Negromancer News Bits and Bites from April 7th to 13th, 2024 - UPDATE #26

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

DISNEY - From Deadline:  ESPN has greelit a "30 for 30" documentary about the late ESPN anchor, Stuart Scott (1965-2015).  According to "Deadline," Scott "shattered preconceived notions of how on-air figures were expected to look, talk, act, and think–and in the process, helped bring hip-hop and Black culture into the sports media mainstream."  Currently in production, the film is being directed by Andre Gaines.

CINEMACON - From THR:  Paramount revealed footage from "Gladiator 2," the sequel to the 2000 "Best Picture" Oscar winner, "Gladiator," at CinemaCon 2024.  Reports suggest that the footage from the film, which is directed by Ridley Scott, director of the first film, left the audience very entertained.

From Deadline:  Oscar-winning director Damien Chazelle will set his next film inside a prison, according to unconfirmed reports.  The film will be part of his overall deal with Paramount.

TELEVISION - From Deadline:  Remember when CBS' "S.W.A.T." was cancelled and its sixth season was to be its last before it got a reprieve for a seventh season.  Well, CBS has renewed it for an eighth season.

NETFLIX - From Deadline:  Prince Harry and Megan, the Duchess of Sussex are launching two non-fiction series at Netflix.  This is part of the overall deal they signed with the streamer via their Archewell Productions in 2020.

CELEBRITY - From Variety:  The Cinema for Gaza auction has received several new celebrity donations from the entertainment world, with its fundraising efforts now surpassing $200,000.  Among the new lots are a “Joker” poster signed by Joaquin Phoenix.  He also donated a poster for “You Were Never Really Here” that he signed alongside director Lynne Ramsay.

TELEVISION - From Deadline:  Actor Malcolm Jamal Warner will guest-star on four upcoming episodes of ABC's "9-1-1."  Warner, who is best known for his role on NBC's former sitcom, "The Cosby Show," was a series regular on Fox's drama, "The Resident."

MOVIES - From Deadline:  Danny Boyle is set to direct the first film in the new "28 Years Later," the follow-up to his film, 28 Days Later, and its sequel, 28 Weeks Later, perhaps, later this year.  Sony Pictures is already lining up a director for the second film and is talks with The Marvels and Candyman (2021) director, Nia DaCosta, to direct it.

TELEVISION - From Deadline:  CBS has renewed "NCIS" and "The Neighborhood" for the 2024-25 broadcast season.  For "NCIS," that will be its 22nd season.  For the sitcom, "The Neighborhood," that will be it seventh season.

From Deadline:  CBS has renewed its "FBI" franchise trio for the 2024-25 broadcast television season.  "FBI: Most Wanted" will get a sixth season, and "FBI: International," will get a fourth.  The flagship, "FBI," gets three-season renewal which will over Seasons 7 through 9.

TELEVISION - From Variety:  Actor Kit Harrington, who played "Jon Snow" in HBO's "Game of Thrones," says that the Jon Snow spinoff series is no longer in development.  Harrington says the team of showrunners/writers that he brought onto the project couldn't find the right story to tell.

MOVIES - From Variety:  John Waters is trying to get financing for his first film in 20 years, "Liarmouth."  Meanwhile, "Fruitcake," a sequel to "Hairspray" (1998), might happen.

BOX OFFICE - From Variety:  A list the 30 highest-grossing films of all time.  "Avatar" (2009) is #1 and "Skyfall" is #30.

MOVIES - From THR:  The big Hollywood studios are apparently wary of Francis Ford Coppola's self-financed epic film, "Megalopolis."  The word is that the film is too experimental and "not good," which makes the studios wary of spending 40 million prints and advertising and all marketing for domestic distribution and another 80 to 100 million for an international release.

CANNES - From Deadline:  Francis Ford Coppola's "Megalopolis" will premiere in competition at Cannes 2024 on May 17th.

ANIMATION - From IndieWire:  David Lynch says that Netflix has passed on financing his proposed animated feature film, "Snootworld."  Although Lynch will not commit to directing the film, which he co-wrote with The Nightmare Before Christmas scribe, Caroline Thompson, he would produce the film. He is currently looking for new financiers.

MOVIES - From THR:  The recent success of the hit film, Godzilla x Kong: The New Empire, practically ensures that Legendary Entertainment and Warner Bros' "MonsterVerse" has a bright future.

CANNES - From Variety:  The first installment of Kevin Costner's Western epic, "Horizon, an American Saga," will makes its premiere at the 2024 Cannes Film Festival.  It will be shown out of competition May 19th.  The film will be released in two installments, with the first debuting June 28th and the second arriving August 16th.

DISNEY - From Deadline:  20th Century Studios has closed a deal to finance and release "Deliver Me from Nowhere."  This will be a narrative film written and directed by Scott Cooper and starring Emmy-winner, Jeremy Allen White ("The Bear"), as Bruce Springsteen in a pivotal moment in his life.

SCANDAL - From Deadline:  Former Marvel Studios star, Jonathan Majors, has avoided jail time.  Over three months after being convicted of "reckless assault and harassment," Jonathan Majors was sentenced by Judge Michael Gaffey in an NYC courtroom to participate a domestic violence treatment program. The one-year “in person batterers” intervention program will be in Los Angeles, where Majors is based.

BOX OFFICE - From BoxOfficePro:  The winner of the 4/5 to 4/7/2024 weekend box office is Warner Bros. and Legendary Entertainment's "Godzilla x Kong: The New Empire" with an estimated take of 31.7 million dollars.

From Here:  Leroy Douresseaux reviews "Godzilla x Kong: The New Empire."

MOVIES - From Deadline:  58 years after making his debut feature ("What's Up, Tiger Lily"), Woody Allen is sitting “on the fence” about whether his latest movie, "Coup de Chance," his 50th feature, will be his last cinematic outing.  "The romance of filmmaking is gone," Allen says.

STAGE - From Deadline:  The Jamie Lloyd Company has announced that its upcoming West End production of Romeo & Juliet, headlined by Sony/Marvel "Spider-Man" star, Tom Holland, will head to Broadway after its 12-week London run.  Juliet will be played by Francesca Amewudah-Rivers, who is making her West End debut.

MOVIES - From Deadline:  In a deal worth $500,000 against $1.5 million, Legendary Entertainment has optioned Pulitzer Prize finalist Annie Jacobsen‘s nonfiction book, "Nuclear War: A Scenario."  Legendary plans to use the film adaptation potential reteam with director Denis Villeneuve, who has directed the "Dune" films for Legendary and Warner Bros.  The expectation is that Villeneuve would work on this film after he finishes his third "Dune" film, "Dune: Messiah," which would be the final part of the "Dune" trilogy.

OBITS:

From Deadline:  American screenwriter and director and documentary filmmaker, Eleanor Coppola, has died at the age of 87, Friday, April 12, 2024.  Coppola is best known for her 1991 documentary film, "Hearts of Darkness: A Filmmaker's Apocalypse," for which she won two Emmy Awards.  Eleanor was married to legendary film director Francis Ford Coppola from 1963 to her passing.  They had three children: the late Gian-Carlo Coppola (1963-86), and filmmakers Sofia Coppola and Roman Coppola.

From ESPN:  Former NFL player, actor, and broadcaster, O.J. Simpson, has died at the age of 76, Wednesday, April 10, 2024.  Simpson was the 1968 Heisman Trophy winner at USC, and he was a member of the 1967 USC "National Championship" team that finished No. 1 in the AP and Coaches Polls.  He was the No. 1 pick in the 1969 NFL Draft by the Buffalo Bills. When he retired in 1969, he was 2nd on the NFL's all-time rushing list.  After football, Simpson had an active two-and-a-half decade acting career, appearing in such films as "The Towering Inferno" (1974), "Capricorn One" (1978), and the "Naked Gun" film trilogy.  His television appearances included the ABC miniseries, "Roots" (1977), "Goldie and the Boxer" (1979), and "In the Heat of the Night" (1979).  After his playing career, Simpson was a "color commentator," including on ABC 's "NFL Monday Night Football" (1983-85).  However, Simpson will best be remembered for being arrested, charged, and later acquitted for the murder of his ex-wife, Nicole Brown Simpson, and her... friend, Ron Goldman, on June 12, 1994.

"62nd Annual GRAMMY Awards" Nominations Have Been Announced

Recording Academy® Announces Nominees for the 62nd Annual GRAMMY Awards®

First-time Nominees Lizzo, Billie Eilish and Lil Nas X Are This Year's Most Nominated Artists

Winners Announced Sunday, Jan. 26th, 2020

SANTA MONICA, Calif.--(BUSINESS WIRE)--Recording Academy® President/CEO Deborah Dugan, alongside Academy Chair of the Board of Trustees and renowned record producer Harvey Mason Jr., as well as GRAMMY Awards® host Alicia Keys and past two-time GRAMMY® nominee Bebe Rexha, revealed nominees for the 62nd GRAMMY Awards in select categories. This year's nominees reflect a melting pot of artistic innovation that defined the year in music, showcasing the unparalleled craftsmanship of established artists and the industry-shifting impact of rising music creators.

Leading nominees Lizzo (8), Billie Eilish (6) and Lil Nas X (6) not only topped the charts but ignited a cultural conversation around their genre-bending hits. As the only peer-selected music award, the GRAMMY Awards are voted on by the Recording Academy's membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, producers, mixers and engineers.

"I am in complete awe of the inspiring nominees who have poured their hearts and souls into their craft, and in turn, have provided fans worldwide a year of music that changed us, stirred our emotions and inspired us to do more," said Dugan. "Today's announcement reflects a new era for the Recording Academy—an army of engaged members that welcomes diversity, embraces creativity and champions young musicians on the rise. It's shaping up to be a year of firsts, and I can promise that the 62nd GRAMMY Awards will pack the same punch as this year's nominees. I am proud to march forward alongside our members and nominated artists."

This year's nominees were selected from more than 20,000 submissions across 84 categories, and reflect the wide range of artistic innovation that defined the year in music (Oct. 1, 2018–Aug. 31, 2019). The final round of GRAMMY voting is Dec. 9, 2019–Jan. 3, 2020. The Recording Academy will present the GRAMMY Awards on Sunday, Jan. 26, 2020, live from Los Angeles' STAPLES Center and broadcast on the CBS Television Network from 8:00–11:30 p.m. ET/5:00–8:30 p.m. PT.

The following is a sampling of nominations from the GRAMMY Awards' 30 Fields and 84 Categories.

For a complete nominations list, visit www.grammy.com

Record Of The Year:
"Hey, Ma" — Bon Iver
"Bad Guy" — Billie Eilish
"7 Rings" — Ariana Grande
"Hard Place" — H.E.R.
"Talk" — Khalid
"Old Town Road" — Lil Nas X Featuring Billy Ray Cyrus
"Truth Hurts" — Lizzo
"Sunflower" — Post Malone & Swae Lee

Album Of The Year:
i,i — Bon Iver
Norman F***ing Rockwell! — Lana Del Rey
When We All Fall Asleep, Where Do We Go? — Billie Eilish
thank u, next — Ariana Grande
I Used To Know Her — H.E.R.
7 — Lil Nas X
Cuz I Love You (Deluxe) — Lizzo
Father Of The Bride — Vampire Weekend

Song Of The Year:
"Always Remember Us This Way" — Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
"Bad Guy" — Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
"Bring My Flowers Now" — Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
"Hard Place" — Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
"Lover" — Taylor Swift, songwriter (Taylor Swift)
"Norman F***ing Rockwell" — Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
"Someone You Loved" — Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
"Truth Hurts" — Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

Best New Artist:
Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank And The Bangas
Yola

Best Pop Solo Performance:
"Spirit" — Beyoncé
"Bad Guy" — Billie Eilish
"7 Rings" — Ariana Grande
"Truth Hurts" — Lizzo
"You Need To Calm Down" — Taylor Swift

Best Pop Vocal Album:
The Lion King: The Gift — Beyoncé
When We All Fall Asleep, Where Do We Go? — Billie Eilish
thank u, next — Ariana Grande
No. 6 Collaborations Project — Ed Sheeran
Lover — Taylor Swift

Best Dance Recording:
"Linked" — Bonobo
"Got To Keep On" — The Chemical Brothers
"Piece Of Your Heart" — Meduza Featuring Goodboys
"Underwater" — RÜFÜS DU SOL
"Midnight Hour" — Skrillex & Boys Noize Featuring Ty Dolla $ign

Best Rock Album:
Amo — Bring Me The Horizon
Social Cues — Cage The Elephant
In The End — The Cranberries
Trauma — I Prevail
Feral Roots — Rival Sons

Best R&B Performance:
"Love Again" — Daniel Caesar & Brandy
"Could've Been" — H.E.R. Featuring Bryson Tiller
"Exactly How I Feel" — Lizzo Featuring Gucci Mane
"Roll Some Mo" — Lucky Daye
"Come Home" — Anderson .Paak Featuring André 3000

Best Rap Album:
Revenge Of The Dreamers III — Dreamville
Championships — Meek Mill
I Am > I Was — 21 Savage
Igor — Tyler, The Creator
The Lost Boy — YBN Cordae

Best Country Song:
"Bring My Flowers Now" — Brandie Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
"Girl Goin' Nowhere" — Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
"It All Comes Out In The Wash" — Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
"Some Of It" — Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
"Speechless" — Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)

Best Jazz Vocal Album:
Thirsty Ghost — Sara Gazarek
Love & Liberation — Jazzmeia Horn
Alone Together — Catherine Russell
12 Little Spells — Esperanza Spalding
Screenplay — The Tierney Sutton Band

Best Gospel Album:
Long Live Love — Kirk Franklin
Goshen — Donald Lawrence Presents The Tri-City Singers
Tunnel Vision — Gene Moore
Settle Here — William Murphy
Something's Happening! A Christmas Album — CeCe Winans

Best Latin Rock, Urban Or Alternative Album:
X 100PRE — Bad Bunny
Oasis — J Balvin & Bad Bunny
Indestructible — Flor De Toloache
Almadura — iLe
El Mal Querer — Rosalía

Best Americana Album:
Years To Burn — Calexico And Iron & Wine
Who Are You Now — Madison Cunningham
Oklahoma — Keb' Mo'
Tales Of America — J.S. Ondara
Walk Through Fire — Yola

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):
Beastie Boys Book — (Various Artists) Michael Diamond, Adam Horovitz, Scott Sherratt & Dan Zitt, producers
Becoming — Michelle Obama
I.V. Catatonia: 20 Years As A Two-Time Cancer Survivor — Eric Alexandrakis
Mr. Know-It-All — John Waters
Sekou Andrews & The String Theory — Sekou Andrews & The String Theory

Best Song Written For Visual Media:
"The Ballad Of The Lonesome Cowboy" — Randy Newman, songwriter (Chris Stapleton), Track from: Toy Story 4
"Girl In The Movies" — Dolly Parton & Linda Perry, songwriters (Dolly Parton), Track from: Dumplin'
"I'll Never Love Again" (Film Version) — Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere, songwriters (Lady Gaga & Bradley Cooper), Track from: A Star Is Born
"Spirit" — Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé), Track from: The Lion King
"Suspirium" — Thom Yorke, songwriter (Thom Yorke), Track from: Suspiria

Best Music Film:
Homecoming — Beyoncé
Remember My Name — David Crosby
Birth Of The Cool — (Miles Davis)
Shangri-La — (Various Artists)
Anima — Thom Yorke


ABOUT THE RECORDING ACADEMY
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards—music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.

For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.

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57th Grammy Nominations Announced; Beyonce Among Nominations Leaders

Beyoncé, Sam Smith, and Pharrell Williams Lead GRAMMY® Nominations with Six Each

Beck, Beyonce, Ed Sheeran, Sam Smith, and Pharrell Williams Vie for Album of the Year at the 57th Annual GRAMMY Awards® Feb. 8, 2015, Live on CBS

LOS ANGELES--(BUSINESS WIRE)--Nominations for the 57th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected an eclectic mix of the best and brightest in music over the past year, as determined by The Academy's voting members. The 57th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Feb. 8, 2015, at STAPLES Center in Los Angeles and broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT).

    “This year's nominees are a reflection of the music community's diversity and range of talent, and a testament to The Academy's voting process”

This year, Beyoncé, Sam Smith and Pharrell Williams top nominations, garnering six each. Iggy Azalea, Beck, Eric Church, Tom Coyne, Drake, Gordon Goodwin, Jay Z, Miranda Lambert, Sia, Usher, and Jack White earn four nominations each. Additionally, Azalea, Bastille, Brandy Clark, Haim, and Sam Smith vie for the Best New Artist award.

"This year's nominees are a reflection of the music community's diversity and range of talent, and a testament to The Academy's voting process," said Neil Portnow, President/CEO of The Recording Academy. "The Recording Academy is pleased to celebrate this talented crop of artists, nominated to receive music's greatest honor for their contributions to their respective genres. The tone for Music's Biggest Night® has undoubtedly been set, and we look forward to producing one of the most exciting telecasts in GRAMMY® history."

Nominations were revealed on a rolling basis throughout the day, starting with four categories on "CBS This Morning," followed by a series of video announcements posted by a variety of artists and celebrities on Twitter. The day culminated with the unveiling of Album Of The Year nominations on the one-hour entertainment special, "A Very GRAMMY Christmas," which featured performances of holiday classics and current pop songs.

Following is a sampling of nominations across 83 categories from the GRAMMY Awards' 30 Fields. For a complete nominations list, please visit www.grammy.com. For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook.

GENERAL FIELD

Album Of The Year:
Morning Phase — Beck
Beyoncé — Beyoncé
X — Ed Sheeran
In The Lonely Hour — Sam Smith
Girl — Pharrell Williams

Record Of The Year:
"Fancy" — Iggy Azalea Featuring Charli XCX
"Chandelier" — Sia
"Stay With Me" (Darkchild Version) — Sam Smith
"Shake It Off" — Taylor Swift
"All About That Bass" — Meghan Trainor

Song Of The Year:
"All About That Bass" — Kevin Kadish & Meghan Trainor, songwriters (Meghan Trainor)
"Chandelier" — Sia Furler & Jesse Shatkin, songwriters (Sia)
"Shake It Off" — Max Martin, Shellback & Taylor Swift, songwriters (Taylor Swift)
"Stay With Me" (Darkchild Version) — James Napier, William Phillips & Sam Smith, songwriters (Sam Smith)
"Take Me To Church" — Andrew Hozier-Byrne, songwriter (Hozier)

Best New Artist:
Iggy Azalea
Bastille
Brandy Clark
Haim
Sam Smith

POP FIELD

Best Pop Duo/Group Performance:
"Fancy" — Iggy Azalea Featuring Charli XCX
"A Sky Full Of Stars" — Coldplay
"Say Something" — A Great Big World With Christina Aguilera
"Bang Bang" — Jessie J, Ariana Grande & Nicki Minaj
"Dark Horse" — Katy Perry Featuring Juicy J

DANCE/ELECTRONIC MUSIC FIELD

Best Dance Recording:
"Never Say Never" — Basement Jaxx
"Rather Be" — Clean Bandit Featuring Jess Glynne
"F For You" — Disclosure Featuring Mary J. Blige
"I Got U" — Duke Dumont Featuring Jax Jones
"Faded" — Zhu

ROCK FIELD

Best Rock Performance:
"Gimme Something Good" — Ryan Adams
"Do I Wanna Know?" — Arctic Monkeys
"Blue Moon" — Beck
"Fever"— The Black Keys
"Lazaretto"— Jack White

ALTERNATIVE FIELD

Best Alternative Music Album:
This Is All Yours — Alt-J
Reflektor — Arcade Fire
Melophobia — Cage The Elephant
St. Vincent — St. Vincent
Lazaretto — Jack White

R&B FIELD

Best Urban Contemporary Album:
Sail Out — Jhené Aiko
Beyoncé — Beyoncé
X — Chris Brown
Mali Is… — Mali Music
Girl — Pharrell Williams

RAP FIELD

Best Rap Performance:
"3005" — Childish Gambino
"0 To 100/The Catch Up" — Drake
"Rap God" — Eminem
"I" — Kendrick Lamar
"All I Need Is You" — Lecrae

Best Rap Album:
The New Classic — Iggy Azalea
Because The Internet — Childish Gambino
Nobody's Smiling — Common
The Marshall Mathers LP2 — Eminem
Oxymoron — Schoolboy Q
Blacc Hollywood — Wiz Khalifa

COUNTRY FIELD

Best Country Duo/Group Performance:
"Gentle On My Mind" — The Band Perry
"Somethin' Bad" — Miranda Lambert With Carrie Underwood
"Day Drinking" — Little Big Town
"Meanwhile Back At Mama's" — Tim McGraw Featuring Faith Hill
"Raise 'Em Up" — Keith Urban Featuring Eric Church

Best Country Album:
Riser — Dierks Bentley
The Outsiders — Eric Church
12 Stories — Brandy Clark
Platinum — Miranda Lambert
The Way I'm Livin' — Lee Ann Womack

JAZZ FIELD

Best Improvised Jazz Solo:
"The Eye Of The Hurricane" — Kenny Barron, soloist
"Fingerprints" — Chick Corea, soloist
"You & The Night & The Music" — Fred Hersch, soloist
"Recorda Me" — Joe Lovano, soloist
"Sleeping Giant" — Brad Mehldau, soloist

GOSPEL/CONTEMPORARY CHRISTIAN MUSIC FIELD

Best Gospel Album:
Help — Erica Campbell
Amazing (Live) — Ricky Dillard & New G
Withholding Nothing (Live) — William McDowell
Forever Yours — Smokie Norful
Vintage Worship — Anita Wilson

Best Contemporary Christian Music Album:
If We're Honest — Francesca Battistelli
Run Wild. Live Free. Love Strong. — For King & Country
Hurricane — Natalie Grant
Welcome To The New — MercyMe
Royal Tailor — Royal Tailor

LATIN FIELD

Best Latin Pop Album:
Tangos — Rubén Blades
Elypse — Camila
Raíz — Lila Downs, Niña Pastori And Soledad
Loco De Amor — Juanes
Gracias Por Estar Aquí — Marco Antonio Solís

AMERICAN ROOTS FIELD

Best American Roots Performance:
"Statesboro Blues" — Gregg Allman & Taj Mahal
"A Feather's Not A Bird" — Rosanne Cash
"And When I Die" — Billy Childs Featuring Alison Krauss & Jerry Douglas
"The Old Me Better" — Keb' Mo' Featuring The California Feet Warmers
"Destination" — Nickel Creek

SPOKEN WORD FIELD

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):
Actors Anonymous — James Franco
A Call To Action — Jimmy Carter
Carsick: John Waters Hitchhikes Across America — John Waters
Diary Of A Mad Diva — Joan Rivers
A Fighting Chance — Elizabeth Warren
We Will Survive: True Stories Of Encouragement, Inspiration, And The Power Of Song — Gloria Gaynor

COMEDY FIELD

Best Comedy Album:
Mandatory Fun — "Weird Al" Yankovic
Obsessed — Jim Gaffigan
Oh My God — Louis C.K.
Tragedy Plus Comedy Equals Time — Patton Oswalt
We Are Miracles — Sarah Silverman

This year's Producer Of The Year, Non-Classical nominations go to Paul Epworth, John Hill, Jay Joyce, Greg Kurstin, and Max Martin.

This year's GRAMMY Awards process registered more than 20,000 submissions over a 12-month eligibility period (Oct. 1, 2013 – Sept. 30, 2014). GRAMMY ballots for the final round of voting will be mailed on Dec. 17, 2014 to The Recording Academy's voting members. Ballots are due back to the accounting firm of Deloitte by Jan. 16, 2015, when they will be tabulated and the results kept secret until the 57th GRAMMY Awards telecast.

The 57th Annual GRAMMY Awards are produced by AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, and Louis J. Horvitz is director.

"A Very GRAMMY Christmas," hosted by two-time GRAMMY winner LL COOL J featured the announcement of Album Of The Year nominees as well as performances by Ariana Grande with Big Sean, Maroon 5, Tim McGraw, Sam Smith, and Pharrell Williams.

Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like "The GRAMMYs" on Facebook, and join The GRAMMYs' social communities on Google+, Instagram, Tumblr and YouTube.

Review: "Seed of Chucky" Gleefully Trashy and Fun

TRASH IN MY EYE No. 139 (of 2005) by Leroy Douresseaux

Seed of Chucky (2004)
Running time:  87 minutes (1 hour, 27 minutes)
MPAA – R for strong horror violence/gore, sexual content, and language
DIRECTOR:  Don Mancini
WRITER:  Don Mancini (based upon characters he created)
PRODUCER:  Corey Sienega and David Kirschner
CINEMATOGRAPHER:  Vernon Layton, B.S.C.
EDITOR:  Chris Dickens
COMPOSER:  Pino Donaggio

HORROR/COMEDY

Starring:  Jennifer Tilly (also voice), Redman, Hannah Spearritt, John Waters, and Billy Boyd (voice) and Brad Dourif (voice), Keith-Lee Castle, and Steve Lawton

The subject of this movie review is Seed of Chucky, a 2004 comic horror film from writer-director Don Mancini.  It is the fifth movie in the Child’s Play franchise, and a direct sequel to 1998’s Bride of Chucky.  Seed of Chucky spoofs other horror films, trashy TV shows, and celebrity culture.  To date, it is the last film in the franchise to be released in theatres.

Seed of Chucky opens with a new character.  This is the now grown version of the infant creature born (at the end of Bride) of the unholy sexual union of the two killer dolls, Chucky (voice of Brad Dourif) and Tiffany (voice of Jennifer Tilly).  Six years after his birth, the doll-child is a slave to a sleazy ventriloquist named Psychs (Keith-Lee Castle), who might not really be a ventriloquist; Psychs has named the doll creature, Shitface (voice of Billy Boyd).

Trapped in Great Britain, the doll-child eventually escapes to Hollywood, where he finds Chucky and Tiffany dolls on a movie set.  He inadvertently recites the “voodoo” chant that brings Chucky and Tiffany’s spirits back to life in these movie dolls.  Tiffany and Chucky are surprised, but proud parents.  However, they discover that their doll-child is not anatomically correct.  In disagreement about Shitface’s gender, Tiffany names her Glenda, and Chucky names him Glen because he’s sure the child is a boy who will develop later.

The movie set upon which the newly formed family find themselves is a horror movie about Chucky and Tiffany’s infamous murder spree (from Bride of Chucky), and it stars Jennifer Tilly (as herself).  Tiffany is obsessed with being Tilly and thus a Hollywood star, so she hatches a plan to transfer her spirit into Tilly’s body and Chucky’s spirit Tilly’s chauffeur, Stan (Steve Lawton).  But the challenge of raising a child, especially a confused one like Glen/Glenda, stares the murderous pair right in the face and complicates their plans.  Chucky still wants to be a killer, but Tiffany wants to settle down (in Jennifer Tilly), although she must resist the urge to kill, especially when Tilly gets close to rapper-turned-movie director, Redman (as himself), to whom Tiffany takes an instant dislike.  All hell is about to break loose when Tiffany’s dreams of movie stardom clashes with Chucky’s need to kill, and Glen/Glenda is right in the middle, becoming more confused… and more dangerous.

The Child’s Play film series was, from the beginning, heavy with comedy, but the franchise turned solidly to comic horror with Bride of Chucky in 1998.  Seed of Chucky is a deliriously crazy gore fest.  Fake movie blood, steaming imitation intestines, severed limps, a blood-spurting, headless corpse, severed limps, Jennifer Tilly kissing a recently severed head, Chucky jerking off, Chucky holding a cup of his jizz, Tiffany holding a turkey baster full of Chucky’s semen while standing over Tilly’s prone body with the legs in the air, etc. all add up to a camp fest that is one of the few truly outrageously funny horror films outside of the Evil Dead series.  There is almost nothing in Seed of Chucky film that would qualify it as a scary movie, but with the explicit violence and troubling subject matter, Seed of Chucky could only be one of three things – a ghastly satire of the American nuclear family and America’s obsession with celebrity, an offensive horror flick, or a revolting comedy.  At different times in the narrative, the film tries on all three hats.

While I salute writer/director Don Mancini (who created the Child’s Play concept, while Seed’s co-producer Don Kirschner created the Chucky and Tiffany dolls) for being audacious enough to make this movie and while I also credit the studio and producers for letting Mancini put his insanity on the big screen, I am disappointed that the franchise has gotten away from Chucky as the sole antagonist.  I like Tiffany, and Jennifer Tilly’s voiceover work as Tiffany is superb played.  The fun Ms. Tilly has lampooning herself and her acting career (There are many hilarious mentions of the film Bound in which she and Gina Gershon played lovers) carries over to the viewer, but I want more killing.  Watching Chucky stalk victims excites me as much as it fills me with dread.  I root for victims – even the ones that are throwaway or underdeveloped characters, and I want more of that and less (faux) family drama.

In the final analysis, Seed of Chucky isn’t as good a horror movie as Bride of Chucky, but it’s a better comedy, and an outrageous thumb in the eye to taste and decorum.  Imagine this as a kind of underground film made palatable for a mass audience.  Think of it as a John Waters horror flick if Waters (who appears in the film as a paparazzi) made a “straight” horror movie.  I would answer the question of “is it good or bad” by saying Seed of Chucky makes me eager to see a sixth Child’s Play film.

6 of 10
B

Updated:  Monday, October 07, 2013

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Review: Yes, "Pink Flamingos" is Culturally Significant (Happy B'day, John Waters)

TRASH IN MY EYE No. 154 (of 2006) by Leroy Douresseaux

John Water’s Pink Flamingos (1972)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – NC-17 for a wide range of perversions in explicit detail (re-rating for 1997 re-release)
PRODUCER/WRITER/DIRECTOR: John Waters
EDITOR/CINEMATOGRAPHER: John Waters

COMEDY/CRIME

Starring: Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Danny Mills, Edith Massey, Channing Wilroy, Cookie Mueller, Paul Swift, Susan Walsh, and Linda Olgierson

Pink Flamingos is a 1972 black comedy and exploitation film from director John Waters. Controversial upon its initial release, because of its depiction of perverse acts, Pink Flamingos went on to become a cult film because of its notoriety. The film follows a notorious female criminal and underground figure who resists attempts to both humiliate her and to steal her tabloid reputation.

Divine (Divine) lives on the outskirts of Baltimore in a trailer with her degenerate son, Crackers (Danny Mills), her dim-bulb mother, Edie (Edith Massey), and her “traveling companion,” Cotton (Mary Vivian Pearce). She lives under the pseudonym Babs Johnson, and in local outsider community and to its news press is known as the “Filthiest Person Alive.” However, local couple, Connie (Mink Stole) and Raymond Marble (David Lochary), also vies for that title. The vile Marble clan launches an unbridled assault on Babs Johnson’s reputation and on her home. But Babs and her family fight back in a small war that breaks just about every taboo in the book: incest, drug trafficking, bestiality, castration, murder, cannibalism, etc.

It seems impossible that (regardless of what other films he has directed in the past or may direct in the future) John Waters will be best remembered for any film other than Pink Flamingos. Cheaply made with a cast of amateur actors and locals from the Baltimore area (from where Waters originates), this is the kind of film that would normally merit a review of “no stars” or a grade of “F,” simply because it isn’t like a “normal” film (at least not one from Hollywood). However, Pink Flamingos may be the ultimate low budget trash movie, the ultimate camp experience, and a supreme ode to bad taste. Fun, vile, and also disgusting to the point that many people might turn off the TV early in the film (or walk out the theatre), Pink Flamingos is an object – a piece of art by someone who wants to put his thumb in the eye of American values. It doesn’t matter if its working class, middle class, church-going, God-fearing, or baseball-mom-and-apple pie American values, John Water made Pink Flamingos an assault on decency.

New Line Cinema, the film company that distributed the movie in 1972, released a trailer for Pink Flamingos that did not include scenes from the film, so in that vein, I won’t give away more about the movie. I will say that no serious fan of movies can go without seeing it.

8 of 10
A

Tuesday, July 18, 2006

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