Leonard Nimoy: Remembering the Unforgettable Mr. Spock - Update #5

The death of the American actor, film director, photographer, and poet, Leonard Nimoy, on Friday, February 27, 2015 made me feel sad.  But I also felt joy because Nimoy was "Mr. Spock" on the original "Star Trek" (1966-1969), and as Spock, Nimoy entertained me and sparked my imagination - helping me to envision a world that was larger than I had ever imagined.  He also gave me hope that we could make a world that was better for everyone.

From NYTimes:  "Leonard Nimoy, Spock of ‘Star Trek,’ Dies at 83"

From RollingStone:  "Leonard Nimoy, 'Star Trek''s Spock, Dead at 83"

From TwitLonger:  A statement by Dani Schwartz, Nimoy's grandaughter.

From CBR Spinoff:  "President Obama Mourns Leonard Nimoy’s Passing: ‘I Loved Spock’"

From Forbes:  "Leonard Nimoy And Why Space Needs Real Spocks"

From TheHollywoodReporter: "How Leonard Nimoy Was Convinced to Join the First 'Star Trek' Movie"

From TheHollywoodReporter: "William Shatner Flies to L.A. in Time for Leonard Nimoy's Funeral"

From HitFix:  "Just Try Watching Spock's Funeral without Crying"

From HitFix:  "Remembering the filmmaking talents of Leonard Nimoy"

From HuffingtonPost:  These are Leonard Nimoy's touching final words of wisdom.

From IMDb: IMDb remembers Leonard Nimoy.

From InformedConsent: "Leonard Nimoy’s Last Wishes for Israel and Palestine"

From People:  "Nichelle Nichols Remembers Leonard Nimoy: He Made Star Trek into TV History"

From RollingStone: President Obama and young Star Trek stars remember Nimoy.

From StarTrek.com: "Friends, Colleagues, Fans Pay Tribute To Nimoy"

From Time: "Chekov Remembers Spock: Walter Koenig on Leonard Nimoy"

From TrekMovie: Leonard Nimoy passes away.

From TrekMovie:  "Koenig: Leonard Nimoy Fought To Get Nichelle Nichols Pay Equity For ‘Star Trek’ + Nimoy Confirms"

From Variety:  Leonard Nimoy, ‘Star Trek’s’ Spock, Dies at 83

From Variety: "Remembering Leonard Nimoy: Spock’s Top ‘Star Trek’ Moments"

From YahooCelebrity: "Read Leonard Nimoy's 1968 Words of Wisdom to a Mixed-Race Teen"

From YahooMovies:  "Leonard Nimoy's Friends and Fans React Online"

From YahooMovies: "See Leonard Nimoy Become Spock for the Last Time"

From YahooTV:  "Leonard Nimoy, Actor, Director, and 'Star Trek' Icon, Dies at 83"

From YahooTV:  "William Shatner Feels 'Awful' He's Unable To Attend Leonard Nimoy's Funeral"

From Zachary Quinto's Instagram.

Negromancer News Bits and Bites for the Week of February 22nd to 28th, 2015 - Update #13

NEWS:

From Variety:  Mr. Spock has died - Friday, February 27, 2015.

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From YahooCelebrity:  Zendaya responds to Giuliana Rancic's comments about her "ethnic" (my term) hair.

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From People:  Lady Gaga to appear in "American Horror Story: Hotel," the fifth season of the series, which is due October 2015.

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From YahooCelebrity:  A sad moment regarding Michael Keaton not winning the best actor Oscar this past Sunday night.

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From YahooMovies:  What's next for Oscar winners in the acting categories and also for several others, including John Legend and Common.

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From The New Yorker via RSN:  Why CitizenFour deserved its Oscar.

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From YahooNews:  Lady Gaga usually sings "jigaboo" music...

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From YahooMovies:  Birdman wins the "Best Picture" Oscar, one of four awards the film won.  Also a complete list of winners.

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From TheHollywoodReporter:  The winner of the Oscar weekend box office (Fri., Feb. 20th to Sun., Feb. 22nd, 2015) is Fifty Shades of Grey with an estimated take of $23.2 million.

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From TheHollywoodReporter:  Selma is the best picture of 2014 - according to a social media ranking.

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From YahooTV:  An interesting Zachary Quinto interview - talks about "The Slap" and "The Chair."

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From YahooCelebrity:  Is Eddie Murphy really "don?"

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From IGN:  Evan Peters on Quicksilver's possible return in "X-Men Apocalypse" and Bryan Singer drops another image from the film.


COMIC BOOKS:

From LiveForFilms:  Joe Madureira's comic book, Battle Chasers (one of my favorite) will return as as a game and eventually as a comic book.

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From YahooNews:  Next movie Spider-Man could be Black or Hispanic.

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From CinemaBlend:  Could the Doctor Strange of Marvel's movies be British?

Review: "Star Trek IV: The Voyage Home" is Still a Classic

TRASH IN MY EYE No. 39 (of 2014) by Leroy Douresseaux

Star Trek IV: The Voyage Home (1986)
Running time:  119 minutes (1 hour, 59 minutes)
MPAA – PG
DIRECTOR:   Leonard Nimoy
WRITER:  Steve Meerson & Peter Krikes and Harve Bennett & Nicholas Meyer from a story by Leonard Nimoy and Harve Bennett (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER:  Harve Bennett
CINEMATOGRAPHER:  Don Peterman (D.o.P.)
EDITOR:  Peter E. Berger
COMPOSER:  Leonard Rosenman
Academy Award nominee

SCI-FI/ACTION/ADVENTURE

Starring:  William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei Walter Koenig, Nichelle Nichols, Catherine Hicks, Mark Leonard, Jane Wyatt, Robin Curtis, Robert Ellenstein, Brock Peters, Scott DeVenney, Alex Henteloff, JaneWiedlin, and Majel Barrett with Madge Sinclair

The subject of this movie review is Star Trek IV: The Voyage Home, a 1986 science fiction and action-adventure movie.  It is the fourth movie in the Star Trek film franchise, which is based on “Star Trek,” a science fiction television series originally broadcast on NBC from September 1966 to June 1969.  Star Trek IV: The Voyage Home finds the former crew of the USS Enterprise traveling back in time to Earth’s past in order to retrieve the only beings that can save the Earth from a destructive alien probe.

The Voyage Home opens in the year 2286.  A large cylindrical probe of unknown alien origin moves through space.  The probe emits an indecipherable signal that disables the power of every starship and space station it passes.  After taking up orbit over Earth, the probe not only sends out a signal that disables the global power grid, but also generates planetary storms and clouds that cover the Earth.

Meanwhile, the former crew members of the USS Enterprise prepare to leave Vulcan, where they have been living in exile following the events of Star Trek III: The Search for Spock.  Admiral James T. Kirk (William Shatner) and his bridge crew:  Doctor Leonard McCoy (DeForest Kelley), Montgomery Scott (James Doohan), Hikaru Sulu (George Takei), Pavel Chekov (Walter Koenig), and Uhura (Nichelle Nichols), must return to earth to face charges related to their rescue of the now-revived Captain Spock (Leonard Nimoy).

Kirk and company are approaching Earth in the Klingon Bird of Prey starship they confiscated when they receive Starfleet Command’s planetary distress call concerning the probe.  Spock discovers that an animal that is extinct in their time can save the Earth from the probe.  To find the animal, Kirk and company must travel back in time to Earth of the late 20th century, specifically 1986.  Once there, Kirk and his companions must navigate a world that might be as alien to them as anything they’ve encountered in their travels through the galaxy during their own time.

Of the 12 Star Trek feature films released to date, Star Trek IV: The Voyage Home is my favorite.  I have seen it many times; in fact, I thought that I had already reviewed it before now, but apparently I had not.  One of the reasons that I am so enamored with The Voyage Home is that it involves time travel.  Two of my favorite episodes of the original “Star Trek” involve time travel, “Tomorrow is Yesterday” (Episode #19 of Season One) and “The City on the Edge of Forever” (Episode #28 of Season One).

I am especially enamored with “Tomorrow is Yesterday” because the USS Enterprise and her crew travel back in time to 1969, in what was then the present decade at the time of this episode’s first airing.  As a child, I wondered what it would be like to meet the crew of the Enterprise in “my time.”  Star Trek IV: The Voyage Home touches upon that same sense of wonder, the sense that Star Trek is real and now and that I could meet the crew of the Enterprise.

The Voyage Home is also the end of a three-story arc that began with Star Trek II: The Wrath of Kahn and continued through The Search for Spock.  This movie was a voyage home in several ways.  Kirk, Spock, McCoy, and their friends were returning home to Earth, but they get sidetracked to Earth’s past which brought them to San Francisco.  This city would one day be the home of the United Federation of Planets.  In the real world, 1986 was Star Trek’s 20th anniversary.

When I saw this movie, I felt that, in a way, the characters were almost really visiting me.  Crazy?  Silly?  Yes, but the joy that Star Trek IV: The Voyage Home gave me is emblematic of the joy “Star Trek” the television series has always given me.

9 of 10
A+

NOTES:
1987 Academy Awards, USA:  4 nominations: “Best Cinematography” (Donald Peterman), “Best Sound” (Terry Porter, David J. Hudson, Mel Metcalfe, and Gene S. Cantamessa), “Best Effects, Sound Effects Editing” (Mark A. Mangini), and “Best Music, Original Score” (Leonard Rosenman)

Sunday, August 03, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Being Remastered Made "Star Trek III: The Search for Spock" Better

TRASH IN MY EYE No. 38 (of 2014) by Leroy Douresseaux

Star Trek III: The Search for Spock (1984)
Running time:  105 minutes (1 hour, 45 minutes)
MPAA – PG
DIRECTOR:   Leonard Nimoy
WRITER:  Harve Bennett (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER:  Harve Bennett
CINEMATOGRAPHER:  Charles Correll
EDITOR:  Robert F. Shugrue
COMPOSER:  James Horner

SCI-FI/ACTION/ADVENTURE

Starring:  William Shatner, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Mark Leonard, Robin Curtis, Merritt Butrick, Christopher Lloyd, and Leonard Nimoy and Robert Hooks, Phil Morris, Phillip Richard Allen, Miguel Ferrer, and Carl Steven

The subject of this movie review is Star Trek III: The Search for Spock, a 1984 science fiction action-adventure film.  It is the third movie in the Star Trek film franchise, which is based on “Star Trek,” the science fiction television series created by Gene Roddenberry and originally broadcast on NBC from September 1966 to June 1969.  In The Search for Spock, the crew of USS Enterprise goes on a mission to recover the body of friend and crew mate, Spock, and finds more danger than they expected.

The Search for Spock follows the events depicted in Star Trek II: The Wrath of Kahn.  Admiral James T. Kirk (William Shatner) won the battle against his ghost-from-the-past, Khan Noonien Singh, but it was a hollow victory.  The USS Enterprise limps back to Earth.  Doctor Leonard McCoy (DeForest Kelley) is going insane.  And Captain Spock (Leonard Nimoy) is dead… or is he?

Spock’s father, Sarek (Mark Leonard), confronts Kirk about leaving Spock’s body in a casket on the “Genesis planet” which was created by the “Genesis device.”  Sarek tells Kirk that there might be hope for Spock.  Kirk and his bridge crew:  Montgomery Scott (James Doohan), Hikaru Sulu (George Takei), Pavel Chekov (Walter Koenig), and Uhura (Nichelle Nichols), risk their careers by stealing the decommissioned Enterprise to return to the now-restricted Genesis planet to recover Spock’s body.

Meanwhile, Kirk’s son, David (Merritt Butrick), one of the creators of Genesis, returns to the Genesis planet with the Vulcan, Lieutenant Saavik (Robin Curtis), to investigate strange sensor readings emanating from the planet.  Neither realizes that an ambitious and murderous Klingon commander named Kruge (Christopher Lloyd) is also interested in the Genesis device.  Kruge is leading his Klingon ship, the Bird of Prey, to the Genesis planet, determined to obtain the secrets of Genesis.

2014 is the 30th anniversary (specifically June 1, 1984) of the original theatrical release of Star Trek III:  The Search for Spock.  It was the first Star Trek film that I saw in a movie theatre.  Before I saw it, all I knew of the film’s plot was that it involved Spock, who was dead, and that the Enterprise was destroyed in the film.  From news media reports and through word-of-mouth, I heard that some Star Trek fans (“Trekkies” or “Trekkers”) were furious about the destruction of the ship.

When I finally saw the movie, I did not find myself particularly upset about the Enterprise’s destruction.  It was done.  What could I do about it?  What did upset me was (Spoiler!) the brutal stabbing death of Kirk’s son, David, at the hands of a Klingon.  For years, I thought Kruge had actually done the stabbing, but he only gave the order to kill a prisoner.  For years, also, I avoided The Search for Spock because I found David’s death upsetting and troubling in a way I could not explain then and cannot explain now.

This recent viewing of The Search for Spock is the first time that I have seen the film in its entirety since watching it a second time on VHS in either 1984 or 1985.  I don’t remember how much I liked the film then, but I now find myself quite fond of it.

I won’t lie and say that The Search for Spock is great; it is not.  Some of scenes have blatantly bad acting.  The last ten minutes of the film is somewhat marred by tedious mysticism.  Still, Christopher Lloyd’s turn as Kruge is both brilliant and unique.  His is one of the best and most memorable performances of a villain in a Star Trek film.

Besides Lloyd, two other things about The Search for Spock grabbed me.  First, the race to recover Spock against the ticking clock of the doomed Genesis planet coupled with the Klingon threat is a captivating hook.  Secondly, the theme of camaraderie, as exemplified by the crew of the Enterprise and measured against the blood-thirsty Kruge, makes me forget this film’s blemishes.  I know my feelings about Star Trek III: The Search for Spock are about me being nostalgic for “Star Trek classic,” but I would choose it over many other films, including many Oscar-winners, any old time of day.

7 of 10
B+

Saturday, July 26, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Star Trek Into Darkness" a Spectacular Trip

TRASH IN MY EYE No. 64 (of 2013) by Leroy Douresseaux

Star Trek Into Darkness (2013)
Running time:  127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for sci-fi action and violence and brief sexual content
DIRECTOR:  J.J. Abrams
WRITERS:  Roberto Orci, Alex Kurtzman, and Damon Lindelof (based upon the television “Star Trek” created by Gene Roddenberry)
PRODUCERS:  J.J. Abrams, Bryan Burk, Roberto Orci, Alex Kurtzman, and Damon Lindelof
CINEMATOGRAPHER:  Dan Mindel (D.o.P.)
EDITORS:  Maryann Brandon and Mary Jo Markey
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/THRILLER with elements of drama and comedy

Starring:  Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, John Cho, Anton Yelchin, Benedict Cumberbatch, Peter Weller, Alice Eve, Noel Clarke, Nazneen Contractor, and Bruce Greenwood with Leonard Nimoy

Star Trek Into Darkness is a 2013 science fiction and action film from director J.J. Abrams.  This movie is the 12th film in the Star Trek film franchise, which is a continuation of “Star Trek,” the beloved 1960s television series.  Star Trek Into Darkness (also known as “STID”) is the follow up to the 2009 film, Star Trek, which was a reboot of the franchise by J.J. Abrams and writers Roberto Orci and Alex Kurtzman.  STID pits the crew of the Enterprise against an unstoppable and mysterious force of terror from within their own organization.

The 2009 film was stunningly clever and wildly imaginative, and a jittery, sexy, and fresh take on a venerable science fiction classic.  STID is not necessarily fresh (or not as fresh its predecessor), but it is a crazy, sexy blast.

Star Trek Into Darkness opens in the year 2259.  Captain James T. “Jim” Kirk (Chris Pine) still commands the starship, the USS Enterprise.  Kirk’s top officers and the most trusted members of his crew are Commander Spock (Zachary Quinto), Lieutenant Nyota Uhura (Zoe Saldana), Lt. Commander Dr. Leonard “Bones” McCoy (Karl Urban), Lt. Commander Montgomery “Scotty” Scott (Simon Pegg), Lt. Hikaru Sulu (John Cho), and Ensign Pavel Chekov (Anton Yelchin).  Together, they are in the midst of another wild adventure.

Early in the film, Capt. Kirk pulls a stunt that gets him into trouble with Starfleet.  He gets a chance at redemption after Commander John Harrison (Benedict Cumberbatch) launches a series of terrorist attacks against the Federation (United Federation of Planets).  At the behest of Fleet Admiral Alexander Marcus (Peter Weller), commander-in-chief of Starfleet, Kirk leads the Enterprise on a mission against Harrison.  To capture this fugitive, however, the Enterprise must travel to Kronos, the home world of the Klingons, an alien race that is practically in a state of war with the Federation.

Star Trek Into Darkness is epic; it’s like three or four mini-movies put together to form one big, massive, sci-fi extravaganza.  It is a rousing adventure, a riveting action-adventure in space, and a swashbuckling, seafaring adventure set on the tumultuous oceans of the starry space-ways.

The film largely focuses on Kirk and Spock, and thematically, the story revolves around their personality traits, quirks, and flaws.  Revenge is also a theme, best personified by the “John Harrison” character, although I am conflicted about Benedict Cumberbatch’s casting and performance as Harrison.  Physically, Cumberbatch is miscast because he is too pasty-faced and looks more like a sneering kid than a monster/terrorist.  His athletic build looks pudgy even in a sleek bodysuit.  Cumberbatch vacillates between being too posh or too pissed off; it makes the character occasionally comical.  Cumberbatch is STID’s big misstep that luckily does not become a fatal flaw.

On the other hand, Simon Pegg is superb as Scotty.  He provides spot-on, dead-on humor in the film, and Pegg maximizes his impact upon each scene in which Scotty participates.  Pegg is STID’s best foot forward.

I understand that some hardcore Star Trek fans (Trekkies or Trekkers) were upset about at least not exited by STID.  I am not a hardcore fan, but I love me some Star Trek – the original television series, especially.  Star Trek Into Darkness feels like Star Trek to me.  J.J. Abrams’ two Star Trek films are the breathtaking, mind-blowing adventures that earlier Star Trek television series and films could not be – mainly for budgetary and technical reasons.

Thus, the Star Trek movies of J.J. Abrams and writer Roberto Orci, Alex Kurtzman, and Damon Lindelof, in some ways, do not look like their Star Trek predecessors.  But the spirit of Star Trek is there, even behind all that shiny computer-generated, special visual effects.  I unreservedly endorse that you, dear readers, follow Star Trek Into Darkness into a grand time at the movies.  This film is not without its flaws, but somehow, STID’s imperfections make it seem all the more beautiful to me.

9 of 10
A+

Thursday, September 19, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "The Wrath of Kahn" is Still Great Star Trek

TRASH IN MY EYE No. 34 (of 2013) by Leroy Douresseaux


Star Trek II: The Wrath of Kahn (1982)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – PG
DIRECTOR: Nicholas Meyer
WRITERS: Jack B. Sowards; from a story by Harve Bennett and Jack B. Sowards (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER: Robert Sallin
CINEMATOGRAPHER: Gayne Rescher
EDITOR: William P. Dornisch
COMPOSER: James Horner

SCI-FI/ACTION/ADVENTURE

Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei, Ricardo Montalban, Bibi Besch, Merritt Butrick, Paul Winfield, Kirstie Alley, and Ike Eisenmann with Judson Earney Scott

The subject of this movie review is Star Trek II: The Wrath of Kahn, a 1982 science fiction movie. It is the second movie in the Star Trek film franchise, which is based on “Star Trek,” a science fiction television series originally broadcast on NBC from September 1966 to June 1969. The Wrath of Kahn finds the crew of the Enterprise fighting an old and practically forgotten nemesis and trying to stop him from using a life-generating device as the ultimate weapon.

In fact, Star Trek II: The Wrath of Kahn’s plot is based on an episode of the TV series entitled, “Space Seed,” which was originally broadcast in February 1967, the show’s first season. Writers Samuel A. Peeples and Roman Sanchez apparently contributed to film’s story, while The Wrath of Kahn’s director, Nicholas Meyer, wrote the final script for the film, but did not receive a screen credit.

As The Wrath of Kahn opens, the USS Enterprise is commanded by Captain Spock (Leonard Nimoy) and has a mostly novice crew. Captain Kirk is now Admiral James T. Kirk (William Shatner), and now, he mostly oversees training of Starfleet personnel and inspection of starships. The Enterprise is about to embark on a three-week training voyage with Spock in command and Kirk along for observation.

Meanwhile, former Enterprise crewman, Pavel Chekov (Walter Koenig), is on the USS Reliant with Captain Clark Terrell (Paul Winfield). The two men accidentally discover that the genetically-engineered tyrant, Khan Noonien Singh (Ricardo Montalban), who once tried to seize control of the Enterprise, is still alive and has an old score to settle with Admiral Kirk. Khan learns of the “Genesis Drive,” created by Dr. Carol Marcus (Bibi Besch) and her son, David (Merritt Butrick). This device can create life on barren worlds, but it can also destroy a planet. Now, Khan wants it, but can Kirk, Spock, and the rest of the Enterprise regulars stop him?

Following the first Star Trek film, Star Trek: The Motion Picture, which was considered a disappointment to some, Star Trek II: The Wrath of Kahn became the first great Star Trek film. I can’t remember whom, but a writer I like once described the original Star Trek series as basically a blending of World War II submarine movies and the television series, “Wagon Train.” The original Star Trek was escapist entertainment with a swashbuckling adventure aspect, but it was often socially relevant, as it alluded to, in one form or another, what was occurring in the 1960s.

The Wrath of Kahn was a bit of all of that, but on a grander scale. Director Nicholas Meyer took advantage of the medium of cinema and made the drama more melodramatic, the conflicts edgier, the villains more menacing, and the specter of death more tangible than it had been on the small screen. Even the score by James Horner evokes a sense of adventure that the earlier Star Trek film did not have. Watching this movie, I almost felt as if I were a seafaring adventurer, ready for swashbuckling fun across the expanse of outer space.

The Wrath of Kahn deals with the themes of growing old, death, and resurrection. However, I think the overarching theme of this film is renewal, especially following the first film. For the characters, there is a renewal of purpose, status, friendships, etc. Khan represents the renewal of old conflicts (which carries over into the third film). The younger crew of the Enterprise hints at a renewal of the mission. To me, this Star Trek is less about winding down and ending and more about restarting.

The performances are good, and thanks to the screenplay, William Shatner has some weighty material to use and delivers what is probably his best performance in a Star Trek film. Ricardo Montalban is fantastic – plain and simple. In Khan, Montalban delivers just the kind of grand, vengeful, madman The Wrath of Kahn has to have. He is Oscar-worth and is the main reason Star Trek II: The Wrath of Kahn is so distinctive among Star Trek films.

8 of 10
A

Wednesday, May 15, 2013

Inaugural Capetown Film Festival Lineup Revealed

LINEUP ANNOUNCED FOR THE “CAPETOWN FILM FESTIVAL” CO-PRESENTED BY ENTERTAINMENT WEEKLY AND THE AMERICAN CINEMATHEQUE AND SPONSORED BY TNT’s FALLING SKIES AT THE EGYPTIAN THEATRE IN HOLLYWOOD

Complete Lineup Includes Screening Details and List of Special Guests

Seven Day Festival to Run April 30th – May 6th

Entertainment Weekly today announced the complete lineup for the EW CapeTown Film Festival (CapeTown ) in Los Angeles. The inaugural film festival, in conjunction with American Cinematheque and sponsored by TNT’s Falling Skies, will feature Sci-Fi, Superhero, and Fantasy screenings along with Q&A Panels and special guests including Kurt Russell, John Carpenter, Neil Gaiman, Terry Gilliam and Edgar Wright. The EW CapeTown Festival will run from Tuesday, April 30th through Monday, May 6th at the Egyptian Theatre in Hollywood, CA.

Tickets go on sale April 8th and can be purchased at the Egyptian Theatre box office (6712 Hollywood Blvd., Los Angeles, CA 90028), on www.fandango.com (theatre zip code 90028) or by calling 1-800-FANDANGO (Egyptian Theatre code: 2206). A limited number of tickets will also be available during a special April 6 presale at the Egyptian Theatre box office for EW subscribers. Tickets will be sold only between noon and 5 p.m. to EW subscribers who bring 1) their photo I.D. and 2) a recent issue of EW with a subscription label on the cover that matches their I.D. The presale is also for American Cinematheque members with photo I.D.

The complete lineup is listed below:

EW CapeTown Film Festival Schedule of Events - Egyptian Theatre, Los Angeles
Twitter: @SidGrauman
Facebook: http://www.facebook.com/egyptiantheatre
Tumblr: http://amcinematheque.tumblr.com/

Tuesday, April 30
Special Announcement Coming Soon!

Wednesday, May 1
7:30pm - Shaun of the Dead
Special guest: Edgar Wright

Thursday, May 2
7:30pm - The Thing
Special guest: John Carpenter

Friday, May 3
7pm - Escape from New York
Special guest: Kurt Russell

Bonus! Advance Screening of TNT’s Falling Skies Season 3 Premiere (show premieres June 9th)
Special guest: Noah Wyle

Saturday, May 4
“May the 4th Be With You” Celebration
10am - Return of the Jedi – INVITATION ONLY
2pm - Return of the Jedi
6pm - Return of the Jedi
10pm - Return of the Jedi

Sunday, May 5
10am - Despicable Me
1pm - Coraline
Special guests: Neil Gaiman and Travis Knight

4pm - The Goonies
Special guest: Richard Donner

8pm - Twelve Monkeys
Special guest: Terry Gilliam
The evening with Terry Gilliam is co-presented by the British Academy of Film and Television Arts Los Angeles.

Monday, May 6
7:30pm - Star Trek (2009)
Special guest: Leonard Nimoy


About Entertainment Weekly and EW.com
Entertainment Weekly, with a combined print and digital audience of over 17 million loyal, engaged fans, helps readers have fun. It is your all-access pass to Hollywood’s most creative minds and most fascinating stars. The print weekly was introduced by Time Inc. in 1990 and is America’s leading consumer magazine in the entertainment category, with a guaranteed circulation rate base of nearly 1.8 million. It is a winner of four National Magazine Awards (two for General Excellence, one for Design and one for Special Interest) and was named one of min’s 25 Most Notable Magazine Launches of the Last 25 Years. Entertainment Weekly is the first to know about the best (and worst) in entertainment, and with sharp insight and a trusted voice, EW keeps readers plugged into pop culture. This is where buzz begins.

Each day, EW.com publishes myriad of online-only articles, blog posts, videos, and photo galleries – plus a complete archive of Entertainment Weekly magazine. Over the last year EW.com has received more than a half dozen industry awards including the 2012 Min Editorial and Design Award for our feature writing and a 2012 Folio Gold Eddie award for Best Online News coverage. In July 2012, the site set new records with 130MM pageviews. As of Dec 2011, Entertainment Weekly is also available on the iPad®, NOOK Color™, HP Touchpad, Kindle Fire and select Android™ devices.

On social media, join the Entertainment Weekly community on Facebook, Twitter, Instagram, Pinterest, and Tumblr.

About American Cinematheque
Established in 1981, the American Cinematheque is a 501 C 3 non-profit viewer-supported film exhibition and cultural organization dedicated to the celebration of the Moving Picture in all of its forms. At the Egyptian Theatre, the Cinematheque presents daily film and video programming which ranges from the classics of American and international cinema to new independent films and digital work. Exhibition of rare works, special and rare prints, etc., combined with fascinating post-screening discussions with the filmmakers who created the work, are a Cinematheque tradition that keep audiences coming back for once-in-a-lifetime cinema experiences. The American Cinematheque renovated and reopened (on Dec. 4, 1998) the historic 1922 Hollywood Egyptian Theatre. This includes a state-of-the-art 616-seat theatre housed within Sid Grauman's first grand movie palace on Hollywood Boulevard. The exotic courtyard is fully restored to its 1922 grandeur. The Egyptian was the home of the very first Hollywood movie premiere in 1922. In January 2005 the American Cinematheque expanded its programming to the 1940 Aero Theatre on Montana Avenue in Santa Monica.

www.americancinematheque.com

About TNT
TNT, one of cable's top-rated networks, is television's destination for drama. Seen in 99 million households, TNT is home to such original drama series as Rizzoli & Isles, Falling Skies, Dallas, Perception, Major Crimes, Franklin & Bash, Leverage, Southland and the upcoming Monday Mornings. The network also features dramatic unscripted originals like the upcoming Boston's Finest (working title), 72 Hours (working title) and The Hero (working title). In addition, TNT is the cable home to popular dramas like The Mentalist, Bones, Supernatural, Las Vegas, Law & Order and Castle, which starts this year; primetime specials, such as the Screen Actors Guild AwardsÒ; blockbuster movies; and championship sports coverage, including NASCAR, the NBA and the NCAA Division I Men's Basketball Championship.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.

Review: "Star Trek: The Final Frontier" Has Some Good Moments

TRASH IN MY EYE No. 232 (of 2006) by Leroy Douresseaux

Star Trek V: The Final Frontier (1989)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG
DIRECTOR: William Shatner
WRITERS: David Loughery; from a story by William Shatner, Harve Bennett, and David Loughery (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER: Harve Bennett
CINEMATOGRAPHER: Andrew Laszlo
EDITOR: Peter Berger, A.C.E.
COMPOSER: Jerry Goldsmith

SCI-FI/ACTION/DRAMA

Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei, David Warner, Laurence Luckinbill, Charles Cooper, Cynthia Gouw, Todd Bryant, and Spice Williams

The subject of this movie review is Star Trek V: The Final Frontier, a 1989 science fiction adventure film. It is the fifth film in the Star Trek film franchise, and the second-to-last (or penultimate) to feature the cast of the original Star Trek television series. The Final Frontier takes place shortly after Star Trek IV: The Voyage Home and pits the crew of the USS Enterprise against a renegade Vulcan.

The crew of the original “Star Trek” returned for its fifth cinematic adventure, Star Trek V: The Final Frontier. Captain James T. Kirk (William Shatner) is sharing his shore leave with Spock (Leonard Nimoy) and Dr. Leonard “Bones” McCoy (DeForest Kelley) in Yosemite National Park, where Kirk is attempting to climb the mountain, El Capitan, freestyle (without gear). The festivities, however, are cut short when the Federation sends the U.S.S. Enterprise on an emergency mission to the Neutral Zone.

The Enterprise arrives at the planet, Nimbus III, where, Sybock (Laurence Luckinbill), a renegade Vulcan who shares a past with Spock, hijacks the Enterprise. He pilots it on a journey past The Great Barrier to a mythical planet named Sha Ka Ree, where Sybock hopes to uncover the secrets of existence. It’s up to the Star Trek holy trinity of Kirk, Spock, and Bones to keep the crew and this new Enterprise (Enterprise-A) safe while Sybock obsesses on his quest. Meanwhile, a Klingon warship, a bird of prey, stalks the Enterprise.

Star Trek V stumbles because it tries to be a sci-fi action flick, a tale of brotherly love, a therapy session, and a spiritual odyssey. It doesn’t do three of them well, but The Final Frontier does work as a nice spotlight on the relationship of Kirk, Spock, and Bones. Star Trek V: The Final Frontier is the least of the six movies featuring the original crew of the Enterprise, but production problems (including loosing their special effects house of choice) played a part in this film not coming together as director William Shatner envisioned it. It isn’t all that satisfying as a Trek flick, but it’ll do in a pinch.

5 of 10
C+

Friday, November 10, 2006

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Review: "The Lost Empire" is a Unique Disney Film (Happy B'day, Michael J. Fox)

TRASH IN MY EYE No. 38 (of 2002) by Leroy Douresseaux

Atlantis: The Lost Empire (2001)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – PG for action violence
DIRECTORS: Gary Trousdale and Kirk Wise
WRITERS: Tab Murphy, from a story by Bryce Zabel, Jackie Zabel, Gary Trousdale, Kirk Wise, and Tab Murphy; from a treatment by Joss Whedon with additional screenplay material by David Reynolds
PRODUCER: Don Hahn
EDITOR: Ellen Keneshea

ANIMATION/SCI-FI/FANTASY/ACTION/ADVENTURE

Starring: (voices) Michael J. Fox, Corey Burton, Claudia Christian, James Garner, John Mahoney, Phil Morris, Leonard Nimoy, Don Novello, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, Natalie Strom, Cree Summer, and Jim Varney

The subject of this movie review is Atlantis: The Lost Empire, a 2001 animated film from Walt Disney Pictures. It was the first science fiction film created by Walt Disney Feature Animation. Set in 1914, the film follows a young man and his crew as they search for the lost city of Atlantis.

Unjustly ignored, Atlantis: The Lost Empire is not only a very good film (probably the best animated feature the year of its release), but it is also another example of why Walt Disney continues to be the gold standard in animated feature films.

Directed by Gary Trousdale and Kirk Wise, co-directors of Disney’s Beauty and the Beast, Atlantis: The Lost Empire is the story of Milo Thatch (voice of Michael J. Fox), a young linguist who specializes in dead languages and who inherits his late grandfather’s obsession with the legendary lost city/state/continent of Atlantis. Milo joins a team of intrepid explorers searching for Atlantis as their guide because he can translate his grandfather’s book of Atlantean lore, which is also some kind of map to the lost empire.

Audiences and critics always expect the art of animation in a Disney film to be excellent even if the story isn’t. Both, in this case, are very good. From its 1914 urban setting to the journey into the ocean, through deep caverns, and to Atlantis itself, the animation is a scenic trip through the ability to not only draw beautifully, but to also tell a story with those drawings. The character designs by the great comic book artist Mike Mignola (Bram Stoker’s Dracula) are wonderful with their angular lines and wonderful curves. The animators took the designs and translated them into vibrant and interesting characters.

Screenwriter Tab Murphy (Disney’s Tarzan) crafted a script that captures the sense of wonder and awe of science fiction and fantasy films. It has the flavor of the 1999 remake of The Mummy and of Stargate. Not only is Atlantis: The Lost Empire a fine animated film, but also it’s a very good sci-fi. The film’s glaring weakness is in its stock characters - stereotypical ethnic characters, and unfunny comic relief, but those elements don’t hurt the film as much as they could.

Another part of the Disney magic is the voice cast, and Atlantis: The Lost Empire is no exception. In addition to Fox, James Garner, Claudia Christian, John Mahoney, Phil Morris, Leonard Nimoy, and Cree Summers among others deliver stellar work, a testament to their ability as actors to create characters.

Some of the computer animation seems awkward in the film, but much of computer generated imagery and all of its traditional cel animation is very good. Lost in the shuffle of the current wave of computer-animated films, Atlantis: The Lost Empire is a gem, an entertaining film for young and old, and an artistic achievement.

8 of 10
A

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Review: "Transformers: Dark of the Moon" is a Shiny Empty Thing

TRASH IN MY EYE No. 86 (of 2011) by Leroy Douresseaux

Transformers: Dark of the Moon (2011)
Running time: 154 minutes (2 hours, 34 minutes)
MPAA – PG-13 for intense prolonged sequences of sci-fi action violence, mayhem and destruction, and for language, some sexuality and innuendo
DIRECTOR: Michael Bay
WRITERS: Ehren Kruger (based on Hasbro’s Transformers Action Figures)
PRODUCERS: Don Murphy, Tom DeSanto, Lorenzo di Bonaventura, and Ian Bryce
CINEMATOGRAPHER: Amir Mokri (D.o.P.)
EDITOR: Roger Barton, William Goldenberg, and Joel Negron

SCI-FI/ACTION/WAR

Starring: Shia LaBeouf, Rose Huntington-Whiteley, Tyrese Gibson, Josh Duhamel, John Turturro, Patrick Dempsey, Kevin Dunn, Julie White, John Malkovich, Frances McDormand, Alan Tudyk, Ken Jeong, Lester Speight, Glenn Morshower, and Buzz Aldrin; (voices) Peter Cullen, Leonard Nimoy, Hugo Weaving, Frank Welker, Charlie Adler, Reno Wilson, and Keith Szarabajka

Transformers: Dark of the Moon is a 2011 science fiction war and action film. It is the third movie in the live-action film series starring Hasbro’s popular toy line, the Transformers. The two other movies were Transformers (2007) and Transformers: Revenge of the Fallen (2009). Once again, the human hero from the first two films is caught in a war between two factions of alien robots, the Autobots and the Decepticons, but this time the war involves a new technology that could enslave humanity and forever change Earth.

Dark of the Moon takes place three years after the events of the second film. Sam Witwicky (Shia LaBeouf) is frustrated on two fronts. U.S. government officials will no longer allow him to work with the Autobots, and Director of National Intelligence Charlotte Mearing (Frances McDormand) tells Sam that he is not a hero, but was merely a messenger bringing the Autobots to the world’s attention. Sam also cannot find post-college employment that satisfies him professionally and financially. He is also irritated that his new girlfriend, Carly Spencer (Rose Huntington-Whiteley), supports them both with her high-paying job.

Meanwhile, the Autobots are helping the U.S. military prevent conflicts around the globe. Bigger things are about to happen for the Autobots, however, and it involves a mystery that began 42 years earlier with the Apollo 11 mission to the moon. Autobot leader, Optimus Prime (Peter Cullen), travels to the moon where he finds an Autobot thought to be dead, Sentinel Prime (Leonard Nimoy), Optimus’ predecessor as leader of the Autobots. Optimus revives Sentinel, and that begins a series of events which allow Megatron (Hugo Weaving), leader of the Decepticons, to commence a diabolical plot to revive Cybertron, the ruined home planet of the Transformers. Soon, the Decepticons launch an all-out war against humanity with Chicago as the epicenter.

USAF Chief Robert Epps (Tyrese Gibson) and “Team Epps” join Sam on a mission to slip into Chicago to save Carly. Meanwhile, U.S. Army Lt. Colonel William Lennox (Josh Duhamel) leads the classified strike team, NEST, into Chicago to help them. But time is running out for them to save Carly and the world.

Like Revenge of the Fallen, Dark of the Moon got some bad reviews, although maybe not as many as Revenge. I like this as much as I did Revenge of the Fallen, but both films are too long. Dark of the Moon is probably a half hour longer than it needs to be, but it’s almost worth it to get just about any of the action scenes that include the Transformers. Many of the Transformers here are more complex and have more moving parts, in addition to the fact that this film is shot in 3D. The special visual effects wizards who worked on Dark of the Moon were up to the task and turned in the best visual and special effects of the three films.

Visually, this is an undeniably impressive science fiction action film. Sadly, the rest of the film is either barely coherent or simply incoherent. The acting is often lost in all the noise and visual splendor, and in many cases, that is for the better. There is some hysterically bad acting and embarrassing overacting. This film is also over-the-top and overwrought, and sometimes, it’s just too much. It took me three sittings over three days to watch this movie, and I’m glad I chose not to see it in a theatre.

The special effects and the robots transforming were superb, but as much as that blew my mind, something is really wrong with this movie as a story. This is director Michael Bay at his most mind-numbing, and it is now clear that he has perfected film as sound and fury signifying absolutely nothing. Transformers: Dark of the Moon shows how far the science and technology of cinema have come, but the storytelling is positively Stone Age.

5 of 10
C+

Tuesday, October 25, 2011

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Review: "Star Trek VI: The Undiscovered Country" Gets Better with Age (Happy B'day, Star Trek)

TRASH IN MY EYE No. 233 (of 2006) by Leroy Douresseaux

Star Trek VI: The Undiscovered Country (1991)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG
DIRECTOR: Nicholas Meyer
WRITERS: Nicholas Meyer and Denny Martin Flinn; from a story by Leonard Nimoy and Lawrence Konner and Mark Rosenthal (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCERS: Steven-Charles Jaffe and Ralph Winter
CINEMATOGRAPHER: Hiro Narita
EDITORS: Ronald Roose with William Hoy
Academy Award nominee

SCI-FI/ACTION/ADVENTURE/MYSTERY

Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei, Kim Cattrall, Mark Lenard, Grace Lee Whitney, Brock Peters, Leon Russom, Kurtwood Smith, Christopher Plummer, Rosanna DeSoto, David Warner, Michael Dorn, Iman, and Christian Slater

The cast of the original “Star Trek” (1966-69) returned for its sixth and final feature film, Star Trek VI: The Undiscovered Country (also known as TUC).

After the explosion of its moon, Praxis, the Klingon Homeworld has only a 50-year supply of oxygen left. The subsequent economic and environmental instabilities mean that the Klingons won’t be able to continue their long-running hostilities with the Federation, so they sue for peace. Starfleet, the diplomatic, exploration, military defense, and research arm of the Federation, sends the U.S.S. Enterprise to meet the Klingon ship Kronos One, which is carrying Klingon Chancellor Gorkon (David Warner) to Earth for negotiations. The Enterprise’s Capt. James T. Kirk (William Shatner) is not only upset about escorting a Klingon ship, but also about peace with them because it was a Klingon officer that murdered his son.

While en route to Earth, the Enterprise appears to fire on Kronos One, and assassins, apparently from the Enterprise, murder Gorkon. The Klingons arrest Kirk and Dr. Leonard “Bones” McCoy (DeForest Kelley) for the death of Gorkon and imprison them on the penal mining colony, Rura Penthe. Gorkon’s daughter, Azetbur (Rosanna DeSoto), becomes the new chancellor, and she vows to continue negotiations with the Federation.

Meanwhile, Captain Spock (Leonard Nimoy) assumes command of the Enterprise. Spock must discover how or if the Enterprise fired on Kronos One when the ship’s computer says it did, but no weapons were expended, and he must clear Capt. Kirk of Gorkon’s murder. With the aid of the U.S.S. Excelsior, commanded by former Enterprise crewman, Captain Hikaru Sulu (George Takei), Spock must also rescue Kirk and Dr. McCoy from their imprisonment. The heroic Enterprise crew is running out of time to discover the identities of the Gorkon’s assassins and of the traitors aboard the Enterprise before they strike again to stop peace negotiations between the Federation and Klingon Empire.

An allegory for the fall of communism in Eastern Europe (which had occurred around 1990, just before this film went into production), Star Trek VI is a poignant expression of the need to end cold wars, constant hostilities, and old grudges. It emphasizes letting go of yearnings to avenge personal and painful losses that come about because of war (the death of Kirk’s son).

The film also has a melancholy edge because the Enterprise is to be decommissioned after this adventure, and this is the last time the original crew would be together. The performances, all of which are good (especially Christopher Plummer as Klingon General Chang), portray the essence of something grand coming to an end. Star Trek VI: The Undiscovered Country is not the best Star Trek feature film, but its sense of purpose and determination, and the engaging mystery that hangs over the narrative make this a nice farewell.

7 of 10
B+

NOTES:
1992 Academy Awards: 2 nominations: “Best Effects, Sound Effects Editing” (George Watters II and F. Hudson Miller) and “Best Makeup” (Michael Mills, Ed French, and Richard Snell)

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Review: Cool "STAR TREK" Reboot is All About Breathless Adventure

TRASH IN MY EYE No. 15 (of 2009) by Leroy Douresseaux

Star Trek (2009)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for sci-fi action and violence and brief sexual content
DIRECTOR: J.J. Abrams
WRITERS: Roberto Orci & Alex Kurtzman (based upon the television “Star Trek” created by Gene Roddenberry)
PRODUCERS: J.J. Abrams and Daniel Lindelof
CINEMATOGRAPHER: Dan Mindel (D.o.P.)
EDITOR: Maryann Brandon and Mary Jo Markey
Academy Award winner

SCI-FI/ACTION/THRILLER with elements of drama and comedy

Starring: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoë Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben Cross, Winona Ryder, and Tyler Perry

The new film, Star Trek, may be the 11th film in the movie franchise launched from the much-beloved 1960s television series, but it’s not just some sequel. Under the guiding hand of director J.J. Abrams and writers, Roberto Orci & Alex Kurtzman, this stunningly clever and wildly imaginative reboot is a fresh take on a venerable science fiction classic.

This sexy and new Star Trek is not a replacement for anything that has come before it. This is more than a facelift, tummy tuck, breast enhancement, etc. meant to make an old lady (or man) look as shiny and as new as all the other new fangled sci-fi franchises with whom Star Trek now shares the pop cultural landscape. This Star Trek is something new made from familiar ingredients, and it’s a damn good movie to boot!

Star Trek 2009 takes the audience back to the early days when future Captain James T. Kirk was a hot-rodding, delinquent. Actor Chris Pine plays Kirk with all of a young actor’s bravado, presenting Kirk as a tow-headed, rebel without a cause, but smarter than his actions indicate. Although the pre-captain Kirk acts like a loser, Pine’s performance makes sure that the audience marks Kirk as exceptional, even among the big brains at Starfleet Academy.

There’s no fun in having a cocksure Kirk without a Spock. In the hands of actor Zachary Quinto, Spock – all shiny bangs and elfin ears – is the control freak as proper gentleman, but beware the volcanic temper and impulsive streak that bubbles underneath. Not only is Spock smarter than everyone else (and lets them know it), he ain’t afraid to get his swerve on with the ladies!

Refusing to merely slink in the background as eye candy is this enchanting new Uhura, whom the gorgeous Zoë Saldana plays as super smart, super sexy, and super don’t-put-up-with-bullshit. This lovely lady ain’t too grand to show her soft and caring side with the man in her life, but she’ll go toe-to-toe with impulsive Starfleet officers. In this era of Oprah Winfrey, Condoleeza Rice, Beyoncé Knowles, and Michelle Obama, it’s great to see such a strong, complicated woman of color like Saldana’s Uhura in pop culture, especially science fiction.

Star Trek’s plot revolves around a time-traveling, revenge-seeking, shaven-headed Romulan named Nero. Played with a kind of wrathful quietude by the exquisite Eric Bana, Nero is a Star Trek villain worthy of Khan and the Borg Queen. Piloting a giant, squid-octopus-like, planetoid drill, Nero is the Everyman turned murderous thug, and every time Nero unleashes his killing machine, this movie exudes the kind of special effects grandeur previous Star Treks never had. On the maiden voyage of the U.S.S. Enterprise (all shiny and Macintosh-ed), this new, but elite crew must rescue its Captain Christopher Pike (Bruce Greenwood) from Nero’s clutches and stop the Romulan from destroying Earth. Oh, and the original Spock (Leonard Nimoy) plays an integral part in the story.

Everything about this new Star Trek is bright, sparkly, and cutting edge; it’s as if the film is constantly generating new visual effects every few seconds just to dazzle your eyes and blow your mind. The battle scenes remind me of the ones on the Sci-Fi Channel’s recent Battlestar Galactica series (itself a re-imagination of an old sci-fi franchise). Sometimes, this film even feels a little like a Star Wars movie (of which J.J. Abrams is fan). Even Simon Pegg’s hyperkinetic take on chief engineer Scotty is a joy to behold. Yes, this new Star Trek delivers the good. It’s not like most popcorn movies – practically gone from your mind within a few hours of leaving the theatre. Watching this Star Trek left me with good feelings, and it made me believe that Star Trek is once again ready to keep going boldly into the future.

9 of 10
A+

Monday, May 18, 2009

NOTES:
2010 Academy Awards: 1 win: “Oscar Best Achievement in Makeup” (Barney Burman, Mindy Hall, and Joel Harlow); 3 nominations: “Best Achievement in Sound” (Anna Behlmer, Andy Nelson, and Peter J. Devlin), “Best Achievement in Sound Editing” (Mark P. Stoeckinger and Alan Rankin), and “Best Achievement in Visual Effects” (Roger Guyett, Russell Earl, Paul Kavanagh, and Burt Dalton)

2010 BAFTA Awards: 2 nominations: “Best Sound” (Peter J. Devlin, Andy Nelson, Anna Behlmer, Mark P. Stoeckinger, and Ben Burtt) and “Best Special Visual Effects” (Roger Guyett, Russell Earl, Paul Kavanagh, and Burt Dalton)

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In "Star Trek The Motion Picture" Old Friends Returned

TRASH IN MY EYE No. 210 (of 2006) by Leroy Douresseaux


Star Trek: The Motion Picture (1979)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – PG for sci-fi action and mild language
DIRECTOR: Robert Wise
WRITER: Harold Livingston; from a story by Alan Dean Foster (based on the TV series created by Gene Roddenberry)
PRODUCER: Gene Roddenberry
CINEMATOGRAPHER: Richard H. Kline
EDITOR: Todd Ramsay

SCI-FI/ADVENTURE with elements of drama

Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Majel Barrett, Walter Koenig, Nichelle Nichols, Persis Khambatta, and Stephen Collins

The original cast of the 1960’s sci-fi television series, “Star Trek,” reunites aboard the U.S.S. Enterprise with Capt. James T. Kirk (William Shatner), now admiral, back in the big chair. Their mission is to intercept a giant alien ship steadily approaching Earth and destroying everything in its path. Kirk must also square off with the man who was the Enterprise’s new captain, Commander Decker (Stephen Collins), until Kirk displaced Decker and made him his assistant.

In 1979, Star Trek: The Motion Picture blasted onto movie screens, much to the delight of Trekkies/Trekkers (Star Trek fanatics) and TV viewers who made the original series, which ran on broadcast TV from 1966-69, a smash hit in syndication during the 1970s.

While not the best of the Star Trek films featuring the cast of the original series, it’s joyous simply because the film marked the return of the original cast. The film has many good moments, some of them awe-inspiring and others deeply emotional (such as the scene in which Kirk sees the Enterprise in dock for the first time in over two years). While at times, it comes across as a Star Trek riff on 2001: A Space Odyssey, Star Trek: The Motion Picture hits all the right notes for those of us who are not fanatics, but who have a soft spot for the original Star Trek – warts and all.

7 of 10
B+

NOTES:
1980 Academy Awards: 3 nominations: “Best Art Direction-Set Decoration” (Harold Michelson, Joseph R. Jennings, Leon Harris, John Vallone, and Linda DeScenna), “Best Effects, Visual Effects” (Douglas Trumbull, John Dykstra, Richard Yuricich, Robert Swarthe, David K. Stewart, and Grant McCune), and “Best Music, Original Score” (Jerry Goldsmith)

1980 Golden Globes: 1 nomination: “Best Original Score - Motion Picture” (Jerry Goldsmith)

Tuesday, October 10, 2006

Leonard Nimoy, Chris Nolan, Ridley Scott Headline Geek Event

Leonard Nimoy, Christopher Nolan and Ridley Scott Headline Los Angeles Times’ First-Ever Hero Complex Film Festival

June 11-13th Weekend to be Presented by Anime Expo

LOS ANGELES--(BUSINESS WIRE)--The Times Hero Complex, the go-to guide for all things geek, superheroic and sci-fi, enters a new dimension with the first annual Hero Complex Film Festival hosted by pop culture writer Geoff Boucher. The three-day event brings four iconic fan favorites to the big screen with the rare chance to experience live Q&A sessions with their legendary creators.

Leonard Nimoy, Christopher Nolan and Ridley Scott will talk about the making of “Star Trek IV: The Voyage Home;” “The Dark Knight;” and “Blade Runner” & “Alien.” Nimoy has just announced his retirement from acting and Nolan’s “Insomnia” will screen as a bonus-- adding even greater luster to this very special June 11-13 event. Nolan will also discuss the $1 billion box-office success of "The Dark Knight" and give a preview to his film "Inception," one of the most anticipated releases of 2010. Scott will delve into the influence of "Blade Runner," considered by many to be the greatest sci-fi film ever, and discuss his plans to return to the deep-space horror of "Alien" with a prequel.

"The initial idea behind Hero Complex was to write about the pop culture I love: sci-fi, fantasy, superheroes, graphic novels and horror and to cover these fanboy entertainments with sophistication and journalistic standards,” said Boucher. “Now, the festival allows The Times to bring even deeper insight into these vivid sectors of art and entertainment and no three names speak to the cerebral possibilities and creative greatness in these genres more than Ridley Scott, Leonard Nimoy and Christopher Nolan."

The first site by a major mainstream news outlet dedicated to genre-based film, TV and publishing projects, Hero Complex debuted in July 2008 and quickly became a wildly popular must-read. The Online Journalism Awards have named it 2009’s best “Online Blogging/Commentary, Large Site” and the blog has evolved as an emerging franchise for The Times including hosted screenings of upcoming releases, a comics/graphic novel area at the annual Los Angeles Times Festival of Books, an influential presence at the San Diego Comic-Con, featured content in the flagship Calendar section and a weekly page in Brand X.

The Hero Complex Film Festival is being undertaken in association with presenting sponsor Anime Expo.

“The last decade has seen the genre-film explode and we’ve designed the Hero Complex Film Festival to share The Times’ unique access to Hollywood’s top creators and their creations with devoted followers,” said EVP of Advertising and Marketing, John O’Loughlin. “We are continuing to build new experiential arenas around our unique coverage by which our advertising partners can more deeply engage an enthusiastic audience.”

Beginning today, tickets can be purchased for individual days or in a limited number of 3-day packages and the event schedule can be found at http://www.latimes.com/herocomplexfilmfest. Purchasers of the 3-day pass will also receive a limited edition print of the exclusive “Hero Complex Film Festival” poster designed by award-winning graphic novel creator Darwyn Cooke.

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The Los Angeles Times Media Group businesses and affiliates also include The Envelope, Times Community Newspapers, LA, Los Angeles Times Magazine, Brand X, Hoy, and California Community News and - combined with the flagship Los Angeles Times - reach approximately 5.9 million or 44% of all adults in the Southern California marketplace. The Pulitzer Prize-winning Times has been covering Southern California for over 128 years and is part of Tribune Company, one of the country's leading media companies with businesses in publishing, the Internet and broadcasting. Additional information is available at http://latimes.com/aboutus.