Review: SHAZAM! Fury of the Gods" is Fun for the Entire Shazamily

TRASH IN MY EYE No. 14 of 2023 (No. 1903) by Leroy Douresseaux

Shazam! Fury of the Gods (2023)

Running time:  130 minutes (2 hours, 10 minutes)

MPA – PG-13 for sequences of action and violence, and language

DIRECTOR:  David F. Sandberg

WRITERS:  Henry Gayden and Chris Morgan (based on the DC Comics characters)

PRODUCER:  Peter Safran

CINEMATOGRAPHER:  Gyula Pados

EDITOR:  Michel Aller 

COMPOSER:  Christophe Beck

SUPERHERO/FANTASY/ACTION/COMEDY

Starring:  Zachary Levi, Asher Angel, Jack Dylan Glazer, Adam Brody, Ross Butler, D.J Cotrona, Grace Caroline Currey, Meagan Good, Rachel Zegler, Helen Mirren, Lucy Liu, Marta Milans, Cooper Andrews, Faithe Herman, Ian Chen, Jovan Armand, and Djimon Hounsou with Gal Gadot

Shazam! Fury of the Gods is a 2023 superhero and fantasy film from director David F. Sandberg.  The film is based on the DC Comics character now called “Shazam.”  Shazam! Fury of the Gods is a direct sequel to the 2019 film, Shazam! and is also the 12th installment in “DC Extended Universe” (DCEU).  Fury of the Gods continues the story of the teenage foster kid who becomes a superhero by uttering one magic word, “SHAZAM!”

Shazam! Fury of the Gods opens in Philadelphia two years after the events depicted in the first film.  Billy Batson (Asher Angel) can still transform into an adult hero, the champion who bears the name “Shazam” (Zachary Levi).  Billy will turn 18-year-old in a few months, which he believes means that he will loose his foster parents, Rosa (Marta Milans) and Victor Vásquez (Cooper Andrews).

Billy shared the power he got from “The Wizard” (Djimon Hounsou) with his five foster siblings.  He calls them the “Shazamily.”  His foster brother, Freddie Freeman (Jack Dylan Glazer), is an adult superhero who calls himself “Captain Everything” (Adam Brody).  His older foster sister, Mary Bromfield (Grace Caroline Currey) is trying to be an adult while also being a superhero.  The other foster kid/adult hero pairs are Eugene Choi (Ian Chen and Ross Butler), Pedro Peña (Jovan Armand and D.J. Cotrona), Darla Dudley (Faithe Herman and Meagan Good).  Billy/Shazam is desperate to keep his “Shazamily” together, but they are having a rough time being superheroes.  After doing a less than stellar job saving civilians from a collapsing bridge, Shazam and company discover that the local media refers to them as the “Philly Fiascoes.”

Bigger troubles are ahead, however.  “The Daughters of Atlas” have imprisoned The Wizard, and they want to regain the powers he stole from the gods, including their father, the Titan Atlas, and gave to his new champions – Billy and his Shazamily.  Can they survive the attack of the daughters:  Hespera (Helen Mirren), Kalypso (Lucy Liu), and the reluctant Anthea (Rachel Zegler), and save the world from destruction and from the fury of the gods?

In the first Shazam! film, the drama was driven by Billy Batson's internal conflict.  It was built around the tension between the foster family Bill could have and did not want and the biological family he wanted but could no longer have (if he ever really had it to begin with).  In Shazam! Fury of the Gods, Billy/Shazam fears losing the foster family that he eventually embraced, and with such a theme, he must inevitably learn that one should not hold onto things too tightly – even loved ones.  The Daughters of Atlas must learn the same, concerning the things to which they cling too tightly.  Billy/Shazam's dilemmas don't resonate this time around the way they did in the original film, and, at times, Billy and Shazam's obsession with holding onto the family seems forced.  But at least this film has the requisite drama.

Shazam! Fury of the Gods, like Shazam!, is a very entertaining film that is part energetic superhero movie, part charming comedy, and part heartwarming family film.  The superhero action is not as intense as that found in most superhero films, although Fury of the Gods' action is more intense than in the original.  Some of the villains' murderous intentions seem really murderous.

Except for the increase in intensity, everything about Fury of the Gods is a little down from the first film.  It is not as poignant, not quite as funny, and it seems too long, although it is a littler shorter than the original film.  Still, fans of Shazam! will likely enjoy Shazam! Fury of the Gods.  It even has a nice cameo appearance by another DC Comics superhero, and that cameo makes me wish that we could get more Shazam! Films.  It would be fun to see Billy Batson and Shazam team up with other DC  heroes and pitted against DC villains.  It is likely, however, that Shazam! Fury of the Gods is the final half of a truly unique pair of superhero movies.

6 of 10

B

★★★ out of 4 stars

Monday, March 20, 2023

NOTES:

Shazam! Fury of the Gods has one extra scene in the middle of the credits and one at the end of the credits.

The DC Comics character, Shazam, was the first comic book character to have the name “Captain Marvel.”  A boy named Billy Batson became Captain Marvel by uttering the word, “Shazam!”  Captain Marvel was created by comic book artist C. C. Beck and writer Bill Parker.  He first appeared in Whiz Comics #2 (cover-dated:  February 1940) which was published by Fawcett Comics.  A legal dispute caused Fawcett to stop publishing Captain Marvel comic books in 1953.  DC Comics revived the character in 1972, but by then, Marvel Comics owned the trademark to the name “Captain Marvel.”  Thus, the original Captain Marvel is now called Shazam.

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from October 1st to 9th, 2021 - Update #26

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From Deadline:  Deadline is confirming that actor Cillian Murphy will play J. Robert Oppenheimer in Christopher Nolan's biopic, "Oppenheimer."  The film is due July 21, 2023.

MUSIC/CELEBRITY - From Variety:  Dwayne Johnson enters the rap game via Tech N9ine's new single, "Face Off."

NETFLIX - From THR:  Netflix has ordered a spinoff of Fox's late sitcom, "That 70's Show."  Creators Bonnie and Terry Turner and original cast members, Kurtwood Smith (Red Forman) and Debra Jo Rupp (Kitty Forman), are back for "That 90's Show."

POLITICS/TELEVISION - From Reuters:   How AT&T helped build far-right One America News (OAN).

From RollingStone:  "Fox News and OAN Were Deeper in the Bag for Trump Than Anyone Realized."

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TELEVISION - From Variety:  The cable net, Food Network, is reportedly parting ways with one of its most famous faces, superstar chef Bobby Flay, who has been with the network for 27 years.

SCANDAL - From YahooNews:  Rachel Lindsay, the first black woman to star on ABC's "The Bachelorette," tells a crazy story about ESPN's tragic mulatto, Sage Steele.

STREAMING - From THR:   Spyglass is rebooting the classic 1987 horror film, "Hellraiser," with "The L Word: Generation Q" actress," Jamie Clayton playing the iconic villian, "Pinhead."  The movie will debut on Hulu in 2022.  Clive Barker, the creator of Hellraiser and of its source material, the novella, "The Hellbound Heart," is one of the film's producers.

ANIMATION - From Deadline:  FXX's long-running animated series, "Archer," said good-bye to one of its main characters, "Malory Archer," voiced by Jessica Walter, in the Season 12 finale.  Walter died March 24th of this year at the age of 80.

AMAZON - From Variety:  Amazon has licensed “Hotel Transylvania: Transformania” from Sony Pictures Animation. The fourth (and final) installment in the blockbuster franchise will stream globally — excluding China — on Prime Video on Jan. 14, 2022. 

COVID-19 - From THR:   "Hollywood Battle Lines Emerge in Simmering Vaccine War." Without mandates to get a shot, some film and TV sets have been thrown into chaos as A-list holdouts have caused work stoppages while others say, “It’s not my place to police anyone.”

MOVIES - From THR:  On a recent episode of her talk show, "The Drew Barrymore Show," Drew talked about the infamous clash between her co-stars, Lucy Liu and Bill Murray, on the set of the 2000 "Charlie's Angels" film.

TELEVISION - From Deadline:  Actor Robert Carlyle is set to reprise his role as "Francis Begbie," a character he made famous in the film, "Trainspotting" (1996).  Begbie will return in a six-part series that is an adaptation of author Irvine Welsh's 2016 novel, "The Blade Artist," a sequel to "Trainspotting," Welsh's 1993 novel that became the beloved 1996 British film.

TELEVISION - From Deadline:  The former NBC legal drama, "L.A. Law" (1984-86), has taken another step in making a comeback.  ABC has ordered a pilot for a sequel series, and original series star, Blair Underwood, returns as his character, "Jonathan Rollins," in addition to being an executive producer.

BOX OFFICE - From BoxOfficePro:   The winner of the 10/1 to 10/3/21 weekend box office is "Venom: Let There Be Carnage" with an estimated take of 90.1 million dollars.

Negromancer:  My review of "Venom: Let There Be Carnage."

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NEWS - Truthout:  The United States Post Office (USPS) has started offering check-cashing services as part of a pilot program in four cities.  USPS customers are being given the opportunity to cash payroll or other types of checks, up to $500 in total, at single-branch post office locations in Washington, D.C., Falls Church, Virginia, Baltimore, Maryland, and the Bronx in New York City. 

ACADEMY AWARDS - From Deadline:   Will Packer has been named Producer of the 94th Annual Academy Awards, set for March 27, 2022.  Packer is a prolific producer of numerous films and TV projects including "Straight Outta Compton," "Ride Along," and "Girls Trip," to name a few.  He also produced the 2016, four-episode, remake of the television miniseries "Roots."

TELEVISION - From Deadline:  WarnerMedia has released the first teaser for "House of the Dragon," a spin-off from the Emmy-winning, "Game of Thrones."

COVID-19 - From YahooNews:   Trying to Make Sense of COVID's Mysterious 2-Month Cycle

MOVIES - From Deadline:  Universal has moved the Bluhouse horror flick, "The Black Phone," from Jan. 28th, 2021 to Feb. 4, 2022.

DISNEY - From Deadline:  Disney and Scarlett Johansson have settled their legal issues, and her projects with the studio are back on, including "Tower of Terror."  No terms of the settlement were made public, but Deadline estimates the multiple Oscar-nominated Johansson could get 40 million dollars.

DISNEY - From Deadline:  The Disney Channel favorite, "Raven's Home," has been renewed for a fifth season.  Actor Rondell Sheridan, who played Raven Baxter's father, "Victor Baxter," on the original series, "That's So Raven," will be one of the new series regulars.   However, the storyline moves to San Francisco and that results in the departure of several series regulars, Navia Robinson (Nia), Jason Maybaum (Levi), Sky Katz (Tess) and Anneliese van der Pol (Chelsea).

AMAZON - From THR:  Amazon is working on an update of the 1999 hit film, "Cruel Intentions," for its IMDb TV.

From THR:  Speaking of IMDb TV, the streamer is also interested in a greenlighting a second season of the cancelled ABC legal drama, "Rebel."  IMDb has the free streaming rights to the first season.

NFL - From Deadline:   Dr. Dre, Snoop Dogg, Kendrick Lamar, Eminem and Mary J. Blige will perform during the 2022 Super Bowl Halftime Show (Sun., Feb. 13th, 2022) at SoFi Stadium near Los Angeles.  The five artists have never before appeared together onstage, according to the official announcement of the show. Among them, they have 43 Grammys and 22 No. 1 albums on the Billboard charts.

TELEVISION - From GoodHousekeeping:    The sister cable networks, "Hallmark Channel" and "Hallmark Movies & Mysteries" are debuting a combined 41 movies across both networks this holiday season.  "Good Housekeeping" has posted Hallmark Channel's "Countdown to Christmas" 2021 movie schedule and Hallmark Movies & Mysteries' "Miracles of Christmas" 2021 movie schedule.  Hallmark starts off with "You, Me & Christmas Tree" on Fri., Oct. 2nd.  HMM starts off with "Christmas in My Heart" on Sat., Oct. 23rd.

Rosario Dawson Joins Voice Cast of "Tinker Bell and the Legend of the Neverbeast"

“TINKER BELL AND THE LEGEND OF THE NEVERBEAST”: ROSARIO DAWSON AS THE VOICE OF ’NYX’ AND INTRODUCING THE SCOUT FAIRIES

Actress Rosario Dawson lends her voice as a fiery and courageous fairy, “Nyx”, in the all-new Disney Fairies adventure, “Tinker Bell and the Legend of the NeverBeast”, out on Blu-ray™ March 3, 2015.

Nyx is a Scout Fairy charged with protecting the luscious land of Pixie Hollow and all of the fairies who reside there. A true professional who takes her job very seriously—maybe a little too seriously—allowing facts and logic to guide her every move. Driven to succeed, Nyx is often willing to let compassion take a back seat.  The Scout Fairies are a group of fearless fairies who protect the residents of Pixie Hollow. They are agile and athletic with a keen ability to spot trouble before it gets out of control.

This heartwarming story explores the ancient myth of a mysterious creature whose distant roar sparks the curiosity of Tinker Bell’s friend Fawn, an animal fairy who’s not afraid to break the rules to rescue the NeverBeast before time runs out.  The film also features the voices of Ginnifer Goodwin (Fawn), Mae Whitman (Tinker Bell), Megan Hilty (Rosetta), Lucy Liu (Silvermist), Raven Symone (Iradessa), Angelica Huston (QueenClarion) and is directed by Steve Loter (“Kim Possible”) and produced by Makul Wigert (“Secret of the Wings”).

Watch the new trailer of TINKER BELL AND THE LEGEND OF THE NEVERBEAST on YouTube: http://youtu.be/EAEOfgqqDMY

TINKER BELL AND THE LEGEND OF THE NEVERBEAST
DISNEY
Genre: Animated Action/Adventure
Rating: TBA

Voice Cast: Mae Whitman (Tinker Bell) Ginnifer Goodwin (Fawn), Megan Hilty (Rosetta), Lucy Liu (Silvermist), Raven Symone (Iridessa), Anjelica Huston (Queen Clarion)

Director: Steve Loter
Producer: Makul Wigert

Disneytoon Studios returns to Pixie Hollow with the heartwarming adventure “Legend of the NeverBeast.” The new story explores an ancient myth of a fabled creature whose distant roar sparks the curiosity of Tinker Bell’s good friend Fawn, an animal fairy who’s not afraid to break the rules to help an animal in need. But this animal—massive and strange with glowing green eyes—is not really welcome in Pixie Hollow, and the scout fairies are determined to capture the mysterious beast before it destroys their home. Fawn, who sees a tender heart beneath his gruff exterior, must convince Tink and the girls to risk everything to rescue the NeverBeast before time runs out. Directed by Steve Loter (“Kim Possible”) and produced by Makul Wigert (“Secret of the Wings”), “Legend of the NeverBeast” roars to life in March 3, 2015.

Review: "Lucky Number Slevin" a Crime Film Treat

TRASH IN MY EYE No. 235 (of 2006) by Leroy Douresseaux

Lucky Number Slevin (2006)
Running time:  110 minutes (1 hour, 50 minutes)
MPAA – R for strong violence, sexuality, and language
DIRECTOR:  Paul McGuigan
WRITER:  Jason Smilovic
PRODUCERS:  Chris Roberts, Christopher Eberts, Kia Jam, Anthony Rhulen, Robert Kravis, and Tyler Mitchell
CINEMATOGRAPHER:  Peter Sova, ASC
EDITOR:  Andrew Hulme
COMPOSER:  J. Ralph

CRIME with elements of mystery and thriller

Starring:  Josh Hartnett, Morgan Freeman, Sir Ben Kingsley, Lucy Lui, Stanley Tucci, Bruce Willis, Dorian Missick, Mykelti Williamson, and Peter Outerbridge

The subject of this movie review is Lucky Number Slevin, a 2006 crime thriller.  The film is about a young man trapped by a case of mistaken identity that lands him in the middle of a brewing gang war between two rival crime bosses and also makes him the target of an infamous assassin.

Slevin Kelevra (Josh Hartnett) arrives at his friend, Nick Fisher’s New York City apartment only to find him missing, but Slevin does strike up a friendship with Nick’s chatty neighbor, Lindsey (Lucy Lui).  Later, two thugs looking for Nick arrive at the apartment and mistake Slevin for his missing friend.  It turns out that Nick owes a lot of money to two crime bosses:  $96,000 to The Boss (Morgan Freeman) and $33,000 to The Rabbi (Sir Ben Kingsley).

The Boss and The Rabbi, once partners, are now bitter, deadly enemies.  Before long, The Boss wants Slevin to perform a high-profile hit against The Rabbi’s son as a way to pay off his $96,000 debt.  The Rabbi just wants his money, and he gives Slevin a few days to come up with the cash.  And it doesn’t matter to them that Slevin isn’t Nick – that’s just his hard luck.  How unlucky is Slevin?  The infamous assassin, Mr. Goodkat (Bruce Willis), is also gunning for Slevin, or is he?  Slevin suddenly has to hatch an ingenious plot to win this game of death.  And what is the Kansas City Shuffle?

Paul McGuigan (GANGSTER Number 1) mixes sub-genres in his crime flick, Lucky Number Slevin.  It blends noir, gangster flicks, and the con game into a violent little tale of betrayal, crass brutality, and revenge.  The viewer that doesn’t figure out the trick early on will find himself rewarded for having waded through this often slow moving and gabby flick.  Even figuring out the surprise midway through the movie makes the waiting pay off.  Figure out the secrets early on, and you might have to enjoy Lucky Number Slevin’s execution and style.  (Strangely, the direction and writing on this film seem at their best during the flashbacks.)

The performances are good, but not great.  It’s these actors’ status as movie stars – whether it be A-list, B-list, or lower – and their ability to sell a character they’re playing that makes what they’re doing look good and convincing (although Sir Ben Kingsley seems an automatic for the most part).  Meanwhile, Josh Hartnett is a “face.”  He’s handsome and has movie idol written all over him, but he still hasn’t found enough good material to make him iconic.  Lucky Number Slevin isn’t that kind of great material, but it’s good enough for the time being.  Sexy, vulnerable, and utterly sympathetic, Hartnett makes this odd and sometimes uneven tale a sweet treat for fans of crime cinema.

7 of 10
B+

Updated: Friday, July 19, 2013

Review: "Charlie’s Angels: Full Throttle" Sputters

TRASH IN MY EYE No. 100 (of 2003) by Leroy Douresseaux


Charlie’s Angels: Full Throttle (2003)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for action violence, sensuality and language/innuendo
DIRECTOR: McG
WRITERS: John August and Cormac Wibberley and Marianne Wibberley, from a story by John August (from the television program created by Ivan Goff and Ben Roberts)
PRODUCERS: Drew Barrymore, Leonard Goldberg, and Nancy Juvonen
CINEMATOGRAPHER: Russell Carpenter (D.o.P.)
EDITOR: Wayne Wahrman
COMPOSER: Edward Shearmur
Razzie Award winner

ACTION/ADVENTURE/COMEDY/MYSTERY

Starring: Cameron Diaz, Drew Barrymore, Lucy Lui, Demi Moore, Bernie Mac, Justin Theroux, Robert Patrick, Luke Wilson, Matt LeBlanc, Crispin Glover, John Cleese, Shia LaBeouf, Ashley Olsen, Mary-Kate Olsen, Pink, Jaclyn Smith, Bruce Willis (no screen credit), and John Forsythe (voice)

The subject of this movie review is Charlie’s Angels: Full Throttle, a 2003 action comedy from director McG. This movie is a direct sequel to the 2000 film, Charlie’s Angels. Both films are based on the television series, “Charlie’s Angels,” which was originally broadcast on ABC from 1976 to 1981. As in the first film, Full Throttle stars Cameron Diaz, Drew Barrymore, and Lucy Liu as three women employed by a private investigation agency and working for the voice known as “Charlie.”

Charlie’s Angels, the 2000 film remake of the 70-80’s TV show of the same name, was a hoot, a delightful and highly entertaining action/comedy with the guile of a cool Frank Miller comic book. Charlie’s Angels: Full Throttle, the 2003 sequel, is an overblown, way over-the-top Hollywood production that’s way too full of crap, and miraculously, it still manages to be somewhat entertaining.

It’s pointless to even attempt to describe the plot, as it’s muddled nonsense. The real plot involves the indelicate manner in which the filmmakers place Charlie’s Angels in positions and situations that create mondo opportunities for shots of tits and ass. Natalie Cook (Cameron Diaz), Dylan Sanders (Drew Barrymore), and Alex Munday (Lucy Lui) return as Charlie Townsend’s (voice of John Forsythe) high tech-trained, super-powered, manga-like cuties. This time the grrrrls have to retrieve two encrypted rings, which when combined give up the locations of people in the FBI witness relocation program, and wouldn’t the bad guys love to have that info.

McG, the director of the first film, returns to helm this gigantic, flatulent cartoon that is Full Throttle. The script is lame, but all McG has to do is make the pictures look good, and, as a music video director, he knows how to do that. Imagine The Matrix on drain cleaner, Japanese cartoons (anime) on fast forward, soft porn on the rag, and comic books conceived by horny, high school upper classmen and dull-witted sorority boys and you have the Charlie’s Angel's sequel. Don’t get me wrong; there are lots of laughs. It’s difficult to tell if the filmmakers were trying to be clever or if they were cynical enough to believe that audiences really would take it ‘tween the cheeks. The end result is this dumb as a low-rent retard movie.

Charlie's Angels: Full Throttle parodies action movie clichés…badly, and also throws in a stiff riff from Martin Scorcese’s Cape Fear. It’s just too over the top and too much of a crack-addled cartoon. I did like the way the filmmakers tried to created the vibe of a family extended around the Angels; that actually gave me warm feelings. Still, I was half enthralled and half bored out of my mind. For all the fun I had, there were as many moments when I wondered why the experience of seeing this felt so wasteful. This is simply too much candy, and frankly, unless you really crave an empty movie experience, you can wait for the tape. Someone might tell you that this is a sly, wink-wink, nudge-nudge movie and you have to take it for what it is. If he tries to spin trash as something smart, he is a way-too-easy ho for the big, movie making machine in la-dee-da land.

4 of 10
C

NOTES:
2004 Razzie Awards: 2 wins: “Worst Remake or Sequel” and “Worst Supporting Actress” (Demi Moore); 5 nominations: “Worst Actress” (Drew Barrymore, also for Duplex-2003), “Worst Actress” (Cameron Diaz), “Worst Excuse for an Actual Movie” (All Concept/No Content!), “Worst Picture” (Columbia), and “Worst Screenplay” (John August-also story, Cormac Wibberley, and Marianne Wibberley)

Updated: Thursday, June 27, 2013

Review: "Charlie’s Angels" Pure Pop Pleasure

TRASH IN MY EYE No. 99 (of 2003) by Leroy Douresseaux


Charlie’s Angels (2000)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for action violence, innuendo and some sensuality/nudity
DIRECTOR: McG
WRITERS: Ryan Rowe, Ed Solomon, and John August (from the television series by Ivan Goff and Ben Roberts)
PRODUCERS: Drew Barrymore, Leonard Goldberg, and Nancy Juvonen
CINEMATOGRAPHER: Russell Carpenter (D.o.P.)
EDITORS: Peter Teschner and Wayne Wahrman
COMPOSER: Edward Shearmur

ACTION/COMEDY

Starring: Cameron Diaz, Drew Barrymore, Lucy Liu, Bill Murray, Sam Rockwell, Kelly Lynch, Tim Curry, Crispin Glover, Luke Wilson, Matt LeBlanc, Tom Green, LL Cool J, and John Forsythe (voice)

The subject of this movie review is Charlie’s Angels, a 2000 action comedy from director McG (the stage name of Joseph McGinty Nichol). The film is an adaptation of the television series, “Charlie’s Angels,” which was originally broadcast on ABC from 1976 to 1981. The film stars Cameron Diaz, Drew Barrymore, and Lucy Liu as three women employed by a private investigation agency and working for the voice known as “Charlie.”

When I first saw Charlie’s Angels, the big-screen adaptation of the late 70’s television series of the same name, I was sure that it was the best action/comedy that I’d seen in years, if ever. Having seen it again in anticipation of the 2003 sequel, I’m sure that it is one of the best action movies I’ve ever seen and one of the best action/comedies ever made. Although the film’s tongue is firmly planted in the Angel’s cheeks and the film is geared towards men, it’s so very entertaining that everyone should get the joke.

The mysterious Charles “Charlie” Townsend (voice of John Forsythe) has three very special little ladies in his employ: Natalie Cook (Cameron Diaz), Dylan Sanders (Drew Barrymore), and Alex Munday (Lucy Liu). Under the supervision of John Bosley (Bill Murray), Charlie’s Angels use martial arts, high tech skills, and sex appeal in their investigation work for clients who can afford Charlie’s agency. This time the client is kidnap victim Eric Knox (Sam Rockwell) who runs a giant software company. The girls not only have to rescue him, but also have to retrieve Knox’s revolutionary voice-ID software. However, the girls run into more than they were told to expect, including a sleazy billionaire (Tim Curry) and his mysterious, tall, thin, ass-kickin’ bodyguard (Crispin Glover).

Directed by music video maestro McG (videos for Korn and Sugar Ray, among others), Charlie's Angels is a high-octane, comic book-styled, action movie parody and farce. None of it should be taken seriously, least of all its conspiracy-within-a-conspiracy script. This is played for fun, recalling the best action movie scenes and clichés: car chases, exploding buildings, pumping soundtrack, quick-cut editing, and Matrix-style “wire-fu” martial arts. Maybe the funniest thing about this film is that this time women do the butt stomping. Usually in action movies, the girls are just the hang-ons of the male stars, following them around and screaming at the appropriate moments during gun fights, fist fights, car chases, aircraft falling out the sky, explosions, etc. This time the girls are in control. This time their sex appeal rules the story instead of just being sex used to decorate the violence. The ladies kick the butts and leave the men panting.

It’s all done so stylishly, and it’s all good and so cool. The vapid material gets inspired performances from the cast, but the actors really make this fun to watch. Bill Murray is tired though. His Bosley is just him doing his shtick, but it is so uninspired that he should have been embarrassed to see himself in the finished product. He was wrong, wrong, wrong, wrong, and wrong again.

But don’t let that keep you from watching this funny, exciting, and very wild action cartoon. Come on. Pull the stick out. Sit back and be entertained by this delicious serving of popcorn movie.

7 or 10
B+

NOTES:
2001 Black Reel Awards: 1 nomination: “Best Song” (Jean Claude Olivier-Writer, Samuel Barnes-Writer, Cory Rooney-Writer, Beyoncé Knowles-Writer, and Destiny’s Child-Performers for the song “Independent Women Part 1”)

Updated: Thursday, June 27, 2013

Review: "Kill Bill: Volume 2" Gets Better with Age

TRASH IN MY EYE No. 53 (of 2004) by Leroy Douresseaux

Kill Bill: Volume 2 (2004)
Running time: 136 minutes; MPAA – R for violence, language and brief drug use
DIRECTOR: Quentin Tarantino
WRITER: Quentin Tarantino (The Bride character by Uma Thurman and Quentin Tarantino)
PRODUCER: Lawrence Bender
CINEMATOGRAPHER: Robert Richardson (D.o.P.)
EDITOR: Sally Menke
COMPOSER: Robert Rodriguez
Golden Globe nominee

CRIME/DRAMA with elements of Action, Martial Arts, and Thriller

Starring: Uma Thurman, David Carradine, Daryl Hannah, Samuel L. Jackson, Michael Madsen, Lucy Liu, Michael Parks, Jeannie Epper, Perla Haney-Jardine, Caitlin Keats, Chris Nelson, Gordon Liu, LaTanya Richardson, and Bo Svenson

The subject of this movie review is Kill Bill: Volume 2, a 2004 crime drama and martial arts film from writer/director Quentin Tarantino. It is the second of two films that were released within several months of each other. The film follows a character called “The Bride,” who is seeking revenge against her former colleagues.

In Kill Bill: Vol. 2, the sequel or second half of Quentin Tarantino’s film, Kill Bill: Volume 1, The Bride (Uma Thurman) continues her mission of revenge against her former colleagues for killing her husband-to-be and the wedding party and for shooting and leaving her for dead. Most of all, she want her old boss, Bill (David Carradine); he fired the shot in her head that was supposed to kill her. But Bill has a secret named B.B. (Perla Haney-Jardine), so will The Bride be able to handle the shock of meeting B.B.?

Where Kill Bill: Vol. 1 was a stylish martial arts movie done in lively colors with the relentlessness of a revenge movie cum video game, Kill Bill: Vol. 2 is slick, crime drama – part Western and part hard-boiled novella. There’s a movie poster for a film by the late actor, Charles Bronson, used a set piece in the film, and Vol. 2 indeed has the gall of Bronson bullet ballad. Some viewers may be put off by the jarring change of pace from the first film to the second. There are very few fight scenes in 2, and they’re quite short. Only the battle between Elle Driver/California Mountain Snake (Daryl Hannah) and The Bride has the hard-edged intensity of anything near the fisticuffs of the first film.

Still, Kill Bill: Vol. 2 is an example of virtuoso filmmaking and an expert homage to many well known American film genres. Vol. 2 isn’t anywhere near as fun to watch as the first, but for those viewers who have varied tastes in films and movies and who are familiar with many film styles and techniques, Vol. 2 will be exciting to watch. As all his films have been, Kill Bill: Vol. 2 is ultimately worth watching because director Quentin Tarantino simply does so many interesting things. He’s that know-it-all film nerd who can actually make the great film he might say no one else can make, although Kill Bill Volume 2 isn’t that exactly the great film either.

8 of 10
A

NOTES:
2005 Golden Globes, USA: 2 nominations: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (David Carradine) and “Best Performance by an Actress in a Motion Picture – Drama” (Uma Thurman)

2005 Black Reel Awards: 1 nomination: “Best Original Score” (RZA)

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Review: "Kill Bill: Volume 1" is Still a Killer

TRASH IN MY EYE No. 152 (of 2003) by Leroy Douresseaux

Kill Bill: Volume 1 (2003)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – R for strong bloody violence, language and some sexual content
WRITER/DIRECTOR: Quentin Tarantino
PRODUCER: Lawrence Bender
CINEMATOGRAPHER: Robert Richardson (D.o.P.)
EDITOR: Sally Menke
COMPOSER: The RZA
BAFTA Awards nominee

ACTION/CRIME/MARTIAL ARTS/THRILLER

Starring: Uma Thurman, David Carradine, Lucy Liu, Daryl Hannah, Vivica A. Fox, Michael Madsen, Michael Parks, James Parks, Sonny Chiba, Chiaki Kuriyama, Julie Dreyfus, and Chia Hui Liu

The subject of this movie review is Kill Bill: Volume 1, a 2003 martial arts and action film from writer/director Quentin Tarantino. It is the first of two films that were released within several months of each other. The film follows a character called “The Bride,” who is seeking revenge against her former colleagues.

If there was much doubt that Quentin Tarantino could still make not just good movies, but great movies, Kill Bill: Volume 1 should dispel that doubt, unless the doubters are just being contrary. That Kill Bill is one of the most violent, if not the most violent, American films ever made is very certain. Only time will tell if Kill Bill Vol. 1 is the best American action movie ever made, but it is the best and most thrilling film since James Cameron abruptly reshaped thrills and intensity of movies with Aliens.

In the film, The Bride (Uma Thurman) awakes from a coma in which she’d been in for four years. It has been four years since her fellow assassins of the Deadly Viper Assassination Squad killed her husband and wedding party at a small church in Texas. Her boss, Bill (David Carradine), however, did the honor of shooting The Bride, showing no mercy even though she was late in her obvious pregnancy. Bill’s biggest mistake was that he didn’t kill her, and now The Bride is out to Kill Bill. Before Bill, she has scores to settle with two of her colleagues, Copperhead (Vivica A. Fox) and Cottonmouth, now known as O-Ren Ishi (Lucy Liu), and a Yakuza crime boss in Tokyo.

Tarantino reportedly shot so much footage for Kill Bill that he and the studio Miramax Films ultimately decided to divide the film into two parts. One of Tarantino’s signature techniques is to juxtapose time in his scripts, dividing his films into self-contained chapters that are complete little short stories on their own. Each chapter fits in quite well with the larger film story and embellishes it so very well.

Kill Bill isn’t so much about the story as it is about the technique of making film. Tarantino basically asks his audience to go along with this long homage to Asian cinema, in particular martial arts epics and crime films. He mixes film genres with varied visual styles of films, and in that his cinematographer Robert Richardson (an Academy Award winner for Oliver Stone’s JFK) ably assists. At times, Kill Bill is totally about what the film stock looks like – the colors, the lack of color, grittiness, glossiness, etc.

This is a film geek’s film – the kind of genre film a big fan of a particular genre would like to make as well as see, and Tarantino makes it so well. Kill Bill is a grand time. For fans of martial arts films who loved the elaborate fight scenes in movies like The Matrix and Crouching Tiger, Hidden Dragon, the master fight choreographer who worked on both films, Yuen Wo-Ping, worked with Tarantino on the heart-stopping and eye-popping fights in Kill Bill.

Tarantino gets the most out of all his crew. The RZA (of hip hop act Wu-Tang Clan fame) composes a brilliant, genre-crossing, ear-bending score that recalls the sounds and tunes of classic gangster, Western, martial arts, and crime cinema classics. Shout outs also go to the art and costume departments.

Kill Bill is without a doubt great cinema about cinema, and it’s excellent entertainment. By no means perfect, it does dry up on occasion and even seems a bit long. There were also too many bits obviously thrown in to accommodate the next chapter. Still, the fault lines don’t matter because Kill Bill is so damn fine. Action movie lovers and lovers of great filmmaking cannot miss this because Kill Bill Volume 1 is that proverbial good movie about which people are always complaining Hollywood doesn’t make anymore.

9 of 10
A+

NOTES:
2004 BAFTA Awards: 5 nominations: “Anthony Asquith Award for Film Music”(RZA); “Best Achievement in Special Visual Effects” (Tommy Tom, Kia Kwan, Tam Wai, Kit Leung, Hin Leung, and Jaco Wong), “Best Editing” (Sally Menke), “Best Performance by an Actress in a Leading Role” (Uma Thurman), and “Best Sound” (Michael Minkler, Myron Nettinga, Wylie Stateman, and Mark Ulano)

2004 Black Reel Awards: 1 nominee: “Best Supporting Actress” (Vivica A. Fox)

2004 Golden Globes, USA: 1 nomination: “Best Performance by an Actress in a Motion Picture – Drama” (Uma Thurman)

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2nd Annual Critics' Choice Television Award Winners - Complete List

Broadcast Television Journalists Association Announces Winners of the 2nd Annual Critics’ Choice Television Awards

LOS ANGELES--(BUSINESS WIRE)--The Broadcast Television Journalists Association (BTJA), an offshoot of the Broadcast Film Critics Association, today announced the winners of the 2nd annual Critics’ Choice Television Awards. The star-studded gala awards dinner to acknowledge and honor the best in television was held at the Beverly Hilton Hotel earlier this evening.

Homeland took home the prize for Best Drama Series while Community won in the Best Comedy Series category. Best Reality Series went to Anthony Bourdain: No Reservations, while Best Reality Show-Competition went to The Voice. Late Night with Jimmy Fallon was honored as Best Talk Show, Archer was honored as Best Animated Series, and Sherlock was honored as Best Movie/Miniseries. NBC was the most awarded network with five wins followed by ABC and AMC, which tied with three wins each.

Actors Bryan Cranston and Louis C.K. won Best Actor in a Drama Series for Breaking Bad and Best Actor in a Comedy Series for Louie, respectively. Claire Danes was honored as Best Actress in a Drama Series for her role in Homeland while Zooey Deschanel and Amy Poehler tied for Best Actress in a Comedy Series for their roles in New Girl and Parks and Recreation, respectively. Best Supporting Actress in a Drama Series went to Mad Men’s Christina Hendricks for the second year in a row. Breaking Bad’s Giancarlo Esposito was named Best Supporting Actor in a Drama Series. Julie Bowen took home the award for Best Supporting Actress in a Comedy and Ty Burrell won Best Supporting Actor in a Comedy Series for their roles in Modern Family. Lucy Liu won Best Guest Performer in a Drama Series for Southland, and Paul Rudd won Best Guest Performer in a Comedy Series for his role on Parks and Recreation.

Dancing with the Star’s Tom Bergeron and So You Think You Can Dance’s Cat Deeley tied for Best Reality Host. Benedict Cumberbatch was recognized as Best Actor in a Movie/Miniseries for his work in Sherlock, while Julianne Moore was named Best Actress in a Movie/Miniseries for her role in Game Change. In addition, The Following, The Mindy Project, Nashville, The Newsroom and Political Animals were honored as Most Exciting New Series.

Acting category nominees in attendance included: Gillian Anderson (Great Expectations), Julie Bowen (Modern Family), Alison Brie (Community), Ty Burrell (Modern Family), Kevin Costner (Hatfields & McCoys), Don Cheadle (House of Lies), Cat Deeley (So You Think You Can Dance), Zooey Deschanel (New Girl), Garret Dillahunt (Raising Hope), Giancarlo Esposito (Breaking Bad), Max Greenfield (New Girl), Anna Gunn (Breaking Bad), Christina Hendricks (Mad Men), Cheryl Hines (Suburgatory), Charlie Hunnam (Sons of Anarchy), Gillian Jacobs (Community), Phil Keoghan (The Amazing Race), Regina King (Southland), Lucy Liu (Southland/Elementary), Justin Long (New Girl), Joel McHale (Community), Julianne Moore (Game Change), John Noble (Fringe), Nick Offerman (Parks and Recreation), Aaron Paul (Breaking Bad), Carrie Preston (The Good Wife), Danny Pudi (Community), Ashley Rickards (Awkward), Emmy Rossum (Shameless), Katey Sagal (Sons of Anarchy), Eden Sher (The Middle), Maggie Siff (Sons of Anarchy), RuPaul (RuPaul’s Drag U), Damon Wayans Jr. (Happy Endings), Chloe Webb (Shameless) and Casey Wilson (Happy Endings).

Presenters included: Beth Behrs (Two Broke Girls), Chris Colfer (Glee), Josh Dallas (Once Upon a Time), Emily Deschanel (Bones), Patrick Duffy (Dallas), Donald Faison (The Exes), Sharon Gless (Burn Notice), Ginnifer Goodwin (Once Upon a Time), Josh Hopkins (Cougar Town), Stana Katic (Castle), Cloris Leachman (Raising Hope), Robert Patrick (True Blood), Sarah Paulson (American Horror Story), Busy Philipps (Cougar Town), Hannah Simone (New Girl), Kate Walsh (Private Practice) and Shane West (Nikita).

Stars of the five shows acclaimed as Most Exciting New Series were also in attendance including: Mindy Kaling (The Mindy Project), Chris Messina (The Mindy Project), Olivia Munn (The Newsroom), Hayden Panettiere (Nashville), Thomas Sadoski (The Newsroom) and Natalie Zea (The Following).

The Broadcast Television Journalists Association (BTJA) also partnered with thalo Magazine to recognize Smash with the thalo’s Critics’ Choice Inspiration Award, which honors a television show for illuminating the fine arts in its subject matter and production methods, along with the individuals who infuse those productions with their artistic passions.

The Critics’ Choice Television Awards honored programs and performances that aired between June 1, 2011 and May 31, 2012, except for the Most Exciting New Series, which are shows premiering after June 1, 2012. Six new categories debuted this year including Best Movie or Mini-series, Best Actor in a Movie or Mini-Series, Best Actress in a Movie or Mini-Series, Best Guest Performer in a Drama Series, Best Guest Performer in a Comedy Series and Best Animated Series. The full winners tally is included below.

The 2nd annual Critics’ Choice Television Awards were executive produced by Bob Bain for Bob Bain Productions.

About BTJA
The Broadcast Television Journalists Association (BTJA) is a partner organization to the Broadcast Film Critics Association. BTJA includes TV, radio and Internet journalists who cover television on a regular basis. For more information, visit: http://www.criticschoice.com/

WINNERS OF THE 2nd ANNUAL CRITICS’ CHOICE TELEVISION AWARDS

Best Drama Series
Homeland – Showtime

Best Actor in a Drama Series
Bryan Cranston – Breaking Bad – AMC

Best Actress in a Drama Series
Claire Danes – Homeland – Showtime

Best Supporting Actor in a Drama Series
Giancarlo Esposito – Breaking Bad – AMC

Best Supporting Actress in a Drama Series
Christina Hendricks – Mad Men – AMC

Best Guest Performer in a Drama Series
Lucy Liu – Southland – TNT

Best Reality Series
Anthony Bourdain: No Reservations – Travel Channel

Best Reality Series – Competition
The Voice – NBC

Best Reality Show Host - TIE
Tom Bergeron – Dancing with the Stars – ABC
Cat Deeley – So You Think You Can Dance – FOX

Best Talk Show
Late Night with Jimmy Fallon – NBC

Best Comedy Series
Community – NBC

Best Actor in a Comedy Series
Louis C.K. – Louie – FX

Best Actress in a Comedy Series - TIE
Zooey Deschanel – New Girl – FOX
Amy Poehler – Parks and Recreation – NBC

Best Supporting Actor in a Comedy Series
Ty Burrell – Modern Family – ABC

Best Supporting Actress in a Comedy
Julie Bowen – Modern Family – ABC

Best Guest Performer in a Comedy Series
Paul Rudd – Parks and Recreation – NBC

Best Animated Series
Archer – FX

Best Movie/Miniseries
Sherlock – Masterpiece on PBS

Best Actor in a Movie/Miniseries
Benedict Cumberbatch – Sherlock – Masterpiece on PBS

Best Actress in a Movie/Miniseries
Julianne Moore – Game Change – HBO

Most Exciting New Series
The Following (Fox/Warner Bros.)
The Mindy Project (Fox/Universal)
Nashville (ABC/Lionsgate)
The Newsroom (HBO)
Political Animals (USA/Warner Bros.)

Review: "Chicago" is Bold and Splash (Happy B'day, Rob Marshall)

TRASH IN MY EYE No. 35 (of 2003) by Leroy Douresseaux

Chicago (2002)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – PG-13 for sexual content and dialogue, violence and thematic elements
DIRECTOR: Rob Marshall
WRITER: Bill Condon (based upon the play by Maurine Dallas Watkins and the musical by Bob Fosse and Fred Ebb)
PRODUCER: Martin Richards
CINEMATOGRAPHER: Dion Beebe (D.o.P.)
EDITOR: Martin Walsh
COMPOSER: Danny Elfman
2003 Academy Award winner

MUSICAL/CRIME/DRAMA with elements of comedy

Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Lucy Liu, Taye Diggs, Colm Feore, Christine Baranski, Dominic West, and Mya

Adulterous Roxie Hart (Renee Zellweger) kills her lover after he boldly admits lying to her and stringing her along. Velma Kelly (Catherine Zeta-Jones) kills her song and dance partner sister and her own husband when she catches them knocking boots. Both end up in the same dark and dank prison awaiting trial, clients of William “Billy” Flynn (Richard Gere), a flamboyant lawyer who specializes in representing gals who’ve killed their husbands and lovers. Under the tutelage of Matron “Mama” Morton (Queen Latifah), the girls struggle to escape the gallows for their crimes and strive for fame in scandal laden 1920’s Chicago.

Yes, it’s good, damn good. Director/choreographer Rob Marshall’s Chicago, a film version of the famed musical, is a thoroughly enjoyable and invigorating film spectacle. If this and Moulin Rouge! represent what the return of film musicals will look like, we are in for a treat. Marshall choreographed “Annie” and “Rodger and Hammerstein’s Cinderella” for television. In his film, he creates lavish and electrical dance scenes of the musical’s songs and integrates them with the dark and gritty world of 20’s Chicago. The colorful staged renditions of the songs flit back and forth showing us the idealized worlds of the characters, juxtaposed against the brutal frankness of their real world. The dance numbers are stirring and attention grabbing, as visually attractive as anything on MTV.

Screenwriter Bill Condon, who won an Academy Award for writing his film Gods and Monsters, does an excellent job composing a story that can compete with the energy and electricity of the songs. That’s no easy feat. Condon had to structure the story so that we would be as interested in it as we were thrilled by the songs. Chicago’s central story is rife with engaging tension and conflict and with characters we can support along every step of their treacherous journey.

Can Ms. Zellweger, Ms. Zeta-Jones, and Mr. Gere sing and dance? The answer is a resounding “yes!” Seeing them in the staged numbers and in the story scenes is like watching six different performers. I had a hard time believing the actors and singer/dancers were the same people; I know these performers and to see them pull off these performances is a revelation. I didn’t know Gere had it in him. It’s simply stunning and worth every minute of your time to watch.

The supporting performances are quite nice. Queen Latifah’s presence asserts itself strongly on the film; it often seems as if Mama is the puppeteer backstage directing events. Taye Diggs adds a sense of style to the film, and John C. Reilly quietly adds a sense of innocence and moral dignity to a story of people ready to grab fame at any costs.

Chicago, like Moulin Rouge!, is not like your average film. In fact, it’s very different from most quality and “serious” films. Like a good drama, it’s thoughtful; like the best action movies, it’s quite explosive. Chicago is a dream work, a film that is as visually rambunctious as the best music videos, but with the strong story and characters that you can take to heart – a must see movie.

8 of 10
A

NOTES:
2003 Academy Awards: 6 wins: “Best Picture” (Martin Richards), “Best Actress in a Supporting Role” (Catherine Zeta-Jones), “Best Art Direction-Set Decoration” (John Myhre-art director and Gordon Sim-set decorator), “Best Costume Design” (Colleen Atwood), “Best Film Editing” (Martin Walsh), and “Best Sound” (Michael Minkler, Dominick Tavella, and David Lee); 6 nominations: “Best Actor in a Supporting Role” (John C. Reilly), “Best Actress in a Leading Role” (Renée Zellweger), “Best Actress in a Supporting Role” (Queen Latifah), “Best Cinematography” (Dion Beebe), “Best Director” (Rob Marshall), “Best Music, Original Song” (John Kander-music and Fred Ebb-lyrics for the song "I Move On"), and “Best Writing, Adapted Screenplay” (Bill Condon)

2003 BAFTA Awards: 2 wins: “Best Performance by an Actress in a Supporting Role” (Catherine Zeta-Jones) and “Best Sound” (Michael Minkler, Dominick Tavella, David Lee, and Maurice Schell); 10 nominations: “Anthony Asquith Award for Film Music” (Danny Elfman, John Kander, and Fred Ebb), “Best Cinematography” (Dion Beebe), “Best Costume Design” (Colleen Atwood), “Best Editing” (Martin Walsh), “Best Film” (Martin Richards), “Best Make Up/Hair” (Jordan Samuel and Judi Cooper-Sealy), “Best Performance by an Actress in a Leading Role” (Renée Zellweger), “Best Performance by an Actress in a Supporting Role” (Queen Latifah), “Best Production Design” (John Myhre), and “David Lean Award for Direction” (Rob Marshall)

2003 Golden Globes: 3 wins: “Best Motion Picture - Musical or Comedy” (Martin Richards), “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Richard Gere), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Renée Zellweger); 5 nominations: “Best Director - Motion Picture” (Rob Marshall), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (John C. Reilly), “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Catherine Zeta-Jones), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Queen Latifah), and “Best Screenplay - Motion Picture” (Bill Condon)

2003 Black Reel Awards: 1 win: “Theatrical - Best Supporting Actress” (Queen Latifah)

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Review: "Kung Fu Panda 2" Brings Awesome Back

TRASH IN MY EYE No. 45 (of 2011) by Leroy Douresseaux

Kung Fu Panda 2 (2011)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for sequences of martial arts action and mild violence
DIRECTORS: Jennifer Yuh
WRITERS: Jonathan Aibel and Glenn Berger
PRODUCER: Melissa Cobb
COMPOSERS: Hans Zimmer and John Powell

ANIMATION/MARTIAL ARTS/COMEDY/DRAMA

Starring: (voices) Jack Black, Angelina Jolie, Gary Oldman, Dustin Hoffman, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, James Hong, Michelle Yeoh, Jean-Claude Van Damme, Dennis Haysbert, and Danny McBride

Kung Fu Panda 2 is a computer-animated film from DreamWorks Animation. A martial arts, action-comedy, it is the sequel to the Oscar-nominated 2008 animated film, Kung Fu Panda. The sequel is every bit as good as the original, but the action and fight scenes in the new movie not only surpass the first film, they are also better than anything yet seen in computer-animated films.

Following the events of the first film, Kung Fu Panda 2 finds Po (Jack Black), the giant panda, living his dream as the legendary Dragon Warrior. He protects the Valley of Peace alongside his friends and fellow kung fu masters, the legendary Furious Five: Tigress (Angelina Jolie), Crane (David Cross), Mantis (Seth Rogen), Viper (Lucy Liu), and Monkey (Jackie Chan). Master Shifu (Dustin Hoffman) wishes to continue Po’s lessons by helping him pursue inner peace.

However, Po and the Furious Five must race stop a powerful new enemy, Lord Shen (Gary Oldman), the exiled son of the late Peacock Emperor. From Gongmen City, Shen plots to unleash a powerful new weapon that threatens to destroy kung fu and help him conquer China. For Po, however, there is something familiar about Shen and his murderous army that paralyzes him whenever he faces them. Suffering from bad dreams, Po must delve into his past, the place he doesn’t want to go. If he doesn’t, Shen will win.

I must admit to being in love with great martial arts fighting scenes. I could watch the fight sequences in films like Crouching Tiger, Hidden Dragon, Hero, and even Ninja Assassin on a continuous loop. The fight scenes are what really won me over with Kung Fu Panda 2. It’s still hard for me to believe that computers can create this kind of character animation and movement with such precision and dynamism. I don’t know if I should call it high tech virtuosity or art as the illusion of life. Kung Fu Panda 2 has some of the most beautiful animation I’ve ever seen and rich hues and colors that sparkle.

This movie is not all about the visual spark, however. Kung Fu Panda 2’s story has heart and also the kind of compelling character writing we’ve come to expect from Pixar’s films. Po’s struggles with identity and his origin and the fear that engenders are genuine to the point that you might start worrying about him as if he were a real person. I can say that same thing about Lord Shen, a thoroughly fashioned character and the kind of complicated, complex adversary usually reserved for films seeking Oscar nominations. Gary Oldman does a splendid job in his voice performance as Shen, emphasizing that while Shen is the contrast to Po, they also have similar issues.

Anyone who tells you that Kung Fu Panda 2 is more of the same may not quite be full of crap, but they’re more than half full. This is a sequel that is a continuation of the original’s excellence, and Kung Fu Panda 2 is one of the year’s best.

9 of 10
A+

Sunday, May 29, 2011

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Review: First "Kung Fu Panda" Kicked Butt

TRASH IN MY EYE No. 43 (of 2011) by Leroy Douresseaux

Kung Fu Panda (2008)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG for sequences of martial arts action
DIRECTORS: John Stevenson and Mark Osborne
WRITERS: Jonathan Aibel and Glenn Berger; from a story by Ethan Reiff and Cyrus Voris
PRODUCER: Melissa Cobb
CINEMATOGRAPHER: Yong Duk Jhun
EDITOR: Clare De Chenu
PRODUCTION DESIGNER: Raymond Zibach
COMPOSERS: Hans Zimmer and John Powell
Academy Award nominee

ANIMATION/MARTIAL ARTS/FANTASY/FAMILY

Starring: (voices) Jack Black, Dustin Hoffman, Angelina Jolie, Ian McShane, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, Randall Duk Kim, James Hong, Michael Clarke Duncan, and Dan Fogler

Kung Fu Panda is a 2008 computer-animated, martial arts, action comedy movie from DreamWorks Animation. It is the story of a lazy, genial giant panda who dreams of greatness and suddenly finds it thrust upon him.

Kung Fu Panda is set in ancient China, specifically the Valley of Peace (a fictional place), which is inhabited by talking animals. That is where you will find Po (Jack Black), a giant panda who is also a kung fu fanatic. He lives with his father, Mr. Ping (James Hong), a goose and a noodle maker. Mr. Ping, who does not care for kung fu, owns the most popular noodle restaurant in the Valley and wants to one day pass the shop down to his son, Po, who would rather become a kung fu master.

Po gets more than he expects when a kung fu master, the elderly tortoise, Master Oogway (Randall Duk Kim), suddenly and unexpectedly chooses him to fulfill an ancient prophecy. Po is the prophesied Dragon Warrior! However, the man chosen by Oogway to train Po, the diminutive red panda, Master Shifu (Dustin Hoffman), is unwilling to believe that Po could be the Dragon Warrior. Even Shifu’s students, the legendary Furious Five: Tigress (Angelina Jolie), Crane (David Cross), Mantis (Seth Rogen), Viper (Lucy Liu), and Monkey (Jackie Chan), don’t believe in Po.

Po will have to believe in himself and make his dreams of becoming a kung fu master into reality. Shifu’s former student, the vengeful and treacherous snow leopard, Tai Lung (Ian McShane), is headed to the Valley of Peace, and it will be up to Po to defend everyone from him.

I consider Kung Fu Panda to be the best film from DreamWorks Animation, to date. Virtually everything about this film is done to perfection. Every voice actor is just right for his or her role, but I must single out my favorite, the wonderful James Hong as Po’s lovable father, Mr. Ping. You can imagine that he does a really good job to get singled out, considering Jack Black, Dustin Hoffman, and Ian McShane are superb in their respective rolls. Everyone brings his or her character to life in a way that matches topnotch performances in live action pictures.

The films by Pixar Animation Studios are so good that it is easy to forget that DreamWorks has become the co-gold standard in computer animated films. While Pixar excels in scriptwriting and storytelling of their films, DreamWorks has come to surpass them in software and tech. Computer-animated films generally do not have the character animation and movement on display in DreamWorks films, particularly those released during the last three years or so.

Kung Fu Panda moves like a Looney Tunes cartoon short – with the chaos of a Road Runner cartoon and the madcap comedy of a Chuck Jones Bugs Bunny short, but it does everything faster; the movement is so much more complex. The most important thing, however, is that Kung Fu Panda is just a great story about a lovable wannabe hero; he must put aside his slacker ways and psychological issues to be the hero he always wanted to be. Po the hero succeeds and along the way, his story, Kung Fu Panda, also reaches the summit.

9 of 10
A+

NOTES:
2009 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (John Stevenson and Mark Osborne

2009 Golden Globes: 1 nomination: “Best Animated Feature Film”

Tuesday, May 24, 2011

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"East Fifth Bliss" Opens 12th Annual Newport Beach Film Festival

World Premiere of "EAST FIFTH BLISS" Starring Michael C. Hall, Lucy Liu and Peter Fonda to Kick Off 12th Annual Newport Beach Film Festival

NEWPORT BEACH, Calif.--(BUSINESS WIRE)--The 2011 Newport Beach Film Festival (NBFF) proudly announces the World Premiere of EAST FIFTH BLISS as its Opening Night film. The Gala red carpet screening of EAST FIFTH BLISS will take place on Thursday, April 28th, 2011 at 7:30pm at Edwards Big Newport (300 Newport Center Drive), followed by a Q&A with the cast and crew. The Opening Night Gala reception will take place at Fashion Island (401 Newport Center Drive). The 12th annual NBFF will run from April 28th - May 5th, 2011.

EAST FIFTH BLISS stars Golden Globe® winner Michael C. Hall (Dexter), Lucy Liu (Charlie's Angels), Academy Award® nominee Peter Fonda (Easy Rider), Chris Messina (Vicky Cristina Barcelona), Brie Larson (Scott Pilgrim vs. The World), Brad William Henke (Choke) and Sarah Shahi (Fairly Legal).

EAST FIFTH BLISS (2011, USA, 97 minutes) is a comedy / drama about 35 year-old Morris Bliss who is clamped in the jaws of New York City inertia: he wants to travel, but has no money; he needs a job, but has no prospects; he still shares an apartment with his widowed father; and perhaps worst of all, the premature death of his mother still lingers and has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with the sexually precocious daughter of a former high school classmate, Morris quickly discovers his static life comically unraveling and opening up in ways that are long overdue. (Not yet rated, but anticipated to be PG-13)

EAST FIFTH BLISS, filmmaker Michael Knowles's third narrative feature, is an adaptation of the novel of the same title by author Douglas Light. The book won the "Benjamin Franklin Popular Fiction" award in 2007. EAST FIFTH BLISS is co-written for the screen by Douglas Light and Michael Knowles, and produced by John Ramos and Michael Knowles of 7A Productions and John Will of Torn Sky Entertainment.

“I am thrilled Newport Beach Film Festival chose EAST FIFTH BLISS as the opening night film of this year’s festival. It feels good to have such a prestigious festival support and believe in our film. I'm looking forward to sitting in the amazing opening night theater and experiencing East Fifth Bliss with 1100 people, because for me, that's what it's all about,” stated director Michael Knowles.

Cast and crew from EAST FIFTH BLISS are scheduled to appear at the red carpet and screening. Press check in will be from 5:30pm - 6:30pm and red carpet arrivals will take place from 6:30pm - 7:30pm. The screening will commence at 7:30pm. All press must be credentialed prior to covering the Opening Night event. Press can register for credentials online at www.NewportBeachFilmFest.com.

Following the screening, the Festival, in partnership with Fashion Island and Esquire Magazine, will host an Opening Night Gala at Fashion Island. The Gala will feature culinary tastings from over twenty-five of Orange County’s premier restaurants, a runway fashion show spotlighting the latest looks from several of Fashion Island's top retailers including Neiman Marcus, Bloomingdale's and Nordstrom and a hosted bar provided by Absolut Vodka, Stella Artois and Perrier.

Tickets to the Opening Night screening and Gala are $125 each and are now available at http://www.newportbeachfilmfest.com/. Patrons can also purchase tickets to the Opening Night Gala for $80 each. Dress is black tie optional. Guests must be at least 21 years old.

The Newport Beach Film Festival will showcase over 400 films from over 45 countries and host nightly special events, red carpet galas, compelling conversations with filmmakers, international spotlight events and seminars. The Festival offers filmgoers unique opportunities to mingle with celebrities, filmmakers from around the globe and film industry professionals in a beautiful seaside locale.

The NBFF is sponsored in part by Absolut Vodka, Fashion Island, Regal Entertainment Group, Newport Lexus, Los Angeles Times, Time Warner Cable, and the City of Newport Beach.

Passes and tickets for film screenings, galas and special events are currently on sale. To purchase tickets and for information about the Newport Beach Film Festival visit http://www.newportbeachfilmfest.com/.

About the Newport Beach Film Festival
Celebrated as one of the leading lifestyle film festivals in the United States, the Newport Beach Film Festival seeks to bring to Orange County the best of classic and contemporary filmmaking from around the world. Committed to enlightening the public with a first-class international film program, a forum for cultural understanding and enriching educational opportunities, the NBFF focuses on showcasing a diverse collection of studio and independent films from around the globe. The 12th annual Newport Beach Film Festival runs April 28th - May 5th and will spotlight over 350 films from around the world.