed off one by one. It’s actually a very good film until the end.

I often think that suspense thrillers and horror movies don’t have to be great, just effective, although there are great suspense and horror films. The plot and story may be familiar (it usually is), but the execution should make us forget that we’ve seen this before. We should be too busy jumping in our seats or making sure we locked all our doors and windows before the sun went down and we started watching a scary movie. Thus, while What Lies Beneath isn’t a great film, say like Psycho, it’s very well executed and does what it’s supposed to do: make us jump in our seats and feel something akin to the fear that the characters in the story feel. That is what Identity does.

Director James Mangold burst onto the film scene with the heartwarming and heart-wrenching drama Heavy, and entered the big time with Copland, wherein which he drew a very good performance from Sylvester Stallone. Identity is his first film that tackles the suspense/horror genre, and it’s a mighty good first leap.

Through the vagaries of coincidence, ten strangers are stranded at an isolated hotel during a nasty storm. As they begin to know each other, they discover that someone, either one of them or an unknown person, is killing them off one by one. As the most likely suspects are knocked off, the survivors are further confused when the bodies of the dead begin to disappear.

Writer Michael Cooney, the mastermind behind the Jack Frost films, creates what you could call a typical, professional Hollywood script, especially for a suspense film. The story has the usual clues and subtle tricks that you have to catch in order to learn the identity of the “bad guy.” It has the usual “bumps in the night,” an isolated setting for the story, the duplicitous characters, and enough false positives to scare off any pro football team. This is very good, if not spectacular work.

The strength of the film is in its cast and in its director. John Cusack is, as ever, very good as the leading man, and especially good in this case, as the smart guy trying to figure things out. Ray Liotta continues to shine in whatever roles he takes; everyone just seems to take him for granted. Mangold makes Identity part Alfred Hitchcock and a little slasher film. He’s subtle, even when the story seems to go over the top, as he takes advantage of Cooney’s suspense thriller settings: the lonely stretch of highway, the isolated motel, the overbearing and claustrophobic rainstorm, and the characters who come in all colors: shady, sneaky, weird, mental, dangerous, dishonest, weak, and angry. Mangold lets the cast run wild with these characters. He simply and quietly follows them, his camera greedily drinking what he’s carefully staged. It seems like zany and scary fun done with abandon, and while it is, Mangold knew what he was doing. He knew the buttons to push, and he knows where to take the story, every inch of the way, every scene in its place to give us the same sense of panic, fear, and growing desperation that his characters feel.

I had hoped that Identity would be fun and it was – good, spooky fun. When the story reveals its big secret, it does knock the steam out of the film, ruining the fun…almost. With the grace and athletic skill of a Kobe Bryant or Tracy McGrady, the film gets back on its feet for an ending that at least slaps you in the face if it doesn’t exactly bunch you in the stomach. Early in the film is a clue as to the killer’s identity. I ignored it, because a later scene corrected what seemed like a mistake when one character wrongly accuses another. That later scene was wrong and was a trick to throw us off. So pay attention to every step you take on this creepy trip.

6 of 10
B

Friday, November 16, 2012

Review: "The Raven," Nevermore? How 'Bout Nevermind

TRASH IN MY EYE No. 86 (of 2012) by Leroy Douresseaux

The Raven (2012)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for bloody violence and grisly images
DIRECTOR: James McTeigue
WRITERS: Ben Livingston and Hannah Shakespeare
PRODUCERS: Marc D. Evans, Trevor Macy, and Aaron Ryder
CINEMATOGRAPHER: Danny Ruhlmann
EDITOR: Niven Howie
COMPOSER: Lucas Vidal

MYSTERY/THRILLER

Starring: John Cusack, Luke Evans, Alice Eve, Brendan Gleeson, Oliver Jackson-Cohen, Dave Legeno, and Sam Hazeldine

The Raven is a 2012 mystery-thriller from director James McTeigue. This film is the most recent one to take its name from the Edgar Allen Poe poem, “The Raven” (first published in 1845). The Raven stars John Cusack as Poe, who is trying to solve a series of horrific murders that are seemingly inspired by his stories.

The film opens in 1849, and Edgar Allen Poe (John Cusack) has just returned to Baltimore, Maryland. Broke and drunk, Poe is hoping to get some funds from the newspaper, the Baltimore Patriot, for publishing one of his reviews. What he finds instead is a general disinterest in him and his recent work. Poe also hopes to marry a young socialite, Emily Hamilton (Alice Eve), but her father, Captain Hamilton (Brendan Gleeson), would rather just kill Poe.

Things can’t get worse, can they? But they do when police Inspector Emmett Fields (Luke Evans) confronts Poe. Baltimore is rotten with unsolved murders, and the latest are two ghastly slayings that Fields believes is connected to Poe’s writings. Taunted by an unknown madman, Poe and Fields are forced into a cruel game of wits in which they must uncover the killer’s identity or more people will die.

When I first started reading about movies, I came across the term “high-concept.” It was used to describe a movie premise that could be pitched briefly and concisely. Imagine a movie that can be described in 20 words or less. The Raven is basically a high-concept: Edgar Allen Poe has to uncover the identity of a murderer who gets his ideas from Poe’s stories. That sound’s clever especially when you consider that Poe basically invented the genre of detective fiction as we know it with his stories starring the character, “C. Auguste Dupin.” Poe also died under mysterious circumstances, and this film’s story offers a fanciful version of events during Poe’s last days.

The Raven the movie is not clever. It’s just a bad movie. There were times while I was watching this that I could even convince myself that the filmmakers tried hard to make a good movie, but I just as often found myself thinking that at some point, the people involved with The Raven knew they had a really bad movie on their hands.

This movie is clumsy, but even worse, it’s ridiculous – from preposterous concept to silly ending. The whole thing is just a procession of absurdities. I like John Cusack, but he is awful in this, and the (dis)credit cannot go to the screenplay alone, which is amateurish (to put it mildly). Sometimes, Cusack seems disinterested and bored and other times lost. Poe deserves better.

1 of 10
D-

Friday, November 16, 2012

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Monday, January 30, 2012

Review: "Runaway Jury" is Unrealistic, But Entertaining (Happy B'day, Gene Hackman)

TRASH IN MY EYE No. 32 (of 2005) by Leroy Douresseaux

Runaway Jury (2003)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for violence, language, and thematic elements
DIRECTOR: Gary Fleder
WRITERS: Brian Koppelman and David Levien, Rick Cleveland, and Matthew Chapman (based upon the novel by John Grisham)
PRODUCER: Christopher Mankiewicz, and Gary Fleder
CINEMATOGRAPHER: Robert Elswit, A.S.C.
EDITOR: William Steinkamp, A.C.E. and Jeff Williams

DRAMA/THRILLER

Starring: John Cusack, Gene Hackman, Dustin Hoffman, Rachel Weisz, Bruce Davison, Bruce McGill, Jeremy Piven, Nick Searcy, Joanna Going, Stanley Anderson, Cliff Curtis, Jennifer Beals, and Bill Nunn with Orlando Jones and (uncredited) Dylan McDermott

Runaway Jury is a 2003 legal drama/thriller from director Gary Fleder. The film is based on the 1996 novel, The Runaway Jury, by author John Grisham.

Set in New Orleans, Runaway Jury is the story of a mysterious man named Nicholas Easter (John Cusack), who talks his way onto the jury of a landmark civil case against a gun manufacturer and attempts to influence the verdict by manipulating the other jurors. Meanwhile, on the outside, Easter’s girlfriend, Marlee (Rachel Weisz) runs a game to swindle the two lawyers involved in the case into paying her 10 million dollars if they want the verdict friendly to their clients.

Wendell Rohr (Dustin Hoffman) is a torts lawyer who represents the plaintiff, Celeste Wood (Joanna Going), the widow of Jacob Wood (Dylan McDermott), who was killed in a shooting rampage at brokerage firm. She believes the gun manufacturer knew that the killer bought the gun from a store that was careless and ignored gun laws. Rankin Fitch (Gene Hackman) is a jury consultant for the defense. Fitch is almost superhuman in the way he is able to discover the pasts of jurors, examine their beliefs and mindsets, and find out who can be bought, bribed, or blackmailed. His war with Nick Easter and Marlee drives the trial to the brink of ruin for a breathtaking finale.

Runaway Jury is the latest film adapted from a bestseller by John Grisham, author of books such as The Firm and A Time to Kill, both of which were adapted into films. The novel’s original premise was about a civil action against big tobacco, but the gun industry, also a target of big lawsuits, may have seemed like an easier sell to moviegoers, as guns are a lightening rod and divider of the American public. However, the film really doesn’t turn on a change of litigants. The best thing this film has going for it is the trio of John Cusack, Gene Hackman, and Rachel Weisz because they put the drama and thrills in this film. Dustin Hoffman is good, but he seems like the odd man out. His one good chance to chew up the scenery with Hackman is decidedly one-sided with Hackman eating his lunch. Anyone seeing this movie will clearly understand what power Hackman radiates. His star power and acting ability is worlds better than most other actors. An actor in a film with him has got to bring serious game, or Hackman will sweep him away. I so loved Hackman’s performance here that I wanted to have a baby for him.

Parts of Runaway Jury certainly test the bounds of belief and reality, but this is a great legal drama even if stuff happens in this film that no judge would allow to go on in his courtroom. And I say that knowing that most judges ain’t worth crap and are as crooked as a devil in gambling parlor. Runaway Jury is wonderful entertainment, and if you turn your reasoning down a little, it’ll keep you on the edge of your seat.

7 of 10
B+

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Sunday, October 16, 2011

Review: "Bob Roberts" is Timeless and Always Timely (Happy B'day, Tim Robbins)

TRASH IN MY EYE No.170 (of 2005) by Leroy Douresseaux

Bob Roberts (1992)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R for momentary language
WRITER/DIRECTOR: Tim Robbins
PRODUCER: Forrest Murray
CINEMATOGRAPHER: Jean Lépine
EDITOR: Lisa Churgin
Golden Globe nominee

COMEDY/POLITICAL

Starring: Tim Robbins, Giancarlo Esposito, Ray Wise, Gore Vidal, Alan Rickman, Brian Murray, Harry J. Lennix, Merrilee Dale, Tom Atkins, David Strathairn, Jack Black, Lynne Thigpen, Helen Hunt, Bob Balaban, with John Cusack, Peter Gallagher, Susan Sarandon, James Spader, and Fred Ward

It’s October 1990. A radical folksinger named Bob Roberts (Tim Robbins) becomes a right wing, Pennsylvania senatorial candidate running against an old-school liberal named Senator Brickley Paiste (Gore Vidal). Bugs Raplin (Giancarlo Esposito), radical writer/editor/publisher of the an independent muck-racking newspaper, the Trouble Times, tries to expose Roberts’ alleged ties to the savings and loans scandals and assorted CIA drug-smuggling and gun-running conspiracies of the late 1980’s. British filmmaker, Terry Manchester (Brian Murray), captures this and all the events that follow Roberts’ campaign, in a documentary through which the movie audience follows Bob Roberts’ narrative.

Tim Robbins scathing satirical comedy was probably preaching to the choir and converted in 1992, in particular to moderates, liberals, and leftists frustrated by 12 years of Republicans being in the White House. Still, the film’s blend of campaign antics, singing, music videos, and political scandal made it arguably the best comedy of the year. Robbins performed a rare trick. Wearing three hats: writer, director, and star, he still managed to make the film as much about the American political landscape of the time as it was about Bob Roberts. For all the preaching, the movie is just plain funny, and is in the tradition of that most famous faux documentary film (or “mockumentary”), This is…Spinal Tap. In fact, the film even has a scene that is a sly homage to Spinal Tap (Roberts and his campaign staff wandering through the bowels of a building trying to find their destination).

Robbins, who received a 1996 Golden Globe nomination in the category of “Best Performance by an Actor in a Motion Picture – Comedy/Musical,” is brilliant as the reptilian, Bob Roberts, who is the kind of rich man that likes to act as if he’s just an ordinary guy – the common man. He blends folk and populism into a slick huckster that says all the right catchphrases to appeal to wealthy conservatives and also to the middle class and working class white people (and some Uncle Toms) who still chafe over the changes wrought by the Civil Rights Movement, the Women’s Rights Movement, the anti-Vietnam War protests and other social movements of the 1960’s and early 1970’s. Also quite entertaining are the folk songs, written by Tim and his brother David Robbins (who also composes the film score), which are full of dead-on right wing, ultraconservative, Republican vileness, venom, misinformation, and propaganda. Plus, each diddy has an uncanny ring of truth that in a way appeals even to moderate and liberal sensibilities.

The film also has standout performances by Giancarlo Esposito as a relentless fringe media reporter and Ray Wise as Robbins’ always-on-the-ball and rarely caught off guard campaign handler, Chet MacGregor. Brian Murray provides a steady, soothing voice as the documentary filmmaker/narrator who keeps everything linear and in order so that the audience understands what’s going on. Look for a small gem of a part by Jack Black, as an intense Bob Roberts acolyte. Actually, all the performances have so much verisimilitude that they, along with many others elements of this film, make Bob Roberts uncomfortable to watch. It hits too close to home, and Americans don’t want anyone, including other Americans, pointing out their blemishes, especially when Americans are well aware our dark side – so much so that they’re trying to keep them in the closet, so to speak.

The surprising thing is that 13-years later, this film is still as funny as it was in 1992. In fact, its socio-political commentary (about right wing politics, sound bite political campaigns, slick, ready-for-TV candidates, shadow governments, “illegal” or trumped up foreign wars and covert operations; and slow moving, old school liberal politicians unable get their message to voters or make themselves appealing to voters) is truer today than it was then, making Bob Roberts something rare – a visionary political film both timely and timeless. Even when it becomes surreally bogged in conspiracy towards the end, Bob Roberts keeps it real. It reminds this Louisiana boy too much of the almost successful U.S. senatorial and gubernatorial campaigns of a former Klansman and how popular this racist was at both his and my old alma mater, Louisiana State University.

9 of 10
A+

Monday, November 07, 2005

NOTES:
1993 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Tim Robbins)

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Thursday, December 9, 2010

Review: "Being John Malkovich" is Wildly Original (Happy B'day, John Malkovich)


TRASH IN MY EYE No. 9 (of 2003) by Leroy Douresseaux

Being John Malkovich (1999)
Running time: 112 minutes (1 hour, 52 minutes)
MPAA – R for language and sexuality
DIRECTOR: Spike Jonze
WRITER: Charlie Kaufman
PRODUCERS: Steve Golin, Vincent Landay, Sandy Stern, and Michael Stipe
CINEMATOGRAPHER: Lance Acord
EDITOR: Eric Zumbrunnen
COMPOSER: Carter Burwell
Academy Award nominee

FANTASY/COMEDY/DRAMA

Starring: John Cusack, Cameron Diaz, Ned Bellamy, Catherine Keener, Reggie Hayes, Orson Bean, and John Malkovich

We’ve all read the reviews that describe particular movies as inventive, witty, original, unique, or some other hyperbole used to describe cinematic “brilliance.” Whether many of those movies deserved such praise is debatable, but Being John Malkovich is the real deal – original and stunningly, painfully unique. It’s not perfect, but it is so mind-numbingly brilliant: I’m not sure if I even know how to watch it again. I’m afraid to think what this film would be like if it were perfect.

Craig Schwartz (John Cusack) is a talented puppeteer with a failed career and an (seemingly) unhappy marriage to a frumpy animal lover (Cameron Diaz). When finances finally get too tight, Craig gets a job sorting files for the peculiar Dr. Lester (Orson Bean). He becomes hopelessly infatuated with Maxine (Catherine Keener), a sharp-tongued woman who works on the same floor. On one particular day of drudgery, Craig accidentally discovers a door to a portal that leads literally into the head of John Malkovich (John Malkovich). After Craig shares the secret with his wife Lottie, she can’t get enough of being John Malkovich, which, of course, leads to a maze of confusion and conflicting desires that both destroys and redefines relationships and creates new pairings.

Directed by award-winning and acclaimed music video director Spike Jonze, Malkovich defies an accurate description. It is alternately a fantasy, a comedy, a romance, and a drama; it is a story that both crosses and breaks genres. The film derives its brilliance from writer Charlie Kaufman; the script is a masterwork and one of the finest original screenplays of the last few decades. That Jonze could make a coherent and entertaining film of a story that it so philosophical, surrealistic, avant garde, and abstract foretells that the creativity seen in his music videos, he will carry over to film – lucky, lucky us.

The performances are all very good; everyone seemed more than up to the task of translating Kaufman’s eccentricity and brilliance to drama. Cusack once again affirms both his coolness and his talent. It’s pointless to praise Malkovich, and Ms. Keener only showed a more attentive audience the skill she’d already showed in films with smaller audiences. If no one will, I will toot Ms. Diaz’s talent. Her beauty merely accentuates her talent. She buried herself in this role as the frumpy lovelorn Lottie; she can do the method thing, so where’s the props?

Brilliant, smashing, exhilarating, ingenious, hilarious, hysterical, and wildly original – all have been said before, but these praises were made whole with Being John Malkovich. The film does seem to run out of energy late in the story, and the sci-fi/fantasy element seems to go overboard. Still, it is a film that has to be seen, if for no other reason than because Being John Malkovich is a fresh look at individuals and their need for and of other people. Run see this thing.

9 of 10
A+

NOTES:
2000 Academy Awards: 3 nominations: “Best Actress in a Supporting Role” (Catherine Keener), “Best Director” (Spike Jonze), and “Best Writing, Screenplay Written Directly for the Screen” (Charlie Kaufman)

2000 BAFTA Awards: 1 win: “Best Screenplay – Original” (Charlie Kaufman); 2 nominations: “Best Editing” (Eric Zumbrunnen) and “Best Performance by an Actress in a Supporting Role” (Cameron Diaz)

2000 Golden Globes: 4 nominations: “Best Motion Picture - Comedy/Musical,” “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Cameron Diaz), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Catherine Keener), and “Best Screenplay - Motion Picture” (Charlie Kaufman)

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Thursday, August 12, 2010

Review: Rob Corddry Rocks "Hot Tub Time Machine"

TRASH IN MY EYE No. 65 (of 2010) by Leroy Douresseaux

Hot Tub Time Machine (2010)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – R for strong crude and sexual content, nudity, drug use and pervasive language
DIRECTOR: Steve Pink
WRITERS: Josh Heald, Sean Anders, and John Morris; from a story by Josh Heald
PRODUCERS: John Cusack, Grace Loh, Matt Moore, and John Morris
CINEMATOGRAPHER: Jack Green (director of photography)
EDITORS: George Folsey Jr. and James Thomas
COMPOSER: Christophe Beck

COMEDY/SCI-FI

Starring: John Cusack, Craig Robinson, Rob Corddry, Clark Duke, Sebastian Stan, Lyndsy Fonseca, Collette Wolfe, Crispin Glover, Chevy Chase, Lizzy Caplan, Aliu Oyofo, Jake Rose, Brook Bennett, and Kellee Stewart

Hot Tub Time Machine is a raunchy, time-traveling comedy that opened in theatres this past March. The film has a ridiculous premise, but it sure is funny.

The movie presents a group of best friends have become bored with their adult lives and who have now mostly drifted apart. The self-absorbed Adam (John Cusack) has just been dumped by his girlfriend, and now his only companion is his nephew, Jacob (Clark Duke), his sister’s son who is obsessed with video games. Lou (Rob Corddry) is the party guy and an alcoholic abandoned by family and friends. Nick Webber-Agnew (Craig Robinson) was once Nick Webber, a young guy who dreamed of making it in the music business. Now, he has a dead-end job at a dog spa, and his wife Courtney Agnew-Webber (Kellee Stewart) controls his every move.

After Lou has an accident-that-looks-like-a-suicide-attempt, Adam and Nick (with Jacob tagging along) take him to Kodiak Valley Ski Resort, the scene of many memorable weekends when they were young. The resort has fallen on hard times, and the only thing worth enjoying is the ski resort hot tub. After a night of drinking, however, the men wake up to discover that they are now in the year 1986 because they fell asleep in the hot tub time machine. Adam, Lou, and Nick have a chance to relive this pivotal moment in their lives, but changing even the slightest thing could mean disaster for everybody.

One of the things that stand out about Hot Tub Time Machine is how surprisingly good the ensemble cast is. Craig Robinson, with his deadpan delivery, wit, and comic timing, is as good as any other comic actor working in movies and television today. But the best here is Rob Corddry. As Lou, he’s a beast – a freaking, free-spirited beast of comedy and belly laughs. Playing Lou requires Corddry to bare his ass and to also bare his soul at the most inappropriate times, which Corddry does with ease.

The screenwriters of Hot Tub Time Machine mix different movie genres and formulas to create the movie. Hot Tub Time Machine is part arrested-development movie, like Old School, which finds 30-something men rediscovering their college-age years with mixed results. It is a time when they could drink and carouse without having to worry about adult responsibilities like holding a job, supporting a family, and paying bills. Like Wedding Crashers or The Hangover, this is also very guy-centric, with women acting merely as objects by which the guys can validate, redeem, or sexually relieve themselves.

Hot Tub Time Machine is also like those raunchy, teen sex comedies of the 1980s, and particularly resembles the 1984 ski comedy, Hot Dog…The Movie. Hot Tub presents a scenario in which the lead characters can alter the past via time travel – a familiar movie chestnut used in comedies like Groundhog Day and 13 Going on 30.

What makes Hot Tub Time Machine different is that Adam, Lou, Nick, and Jacob are not transformed into brand new, shiny good guys by the end of this film. They practically remain the same self-absorbed losers looking for self-gratification. In Old School, after regressing to immaturity and sewing their no-longer-wild oats, the guys go back to being upright citizens by movie’s end. Here, the guys don’t “grow up;” they just get lucky.

Hot Tub Time Machine is all over the place and there isn’t much of a story. Still, it proudly puts its lovable losers through an obstacle course of vulgar antics, and the result is a movie that will make you laugh and howl. The title, Hot Tub Time Machine, alone promises crude, offensive humor, and thank heavens that it delivers.

6 of 10
B

Thursday, August 12, 2010

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