Review: James Gunn Delivers a Series Best in the Great "GUARDIANS OF THE GALAXY VOL. 3"

TRASH IN MY EYE No. 20 of 2023 (No. 1909) by Leroy Douresseaux

Guardians of the Galaxy Vol. 3 (2023)

Running time:  150 minutes (2 hours, 30 minutes)

MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements

DIRECTOR:  James Gunn

WRITERS:  James Gunn (based on the Marvel Comics characters)

PRODUCER:  Kevin Feige

CINEMATOGRAPHER:  Henry Braham (D.o.P.)

EDITORS:  Fred Raskin and Greg D'Auria

COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10

A+

★★★★+ out of 4 stars

Friday, May 5, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "Ant-Man and the Wasp: Quantumania" Takes Us on a Fantastic Voyage

TRASH IN MY EYE No. 8 of 2023 (No. 1897) by Leroy Douresseaux

Ant-Man and the Wasp: Quantumania (2023)

Running time:  125 minutes (2 hours, 5 minutes)

MPAA – PG-13 for violence/action, and language

DIRECTOR:  Peyton Reed

WRITER:  Jeff Loveness (based on the Marvel Comics characters)

PRODUCERS:  Kevin Feige and Stephen Broussard

CINEMATOGRAPHER:  Bill Pope

EDITORS:  Adam Gerstel and Laura Jennings

COMPOSER:  Christophe Beck

SUPERHERO/SCI-FI and ACTION/ADVENTURE/COMEDY

Starring:  Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Jonathan Majors, Kathryn Newton, Bill Murray, Katy M. O'Brian, William Jackson Harper, James Cutler, David Dastmalchian, Randall Park, and Corey Stoll

Ant-Man and the Wasp: Quantumania is a 2023 superhero and sci-fi action film directed by Peyton Reed and produced by Marvel Studios.  It is the 31st film in the Marvel Cinematic Universe (MCU) and is also the third entry in the Ant-Man film series.  The film and the series are based on the Marvel Comics character, Ant-Man, who first appeared in Tales to Astonish #27 (cover date: September 1962) and was created by Stan Lee, Larry Lieber, and Jack Kirby.  Quantumania finds Ant-Man and the Wasp on an incredible adventure in a strange universe where they face a dangerous new foe.

Ant-Man and the Wasp: Quantumania finds Scott Lang/Ant-Man (Paul Rudd) living his best life after his most recent adventures with the Avengers (as seen in Avengers: Endgame).  He is a successful author and is happily living with his girlfriend, Hope van Dyne/The Wasp (Evangeline Lilly).  However, there is some trouble at home.  Scott's daughter, Cassie (Kathryn Newton), has become an activist and has been recently arrested during a protest.

While they are visiting Hope's parents, her father, Hank Pym (Michael Douglas), the scientist who was the original Ant-Man; and her mother, Janet van Dyne (Michelle Pfeiffer), who was the original Wasp, Cassie reveals that she has created a device that can map the “Quantum Realm,” a subatomic dimension of the Multiverse.  However, the device can also send messages to the Quantum Realm, which freaks out Janet, who was trapped there for 30 years.  Before Janet can do shut it down, a portal appears and pulls Scott, Hope, Cassie, Hank, and Janet into the Quantum Realm, separating Scott and Cassie from Hope, Hank, and Janet.

Once the two groups begin to explore the Quantum Realm, they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible.  There is also a dark side.  Janet fears they are all headed for an encounter with someone she met when she was first trapped in the Quantum Realm – a despot named “Kang” (Jonathan Majors).

Ant-Man was a D-list character as far as Marvel Comics superheroes go, especially where familiarity with the general entertainment-consuming public was concerned.  Marvel Studios chose the right actor to play Ant-Man, the irresistibly likable, Paul Rudd.  The addition of Hollywood legends like Michael Douglas and Michelle Pfeiffer and television star Evangeline Lilly as a new female superhero made Ant-Man A-list box office.  The result was two lovable, loopy, and imaginative superhero films, Ant-Man (2015) and Ant-Man and the Wasp (2018), that seemed aimed at young viewers even more so than adult audiences.

Ant-Man and the Wasp: Quantumania is just as loopy, but is bigger than the previous two films.  If French film director, Luc Besson (The Fifth Element), made a Star Wars film, it would probably look like Quantumania.  This film's menagerie of people, beings, creatures, machines, tech, etc. are almost on the level of Avatar: The Way of Water.  Quantumania is a dazzling spectacle, and it is nothing like what I expected based on the earlier films.  Everyone from director Peyton Reed and writer Jeff Loveness to the craft and visual effects people did the damn thing and the results are mind-blowing.

The performances are excellent.  As usual, Paul Rudd comes across as the actor most perfect to be Scott Lang and Ant-Man.  Michael Douglas plays Hank Pym with a mix of spry comedy and pitch-perfect drama.  However, I must make way for the women in this film.  Quantumania allows Michelle Pfeiffer to let the dog in her out to play Janet van Dyne, in a way that she probably has not done since White Oleander (2002).  She left me wanting more of Janet.

Evangeline Lilly is once again great as The Wasp, and in Quantumania, she makes me believe that it is time for the Wasp to have a solo outing.  Also, Kathryn Newton makes it impossible to leave Cassie down on the superhero farm (so to speak).  Katy O'Brian also gives a fierce turn as the Quantum Realm freedom fighter, Jentorra.

Finally, I'm not sure that I have words to quite describe Jonathan Major's brilliant turn as Kang.  It is as if Majors has given flesh to James Earl Jones' Darth Vader voice.  He makes Kang own Quantumania, and I think it will be a blast going forward to watch Majors play this character.

You may have heard bad things about Quantumania, from film critics and reviewers and others.  But fuck 'em.  Quantumania is one of Marvel Studios' best films of the past few years, and I heartily recommend it to you, dear readers.  With its sense of the unexpected and of the future known, Ant-Man and the Wasp: Quantumania is the perfect start to what is called “Phase 5” of the MCU.

9 of 10

A+

★★★★+ out of 4 stars

Friday, February 17, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint syndication rights and fees.

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Review: "Avengers: Endgame" is All A-Game

TRASH IN MY EYE No. 7 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Avengers: Endgame (2019)
Running time:  149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references
DIRECTORS:  Anthony Russo and Joe Russo
WRITERS:  Christopher Markus and Stephen McFeely (based upon the comic books created by Stan Lee and Jack Kirby)
PRODUCER: Kevin Feige
CINEMATOGRAPHER:  Trent Opaloch
EDITORS:  Jeffrey Ford and Matthew Schmidt
COMPOSER:  Alan Silvestri

SUPERHERO/ACTION/DRAMA/FANTASY/SCI-FI

Starring:  Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Josh Brolin, Don Cheadle, Paul Rudd, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Brie Larson, Chris Pratt, Zoe Saldana, Karen Gillan, Tom Hiddleston, Elizabeth Olsen, Paul Bettany, Anthony Mackie, Sebastian Stan, Danai Gurira, Dave Bautista, Stan Lee, Bradley Cooper (voice), Vin Diesel (voice), Letitia Wright and Samuel L. Jackson

Avengers: Endgame is a 2019 superhero movie directed by Anthony and Joe Russo and produced by Marvel Studios.  The film is the direct sequel to 2018's Avengers: Infinity War and is the 22nd film in the “Marvel Cinematic Universe” (MCU).  This film is also based on the Avengers comic book created by Stan Lee and Jack Kirby.  Endgame finds the Avengers and their remaining allies assembling once more to restore a universe devastated by their greatest enemy..

Avengers: Endgame opens three weeks after Thanos (Josh Brolin) used the Infinity Stones to disintegrate half of all life in the universe.  The Avengers and their allies make a vain attempt to force Thanos to undo what the snap of his fingers wrought, but that mission ends in disaster.

Five years later, Black Widow/Natasha Romanoff (Scarlett Johansson) oversees the surviving heroes:  Captain America/Steve Rogers (Chris Evans); War Machine/James Rhodes (Don Cheadle), Okoye of Wakanda (Danai Gurira) as they protect Earth.  Rocket (Bradley Cooper) and Nebula (Karen Gillan) of the Guardians of the Galaxy and the newly arrived Captain Marvel/Carol Danvers (Brie Larson) patrol the rest of the universe.  It is a time of sadness where there is little hope.

Then, Ant-Man/Scott Lang (Paul Rudd) appears out of nowhere, claiming to have escaped the Quantum Realm, and he believes that this realm may provide a way to reverse what Thanos did.  First, the remaining Avengers will have to convince estranged Avengers:  Iron Man/Tony Stark (Robert Downey, Jr.), Hulk/Bruce Banner (Mark Ruffalo), Thor (Chris Hemsworth), and Hawkeye/Clint Baron (Jeremy Renner) to return to the fold.

Avengers: Endgame is one of the best superhero films ever made and one of the best films ever adapted from a comic book.  There is so much going on in this film that it seems impossible to review it, but I will try.  I can say simply and with as few words as possible that the acting, directing, writing, cinematography, film score, editing, production design, sound mixing/editing, and special effects and visual effects are all of exceedingly high quality.  They are all as good as you would hope, and I can say that often in this film, they are even better than we would expect.

Avengers: Endgame is not really about the future of the Marvel Cinematic Universe.  Rather,  Endgame resolves the story that began in Avengers: Infinity War.  It revisits some past films and offers closures and happy endings regarding some characters and key moments in past Marvel films.  Avengers: Endgame is the kind of happy ending the greatest modern film studio, Marvel Studios, absolutely had to deliver after giving us so many unbelievably popular and high-quality films.

Last year, I wrote that Avengers: Infinity War was the best Marvel Studios movie after Black Panther.  Now, I can say that Avengers: Endgame is the best Marvel Studios film after Black Panther; heck, Endgame might even be better than Black Panther.  Like Infinity War, Avengers: Endgame is brand maximization – the height of what Marvel Studios offers audiences through its films, and that is just fine.  In Avengers: Infinity War and now in Avengers: Endgame, directors Anthony and Joe Russo; writers Christopher Markus and Stephen McFeely; the cast and the crew and the producers have created the very best of Marvel Studios.

10 of 10

Tuesday, April 30, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "Avengers: Infinity War" is the Marvel Movie Maximized

TRASH IN MY EYE No. 6 (of 2018) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Avengers: Infinity War (2018)
Running time:  149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references
DIRECTORS:  Anthony Russo and Joe Russo
WRITERS:  Christopher Markus and Stephen McFeely (based upon the comic book created by Stan Lee and Jack Kirby)
PRODUCER: Kevin Feige
CINEMATOGRAPHER:  Trent Opaloch
EDITORS:  Jeffrey Ford and Matthew Schmidt
COMPOSER:  Alan Silvestri

SUPERHERO/ACTION/DRAMA/FANTASY/SCI-FI

Starring:  Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Josh Brolin, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Chris Pratt, Zoe Saldana, Karen Gillan, Tom Hiddleston, Elizabeth Olsen, Paul Bettany, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Dave Bautista, Benecio del Toro, Stan Lee, Bradley Cooper (voice), Vin Diesel (voice), Kerry Condon (voice), and Letitia Wright ( with Samuel L. Jackson and Cobie Smulders)

Avengers: Infinity War is a 2018 superhero movie directed by Anthony and Joe Russo and produced by Marvel Studios. The film is based on the Avengers comic book created by Stan Lee and Jack Kirby.  This is also the 19th film in Marvel Studios' “Marvel Cinematic Universe.”  Avengers: Infinity War finds “Earth's Mightest Heroes” and their allies attempting to defeat the powerful Thanos before he puts an end to the universe.

Avengers: Infinity War opens after the destruction of Asgard, the home of the Avenger, Thor (Chris Hemsworth), who is also the King of Asgard.  Thor is powerless to stop the destroyer of his home, Thanos (Josh Brolin), an intergalactic despot from the planet, Titan

Thanos is on a quest to collect all of six Infinity Stones and attach them to a gauntlet (glove) on his left hand.  When he has all six of the stones, he can use their combined power to impose his will on all of reality, and Thanos plans on “re-balancing” the universe by killing half the beings in the universe.  Thanos now has the “Space Stone” and the “Power Stone.”

Thanos sends his forces to Earth to find the “Time Stone,” which is in the possession of Doctor Strange (Benedict Cumberbatch) and the “Mind Stone,” which is connected to the Avenger known as “The Vision” (Paul Bettany).  Thanos travels through space to collect the other two stones, the “Reality Stone,” which is in the possession of The Collector (Benecio del Toro) and the “Soul Stone,” the whereabouts of which is known by someone close to Thanos.

In space, Thor finds allies in The Guardians of the Galaxy: Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista), Teen Groot (voice of Vin Diesel), and Mantis (Pom Klementieff) to battle Thanos.  They are joined by Gamora's sister, Nebula (Karen Gillan), and a small band of heroes from Earth:  Iron Man (Robert Downey, Jr.), Spider-Man (Tom Holland), Doctor Strange, but are they enough to stop Thanos who becomes more powerful with each stone he is able to obtain?

On Earth, Captain America (Chris Evans), Bruce Banner (Mark Ruffalo), Black Widow (Scarlett Johansson), and Scarlet Witch (Elizabeth Olsen) fight the forces of Thanos to protect The Vision's “Mind Stone.”  It is a battle that will take them deep into Africa to the mysterious country of Wakanda.  There, that nation's king, Black Panther (Chadwick Boseman), and his countrymen will join the Avengers in a battle that will bring a mad Titan to Earth.

I love Avengers: Infinity War, and there is so much to love.  I find myself describing it as “Awesome!”  That is a word I do not use very often; in fact, I don't like it.  However, I saw Avengers: Infinity War, and it made me wanna holler, and I hollered “Awesome!”

I think the element that makes this film so good is that directors, the Russo Bros., and the screenwriters, Christopher Markus and Stephen McFeely, make Thanos a well-rounded character, one of pathos and depth that makes him more than a cartoonish intergalactic despot and world-beater slash world-destroyer.  I think the directors and writers succeed in making Thanos matter because they give him more than motivation; they give him something to lose.  Josh Brolin, an underrated actor, performs Thanos via motion-capture because Thanos is a computer-generated character, but Brolin turns Thanos into a fully realized character makes the computer-rendering used to create him easy to ignore.

Another surprise is Spider-Man and the rising star playing him, Tom Holland.  To me, the best version of Spider-Man is the high school version of him and the boy who wears the Spider-Man mask, Peter Parker.  Holland conveys such freshness and youth; even when he is performing Spider-Man as a voice actor, when the character is computer-generated, the newness comes through.  Like Brolin does with Thanos, Holland makes Spider-Man a fully-realized character, but in this case, Holland creates a lovable, endearing character that might be the future of the Marvel Cinematic Universe.

For me, Avengers: Infinity War is the best Marvel Studios movie after Black Panther.  This movie is brand maximization, of course, the height of what Marvel Studios offers movie audiences, and that is just fine.  The Infinity War filmmakers worked hard, as have previous Marvel filmmakers, to deliver hugely entertaining films.  Besides, Infinity War is its own thing, without having to serve the stories of previous Marvel Studios films.  For movie audience who have come to expect the very best out of Marvel, I can simply say that Avengers: Infinity War is the very best of Marvel Studios.

9 of 10
A+

Sunday, April 29, 2018


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "Spider-Man: Homecoming" Sparkly Fresh New

TRASH IN MY EYE No. 19 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Spider-Man: Homecoming (2017)
Running time: 133 minutes (2 hour, 13 minutes)
MPAA – PG-13 for sequences of sci-fi/action and violence
DIRECTOR: Jon Watts
WRITERS:  Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna, and Erik Sommers; from a screen story by Jonathan Goldstein and John Francis Daley (based upon the Marvel comic book by Stan Lee and Steve Ditko)
PRODUCERS: Amy Pascal and Kevin Feige
CINEMATOGRAPHER: Salvatore Totino
EDITORS: Debbie Berman and Dan Lebental
COMPOSER: Michael Giacchino

SUPERHERO/ACTION/ADVENTURE/DRAMA

Starring:  Tom Holland, Michael Keaton, Robert Downey, Jr., Marisa Tomei, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Bokeem Woodbine, Tyne Daly, Abraham Attah, Hannibal Buress, Michael Chernus, Garcelle Beauvais, Chris Evans, Stan Lee, and Jennifer Connelly (voice)

Spider-Man: Homecoming is a 2017 superhero film and drama from director Jon Watts.  It is the sixth film in Columbia Picture's Spider-Man film franchise, but it is the first in a new film trilogy.  Spider-Man: Homecoming is also a co-production between Columbia and Marvel Studios, making it the sixteenth film in the Marvel Cinematic Universe.  Homecoming finds Peter Parker trying to balance his life as a new threat to the safety of New York City emerges.

Spider-Man: Homecoming focuses on Peter Parker (Tom Holland), who is the superhero, Spider-Man.  Peter quits his high school's academic decathlon team so that he can spend more time focusing on his crime-fighting activities as Spider-Man.  He tells his guardian, Aunt May (Marisa Tomei), his friend, Ned (Jacob Batalon), and his classmates that he needs to spend more time on the “Stark internship” given to him by Tony Stark/Iron Man (Robert Downey, Jr.).

One night while patrolling his neighborhood, Spider-Man sees a group of criminals robbing an ATM.  Upon confronting them, Spider-Man discovers that they are using highly-advanced weapons to which they should not have access.  Through tenacious investigating, Peter learns that the weapons are being produced by Adrian Toomes (Michael Keaton), who owns a salvage company, by using alien technology he scavenges and steals as necessary.  Peter is determined to stop Toomes, who wears a high-tech Vulture-like suit.  However, Peter's Spider-Man activities are causing friction between him and his mentor, Tony Stark, and threatens not only Peter's life, but also the life of everyone close to him.

I really liked Tobey Maguire as Peter Parker/Spider-Man in director's Sam Raimi's three Spider-Man films that started the Sony Pictures Spider-Man film franchise, although I thought that only Spider-Man 2 (2004) was really good.  I liked Andrew Garfield in 2012's The Amazing Spider-Man, which I thought, at the time, to be the best Spider-Man film.

I don't know if I am ready to give up on Tobey Maguire as the best Peter Parker, but I think that Spider-Man: Homecoming is the best Spider-Man feature film yet.  Homecoming really sells the idea that it is about a 15-year-old playing superhero, and the film feels like a teen movie as much as it does as a superhero movie.  It is lighthearted and angsty like one of those John Hughes movies from the 1980s (say Pretty in Pink or Sixteen Candles).

At the same time, Spider-Man: Homecoming reminds me of Marvel Studios' first Marvel Cinematic Universe film, Iron Man (2008).  It is not ironic or coincidental that Homecoming features the movie star (Robert Downey, Jr.) and character from that 2008 film.  Like Iron Man, Homecoming focuses on making Peter Parker the center of the story, making Spider-Man a role that Peter plays.  Spider-Man is not the most important role in Peter's life; Peter's most important role is being himself.  One could say that the first Iron Man movie was about about Tony Stark (as played by Downey) than it was about Iron Man.  So it makes sense for Downey/Stark/Iron Man to appear in Homecoming to help Peter Parker find himself as Spider-Man by first finding himself.

Tom Holland gives a superb performance as Peter Parker.  His performance seems to create a heroic arc in which Peter finds himself as Spider-Man, but most importantly, finds himself and learns what is most important – how to be the best Peter Parker so that he can be the most effective Spider-Man.  [Of note, Homecoming is not an origin story and Parker is already Spider-Man when the film begins.]

Late in life, Michael Keaton seems to be convincing more and more people of just how good an actor he is.  Keaton and his villainous role (“The Vulture,” although he is never called that in the film) turn out to be quite important to this film because Keaton's performance and the character he plays are a mirror of Peter Parker's situation in many ways.  Keaton is so good and effective in this movie that he has earned the right to return in a future film.

Homecoming also features a number of good supporting performances besides Robert Downey, Jr.  Jacob Batalon is just right as Peter's friend, Ned, who is the perfect sidekick and guy-back-at-the-base.  Disney Channel star, Zendaya, makes the most of her role as Michelle Jones, and left me wanting to see much more of her.  As Peter's Aunt May, Marisa Tomei also demands more screen time.

I love Spider-Man: Homecoming.  It is the Spider-Man movie that I have been wanting ever since I first saw Sam Raimi's 2002 Spider-Man.  Spider-Man: Homecoming captures the magic, the sense of wonder, the imagination, and the freshness of Spider-Man's first appearance, a 12-page story included in the comic book, Amazing Fantasy #15 (1962)

9 of 10
A+

Monday, July 17, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "Guardians of the Galaxy Vol 2" Reaches New Heights

TRASH IN MY EYE No. 14 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Guardians of the Galaxy Vol. 2 (2017)
Running time:  136 minutes (2 hours, 16 minutes)
MPAA – PG-13 for sequences of sci-fi action and violence, language, and brief suggestive content
DIRECTOR:  James Gunn
WRITERS:  James Gunn (based on the comic book created by Dan Abnett and Andy Lanning)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Craig Wood
COMPOSER:  Tyler Bates

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Kurt Russell, Michael Rooker, Karen Gillan, Pom Klementieff, Laura Haddock, Sean Gunn, Elizabeth Debicki, Chris Sullivan, Sylvester Stallone, Stan Lee, Michelle Yeoh, Ving Rhames, and the voices of Bradley Cooper and Vin Diesel

Guardians of the Galaxy Vol. 2 is a 2017 science fiction-action film and adventure comedy.  It is written and directed by James Gunn and is produced by Marvel Studios.  The film is based on the Marvel Comics title, Guardians of the Galaxy (2008), which was created by Dan Abnett and Andy Lanning, and is a sequel to the 2014 film, Guardians of the Galaxy.  This second film finds the Guardians of the Galaxy trying to unravel the mystery of the origins of one of their own while evading an unhappy client intent on killing them.

In 2014, Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista), Baby Groot (voice of Vin Diesel) are renowned throughout the galaxy as the Guardians of the Galaxy.  They have been hired by Ayesha (Elizabeth Debicki), the leader of the Sovereign race, to stop a monster from stealing valuable batteries from the Sovereign world.  That mission is successful, but also goes slightly awry, making the Guardians targets for destruction.

While on the run, the Guardians meet a mysterious man, who calls himself Ego (Kurt Russell), and his assistant, Mantis (Pom Klementieff).  Ego claims that he is Peter Quill's father, and he takes Peter, Gamora, and Drax with him to his home world.  Rocket and Baby Groot find themselves stuck with Gamora's vengeful sister, Nebula (Karen Gillan).  Things get worse when Peter's surrogate father and Ravager leader, Yondu Udonta (Michael Rooker), shows up to claim a bounty on the Guardians.  Meanwhile, on Ego's planet, Gamora begins to suspect that there is something ominous about Peter's alleged biological father.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Although I was interested in a sequel to the film, I could not imagine what a Guardians of the Galaxy 2 would like.  What we gets is Guardians of the Galaxy Vol. 2, a fun sci-fi action movie and a surprisingly thoughtful character melodrama.

In Guardians of the Galaxy Vol. 2, the acting is really good; the special effects are impressive; the CGI-created environments, backdrops, sets (interiors and exteriors), spaceways, worlds, etc. are so dazzling in scope, color, and imagination.  The songs on the soundtrack are just the inspired choices they were for the first film.  The make-up and costumes are worthy of receiving Oscar nominations next year.

But Guardians of the Galaxy Vol. 2 turns on the inventive and reflective storytelling of writer-director James Gunn.  I thought that Gunn might be a potentially top-notch filmmaker when I saw his film Slither (2006), one of the few horror movies that is genuinely scary while also being droll and witty.  And I have to admit that I also liked Scooby-Doo 2: Monsters Unleashed (2004), for which Gunn was the credited screenwriter, so that was also a point in his favor.

With Guardians of the Galaxy Vol. 2, Gunn delivers his best screenplay.  He takes what could have been a silly, frivolous, and mildly entertaining sequel to a surprising outer space, action-adventure film (the original Guardians of the Galaxy), and instead, delivers a shockingly moving rumination on what a family is, what it can be, and what forms it may take.  Vol. 2 says that family members fight and yell at each other because they care so damn much about one another – even if each individual in the family is loathed to admit how much he cares about another family member and how much she cares about the family as a group.

Guardians of the Galaxy Vol. 2 is just as wild and entertaining and out-there as the first movie.  It is a science fiction/space fantasy pop confection with the delightful fizz of the first film.  However, Guardians of the Galaxy Vol. 2 is not just a follow-up to a hit film, nor is it just the next installment in a franchise.  It is an evolution or at least it is evidence that this franchise can grow, and James Gunn is the guy with the notion that he could really, really improve on the original with a film that engages the characters – both the leads and the supporting players – in character drama and character development.  I honestly wonder if Gunn can top himself in a third Guardians movie.

9 of 10
A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review: Imaginative "Guardians of the Galaxy" is Charming and Fun

TRASH IN MY EYE No. 12 (of 2015) by Leroy Douresseaux

Guardians of the Galaxy (2014)
Running time:  121 minutes (2 hours, 1 minute)
MPAA – PG-13 for intense sequences of sci-fi violence and action, and for some language
DIRECTOR:  James Gunn
WRITERS:  James Gunn and Nicole Perlman (based on the comic book created by Dan Abnett and Andy Lanning)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Ben Davis
EDITORS:  Fred Raskin, Hughes Winborne, and Craig Wood
COMPOSER:  Tyler Bates
Academy Award nominee

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close, Peter Serafinowicz, Benicio Del Toro, Laura Haddock, Sean Gunn, Wyatt Oleff, Gregg Henry, Christopher Fairbank, Stan Lee, and the voices of Bradley Cooper and Vin Diesel with Josh Brolin

Guardians of the Galaxy is a 2014 science fiction action film and adventure comedy from director James Gunn and is produced by Marvel Studios.  The film is based on the comic book, Guardians of the Galaxy (2008), which was created by Dan Abnett and Andy Lanning.  The film focuses on a human and a ragtag band of aliens who take on a warlord bent on galactic destruction.

Guardians of the Galaxy opens in 1988 where a young boy named Peter waits in a hospital where his mother is dying.  Shortly after she passes, the boy is abducted by the Ravagers, a group of space pirates.  26 years later, Peter Quill (Chris Pratt) is Star-Lord, and he is also a wanted man.  He arrives on the planet Morag, where he steals a mysterious orb that he is supposed to give to the leader of the Ravagers, Yondu Udonta (Michael Rooker).

However, the orb holds incredible power, and a fanatical alien named Ronan (Lee Pace) wants to use the orb's power to destroy the planet Xandar.  Ronan sends an assassin to get the orb from Quill.  On the run, Quill unites a ragtag band of oddballs:  the assassin, Gamora (Zoe Saldana); the genetically-engineered raccoon, Rocket (Bradley Cooper); the tree-like humanoid, Groot (voice of Vin Diesel); and the revenge-seeking Drax (Dave Bautista).  They may be the only ones who can save the galaxy and maybe even the universe.

Guardians of the Galaxy was one of the surprise hits of the year, if not the surprise hit of the year.  It was the highest grossing film at the North American box office during the calendar year of 2014.  Some people joked that if Marvel Studios could make a hit of Guardians of the Galaxy, it could make a hit of anything.  That may be true.

Guardians of the Galaxy's production values rival and even exceed (in some cases) most recent science and space fantasy films, including the Star Wars prequels.  The artists behind this film's production design and art direction build an entire new galaxy filled with amazing worlds and places from the ground up, with eye-popping and dazzling results.  The costumes are as creative as what is worn in the kind of costume dramas that usually earn Oscar nods for their costume design.  The make-up, both effects and hair-styling, is probably the best ever seen in a film based on a comic book.

Visually, Guardians of the Galaxy is a most unusual and imaginative film, but it is also familiar.  It is thoroughly infused with the spirit of Star Wars (1977).  Like the original Star Wars film, Guardians of the Galaxy is a lavish sci-fi movie spectacle with elements of Western and pirate adventure films.  It is fun to watch, and by the end of it, I was eager for a sequel.

Maybe co-writer and director James Gunn has created Star Wars for a new generation.  He has a fine cast of actors; a cool universe populated with awesome beings, places, and things.  Gunn also has what seems like an imagination full of ideas that want to get out and sparkle on the big screen.  Gunn can do really good things with this film as the start of a new franchise.  In the meantime, we can enjoy this first film.  Like Men in Black and Independence Day, Guardians of the Galaxy is a sci-fi blast that thrills every viewer who can enjoy the wonder of a great space adventure.

7 of 10
A-

Wednesday, March 4, 2015


NOTES:
2015 Academy Awards, USA:  2 nominations: “Best Achievement in Makeup and Hairstyling” (Elizabeth Yianni-Georgiou and David White) and “Best Achievement in Visual Effects” (Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner, and Paul Corbould)

2015 BAFTA Awards:  2 nominations:  “Best Make Up/Hair” (Elizabeth Yianni-Georgiou and David White) and “Best Achievement in Special Visual Effects” (Stephane Ceretti, Paul Corbould, Jonathan Fawkner, and Nicolas Aithadi)

2015 Black Reel Awards:  2 nominations: “Outstanding Supporting Actress, Motion Picture” (Zoe Saldana) and “Outstanding Voice Performance” (Vin Diesel for playing "Groot")


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Iron Man 3" About the Man in the Iron

TRASH IN MY EYE No. 31 (of 2013) by Leroy Douresseaux


Iron Man 3 (2013)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for sequences of intense sci-fi action and violence throughout, and brief suggestive content
DIRECTOR: Shane Black
WRITERS: Drew Pearce and Shane Black (based on the characters and stories created by Stan Lee, Don Heck, Larry Lieber, and Jack Kirby)
PRODUCER: Kevin Feige
CINEMATOGRAPHER: John Toll (director of photography)
EDITORS: Peter S. Elliot and Jeffrey Ford
COMPOSER: Brian Tyler

SUPERHERO/SCI-FI/ACTION

Starring: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Ty Simpkins, Ben Kingsley, James Badge Dale, Stephanie Szostak, William Sadler, Miguel Ferrer, Jon Favreau, and Paul Bettany (voice)

Iron Man 3 is a 2013 superhero film co-written and directed by Shane Black and starring Robert Downey, Jr. in the title role. It is the third movie in the Iron Man film franchise and the seventh installment in the Marvel Cinematic Universe (which began with the first Iron Man movie in 2008). In Iron Man 3, Tony Stark/Iron Man is forced to rebuild his world after it is torn apart by a formidable terrorist.

Iron Man 3 finds billionaire inventor Tony Stark (Robert Downey, Jr.) suffering from anxiety after his experiences with The Avengers. He has built several new Iron Man suits, which causes friction with his girlfriend and current CEO of Stark Industries, Pepper Potts (Gwyneth Paltrow). Also, Tony’s friend, James “Rhodey” Rhodes (Don Cheadle), is now the U.S. government’s go-to-guy when it needs Iron Man-type help. Rhodes in his War Machine armor has also been re-branded as the Iron Patriot.

Tony has been working non-stop for months, but one thing that does catch his attention is the global tension caused by a mysterious terrorist known as The Mandarin (Ben Kingsley). After his friend, Happy Hogan (Jon Favreau), is gravely wounded in one of The Mandarin’s terrorist attacks, Tony vows revenge, but The Mandarin strikes first. Tony begins a journey of rebuilding and retribution, which is complicated by a cast of characters that includes friends and foes and even people whose allegiances are suspect.

Iron Man 3 is spectacular. Destruction is rendered in vivid colors and in awesome visual effects generated by computer software with the god-like ability to create new realities. But I was buying it the way I did for the first two Iron Man films. Don’t get me wrong, Iron Man 3 is good, and I enjoyed it – for the most part. For all its superhero action pageantry and its out of this world combat between demigods and demigod wannabes, I was only somewhat titillated.

There is one glaring thing that dampened my enthusiasm for Iron Man 3, and it is the entire Tony Stark anxiety, panic attack, quasi-PTSD, crisis of faith/conscience factor that is at the heart of Iron Man 3. To me, Tony’s angst comes across as contrived. I just wasn’t buying it. Didn’t we already litigate Tony Stark’s mental demons, relationship shortcomings, and personality glitches in Iron Man 2?

I did enjoy Gwyneth Paltrow as Pepper Potts, and the actress shows that if the filmmakers did more than just scratch the surface of this character, they’d have something super. In addition, Don Cheadle easily moves past being the replacement actor (as Terrence Howard played Rhodes in the first Iron Man), as he fully comes into his own as James Rhodes. Here, Cheadle is funny and engaging, and he clearly has the film personality to be an action-movie star – certainly in superhero movies. Also, Ty Simpkins is surprisingly good as the Harley, a non-annoying, forthright boy.

In terms of tone, attitude, and spirit, Iron Man 3 is different from its predecessors. In fact, it seems odd, and The Mandarin subplot keeps things weird – perhaps too much. So Iron Man 3… maybe I’ll like it more when I see it again, on DVD or television. It is a good movie, but I can only be generous enough to give it a grade of “B.”

6 of 10
B

Sunday, May 5, 2013

"Captain America: The First Avenger" a Fun Adventure Film

TRASH IN MY EYE No. 62 of 2011 by Leroy Douresseaux


Captain America: The First Avenger (2011)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action
DIRECTOR: Joe Johnston
WRITERS: Christopher Markus and Stephen McFeely (based upon the comic books by Joe Simon and Jack Kirby)
PRODUCERS: Kevin Feige and Amir Madani
CINEMATOGRAPHER: Shelly Johnson
EDITORS: Robert Dalva and Jeffrey Ford with Michael McCusker
COMPOSER: Alan Silvestri

SUPERHERO/SCI-FI/ACTION/WAR

Starring: Chris Evans, Hayley Atwell, Tommy Lee Jones, Hugo Weaving, Sebastian Stan, Dominic Cooper, Richard Armitage, Stanley Tucci, Samuel L. Jackson, Toby Jones, Neal McDonough, Derek Luke, Kenneth Choi, JJ Field, Bruno Ricci, Lex Shrapnel, Michael Brandon, and Martin T. Sherman

Captain America is a superhero character created by Joe Simon and Jack Kirby. The character first appeared in Captain America Comics #1 (cover dated March 1941), which was published by Timely Comics (the predecessor of Marvel Comics). Over the seven decades of his existence, Captain America has appeared in comic books, a 1944 movie serial, a 1990 film, and live action and animated television series.

Captain America returns to the big screen in Captain America: The First Avenger, the fifth film produced by Marvel Studios (a sister company of Marvel Comics). The film follows the adventures of a young man deemed unfit for military service during World War II who becomes a superhero dedicated to defending America’s ideals.

The story begins in March 1942, a time of momentous events, obviously with World War II being the main event. In Europe, Nazi officer, Johann Schmidt AKA the Red Skull (Hugo Weaving), has stolen a mysterious cube-like tesseract, which he believes will provide the power to make him and his terrorist organization, HYDRA, more powerful that Hitler and the Third Reich. Meanwhile, across the Atlantic in New York City, Brooklyn native, Steve Rogers (Chris Evans), a short, scrawny, sickly young man, is rejected for military service as 4F for the fifth time. Rogers’ best friend, Sgt. James “Bucky” Barnes (Sebastian Stan), tries to comfort him, but Rogers won’t be consoled and is desperate to serve his country.

Rogers’ convictions capture the attention of Dr. Abraham Erskine (Stanley Tucci), an immigrant scientist working for the U.S. government’s Strategic Science Reserve. Erskine’s secret project is a serum that he hopes will create super soldiers, and Erskine wants to test it on Rogers. With the help of military inventor, Howard Stark (Dominic Cooper), Erskine finds success and the serum turns Rogers into a tall, muscular marvel.

After a very public battle with enemy agents, Rogers dons a colorful costume and begins selling War Bonds, but he wants to do more for the good old U.S. of A. While touring Europe, fate gives Rogers a chance to be a hero again and Captain America (Chris Evan) is born. Now, only Captain America and a small band of soldiers can save the world from the Red Skull and HYDRA.

At times, Captain America: The First Avenger is intensely violent, thus its PG-13 rating. Besides that, the film is really a family action adventure that blends the superhero and war movie genres. It cleverly mixes light-hearted, golden nostalgia for Depression and World War II era America with good old two-fisted tales of American fighting men. For the most part, director Joe Johnston seamlessly blends the period film elements with the action set pieces featuring red-bloodied American men kicking evil, Euro-trash ass. In fact, Captain America: The First Avenger reminds me of Johnston’s underrated 1991 Depression-era flick, The Rocketeer (which was also adapted from a comic book).

Although the acting is mostly good, Chris Evans as Steve Rogers and Captain America is the clear standout. Evans is so good that you soon forget the special effects that transform this strapping young actor into the small, frail kid that Steve Rogers is before the super soldier serum turns him into beefcake.

The last third of the film lacks the punch and humor of the first two-thirds. By the end, Captain America’s square-jawed optimism and the film’s gentle humorous tone are replaced by a Captain America that is a fighting machine and by standard action stuff. Still, Captain America: The First Avenger is not really like most superhero movies. It’s a different-looking fantasy action adventure and a fun one, at that.

6 of 10
B

Saturday, July 23, 2011

Review: First "Iron Man" Film Was Good - Surprisingly Good

TRASH IN MY EYE No. 26 (of 2008) by Leroy Douresseaux

Iron Man (2008)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG-13 for some intense sequences of sci-fi action and violence and brief suggestive content
DIRECTOR: Jon Favreau
WRITERS: Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway (based upon characters created by Stan Lee, Don Heck, Larry Lieber, and Jack Kirby)
PRODUCERS: Avi Arad and Kevin Feige
CINEMATOGRAPHER: Matthew Libatique, ASC (D.o.P.)
EDITOR: Dan Lebental, A.C.E.
Academy Award nominee

SUPERHERO/FANTASY/SCI-FI/ACTION

Starring: Robert Downey, Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow, Leslie Bigg, Faran Tahir, Clark Gregg, Sayed Badreya, and Shaun Toub

After years of watching other movie studios make hundreds of millions bringing its comic book characters to the big screen (Spider-Man, X-Men), Marvel Studios makes its first foray into financing and making its own superhero movie. It’s called Iron Man, and this first Marvel Studios movie is as bold and as brash as Marvel’s attempt to bring the classic armored superhero to the silver screen on its own dime.

Tony Stark (Robert Downey, Jr.) is a billionaire industrialist and genius inventor, and his Stark Industries is the U.S. government’s top weapons contractor. He has celebrity status as the protector of American interests around the globe and lives a carefree lifestyle. While in Afghanistan, his military convoy/escort is attacked, Stark is gravely injured by life-threatening shrapnel embedded near his already weakened heart. Kidnapped and held hostage by a group of insurgents, Stark is forced to build a devastating weapon for Raza (Faran Tahir), the mysterious leader of the insurgents. Instead, Tony uses his intelligence and ingenuity to build a high-tech suit of armor and escapes captivity.

Returning to America, Stark is determined to come to terms with his past and vows to take Stark Industries in a new direction, but meets resistance from Obadiah Stane (Jeff Bridges), his right-hand man and top executive, who took the reigns of the company while Stark was gone. Spending his days and nights in his workshop, Tony develops and refines the suit of armor that gives him superhuman strength and physical protection. When he uncovers a nefarious plot with global implications, Stark once again dons his new, more powerful armor, and with the help of his longtime assistant, Pepper Potts (Gwyneth Paltrow), and his trusted military liaison, Jim “Rhodey” Rhodes (Terrence Howard), Tony Stark fights evil as his new alter ego “Iron Man.”

There are several reasons why this Iron Man film turns out to be such a joyous and entertaining film. The main reason is Robert Downey, Jr. as Tony Stark/Iron Man. Much has been made that Downey has used his experience as an addict to play Stark (a heavy-drinking playboy), who, in some of the Marvel comic books, was portrayed as an alcoholic. The truth is that Downey is simply a superb actor whose talent has been overshadowed by his public battle with his demons. Here, Downey offers a complicated view of both the man and superhero just as Tobey Maguire has done as Peter Parker/Spider-Man and Christian Bale as Batman (in Batman Begins).

Downey presents Tony Stark as a hard worker and hard player. He’s dedicated to creating the best weapons for the United States, but he focuses on his down time with equal zeal; he’s all work and all play. This is how Downey presents Stark as a man who is so self-centered and so focused only on what he wants to do that he essentially ignores everything and everyone else around him. Stark takes his friends for granted, and although he works hard to create the best inventions for his company, he actually ignores how Stane is running it. By presenting such a fully developed character, Downey uses that performance to drive both the narrative and its central conceit – in order to better the world, Tony Stark, with the help of Iron Man has to better himself.

Iron Man’s visual effects are another element that sells the film. The CGI and other special effects look slick, as would befit a futuristic hero who wears shiny, beyond state-of-the-art technology. Still, there is an earthy quality to it that becomes this tale of a knight in shining armor that saves both the world and the man inside the armor.

The third and fourth elements about Iron Man that really stand out are actor Jeff Bridges and director Jon Favreau (who also has a small acting role here). Bridges is a consummate actor, and I would be hard-pressed to find an instance in which he gave a poor performance. Stane, for the most part, is a small role, but Bridges so easily creates the duplicity, menace, and outright evil of Stane that the character’s dark presence and ominous machinations straddle the narrative just the way a villain and his wrongness should do in a superhero movie.

Finally, Jon Favreau already has a blockbuster to his directing resume, the heart-warming and wonderfully endearing Christmas flick, Elf. It was, however, his thoroughly underrated children’s sci-fi flick, Zathura (2005) that gave him the chance to show how much he understood handling a complicated technical production. In Elf and Zathura, Favreau also showed his knack for constantly offering surprises in his film narratives. It doesn’t matter if it is a quiet moment, a moment of intense drama, or a sequence of slam-bang action and SFX; Favreau always offers something visually appealing – the presentation of an event or a bit of dialogue that keeps the film fresh and moving. The viewer’s interest is usually stimulated and kept focused on the film. With Iron Man, Favreau wisely takes Downey’s witty and droll turn and makes a film that from beginning to end is absolutely fun to watch – with no time for a dull moment.

7 of 10
A-

Monday, May 19, 2008

NOTES:
2009 Academy Awards: 2 nominations: “Best Achievement in Sound Editing” (Frank E. Eulner and Christopher Boyes) and “Best Achievement in Visual Effects” (John Nelson, Ben Snow, Daniel Sudick, and Shane Mahan)

2009 BAFTA Awards: 1 nominations: “Best Special Visual Effects” (Hal T. Hickel, Shane Mahan, John Nelson, and Ben Snow)

2008 Black Reel Awards: 1 nomination: “Best Supporting Actor” (Terrence Howard)

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Review: "Iron Man 2" Doesn't Disappoint

TRASH IN MY EYE No. 32 (of 2010) by Leroy Douresseaux

Iron Man 2 (2010)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for sequences of intense sci-fi action and violence, and some language
DIRECTOR: Jon Favreau
WRITER: Justin Theroux (based on the characters and stories created by Stan Lee, Don Heck, Larry Lieber, and Jack Kirby)
PRODUCER: Kevin Feige
CINEMATOGRAPHER: Matthew Libatique (director of photography)
EDITORS: Dan Lebental and Richard Pearson

SUPERHERO/SCI-FI/ACTION

Starring: Robert Downey, Jr., Don Cheadle, Gwyneth Paltrow, Scarlett Johansson, Sam Rockwell, Mickey Rourke, Samuel L. Jackson, Clark Gregg, John Slatterly, Jon Favreau, Garry Shandling, and Paul Bettany (voice)

Back in 2008, the most anticipated superhero event movie was Christopher Nolan’s The Dark Knight, which certainly delivered on its promise and more. Many people were looking past the early May release of Iron Man; some had even been laughing at this film, which starred a superhero character that was probably C-list (at best) in the minds of the general movie-going audience. Iron Man was a surprise smash, grossing over 300 million dollars domestically. Now, the sequel, Iron Man 2, arrives with a bigger bang, and actually improves on the original – giving us more Iron Man-in-action.

As the new film opens, billionaire inventor Tony Stark (Robert Downey, Jr.) reveals to the world that he is the armored superhero, Iron Man, whom people previously believed was Stark’s bodyguard. However, that only puts Stark under more pressure from the federal government, especially the grandstanding Senator Stern (Garry Shandling), to share his technology with the military. Stark is unwilling to divulge the secrets behind the Iron Man armor because he fears the technology will slip into the wrong hands.

When an unexpected adversary attacks Tony Stark using technology similar to the Iron Man armor, the public, the press, and Senator Stern are no longer willing to take no for an answer. In fact, this new villain, a Russian named Ivan Vanko (Mickey Rourke), has a connection to Tony’s late father, Howard Stark (John Slatterly), and Vanko even joins forces with Stark’s industrial rival, Justin Hammer (Sam Rockwell). With his secretary Pepper Potts (Gwyneth Paltrow) and his friend James “Rhodey” Rhodes (Don Cheadle) by his side, Tony forges new alliances – the mysterious Nick Fury (Samuel L. Jackson) and a shadowy new assistant, Natalie Rushman (Scarlett Johansson) – and confronts the two men determined to destroy him.

Watching Iron Man 2, one gets the feeling that the cast is having a good time, especially Robert Downey, Jr. as Tony Stark/Iron Man. Downey spent a decade sabotaging his career via drug addiction, which was sad, but made even worse by the fact that Downey was such a damn fine actor. Surviving the scourge of Lady Cocaine, Downey has resurrected his career, in large part by revealing his deft skills as a comic actor who can throw down droll wit and sledgehammer snark with equal power. Iron Man 2 simply reminds me that I could watch Downey all day as Iron Man or Tony Stark

Gwyneth Paltrow is equally good as Pepper Potts, but her good work only serves as a reminder that this is a sadly underutilized character. Don Cheadle is a better Rhodey than Terrence Howard. Cheadle is so serious and strong in his performance that he makes it believable that Rhodey is one of the few people Downey Jr.’s Tony Stark respects, takes seriously, and genuinely likes. I was also quite surprised at how good Mickey Rourke is as Ivan Vanko; in fact, Rourke’s Vanko is good enough to become Stark’s signature film rival.

Sam Rockwell is not good as Justin Hammer, an annoying character that seems out of place here and is actually a detriment to the film. Scarlett Johansson is actually good in this film, but her character, though fun, is a little extraneous. Pepper Potts could have done much of what Natalie Rushman did in the story. That said I wouldn’t mind seeing the Natalie Rushman in her own movie.

Iron Man 2, however, is so highly-polished and entertaining that I’m inclined to ignore the faults: the occasionally clunky pacing, too many superfluous or unconnected characters, and that isolated awkward Nick Fury/Shield sub-plot. The superhero fight and action scenes make Iron Man 2 seem like a superhero comic book come to life as a high-octane thrill ride. Robots, Iron Man armor, battle suits, rockets, and assorted big guns pound away at the senses. The big (and extended) final battle between Iron Man and Ivan Vanko is dazzling. Though not perfect, moments like that made me wish Iron Man 2 wouldn’t end.

7 of 10
B+

Monday, May 10, 2010

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