A "Star Wars" Link-o-Rama 2025 by Negromancer - UPDATE #12

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

--------------------------------------

NEWS AND RUMORS:

GEORGE LUCAS - From Variety:  At a 45th anniversary event for "The Empire Strikes," George Lucas explains why "Yoda" speaks backward.

COMICS - From BleedingCool:  Marvel has released solicitation information concerning the "Star Wars" titles that it will publish in July 2025.

STARFIGHTER - From StarWars:  The "Star Wars" film to be directed by "Deadpool & Wolverine" director Shawn Levy and to star Ryan Gosling has a title, "Star Wars: Starfighter."  The film, which is set five years after the events of "Star Wars: The Rise of Skywalker," the film will go into production this fall with an anticipated theatrical release date of Memorial Day 2027.

PUBLICATIONS - From StarWars:  "Star Wars Celebration Japan" offered fans a look at covers for upcoming "Star Wars" comic books, manga, novels, artbooks and reference books.

RUMORS - From Variety:  Oscar-winner Mikey Madison ("Anora") has reportedly past on a reported offer to appear in director Shawn Levy's rumored "Star Wars" project starring Ryan Gosling.

EPISODE III - From WorldofReel:  The 20th anniversary release of "Star Wars: Episode III - Revenge of the Sith" is on April 25th. The opening weekend at the domestic box office looks to be around 15+ million dollars.

JOHN BOYEGA - From Variety:  John Boyega addresses the Sith elephant in the "Star Wars" room.  To racist white fans of "Star Wars," there is no room for a black heroes

OBIT - From Variety:  New Zealand actor of the stage, musical theater, and film and television, Clive Revill, died at the age of 94, Tuesday, March 11, 2025.  He provided the voice of "The Emperor" in the original theatrical release of 1980s' "The Empire Strikes Back."  Revill was twice nominated for a Tony Award, "Best Featured Actor for a Musical" for his role in the original 1961 Broadway production of "Irma La Douce" and "Best Actor in a Musical" for his role in the original 1963 Broadway production of "Oliver!"

ANDOR - From THR:  The acclaimed Disney+ "Star Wars" drama, "Andor," is now also available on Hulu.  The first three episodes are free on the Disney+ "YouTube" channel.  The 12-episode second season debuts exclusively on Disney+ April 22nd.

REY SKYWALKER - From Variety:  The planned "Rey Skywalker" movie now has a writer, George Nolfi, ("The Bourne Ultimatum").  Daisey Ridley will reprise her role as Rey.

FUTURE - From THR:  Ryan Gosling is reportedly in talks to be the star of director Shawn Levy's ("Deadpool & Wolverine") planned "Star Wars" movie.

MARVEL COMICS - From BleedingCool:  Marvel is launching a new flagship "Star Wars" comic book series in May 2025.  This new "Star Wars #1" will debut stories set after the events depicted in the 1983 film, "Star Wars: Return of the Jedi."  It will be written by Alex Segura and drawn by Phil Noto.  According to the press information:  "It's the dawn of the New Republic, and as the dust settles after the Battle of Jakku our rebel heroes — Luke Skywalker, Princess Leia Organa, and Han Solo — find themselves forging a new order as pirates and thieves swarm to fill the power vacuum left behind by the fallen Empire." The series will reintroduce characters like Mon Mothma and Beilert Valance, among others.

MARVEL COMICS - From BleedingCool:  To celebrate "Black History Month," Marvel Comics will celebrate Black "Star Wars" characters with variant covers featuring them on four "Star Wars" titles published in February 2025.

NEW TRILOGY - From Deadline:  Lucasfilm has hired writer-producer-director Simon Kinberg to develop a new "Star Wars" trilogy - Episodes 10, 11, and 12.

From THR:  Related to the Simon Kinberg news, the new trilogy will supposedly focus on the the sequel trilogy star, "Rey Skywalker."

MARVEL COMICS - From BleedingCool:  Marvel will publish a "Star Wars" one-shot comic book, "Star Wars: A New Legacy," in 2025.  It will set up the relaunch of Marvel's ongoing "Star Wars" flagship comic book and also celebrate the tenth anniversary of Marvel regaining the license to publish "Star Wars" titles from Dark Horse Comics. Since then, however, Dark Horse gained a new license to publish "Star Wars" comics for juvenile readers.

-----------------------------------------

STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:  "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: Attack of the Clones"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

----------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

Review: "STAR WARS: EPISODE III - REVENGE OF THE SITH" is Darker Than Ever

TRASH IN MY EYE No. 82 (of 2005) by Leroy Douresseaux

Star Wars: Episode III – Revenge of the Sith (2005)

Running time:  140 minutes (2 hours, 20 minutes)

MPAA – PG-13 for sci-fi violence and some intense images

DIRECTOR:  George Lucas

WRITER:  George Lucas

PRODUCER:  Rick McCallum

CINEMATOGRAPHER:  David Tattersall (D.o.P.)

EDITORS:  Roger Barton and Ben Burtt

COMPOSER:  John Williams

Academy Award nominee

SCI-FI/FANTASY and ACTION/ADVENTURE and WAR/THRILLER

Starring:  Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Jimmy Smits, (voice) Frank Oz, Anthony Daniels, Christopher Lee, Keisha Castle-Hughes, Silas Carson, Ahmed Best, and Kenny Baker

Star Wars: Episode III – Revenge of the Sith is a 2005 American science fiction, war, action, and epic space opera film from writer-director George Lucas.  It is the sixth film in the Star Wars film franchise, which began with 1977's Star Wars.  Revenge of the Sith is chronologically the third film in the “Skywalker Saga,” and is a direct sequel to the second film in the saga, Star Wars: Episode II – Attack of the Clones.  Revenge of the Sith opens near the end of the Clone Wars, as a Jedi Master pursues a new threat, while his former apprentice is lured into a sinister plot for galactic domination.

George Lucas had access to digital cameras, computer generated images, or CGI, and better special effects for his Star Wars prequel trilogy, technology he didn’t have when he made his original trilogy.  Still, after the first two films of the prequel trilogy, it was obvious that the newer series lacked the heart of the original series.  It didn’t seem to resonate with audiences, critics, and hardcore Star Wars fans the way the original had.

That changes with the closing film of the prequel trilogy, Star Wars: Episode III – Revenge of the Sith.  Revenge of the Sith is about three times the film that Episodes I and II are, at least the second half of Sith is.  The first hour gets bogged down in those SFX that Lucas loves so much and that, because of his over reliance on them, hurt the first two prequel films, but this time improved digital photography makes the merger of the real and CGI appear seamless.  Watch this film and you realize that Lucas has learned one thing – make it look so good that they don’t see the smoke dissipating and the mirrors crack.

Star Wars: Episode III – Revenge of the Sith opens three years after the events depicted in Star Wars: Episode II – Attack of the Clones.  The war between the Republic and the separatist’s droid army is at a standstill.  Led by General Grievous, the separatists have laid siege to the Republic’s capitol home world, and Grievous is holding the Republic’s leader, Supreme Chancellor Palpatine (Ian McDiarmid), hostage.  The Jedi heroes, Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen), arrive just in time to rescue the Chancellor.  After Anakin rescues him, the Machiavellian Palpatine, who has always taken an interest in the young Jedi hero, entices Anakin to become closer to him and takes him into his confidence.

As Jedi leaders, Obi-Wan, Yoda (voice of Frank Oz), and Mace Windu (Samuel L. Jackson) try to hold the Republic together and defeat the separatists.  Meanwhile, Anakin begins his journey to the Dark Side, putting his friendship with Obi-Wan and his marriage to his wife, Padmé (Natalie Portman), who is pregnant, at risk.

The CGI (computer generated imagery) and special effects blend in so well with the real actors and (what there is of it) props, better than they have in previous Star Wars films, perhaps because the film was shot using digital cameras.  Don’t know, but I know the film looks darn good.  Beautiful cinematography, riveting battle scenes set deep in space, over great cities, and in exotic alien locales.  Maybe, Lucas decided that Star Wars films work best when they look like the kind of video games that really click with gamers – tight story, but even tighter action.  Don’t let drama get in the way of great duels, spectacular battles, and awesome explosions.

The acting is shaky, and the actors deliver 98 percent of the mediocre dialogue in a mantra-like neutral monotone.  Hayden Christensen waffles between acceptable and lame.  Ewan McGregor is about the same as before.  Samuel L. Jackson and Natalie Portman were better than I’d heard in early reviews of this film (at least to me).  Ian McDiarmid is suave and deliciously evil as the Supreme Chancellor; he’s the great villain as superb cinematic dessert.  Sadly, only the CGI Yoda matches the intensity that McDiarmid brings to his performance as the wicked Palpatine.

I won’t blame it all on the actors because it’s not as if the plot, script, and concept often make sense.  Anakin is lame, unlikable, and whiny.  The Jedi, at least the prequel version, aren’t as bright and as perceptive as one would assume of a group that wields such power; they certainly don’t have their shit together.  Watch them interact with Anakin, and this whole “chosen one” thing just seems like malarkey; he doesn’t act like one, and the rest of the Jedi certainly don’t seem like they know how to handle one or at least monitor one.

Still, in spite of shaky internal logic and the senses-shattering siege of digital glory, Revenge of the Sith is, not only the best of the prequels, it competes with Return of the  Jedi to be the best Star Wars film since The Empire Strikes Back.  It’s fun, and the second half is so thrilling that it makes up for a meandering first half full of overdone effects.  It’s tragic.  It’s dark, and it sweetly unites the prequel trilogy with the original, answering some old questions and justifying some of the revisions Lucas has been putting the original series through for two and a half decades.  It’s a grand finish, and if you’ve ever seen the 1977 film, Star Wars, or any other Star Wars film, then you must also see this one.

I must add that Star Wars: Episode I – The Phantom Menace is my favorite of the prequel films for nostalgic reasons.  It is the only Star Wars film that I watched with a group of friends, whereas I saw the others alone.

It is not that this is a great film, and it’s more skillful than artful.  This is simply the best that a Star Wars prequel film could be.  Star Wars: Episode III – Revenge of the Sith is the one that brings balance to the Force.

8 of 10

A

★★★★ out of 4 stars

May 22, 2005

Reedited and rewritten:  Tuesday, April 22, 2025

NOTES:

2006 Academy Awards, USA:  1 nomination: “Best Achievement in Makeup” (Dave Elsey and Nikki Gooley)

2006 Grammy Awards:  1 nomination: “Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media” (John Williams)

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

------------------

------------------

Review: "STAR WARS: EPISODE II - ATTACK OF THE CLONES" is Stuffed with Spectacle

TRASH IN MY EYE No. 93 (of 2003) by Leroy Douresseaux

Star Wars: Episode II – Attack of the Clones (2002)

Running time:  142 minutes (2 hours, 22 minutes)

MPAA – PG for sustained sequences of sci-fi action/violence

DIRECTOR:  George Lucas

WRITERS:  Jonathan Hales and George Lucas; from a story by George Lucas

PRODUCER:  Rick McCallum

CINEMATOGRAPHER:  David Tattersall (D.o.P.)

EDITOR:  Ben Burtt with George Lucas

COMPOSER:  John Williams

Academy Award nominee

SCI-FI/FANTASY and ACTION/ADVENTURE/WAR

Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Christopher Lee, Samuel L. Jackson, Frank Oz (voice), Ian McDiarmid, Temuera Morrison, Jimmy Smits, Ahmed Best (voice), and Anthony Daniels & Kenny Baker

Star Wars: Episode II – Attack of the Clones is a 2002 American science fiction, war, action, and epic space opera film from director George Lucas.  It is the fifth film in the “Star Wars” film franchise, which began with 1977's Star Wars.  Attack of the Clones is chronologically the second film in the “Skywalker Saga,” and is a direct sequel to the first film in the saga, Star Wars: Episode I – The Phantom Menace.  Attack of the Clones finds a Jedi Master investigating the mystery behind a secret clone army allegedly created at the behest of the Jedi, while his young Jedi apprentice engages in romance forbidden by the Jedi Order.

What a difference a year makes.  When I first saw Star Wars: Episode II – Attack of the Clones in theaters last year, I hated it.  Now a year later, I’ve watched it on home video, and the movie sure seems a lot better.  Attack of the Clones is the second of three prequels to Star Wars, the 1977 film that had two sequels.  The prequels, of which includes this film and Star Wars: Episode I – The Phantom Menace, are the backstory to Star Wars, what happened before the 1977 film that is now called Star Wars: Episode IV – A New Hope.  For one thing, the plot of Episode II is much better than Episode I’s plot.

Star Wars: Episode II – Attack of the Clones begins something like 10 years after Menace.  Anakin Skywalker (Hayden Christensen) is now the Padawan learner (apprentice) to his master Obi-Wan Kenobi (Ewan McGregor).  The Jedi Council assigns master and student to guard Senator Padme Amidala (Natalie Portman), who has had two close attempts on her life.

While Anakin guards Amidala, Kenobi rushes across the galaxy to track the assassin who targeted her, a bounty hunter named Jango Fett (Temuera Morrison).  Kenobi discovers a mysterious Clone Army supposedly ordered ten years earlier by representatives of the galactic Republic.  That is just the outer strand of an ever-widening web of mystery and intrigue that began with an attempt on Amidala’s life.  Meanwhile, Anakin and Amidala are dangerously falling in love against a backdrop of political turmoil.

There are two holdovers from The Phantom Menace that I had hoped would not make it to Clones, mediocre acting and wooden dialogue.  Although the actors seem more comfortable and there is a tad bit more rhythm to the acting, the performances are still too stiff and formal and the dialogue is delivered in an awkward fashion as if everyone in the cast were rank-amateurs.  Sometimes I get the feeling that director/creator George Lucas thinks he’s making some great sprawling British epic film in the vein of Sir David Lean, so all of his actors’ speeches must be affected.  It just comes across as fake.

The action sequences and fight scenes are good, especially the Yoda (voice of Frank Oz) and Count Dooku (Christopher Lee) lightsaber duel, which has to be seen to be believed.  I never knew Yoda had it in him.  The special effects in The Phantom Menace were impressive, but no thanks to The Matrix, released the same year, the SFX in The Phantom Menace suddenly seemed dated, compared to the revolutionary work in The Matrix.  The SFX are still good in Attack of the Clones, and there is so much of it; sometimes it’s hard to differentiate between what’s live action and what’s computer-generated.  However, Star Wars SFX is no longer as awe-inspiring as it once was; now it comes across as looking like the effects in a really good video game.

The film does have the feel of a sprawling epic, but Lucas’s direction hops around too much.  He seems uncomfortable dealing with emotion and love in his story lines.  He doesn’t have to turn on the waterworks as if this was some Technicolor melodramatic weepy, but he should give the actors enough screen time to make the emotions palatable.  Before any kind of mood can be established, Lucas is racing off to the next battle scene.  He comfortable staging awesome battles filled war machines of the most fantastic and imaginative designs.  However, his “character moments” feel as if he shoehorned them in, if only to remind his audience that this is supposed to be the love story of Anakin and Amidala that would later lead to such tragedy and heartbreak.  Before any heat can generate, he drops the personal moments like soiled diapers and is off to the next videogame-style battle scene.

Still, Star Wars fans should like Star Wars: Episode II – Attack of the Clones (which Disney renamed Star Wars: Attack of the Clones) for the most part, and I imagine that it will hold up over time.  I know Star Wars fans always have such high hopes.  However, after the first two prequels, I think we should understand that the films are meant simply to enforce brand awareness and sell merchandise.  Any pretense to cinematic art is just that – a pretense...

6 of 10

B

★★★ out of 4 stars

RE-edited with some rewriting:  Monday, April 21, 2025

NOTES:

2003 Academy Awards, USA:  1 nomination: “Best Visual Effects” (Rob Coleman, Pablo Helman, John Knoll,and Ben Snow)

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

--------------------

--------------------

A "Star Wars" Link-o-Rama 2024 by Negromancer - UPDATE #25

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

NEWS AND RUMORS:

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

--------------------------------------

NEWS:

MARVEL COMICS - From BleedingCool:  To celebrate "Black History Month," Marvel Comics will celebrate Black "Star Wars" characters with variant covers featuring them on four "Star Wars" titles published in February 2025.

NEW TRILOGY - From Deadline:  Lucasfilm has hired writer-producer-director Simon Kinberg to develop a new "Star Wars" trilogy - Episodes 10, 11, and 12.

From THR:  Related to the Simon Kinberg news, the new trilogy will supposedly focus on the the sequel trilogy star, "Rey Skywalker."

MARVEL COMICS - From BleedingCool:  Marvel will publish a "Star Wars" one-shot comic book, "Star Wars: A New Legacy," in 2025.  It will set up the relaunch of Marvel's ongoing "Star Wars" flagship comic book and also celebrate the tenth anniversary of Marvel regaining the license to publish "Star Wars" titles from Dark Horse Comics. Since then, however, Dark Horse gained a new license to publish "Star Wars" comics for juvenile readers.

AHSOKA - From THR:  In an article, "Is Disney Bad at Star Wars? An Analysis," we learn that a second season of "Star Wars: Ahsoka" is in development.

OBITUARY - From StarWars:  The "Star Wars" website remembers the voice of "Darth Vader," Emmy and Tony-winning actor, James Earl Jones, who passed away yesterday (Mon., Sept. 9th). The release also includes a statement from "Star Wars" creator, George Lucas.

THE ACOLYTE - From Deadline:  There will not be a second season of "The Acolyte," per information obtained by "Deadline."

PUBLISHING - From ComicsBeat:  Multiple publishers gather at the San Diego Comic-Con panel, "Star Wars: Stories from a Galaxy Far, Far Away," to discuss publishing plans for 2024-25.

THE ACOLYTE - From Deadline: As the debut of the Lucasfilm Disney+ series, "Star Wars: The Acolyte" arrives, Lucasfilm CEO Kathleen Kennedy says that "storytelling needs to be representative of all people." That means she ain't here for your whining about "woke."

GEORGE LUCAS - From Deadline:  Star Wars creator George Lucas was fêted with an Honorary Palme d’Or at this evening’s closing ceremony of the 2024 / 77th Cannes Film Festival closing ceremony.  Lucas' longtime friend, collaborator, and mentor, Francis Ford Coppola, joined him on stage. This article includes video footage of the rapturous applause Lucas received.

From CBR:  At the 77th Cannes Film Festival, George Lucas explained in an interview why he sold Lucasfilm and Star Wars to the Walt Disney Company.

THE MANDALORIAN - From THR:  Oscar-nominated actress Sigourney Weaver is in talks to join the "Star Wars" film, "The Mandalorian & Grogu." It will be the first Star Wars movie to go into production since "Star Wars: The Rise of Skywalker."

EPISODE I - From Space:  "Star Wars: Episode I - The Phantom Menace" has returned to movie theaters in celebration of the 25th anniversary of its original theatrical release.  During the first weekend of its return to theaters, the film took in 8.1 million dollars in 2,700 domestic theaters, including 150 premium screens and 130 specialty motion D-Box/4D auditoriums.  The movie includes an exclusive look at the upcoming Disney+ Star Wars series, "The Acolyte."

DAWN OF THE JEDI - From THR:  Oscar and Emmy-nominated writer Beau Willimon ("House of Cards") will write the screenplay for the "Star Wars" film, "Dawn of the Jedi," which is scheduled to be directed by James Mangold. 

OBIT - From Deadline:  Dianne Crittenden, the casting director for the original "Star Wars," has died at the age of 82, Tuesday, March 19th, 2024.  Over her 40 year career, Crittenden was the casting director on three of Terrence Malick's films, including his first, "Badlands."  Her works includes such films as "On Golden Pond," "Witness," and "Spider-Man 2."

THE ACOLYTE - From Deadline:  The new Lucasfilm "Star Wars" series, "Star Wars: The Acolyte," is set to debut on Disney+ June 4th.  The series, which is led by Amandla Stenberg, is set in the final days of the "High Republic" era.

LANDO - From Deadline:  What would it take for Billy Dee Williams to return to "Star Wars?"  "Pay me a lot of money," he says.

OBIT - From Variety:  Voice actor Mark Dodson has died at the age of 64, Saturday, March 2, 2024.  Dodson performed a voice role in three "Star Wars" productions.  Dodson voiced "Salacious Crumb" in "Star Wars: Return of the Jedi" (1983).  He performed "voice characterizations" in the ABC television film, "Ewoks: The Battle for Endor" (1985).  He voiced "Niima Scavenger" in "Star Wars: Episode VII – The Force Awakens" (2015).  Dodson also provided vocal effects for some of the "Mogwai" in "Gremlins" (1984) and "Gremlins 2: The Next Batch" (1990).

THE ACOLYTE - From Collider:  "The Acolyte" is a Disney+ series set 100 years before "Star Wars: Episode I - The Phantom Menace" during the "High Republic" era.  "Collider" is reporting that the series will hit Disney+ Summer 2024.

THE MANDALORIAN - From THR:  Gina Carano used her social media posts to be fired from her role as "Cara Dune" from the Lucasfilm/Disney+ series, "The Mandalorian."  Now, she is suing Disney for discrimination and wrongful termination and Elon Musk and Twitter/X is helping to fund the lawsuit.  One of the remedies of her lawsuit is that Disney be forced to recast her in "The Mandalorian."

OBIT - From StarWars:  There has been a death in the Lucasfilm family.  Emmy Award-nominee, Carl Weathers, died at the age of 76, Thursday, February 1, 2024.  With the launch of The Mandalorian on Disney+, Weathers joined the "Star Wars" family as Greef Karga — an expeditor for the Bounty Hunter Guild who rises to become Magistrate of Nevarro, and ally to the Mandalorian and Grogu.  Weathers would receive an Emmy Award nomination for his performance. In addition, Weathers directed the critically-acclaimed episodes, “Chapter 12: The Siege” and "Chapter 20: The Foundling."

MARVEL - From BleedingCool:  Darth Maul will be the star of a four-issue comic book miniseries from Marvel Comics, entitled "Star Wars: Darth Maul - Black, White & Red." The fun starts April 25th, 2024.

From BleedingCool:  Comic book writer Charles Soule says he has big plans for Marvel's current "Star Wars" comic book, culminating in a big reveal in "Star Wars #50."

AHSOKA - From Variety:  Lucasfilm has confirmed that series creator, Dave Filoni, is working on a second season of the Disney+ series, "Ahsoka," starring Rosario Dawson.

THE MANDALORIAN - From Deadline:  Lucasfilm announced the news of a new Star Wars film, "The Mandalorian & Grogu," which will be directed and produced by "The Mandalorian" creator, Jon Favreau.  Details as to the film's plot are being kept secret, but production will begin sometime this year. In addition to Favreau, producers of the project include Kathleen Kennedy and Dave Filoni.

NEW JEDI ORDER - From ScreenRant:  Director Sharmeen Obaid-Chinoy teases "Star Wars: New Jedi Order." Production could begin soon with Daisy Ridley confirmed to return as "Rey Skywalker" in a story set 15 years after the events of Star Wars: Rise of Skywalker.  Obaid-Chinoy says, “I’m very thrilled about the project because I feel what we’re about to create is something very special. And we’re in 2024 now, and it’s about time that we had a woman come forward to shape a story in a galaxy far, far away.”

-----------------------------------------

STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:   "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

----------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

A "Star Wars" Link-o-Rama 2023 by Negromancer - Update #22

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

NEWS AND RUMORS:

WILLOW - From Deadline:  Warwick Davis, star of the (maybe) cancelled Disney+ series, "Willow," is embarrassed that the series has been removed from Disney+.  The series is based on the beloved 1988 Ron Howard film, Willow.

FRANCHISE - From Deadline:  In a new licensing deal, all 11 live-action "Star Wars" movies will be available on Disney's linear networks, including ABC (broadcast) and FX nets and Freeform (cable).  Warner Bros. Discovery's Turner networks will also continue to carry the movies.

ROGUE ONE - From THR:  Gareth Edwards, the director of Rogue One: A Star Wars Story, says that there is so much inaccuracy on the Internet about its making.  For instance, Edwards says that HE directed the Darth Vader corridor scenes that comes at the end of the film's last act.

COMICS - From BleedingCool:  Marvel Comics "Star Wars" comic book solicitations for December 2023

LANDO - From Variety:  The "Lando" TV series that Donald Glover (who played Lando Calrissian in the film, "Solo: A Star Wars Story") and his brother, Stephen Glover, are developing will now be a film.

LUCASFILM - From Variety:  Disney-owned Lucasfilm/ Industrial Light & Magic is to close its VFX and animation facility in Singapore, where more than 300 people are employed.

EMMYS - From StarWars:  At the 2023 / 75th Primetime Emmy Awards, four Disney+ Lucasfilm series received a total of 23 nominations in 21 total categories:  the dramas: "Andor," "Obi-Wan Kenobi," and "The Mandalorian," and the documentary series, "Light & Magic." The winners will be announced Monday, September 18th.

BOBA FETT - From CBR:  According to inside sources, a season two of the Lucasfilm Disney+ series, "The Book of Boba Fett," is not happening.

AHSOKA - From Deadline:  The Lucasfilm series, "Star Wars: Ahsoka," will begin streaming on Disney+ August 23rd.

OBI-WAN - From CBR:  Fellow cast member, Vivien Lyra Blair (young "Princess Leia") says that actor Ewan McGregor is begging for a second season of the Lucasfilm Disney+ series, "Obi-Wan."

SKELETON CREW - From CBR:  The Disney+ series, "Star Wars: Skeleton Crew," will supposedly have 8 episodes.  This series may debut in November or December of 2023.

OBIT - From THR:  There has been a death in the "Star Wars" family.  Irish film and television actor, Ray Stevenson, has died at the age of 58.  He provided the voice of the animated character, "Gar Saxon," in two episodes of Season 3 episodes of "Star Wars: Rebels" (2016-17) and two episodes in Season 7 of "Star Wars: The Clone Wars" (2020). He is scheduled to appear posthumously in the Lucasfilm Disney+ series, "Ahsoka."

ROGUE ONE - From CBR: "Andor" showrunner, Tony Gilroy, says that there is no "director's cut" or alternate version of "Rogue One: A Star Wars Story."

STAR WARS CELEBRATION - From Deadline:  The "Star Wars Celebration" event hits London with big news, including a new series of films set 15 years after "The Rise of Skywalker" with Daisy Ridley in the lead.

AHSOKA - From THR:  The Disney+/Lucasfilm series, "Ahsoka," has its first trailer.  The series debuts August 2023.

SECRET PROJECT - From Deadline: Lucasfilm’s top-secret Star Wars movie to be directed by Sharmeen Obaid-Chinoy has lost its screenwriters Damon Lindelof and Justin Britt-Gibson.

From Deadline:  Steven Knight is the new screenwriter on Lucasfilm’s top-secret "Star Wars" movie to be directed by Sharmeen Obaid-Chinoy, which lost its original screenwriters Damon Lindelof and Justin Britt-Gibson.

SKELETON CREW - From THR:  Daniel Scheinert and Daniel Kwan, who won three Oscars for their film, "Everything Everywhere All at Once," have reportedly directed at least one episode of the Jude Law-led "Star Wars" series, "Star Wars: Skeleton Crew."

COMICS - From BleedingCool:  A list and information on all the "Star Wars" comic books coming from Marvel Comics in June 2023.

ORIGINAL TRILOGY - From CBR:  Jon Favreau, executive producer and creator of Disney+/Lucasfilm's "The Mandalorian," says that he believes that there is not enough demand for a theatrical re-release of the original theatrical versions of "Star Wars," "The Empire Strikes Back," and "Return of the Jedi."

FUTURE - From Variety:  The planned "Star Wars" films by Marvel Studios boss, Kevin Feige, and "Wonder Woman" director, Patty Jenkins, are no longer in active development.

ANDOR - From Variety: Star Diego Luna talks about the final season of the Disney+ series, "Andor, "and about his possible future in the "Star Wars" universe.

COMICS - From BleedingCool:  Arrving May 2023, "Star Wars: Return of the Jedi - Lando #1" is a one-shot that finds Lando Calrissian working for Jabba the Hutt.

-------------------

STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:   "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

----------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

Review: "American Graffiti" is Still Crusin' to Rock 'n' Roll 50 Years On

TRASH IN MY EYE No. 45 of 2023 (No. 1934) by Leroy Douresseaux

American Graffiti (1973)

Running time:  110 minutes (1 hour, 50 minutes)

MPAA – PG

DIRECTOR:  George Lucas

WRITERS:  George Lucas and Gloria Katz & Willard Huyck

PRODUCERS:  Francis Ford Coppola and Gary Kurtz

CINEMATOGRAPHERS:  Jan D'Alquen (D.o.P.) and Ron Eveslage (D.o.P.)

EDITORS:  Verna Fields and Marcia Lucas

Academy Award nominee

DRAMA/HISTORICAL/MUSIC

Starring:  Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Wolfman Jack, Bo Hopkins, Manuel Padilla Jr., Beau Gentry, and Harrison Ford

American Graffiti is a 1973 coming-of-age, music-driven, comedy and drama film directed by George Lucas.  Lucas, who co-wrote the screenplay with the husband and wife team of Willard Huyck and Gloria Katz, based the story on his experiences in the cruising, and street-racing, and rock 'n' roll cultures of his youth.  American Graffiti focuses on a group of teenagers and their adventures over the course of one summer night in 1962.

American Graffiti opens in the Summer 1962.  The location is California's central valley, apparently in and around the city of Modesto.  There, through a series of vignettes, we watch as a group of teenagers enjoy the last evening of their summer vacation.

For recent high school graduates and friends, Curtis “Curt” Henderson (Richard Dreyfuss) and Steve Bolander (Ronny Howard), this is their last night in town before they board a plane the next day and go “back east” for college.  Steve doesn't believe that he can achieve the goals his wants by staying home, even if leaving means parting from his girlfriend, Curt's sister, Laurie (Cindy Williams).  However, Curt, who has recently received scholarship money from a local business group, isn't sure that he wants to leave.  Besides, tonight, he wants to chase the mystery woman who has caught his eye, a blonde driving a white Ford Thunderbird.

Curt and Steve's two friends are also having a big night.  The first is John Milner (Paul Le Mat), the central valley drag-racing king.  He has just learned that someone wants to challenge him for his crown, a confident ladies' man named Bob Falfa (Harrison Ford).  Meanwhile, the second character is the unpopular, but well-meaning Terry “The Toad” Fields (Charlie Martin Smith), who has just come into possession of Steve's car.  He is supposed to protect it until Steve returns from “back east” for Christmas.  Tonight, however, Terry hopes the car will help him land a date.  Meanwhile, in the background, the popular disc jockey, Wolfman Jack (himself), plays an array of rock 'n' roll hits.

As “DVD Netflix” prepares to shutdown, I've been racing to catch up on certain films that I have never seen or have not seen in a long time.  I recently decided to sample some films in which 2023 is the fiftieth anniversary of their original theatrical releases.  That includes such films as Walt Disney's Robin Hood, (hopefully)Woody Allen's Sleeper, and the Bruce Lee classic, Enter the Dragon.

As a kid, I was aware of American Graffiti long before I ever saw it.  I was and still am a huge fan of American Graffiti director, George Lucas's most famous film, Star Wars (1977).  So, as a kid, I read every article I could find about Star Wars, and they often mentioned his two earlier feature-length films, THX-1138 (1971) and American Graffiti.  [I also vaguely remember the release of the sequel, More American Graffiti.]

I also knew that a few film and television stars that I liked had starred or appeared in American Graffiti, specifically Richard Dreyfuss, Ron Howard, and Harrison Ford.  Besides that fact that American Graffiti was a George Lucas movie, Ford was the other reason I most wanted to see the film.

I finally first saw American Graffiti on television, and though my memory is hazy on the facts, I'm sure I saw it at least a few years after the release of the sequel.  I remember liking it, enough that I planned on watching it again.  Decades later, this recent viewing is the first time that I've seen the film since that first viewing.

I still like it a lot.  I'm still a fan of Ford, Howard, and Dreyfuss, and along the way, I became a fan of some of its other young stars, including Charles Martin Smith, Cindy Williams, and the recently-deceased Bo Hopkins (1938-2022).  The truth is that I'm crazy about the Hollywood icon, Harrison Ford, and, as for as I'm concerned, any movie with Ron Howard and Charles Martin Smith as actors is cinematic porn.  [Both Howard and Smith are also film directors.]

Watching the film this time, I was initially annoyed by Lucas' method of telling this story in a series of vignettes that constantly moved from one character to the next.  The film essentially has four plots that revolve around one of four characters, Curt, Steve, John, or Terry.  It took me nearly half the film to realize that the vignettes allow Lucas to depict and to reveal each one of these four young men's goals, conflicts, and fears.  This depiction of their inner selves makes them more interesting to me.  Not only did I root for them, but I also wanted to know more about them.  I wanted to know what was going to happen to them, both in the immediate and far future.

American Graffiti apparently helped launch a wave of nostalgia for and interest in the culture and times of the 1950s and early 1960s or at least an idealized, trouble free, white-washed version of it.  The film apparently renewed the ABC network's interest in what would become one of its most popular sitcoms, “Happy Days” (1974-84).  That long-running and popular television series also presented an idealized, trouble free, white-washed version of the 1950s and early 1960s.

Thus, as much as I enjoyed this viewing of American Graffiti, and as much as I'm interested in its characters, I done with it.  I'm not done with its lovely soundtrack – played in the background so that both the characters and audiences can hear these early classics of rock 'n' roll.  These musical recordings make this special night in the summer of 1962 really special.  Still, American Graffiti is an ode to George Lucas' memories.  It is a cinematic dream he fashioned from the varied experiences of his privileged youth.  I don't really relate to it the way I do other films that are also far from my experiences – such as The Best Years of Our Lives (1946) or Licorice Pizza (2021).

I wouldn't call American Graffiti a great film, so much as I'd call it a unique and important American film.  Why is it important?  Well, American Graffiti is a prime example of the fantasies that the Hollywood dream factory can make of real moments in time.  It's George Lucas' story – his story – presented as a fairy tale about one unforgettable night that will never be repeated.

8 of 10

A

★★★★ out of 4 stars

Thursday, September 28, 2023

You can buy the American Graffiti film and soundtrack at AMAZON.

NOTES:

1974 Academy Awards, USA:  5 nominations: “Best Picture” (Francis Ford Coppola and Gary Kurtz), “Best Actress in a Supporting Role” (Candy Clark), “Best Director” (George Lucas), “Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced” (George Lucas Gloria Katz, and Willard Huyck), and “Best Film Editing” (Verna Fields and Marcia Lucas)

1975 BAFTA Awards:  1 nomination: “Best Supporting Actress” (Cindy Williams)

1974 Golden Globes, USA:  2 wins:  “Best Motion Picture - Comedy or Musical” or “Most Promising Newcomer – Male” (Paul Le Mat); 2 nominations: “Best Actor in a Motion Picture - Comedy or Musical” (Richard Dreyfuss) and “Best Director - Motion Picture” (George Lucas)

1995 National Film Preservation Board, USA:  “National Film Registry”

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-------------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Review: "INDIANA JONES and the Dial of Destiny" is a Wonderful Final Adventure

TRASH IN MY EYE No. 29 of 2023 (No. 1918) by Leroy Douresseaux

Indiana Jones and the Dial of Destiny (1989)

Running time:  154 minutes (2 hours, 34 minutes)

MPA – PG-13 for sequences of violence and action, language and smoking

DIRECTOR:  James Mangold

WRITERS:  Jez Butterworth & John-Henry Butterworth and David Koepp & James Mangold (based on characters created by George Lucas and Philip Kaufman)

PRODUCERS:  Kathleen Kennedy, Frank Marshall, and Simon Emanuel

CINEMATOGRAPHER:  Phedon Papamichael (D.o.P.)

EDITORS:  Andrew Buckland, Michael McCusker, and Dick Westervelt

COMPOSER:  John Williams

ADVENTURE/ACTION/FANTASY

Starring:  Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, Antonino Banderas, Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Olivier Richters, Ethann Isidore, Nasser Memarzia, Karen Allen, and John Rhys-Davies, 

Indiana Jones and the Dial of Destiny is a 2023 action-adventure film directed by James Mangold.  It is the fifth entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark.  Dial of Destiny finds Indiana Jones racing to retrieve a legendary artifact from a Nazi who wants change the course of history.

Indiana Jones and the Dial of Destiny opens in 1944, deep inside Europe during the Allied liberation of World War II.  Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) and his colleague and fellow archaeologist, Basil Shaw (Toby Jones), are both captured by Nazis while attempting to retrieve “the Lance of Longinus.”  This relic is also known as the “Spear of Destiny,” the lance that is alleged to have pierced the side of Jesus Christ.  Adolf Hitler believes it can save him and his dying Third Reich.

However, Nazi scientist Jürgen Voller (Mads Mikkelsen) believes that he has found part of the relic that can save the Nazis, the “Antikythera”or “Archimedes's Dial,” a device created by the ancient Greek mathematician, Archimedes,  Voller believes that if he can make the device whole it is capable of locating fissures in time.  As usual, Indiana Jones foils the Nazis.

A quarter-century later, in August 1969, Jones is retiring from his position as a professor and instructor at Hunter College.  He is approached by Helena “Wombat” Shaw (Phoebe Waller-Bridge), Jones' goddaughter and Basil Shaw's daughter.  She has come looking for the Dial, but she isn't the only one.  A Nazi ghost from Indiana Jones' past also wants to retrieve the Dial and to find its missing half.  Can Indiana Jones, now an old man, find the will for one more adventure to save the world from Nazi machinations?  Can he really trust his own goddaughter's motivations?

In preparation for Indiana Jones and the Dial of Destiny, I recently watched Indiana Jones and the Last Crusade in its entirety for the first time in over two decades.  I have seen the first film, Raiders of the Lost Ark, countless times, and I re-watched its follow-up, Indiana Jones and the Temple of Doom (1984), in November of last year (2022).  I have watched the fourth film in the series, Indiana Jones and the Kingdom of the Crystal Skull (2008), many times since its release.

I am happy to report that Indiana Jones and the Dial of Destiny is the best Indiana Jones since Temple of Doom.  It is a bit long and drags in the middle, but when it is time to deliver the old-fashioned Indiana Jones thrills, this film brings it with renewed freshness.  The two street chases, one in New York and one in Tangier, Morocco, kept me on the edge of my seat.  Indiana Jones on a horse tearing through the streets and subways of NYC is every bit as good as it could be.

Dial of Destiny is also blessed by Phoebe Waller-Bridge as Helena Shaw.  The script presents a very well conceived and executed character, and Bridge turns her into a character that can match Indiana Jones step for step.  Hers is not the only high-quality supporting character, but this film could not work without Waller-Bridge playing Shaw the way she does.

The best Indiana Jones villains are the Nazis, and Mads Mikkelsen as Voller and Boyd Holbrook as Klaber, Voller's crazy and homicidal lackey, gives us Nazis worthy of not only being punched, but also of being killed.  It's good to see that the Indiana Jones franchise makes Nazis plainly and clearly evil.  There isn't any “good people on both sides here” double talk in this movie.

No, Steven Spielberg and George Lucas do not return for Dial of Destiny, being listed in the credits as “executive producers.”  James Mangold has replaced Spielberg as director, and he does a much better job with this film than I expected.  Lucas has co-written the story for the previous films doesn't for this one, but the spirit of adventure and mystery he first imagined decades ago is strong in Dial of Destiny.

I understand that some viewers may be put off by the age of Dial of Destiny's star and title character.  I like that Dial of Destiny does not hesitate to grapple with Indiana Jones' age and about the grief and regret that have become a big part of his life.  It is nice to see returning supporting characters, Sallah (John Rhys-Davies) and Marion Ravenwood (Karen Allen), although it is a bit off-putting not seeing them so much older.  Still, Indiana Jones and the Dial of Destiny, with its themes of time and tide, of change, of new eras, of aging, of a hero in the sunset of his life, offers a perfect good-bye to a beloved hero.  It says that there is still a story to tell, but the story we followed for so long … well, that's over.

7 of 10

A-

★★★½ out of 4 stars

Friday, June 30, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

----------------------------------

-----------------------------------

A "Star Wars" Link-o-Rama 2022 by Negromancer - Update #47

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

NEWS AND RUMORS: 

MARVEL COMICS - From BleedingCool:  The site has news on Marvel Comics' 2023 plans for its line of "Star Wars" comic books.

FUTURE - From Deadline:   After he is finished directing "Deadpool 3" and working on the final episodes of Netflix's "Stranger Things," Shawn Levy will reportedly direct a "Star Wars" film for Lucasfilm.

ANDOR - From CBR:  Season 2 of "Star Wars: Andor" begins production Monday, Nov. 21, 2022.

FUTURE - From THR:  Apparently, Damon Lindelof ("Lost," "Watchmen") and rising screenwriting star, Justin Britt-Gibson, are writing a Star Wars movie set after the 2015-19 sequel trilogy.  Sharmeen Obaid-Chinoy is reportedly set to direct. December 2025 is apparently the earliest date the film would arrive.

EPISODE VI - From SFGate:   The artist Marilee Heyer helped create the look for Princess Leia in "Return of the Jedi," and she wants to finally get credit and recognition.

DARTH VADER - From ScreenRant:  Actor James Earl Jones has apparently retired as the voice of Darth Vader, which has been performing since the original film, "Star Wars" (1977).  He has assigned his voice rights to Lucasfilm and Ukranian A.I. audio company, Respeecher.

ANDOR - From RollingStone:  Showrunner Tony Gilroy and stars Diego Luna and Genevieve O’Reilly tell "Rolling Stone" why the latest Disney+ show, "Star Wars: Andor," paves new ground for the saga.

ROGUE SQUADRON - From TheWrap:  Director Patty Jenkins' "Star Wars" film, "Rogue Squadron," has pulled from Disney's release schedule.  The film was due for Dec. 2023.

TALES OF THE JEDI - From Variety:  D23 Expo reveals the six-episode first season of the new animated Star Wars series, "Tales of the Jedi."  Each episode will be 15 minutes long and will debut October 26th on Disney+.

From TheWrap:  D23 reveals new footage from "The Mandalorian" Season 3 and Baby Yoda/Grogu is back.

THE ACOLYTE - From Deadline:  "Squid Game" star, Lee Jung-jae, will play the male lead in the Disney+ "Star Wars" series, "The Acolyte."

THE LAST JEDI - From IGN:  Director Rian Johnson says he's "even more proud" of "Star Wars: The Last Jedi" on its fifth anniversary than he was when it first came out.

JOHN BOYEGA - From Variety:  John Boyea, who plays "Finn" in "Star Wars" Episodes VII to IX, says that he is done with the franchise.

ANDOR - From Deadline:  The "Rogue One" spinoff, "Andor," has a new trailer.  It will debut on Disney+ on Sept. 21st, 2022 with the premiere of the first three episodes.

COMICS - From BleedingCool:  Marvel Comics "Star Wars" titles for October 2022 are revealed.

DISNEY+ - From Deadline:  Amandla Stenberg ("The Hate U Give") is reportedly playing the lead the upcoming "Star Wars" streaming series, "The Acolyte."  The Disney+ series will be set during the final days of the "High Republic" era.

COLLECTIBLES - From Gizmodo:  EFX Collectibles is showing off its animatronic Baby Yoda/Grogu.  Article includes a YouTube link.

FANDOM - From Variety:  Actor Simon Pegg says "Star Wars" fandom is the "most toxic at the moment."

STAR WARS - From IndieWire:  "A Nightmare on Elm Street" star, Robert Englund, talks about helping his friend Mark Hamill land an audition for "Star Wars."

SKELETON CREW - From Deadline:  Oscar-nominee Jude Law will headline a Disney+ Star Wars series, entitled "Skeleton Crew."  The series is from "Spider-Man" director, Jon Watts, and writer, Christopher Ford.

OBI-WAN - From ScreenRant:  The "Star Wars" Twitter feed takes on social media racism in defending "Obi-Wan Kenobi" actress, Moses Ingram, who plays the Imperial Inquisitor, "Reva Sevander."

EPISODE V - From THR:  The late Irwin Kershner, the director of "The Empire Strikes Back," had the perfect retort for those who complained about the film's ending. The film opened to U.S. theaters 42 years ago yesterday, May 21st.

OBI-WAN - From VanityFair:   The magazine gets a behind-the-scenes look at three upcoming Disney+ "Star Wars series from Lucasfilm, "Obi-Wan Kenobi," "Andor," and "Ahsoka."

THE ACOLYTE - From WeGotThisCovered:  The site has production and story details and more on "Star Wars: The Acolyte," the Star Wars project from "Russian Doll" co-creator Leslye Headland.

OBI-WAN - From Variety:  The release date of "Obi-Wan Kenobi" has been moved from Wednesday, May 25th to two days later, Friday, May 27th.  However, Disney+ will release the first two episodes that day rather than just release the first episode as planned.

From EW:  Hayden Christensen gives an interview to "Entertainment Weekly" and says that it is a great honor to put the "Darth Vader" suit back on for the new series, "Obi-Wan Kenobi."

THE MANDALORIAN - From THR:  Actor Christopher Lloyd (the "Back to the Future" series) will guest star in the third season of the Disney+ series, "The Mandalorian."  There is currently no release date for the series' return.

OBI-WAN - From THR:  At one point, "Obi-Wan Kenobi's" production was halted and the show was overhauled.  Reportedly, one of the characters that did not make it to the revamped story is Darth Maul.  Ray Park who played the character in "Star Wars: Episode I: The Phantom Menace," had returned to play the character, but his scenes were reportedly cut.

From Deadline:  Disney has unleashed the first trailer for "Obi-Wan Kenobi."

From EW:  The magazine has exclusive first-look photos from the Disney+ series, "Obi-Wan Kenobi."

From EW:  Get a first look at Ewan McGregor as "Obi-Wan Kenobi" on the April 2022 cover of "Entertainment Weekly," the last print issue of the magazine (after 32 years) before it becomes an all-digital media brand.

------------------

OBITS - From Deadline:  In 1973, Alan Ladd, Jr., then head of 20th Century Fox, signed a deal with George Lucas to write and direct "Star Wars," died at the age of 84, Wednesday, March 2, 2022.

COMICS - From BleedingCool:  A preview of 3 covers and 6 interior pages from Marvel's "Star Wars: The High Republic #15," which is due in comic shops March 2nd, 2022.

THE MANDALORIAN - From StarWars:  Marvel Comics has announced a comic book adaptation of the Disney" series, "The Mandalorian."  The eight issue series will adapt each of the first season's eight episodes.  Rodney Barnes ("Killadelphai") will write and Georges Jeanty will draw.

OBI-WAN KENOBI - From Variety: Legendary film music composer and Oscar-winning "Star Wars" music master, John Williams, is writing the theme music for the Disney+ series, "Obi-Wan Kenobi."

From Variety:  The next Disney+ "Star Wars" series has a premiere date.  "Obi-Wan Kenobi" will premiere May 25th, 2022, which is also the 45th anniversary of the premier of the original "Star Wars" (1977).

AHSOKA - From THR:  Actor Ray Stevenson of the History Channel's "Vikings," has joined the cast of the Disney+/Lucasfilm series, "Ahsoka."

LUKE SKYWALKER - From Esquire:   "The Unbridled and Mildly Horrifying Evolution of CGI Luke Skywalker" by Brady Langmann.  And he has a synthesized voice.

MARVEL COMICS - From StarWars:  "Star Wars: Obi-Wan" is a new five-issue miniseries that will launch in May and is written by Christopher Cantwell and drawn by Ario Anindito.

From BleedingCool:  The site has a 7-cover; 6-page preview of "Star Wars: Crimson Reign #2," which is due Wed., Feb. 2nd.

From BleedingCool:  The site has a 5-cover, 6-page preview of "Star Wars: The Halcyon Legacy #1," which is due Wed., Feb. 2nd.

From BleedingCool:  The site has a 3-cover, 5-page preview of "Star Wars: The High Republic: Trail of Shadows #4," which is due shops on Wed., Jan. 26th.

----------------------

AHSOKA - From THR:  Actress Mary Elizabeth Winstead is joining Rosario Dawson and Hayden Christensen in the budding cast of the Disney+/Lucasfilm series, "Ahsoka."

From THR:  Hayden Christensen will reprise his role of "Anakin Skywalker/Darth Vader" in the Disney+/Lucasfilm live-action series, "Ahsoka."

MARVEL COMICS - From BleedingCool:  Here is a look at Marvel Comics' "Star Wars" comic book solicitations for April 2022.

BOBA FETT - From IGN:  "The Book of Boba Fett" star Temuera Morrison talks about filming that "Sarlacc pit scene" from the first episode of the series.

MARVEL COMICS - From BleedingCool:  In March 2022, writer Marc Guggenheim and artist David Messina launch a new ongoing "Star Wars" comic book, "Han Solo & Chewbacca."

EPISODE VI - From Deadline: "Return of the Jedi" is among 25 films that the Library of Congress has added to the "National Film Registry" for 2021.

COMIC BOOK NEWS:

From ComicBook:  A preview of Marvel Comics' "Star Wars: Crimson Reign #4" (April 27th) featuring the Knights of Ren.

From BleedingCool:  Here is a list of "Star Wars" related comic book titles shipping from Marvel in July 2022

-------------------------

STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:   "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

----------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

Review: Spielberg's "INDIANA JONES and the Temple of Doom" Still Goes Boom! (Celebrating "The Fabelmans")

TRASH IN MY EYE No. 71 of 2022 (No. 1883) by Leroy Douresseaux

Indiana Jones and the Temple of Doom (1984)
Running time:  118 minutes (1 hour, 58 minutes)
MPAA – PG
DIRECTOR:  Steven Spielberg
WRITERS:  Willard Huyck and Gloria Katz; from a story by George Lucas
PRODUCER:  Robert Watts
CINEMATOGRAPHER:  Douglas Slocombe (D.o.P.)
EDITOR:  Michael Kahn, A.C.E.
COMPOSER:  John Williams
Academy Awards winner

ACTION/ADVENTURE

Starring:  Harrison Ford, Kate Capshaw, Ke Huy Quan, Amrish Puri, Roy Chiao, Roshan Seth, Philip Stone, Raj Singh, D. R. Nanayakkara, Dan Aykroyd, and Pat Roach

Indiana Jones and the Temple of Doom is a 1984 action-adventure film from director Steven Spielberg.  It is the second entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark (1981), but it is also a prequel to Raiders.  In the Temple of Doom, Indiana Jones takes on a secret cult in India in order to reclaim a sacred rock stolen from a simple Indian village.

Indiana Jones and the Temple of Doom opens in Shanghai, 1935.  Dr. Henry “Indiana” Jones, Jr. a.k.a. “Indy” (Harrison Ford) has been hired by Lao Che (Roy Chiao), a Shanghai crime boss, to find the remains of Emperor Nurhaci.  Che betrays Indy, who goes on the run with Willie Scott (Kate Capshaw), one of Che's nightclub singers, and Short Round (Ke Huy Quan), a young Chinese orphan who is Indy's sidekick.

After surviving a plane crash orchestrated by Lao Che, the trio ends up in a small village in northern India.  The village chieftain (D. R. Nanayakkara) believes that Indy's arrival is fated, and that he will help the village with two problems.  The first is to retrieve the village's stolen “Shivalinga,” a rock the villagers hold in high esteem.  Indy believes that this rock is one of the five sacred “Sankara stones.”  The chieftain also wants Indy to find the villagers' missing children.  The chieftain informs Indy that the village's troubles began when the new Maharajá reopened the Pankot Palace in Pankot, an opening that has brought back a “dark light” to the land.

Traveling to Pankot Palace, Indy, Willie, and Short Round discover that the Maharajá of Pankot (Raj Singh) is a child, and beneath his palace, the ancient “Thuggee” cult has also been revived.  The cult leader, Mola Ram (Amrish Puri), wants to find all five Sankara stones in order to gain power from the Thuggees' goddess, Kali.  Now, Indiana Jones has taken it upon himself to stop the cult.

For years, I encountered pretentious film fans who despised Indiana Jones and the Temple of Doom and who insisted that I should hate it, too.  However, I have always found Temple of Doom to be endlessly entertaining, but I also understand that it has a lot to live up to.  It is the sequel (prequel) to one of the most popular movies of all time and one of the greatest films of all time (as far as I'm concerned), Raiders of the Lost Ark.

Indiana Jones and the Temple of Doom is a great action-adventure film precisely because the filmmakers were not trying to make “Raiders of the Lost Ark II” so much as they were creating a franchise.  Temple of Doom is essentially world-building, as the film, especially early in the narrative, hints that Indiana Jones has had many adventures.  So before there was Indiana Jones and the Raiders of the Lost Ark, there was Indiana Jones and the Temple of Doom.  That is what I liked most when I first saw it and still like:  Indiana Jones was not a one-time great thing; it was new universe and a new series of adventures centering on an archaeologist who was as much a cowboy as he was an professor and academic.

Indiana Jones and the Temple of Doom also remains the most unique film in the series.  To date, it is the only entry that does not have a single moment set in the United States.  Set in China and India, it is the only film in the series in which the main cast is largely non-white.  The film has an intriguing villain to open the story, the Shanghai crime boss, Lao Che, and a superb main villain, Mola Ram, the Thuggee cult leader.  Both actors play their respective villainous roles quite well.

Indiana Jones and the Temple of Doom is also the first film in the series to suggest that Indy has a network of helpers or at least a circle of associates.  For me, Short Round is an excellent sidekick, and he fits better than Kate Capshaw's Willie Scott, who seems like nothing more than a noisy dame.

Indiana Jones and the Temple of Doom also has excellent production values, especially its costumes, hair and make-up, and art direction and sets.  The film won an Oscar for its visual effects, which remain impressive four decades later, especially for the scenes involving the lava pit and the chase through the mine's tunnel system.

I am watching and, in some cases, re-watching early Steven Spielberg films, such as Duel, Jaws, and 1941, in anticipation of Spielberg's autobiographical film, The Fabelmans.  I have lost track of how many times I have watched at least part of Indiana Jones and the Temple of Doom, but this is the first time that I have watched the film in its entirety in decades.  Watching it again, I am sure now, more than ever, that I love this film.  Indiana Jones and the Temple of Doom was the first sequel to Raiders of the Lost Ark, and to date, it remains the best.

8 of 10
A
★★★★ out of 4 stars

Saturday, November 19, 2022

You can purchase the "INDIANA JONES 4-Movie Collection" Blu-ray or DVD here at AMAZON.

NOTES:
1985 Academy Awards, USA:  1 win: “Best Effects, Visual Effects” (Dennis Muren, Michael J. McAlister, Lorne Peterson, and George Gibbs) and 1 nomination: “Best Music, Original Score” (John Williams)

1985 BAFTA Awards:  1 win: “Best Special Visual Effects” (Dennis Muren, George Gibbs, Michael J. McAlister, and Lorne Peterson; 3 nominations: “Best Cinematography” (Douglas Slocombe), “Best Editing” (Michael Kahn), and “Best Sound” (Ben Burtt, Simon Kaye, and Laurel Ladevich)


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

-------------------------------

-------------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).