Review: "F9" is for the "Fast & Furious" Family of Fans

TRASH IN MY EYE No. 43 of 2021 (No. 1781) by Leroy Douresseaux

F9 (2021)
Running time: 145 minutes (2 hours, 25 minutes)
MPAA – PG-13 for sequences of violence and action, and language
DIRECTOR: Justin Lin
WRITER: Justin Lin and Daniel Casey; from a story by Justin Lin, Daniel Casey, and Alfredo Botello (based on the characters created by Gary Scott Thompson)
PRODUCERS: Vin Diesel, Neal H. Moritz, Justin Lin, Jeffrey Kirschenbaum, Joe Roth, Clatyon Townsend, and Samantha Vincent
CINEMATOGRAPHER: Stephen F. Windon (D.o.P.)
EDITORS: Greg D'Auria, Dylan Highsmith, and Kelly Matsumoto
COMPOSER: Brian Tyler

ACTION/CRIME/DRAMA

Starring:  Vin Diesel, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Sung Kang, Charlize Theron, Jon Cena, Kurt Russell, Anna Sawai, Don Omar, Shea Whigham, Vinnie Bennett, Finn Cole, JD Pardo, Michael Rooker, Lucas Black, Shad Moss, Jason Tobin, Thue Ersted Rasmussen, Isaac and Immanuel Holtane, Cardi B, and Helen Mirren

F9 is a 2021 action movie from director Justin Lin and is produced by Universal Pictures.  It is the ninth installment in the Fast & Furious movie franchise (now also called the “Fast Saga”).  A direct sequel to 2017's The Fate of the Furious, F9 finds Dom and his racing family facing a powerful figure from Dom's birth family.

As F9 begins, Dominic “Dom” Toretto (Vin Diesel) has retired from his previous life.  He is living in seclusion with his wife, Letitia “Letty” Ortiz (Michelle Rodriguez), and his son, Brian (Isaac and Immanuel Holtane), the child he conceived with his former girlfriend, the late Elena Neves.  Dom and Letty get a surprise visit from his team/family:  Roman Pearce (Tyrese Gibson), Tej Parker (Chris “Ludacris” Bridges), and Ramsey (Nathalie Emmanuel).  Their sometime compatriot, covert operative Frank Petty (Kurt Russell), a.k.a. “Mr Nobody,” apparently captured cyberterrorist, Cipher (Charlize Theron).  The plane in which Mr. Nobody was transporting Cipher was attacked by rogue agents, but Mr. Nobody was able to send a coded distress signal meant for Dom and his team.

The leaders behind this attack are Otto (Thue Ersted Rasmussen), the mysterious son of a very wealthy and politically powerful man, and Jakob (Jon Cena), a man who has close ties to Dom.  Soon, Dom's sister, Mia (Jordana Brewster), a former member of Dom's team, returns to join the hunt for Jakob.  They must stop Jakob and Otto before they can obtain and activate a device called “Aries,” which can hack into any computer system in the world.  Before this mission is over, however, Dom will have to reveal his past and his past mistakes, and he will need help from a few figures from his past – including one thought to be dead.

As I write this, it is the morning after I saw F9 at a Thursday night preview show.  I can say the same thing about F9 that I wrote about The Fate of the Furious in a review I wrote a few days ago.  I love F9.  It is the latest installment of a film franchise that has seen its over-the-top action become so … over-the-top that it is practically a kind of superhero and car chase movie series.  However,  F9 sends this franchise higher – literally – than it has ever gone before.  The ludicrous and ridiculous, but oh-so-fun set pieces are a hallmark of this franchise, but F9 actually takes two characters into space.  Gravity and physics are totally subverted, but “Fast & Furious” fans won't give a damn while watching F9 anymore than they did watching the last 12 years of this franchise.

I will give F9 credit, however, for inserting some dark and edgy family drama into the story, melodrama even darker and edgier than what The Fate of the Furious gave audiences.  And, as in that film, Vin Diesel gets to show his dramatic chops, and he reveals that Dom isn't right all the time, and that sometimes his errors really cost the people close to him.  I don't think F9 is quite as good as The Fate of the Furious because the new film's villains are not quite as diabolical as Fate's super-villain (the aforementioned Cipher).  Still, I like how F9 puts the family in the fast and the furious.

7 of 10
B+

Friday, June 25, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: THE FATE OF THE FURIOUS is Perfectly 2 Fast 2 Furious

TRASH IN MY EYE No. 42 of 2021 (No. 1780) by Leroy Douresseaux

The Fate of the Furious (2017)
Running time: 136 minutes (2 hours, 16 minutes)
MPAA – PG-13 for prolonged sequences of violence and destruction, suggestive content, and language
DIRECTOR: F. Gary Gray
WRITER: Chris Morgan (based on the characters created by Gary Scott Thompson)
PRODUCERS: Vin Diesel, Neal H. Moritz, Chris Morgan and Michael Fottrell
CINEMATOGRAPHER: Stephen F. Windon (D.o.P.)
EDITORS: Christian Wagner and Paul Rubell
COMPOSER: Brian Tyler

ACTION/CRIME/DRAMA

Starring:  Vin Diesel, Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Charlize Theron, Kurt Russell, Nathalie Emmanuel, Scott Eastwood, Elsa Pataky, Kristopher Hivju, Patrick St. Esprit, Luke Evans, and Helen Mirren

The Fate of the Furious is a 2017 action movie from director F. Gary Gray and was released by Universal Pictures.  It is the eighth installment in The Fast and the Furious movie franchise (now called the “Fast Saga”).  A direct sequel to 2015's Furious 7, The Fate of the Furious introduces a mysterious woman who has the power to turn Dominic Toretto into a terrorist.

As The Fate of the Furious begins, Dominic “Dom” Toretto (Vin Diesel) and Letitia “Letty” Ortiz (Michelle Rodriguez) are on their honeymoon in Havana, Cuba.  While there, Dom meets a mysterious woman who turns out to be the elusive cyberterrorist, Cipher (Charlize Theron).  She has obtained something that she uses to coerce Dom into working for her.  Soon afterwards, Diplomatic Security Service (DSS) agent, Luke Hobbs (Dwayne Johnson), recruits Dom and his team – his family:  Roman Pearce (Tyrese Gibson), Tej Parker (Chris “Ludacris” Bridges), and Ramsey (Nathalie Emmanuel) to retrieve an EMP device from a military outpost in Berlin.  However, Dom betrays them all and steals the device for Cipher, and Hobbs and Dom's family, including Letty, are branded criminals.

Intelligence operative and leader of a covert ops team, Frank Petty (Kurt Russell), a.k.a. “Mr Nobody,” arrives with his protege, Eric Reisner (Scott Eastwood), and he has an offer.  Mr. Nobody wants Hobbs and Dom's family to help him find Dom and capture the highly elusive Cipher.  Mr. Nobody also has a surprise for Hobbs and company.  He has recruited Deckard Shaw (Jason Statham), the rogue British Special Forces assassin who was hunting Dom and his family until they defeated him and Hobbs and the DSS imprisoned him.  But will even Shaw be enough?  Cipher can disappear at will and with Dom at her side, she seems unbeatable.  Cipher's threat to the world and Dom's betrayal will test the family as never before.

When The Fate of the Furious was initially released to theaters in April 2017, I was too mired in family troubles to bother going to a movie theater to see it.  And quite frankly, after what I considered to be a barely average installment in Furious 7, I thought I was done with the franchise.  In fact, I didn't even watch The Fate of the Furious when it started playing on basic cable.  Recently, I saw a clip from the soon-to-be-released F9 (2021), and I was shocked to see Dominic Toretto playing with a baby.  A friend informed me of the events in The Fate of the Furious, and because he and I talked about seeing F9, I decided to rent The Fate of the Furious via Netflix.

Well, I will never doubt you again, Fast & Furious / Fast Saga.  I loved The Fate of the Furious.  This film franchise's over-the-top action has become so … over-the-top that it is practically a kind of superhero and car chase movie series.  These movies are fun, but I thought that the series had reached narrative exhaustion with Furious 7.  The Fate of the Furious was the hot-shot injection of jet fuel that the series needed, as far as I'm concerned.  And Vin Diesel may have given his best performance of the series in The Fate of the Furious.  He really seemed like an evil terrorist, but, at the same time, his grit and determination to manage the evil in order to protect his family feels genuine.

I also want to credit Universal Pictures and The Fate of the Furious in using Havana, Cuba as the setting for the film's opening scenes.  It is a love letter to a place that looks beautiful on film.  And The Fate of the Furious is also a crazy, mad, insane, and beautiful action movie.

8 of 10
A

Wednesday, June 23, 2021


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Review: "The Hateful Eight" is Certainly Great

TRASH IN MY EYE No. 14 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

The Hateful Eight (2015)
Running time:  188 minutes (3 hours, 8 minutes)
MPAA – R for strong bloody violence, a scene of violent sexual content, language and some graphic nudity
WRITER/DIRECTOR:  Quentin Tarantino
PRODUCERS:  Richard N. Gladstein, Shannon McIntosh, and Stacey Sher
CINEMATOGRAPHER:  Robert Richardson
EDITOR:  Fred Raskin
COMPOSER:  Ennio Morricone
Academy Award winner

WESTERN/CRIME/DRAMA/MYSTERY

Starring:  Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, James Parks, Dana Gourrier, Zoe Bell, Lee Horsley, Gene Jones, Keith Jefferson, Craig Strark, Belinda Owino, and Channing Tatum

The Hateful Eight is the 8th film from writer-director Quentin Tarantino.  A Western and mystery-thriller, The Hateful Eight focuses on two bounty hunters, a prisoner, and a new local sheriff who find themselves stranded in a cabin with a collection of nefarious strangers.  At least one of those strangers may be connected to the prisoner.

The Hateful Eight opens in the dead of a Wyoming winter some years after the Civil War.  O.B. Jackson (James Parks) drives a stagecoach through the snow-covered landscape.  Aboard his stagecoach is bounty hunter, John Ruth the Hangman (Kurt Russell), and his prisoner, Daisy Domergue (Jennifer Jason Leigh).  Ruth is taking Domergue to Red Rock, Wyoming where she is to be tried and hanged for her crimes.

The stagecoach comes across a second bounty hunter, Major Marquis Warren (Samuel L. Jackson), who was transporting three dead bounties to Red Rock when his horse died.  It takes some convincing, but Ruth allows Warren to board the stagecoach.  Shortly afterwards, former Confederate, Chris Mannix (Walton Goggins), who claims to be heading to Red Rock to assume the job of sheriff, hails the stagecoach.  It takes some talking, but Ruth also lets him aboard.

A sudden blizzard forces this quintet to seek shelter at the stagecoach stopover, Minnie's Haberdashery, but Minnie (Dana Gourrier) is nowhere to be found.  Instead, they are met by Bob (Demián Bichir), a Mexican who says that Minnie is visiting her mother and has left him in charge; Oswaldo Mobray (Tim Roth) who claims to be Red Rock's hangman; Joe Gage (Michael Madsen), a quiet cowboy; and General Sanford Smithers (Bruce Dern), a former Confederate officer.  John Ruth and Marquis Warren believe that at least one of the men they have found at Minnie's is in league with Daisy Domergue, but which one and when will he strike?

Although The Hateful Eight displays Quentin Tarantino's signature blend of wisecracking social commentary, action, humor, and over-the-top violence, this film is not like Tarantino's more popular films:  Pulp Fiction (1994), Inglourious Basterds (2009) and Django Unchained (2012).  These three films received best picture Oscar nominations, while The Hateful Eight did not.  The Hateful Eight is a parlor-room drama, but the parlor room is set up like a stage for live theater.

The other three films were wide-ranging epics full of hyper-kinetic violence.  They are flashy examples of Tarantino's bravura film making, while The Hateful Eight is quiet and edgy and brimming with malice, menace, and venom.  More than half the characters in The Hateful Eight really are fucking hateful, and that is a ratio that can be off-putting for the audience.

But not for me.  I would put The Hateful Eight in the top half of Tarantino's filmography.  This isn't Tarantino's best dialogue or screenplay for that matter, but his execution is impeccable, as usual.  The Hateful Eight is a riveting piece of work, three hours of glorious film narrative, and I enjoyed every minute of it.  I wanted more.

Besides Tarantino's stellar work, there are a number of good performances in this film.  Samuel L. Jackson, a Tarantino regular, gives his best performance in a lead role in years.  He gives the sly Marquis Warren layers, from vengeful former slave to death-dealing former P.O.W., but Jackson suggests that there is so much more to this man that it would take at least two movies to discover what is inside him.

Jennifer Jason Leigh also turns Daisy Domergue into so much more than what she seems.  Her performances is built on subtle changes in note; it is a bouquet of scents meant to keep the viewers on their heels when it comes to what her motivations are.  Joined at the hip with Kurt Russell, who also gives a spry, spicy turn, they make a good pair.  Walton Goggins also surprises, especially since his career, thus far, has been filled with oddballs who are odd for the sake of being an oddity in a film.

Ennio Morricone's score and the film's soundtrack offer a nice backdrop, heightening the sinister mood of the story.  The Hateful Eight might not be a Tarantino audience favorite; it is too slow for the kick-ass crowd.  However, I think that it is a masterpiece, a great modern Western that stands with the very few great Westerns of the previous four decades.

9 of 10
A+

Sunday, July 10, 2016

Revised:  Thursday, July 16, 2020

NOTES:
2016 Academy Awards, USA:  1 win: “Best Achievement in Music Written for Motion Pictures, Original Score” (Ennio Morricone); 2 nominations:  “Best Performance by an Actress in a Supporting Role” (Jennifer Jason Leigh) and “Best Achievement in Cinematography” (Robert Richardson)

2016 Golden Globes, USA:  1 win: “Best Original Score - Motion Picture” (Ennio Morricone); 2 nomination:  “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jennifer Jason Leigh) and “Best Screenplay - Motion Picture” (Quentin Tarantino)

2016 BAFTA Awards:  1 win: “Best Original Music” (Ennio Morricone); 2 nominations: “Best Supporting Actress” (Jennifer Jason Leigh) and “Best Original Screenplay” (Quentin Tarantino)


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: "Once Upon a Time... in Hollywood" is a Sparkling Fairy Tale

TRASH IN MY EYE No. 10 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Once Upon a Time... in Hollywood (2019)
Running time:  161 minutes (2 hours, 41 minutes)
MPAA – R for language throughout, some strong graphic violence, drug use, and sexual references
WRITER/DIRECTOR:  Quentin Tarantino
PRODUCERS:  Shannon McIntosh, David Heyman, and Quentin Tarantino
CINEMATOGRAPHER:  Robert Richardson (D.o.P.)
EDITOR:  Fred Raskin
Academy Award winner

COMEDY/DRAMA/HISTORICAL

Starring:  Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Julia Butters, Austin Butler, Dakota Fanning, Bruce Dern, Mike Moh, Luke Perry, Al Pacino, Nicholas Hammond, Samantha Robinson, Rafal Zawierucha, Lorenza Izzo, Costa Ronin, Damon Herriman, Lena Dunham, Zoe Bell, and Kurt Russell

Once Upon a Time... in Hollywood is a 2019 comedy-drama and historical film from writer-director Quentin Tarantino.  The ninth film from Tarantino, it focuses on a faded television actor striving to maintain fame and success in the film industry during the final years of Hollywood's “Golden Age” in Los Angeles of 1969, with his TV stunt double at his side.

Once Upon a Time... in Hollywood opens in February 1969.  Veteran Hollywood television actor, Rick Dalton (Leonardo DiCaprio), fears that his career is rapidly fading to nothing.  Dalton was the star of the 1950s Western television series, NBC and Screen Gems' “Bounty Law” (a fictional show).  He believes that he has now been reduced to appearing as a guest star on TV series featuring new star actors, usually playing the villain.  Casting agent Marvin Schwarz (Al Pacino) recommends that Dalton move to Italy to make “Spaghetti Westerns,” which Dalton feels are beneath him.

At Dalton's side is his best friend and stunt double, Cliff Booth (Brad Pitt), a World War II veteran who is a stuntman that is highly skilled in hand-to-hand combat.  Booth lives out in the boonies in a tiny trailer with his pit bull, “Brandy,” and he drives Dalton around Los Angeles because Dalton's driver's license has been suspended due to a DUI.  Booth is also currently struggling to find stunt work in Hollywood because of rumors that he murdered his wife.

Meanwhile, hot young actress, Sharon Tate (Margot Robbie), and her husband, one of the hottest young directors in Hollywood, Roman Polanski (Rafal Zawierucha), have moved next door to Dalton.  Dalton dreams of befriending the couple in a bid to help revive his declining acting career.  Months later, late in the evening of August 8th and in the very early moments of August 9th, 1969, both Dalton and Booth will have a chance to change their own fates and that of Tate and her friends.

Quentin Tarantino's Oscar-winning, 2009 film, Inglourious Basterds, is a bracing, gripping, hugely entertaining, and brilliantly-made film.  However, I am always put-off by its alternate-history last act, which has some splendid moments and a genius final scene, but also has that kill Hitler thing.

Tarantino's Once Upon a Time... in Hollywood is not bracing or gripping for most of first two hours of storytelling.  Rather than being a brilliantly-made film, Once Upon a Time... in Hollywood has genius level productions values:  cinematography, production design and art direction, costumes, soundtrack, editing, etc.

However, there are two segments towards the end of the film that make Once Upon a Time... in Hollywood a truly great film and one of 2019's very best.  First, there is Cliff Booth's visit to the “Spahn Ranch,” a sequence that is scarier than most entire horror movies and has more tension than most crime thriller films have in their entire story.  The second great segment is the film's final half-hour, which is the kind of film-making that only a genius filmmaker can create.  Without spoiling the film, I can say that this finale, which alters history and which is largely driven by graphic violence, had me cheering and screaming like a madman as I was watching it shortly after one o'clock in the morning.  This last half-hour was the catharsis that I did not realize that I had needed for decades.

Now, that I have praised Tarantino and his artistic and technical collaborators, I need to praise the acting.  Most all of the small performances are quite good.  The three performances that drive Once Upon a Time... in Hollywood are given by Leonardo DiCaprio as Rick Dalton, Brad Pitt as Cliff Booth, and, in a somewhat smaller part, Margot Robbie as Sharon Tate.

DiCaprio fashions a fading TV star in Dalton that is so convincing that I had to convince myself that Dalton is a fictional character and not a real-world actor.  Pitt finally received the acting Oscar he has been long overdue for creating in Booth, a rich character filled charm, pathos, and soul.  Robbie plays Sharon Tate as a happy spirit, embracing her craft and profession with innocence that is not naive and with a joy that dispels at least some of the darkness that was closing in on the last days of the 1960s and on “old Hollywood.”  Robbie gives Tate a love of people that provides this fairy tale of a film with the smattering a fairy dust that it needs.

And that is what Once Upon a Time... in Hollywood really is.  It is a fairy tale, complete with a lurking darkness and edginess, that is an ode to the world in and around a Los Angeles and a Hollywood that existed more in perception than in reality.  And once again, I can say that in Once Upon a Time... in Hollywood, Tarantino has made a movie that no one else could ever make.

A+
9 out of 10

Friday, May 1, 2020


NOTES:
Academy Awards, USA 2020:  2 wins: “Best Performance by an Actor in a Supporting Role” (Brad Pitt) and “Best Achievement in Production Design” (Barbara Ling and Nancy Haigh); 8 nominations:  “Best Motion Picture of the Year” (David Heyman, Shannon McIntosh, and Quentin Tarantino), “Best Achievement in Directing” (Quentin Tarantino), “Best Performance by an Actor in a Leading Role” (Leonardo DiCaprio), “Best Original Screenplay” (Quentin Tarantino), “Best Achievement in Cinematography” (Robert Richardson), “Best Achievement in Costume Design” (Arianne Phillips), “Best Achievement in Sound Mixing” (Michael Minkler, Christian P. Minkler, and Mark Ulano), and “Best Achievement in Sound Editing” (Wylie Stateman)

Golden Globes, USA 2020:  3 wins: “Best Motion Picture - Musical or Comedy,” “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Brad Pitt) and “Best Screenplay - Motion Picture” (Quentin Tarantino); 2 nominations:  “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Leonardo DiCaprio) and “Best Director - Motion Picture” (Quentin Tarantino)

BAFTA Awards 2020:  1 win: “Best Supporting Actor” (Brad Pitt); 9 nominations:  “Best Film” (David Heyman and Shannon McIntosh), “Best Screenplay-Original” (Quentin Tarantino), “Best Leading Actor” (Leonardo DiCaprio), “Best Supporting Actress” (Margot Robbie), “Best Director” (Quentin Tarantino), “Best Editing” (Fred Raskin), “Best Production Design” (Barbara Ling and Nancy Haigh), “Best Costume Design” (Arianne Phillips), and “Best Casting” (Victoria Thomas)


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees


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Review: "Guardians of the Galaxy Vol 2" Reaches New Heights

TRASH IN MY EYE No. 14 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Guardians of the Galaxy Vol. 2 (2017)
Running time:  136 minutes (2 hours, 16 minutes)
MPAA – PG-13 for sequences of sci-fi action and violence, language, and brief suggestive content
DIRECTOR:  James Gunn
WRITERS:  James Gunn (based on the comic book created by Dan Abnett and Andy Lanning)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Craig Wood
COMPOSER:  Tyler Bates

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Kurt Russell, Michael Rooker, Karen Gillan, Pom Klementieff, Laura Haddock, Sean Gunn, Elizabeth Debicki, Chris Sullivan, Sylvester Stallone, Stan Lee, Michelle Yeoh, Ving Rhames, and the voices of Bradley Cooper and Vin Diesel

Guardians of the Galaxy Vol. 2 is a 2017 science fiction-action film and adventure comedy.  It is written and directed by James Gunn and is produced by Marvel Studios.  The film is based on the Marvel Comics title, Guardians of the Galaxy (2008), which was created by Dan Abnett and Andy Lanning, and is a sequel to the 2014 film, Guardians of the Galaxy.  This second film finds the Guardians of the Galaxy trying to unravel the mystery of the origins of one of their own while evading an unhappy client intent on killing them.

In 2014, Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista), Baby Groot (voice of Vin Diesel) are renowned throughout the galaxy as the Guardians of the Galaxy.  They have been hired by Ayesha (Elizabeth Debicki), the leader of the Sovereign race, to stop a monster from stealing valuable batteries from the Sovereign world.  That mission is successful, but also goes slightly awry, making the Guardians targets for destruction.

While on the run, the Guardians meet a mysterious man, who calls himself Ego (Kurt Russell), and his assistant, Mantis (Pom Klementieff).  Ego claims that he is Peter Quill's father, and he takes Peter, Gamora, and Drax with him to his home world.  Rocket and Baby Groot find themselves stuck with Gamora's vengeful sister, Nebula (Karen Gillan).  Things get worse when Peter's surrogate father and Ravager leader, Yondu Udonta (Michael Rooker), shows up to claim a bounty on the Guardians.  Meanwhile, on Ego's planet, Gamora begins to suspect that there is something ominous about Peter's alleged biological father.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Although I was interested in a sequel to the film, I could not imagine what a Guardians of the Galaxy 2 would like.  What we gets is Guardians of the Galaxy Vol. 2, a fun sci-fi action movie and a surprisingly thoughtful character melodrama.

In Guardians of the Galaxy Vol. 2, the acting is really good; the special effects are impressive; the CGI-created environments, backdrops, sets (interiors and exteriors), spaceways, worlds, etc. are so dazzling in scope, color, and imagination.  The songs on the soundtrack are just the inspired choices they were for the first film.  The make-up and costumes are worthy of receiving Oscar nominations next year.

But Guardians of the Galaxy Vol. 2 turns on the inventive and reflective storytelling of writer-director James Gunn.  I thought that Gunn might be a potentially top-notch filmmaker when I saw his film Slither (2006), one of the few horror movies that is genuinely scary while also being droll and witty.  And I have to admit that I also liked Scooby-Doo 2: Monsters Unleashed (2004), for which Gunn was the credited screenwriter, so that was also a point in his favor.

With Guardians of the Galaxy Vol. 2, Gunn delivers his best screenplay.  He takes what could have been a silly, frivolous, and mildly entertaining sequel to a surprising outer space, action-adventure film (the original Guardians of the Galaxy), and instead, delivers a shockingly moving rumination on what a family is, what it can be, and what forms it may take.  Vol. 2 says that family members fight and yell at each other because they care so damn much about one another – even if each individual in the family is loathed to admit how much he cares about another family member and how much she cares about the family as a group.

Guardians of the Galaxy Vol. 2 is just as wild and entertaining and out-there as the first movie.  It is a science fiction/space fantasy pop confection with the delightful fizz of the first film.  However, Guardians of the Galaxy Vol. 2 is not just a follow-up to a hit film, nor is it just the next installment in a franchise.  It is an evolution or at least it is evidence that this franchise can grow, and James Gunn is the guy with the notion that he could really, really improve on the original with a film that engages the characters – both the leads and the supporting players – in character drama and character development.  I honestly wonder if Gunn can top himself in a third Guardians movie.

9 of 10
A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Negromancer News Bits and Bites from September 25th to 30th, 2016 - Update #30

Support Leroy on Patreon.

JAMES BOND - From Variety:  Daniel Craig is absolutely the first choice to play James Bond in the next film, according to executive producer of last four films.

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TELEVISION - From YahooTV:  Long-time (and near legendary) television critic Ken Tucker does not like Woody Allen's new TV series for Amazon, "Crisis in Six Scenes."

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MOVIES - From Variety:  More people are joining Kenneth Branagh's "Murder on the Orient Express," including Daisy Ridley and Judi Dench, among others.

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MOVIES - From Bustle:  Tim Burton tries and strangely explains why their or so few "people of color" in his films.

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BLACK LIVES MATTER - From LAWeekly:  Henry Rollins: White America Couldn't Handle What Black America Deals With Every Day.

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ECO - From Time:  Robert Redford says he is standing with Standing Rock Sioux.

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COMICS-FILM - From CinemaBlend:  Someone paid $400,000 for the "Batpod," the motorcycle-like vehicle actually used in the 2012 film, "The Dark Knight Rises," which is a terrible-ass movie.

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MOVIES - From ThePlaylist:  Kenneth Branagh is eyeing Johnny Depp and Michelle Pfeiffer for his remake of "Murder on the Orient Express."

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MOVIES - From Variety:  Jon Favreau is set to direct Disney's live-action remake of "The Lion King."  Favreau directed Disney's smash hit remake of "The Jungle Book."

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MOVIES - From YahooMovies:  Charlize Thereon gained 31 pounds for her new movie, "Tully."

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TELEVISION - From YahooTV:   As his lawsuit goes forward, former showrunner of "The Walking Dead," Frank Darabont wants $280 million dollars in denied profits from the show.

From THR:  Hot details from Darabont's deposition in his suit against AMC over profits for "The Walking Dead."

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COMICS-FILM - From CinemaBlend:  Filming those Stan Lee superhero movie cameos ahead of time.

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COMICS-FILM - From CinemaBlend:  Is this Tom Holland changing into his Spider-Man duds in this video.

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TELEVISION - From Variety:  FX's "The Strain" to end next year with season four.

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COMICS-FILM - From SlashFilm:  "Doctor Strange" to appear in "Avengers: Infinity War."

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MOVIES - From Variety:  Viola Davis will star in Steve McQueen's ("12 Years a Slave") upcoming heist thriller, "Widows."  "Gone Girl" screenwriter and novelist, Gillian Flynn, will write the script for "Widows" with McQueen.

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MOVIES - From Variety:  Martin Scorsese's "Silence" enters the Oscar race.

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OBIT - From NYTimes:  Musician Stanley Dural, Jr., better known as "Buckwheat Zydeco" (also the name of his band), has died at the age of 68, Saturday, September 24, 2016. He was one of the few zydeco (a musical genre born in Louisiana) musicians to achieve mainstream success.  He won a Grammy Award in 2010.  In 2002, he shared an Emmy Award with Brian Keene.

CELEBRITY - From YahooCelebrity:  Goldie Hawn explains why she has not married her partner of 33 years, Kurt Russell.

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COMICS - From IGN:  DC Comics has announced that its Batman event comic book miniseries, Dark Knight III: The Master Race, will be 9 issues long instead of 8 as originally planned.  Frank Miller and Brian Azzarello are writing.

----------
MOVIES - From Variety:  Daisy Ridley and Elizabeth Debicki have joined the animation/live-action hybrid "Peter Rabbit."

----------
SPORTS - From YahooSports:  How LSU football coach, Les Miles, went from champ to fired.

----------
BOX OFFICE - BoxOfficeMojo:  The winner of the 9/23 to 9/25/2016 weekend box office is "The Magnificent Seven" with an estimated take of $35 million.

----------
BOOKS - From BleedingCool:  James Patterson was actually publishing a work of fiction that centered on the murder of Stephen King!  He has cancelled it.

----------
CELEBRITY - From SFGate:  Who is the A-lister who raped Corey Haim.

----------
MOVIES - From FlickeringMyth:  John Carpenter has some harsh words for Rob Zombie and his 2007 remake of Carpenter's classic film.  I like quite a few things about both of Zombie's Halloween films, although I think Carpenter's 1978 original is far better than the remake and remake/sequel/re-imagining of "Halloween 2."

----------
OBIT - From YahooSports:  Golf legend Arnold Palmer has died at the age of 87, Sunday, September 25, 2016.

-----------
OBIT - From YahooSports:  Major League Baseball pitcher, Jose Fernandez (Miami Marlins), has died at the age of 24, Sunday, September 25, 2016.  He died in a boating accident.

----------
TELEVISION - From Variety:  Jim Parsons ("The Big Bang Theory") tops list of highest paid TV actors.

From Variety:  Sofia Vergara ("Modern Family") tops list of highest paid TV actresses.

----------
TECH-POLITICS - From Variety:  California OKs law requiring removal of actor ages by database sites.

TRAILERS:

From YahooMovies:  See Denzel Washington and Viola Davis square off in "Fences."

------------------

Negromancer News Bits and Bites from April 17th to 23rd, 2016 - Update #52

Support Leroy on Patreon.

MOVIES - From Variety:  The release date for the first of New Line's two-film adaptation of Stephen King's novel, "It," is September 18, 2017.

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MOVIES - From CinemaBlend:  See the mysterious "Jurassic World 2" teaser poster.

---------------
MOVIES - From BleedingCool:  Dwayne Johnson announces that he is in director Jake Kasdan's "Jumanji" remake.

---------------
MOVIES - From Variety:  Joaquin Phoenix is currently the leading contender to play Jesus in the film, "Mary Magdalene.

---------------
MOVIES - From EW:  Woody Allen and Jesse Eisenberg go "Old Hollywood" in trailer for "Cafe Society."

---------------
MOVIE - From TheWrap:  There will be a "Daddy's Home 2," with Will Ferrell and Mark Wahlberg.

---------------
COMICS - From YahooTV:  Marvel Studios pulls the "Inhumans" film again.

---------------
SCIENCE - From BusinessInsider:  Neil deGrasse Tyson thinks there's a 'very high' chance the universe is just a simulation.

BOX OFFICE - From MoviesDotCom:  "Captain America: Civil War" is outselling all other Marvel movies in early sales.

---------------
MUSIC - From RollingStone:   The legendary musician, singer-songwriter, multi-instrumentalist, actor, filmmaker Prince has died at the age of 57.

From HuffingtonPost:  Yeah, this is already the saddest year in music history.

---------------
From CinemaBlend:  Robert Downey, Jr. is talking about "Sherlock Holmes 3."

---------------
From TheWrap:  Robert Downey, Jr. has signed a deal to appear in next year's "Spider-Man: Homecoming.

---------------
ANIMATION - From TheTrackingBoard:  Two-time Oscar nominee, Jacki Weaver, will lend her voice to an upcoming DreamWorks project.

--------------
MOVIES - From CinemaBlend:  Emilia Clarke, who played Sarah Connor, in "Terminator: Genisys" says that she will not return to the franchise.

---------------
OBIT - From TheGuardian:  British comedian, Victoria Wood, died at the age of 62, Wednesday, April 20, 2016.

---------------
MOVIES - From THR:  Another day, another remake - 1990s "Flatliners."

---------------
MOVIES - From THR:  Opinions differ internationally about Scarlett Johansson being cast in "Ghost in the Shell."

---------------
TELEVISION - From ThePlaylist:  Idris Elba and John Ridley (writer of "12 Years a Slave") will unit for a Showtime miniseries, "Guerrilla."

---------------
MOVIES - From Variety: Danish bad boy director, Nicolas Winding Refn, will be the showrunner for a high profile Italian TV series.

---------------
SPORTS - From YahooSports:  The former Syracuse college basketball star, Dwayne "Pearl" Washington, has died at the age of 52, Wednesday, April 20, 2016.  A New York City high school basketball legend, Washington was much admired for his exceptional skills and play.  He also had a brief NBA career.

---------------
TELEVISION - From YahooMovies:  New Line is working on gaining the film rights to turn 1970s-80s iconic TV series, "Three's Company" in order to make a film.

---------------
MOVIES - From TheWrap:  More cast members added to Jennifer Aniston and Jason Bateman's "Office Christmas Party."

---------------
COMICS - From TheWrap:  Willem Dafoe joins "Justice League" movie.

---------------
CRIME - From TheWeek:  How a 26-year-old white woman died a horrible death in an American jail.

---------------
MOVIES - From Variety:  First look at Antoine Fuqua's "The Magnificent Seven" with Denzel Washington and Chris Pratt.

---------------
TELEVISION - From Variety:  "Game of Thrones" reveals Jon Snow's fate.

---------------
STAR WARS - From YahooMovies:  Prince William and Prince Harry visit the "Star Wars" set.

--------------
STAGE - From BleedingCool:  See new wand designs for the play, "Harry Potter and the Cursed Child."

---------------
MOVIES - From Variety:  Star Wars director J.J. Abrams and lead actress Daisy Ridley ("Rey") reunite for supernatural drama, "Kolma."

---------------
COMICS - From CinemaBlend:  Marvel/Netflix adds two more cast members to "Iron Fist."

---------------
CLOWNS - From THR:  Pat Boone says criticism of the Ku Klux Klan is anti-Christian.

---------------
MOVIES - From TheWrap:  Max Landis explains the politics of casting "Ghost in the Shell."  Honestly, I don't have that big a problem with Scarlett Johansson as the lead.  It's not like they cast Miley Cyrus...

--------------
TELEVISION - From TheWrap:  Mel Gibson will co-write and direct the TV series, "The Barbary Coast."  Kate Hudson and Kurt Russell will star, with Gibson making some appearances on the show.

---------------
MOVIES - From Deadline:  The director of "Jurassic World 2" is Juan Antonio Bayona.

---------------
STAGE - From THR:  Broadway sensation, "Hamilton," becomes only the ninth musical to win the "Pulitzer Price for Drama."

---------------
OBIT - From THR:  The actress, Doris Roberts, has died at the age of 90 (Sunday, April 17, 2016).  Roberts was best known for playing "Marie Barone" on the CBS TV series, "Everybody Loves Raymond."  For playing the mother of the title character, "Raymond Barone" (Ray Romano), Roberts won 4 of the 5 Emmy Awards she received.  She won an Emmy for her stint on the NBC series, "St. Elsewhere."

---------------
COMICS - From CinemaBlend:  How Spider-Man's inclusion in "Captain America: Civil War" changed Black Panther's role in the film.

---------------
DIGITAL - From YahooFinance:  Can Netflix remain undisputed king of original streaming content.

From ScreenDaily:  Amazon takes aim at Netflix.

---------------
BOX OFFICE - From BoxOfficeMojo:  The winner of the 4/15 to 4/17/2016 weekend box office is Disney's live-action "Jungle Book," with an estimated take of $103.5 million.

---------------
POLITICS - From the NYDailyNews:  Rosario Dawson was arrested during a protest.

--------------
BLACK LIVES MATTER - From GuardianUK:  Yeah, Bill Clinton's signature on crime bills did destroy Black lives.

---------------
POLITICS - From Deadline:  Hilary Clinton raised $15 million from two fundraisers that George Clooney and his wife hosted for her.

---------------
From EW:  Disney is going to release the film, "The Queen of Katwe" this September.  The film is directed by Mira Nair, and stars Lupita Nyong'o and David Oyelowo.

---------------
From Truthout:  The enemy of the 99% is not the 1%, but the 0.1%.

---------------
WEBCOMICS - From CBB:  New episode of "Johnny Bullet."

From CBB:  Johnny Bullet Episode 69 in French.

---------------
COMICS - From USGamer:  Everything you need to know about DC Comics' "Rebirth."

---------------
COMICS - From FlickeringMyth: "Spider-Man: Homecoming" adds two new cast members, including Tony Revolori of "The Grand Budapest Hotel."

---------------
COMICS - From CinemaBlend:  Samuel Jackson talks about the next time we might see Nick Fury in a Marvel movie.

COMICS - From FlickeringMyth:  Kevin Feige teases the future of Marvel Studios' films.

TRAILERS:

From YouTube:  New trailer for "The Magnificent Seven" remake.

From YouTube:  Red band trailer for "Mike and Dave Need Wedding Dates."

From YouTube:  New "Earth Day" trailer for "Independence Day: Resurgence."

Review: "Furious 7" is Furious and Bittersweet

TRASH IN MY EYE No. 1 (of 2016) by Leroy Douresseaux

[A version of this review first appeared on Patreon.]

Furious 7 (2015)
Running time: 137 minutes (2 hour, 17 minutes)
MPAA – PG-13 for prolonged frenetic sequences of violence, action and mayhem, suggestive content and brief strong language
DIRECTOR: James Wan
WRITER: Chris Morgan (based on the characters created by Gary Scott Thompson)
PRODUCERS: Vin Diesel, Neal H. Moritz, and Michael Fottrell
CINEMATOGRAPHER: Stephen F. Windon and Marc Spicer
EDITORS: Christian Wagner, Leigh Folsom Boyd, Dylan Highsmith, and Kirk Morri
COMPOSER: Brian Tyler

ACTION/CRIME/DRAMA

Starring: Vin Diesel, Paul Walker, Michelle Rodriguez, Jason Statham, Tyrese Gibson, Chris “Ludacris” Bridges, Dwayne Johnson, Jordana Brewster, Kurt Russell, Djimon Hounsou, Lucas Black, Nathalie Emmanuel, John Brotherton, Tony Jaa, Ali Fazal, Ronda Rousey, Iggy Azalea, Sarah Sohn, Noel Gugliemi, T-Pain, Luke Evans, and Sung Kang

Furious 7 is a 2015 action movie from director James Wan and released by Universal Pictures.  It is the seventh installment in The Fast and the Furious movie franchise.  Furious 7 is set after the third film, The Fast and the Furious: Tokyo Drift, but follows the events of Fast & Furious 6.  In Furious 7, a new enemy seeks revenge against Dominic Toretto and his family.

Dominic “Dom” Toretto (Vin Diesel), Brian O'Conner (Paul Walker), and their friends are trying to live a normal life, but that is a bit more complicated than they imagined.  Dom is troubled that his longtime girlfriend and ride-or-die chick, Letitia “Letty” Ortiz (Michelle Rodriguez), is having trouble regaining her memories.  Brian struggles with domestic life as a husband to Mia (Jordana Brewster), who is also Dom's sister, and as a father to their small son, Jack.

Meanwhile, trouble is brewing overseas.  Deckard Shaw (Jason Statham), the older brother of Owen Shaw (Luke Evans), swears revenge against Dom and his racers who defeated Owen (in Fast & Furious 6), leaving him in a coma.  Deckard infiltrates the DSS (Diplomatic Security Service) office in Los Angeles to get information on Dom and company.  In the process, Deckard severely injures Luke Hobbs (Dwayne Johnson), who brought Dom and his race team into his hunt for Owen Shaw.

After Deckard launches a series of attacks on his friends and family, Dom reunites Brian, Letty, Roman Pearce (Tyrese Gibson), and Tej Parker (Chris “Ludacris” Bridges), to find Deckard.  They get help from Frank Petty (Kurt Russell) a.k.a. “Mr Nobody,” the leader of a covert ops team.  However, Deckard finds an ally in Mose Jakande (Djimon Hounsou), a mercenary and terrorist who leads a private military company.  Now, all parties are chasing Ramsey (Nathalie Emmanuel), a computer hacktivist and her creation, God's Eye.

One cannot talk about Furious 7 without making note of the death of actor Paul Walker in November of 2013.  Walker and Vin Diesel were the face of The Fast and the Furious franchise.  Walker was only half-finished with the scenes he needed to film for Furious 7 when he died.  Stand-ins for Paul, including his brothers, Caleb and Cody Walker, and the judicious application of computer-generated imagery were used to finish the rest of Walker's scenes.

Other than for a few scenes and some dialogue/audio, I could not tell the difference between Paul and the Paul stand-ins.  Besides, Furious 7 is so full of over-the-top, eye-popping, and breath-taking action scenes and sequences that my focus was on taking it all in and not on detecting real-Paul vs. faux-Paul.  Yes, Paul's death hangs over Furious 7, but not in a morbid way.  This film is a celebration of the work for which Walker is best known and for which he will be best remembered.

I do find Furious 7 to be a little too long, but there is no point in talking about the art of filmmaking when it comes to Furious 7.  Yes, it is well acted, surprisingly so.  James Wan seems superfluous as director; any of the three directors who have helmed previous installments of this franchise could have directed this film.  The script is half well-written, in terms of drama, and half-ridiculous, as the screenplay for a movie like Furious 7 must be.

When talking about Furious 7, we must talk about the action.  I loved the Predator drone; the multi-million dollar sports car driven through three skyscrapers; the Caucasus Mountains sequence that begins with five vehicles dropped from an airplane; the Tony Jaa-Paul Walker fights; and the awesome Dwayne Johnson-Jason Statham fisticuffs, to name a few.  This is not a great film, but it is fast and furious.  So why let Furious 7 be the last one?  Keep 'em coming.

6 of 10
B

Friday, October 30, 2015


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Negromancer News Bits and Bites for May 1st to 9th, 2015 - Update #16

NEWS:

From TheWrap:  First look at three characters from Quentin Tarantino's "Hateful Eight."

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From RollingStone:  Lucasfilm talking about a new Indiana Jones movie.

-----------------
From TheWrap:  The winner of the 5/1 to 5/3/2015 box office is Avengers: Age of Ultron with an estimated haul of $187.7 million.  The speculation is that the sequel did not surpass the 2012 film because of the Mayweather-Pacquiao boxing match.

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From YahooTV:  Deadline says big sports weekend could slow down Age of Ultron numbers.

-----------------
From Newsweek:  Morgan Freeman on "the terrorism we suffer from the police."


STAR WARS:

From YahooMovies:  A few more details about the un-produced versions of George Lucas' ideas for Star Wars 7, 8, and 9.

----------------
From TheWrap:  Article claims that second Star Wars anthology film will focus on Boba Fett.  The first is "Rogue One," which is due in Dec. 2016.

----------------
From YahooMovies:  The Hollywood Reporter gives details about Josh Trank's departure from Star Wars Anthology film.

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From TheHollywoodReporter:  Josh Tranks will not direct the second Star Wars standalone film.


COMICS - Books and Movies:

From FlickeringMyth:  First promo art from "Captain America: Civil War."

---------------
From YahooMovies:  Photo of the cast of "Suicide Squad" in costume.

---------------
From CinemaBlend:  "Saturday Night Live" offers a fake "Black Widow" romantic-comedy trailer.

---------------
From ScreenRant:  Rumors say that it is down to Asa Butterfield and Tom Holland to be the new Peter Parker/Spider-Man.

----------------
From Variety:  Avengers: Age of Ultron has massive opening Friday.

----------------
From Instagram:  A look at the young actresses who will play Jubilee and Jean Gray in X-Men Apocalypse, via Bryan Singer's Instagram account.

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From YahooGames:  New Fantastic Four character posters.

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From TheVillageVoice:  Amy Nicholson reviews Avengers: Age of Ultron.


TRAILERS:

From YouTube:  From 20th Century Fox, a Mother's Day-theme trailer for the upcoming Peanuts movie.


OBITS:

From TheWrap: The singer and songwriter, Ben E. King, is dead at the age 76.  King is known as the singer and co-writer of one of the most popular songs of all time, "Stand By Me," which was originally recorded in 1960 and first released in 1961.

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From TheWrap:  The actress, Suzanne Crough, has died.  She played "Tracy Partridge" on the 1970s sitcom, "The Partridge Family.  Crough was 52.

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From Vulture:  The author and screenwriter, Michael Blake, has died.  Black wrote the novel, Dances with Wolves, and the screenplay adaptation of Kevin Costner's film adaptation.  Blake won an Oscarn for his screenplay.  Blake was 69.

Review: Kurt Russell is the Soul of "Soldier" (Happy B'day, Kurt Russell)

TRASH IN MY EYE No. 7 (of 2001) by Leroy Douresseaux

Soldier (1998)
Running time:  99 minutes (1 hour, 39 minutes)
MPAA – R for strong violence and brief language
DIRECTOR:  Paul Anderson
WRITER:  David Webb Peoples
PRODUCER:  Jerry Weintraub
CINEMATOGRAPHER:  David Tattersall (D.o.P.)
EDITOR:  Martin Hunter
COMPOSER:  Joel McNeely

SCI-FI/ACTION with elements of a thriller

Starring:  Kurt Russell, Jason Scott Lee, Jason Isaacs, Connie Nielsen, Sean Pertwee, Jared Thorne, Taylor Thorne, Mark Bringleson, and Gary Busey

The subject of this movie review is Soldier, a 1998 science fiction and action film from director Paul W.S. Anderson.  The film focuses on a discarded soldier who defends crash survivors on a waste disposal planet from the genetically-engineered soldiers ordered to eliminate them.

At the beginning of director Paul Anderson and writer David Webb Peoples’s sci-fi action film, Soldier, the military industrial complex chooses it soldiers from the cradle, from where they are taken and turned into barely human killing machines.  The best of the lot is Todd 3465 (Kurt Russell).  Todd 3465 or Sergeant Todd is an efficient, effective soldier who does nothing but follow orders to the letter.  [This is funny now, but at the time of this film’s release, I thought that Russell seemed to be one of a relatively small number of Hollywood actors who could convincingly play a heterosexual man a/k/a “a real man.”)

After one of his genetically engineered replacements defeats him and leaves him for dead, the military dumps Todd’s body on a remote planetoid, Arcadia 234.  There, Todd encounters a peaceful community of castaways who teach him about a life without the destruction of war.  Later, Todd’s super-soldier replacements arrive on the planet for military exercises.  Now, Todd must take up the colonists’ defense, after the soldiers are ordered to kill the settlers.

While Peoples’s script hints at multiple layers and subtexts, Anderson’s direction is too busy to bother with stories and ideas.  Peoples, the writer of Blade Runner and Unforgiven, is an excellent screenwriter, but his vision is often supplanted by the director’s goals.  Ridley Scott unleashed a visual feast with Blade Runner, while delivering Peoples’s ideas through pictures rather than spoken words.  Clint Eastwood’s Unforgiven was a kind of apology to his gunfighter pictures, but he managed to deliver his sermon by mostly keeping Peoples’s work intact.

Anderson (Mortal Kombat and Event Horizon), at the precipice of being a hack or a halfway decent director-for-hire, looses Peoples in a series of standard action film clichés and direction-by-numbers staging.  Still, Peoples basic story is so strong that it shines through even the bad shots like those that have Russell standing in the foreground while explosions in the background tear the world apart.  Russell, however, doesn’t get the directorial shaft like his co-stars do.

Caine 607 (Jason Scott Lee, Dragon: the Bruce Lee Story), Todd’s genetically engineered opposite, is ripe for metaphoric play as Todd’s counterpart.  His screen time barely registers; our only solace for how good the Todd/Caine dynamic might have been is their end battle.  Sandra (Connie Nielsen, Gladiator), a beautiful colonist who draws Todd’s stares, is lost in the haze of soft lens shots.  She is certainly beautiful, and Anderson never lets us forget that.  He traps Sandra in a snow globe; he softly lights every close-up of her and turns her into a porcelain doll.  She seems like a good character, but this is an action movie and we can’t be bothered with girls’ stories.

What really carries the movie is the mostly silently relationship between Todd and Sandra’s small son, Nathan (Jared Thorne).  Todd rarely speaks, and when he does, it’s mostly “yes’s” and “sir’s.”  It was the way he was both reared and trained, an unquestioning soldier who silently went about his brutal duty.  Nathan cannot speak because of a serpent’s bite.  His placid face is silent, and the only thing one can read from his piercing gaze is need.  Nathan needs Todd to protect him, and Todd needs Nathan to help him to gain some measure of being a human.  Todd can learn to defend Nathan both as a soldier and as a father, while Nathan can learn to defend himself, yet remain a peaceful human.

Russell is boyish as Todd, and he never lets Todd lose the boy that learned to be a killing machine; watching Russell’s stone face is also like watching the boy Todd through the shadows that linger on Todd’s face.  Russell’s cinematic presence speaks loud volumes of his character; the story is in him, and the audience must ever watch him to learn it.  Russell built his body solidly and strongly, eschewing the artificiality of bodybuilding.  It gives him an earthy ruggedness that hints at a man of base origins.  His facial expressions mirror the youthfulness of Nathan’s face and makes them counterparts.  Nathan is Todd, a blank slate ready to mold as Todd was, and perhaps it is Todd who will mold him, but not with the brutality with which the military molded him.

There is much to the Todd/Nathan relationship, as there is to this entire movie.  However, Anderson, like the serpent that stole Nathan’s speech and like the military machines strangled Todd’s voice, silences this movie with a heavy handiness that reveals someone determined bring a product to the market and not a story to the audience.

It is a testament to Russell’s star presence and acting ability that this movie is still worth watching.

6 of 10
B

Updated:  Monday, March 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Sky High" is Not That High (Happy B'day, Danielle Panabaker)

TRASH IN MY EYE No. 131 (of 2005) by Leroy Douresseaux

Sky High (2005)
Running time:  102 minutes (1 hour, 42 minutes)
MPAA – PG for action violence and some mild language
DIRECTOR:  Mike Mitchell
WRITERS:  Paul Hernandez and Bob Schooley & Mark McCorkle
PRODUCER:  Andrew Gunn
CINEMATOGRAPHER:  Shelly Johnson
EDITOR:  Peter Amundson
COMPOSER:  Michael Giacchino

FAMILY/FANTASY/SUPERHERO/ACTION/COMEDY

Starring:  Michael Angarano, Kelly Preston, Lynda Carter, Danielle Panabaker, Mary Elizabeth Winstead, Bruce Campbell, Dave Foley, Steven Strait, Kevin McDonald, Cloris Leachman, and Kurt Russell, Khadijah (Haqq) and Malika (Haqq), Patrick Warburton (voice), Dee-Jay Daniels, and Kevin Heffernan

The subject of this movie review is Sky High, a 2005 superhero family film from Walt Disney Pictures.  Set in a world where superheroes are a common thing, Sky High follows a young superhero who struggles with being a normal teenager and with following in the footsteps of his parents, the world’s greatest superhero duo.

Will Stronghold (Michael Angarano) is the teenaged-son of Steve (Kurt Russell) and Josie Stronghold (Kelly Preston), who also happen to be the world’s greatest superhero duo, The Commander (Russell) and Jetstream (Ms. Preston).  Will is about to enter the freshmen class of Sky High, the first and only high school for kids with super powers.  The problem for Will is that puberty has not brought about the onset of any powers, so not only does he have to deal with the typical high school problems:  bullies, cliques, and teachers, but he also has to deal his father Steve, who has very high expectations for his son – a son who has no super powers.

The superhero teaching method at Sky High divides the students into two groups, “Heroes” and “Sidekicks.”  Not having any powers gets Will into the latter group, but he fits right in because his loyal childhood friend, Layla (Danielle Panabaker), is also a Sidekick.  However, Will still has to deal with his intimidating gym teacher, Coach Boomer (Bruce Campbell), and Warren Peace (Steven Strait), the son of a villain his father locked up long ago, and Peace, who can generate fire, plans on taking out his frustration about his father on Will.

Will does eventually find his powers, but it goes to his head.  His ego is much inflated when Gwen Grayson (Mary Elizabeth Winstead), a popular senior and head of the senior prom committee, chooses him as her prom date.  A dark villain, however, lurks somewhere in the shadows, seeking revenge against The Commander and Sky High, and Will just may be the key to the villain’s success or the savior of Sky High.

Sky High is in the tradition of the Walt Disney family films situated in fantastic settings or featuring characters that unwittingly encounter magic or the fantastic – films like 20,000 Leagues Under the Sea and The Shaggy Dog, or even Disney’s My Favorite Martian, their mid-90’s film version of the fondly remembered TV show.  In fact, Sky High’s special effects are still on the level of My Favorite Martian.  Both Sky High’s concept and final product are basically the kind of thing we’d get from The Disney Channel, but with a bigger budget and with the cast made of actors best known for their film roles, even if most of them are character actors, cult figures, and B and C-list stars.

That is much of the film’s charm – it’s cast.  Some critics and the Walt Disney Company’s publicity has described this as a cross between the Harry Potter series and the Disney/Pixar animated film, The Incredibles, but Sky High lacks the engaging characters and enthralling storytelling of the former and the spectacularly genuine superhero fantasy of the latter.  Basically, Sky High is a cheapie version of superheroes; it lacks the grandeur of classic superhero comics like the Fantastic Four, X-Men, Superman, and Spider-Man (which is something The Incredibles had), all of which have themes similar to Sky High.  The script doesn’t pave any new paths in the sub-genre of high school films, but instead follows the same road as most pedestrian fare set in high schools.  The plot is so predictable that you can see the happy ending and discover who the villains are before the midway point of the film.

However, Sky High (as stated earlier) has a good cast, and it has a good player in its lead character, Will Stronghold, superbly played by Michael Angarano in the teen-angst/awkward teen mode that dominates Disney Channel TV shows and television movies.  Angarano can play it all:  awkward, shy, bold, confident, jerk, hero, loyal son, and friend; he gives Will Stronghold the kind of dimension a lead character needs to sell a film to an audience.  Look for small, but nicely comic roles by “The Kids in the Hall” alums Dave Foley as The Commander’s old sidekick, All American Boy, and Kevin McDonald as Mr. Medulla, the science teacher with the big head that holds a giant and super smart brain.  On the other hand, Kurt Russell and Kelly Preston as Will’s parents are cardboard cutouts with only a few moments where they seem like real parents.

Overall, Sky High is a light, funny fantasy film in the tradition of G and PG-rated family fare that Disney does so well – perfect for the kiddies and grown folks who take this light-hearted fare for what it is.

6 of 10
B

Updated:  Thursday, September 19, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Inaugural Capetown Film Festival Lineup Revealed

LINEUP ANNOUNCED FOR THE “CAPETOWN FILM FESTIVAL” CO-PRESENTED BY ENTERTAINMENT WEEKLY AND THE AMERICAN CINEMATHEQUE AND SPONSORED BY TNT’s FALLING SKIES AT THE EGYPTIAN THEATRE IN HOLLYWOOD

Complete Lineup Includes Screening Details and List of Special Guests

Seven Day Festival to Run April 30th – May 6th

Entertainment Weekly today announced the complete lineup for the EW CapeTown Film Festival (CapeTown ) in Los Angeles. The inaugural film festival, in conjunction with American Cinematheque and sponsored by TNT’s Falling Skies, will feature Sci-Fi, Superhero, and Fantasy screenings along with Q&A Panels and special guests including Kurt Russell, John Carpenter, Neil Gaiman, Terry Gilliam and Edgar Wright. The EW CapeTown Festival will run from Tuesday, April 30th through Monday, May 6th at the Egyptian Theatre in Hollywood, CA.

Tickets go on sale April 8th and can be purchased at the Egyptian Theatre box office (6712 Hollywood Blvd., Los Angeles, CA 90028), on www.fandango.com (theatre zip code 90028) or by calling 1-800-FANDANGO (Egyptian Theatre code: 2206). A limited number of tickets will also be available during a special April 6 presale at the Egyptian Theatre box office for EW subscribers. Tickets will be sold only between noon and 5 p.m. to EW subscribers who bring 1) their photo I.D. and 2) a recent issue of EW with a subscription label on the cover that matches their I.D. The presale is also for American Cinematheque members with photo I.D.

The complete lineup is listed below:

EW CapeTown Film Festival Schedule of Events - Egyptian Theatre, Los Angeles
Twitter: @SidGrauman
Facebook: http://www.facebook.com/egyptiantheatre
Tumblr: http://amcinematheque.tumblr.com/

Tuesday, April 30
Special Announcement Coming Soon!

Wednesday, May 1
7:30pm - Shaun of the Dead
Special guest: Edgar Wright

Thursday, May 2
7:30pm - The Thing
Special guest: John Carpenter

Friday, May 3
7pm - Escape from New York
Special guest: Kurt Russell

Bonus! Advance Screening of TNT’s Falling Skies Season 3 Premiere (show premieres June 9th)
Special guest: Noah Wyle

Saturday, May 4
“May the 4th Be With You” Celebration
10am - Return of the Jedi – INVITATION ONLY
2pm - Return of the Jedi
6pm - Return of the Jedi
10pm - Return of the Jedi

Sunday, May 5
10am - Despicable Me
1pm - Coraline
Special guests: Neil Gaiman and Travis Knight

4pm - The Goonies
Special guest: Richard Donner

8pm - Twelve Monkeys
Special guest: Terry Gilliam
The evening with Terry Gilliam is co-presented by the British Academy of Film and Television Arts Los Angeles.

Monday, May 6
7:30pm - Star Trek (2009)
Special guest: Leonard Nimoy


About Entertainment Weekly and EW.com
Entertainment Weekly, with a combined print and digital audience of over 17 million loyal, engaged fans, helps readers have fun. It is your all-access pass to Hollywood’s most creative minds and most fascinating stars. The print weekly was introduced by Time Inc. in 1990 and is America’s leading consumer magazine in the entertainment category, with a guaranteed circulation rate base of nearly 1.8 million. It is a winner of four National Magazine Awards (two for General Excellence, one for Design and one for Special Interest) and was named one of min’s 25 Most Notable Magazine Launches of the Last 25 Years. Entertainment Weekly is the first to know about the best (and worst) in entertainment, and with sharp insight and a trusted voice, EW keeps readers plugged into pop culture. This is where buzz begins.

Each day, EW.com publishes myriad of online-only articles, blog posts, videos, and photo galleries – plus a complete archive of Entertainment Weekly magazine. Over the last year EW.com has received more than a half dozen industry awards including the 2012 Min Editorial and Design Award for our feature writing and a 2012 Folio Gold Eddie award for Best Online News coverage. In July 2012, the site set new records with 130MM pageviews. As of Dec 2011, Entertainment Weekly is also available on the iPad®, NOOK Color™, HP Touchpad, Kindle Fire and select Android™ devices.

On social media, join the Entertainment Weekly community on Facebook, Twitter, Instagram, Pinterest, and Tumblr.

About American Cinematheque
Established in 1981, the American Cinematheque is a 501 C 3 non-profit viewer-supported film exhibition and cultural organization dedicated to the celebration of the Moving Picture in all of its forms. At the Egyptian Theatre, the Cinematheque presents daily film and video programming which ranges from the classics of American and international cinema to new independent films and digital work. Exhibition of rare works, special and rare prints, etc., combined with fascinating post-screening discussions with the filmmakers who created the work, are a Cinematheque tradition that keep audiences coming back for once-in-a-lifetime cinema experiences. The American Cinematheque renovated and reopened (on Dec. 4, 1998) the historic 1922 Hollywood Egyptian Theatre. This includes a state-of-the-art 616-seat theatre housed within Sid Grauman's first grand movie palace on Hollywood Boulevard. The exotic courtyard is fully restored to its 1922 grandeur. The Egyptian was the home of the very first Hollywood movie premiere in 1922. In January 2005 the American Cinematheque expanded its programming to the 1940 Aero Theatre on Montana Avenue in Santa Monica.

www.americancinematheque.com

About TNT
TNT, one of cable's top-rated networks, is television's destination for drama. Seen in 99 million households, TNT is home to such original drama series as Rizzoli & Isles, Falling Skies, Dallas, Perception, Major Crimes, Franklin & Bash, Leverage, Southland and the upcoming Monday Mornings. The network also features dramatic unscripted originals like the upcoming Boston's Finest (working title), 72 Hours (working title) and The Hero (working title). In addition, TNT is the cable home to popular dramas like The Mentalist, Bones, Supernatural, Las Vegas, Law & Order and Castle, which starts this year; primetime specials, such as the Screen Actors Guild AwardsÒ; blockbuster movies; and championship sports coverage, including NASCAR, the NBA and the NCAA Division I Men's Basketball Championship.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.

Kurt Russell to Appear at Screening of "Escape from New York"

ENTERTAINMENT WEEKLY ANNOUNCES FRIDAY NIGHT LINE-UP FOR “CAPETOWN FILM FESTIVAL”

SPONSORED BY TNT’s FALLING SKIES AT THE EGYPTIAN THEATRE

Film Legend Kurt Russell to Make Rare Appearance for May 3rd Q&A and Exclusive Screening of Escape from New York

Six Day Festival to Run April 30th – May 5th in Los Angeles

Entertainment Weekly today announced the coveted Friday night slot for the recently announced EW CapeTown Film Festival (CapeTown ) in Los Angeles. The inaugural film festival, in conjunction with American Cinematheque and sponsored by TNT’s Falling Skies, will bring a new print of John Carpenter’s 1981 futuristic sci-fi cult classic, Escape from New York, back to the big screen. In a rare on-stage appearance, Kurt Russell will join fans for a 40-minute Q&A with Entertainment Weekly senior writer Geoff Boucher to discuss his role as the gritty, one-eyed Snake Plissken; a role that helped change the course of his career. It also began a feature film partnership between Russell and Carpenter that lead to additional classic genre feature films that included The Thing (1982), Big Trouble in Little China (1986), and Escape from L.A. (1996).

Escape from New York will be one of the six days of programming and will be accompanied by a special free big-screen preview presentation of the season three premiere of Falling Skies, the TNT sci-fi series that stars Noah Wyle and Moon Bloodgood and traces the post-invasion struggles of humanity to fight against the invaders -- and to fight against extinction. The Friday night program of the Falling Skies preview and Escape from New York screening will begin at 7 p.m with a brief intermission in between the two.

The EW CapeTown Festival will run from Tuesday, April 30th through Sunday, May 5th at the Egyptian Theatre in Hollywood, CA. The film fest will offer sci-fi, super-hero, and fantasy fans the opportunity to see their favorites on the big screen, and hear from the visionaries and biggest stars from the genre who have brought them to life.

The complete festival line-up with dates, times and ticket sales information will be announced on April 4th and tickets will go on sale April 8th.


About Entertainment Weekly and EW.com
Entertainment Weekly, with a combined print and digital audience of over 17 million loyal, engaged fans, helps readers have fun. It is your all-access pass to Hollywood’s most creative minds and most fascinating stars. The print weekly was introduced by Time Inc. in 1990 and is America’s leading consumer magazine in the entertainment category, with a guaranteed circulation rate base of nearly 1.8 million. It is a winner of four National Magazine Awards (two for General Excellence, one for Design and one for Special Interest) and was named one of min’s 25 Most Notable Magazine Launches of the Last 25 Years. Entertainment Weekly is the first to know about the best (and worst) in entertainment, and with sharp insight and a trusted voice, EW keeps readers plugged into pop culture. This is where buzz begins.

Each day, EW.com publishes myriad of online-only articles, blog posts, videos, and photo galleries – plus a complete archive of Entertainment Weekly magazine. Over the last year EW.com has received more than a half dozen industry awards including the 2012 Min Editorial and Design Award for our feature writing and a 2012 Folio Gold Eddie award for Best Online News coverage. In July 2012, the site set new records with 130MM pageviews. As of Dec 2011, Entertainment Weekly is also available on the iPad®, NOOK Color™, HP Touchpad, Kindle Fire and select Android™ devices.

On social media, join the Entertainment Weekly community on Facebook, Twitter, Instagram, Pinterest, and Tumblr.

About American Cinematheque
Established in 1981, the American Cinematheque is a 501 C 3 non-profit viewer-supported film exhibition and cultural organization dedicated to the celebration of the Moving Picture in all of its forms. At the Egyptian Theatre, the Cinematheque presents daily film and video programming which ranges from the classics of American and international cinema to new independent films and digital work. Exhibition of rare works, special and rare prints, etc., combined with fascinating post-screening discussions with the filmmakers who created the work, are a Cinematheque tradition that keep audiences coming back for once-in-a-lifetime cinema experiences. The American Cinematheque renovated and reopened (on Dec. 4, 1998) the historic 1922 Hollywood Egyptian Theatre. This includes a state-of-the-art 616-seat theatre housed within Sid Grauman's first grand movie palace on Hollywood Boulevard. The exotic courtyard is fully restored to its 1922 grandeur. The Egyptian was the home of the very first Hollywood movie premiere in 1922. In January 2005 the American Cinematheque expanded its programming to the 1940 Aero Theatre on Montana Avenue in Santa Monica.

www.americancinematheque.com