Negromancer News Bits and Bites from June 25th to 30th, 2023 - Update #15

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

AMAZON - From Deadline:  Tyler Perry has announced the second film of the four-picture deal he signed with Amazon back in November 2022.  Perry will write, produce, and direct "Divorce in the Black."  Among its stars are Meagon Goode, Debbie Morgan, and Perry himself, to name a few.

MARVEL STUDIOS - From Deadline:  Marvel Studios' star, Anthony Mackie (Falcon, Captain America) speaks out in support of his fellow Marvel star, Jonathan Majors (Kang the Conqueror), who has recently faced multiple accusations of violence against women.

NETFLIX - From Deadline:  Netflix has signed a five-year deal with Japanese screenwriter Yuki Sakamoto.  He won the screenplay award at this year's Cannes Film Festival for the film, "Monster."

DISNEY - From THR:  Evan Peters, hot off "Dahmer - Monster: The Jeffrey Dahmer Story," will reportedly play the villain next to Jared Leto's hero in "Tron 3."  Joachim Ronning is scheduled to direct the film that hopes to begin filming in August.

DC STUDIOS - From Variety:  Actor David Corenswet will play Superman/Clark Kent and Rachel Brosnahan will play Lois Lane in 2025's "Superman: Legacy."

TELEVISION - From Deadline:  MSNBC has renewed John Leguizamo's travelogue-style show, "Leguizamo Does America," for a second season.

ACADEMY AWARDS - From THR:  Actress Angela Bassett, writer-director-actor-songwriter Mel Brooks and film editor Carol Littleton have been tapped to receive honorary Oscars, while former Sundance Institute chief Michelle Satter will receive the Jean Hersholt Humanitarian Award at the 2023 Governors Awards, the Academy of Motion Picture Arts and Sciences announced Monday, June 26th.  The 14th annual honors will be presented at a ceremony at the Fairmont Century Plaza in Los Angeles on Nov. 18th.

MUSIC - From Variety:  The winners at the 2023 BET Awards were announced.  There was a tie for "Album of the Year," Beyonce for "Renaissance" and SZA for "SOS."

BOX OFFICE - From BoxOfficePro:  The winner of the 6/23 to 6/25/2023 weekend box office is Sony Pictures' "Spider-Man: Across the Spider-Verse" with an estimated take of 19.3 million dollars.

From Variety:  "The Flash" experiences a 73 percent drop from its debut weekend (when it was #1) to its second weekend (where it finished at #3).

From Here:  A movie review of "The Flash" by Leroy Douresseaux.

STREAMING - From Deadline:  Paramount+ has canceled a slew of its originals, including "Grease: Rise of the Pink Ladies," "Star Trek: Prodigy," "Queen of the Universe," and "The Game."  The streamer is taking the shows off its platform as it becomes the latest media company to take a content write-down.  Some will be shopped to rival broadcasters and streamers.

OBITS:

From Variety:  Film director and actor, Alan Arkin, has died at the age of 89, Thursday, June 29, 2023.  Arkin won the best supporting actor Oscar for his performance in the "Little Miss Sunshine" (2006).  His prolific career includes roles in such films at "Catch-22," "The In-Laws," "The Rocketeer," "Glengarry Glen Ross," and "Argo," to name a few.

From Deadline:   The English film and television actor, Julian Sands, has been confirmed dead, at the age of 65.  Sands had been missing since mid-January when he was believed to be hiking on Mount Baldy, northeast of Los Angeles.  Hikers found human remains on Mount Baldy on June 24th, and they were confirmed as Sands Tues., June 27th, 2023.  His varied film career included roles in such films as "A Room with a View" (1985), "Gothic" (1986), "Warlock" (1989), "Boxing Helena" (1993), and "Leaving Las Vegas" (1995), to name a few.

From Deadline:  Television, film, and state actor, Nicolas Coster, has died at the age of 89, Monday, June 26, 2023.  Among his best known works are his roles on the former NBC daytime soaps, "Another World" (1970-80) and "Santa Barbara" (1984-93).  He appeared in numerous other TV series, including "Star Trek: The Next Generations," "Law & Order," and "As the World Turns," to name a few.  He won a Daytime Emmy Awards in 2017 and was nominated four other times for his work on "Santa Barbara."

WRITERS STRIKE:

From Deadline:  Writers Strike puts the spotlight back on the challenge from writers for animation productions to be covered by the WGA.

From THR:  Studios won't give writers better pay, and now, are laying off janitors.

From Deadline:  The Directors Guild of America (DGA) has reached a tentative new three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP). So what does the Writers Guild (WGA), currently on strike and negotiating with the AMPTP, think of that deal.

From Deadline:  Netflix shareholders declined to support the 2023 pay packages of top executives during a non-binding vote at the company’s annual shareholder meeting on Thursday.  The vote won't prevent these execs from getting their loot (an total of $166 million), but this is a rare public rebuke.  The Writers Guild of America (WGA) has urged shareholders to vote "No" because the pay was "inappropriate" at this time.

From Deadline:  Warner Bros Discovery chief David Zaslav gave the commencement address at Boston University. There he was met with jeers and also chants of "pay your writers" from picketers and from some in the audience.

From Deadline:   President Joe Biden speaks on the Writers Guild of America strike.

From Deadline:  Retaliation! The studios have starting informing writer-producers who have "overall" and "first-look" deals that such deals are being suspended.

From Deadline:  Retaliation!  Prolific HBO creator, David Simon, who is best known for "The Wire," is one of the many writers who have had their overall deals suspended the studios due to the WGA strike.  Simon has been with HBO for 25 years.

From Deadline:  The Writers Guild of America (WGA) is on strike.

From Deadline:  Disney, HBO/HBO Max, and CBS have sent letters to showrunners (the TV equivalent of film directors) instructing them to return to work, inspite of the writer's strike.

From Deadline:  The WGA's chief negotiator, Ellen Stutzman, talks about the state of the writers' strike, including the lack of engagement on the part of the strike's other party, AMPTP.

From Deadline:  What went wrong between the WGA and AMPTP? What could they not agree on that led to a strike?

From Deadline:  The site explains the WGA strike: the issues, the stakes, movies and TV shows affected, and how long it might last.

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Review: Disney's "ENCANTO" Spins Its Own Special Magic

TRASH IN MY EYE No. 12 of 2023 (No. 1901) by Leroy Douresseaux

Encanto (2021)

Running time:  102 minutes (1 hour, 42 minutes)

MPAA – PG for some thematic elements and mild peril

DIRECTORS:  Jared Bush and Byron Howard with Charise Castro Smith (co-director)

WRITERS:  Jared Bush and Charise Castro Smith; from a story by Jared Bush, Byron Howard, Charise Castro Smith, Jason Hand, Nancy Kruse, and Lin-Manuel Miranda

PRODUCERS:  Clark Spencer and Yvett Merino

CINEMATOGRAPHERS:  Alessandro Jacomini, Daniel Rice, and Nathan Warner

EDITOR:  Jeremy Milton

ORIGINAL SONGS:  Lin-Manuel Miranda

COMPOSER:  Germaine Franco

ANIMATION/FANTASY/FAMILY/DRAMA

Starring:  (voices) Stephanie Beatriz, María Cecilia Botero, John Leguizamo, Mauro Castillo, Jessica Darrow, Angie Cepeda, Carolina Gaitan, Diane Guerrero, Wilmer Valderrama, Rhenzy Feliz, Ravi Cabot-Conyers, Adassa, Maluma, Rose Portillo, Alan Tudyk, and Noemi Josefina Flores

Encanto is a 2021 computer-animated fantasy film from directors Jared Bush and Byron Howard and produced Walt Disney Animation Studios.  It is the 60th animated feature film in the “Walt Disney Animated Classics” line.  Encanto focuses on a teenage girl who must deal with being the only member of her family without magical powers even as the family's magic begins to fade.

Encanto introduces Mirabel Madrigal (Stephanie Beatriz), a teen girl who is part of the multi-generational "la familia Madrigal" (the Madrigal family).  Fifty years ago, her grandfather and grandmother, Pedro and Alma Madrigal (Maria Cecilia Botero), were forced to flee their home village in rural Columbia.  They took their infant triplets, Julieta, Pepa and Bruno, and escaped into the countryside, but their pursuers killed Pedro, but Alma had a candle that suddenly released magic and repelled the attackers.  The magic also created, “Casita,” a living or sentient house for Alma and her children.  The home is located in “Encanto,” a magical realm bordered by high mountains.  A village of newcomers now thrives under the candle's protection, shining its light from an upper room in the Madrigal home, “La Casa Madrigal.”

But all is not well.  The children and grandchildren of Abuela Alma were all granted magical gifts that each one uses to serve the villagers.  For instance, Mirabel's oldest sister, Isabela (Diane Guerrero), can make flowers grow anywhere, and her second oldest sister, Luisa (Jessica Darrow), has superhuman strength.  However, Mirabel did not receive any powers from the candle, and her Abuela Alma seems to act as if Mirabel is an obstacle in the way of the rest of the family.  Mirabel is almost as cursed as her mysterious uncle, Bruno (John Leguizamo), who disappeared years ago.  When Mirabel learns that her family members are losing their magic, she is determined to find out what is happening, although everyone else is in a state a denial about it.

I won't waste too much time telling you, dear readers, how beautiful Encanto looks.  That is standard for animated films produced by Walt Disney Animation Studios.  The art direction yields beautiful sets and environments, and the costume designs results in colorful costumes that are dazzling, colorful, and imaginative.  The visual effects go off like fireworks, and it makes the magic seem … well, really magical.  Even the character design stands out, making Encanto one of the few mainstream American films set in Latin American or are Latino-themed that actually recognize that there are dark-skinned and black Latinos.  Not every Latino has light skin tones, light enough to front as white.

Encanto plays with notions of “magical realism,” a story that is realistic, but is infused with magic and the supernatural.  However, the world of Encanto barely looks realistic, as many animation films don't.  In fact, Encanto is one of the most magically-infused Disney films in years.

However, Encanto is like many Disney animated films – a coming of age film that focuses on the lead character, in this case, Mirabel.  The film's first dominant theme involves the struggle between tradition and change, the former embodied by Alma, who holds onto Madrigals' tradition of magic, and the latter by Mirabel, who clearly and correctly senses that something is wrong.  The second main theme is the conflict between family obligations and individual desires.  I think audiences will enjoy that, through Mirabel, Encanto shows that the family and the individual can work together for the benefit of everyone and each one.

Lin-Manuel Miranda's lively song score makes Encanto's narrative flow like an energetic stream, and the hit, “We Don't Talk About Bruno,” isn't the only excellent song.  Encanto stands out because it celebrates people overcoming suffering and life's trials and tribulations.  Also, one should take notice of the film's diversity and representation.  That makes Encanto stand out as special and as a place worth visiting time and again.

8 of 10

A

★★★★ out of 4 stars

Thursday, March 9, 2023

NOTES:

2022 Academy Awards, USA:  1 win: “Best Animated Feature Film” (Jared Bush, Byron Howard, Yvett Merino, and Clark Spencer); 2 nominations: “Best Achievement in Music Written for Motion Pictures-Original Score” (Germaine Franco) and “Best Achievement in Music Written for Motion Pictures-Original Song” (Lin-Manuel Miranda-music and lyric for the song “Dos Oruguitas”)

2022 BAFTA Awards:  1 win: “Best Animated Feature Film” (Clark Spencer, Jared Bush, Byron Howard, and Yvett Merino)

2022 Golden Globes, USA:  1 win: “Best Motion Picture – Animated;” 2 nominations: “Best Original Score-Motion Picture” (Germaine Franco) and “Best Original Song - Motion Picture” (Lin-Manuel Miranda for the song “Dos Oruguitas”)

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from November 20th to 30th, 2022 - Update #22

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION/STREAMING - From Deadline:  Layoffs are underway at CBS Studios and at Paramount TV Studios.

AWARDS - From Deadline:  "Everything Everywhere All at Once" wins the "Best Feature" award at the 2022 / 32nd Annual Gotham Awards, one of two wins for the film.

From IndieWire:  The nominations for the 2023 Film Independent Spirit Awards have been announced.   "Everything Everywhere All at Once" leads with eight nominations.  The winners will be announced March 4th, 2023.

From Variety:  The nominations for the 2022 / 32nd Annual Gotham Awards were announced a month ago.  Todd Field's "Tar" leads with five nominations.  The winners will be announced Monday, November 28th.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/25 to 11/27/2022 Thanksgiving weekend box office is Disney/Marvel Studios' "Black Panther: Wakanda Forever" with an estimated take of 45.9 million dollars.

From Here:  Leroy Douresseaux's review of "Black Panther: Wakanda Forever."

MOVIES - From Deadline:  Antonio Banderas, who has played the character, "Zorro," in two films, says that if there is a reboot he would like to see "Spider-Man" actor, Tom Holland, take the role.

SPORTS - From Deadline: Thursday's (11/24/2022) Thanksgiving Day game between the New York Giants and Dallas Cowboys, who won 28-20, is the most watched regular season NFL game ever.  42 million viewers apparently tuned into the game broadcast on FOX.

HISTORY - From Deadline:  Friday, November 25, 2022 marked the 75th anniversary of the birth of the "Hollywood Blacklist," which began with the "Waldorf Declaration" on November 25, 1947.

MOVIES - From Variety:  Ice Cube lost a $9 million dollar payday because he didn't want to get the required COVID vaccination for the film, "Oh Hell No."

MOVIES - From Deadline:  Director James Mangold says that actor Harrison Ford was "de-aged" for "Indiana Jones 5" so that he could look like he did in the first three films from the 1980s.

MARVEL STUDIOS - From Variety:  Quentin Tarantino says that actors in Marvel Studios are not movie stars and that, for instance, Captain America is the star.

DISNEY - From Variety:  Bob Chapek is out as CEO of The Walt Disney Company.  After three years of retirement, Bob Iger, has been reinstated as CEO of Disney.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/18 to 11/20/2022 weekend box office is Disney/Marvel Studios' "Black Panther: Wakanda Forever" with an estimated take of 67.3 million dollars.

MOVIES - From Deadline:  Actor John Leguizamo said that he based his character, "George Diaz," from the new film, "The Menu," on action movie star Steven Seagal, says "He's kind of a horrible human."

WALKING DEAD - From Deadline:  The lawsuit over profits from "The Walking Dead" television series that pit the series' network, AMC, against the series' original showrunner, Frank Darabont, and his talent agency, CAA, has come to an end. According to Deadline: “The Settlement Agreement provides for a cash payment of $200 million (the “Settlement Payment”) to the plaintiffs and future revenue sharing related to certain future streaming exhibition of The Walking Dead and Fear The Walking Dead...”

RUST - From Deadline:  The police report produced by the Sante Fe County Sheriff's Office on its investigation into the shooting on the New Mexico set of the Western, "Rust," has been made public.  Cinematographer Halyna Hutchins was killed after being shot by an accidental discharge from a pistol held by actor Alec Baldwin.

OBITS:

From Variety:  English musician and singer-songwriter, Christine McVie, has died at the age of 79, Wednesday, November 30, 2022.  She was best known for her association with the British-American rock band, Fleetwood Mac, and was a member during the band's greatest success and greatest sales.  As a member of the band, she shared the 1978 Grammy Award for "Album of the Year" for the album, "Rumors" (1977).  McVie also released four solo albums.

From Deadline:  Film and television actor and theater professor, Clarence Gilyard, Jr., has died at the age of 66, Monday, November 28, 2022.  Gilyard was best known for playing the role of "Conrad McMasters" on NBC's former mystery legal drama, "Matlock" (1989-93) and for the role of "Ranger James Trivette" on CBS' former action-crime drama, "Walker, Texas Ranger" (1993-2001).  His best known film roles were playing Tom Cruise's co-pilot in "Top Gun" (1986) and playing "Theo" a terrorist computer expert in "Die Hard" (1988).

From THR:  Hawaiian-born, American film director, Albert Pyun, has died at the age of 69, Saturday, November 26, 2022.  He was known for directing, low-budget, high-concept films that became cult classics, such as the sword and sorcery film, "The Sword and the Sorcerer" (1982).  His best known film may be the 1989 Jean-Claude van Damme martial arts/sci-fi film, "Cyborg."  He is also known for directing the low-budget 1990 film, "Captain America," based on the Marvel Comics character.

From Variety:  Actress, singer, and songwriter, Irene Cara, has died at the age of 63, Friday, November 25, 2022.  Cara appeared in the 1980 film, "Fame," and sang the title song, "Fame," which won the "Best Song" Oscar for its songwriters.  Later, Cara would win an Oscar for co-writing the song, "Flashdance... What a Feeling" from the film, "Flashdance" (1983).  She also won two Grammys for her work on "Flashdance... What a Feeling."

From Deadline:  Former child actor, Mickey Kuhn, has died at the age of 90, Sunday, November 20, 2022.  Kuhn was the last surviving credited-cast member of  the legendary film, "Gone with the Wind."  Kuhn worked in the film industry from 1934 to 1956 before leaving for good.

From Deadline:    The actor Jason David Frank has died at the age of 49, Saturday, November 19, 2022.  Frank was best known for playing the role of Tommy Oliver" the "Green Ranger"/"White Ranger" on the the TV series, "Mighty Morphin Power Rangers" (1993-96).  He also appeared in several other TV series in the "Power Rangers" franchise.

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BRITTNEY GRINER:

From NBCNews:   Brittney Griner will enter a system of isolation, grueling labor and psychological torment when she is transferred to a penal colony, the successor to the infamous Russian gulag, to fulfill a nine-year sentence handed down Tuesday in Moscow, former prisoners and advocates said.

From NBCNews:  A Russian court has rejected Brittney Griner's appeal of her nine-year prison sentence on (fake) drug charges.

From Reuters:  Russia says that it is ready to talk prisoner swamp for Brittney Griner and U.S. Marine veteran Paul Whelan, but also scolds the U.S. Embassy.

From TheDailyBeast:   Legendary NBA bad boy and champion (Detroit Pistons, Chicago Bulls), Dennis Rodman claims that he has been given permission to go to Russia and help free imprisoned hostage, WNBA star, Brittney Griner.

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple."

Review: "John Wick: Chapter 2" Makes "John Wick" a Real Franchise

TRASH IN MY EYE No. 10 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

John Wick: Chapter 2 (2017)
Running time:  122 minutes (2 hours, two minutes)
MPAA – R for strong violence throughout, some language and brief nudity
DIRECTORS:  Chad Stahelski
WRITER:  Derek Kolstad (based on characters created by Derek Kostad)
PRODUCERS:  Basil Iwanyk and Erica Lee
CINEMATOGRAPHER:  Dan Lausten (D.o.P.)
EDITOR:  Evan Schiff
COMPOSERS:  Tyler Bates and Joel J. Richard

ACTION/CRIME/THRILLER

Starring:  Keanu Reeves, Riccardo Scamarcio, Ian McShane, Ruby Rose, Common, Claudia Gerini, Lance Reddick, Laurence Fishburne, Tobias Segal, John Leguizamo, Bridget Moynahan, Thomas Sadoski, Peter Stormare, and Franco Nero

John Wick: Chapter 2 is a 2017 action and crime-thriller starring Keanu Reeves and directed by Chad Stahelski.  It is a direct sequel to the 2014 film, John Wick, and both the original and the sequel were written by Derek Kolstad.  The film tells the story of an ex-hit man who comes out of retirement to kill the man who viciously wrongs him.

Once upon a time, John Wick (Keanu Reeves) was a legendary hit man, a seemingly unstoppable killer also known as “the Boogeyman.”  John retired, but came out of retirement when a young gangster stole his vintage 1969 Ford Mustang Mach 1 and killed his dog.  John Wick: Chapter 2 opens four days after the first film.  John Wick retrieves his stolen car from a chop shop owned by Abram Tarasov, the brother and uncle, respectively, of the men who wronged Wick in the first film.

Later, John receives a visit from the Italian crime lord, Santino D'Antonio (Riccardo Scamarcio).  It seems that Santino swore John Wick to a “marker” (a form of contract) which allowed Wick to retire and to marry his late wife, Helen (Bridget Moynahan).  The marker is an unbreakable promise, personified by a “blood oath” medallion.  Now, Santino is calling in this marker, and he wants John to perform a hit/assassination for him, one guaranteed to leave Wick's life changed forever.

In my review of John Wick, I wrote that I had been a fan of Keanu Reeves since I first encountered him the 1980s in films like Dangerous Liaisons (1988) and River's Edge (1986), although I am not a fan of his popular 80s film, Bill & Ted's Excellent Adventure (1989).  I also wrote that I had never thought of Reeves as a great or even as a good actor; he is either way too stiff or too wooden as a performer.  That aside, I have enjoyed Reeves in films like the original Point Break (1991) and in The Matrix film trilogy.  Reeves' star has dimmed in recent years, but John Wick's success has been something of a revival of Reeves as an action movie star.

The sequel, John Wick: Chapter 2, released in 2017, was an even bigger hit that the original film.  I knew that I would like John Wick just from the commercials and trailers for it, but I was not sure that I would like John Wick: Chapter 2.  Now, that I have seen it, I have to admit that I like it, even more than I did the first film.

I have to be honest.  I love the violent fight scenes and bloody shoot outs that often feature gunshots to the head and blood spurting... no... ejaculating from bodies and heads.  I know the sudden spurts and ejaculations of blood are merely computer-generated effects or practical special effects, but they still thrill me.  I like this film's high-quality production design and the cinematography.  The clothing and costumes are “swell,” and the hotels and other settings are snazzy.

In the middle of it all is one of my favorite movie stars, Keanu Reeves.  I enjoy his John Wick, and I love watching him kill those trying to kill him.  Hey... I'm not the only one enjoying this wanton cinematic, stylish, and slick violence.  There is a third John Wick film set to be released in a few days, as I write this review.  After John Wick: Chapter 2, oh, I am so ready for more.

7 of 10
B+

Wednesday, May 15, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Negromancer News Bits and Bites from July 8th to 14th, 2018 - Update #18

Support Leroy on Patreon:

MOVIES - From THR: Scarlet Johansson drops out of playing trans character after backlash.

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EMMYS - From YahooET:  Sandra Oh becomes the first woman of Asian descent to be nominated in a lead actress category, either comedy or drama, at the Emmys.  She has been nominated for her role in the series, "Killing Eve."  The 70th / 2018 Emmy Award winners will be announced, Monday, Sept. 17th.

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MOVIES - From Variety:  Chadwick Boseman will produce and star in STXfilms  "17 Bridges."

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MOVIES - From DreadCentral:  The bloom has steadily degraded on Neill Blomkamp's rose with each film succeeding his stunning debut, "District 9."  After the cancellation of his "Aliens" revival, Blomkamp is now attached to MGM's "Robocop" revival.

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TELEVISION - From YahooTheWrap:  Angela Kang, the new showrunner for "The Walking Dead" talks about Season 9.

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SCANDAL - From ThePlaylist:  New sexual assault allegations have been levied against French director and filmmaker, Luc Besson.

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CELEBRITY - From TIME:  Sarah Palin apparently got punked by Sacha Baron Cohen in an interview.

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STREAMING - From ShadowandAct:  Ava DuVernay's Netflix 'Central Park Five' Limited Series Casts Michael K. Williams, Vera Farmiga And John Leguizamo

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COMICS-FILM - From SlashFilm:  Joaquin Phoenix apparently has really agreed to play "The Joker" in a film based on the antics of Batman's arch-villain.

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CELEBRITY - From TheWrap:  Shine with Reese Witherspoon.

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DISNEY - From JoBlo:   "Indiana Jones 5" has been moved to 2021.

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COMICS-FILM - From TheWrap:  A source says that Jeremy Renner has joined Blumhouse's film, "Spawn," which will star Jamie Foxx and is being directed by Spawn's creator, Todd McFarlane.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 7/6 to 7/8/2018 weekend box office was Disney/Marvel Studios' "Ant-Man and the Wasp" with an estimated take of $76 million.

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CELEBRITY - From Variety:  "Wonder Woman" star Gal Gadot visits a children's hospital dressed as Wonder Woman."

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COMICS-FILM - From BleedingCool:  Margot Robbie confirms that the Warner Bros./DC Comics film, "Birds of Prey," starts shooting in January 2018.

OBITS:

From YahooEntertainment:  Nancy Sinatra Sr. has died at the age of 101, Friday, July 13, 2018.  Sinatra was the first of legendary singer/actor, the late Frank Sinatra's four wives.  Nancy gave birth to Frank's three children, Nancy Jr., Frank Jr. (who died in 2016), and Tina.

From THR:  The actor Roger Perry has died at the age of 85, Thursday, July 12, 2018.  Perry was a guest star in the first season episode, "Tomorrow is Yesterday" in the original "Star Trek."  Perry played a 1960s Air Force pilot who finds himself aboard the USS Enterprise.  Discovered by Lucille Ball, Perry appeared as an actor and guest in numerous television series.

From Variety:  Actor, singer, and gay icon, Tab Hunter, has died at the age of 86, Sunday, July 8, 2018.  One of Hollywood's leading men in the 1950s, Hunter appeared in "Damn Yankees" and "Battle Cry."  He had a #1 pop single, "Young Love," in 1957.  In the 1980s, he experienced a career revival after appearing in John Water's film, "Polyester" (1981).  He came out as gay in the biography, "Tab Hunter Confidential: The Making of a Movie Star" (2005).

From SeattleTimes:   Former NBA player, Lonnie Shelton, has died at the age of 62, Sunday, July 8, 2018.  Shelton was drafted by the New York Knicks in 1976 out of Oregon State University.  In his first season with the Seattle SuperSonics, Shelton was the starting power forward and enforcer on the Sonics 1978-79 NBA World Championship team.

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Review: "John Wick" Still Burns

TRASH IN MY EYE No. 10 (of 2017) by Leroy Douresseaux

John Wick (2014)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – R for strong and bloody violence throughout, language and brief drug use
DIRECTORS:  Chad Stahelski and David Leitch
WRITER:  Derek Kolstad
PRODUCERS:  Basil Iwanyk, David Leitch, Eva Longoria, and Michael Witherill
CINEMATOGRAPHER:  Jonathan Sela
EDITOR:  Elisabet Ronalds
COMPOSERS:  Tyler Bates and Joel J. Richard

ACTION/CRIME/THRILLER

Starring:  Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe, Dean Winters, Adrianne Palicki, Bridget Moynahan, John Leguizamo, Ian McShane, Bridget Regan, Clarke Peters, Randall Duk Kim, Kevin Nash, David Patrick Kelly, and Lance Reddick

John Wick is a 2014 action and crime-thriller starring Keanu Reeves.  It is directed by Chad Stahelski and David Leitch (although only Stahelski is credited on screen as director).  The film tells the story of an ex-hit man who comes out of retirement to kill the man who viciously wronged him.

Once upon a time, John Wick (Keanu Reeves) was a legendary hit man, a seemingly unstoppable killer.  He was the boogeyman who killed the boogeyman.  Not long after his wife, Helen (Bridget Moynahan), dies of a terminal illness, John receives a puppy that she had bought John to help him cope with her death.  He grows to love the puppy, which he names “Daisy.”

At a gas station, a young gangster named Iosef Tarasov (Alfie Allen) sees John and Daisy in John's vintage 1969 Ford Mustang Mach 1.  Later, Iosef and two of his henchman break into John's home, beats him unconscious, and kills Daisy, before stealing the Mach 1.  Now, John Wick the boogeyman is back, determined to kill Iosef.  The problem is that the young hood is the son of Viggo Tarasov (Michael Nyqvist), the head of the Russian crime syndicate in New York City, a syndicate that John Wick himself helped the elder Tarasov establish.

I have been a fan of Keanu Reeves since I first encountered him the 1980s in film like Dangerous Liaisons (1988) and River's Edge (1986), although I am not a fan of his popular 80s film, Bill & Ted's Excellent Adventure (1989).  I have never thought of Reeves as a great or even good actor; he is either way too stiff or too wooden as a performer.  Still, I enjoyed him in films like the original Point Break (1991) and in The Matrix films.  Reeves' star has dimmed in recent years, and he has said that he no longer gets offered the kind of projects an A-list white male actor would.

When I first saw a television commercial for John Wick, I knew that I would like the film.  However, I never got around to seeing it until early last year when I caught it on one of the premium cable movie channels.  I could not believe how good I thought it was (and I still can't).  Because of the release of the sequel (John Wick: Chapter 2), I decided to watch the first film again.

John Wick is simply a flashy, visually cool shoot-em-up movie with some good set pieces from the hit man movie wheelhouse.  This film, however, works because of Keanu Reeves.  I honestly believe that very few other actors could have made this movie memorable.  Without Keanu, John Wick would have probably ended being straight-to-DVD or VOD (video-on-demand).

If you like Keanu Reeves, you will want to see this, and you will probably want to see it a second time.  It's the magic of Keanu Reeves.  What more can I say?  That magic must have worked on a lot of movie fans because Jack Wick did get a sequel.

6 of 10
B

Sunday, March 12, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Review: "American Ultra" is Impossibly Good

TRASH IN MY EYE No. 6 (of 2016) by Leroy Douresseaux

[This review was originally posted on Patreon.]

American Ultra (2015)
Running time:  96 minutes (1 hour, 36 minutes)
MPAA – R for strong bloody violence, language throughout, drug use and some sexual content
DIRECTOR:  Nima Nourizadeh
WRITER:  Max Landis
PRODUCERS:  David Alpert, Anthony Bregman, Kevin Scott Frakes, Britton Rizzio, and Raj Brinder Singh
CINEMATOGRAPHER:  Michael Bonvillain
EDITOR:  Andrew Marcus and Bill Pankow
COMPOSER:  Marcelo Zarvos

ACTION/COMEDY

Starring:  Jesse Eisenberg, Kristen Stewart, Topher Grace, Connie Britton, Walter Goggins, John Leguizamo, Bill Pullman, Tony Hale, Stuart Greer, Michael Papajohn, Monique Ganderton, Lavell Crawford, and Sam Malone

American Ultra is a 2015 action-comedy written by Max Landis and directed by Nima Nourizadeh.  The film focuses on a stoner who finds himself targeted for extermination because he is a government sleeper agent, facts of which is he unaware.

American Ultra opens in small town Liman, West Virginia where we meet Mike “Mikey” Howell (Jesse Eisenberg), a stoner and slacker.  He lives with his girlfriend, Phoebe Larson (Kristen Stewart), in a small wooden house, and he works at a convenience story.  Meanwhile, in Langley, Virginia, CIA section boss, Adrian Yates (Topher Grace), has decided Mike's fate.  Mike is the sole remaining asset of “Wiseman” which was part of the “Ultra” program, and Yates considers Mike a liability, thus targeting him for extermination.

Yates deploys a team of “Toughguy” operatives to kill Mike, but Victoria Lasseter (Connie Britton), who once supervised the Wiseman program, is determined to save Mike's life.  She arrives in Liman ahead of Yates' men, but reactivating Mike is a bit more difficult than she realized.  Mike slowly begins to remember his training, but it is a messy and chaotic process... for everyone.

American Ultra's CIA conceits are preposterous, of course.  What sells this is that the screenplay by Max Landis constructs a love that feels real and a relationship that seems genuine between Mike and Phoebe's characters.  Director Nima Nourizadeh takes the time to properly transform Landis' romantic conceit into a true-blue movie romance.  Once you buy the Mikey-Phoebe dynamic, the rest of the movie – the believable, the ridiculous, and the sublime – encourages the audience to suspend disbelief so they can enjoy one of the most inventive action-comedies of the 21st century.

Landis's script offers some interesting ideas, and Jesse Eisenberg's turn as the stoner Mikey distracts the viewer from taking a good, hard look at those ideas.  After all, the fun is in running through the world of secret and sleeper agents, not in examining what is and isn't plausible in that world.  [Of course, how many people actually take that hard look in the real world.]  Landis' concept is perfect for Eisenberg's performance, and Eisenberg's performance makes Landis' concept work perfectly.

I admire how director Nima Nourizadeh maintains the off-beat, slacker charm of this story even as the movie turns increasingly violent, but here, the gore actually has a splattery charm all its own.  In truth, Sylvester Stallone's The Expendables movie franchise could use the Nourizadeh-Landis touch.  I cannot emphasize enough that this movie is just a blast to watch, and it is fresh and imaginative in a genre, CIA-themed films, that is rapidly growing stale.

Any action-movie franchise could use some Kristen Stewart.  There is something about her that goes beyond merely being the spine of a billion-dollar movie franchise (Twilight).  Stewart is authentic in this movie, and her performance is one of the many things that come together like serendipity to make American Ultra one of the best films of 2015.

9 of 10
A+

Saturday, December 5, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Review: "Ice Age: Continental Drift" - Same Old, Same Good

TRASH IN MY EYE No. 7 (of 2013) by Leroy Douresseaux


Ice Age: Continental Drift (2012)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG for mild rude humor and action/peril
DIRECTORS: Steve Martino and Michael Thurmeier
WRITERS: Michael Berg and Jason Fuchs; from a story by Michael Berg and Lori Forte
PRODUCERS: Lori Forte and John C. Donkin
CINEMATOGRAPHER: Renato Falcão
EDITORS: James Palumbo and David Ian Salter with Christopher Campbell
COMPOSER: John Powell

ANIMATION/COMEDY/ADVENTURE and FAMILY/FANTASY

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Seann William Scott, Josh Peck, Peter Dinklage, Jennifer Lopez, Keke Palmer, Wanda Sykes, Alan Tudyk, Aubrey “Drake” Graham, Josh Gad, Nick Frost, Aziz Ansari, Nicki Minaj, Heather Morris, Joy Behar, with Queen Latifah and Chris Wedge

The subject of this movie review is Ice Age: Continental Drift, a 2012 computer-animated film from Blue Sky Studios and 20th Century Fox. This comedy-adventure movie is the fourth film in the Ice Age series. Continental Drift follows the original Ice Age trio of Manny, Diego, and Sid after they are separated from the rest of the herd.

As Ice Age: Continental Drift begins, the herd is living in peace in the vast land they call home. Manfred “Manny” the mammoth (Ray Romano) is at odds with his teenage daughter, Peaches (Keke Palmer), with mother, Ellie (Queen Latifah), caught in the middle. Family strife isn’t the only rumbling in the land. The continents are dividing, and an earthquake separates Manny, Sid the giant sloth (John Leguizamo), and Diego the saber-toothed tiger (Denis Leary) from Ellie and the rest of the herd.

Lost at sea, Manny, Sid, and Diego begin an epic journey to reunite with the herd, their family. Standing in their way are a vicious primate, Captain Gutt (Peter Dinklage), and his band of pirates, who sale the seas using a floating iceberg as their ship. Meanwhile, the prehistoric squirrel/rat, Scrat (Chris Wedge), continues to chase that acorn.

I expected Ice Age: Continental Drift to be more of the same when it comes to the Ice Age franchise, but that is not a bad thing, anyway. The Ice Age films have been entertaining, if not great, because the franchise’s shtick is both funny and familiar. Each Ice Age film is basically a prehistoric, domestic situation comedy featuring talking animals, and the situation always involves some adventurous mission.

Still, Continental Drift offers its own inventive high points: icebergs as pirate ships, a group of tricky sirens, and Scrat’s treasure hunt come to mind. Captain Gutt and his pirates are, in my estimation, the series’ scariest villains to date, with Peter Dinklage giving a wonderful, layered voice performance. The film actually has a number of good voice performances. Wanda Sykes delivers her funniest voiceover as Sid’s Granny, and Jennifer Lopez is just shockingly good as Shira, a saber-toothed tiger and one of Gutt’s crew.

Continental Drift underutilizes some characters, such as Louis the mole hog (Josh Gad), Peaches’ love-interest-of-sorts. Sometimes, the film is too laid back, but overall Ice Age: Continental Drift is quite good. I found myself laughing at and with the characters, and ultimately, I cared enough to cheer them on.

7 of 10
B+

Friday, January 25, 2013

Review: Hawke, Fishburne Carry "Assault on Precinct 13" Remake (Happy B'day, Ethan Hawke)

TRASH IN MY EYE No. 90 (of 2005) by Leroy Douresseaux

Assault on Precinct 13 (2005)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – R for strong violence and language throughout, and for some drug content
DIRECTOR: Jean-François Richet
WRITER: James DeMonaco (based upon an earlier screenplay by John Carpenter)
PRODUCERS: Pascal Caucheteux, Jeffrey Silver, and Stephane Sperry
CINEMATOGRAPHER: Robert Gantz
EDITOR: Bill Pankow
COMPOSER: Graeme Revell

ACTION/THRILLER/CRIME (GANGSTER)

Starring: Ethan Hawke, Laurence Fishburne, John Leguizamo, Drea de Matteo, Gabriel Byrne, Brian Dennehy, Jeffrey “Ja Rule” Atkins, Mario Bello, Aisha Hinds, Matt Craven, Dorian Harewood

Assault on Precinct 13, the 2005 remake of the 1976 John Carpenter film, may lack the social commentary of the original, but it is a very entertaining action thriller that doesn’t try to break new ground in the tale of cops and criminals who must temporarily unite for their mutual survival. This new Assault on Precinct 13 is a by-the-books Hollywood effort that doesn’t throw any curve balls and sticks close to the original. The only thing the filmmakers wanted to go out on a limb for was to feature lots of gunshot wounds and even more kill shots to human heads. This is true R-rated action, and the film is proud of it. The actual assault on the precinct is full of sound and fury and smoke and blood – perfect for people who like the Lethal Weapon and Die Hard franchises.

Precinct 13 is a soon-to-close police station, and its last day, New Year’s Eve, is a snowy one. Stuck with the duty of closing the station one last time is Sgt. Jake Roenick (Ethan Hawke), who eight months earlier saw a drug bust go really bad and his two partners gunned down. He’s reluctant to be out on the street again, or so says his sexy therapist, Dr. Alex Sabian (Maria Bello). However, Jake is forced to again confront a heavy-duty assignment when a prison bus carrying four prisoners is forced by the intensifying snow storm to make a stop at Precinct 13. One of his new charges is the infamous Marion Bishop (Laurence Fishburne), recently taken into custody after killing a cop.

All Roenick has with him at the precinct is a skeleton crew, which consists of Iris Ferry (Drea de Matteo), a secretary, and Jasper O’Shea (Brian Dennehy), a copy on the verge of retiring, and none of them know that Bishop was in league with a band of dirty cops, who recently turned on him. They don’t want Bishop to live long enough to reveal their corruption, so they launch an assault on Precinct 13 to kill Bishop, and they don’t want any witnesses surviving. Now, Jake, Jasper, Iris, and Dr. Sabian must join forces with Bishop and the three other criminals: Beck (John Leguizamo), Smiley (Ja Rule), and Anna (Aisha Hinds), if they want to see sunrise.

In the original film, the audience knew next to nothing about the cast, and even less about the gang laying siege to the isolated precinct. The new screenplay gives us plenty about Jake Roenick, ostensibly the hero, including his (self-perceived) professional failures, so that we might root for him to overcome his personal challenges and demons and rise to the occasion. In the end, nothing about any character here rings true. The selling point of this tale is that a tiny band of good guys and some criminals, who look good compared to the ones trying to kill them, are seemingly cut off from civilization and from help and they’re facing a large band of relentless foes with numbers and weapons on their side. If the movie can get us to picture ourselves with the outgunned, the filmmakers have won half the battle, which the makers of Assault on Precinct 13 did. However, they only win a little of the rest of the battle, just enough to win the war, but win ugly.

Laurence Fishburne is a dashing movie star with plenty of charisma, enough to make up for the fact that he doesn’t have matinee looks. His presence wins every frame that he’s in here, but that hampers the film because the usually good Ethan Hawke doesn’t seem up to the challenge of matching Fishburne. Hawke’s performance is either flat or shrill, with only a few moments of truth (to which I desperately clung). It’s best to view this film the way one might the original. Don’t think about the characters; focus on the plot (which conceptually has more holes in it than the precinct after the assault), and still more on the setting. They’re the winning combination that overcomes hamstrung characters and pick-up-a-paycheck acting.

6 of 10
B

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Review: Third "Ice Age" is Also a Charm

TRASH IN MY EYE No. 57 (of 2012) by Leroy Douresseaux

Ice Age: Dawn of the Dinosaurs (2009)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – PG for some mild rude humor and peril
DIRECTORS: Carlos Saldanha with Mike Thurmeier
WRITERS: Peter Ackerman, Michael Berg, Yoni Brenner, and Mike Reiss; from a story by Jason Carter Eaton
PRODUCERS: Lori Forte and John C. Donkin
EDITORS: Harry Hitner with James Palumbo
COMPOSER: John Powell

ANIMATION/COMEDY/ADVENTURE/FAMILY/FANTASY

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Seann William Scott, Josh Peck, Simon Pegg, and Queen Latifah, with Bill Hader, Jane Lynch, Kristen Wiig, Karen Disher, and Chris Wedge

The subject of this movie review is Ice Age: Dawn of the Dinosaurs, a 2009 computer-animated film from Blue Sky Studios and 20th Century Fox. This comedy-adventure movie is the third film in the Ice Age series. Dawn of the Dinosaurs follows the “Ice Age herd” to a dinosaur-filled lost world as they try to rescue one of their own.

The original mismatched trio of ice age prehistoric critters: Manfred “Manny” (Ray Romano), a mammoth; Sid (John Leguizamo), a giant sloth; and Diego (Denis Leary) a saber-toothed tiger, are now part of a larger family. Manny has a mate, a mammoth named Ellie (Queen Latifah), and she has two possum brothers, Crash (Seann William Scott) and Eddie (Josh Peck), a rambunctious, prank playing duo.

There are big changes coming to this unusual herd. Ellie is pregnant, but this joyous situation does not come without complications. Diego is feeling a little old and wants to leave and go his own way, and Sid wants a family of his own. After he tries to play “mama” to three dinosaur eggs, Sid is taken by a Tyrannosaurus rex, the real mother, to a tropical lost world where dinosaurs still live. Manny and company follow in a bid to rescue Sid, but in order to survive they need the help of Buck (Simon Pegg), a probably insane, one-eyed, dagger-wielding weasel. But Buck’s mind is on Rudy, a monstrous dinosaur with a score to settle. The prehistoric squirrel/rat, Scrat (Chris Wedge), is also back and still fighting to retrieve that one special acorn, but this time, he finds a rival and perhaps, love.

I avoided Ice Age: Dawn of the Dinosaurs when it was first released back in 2009. It’s not because I thought that it was a bad movie; it was because I thought that I was finished with Ice Age, although I’d enjoyed the first two films in the series. I decided to see Dawn of the Dinosaurs because the fourth will be released this summer, and I am glad I did.

Dawn of the Dinosaurs is a really good movie. It starts out as a sweet and charming film about mild family dysfunction in a non-traditional family. When the story moves to the lost world of dinosaurs, it becomes a comedy and adventure film that mixes breathtaking, death-defying scenes with moments of tender love involving family and friends. There is a chase between a Pteranodon (acting as a chariot for three of the heroes) and a flock of Quetzalcoatlus that rivals (perhaps, even surpasses) the pod racing scene in Star Wars: Episode I – The Phantom Menace in terms of the pure excitement it gives and the technical wizardry it took the CGI artists to create it.

Although Ice Age: Dawn of the Dinosaurs largely moves the film away from its ice age setting (until the end), it keeps the fun of the series going. It makes me ready to see this new fourth film.

7 of 10
B+

Wednesday, July 11, 2012

Review: "Ice Age: The Meltdown" is Good, Too

TRASH IN MY EYE No. 240 (of 2006) by Leroy Douresseaux

Ice Age: The Meltdown (2006)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – PG for some mild language and innuendo
DIRECTOR: Carlos Saldanha
WRITERS: Gerry Swallow and Peter Gaulke and Jim Hecht; from a story by Gerry Swallow and Peter Gaulke
PRODUCER: Lori Forte

ANIMATION/COMEDY/ADVENTURE/FAMILY/FANTASY

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Seann William Scott, Josh Peck, and Queen Latifah, Will Arnett, Jay Leno, and Chris Wedge

The three-member herd from the hit 2002 film, Ice Age: Diego the saber-toothed tiger (Denis Leary), Manny the mammoth (Ray Romano), and Sid the Sloth (John Leguizamo) returns in the hit sequel, Ice Age: The Meltdown, and an impending natural disaster inadvertently adds members to this small family.

The deep freeze of the Ice Age is over, and the ice-covered earth is starting to melt, especially the gigantic glaciers that enclose the cherished valley where Diego, Manny, and Sid live. Reluctantly, the trio accepts the fact that the valley will be flooded, so they’re forced to leave. They begin a journey to the other side of the valley where supposedly awaits a boat that will save them from the flood. Along the way, the trio meets Ellie (Queen Latifah), a mammoth who thinks she is a possum, and her two possum brothers, Crash (Seann William Scott) and Eddie (Josh Peck), a rambunctious, prank playing duo. Manny, who thought he was the last mammoth, is anxious, but also reluctant to make a friend (or maybe more) of Ellie, who is standoffish with Manny. The trio turned sextet will have to stick together if they’re going to survive the impending flood and two deadly new enemies that are silently stalking them. The prehistoric squirrel/rat, Scrat (Chris Wedge), is also back and still fighting to retrieve that one special acorn.

Ice Age: The Meltdown is one of those sequels that improves on the original, and the filmmakers did that by adding characters that aren’t just new and novel. The new trio, Ellie and the possum brothers Crash and Eddie, is also actually highly entertaining. Both Ellie and the actress who gives the character her voice, Queen Latifah, have endearing personalities and no-nonsense streaks. Queen Latifah’s Ellie and Ray Romano’s Manny actually make a good couple, as Ellie’s sassiness and Manny’s cutting attitude mesh.

Denis Leary’s Diego is still a good sidekick, and John Leguizamo’s Sid is ever entertaining comic relief. However, Crash and Eddie steal their thunder. The animators and writers created supporting characters that would be great as stars in their own cartoons (think the penguins from Madagascar). It is, however, Seann William Scott and Josh Peck who make them truly winning characters, as they breathe life and personality, turning potential into triumph.

On one hand, Ice Age: The Meltdown could have been a pedestrian sequel, but this movie is a good example of how animators and voice actors can take any kind of material and turn it into a winner just by mining their talents to make the right choices. It’s a heady mixture of storytelling, art, and entertainment, and that means Ice Age: The Meltdown will always be more than just an obligatory sequel to a very popular movie. I really didn’t want this fun and heartwarming tale of a patchwork family to end.

7 of 10
A-

Thursday, November 23, 2006

Review: Original "Ice Age" is Still Cool

TRASH IN MY EYE No. 70 (of 2006) by Leroy Douresseaux

Ice Age (2002) – computer animated
Running time: 81 minutes (1 hour, 21 minutes)
MPAA – PG for mild peril
DIRECTOR: Chris Wedge with Carlos Saldanha
WRITERS: Michael Berg, Michael J. Wilson, and Peter Ackerman; from a story by Michael J. Wilson
PRODUCER: Lori Forte
EDITOR: John Carnochan
Academy Award nominee

ANIMATION/COMEDY/ADVENTURE/FAMILY with elements of drama

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Goran Visnjic, Jack Black, Cedric the Entertainer, and Stephen Root

The subject of this movie review is Ice Age, a 2002 computer-animated film from Blue Sky Studios and 20th Century Fox. This adventure comedy and talking-animal story follows a woolly mammoth, giant ground sloth, and smilodon (a saber-toothed cat) who go on a journey to return a human baby to its parents.

As the ice age encroaches upon the land, a mismatched trio of prehistoric critters: Manfred “Manny” the mammoth (Ray Romano, who gives a low key but commanding voice performance), Sid the giant sloth (John Leguizamo, a show stealer as usual), and Diego the saber-toothed tiger (Denis Leary) become reluctant guardians of a human infant. They embark on an epic, but perilous and sometimes hilarious journey to return the infant to its tribe. Diego, however, has mixed loyalties, as his pack lies in wait to spring a trap for Manny and the baby.

Ice Age, produced by computer animation studio Blue Sky Animation for 20th Century Fox, was the first blockbuster computer animated feature not produced by Pixar (Disney) or PDI (DreamWorks). The film also earned a 2003 Oscar nomination for “Best Animated Feature” (which went to director Chris Wedge). If the film has a secret to its success, it’s actually two things: high quality computer animation and story. Creating computer animation that doesn’t look clunky, but instead looks like eye candy apparently isn’t easy. Pixar remains the gold standard, but after a rough start DreamWorks Animation (formerly PDI) is producing some colorful and unique looking works. Ice Age looks like the work of a studio that has been at computer animated features for a long time, although Blue Sky at the time had been making computer animated shorts and computer-generated characters for films like Alien: Resurrection and Joe’s Apartment. Other than the chunky looking adult humans, the animation in Ice Age is smooth and pleasant to look at, but most of all, the characters have character.

Cute looking characters mean nothing if they leave the audience cold. Manny the mammoth and Sid the sloth especially are lively and engaging. The animation allows both Manny and Sid’s faces to exploit the performances by the respective voice actors. Sid has a physicality that reminds of a really good physical comedian, and Sid is as animated as John Leguizamo’s hilarious and inventive voice performance of him. The saber-toothed tigers seem a bit stiff for the kind of animal they likely were. Their faces aren’t quite menacing, and they pose more than they move.

However, animated films are all sound and fury without a good story. It’s not enough that an animated feature is funny, and Ice Age does have much wry and witty humor (with some clever nods to pop culture and nice comic relief in the form of a character called Scrat). Ice Age is an engaging tale about lost souls coming together and working together to do something that is more important than their individual failures and yearnings. United they are far mightier than they were alone, and the cause (returning the human infant to his father) isn’t so much noble as it simply is the right thing to do. Anyone who believes in family and friendship can identify that, and such a goal moves beyond group alliances.

This is an all-inclusive message that embraces both traditional and non-traditional families (whatever those are). It’s a good message and a heartwarming story that makes Ice Age more than just empty, family entertainment product. Add the fact that it is often quite funny and witty, and Ice Age is a winning picture.

7 of 10
B+

Sunday, April 09, 2006

NOTES:
2003 Academy Awards: 1 nomination: “Best Animated Feature” (Chris Wedge)

Review: "The Honeymooners" is Sweet and Charming (Happy B'day, Cedric the Entertainer)

TRASH IN MY EYE No. 93 (of 2005) by Leroy Douresseaux

The Honeymooners (2005)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG-13 for some innuendo and rude humor
DIRECTOR: John Schultz
WRITERS: Danny Jacobson and David Sheffield & Barry W. Blaustein and Don Rhymer (based on characters from the CBS television series)
PRODUCERS: David T. Friendly, Marc Turtletaub, Eric C. Rhone, and Julie Durk
CINEMATOGRAPHER: Shawn Maurer
EDITOR: John Pace

COMEDY

Starring: Cedric the Entertainer, Mike Epps, Gabrielle Union, Regina Hall, Eric Stoltz, John Leguizamo, Jon Polito, Carol Woods, Ajay Naidu, and Alice Drummond

The subject of this movie review is The Honeymooners. This 2005 family comedy takes the classic television series, The Honeymooners, and transforms the characters into African-Americans, while also setting the story in the 21st Century.

Ralph Kramden (Cedric the Entertainer) is a dreamer. By day, he is a New York city bus driver. During his off-hours, he is an inventor, an entrepreneur, and an innovator who is always one get-rich-quick scheme away from instant wealth, and he has a closet full of failed products to prove it. Most of the time, Ralph’s best friend and upstairs neighbor, Ed Norton (Mike Epps), is along for the ride. Ralph’s wife, Alice (Gabrielle Union), has been putting up with it for years, but now she has had enough. Alice has her sights on a practical dream, the American dream; she and Ed’s wife, Trixie (Regina Hall), want to buy a duplex fixer-upper house that the two couples could share and build into their dream home. However, Ralph’s latest half-baked project turns out to be really half-baked, and he spent his and Alice’s savings on it. Now, he needs Ed’s help on another big money plan if he’s going to replenish their savings before Alice leaves him.

Other than the character names, a few domestic and job facts, and the title, the film The Honeymooners bares little resemblance to the CBS television series of the 1950’s that many consider classic TV and an important program in television history. The four lead characters that were white in the original are now black, which should set some tongues to wagging. All that doesn’t, in the end, matter when it comes to the issue at hand, and that’s the current film. Is The Honeymooners a good film, and how good is it?

The Honeymooners, like a lot of Hollywood film product for so many years now, is cursed with a limp script and an unimaginative director. The concept: Ralph’s latest get-rich-quick plan backfires and not only costs him money, but might cost him his marriage, was a stable of the original TV program. Apparently that concept worked great for a half-hour TV show (about 22 minutes of actual show and the rest commercials), but stretched to a 90 minute feature-length film, it doesn’t fly… or at least not long enough. The director moves The Honeymooners at a plodding pace, almost as if he were following the recipe to make bland-tasting baked goods. The script contains not a sparkle of wit or imagination, and the romance and love between husband and wife are woefully hollow notes.

The weak film structure forces the burden to entertain the audience upon the backs of the cast. Cedric the Entertainer and Mike Epps are up to the challenge; in fact, they add a lot of their own construction work to this shell of a film and make it worth seeing. A lot of the humor in Cedric’s comedic style comes from his expressive face and watching how he reacts in certain situations and to particular incidents. Epps is the perfect sidekick, a combination clown and straight man, he can do the silly stuff, or he can be the guy who balances the hijinks of the class clown. Sadly, the talented Gabrielle Union and Regina Hall (who adds meat to the comic routine she used in the Scary Movie franchise) have to fight for what little screen time they have. The limp script spends so much time anally fixated on Ralph’s next-great idea that it ignores half of what made the Ralph Kramden/Ed Norton act work – the wives.

John Leguizamo also does an edgy and hilarious turn as a jack-of-all-scams dog trainer that should remind a lot of people not only how funny this fine comedian is, but what a good actor he is. Cedric, Epps, and Leguizamo make a dynamic comic trio. Ultimately, the cast is funny enough and surprisingly charming enough on the strength of performances to make The Honeymooners worth watching, even though it’s not worth a trip to the theatre.

5 of 10
B-

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"Ice Age 4" Cast Members Revealed

Twentieth Century Fox Animation and Blue Sky Studios Announce ICE AGE: CONTINENTAL DRIFT Casting

LOS ANGELES--(BUSINESS WIRE)--Twentieth Century Fox Animation and Blue Sky Studios today announced the voice cast for ICE AGE: CONTINENTAL DRIFT, the fourth entry in Blue Sky’s blockbuster franchise, which has grossed over $4 billion in all media.

RAY ROMANO is back as Manny, the woolly mammoth and the herd’s “Big Daddy”; QUEEN LATIFAH returns as Ellie -- Manny’s significant other; DENIS LEARY rejoins the herd as the saber-toothed tiger Diego; JOHN LEGUIZAMO is at it again as the terminally goofy sloth, Sid; and SEANN WILLIAM SCOTT and JOSH PECK reprise possums Crash & Eddie.

Joining the ever-growing Ice Age family for Continental Drift is a stellar lineup, including JEREMY RENNER, an Academy Award nominee for The Hurt Locker and The Town (and whose upcoming films include Mission: Impossible – Ghost Protocol and The Bourne Legacy), who portrays Gutt, a self-styled master of the high seas who’s determined to make Manny, Sid and Diego part of his crew; WANDA SYKES as Sid’s stowaway Granny, who causes all sorts of problems for our heroes; AZIZ ANSARI as Squint, a prehistoric rabbit who fancies himself a tough guy; actress-pop music star KEKE PALMER as Peaches, Manny and Ellie’s headstrong teenage daughter; hip hop sensation DRAKE as Ethan, a handsome young woolly mammoth who has his eye on Peaches – and JENNIFER LOPEZ as Shira, a sabre-toothed tigress who melts Diego’s heart.

Also taking on starring roles are HEATHER MORRIS, JOY BEHAR, NICKI MINAJ, JOSH GAD, ALAN TUDYK, NICK FROST, KUNAL NAYYAR, ALAIN CHABAT and JB SMOOVE.

Also returning is Scrat (again voiced by CHRIS WEDGE), who in the first Ice Age emerged as a movie icon. In ICE AGE: CONTINENTAL DRIFT, Scrat’s nutty pursuit of the cursed acorn, which he’s been after since the dawn of time, has world-changing consequences -- a continental cataclysm that triggers the greatest adventure of all for Manny, Diego and Sid. In the wake of these earth-shattering upheavals, Sid reunites with his long lost family, and the gang encounters a ragtag menagerie of colorful new characters determined to stop them from returning home.

ICE AGE: CONTINENTAL DRIFT is directed by Steve Martino and Michael Thurmeier, and produced by Lori Forte and John Donkin.

Twentieth Century Fox releases the animated comedy event, in 3D, on July 13, 2012.


About Fox Filmed Entertainment
One of the world’s largest producers and distributors of motion pictures, Fox Filmed Entertainment produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of FFE: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International, and Twentieth Century Fox Animation.

Half of "The Lincoln Lawyer" Remains Unseen

TRASH IN MY EYE No. 65 (of 2011) by Leroy Douresseaux


The Lincoln Lawyer (2011)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R for some violence, sexual content and language
DIRECTOR: Brad Furman
WRITER: John Romano (based upon the novel by Michael Connelly)
PRODUCERS: Sidney Kimmel, Gary Lucchesi, Tom Rosenberg, Scott Steindorff, and Richard S. Wright
CINEMATOGRAPHER: Lukas Ettlin (D.o.P.)
EDITOR: Jeff McEvoy
COMPOSER: Cliff Martinez

DRAMA/CRIME/MYSTERY/THRILLER

Starring: Matthew McConaughey, Marisa Tomei, Ryan Phillippe, William H. Macy, Josh Lucas, John Leguizamo, Michael Peña, Bob Gunton, Frances Fisher, Bryan Cranston, Trace Adkins, Laurence Mason, Margarita Levieva, Pell James, Shea Whigham, Michael Paré, and Reggie Baker

The Lincoln Lawyer is a 2011 courtroom drama and legal thriller starring Matthew McConaughey as the lead character, Mickey Haller. The film is based upon the 2005 novel, The Lincoln Lawyer, the first book in the Mickey Haller series from American crime writer, Michael Connelly.

Mickey Haller (Matthew McConaughey) is a criminal defense attorney who operates around Los Angeles County in a Lincoln Town Car, currently driven by his chauffer, Earl (Laurence Mason). Haller has spent his career defending the usual suspects (drug dealers, murderers), but he has just landed the case of his career. Louis Roulet (Ryan Phillippe), a Beverly Hills playboy, has been charged in the brutal beating of a sex worker, Regina Campo (Margarita Levieva). Mickey’s sleazy reputation and Roulet’s tastes for prostitutes, however, only complicate an already difficult case.

I have not read the book upon which The Lincoln Lawyer is based, so I don’t know how close the movie is to novel. Watching this film, I got the idea that screenwriter John Romano and director Brad Furman certainly tried to squeeze as much of the novel as they could into the movie. As good as this film is, a lot of the story seems to be happening offstage or off-camera, in this case. I lost track of how many times, supporting and minor characters ran up to McConaughey’s Mickey Haller and talked about something big they did or found out for him. I kept thinking, “Did I miss something?” It is as if half of the movie takes place out of sight, and only the half with Haller actually happens in front of the audience. That makes many of the film’s twist and turns and sudden revelations seem contrived and arbitrary.

However, I do think that Matthew McConaughey gives a very good, layered, and textured performance, one that makes Haller, who is way too sleazy, an engaging character that you might want to follow around L.A. This is probably the best performance of McConaughey’s career and certainly his best turn as a dramatic actor in a long time. He makes The Lincoln Lawyer worth seeing. He makes a problematic legal thriller something of a thrill to watch.

6 of 10
B

Thursday, July 28, 2011

Review: Baz Luhrmann's "Moulin Rouge!" is Half Brilliant, Half Ridiculous

TRASH IN MY EYE No. 19 (of 2002) by Leroy Douresseaux

Moulin Rouge! (2001)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for sexual content
DIRECTOR: Baz Luhrmann
WRITERS: Craig Pearce and Baz Luhrmann
PRODUCERS: Fred Baron, Martin Brown, and Baz Luhrmann
CINEMATOGRAPHER: Donald M. McAlpine (D.o.P.)
EDITOR: Jill Bilcock
Academy Award winner

MUSICAL/ROMANCE

Starring: Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent, Richard Roxburgh, Garry McDonald, Jacek Koman, Matthew Whittet, and Kerry Walker

Christian (Ewan McGregor), an impoverished young poet from Scotland, arrives in Montmarte, France and falls in with a group of Bohemians led by Henri Ramone de Toulouse-Lautrec (John Leguizamo), against the wishes of his father. Like the young poet, the Bohemians believe in freedom, truth, beauty, and most of all love, and they want to stage a show in the legendary Moulin Rouge, the home of the Paris’s colorful and diverse underworld where the wealthy rub shoulders with the working class, artists, bohemians, actresses, and courtesans.

Harold Zidler (Jim Broadbent, Iris), the impresario of the Moulin Rouge, wants a backer so that he could turn his haven of sex and drugs into a proper theatre. His wealthy quarry is The Duke of Monroth (Richard Roxburgh) who is willing to give the money for the renovation, but, in return, he wants for his possession the Moulin Rouge’s most popular attraction, the beautiful courtesan and the stuff of which dreams are made, Satine (Nicole Kidman). The stop in Zidler’s plans and in the Duke's desires comes in the form of Christian. He becomes the playwright of the show that would transform the Moulin Rouge, and he falls hopelessly in love with Satine, much the chagrin of the vindictive Duke.

Directed by Baz Luhrmann (William Shakespeare’s Romeo and Juliet), Moulin Rouge! is an extravaganza of modern popular music, flashing lights, sumptuous sets, colorful costumes, and dazzling production numbers. Like the title of the Bohemians’ play that Christian composes, Moulin Rouge! is a “spectacular spectacular.” As beautiful and as breathtaking as everything is, Moulin is more about visual noise than it is about visual storytelling.

At some moments, the cacophony of music and songs intertwined like drunken snakes is quite nice, at other moments, it is a melding of pretension, misfires, and nonsense. However, even in those moments excess, Moulin Rouge! remains engaging and beautiful. Even when you’re bored, you can’t take your eyes away from the gorgeous sights, nor can your ear not seek out the secrets of the sonic mélange. The cinematography (Donald McAlpine who also worked on Luhrmann’s Romeo) captures the rich palette with the flare of a romantic classical painter. Production design (Catherine Martin), art direction (Ann-Marie Beauchamp), and set decoration (Brigitte Broch) are not only some of the best of the year, but some of the best ever.

Kudos to the actors for maintaining their crafts amidst the energy of Luhrmann’s film. Ms. Kidman has never been more beautiful (and she is always beautiful), her face a luminous globe in Moulin Rouge!’s dance of colors. She is a swooning siren, an intoxicating temptress, and gorgeous martyr. Ewan McGregor is the young poet eager to teach the world his overriding belief in truth, beauty, freedom, and love, but he is able to turn jealous and angry at a moment’s notice. It is in his face that we can see the overwhelming optimism of “love conquerors all: that seems to be a theme of this film. Even in sadness, there remains in young Christian’s face, the strength of love.

Moulin Rouge! is in its execution meant to be a cinematic experience like no other. That it is. It seeks to overwhelm the viewer with sound and images, though the images and sounds are often static and junk. It looks so good on the screen, and the movie moves madly about the screen. It loses the story amidst the sound and the spectacle, so sometimes it seems nonsensical. Moulin Rouge! tries the patience of the viewer, and the film hints that it could have been something more. Better luck next time.

6 of 10
B

NOTES:
2002 Academy Awards: 2 wins: “Art Direction-Set Decoration” (Catherine Martin-art director and Brigitte Broch-set decorator) and “Best Costume Design” (Catherine Martin, Angus Strathie); 6 nominations: “Best Actress in a Leading Role” (Nicole Kidman), “Best Cinematography” (Donald McAlpine), “Best Editing” (Jill Bilcock), “Best Makeup” (Maurizio Silvi and Aldo Signoretti” “Best Picture” (Fred Baron, Martin Brown, and Baz Luhrmann), “Best Sound” (Andy Nelson, Anna Behlmer, Roger Savage, and Guntis Sics)

2002 BAFTA Awards: 3 wins: “Anthony Asquith Award for Film Music” (Craig Armstrong and Marius De Vries), “BAFTA Film Award Best Performance by an Actor in a Supporting Role” (Jim Broadbent), and “Best Sound” (Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics, Gareth Vanderhope, and Antony Gray); 9 nominations: “Best Achievement in Special Visual Effects” (Chris Godfrey, Andy Brown, Nathan McGuinness, and Brian Cox), “Best Cinematography” (Donald McAlpine), “Best Costume Design” (Catherine Martin and Angus Strathie), “Best Editing” (Jill Bilcock), “Best Film” (Martin Brown, Baz Luhrmann, and Fred Baron), “Best Make Up/Hair” (Maurizio Silvi and Aldo Signoretti), “Best Production Design” (Catherine Martin), “Best Screenplay – Original” (Baz Luhrmann and Craig Pearce) and “David Lean Award for Direction” (Baz Luhrmann)

2002 Golden Globes: 3 wins: “Best Motion Picture - Musical or Comedy,” “Best Original Score - Motion Picture” (Craig Armstrong), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Nicole Kidman); 3 nominations: “Best Director - Motion Picture” (Baz Luhrmann) and “Best Original Song - Motion Picture” (David Baerwald for the song "Come What May") and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Ewan McGregor)

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