Negromancer News Bits and Bites from September 22nd to 31st, 2024 - UPDATE #16

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

BOX OFFICE - From BoxOfficePro:  The winner of the 8/27 to 8/29/2024 weekend box office is Universal/DreamWorks Animation's "The Wild Robot" with an estimated haul of 35 million dollars.

STREAMING - From Deadline:  Season 2 of the Paramount+ series, "Tulsa King," has opened to series record views.

DISNEY - From Deadline:  Disney has initiated another round of layoffs... I mean, "cost-saving initiatives" of corporate staffers.

DISNEY - From Deadline:  20th Television has closed a first-look deal with Angela Bassett, Courtney B. Vance and their Bassett Vance Productions to develop and executive produce comedy, drama, limited series and TV movies for linear networks and streamers, with an emphasis on platforms across Disney Entertainment Television.

BOX OFFICE - From BoxOfficePro:  The winner of the 9/20 to 9/22/2024 weekend box office is Warner Bros. Pictures' Beetlejuice Beetlejuice with an estimated take of 26 million dollars.

OSCARS:

From Deadline:  The site has a roundup of international films that have been submitted to the Academy of Motion Picture Arts and Sciences (AMPAS) to compete in the category, "Best International Feature Film" at the 97th Academy Awards.

From Deadline:  Brazil has selected Walter Salles' "I’m Still Here" to represent it in the "Best International Feature Film" at the 97th Academy Awards.

From Deadline:  India has selected "Laapataa Ladies (Lost Ladies)" as its candidate for the "Best International Feature Film" category at the 97th Academy Awards. 

NETFLIX/ANIMATION - From Deadline: Netflix is starting again with its animated adaptation of table-top game Magic: The Gathering, after departing with previous creative talent in 2019 and again in 2021.  The new showrunner will be Terry Matalas, who was recently named showrunner of Marvel’s a "Vision" series for Disney+.

OBITS:

From ESPN:  Congolese-American basketball player and humanitarian, Dikembe Mutombo, has died at the age of 58, Monday, September 30, 2024 after a battle with brain cancer.  After a career at Georgetown University, Mutombo was drafted by the Denver Nuggets of the NBA as the fourth pick in the first round of the 1991 NBA Draft.  He won the "Defensive Player of the Year Award" four times, a record he shares with two other players.  He played with Philadelphia 76ers in 2001 when they lost the 2000-01 NBA Finals to the Los Angeles Lakers. Mutombo was elected in the Naismith Memorial Basketball Hall of Fame in 2015.  After his career ended, Mutombo worked extensively for charitable and humanitarian causes, including starting the "Dikembe Mutombo Foundation, to improve living conditions in his home country of the Democratic Republic of Congo.

From Variety:  American actor, songwriter, and country singer, Kris Kristofferson, has died at the age of 88, Saturday, September 28, 2024.  Among his songwriting credits are such hits as "Me and Bobby McGee" and originally recorded by Roger Miller (1971) and "Help Me Make it Through the Night," which he originally recorded.  He was a member of the American country music supergroup, "The Highwaymen" (1985-95) with Johnny Cash, Waylon Jennings, and Willie Nelson.  As an actor, he is best known for "Pat Garrett and Billy the Kid," "A Star is Born" (1976), "Lone Star" (1996), and the "Blade" film trilogy (1998-2004).  Kristofferson was nominated for 13 Grammy Awards and won three.  He was also nominated for a "Best Original Score" Oscar for the 1980 film, "Songwriter."

From Deadline:  Hollywood reacts to the passing of Kris Kristofferson.

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From Deadline:  American actor Drake Hogestyn has died at the age of 70, Saturday, September 28, 2024. He died one day before his 71st birthday (Sept. 29th) of complications from pancreatic cancer.  Hogestyn, was best known for playing the role of "John Blake" in the former NBC/ now Peacock soap opera series, "Days of Our Live," from 1986 to 2009 and from 2011 to the present in over four thousand episodes.

From Variety:  The English film, television, and theatrical actress, Maggie Smith, has died at the age of 89, Friday, September 27, 2024.  Modern audiences know her for the role of "Minerva McGonagall" in the "Harry Potter" film franchise" and for the role of Countess Violent Crawley in the "Downton Abbey" (2010-15) TV series and films.  Smith was nominated for six Academy Awards and won twice: "Best Actress" ("The Prime of Miss Jean Brodie," 1969) and "Best Supporting Actress" ("California Suite," 1978).  She also won four Emmy Awards, four British Academy Film Awards, and a Tony Award.

From EW:  Whoopi Goldberg pays tribute to her friend and "Sister Act" co-star, Maggie Smith, who died Fri., Sept. 27th.

From Deadline:  Maggie Smith, a career in photos.

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From Deadline:  American film and television actor, John Ashton, has died at the age of 76, Thursday, September 26, 2024, after a battle with cancer.  Ashton is best known for the role of Sgt. John Taggart in "Beverly Hills Cop" (1984), "Beverly Hills Cop II" (1987), and as "Chief John Taggart" in "Beverly Hills Cop: Axel F" (2024).  He also had memorable roles in "Some Kind of Wonderful" (1987) and "Midnight Run" (1988), to name a few.  Ashton also appeared in numerous TV series, including "Dallas," "M*A*S*H," and "Starsky & Hutch" to name a few.

Review: DOWNTON ABBEY: A New Era" Celebrates the New with the Old

TRASH IN MY EYE No. 43 of 2022 (No. 1855) by Leroy Douresseaux

Downton Abbey: A New Era (2022)
Running time: 124 minutes (2 hours, four minutes)
MPAA – PG for some suggestive references, language and thematic elements
DIRECTOR:  Simon Curtis
WRITER: Julian Fellowes (based on the television series created by Julian Fellowes)
PRODUCERS:  Julian Fellowes, Gareth Neame, and Liz Trubridge
CINEMATOGRAPHER:  Andrew Dunn (D.o.P.)
EDITOR:  Adam Recht
COMPOSER:  John Lunn

DRAMA/HISTORICAL

Starring:  Hugh Bonneville, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Michelle Dockery, Kevin Doyle, Michael Fox, Joanne Froggatt, Robert James-Collier, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Lesley Nicol, Harry Hadden-Paton, Maggie Smith, Imelda Staunton, and Penelope Wilton with Dominic West, Hugh Dancy, Laura Haddock, Jonathan Coy, Jonathan Zaccai, and Nathalie Baye

Downton Abbey: A New Era is a 2022 historical drama film directed by Simon Curtis.  It is based on the British television series, “Downton Abbey” (ITV, 2010-15), which was created by Julian Fellowes, who also wrote the screenplay for this film.  A New Era is also a direct sequel to the 2019 film, Downton Abbey.  In A New Era, the Crawley family go on a grand journey to uncover the mysteries behind the dowager countess' recent inheritance, a villa in the south of France.

Downton Abbey: A New Era opens in 1928.  Tom Branson (Alan Leech), the son-in-law of Robert Crawley, Lord Grantham and 7th Earl of Grantham (Hugh Bonneville), is marrying Lucy Smith (Tuppence Middleton).  Lucy is the former maid and the recently-revealed daughter of Lady Bagshaw (Imelda Staunton), and she will become the heiress to Lady Bagshaw's extensive estate.

Returning from the wedding, the Crawley family experience two big surprises.  First, they learn that Lord Grantham's mother, Violet Crawley, Dowager Countess of Grantham (Maggie Smith), has inherited a villa near Toulon, in the south of France, from a gentleman she knew in the 1860s, the Marquis de Montmirail.  He has recently died, and his son, the new Marquis (Jonathan Zaccai), has invited the Crawleys to visit the villa, named “La Villa des Colombes” (the Villa of the Doves).

Violet is not well enough to travel, but she is particularly anxious for Tom and Lucy to go, because she has decided to transfer ownership of the villa to Sybbie, Tom's daughter with the late Lady Sybil Crawley.  So Lord Grantham and his wife, Cora Crawley, Countess of Grantham (Elizabeth McGovern), lead a small group of family and servants to the south of France, where the late Maquis' wife, La Marquise, Madame Montmirail (Nathalie Baye), awaits them with a mind to challenge her late husband's will.

The second surprise is that a studio, British Lion, wishes to use Downton as a filming location for a silent film entitled, The Gambler.  Although Robert, Lord Grantham is initially opposed to the idea, his eldest daughter, Lady Mary Talbot (Michelle Dockery), convinces him that the money from the film could be used to replace Downton Abbey's leaky roof.

So the film crew arrives.  The members of the staff at Downton Abbey are intrigued by the chance to see the stars of the film, the leading man, Guy Dexter (Dominic West), and the leading lady, Myrna Dalgleish (Laura Haddock).  Lady Mary appears to make an impression on the film's director, Jack Barber (Hugh Dancy), and he soon needs her help.  The Gambler is being made just as a great change is occurring in the world of cinema, one that could prematurely end production of the film.

These are just a few of the dramas and melodramas, both large and small, that threaten to upend the lives of those upstairs and downstairs at Downton Abbey.

The original television series, Downton Abbey, began airing on the British television network, ITV, in 2010 and ended in 2015, after six seasons and 52 episodes.  It aired on the American broadcast network, PBS, as part of its “Masterpiece” series from 2011-20, before moving onto streaming services, Peacock and Netflix.  The final episode of “Downton Abbey” was set on New Year's Eve, 1925.  The first film, 2019's Downton Abbey, is set in 1927, 18 months after the TV series finale.  Downton Abbey: A New Era opens in the following year and picks up on some of the plot lines from the first film.

As I wrote in my review of the first film, when I first heard of “Downton Abbey,” I mostly ignored it, although I watched a few minutes here and there.  One Sunday afternoon, however, while channel surfing, I came across the show and recognized an actor (maybe American actress Elizabeth McGovern).  I decided to see what she was doing on the show and within a few minutes I was hooked.  It wasn't until two hours later I realized that I still had chores to do, but it was hard to pull myself away from the TV.  I found myself in the thrall of “Downton Abbey's” hypnotic powers.

I also found Downton Abbey the movie hypnotic, and a New Era was no less hypnotic, in large part because director Simon Curtis seems to have a grasp of all elements of the film, down to the details.  Both films offer many of the same ingredients of the television series that made it so popular and have since made it an enduring favorite.

One thing that A New Era does that the first film did not is offer a lot of change, including one monumental change.  Much of that change directly or indirectly involves the ailing dowager countess, Violet Crawley, as she settles her affairs and prepares the family for her eventual passing.  Series creator and screenwriter of both films, Julian Fellowes, specializes in historical ensemble dramas, such as Gosford Park (2001), and historical costume dramas, such as The Young Victoria (2009).  Fellowes spends much of this film introducing a sense of newness or of renewal in the lives of the denizens of Downton Abbey and of those connected to them.

There are new relationships and changes in employment, including the promise of another wedding and of two acquaintances becoming a couple.  Individuals assume new positions in the Crawley family, and even members of the film crew get new leases on their careers and in their personal relationships.  Downton Abbey: A New Era is truly the dawning of a new era in this world, and while this film does indeed have two primary settings, its story feels a bit more focused than the first film's story.

If you liked the television series, you will like this second film, to some degree, because it is more Downton Abbey.  Honestly, as with the first film, I love it and want more.  Downton Abbey: A New Era makes me happy, and I look forward to what is next...

8 of 10
A
★★★★ out of 4 stars

Saturday, July 16, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: First "DOWNTON ABBEY" Movie Brought Me a Little Happiness

TRASH IN MY EYE No. 32 of 2022 (No. 1844) by Leroy Douresseaux

Downton Abbey (2019)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – PG for thematic elements, some suggestive material, and language
DIRECTOR:  Michael Engler
WRITER: Julian Fellowes (based on the television series created by Julian Fellowes)
PRODUCERS:  Julian Fellowes, Gareth Neame, and Liz Trubridge
CINEMATOGRAPHER:  Ben Smithard
EDITOR:  Mark Day
COMPOSER:  John Lunn

DRAMA/HISTORICAL

Starring:  Hugh Bonneville, Mark Addy, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Michelle Dockery, Michael Fox, Matthew Goode, Geraldine James, Robert James-Collier, Simon Jones, Allen Leech, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Stephen Campbell Moore, Lesley Nicol, Maggie Smith, Imelda Staunton, and Penelope Wilton

Downton Abbey is a 2019 historical drama film directed by Michael Engler.  It is based on the British television series, “Downton Abbey” (ITV, 2010-15), which was created by Julian Fellowes, who also wrote the screenplay for this film.  Downton Abbey the movie continues the story of the Crawley family as they prepare the family estate for a royal visit.

Downton Abbey opens in 1927, eighteen months after the end of the television series.  Robert Crawley, Lord Grantham and 7th Earl of Grantham (Hugh Bonneville), receives word that King George V (Simon Jones) and Queen Mary (Geraldine James) intend to visit Downton Abbey during their royal Yorkshire tour.  Downton is the Crawley family's large estate in the English countryside of Yorkshire (County of York).  Both the family and the staff of Downton Abbey are excited by the news.

Lord Grantham puts his daughter, Lady Mary Talbot (Michelle Dockery), in charge of the preparations for the visit.  Lady Mary feels that the current head butler, Thomas Barrow (Robert James-Collier), is ill-equipped to manage such an important event.  Thus, she recruits retired head butler, Charles Carson (Jim Carter), to briefly return from retirement in order to assist her, much to Barrow's chagrin.  However, once members of the royal staff begin to arrive at Downton in advance of the King and Queen themselves, they act rudely towards the Downton staff and make it clear that they will supplant them for the duration of the royal visit.

Meanwhile, a feud brews between Lord Grantham's mother, Violet Crawley, Dowager Countess of Grantham (Maggie Smith), and Maud, Lady Bagshaw (Imelda Staunton), the Queen's lady-in-waiting and a relative of the Crawleys.  Lord Grantham is Maud's first cousin once removed, so he should inherit Maud's estate.  However, Maud has plans regarding her maid, Lucy Smith (Tuppence Middleton), who has a mysteriously close relationship with Maud.  Meanwhile, Tom Branson (Alan Leech) meets Lucy, and they strike up a friendship.

These are just a few of the dramas and melodramas, both large and small, that brew as a royal visit threatens to upend the lives of those upstairs and downstairs at Downton Abbey.

The original television series, Downton Abbey, began airing on the British television network, ITV, in 2010 and ended in 2015, after six seasons and 52 episodes.  It aired on the American broadcast network, PBS, as part of its “Masterpiece” series from 2011-20, before moving onto streaming services, Peacock and Netflix.  The final episode of “Downton Abbey” was set on New Year's Eve, 1925, and the movie is set 18 months after the TV series finale, according to an interview the writer and director gave to the Hollywood film site, The Wrap.  The King George V depicted in this film reigned from 1910 to 1936.  He was also the father of the next king, Edward VIII, who abdicated a few months into his reign.  Thus, George V's second son, Prince Albert, Duke of York, became King George VI, who was also the father of the current Queen Elizabeth II.

When I first heard of “Downton Abbey,” I mostly ignored it, although I watched a few minutes here and there.  One Sunday afternoon, however, while channel surfing, I came across the show and recognized an actor (maybe American actress Elizabeth McGovern).  I decided to see what she was doing on the show and within a few minutes I was hooked.  It wasn't until two hours later I realized that I still had chores to do, but it was hard to pull myself away from the TV.  I found myself in the thrall of “Downton Abbey's” hypnotic powers.

I also found Downton Abbey the movie hypnotic.  It offers many of the same ingredients of the television series that made it so popular and have since made it an enduring favorite.  The film both expands and extracts those elements, as needed, for the main plot – the royal visit.  Actually, creator Julian Fellowes' screenplay allows all the regular members of the TV cast to do what is expected of their respective characters, while allowing them to shine in the small moments of this film.  New characters, such as Imelda Staunton as Cousin Maud and Tuppence Middleton as her maid, Lucy, who shine in their respective supporting roles.

Some of the subplots here could work as story lines for an entire season of the television series.  That includes an assassination subplot and a first gay romantic experience, the former seeming forced and unauthentic and the latter being something beautiful, but woefully underdeveloped.

If you liked the television series, you will like this, to some degree, because it is more Downton Abbey.  Or you will be disappointed, to some degree, because it does not meet your expectations of what more Downton Abbey should be.  Honestly, I loved it, and I wanted more.  Downton Abbey the movie made me happy, and I look forward to the soon to be released sequel, Downton Abbey: A New Era.

8 of 10
A
★★★★ out of 4 stars

Wednesday, May 18, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: 1978 Version of "DEATH ON THE NILE" Still Has Some Charms

TRASH IN MY EYE No. 29 of 2022 (No. 1841) by Leroy Douresseaux

Death on the Nile (1978)
Running time:  140 minutes (2 hours, 20 minutes)
MPAA – PG
DIRECTOR: John Guillermin
WRITER: Anthony Shaffer
PRODUCERS:  John Brabourne and Richard Goodwin
CINEMATOGRAPHER:  Jack Cardiff (D.o.P.)
EDITOR:  Malcolm Cooke
COMPOSER:  Nino Rota
Academy Award winner

MYSTERY

Starring:  Peter Ustinov, Mia Farrow, Simon MacCorkindale, Jane Birkin, Lois Chiles, Bette Davis, Jon Finch, Olivia Hussey, I.S. Johar, George Kennedy, Angela Lansbury, David Niven, Maggie Smith, Jack Warden, Harry Andrews, and Sam Wanamaker

Death on the Nile is a 1978 British mystery film directed by John Guillermin.  It is based on the 1937 novel, Death on the Nile, written by Agatha Christie (1890-1976).  Death on the Nile the movie finds Hercule Poirot investigating the murder of a newlywed heiress, committed during a luxurious cruise.

Death on the Nile finds famous detective Hercule Poirot (Peter Ustinov) embarking on a luxurious cruise on the Nile River in Egypt.  Poirot is delighted to discover that his friend, Colonel Race (David Niven), will also be aboard the Nile paddle steamer, the “S.S. Karnak.”

Also aboard are the newlyweds:  wealthy heiress, Linnet Ridgeway (Lois Chiles), and her husband, Simon Doyle (Simon MacCorkindale).  While in Egypt on their honeymoon, they are being stalked and hounded by Simon's former fiancé, Jacqueline “Jackie” de Bellefort (Mia Farrow), who was also Linnet's close friend.

When Linnet is found shot to death aboard the Karnak, Jackie is the most obvious culprit, but there are others on board who have reason to want Linnet dead.  There is Linnet's maid, Louise Bourget (Jane Birkin), who was bitter due to her mistress' refusal to grant her a promised dowry.  Linnet's shady American attorney and estate trustee, Andrew Pennington (George Kennedy), whom she called “Uncle Andrew,” was stealing from her.  Elderly American socialite, Mrs. van Schuyler (Bette Davis), is a kleptomaniac who wanted to steal Linnet's pearl necklace.  Miss Bowers (Maggie Smith), van Schuyler's nurse, blamed Linnet's father for financially ruining her own father.

Linnet was suing Salome Otterbourne (Angela Lansbury), a brassy romance novelist, for libel regarding a similarity between Linnet and one of the characters in Otterbourne's novel, “Passion Under the Persimmon Tree.”  Meanwhile, Mrs. Otterbourne's daughter, Rosalie (Olivia Hussey), was anxious to protect her mother from financial ruin.  Linnet was also threatening to expose Dr. Ludwig Bessner (Jack Warden), a Swiss psychiatrist faced with exposure because his unorthodox treatments affected one of Linnet's friends.  Finally, Jim Ferguson (Jon Finch) is an outspoken Communist, and he resented Linnet's wealth.

Can Poirot uncover the identity of the killer before the Karnak reaches the end of its journey?  He better hurry because the bodies are starting to pile up.

If I had heard of this 1978 take on Death on the Nile, I did not remember it.  I decided to watch it when I learned that director Kenneth Branagh was directing a new film version of Agatha Christie's novel, which was released to theaters earlier this year (2022).  Branagh also directed a 2017 film version of Christie's world famous novel, Murder on the Orient Express.

I enjoyed the 1978 Death on the Nile, but not as much as I enjoyed the 1974 Murder on the Orient Express, which starred Albert Finney as Hercule Poirot.  When Finney decided not to return for Death on the Nile, actor Peter Ustinov was cast to play Poirot.  Finney's Poirot had a humorous side, but he was deadly serious about his profession and did not suffer fools.  Ustinov's Poirot is playful, but conceited, and even a bit randy.

Death on the Nile is a sedate film, its narrative lazily moving through this plot to match the languid pace with which the S.S. Karnak sails the Nile.  The performances are nice, but a number of luminaries who appear in this film, including Bette Davis, Angela Lansbury, and Maggie Smith, are merely passing through this film and resting on their laurels..  However, Mia Farrow proves just how good and perfect she is at playing crazy, unbalanced, and unstable characters.

Death on the Nile 1978 is a nice whodunit film and cozy mystery movie, and I would probably watch it again.  At times, it seems to be a surprisingly average and somewhat uninspired film, but, on the other hand, it has its charms.

5 out of 10
B-
★★½ out of 4 stars

Tuesday, May 10, 2022


NOTES:
1979 Academy Awards, USA:  1 win: “Best Costume Design” (Anthony Powell)

1979 BAFTA Awards:  1 win: “Best Costume Design” (Anthony Powell); 3 nominations: “Best Actor” (Peter Ustinov), “Best Supporting Actress” (Angela Lansbury), and “Best Supporting Actress” (Maggie Smith)

1979 Golden Globes, USA:  1 nomination: “Best Foreign Film” (England)


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Review: First Trip to "The Best Exotic Marigold Hotel" Was Quite Lovely

TRASH IN MY EYE No. 16 (of 2015) by Leroy Douresseaux

The Best Exotic Marigold Hotel (2012)
COUNTRY OF ORIGIN: United Kingdom
Running time:  124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for sexual content and language
DIRECTOR:  John Madden
WRITER:  Ol Parker (based on the novel, These Foolish Things, by Deborah Moggach)
PRODUCERS:  Graham Broadbent and Peter Czernin
CINEMATOGRAPHER:  Ben Davis (D.o.P.)
EDITOR:  Chris Gill
COMPOSER:  Thomas Newman
Golden Globes nominee

COMEDY/DRAMA with elements of romance

Starring:  Judi Dench, Tom Wilkinson, Bill Nighy, Penelope Wilton, Maggie Smith, Ronald Pickup, Celia Imrie, Dev Patel, Tina Desai, Lillete Dubey, Paul Bhattacharjee, Neena Kulkarni, Rajendra Gupta, and Lucy Robinson

The Best Exotic Marigold Hotel is a 2012 British comedy-drama from director John Madden.  The film is based on the 2004 novel, These Foolish Things, from English author Deborah Moggach.  The Best Exotic Marigold Hotel focuses on a group of British retirees who travel to India to take up residence in a newly restored hotel that is not quite ready for prime time.

The Best Exotic Marigold Hotel opens in present day Great Britain and introduces a group of British retirees and AARP types.  Recently widowed housewife, Evelyn Greenslade (Judi Dench), is forced to sell the home she shared with her late husband in order to cover the huge debts he left.  Jean and Douglas Ainslie (Penelope Wilton and Bill Nighy) are searching for a retirement they can afford; they lost most of their savings through investing in their daughter's Internet business.

Muriel Donnelly (Maggie Smith) is a retired housekeeper who is need of a hip replacement operation.  Her doctor informs her that she can have it done far more quickly and inexpensively in India than she can in the U.K., but Muriel hates Indians (as well as every other person of color).  Madge Hardcastle (Celia Imrie) is searching for another husband.  Aging lothario Norman Cousins (Ronald Pickup) still wants to have sex with young women, but now, he needs to find a new place to try and re-capture his youth.  These six people decide to spend their retirement at a hotel in India, based only on the pictures on the hotel's website.

Meanwhile, high-court judge, Graham Dashwood (Tom Wilkinson), spent the first eighteen years of his life in India; he suddenly decides to retire and return there.  When these Brits arrive at The Best Exotic Marigold Hotel, they find it dilapidated.  The hotel's energetic young manager, Sunil Indrajit “Sonny” Kapoor (Dev Patel), promises that he will make the hotel look like what the website promises.  Now, everyone has to deal with the unexpected, and some are better at that than others.

The Best Exotic Marigold Hotel is simply frothy feel-good entertainment – nothing more, nothing less.  The characters are interesting, but not especially well-developed.  There are so many of them that screenwriter Ol Parker cannot really develop them in the amount of the film's running time that actually involves storytelling, which is less than its stated 100 minutes running time.

But, boy, did I enjoy this movie anyway.  The Best Exotic Marigold Hotel is sweet and charming, and its cast of veteran (some would say “senior citizen”) actors makes it a rare treat in a landscape of movies about children and 20-somethings saving the world.  Loving and wanting-to-be-loved are not exclusively the domain of lovelorn teens and the newly-turned middle-aged.  Yearning and striving for the good life:  well, old folks can want that, also.  That is why I am glad that this funny, heartwarming, and sometimes heartbreaking film is here to be enjoyed again and again.  The Best Exotic Marigold Hotel is a good place for movie lovers to visit or even to stay.

7 of 10
B+

Friday, March 27, 2015


NOTES:
2013 Golden Globes, USA:  2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actress in a Motion Picture - Comedy or Musical” (Judi Dench)

2013 BAFTA Awards:  1 nomination: “Alexander Korda Award for Best British Film” (John Madden, Graham Broadbent, Peter Czernin, and Ol Parker)

The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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SAG Awards: "Breaking Bad" for "American Hustle" and "Modern Family"

by Leroy Douresseaux

At the 20th Annual Screen Actors Guild Awards, director David O. Russell’s American Hustle won “Outstanding Performance by a Cast in a Motion Picture,” SAG’s equivalent of a “best picture” award.  After leading the nominations with four in the theatrical motion picture categories, director Steve McQueen’s 12 Years a Slave won only one, Lupita Nyong'o as supporting actress.

I still think this is another sign that 12 Years a Slave is unlikely to win any big awards at the upcoming Oscars.  I wonder if even Nyong’o will win in her Oscar category.

In the television categories at the 2014 Screen Actors Guild Awards, Breaking Bad and “Modern Family” each won two awards.  Actress Rita Moreno received the “Life Achievement Award.”

The 20th Annual Screen Actors Guild Awards winners were announced at the 20th Annual Screen Actors Guild Awards® ceremony.  The ceremony was simulcast live nationally on TNT and TBS on Saturday, January 18, 2014 from the Los Angeles Shrine Exposition Center.

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role:
MATTHEW McCONAUGHEY / Ron Woodroof – “DALLAS BUYERS CLUB” (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role:
CATE BLANCHETT / Jasmine – “BLUE JASMINE” (Sony Pictures Classics)

Outstanding Performance by a Male Actor in a Supporting Role:
JARED LETO / Rayon – “DALLAS BUYERS CLUB” (Focus Features)

Outstanding Performance by a Female Actor in a Supporting Role:
LUPITA NYONG’O / Patsey – “12 YEARS A SLAVE” (Fox Searchlight Pictures)

Outstanding Performance by a Cast in a Motion Picture:

AMERICAN HUSTLE (Columbia Pictures)
AMY ADAMS / Sydney Prosser
CHRISTIAN BALE / Irving Rosenfeld
LOUIS C.K. / Stoddard Thorsen
BRADLEY COOPER / Richie DiMaso
PAUL HERMAN / Alfonse Simone
JACK HUSTON / Pete Musane
JENNIFER LAWRENCE / Rosalyn Rosenfeld
ALESSANDRO NIVOLA / Federal Prosecutor
MICHAEL PEÑA / Sheik (Agent Hernandez)
JEREMY RENNER / Mayor Carmine Polito
ELISABETH RÖHM / Dolly Polito
SHEA WHIGHAM / Carl Elway

TELEVISION PROGRAMS

Outstanding Performance by a Male Actor in a Television Movie or Miniseries:
MICHAEL DOUGLAS / Liberace – “BEHIND THE CANDELABRA” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries:
HELEN MIRREN / Linda Kenney Baden – “PHIL SPECTOR” (HBO)

Outstanding Performance by a Male Actor in a Drama Series:
BRYAN CRANSTON / Walter White – “BREAKING BAD” (AMC)

Outstanding Performance by a Female Actor in a Drama Series:
MAGGIE SMITH / Violet, Dowager Countess of Grantham – “DOWNTON ABBEY” (PBS)

Outstanding Performance by a Male Actor in a Comedy Series:
TY BURRELL / Phil Dunphy – “MODERN FAMILY” (ABC)

Outstanding Performance by a Female Actor in a Comedy Series:
JULIA LOUIS-DREYFUS / Vice President Selina Meyer – “VEEP” (HBO)

Outstanding Performance by an Ensemble in a Drama Series:

BREAKING BAD (AMC)
MICHAEL BOWEN / Uncle Jack
BETSY BRANDT / Marie Schrader
BRYAN CRANSTON / Walter White
LAVELL CRAWFORD / Huell
TAIT FLETCHER / Lester
LAURA FRASER / Lydia Rodarte-Quale
ANNA GUNN / Skyler White
MATTHEW T. METZLER / Matt
RJ MITTE / Walter White Jr.
DEAN NORRIS / Hank Schrader
BOB ODENKIRK / Saul Goodman
AARON PAUL / Jesse Pinkman
JESSE PLEMONS / Todd
STEVEN MICHAEL QUEZADA / Gomez
KEVIN RANKIN / Kenny
PATRICK SANE / Frankie

Outstanding Performance by an Ensemble in a Comedy Series:

"MODERN FAMILY" (ABC)
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
AUBREY ANDERSON EMMONS / Lily Tucker-Pritchett
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

SAG AWARDS® HONORS FOR STUNT ENSEMBLES:

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture:
LONE SURVIVOR (Universal Pictures)

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series:
GAME OF THRONES (HBO)

LIFE ACHIEVEMENT AWARD:

Screen Actors Guild 50th Annual Life Achievement Award: RITA MORENO

http://www.sagawards.org/

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2012 Women Film Critics Circle Awards - Complete List

The Women Film Critics Circle Awards went to many different films in 2012, although Kathryn Bigelow's Zero Dark Thirty received three awards.  The Women Film Critics Circle is an association of women film critics, who are involved in print, radio, online and TV broadcast media. Founded in 2004, this group is the first women critics’ organization in the United States.

2012 Women Film Critics Circle Awards:

BEST MOVIE ABOUT WOMEN
A Royal Affair

BEST MOVIE BY A WOMAN
Zero Dark Thirty

BEST WOMAN STORYTELLER (Screenwriting Award)
Two Days In NY (Julie Delpy)

BEST ACTRESS
Anne Hathaway, Les Miserables

BEST ACTOR
Daniel Day-Lewis, Lincoln

BEST YOUNG ACTRESS
Quvenzhanee Wallis, Beast Of The Southern Wild

BEST COMEDIC ACTRESS
Maggie Smith, Best Exotic Marigold Hotel

BEST FOREIGN FILM BY OR ABOUT WOMEN
Where Do We Go Now (from Lebanon with Egypt, France, and Italy)

BEST FEMALE IMAGES IN A MOVIE
Zero Dark Thirty

WORST FEMALE IMAGES IN A MOVIE-TIE
Killer Joe
Think Like A Man

BEST MALE IMAGES IN A MOVIE
Lincoln

WORST MALE IMAGES IN A MOVIE
Killer Joe

BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN
Hemingway And Gellhorn

BEST EQUALITY OF THE SEXES
Zero Dark Thirty

BEST ANIMATED FEMALES
Brave

BEST FAMILY FILM-TIE
Life Of Pi
Rise Of The Guardians

LIFETIME ACHIEVEMENT AWARD
Barbra Streisand

ACTING AND ACTIVISM.AWARD
Sally Field – Field is a dedicated advocate for women's rights. She has served on the Board of Directors of Vital Voices Global Partnership, an international women's NGO, and has co-hosted the Global Leadership Awards. Field suffers from osteoporosis and has become a vocal advocate for women's health issues, encouraging early diagnosis of such conditions through technology, such as bone density scans.

*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women -TIE
Compliance
The Invisible War

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
Middle Of Nowhere

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
A Royal Affair (from Denmark)

COURAGE IN ACTING: Taking on unconventional roles that radically redefine the images of women on screen
Helen Hunt, The Sessions

THE INVISIBLE WOMAN AWARD: Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored
Helen Mirren, Hitchcock

BEST DOCUMENTARY BY OR ABOUT A WOMAN
Queen Of Versailles

WOMEN’S WORK: BEST ENSEMBLE
The Best Exotic Marigold Hotel

BEST SCREEN COUPLE
Moonrise Kingdom: Bill Murray and Frances McDormand

*WFCC HALL OF SHAME*

Bachelorette with Kirsten Dunst, had all sorts of ditzy former high school classmates getting together for the wedding of a girl they used to make fun of. Just stupid on so many levels: male strippers, drinking, general girly silliness.

Ici-Bas (Down Below). Rape romance: A raped nun (Celine Sallette) falls in love with her rapist. The male fantasy horror of 'rape romance' on screen. A WFCC Hall Of Shame pick in tribute to the unnamed Indian student and rape murder victim, in the kind of traditional culture where women and girls are pressured to marry their rapists.

Skyfall: 'Bond Girl' is only on screen long enough to sell trailers and products like OPI's 'Skyfall Collection' of nail polishes, and gets bumped off at the end of Act II; M turns into a cowering incompetent and gets bumped off at the end of Act III; and the female sharp-shooter in Act I loses her nerve and leaves 'Field Operations' to become an office assistant in Act III. I loved the Sean Connery/James Bond films as a kid. Women got to be part of the action; the Bond Girl was always there to celebrate success at the end. But as a 50th anniversary tribute to the Bond series made in 2012, Skyfall truly broke my heart!

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
Helena Bonham Carter, Les Miserables

BEST LINE IN A MOVIE 2012
"...You can't kill the animals in a movie, only the women." - Christopher Walken/Seven Psychopaths

JUST KIDDING AWARD:
Best Male Images In A Movie: Magic Mike

*Please Note: The WFCC Top Ten Hall Of Shame represents the ‘don’t tell me to shut up’ sidebar contribution of individual members, and does not necessarily reflect the opinions of the entire Circle. Also, members may be objecting to particular characters in a film, and not the entire movie. Clarification: If an aspect of the movie is intentionally negative to make a point, rather than offensive, that is not under consideration for this category.

*ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower20rack in her bathroom, to make it look like a suicide. He later confessed that he was having a “bad day.” Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.

*JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.

*KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.

2012 Satellite Awards - Television Categories

TELEVISION CATEGORIES

Complete List of 2012 Satellite Award Television Winners and Nominees (Announced December 16, 2012):

Television Series, Drama
Homeland, Showtime WINNER

Justified, FX
Downton Abbey, PBS
Breaking Bad, AMC
The Newsroom, HBO
The Good Wife, CBS
Game of Thrones, HBO
Nashville, ABC

Actress in a Series, Drama
Claire Danes, Homeland, Showtime WINNER

Chloe Sevigny, Hit & Miss, Sky Atlantic
Connie Britton, Nashville, ABC
Hayden Panettiere, Nashville, ABC
Michelle Dockery, Downton Abbey, PBS
Julianna Margulies, The Good Wife, CBS

Actor in a Series, Drama
Damian Lewis, Homeland, Showtime WINNER

Bryan Cranston, Breaking Bad, AMC
Jeff Daniels, The Newsroom, HBO
Jon Hamm, Mad Men, AMC
Timothy Olyphant, Justified, FX
Johnny Lee Miller, Elementary, CBS

Television Series, Comedy or Musical
The Big Bang Theory, CBS WINNER

Girls, HBO
Community, NBC
The Office, NBC
Happy Endings, ABC
Up All Night, NBC
Modern Family, ABC
Parks and Recreation, NBC

Actress in a Series, Comedy or Musical
Kaley Cuoco, The Bang Big Theory, CBS WINNER

Laura Dern, Enlightened, HBO
Amy Poehler, Parks and Recreation, NBC
Lena Dunham, Girls, HBO
Julia Louis-Dreyfus, Veep, HBO
Christina Applegate, Up All Night, NBC

Actor in a Series, Comedy or Musical
Johnny Galecki, The Big Bang Theory CBS WINNER

Don Cheadle, House of Lies, Showtime
Louis C.K., Louie, FX
Joel McHale, Community, NBC
Jim Parsons, The Big Bang Theory, CBS
Will Arnett, Up All Night, NBC

Miniseries/Motion Picture Made for Television
Hatfields & McCoys, History WINNER

Hemingway & Gellhorn, HBO
Wallander, PBS
Luther, BBC America
Sherlock, PBS
Game Change, HBO
Birdsong, PBS
The Crimson Petal and the White, BBC America

Actress in a Miniseries or a Motion Picture Made for Television
Julianne Moore, Game Change, HBO WINNER

Nicole Kidman, Hemingway & Gellhorn, HBO
Gillian Anderson, Great Expectations, PBS
Romola Garai, The Crimson Petal And The White, BBC America
Sienna Miller, The Girl, HBO
Sigourney Weaver, Political Animals, USA Network

Actor in a Miniseries or a Motion Picture Made for Television
Benedict Cumberbatch, Sherlock, PBS WINNER

Clive Owen, Hemingway & Gellhorn, HBO
Kevin Costner, Hatfields & McCoys, History
Kenneth Branagh, Wallander, PBS
Woody Harrelson, Game Change, HBO
Idris Elba, Luther, BBC America

Actress in a Supporting Role in a Series, Miniseries or Motion Picture Made for Television
Maggie Smith, Downton Abbey, PBS WINNER

Maya Rudolph, Up All Night, NBC
Christina Hendricks, Mad Men, AMC
Mayim Bialik, The Big Bang Theory, CBS
Sarah Paulson, Game Change, HBO
Mare Winningham, Hatfields & McCoys, History

Actor in a Supporting Role in a Series, Miniseries or Motion Picture Made for Television
Neal Mcdonough, Justified, FX WINNER

Peter Dinklage, Game of Thrones, HBO
Evan Peters, American Horror Story, FX
Giancarlo Esposito, Breaking Bad, AMC
Jim Carter, Downton Abbey, PBS
Powers Boothe, Nashville, ABC

Television Series, Genre
The Walking Dead AMC WINNER

American Horror Story, FX
Once Upon a Time, ABC
Supernatural, TheCW
Fringe, Fox
Arrow, The CW
Grimm, NBC

Best Ensemble, Television: The Walking Dead, AMC

2012 Primetime Emmy Winners Announced

The Emmy Award is a television production award that is considered the television equivalent of the Academy Awards in film and the Grammy Awards in music. My focus is usually on the Primetime Emmy Awards.

The Primetime Emmys award show aired on Sunday, Sept. 23rd. The list below is not a complete list of the 2012 Primetime Emmy winners. The winners in some Primetime Emmy categories were previously announced as part of the Creative Arts Emmy Awards, although I think I have included two or three winners in this list who were already announced at the Creative Arts ceremony.

2012 PRIMETIME EMMY AWARD WINNERS in categories announced Sunday, September 23, 2012:

COMEDY SERIES
“Modern Family”
ABC; Levitan-Lloyd Productions in association with Twentieth Century Fox Television
Steven Levitan, Executive Producer
Christopher Lloyd, Executive Producer
Danny Zuker, Executive Producer
Dan O’Shannon, Executive Producer
Bill Wrubel, Executive Producer
Paul Corrigan, Executive Producer
Brad Walsh, Executive Producer
Jeff Morton, Co-Executive Producer
Jeffery Richman, Co-Executive Producer
Abraham Higginbotham, Co-Executive Producer
Cindy Chupack, Co-Executive Producer
Chris Smirnoff, Producer

COMEDY ACTOR
Jon Cryer as Alan Harper in "Two and a Half Men"

COMEDY ACTRESS
Julia Louis-Dreyfus as Selina Meyer in "Veep"

SUPPORTING COMEDY ACTOR
Eric Stonestreet as Cameron Tucker in "Modern Family"

SUPPORTING COMEDY ACTRESS
Julie Bowen as Claire Dunphy in "Modern Family"

DRAMA SERIES
“Homeland”
Showtime; Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21
Alex Gansa, Executive Producer
Howard Gordon, Executive Producer
Michael Cuesta, Executive Producer
Gideon Raff, Executive Producer
Avi Nir, Executive Producer
Ran Tellem, Executive Producer
Chip Johannessen, Co-Executive Producer
Alexander Cary, Co-Executive Producer
Michael Klick, Produced By

DRAMA ACTRESS
Claire Danes as Carrie Mathison in "Homeland"

DRAMA ACTOR
Damian Lewis as Nicholas Brody in "Homeland"

SUPPORTING DRAMA ACTRESS
Maggie Smith as Violet, Dowager Countess of Grantham in "Downton Abbey"

SUPPORTING DRAMA ACTOR
Aaron Paul as Jesse Pinkman in "Breaking Bad"

MINISERIES OR TV MOVIE
Game Change
HBO • Playtone and Everyman Pictures in association with HBO Films
Tom Hanks, Executive Producer
Gary Goetzman, Executive Producer
Jay Roach, Executive Producer
Danny Strong, Co-Executive Producer
Steven Shareshian, Co-Executive Producer
Amy Sayres, Produced By

LEAD ACTRESS IN A MINISERIES OR MOVIE
Julianne Moore as Sarah Palin in "Game Change"

LEAD ACTOR IN A MINISERIES OR MOVIE
Kevin Costner as 'Devil' Anse Hatfield in "Hatfields & McCoys"

SUPPORTING ACTRESS IN A MINISERIES OR MOVIE
Jessica Lange as Constance Langdon in "American Horror Story"

SUPPORTING ACTOR IN A MINISERIES OR MOVIE
Tom Berenger as Jim Vance in "Hatfields & McCoys"

VARIETY SERIES
“The Daily Show With Jon Stewart”
Comedy Central; Central Productions, LLC
Jon Stewart, Executive Producer/Host
Rory Albanese, Executive Producer
Kahane Cooperman, Co-Executive Producer
Steve Bodow, Co-Executive Producer
Jennifer Flanz, Co-Executive Producer
Adam Lowitt, Co-Executive Producer
Jim Margolis, Co-Executive Producer
Pamela DePace, Supervising Producer
Hillary Kun, Supervising Producer
Timothy Greenberg, Supervising Producer
Stuart Miller, Supervising Producer
Jill Katz, Producer

REALITY-COMPETITION PROGRAM
“The Amazing Race”
CBS; World Race Productions Inc.
Bertram van Munster, Executive Producer
Elise Doganieri, Executive Producer
Jerry Bruckheimer, Executive Producer
Jonathan Littman, Executive Producer
Mark Vertullo, Executive Producer
Dan Coffie, Co-Executive Producer
Giselle Parets, Co-Executive Producer
Phil Keoghan, Co-Executive Producer
Michael Norton, Supervising Producer
Matt Schmidt, Supervising Producer
Patrick Cariaga, Supervising Producer
Michael Miller, Supervising Producer
Darren Bunkley, Senior Producer
Chad Baron, Senior Producer
Neil Jahss, Senior Producer

HOST FOR A REALITY OR REALITY-COMPETITION PROGRAM
Tom Bergeron, "Dancing With the Stars"

DIRECTING FOR A COMEDY SERIES
Steven Levitan, "Modern Family" (“Baby On Board” episode)

WRITING FOR A COMEDY SERIES
Louis C.K., "Louie" (Episode: “Pregnant”)

DIRECTING FOR A DRAMA SERIES
Tim Van Patten, "Boardwalk Empire" (“To The Lost” episode)

WRITING FOR A DRAMA SERIES
Alex Gansa, Howard Gordon & Gideon Raff, "Homeland" (Pilot episode)

DIRECTING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL
Jay Roach, "Game Change"

WRITING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL
Danny Strong, "Game Change"

SPECIAL-CLASS PROGRAMS
"65th Annual Tony Awards" (CBS)

DIRECTING FOR A VARIETY SERIES
Don Roy King, "Saturday Night Live" (“Host: Mick Jagger”)

DIRECTING FOR A VARIETY SPECIAL
Glenn Weiss, "65th Annual Tony Awards"

WRITING FOR A VARIETY SERIES
"The Daily Show With Jon Stewart," Tim Carvell (head writer), Rory Albanese, Kevin Bleyer, Rich Blomquist, Steve Bodow, Wyatt Cenac, Hallie Haglund, JR Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, & Jon Stewart

WRITING FOR A VARIETY SPECIAL
"Louis C.K. Live at the Beacon Theatre," Louis C.K.

Review: "Gosford Park" is Full of Intrigue and Thrills (Happy B'day, Robert Altman)

TRASH IN MY EYE No. 12 (of 2002) by Leroy Douresseaux

Gosford Park (2001)
Running time: 137 minutes (2 hours, 17 minutes)
MPAA – R for some language and brief sexuality
DIRECTOR: Robert Altman
WRITER: Julian Fellowes (from an idea by Robert Altman and Bob Balaban)
PRODUCERS: Robert Altman, Bob Balaban, and David Levy
CINEMATOGRAPHER: Andrew Dunn (D.o.P.)
EDITOR: Tim Squyres
COMPOSER: Patrick Doyle
Academy Award winner

DRAMA/MYSTERY

Starring: Maggie Smith, Michael Gambon, Kristin Scott Thomas, Camilla Rutherford, Charles Dance, Geraldine Somerville, Tom Hollander, Natasha Wightman, Jeremy Northam, Bob Balaban, James Wilby, Ryan Phillippe, Stephen Fry, Ron Webster, Clive Owen, Helen Mirren, Eileen Atkins, Emily Watson, Alan Bates, Derek Jacobi, Richard E. Grant, and Sophie Thompson

Sir William McCordle (Michael Gambon, The Insider) and Lady Sylvia McCordle (Kristin Scott Thomas) invite many family and friends to their old style, English country estate for a weekend shooting party. Sir William has been the financial benefactor for many of his guests, some needing him more than others and him rejecting the needs of some. When Sir William is discovered dead in his study, everyone: family, guests, and their servants are suspects.

Directed by Robert Altman (The Player, Short Cuts, Nashville), Gosford Park is written in the fashion of an Agatha Christie whodunit, her brand of mystery story that was sometimes set in an old country manor. Altman, a master of the ensemble cast, uses this large cast of British thespians with the flair of a wizard and the skill of great director. Altman creates a pace for Gosford Park that is as still and as measured as a Merchant Ivory production, but underneath the stiff veneer is a film that is as sharp and as full of wit as the best comedies. Every time that Altman seems to start to slip in his craft, he unleashes something that is so rare in films this day: a movie in which the story, setting, and cast are so well played that the audience is knocked off its collective feet. With each marvelous comeback, we believe in him even more. Gosford Park has the kind of execution that brought us to our feet in The Player.

The script by actor Julian Fellowes from an idea by Altman and cast member Bob Balaban is, too say the least, excellent. To use such a large cast in which each and every actors plays what amounts to a major part in the film, even on small screen time, is rarely seen, and is usually reserved for the stage. To write a script that does this in a movie that is barely over two hours long is to understand quality over quantity. There are no big named stars here waiting to chew up scenery and to have their Oscar soliloquies. Fellowes creates a story that has the density and plot lines of a novel, but the brevity of a short story. He does not waste words and scenes, and Altman ably directs the script with the same efficiency. Fellowes wry take on class and social status is uncanny; he sums up British society in the time it would take most writers to begin their introduction to the topic.

Gosford Park is a movie of good performances. Maggie Smith as Constance, Countess of Trentham and Helen Mirren as the housekeeper, Mrs. Wilson earned well-deserved Oscar nominations. Ms. Smith sets the stage and creates the atmosphere for this drama, comedy, and mystery. She embodies British reserve, attitude, and wit, but it is in those moments when she surprises with some unexpected line or sudden glance that she really defines the chameleonic nature of this film. Ms. Mirren well represents the hurt, the lies, and the secrets of Gosford Park; she is want and fulfillment so held in check that when it burst forth, someone must die.

Ryan Phillippe, Stephen Fry, Clive Owen, Ron Webster, Emily Watson, Kelly Macdonald, and Alan Bates among others of this fine cast all do wonderful work. It boggles the mind what these actors do with a great script and one of the great directors.

Gosford Park has as its foundation a well know genre, and it does not refute the trappings of this genre. While a mystery novel must play to its conventions, Gosford Park allows the human dramas to tell the story. Each character’s story and motivation underlies the story, and every character has at least one moment in the spotlight. As motives come forth, the film casts off its whodunit costume and becomes a real drama and witty satire on class. Like life, it is a comedy and mystery, and, like life, the story and its characters remains intriguing even as it ends.

It’s one of those special films that waits for a viewer hungry for some meat to go with the sugary plate most films offer as their sole course.

9 of 10
A+

NOTES:
2002 Academy Awards: 1 win: “Best Writing, Screenplay Written Directly for the Screen” (Julian Fellowes); 6 nominations: “Best Picture” (Robert Altman, Bob Balaban, and David Levy), “Best Director” (Robert Altman), “Best Actress in a Supporting Role” (Helen Mirren), “Best Actress in a Supporting Role” (Maggie Smith), “Best Art Direction-Set Decoration” (Stephen Altman-art director and Anna Pinnock-set decorator), and “Best Costume Design” (Jenny Beavan)

2002 BAFTA Awards: 2 wins: “Alexander Korda Award for Best British Film” (Robert Altman, Bob Balaban, and David Levy) and “Best Costume Design” (Jenny Beavan); 7 nominations: “Best Make Up/Hair” (Sallie Jaye and Jan Archibald), “Best Performance by an Actress in a Supporting Role” (Helen Mirren), “Best Performance by an Actress in a Supporting Role” (Maggie Smith), “Best Production Design” (Stephen Altman), “Best Screenplay – Original” (Julian Fellowes), “Carl Foreman Award for the Most Promising Newcomer” (Julian Fellowes-writer), and “David Lean Award for Direction” (Robert Altman)

2002 Golden Globes: 1 win: “Best Director - Motion Picture” (Robert Altman); 4 nominations: “Best Motion Picture - Comedy or Musical,” “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Helen Mirren), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Maggie Smith), and “Best Screenplay - Motion Picture” (Julian Fellowes)

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2011 Primetime Emmy Awards Winners Complete List

The Emmy Award is a television production award that is considered the television equivalent of the Academy Awards in film and the Grammy Awards in music. Winners for the 63rd Annual Primetime Emmy Awards were revealed during the Sunday, Sept. 18 ceremony hosted by actress Jane Lynch (“Glee”) and broadcast live on Fox.

The full list of winners in all categories:

DRAMA

BEST DRAMA SERIES
"Mad Men"

BEST DRAMA ACTOR
Kyle Chandler, "Friday Night Lights"

BEST DRAMA ACTRESS
Julianna Margulies, "The Good Wife"

BEST DRAMA SUPPORTING ACTOR
Peter Dinklage, "Game of Thrones"

BEST DRAMA SUPPORTING ACTRESS
Margo Martindale, "Justified"

BEST DRAMA SERIES DIRECTING
Martin Scorsese, "Boardwalk Empire" - "Pilot"

BEST DRAMA SERIES WRITING
Jason Katims, "Friday Night Lights" - "Always"

COMEDY

BEST COMEDY SERIES
"Modern Family"

BEST COMEDY ACTOR
Jim Parsons, "The Big Bang Theory"

BEST COMEDY ACTRESS
Melissa McCarthy, "Mike & Molly"

BEST COMEDY SUPPORTING ACTOR
Ty Burrell, "Modern Family"

BEST COMEDY SUPPORTING ACTRESS
Julie Bowen, "Modern Family"

BEST COMEDY SERIES DIRECTING
Michael Alan Spiller, "Modern Family" - "Halloween"

BEST COMEDY SERIES WRITING
Steve Levitan and Jeffrey Richman, "Modern Family" - "Caught in the Act"

TV MOVIE/MINISERIES

BEST TV MOVIE/MINISERIES
"Downton Abbey"

BEST TV MOVIE/MINISERIES ACTOR
Barry Pepper, "The Kennedys"

BEST TV MOVIE/MINISERIES ACTRESS
Kate Winslet, "Mildred Pierce"

BEST TV MOVIE/MINISERIES SUPPORTING ACTOR
Guy Pearce, "Mildred Pierce"

BEST TV MOVIE/MINISERIES SUPPORTING ACTRESS
Maggie Smith, "Downton Abbey"

BEST TV MOVIE/MINISERIES DIRECTING
Brian Percival, "Downton Abbey"

BEST TV MOVIE/MINISERIES WRITING
Julian Fellowes, "Downton Abbey"

REALITY

BEST REALITY-COMPETITION PROGRAM
"The Amazing Race"

VARIETY

BEST VARIETY SERIES
"The Daily Show"

BEST VARIETY SERIES DIRECTING
Don Roy King, "Saturday Night Live" - "Host: Justin Timberlake"

BEST VARIETY SERIES WRITING
"The Daily Show With Jon Stewart"

Harry Potter 8 Now Third Highest Grossing Film Ever

“Harry Potter and the Deathly Hallows – Part 2” is the Number One Film of 2011

The finale of the series is the top-grossing film domestically and internationally

BURBANK, Calif.--(BUSINESS WIRE)--Continuing to make box office magic, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” has now become the top-grossing release of 2011 in all categories: domestic box office, international box office and worldwide box office. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

The last installment of the blockbuster motion picture franchise has broken numerous box office records around the world in just under a month since its July opening. As of August 8, the film had earned $344.8 million domestically and $801.5 million internationally, for an astounding worldwide box office gross of $1.146 billion, making “Harry Potter and the Deathly Hallows – Part 2” the third-highest-grossing film worldwide of all time.

Veronika Kwan-Rubinek stated, “‘Harry Potter and the Deathly Hallows – Part 2’ can truly be called a global phenomenon. The filmmakers and cast, who dedicated their talents to the success of these films for over a decade, share in this piece of cinema history. We congratulate and thank them all.”

Dan Fellman said, “This is another incredible milestone for the last chapter of this historic film series, and for the Harry Potter franchise as a whole. In a crowded and very competitive summer, it is a tribute to both the film and the people behind it that moviegoers are still turning out to enjoy it—whether for the first time or for a repeat viewing.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Harry Potter 8 Becomes Ninth Film to Gross a Billion Dollars in Worldwide Box Office

“Harry Potter and the Deathly Hallows – Part 2” Crosses $1 Billion Threshold

The last is now first, as the finale becomes the top-grossing title in the film series.

BURBANK, Calif.--(BUSINESS WIRE)--Continuing its record-breaking run, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” has surpassed $1 billion at the worldwide box office, becoming the first in the series—and just the ninth film in cinema history—to reach that benchmark. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

Adding to the records already achieved, “Harry Potter and the Deathly Hallows – Part 2” tied the record for the fastest climb to $1 billion. The finale of the blockbuster motion picture franchise crossed the billion dollar mark on Sunday, July 31, only its 17th day in release in North America, as well as most international markets. The film has now earned an estimated $318.46 million domestically and an estimated $690 million on the international side for a worldwide total to date of approximately $1.008 billion, already making it, globally, the top-grossing film in Warner Bros. Pictures’ history.

Dan Fellman stated, “What’s truly astounding is that these kinds of numbers are being achieved so early in the film’s release. The movie’s excellent reviews, outstanding word-of-mouth and repeat business will ensure that Harry Potter will be charming moviegoers for months to come.”

Veronika Kwan-Rubinek remarked, “To say that the global response to the film has been extraordinary would be an understatement. We are so proud that this last film in the series has not only reached such heights but has reached them in record time. It is now Warner Bros.’ most successful release ever, and there is still plenty more to come.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Harry Potter Film Series Passes $7 Billion in Worldwide Box Office

Harry Potter Film Franchise Surpasses $7 Billion Milestone

The finale continues to break global box office records, as it further solidifies the series’ standing as the top-grossing franchise of all time.

BURBANK, Calif.--(BUSINESS WIRE)--With “Harry Potter and the Deathly Hallows – Part 2” still in the first week of its record-breaking run, the Harry Potter film franchise has now crossed the $7 billion mark worldwide, and counting. The announcement was made today by Jeff Robinov, President, Warner Bros. Pictures Group.

“Harry Potter and the Deathly Hallows – Part 2” has earned an astounding $640.2 million worldwide in its initial week, encompassing $214.9 million domestically and $425.3 million at the international box office.

In addition, the success of the movie has propelled Warner Bros. Pictures’ combined 2011 domestic box office past $1 billion for an eleventh consecutive year, which is an industry record.

Robinov stated, “It is an extraordinary privilege for everyone at Warner Bros. to share in this piece of cinema history. We are extremely grateful to the Harry Potter fans, who have remained loyal to the movies for more than a decade. We also want to congratulate the amazing roster of actors and filmmakers, whose artistry and talent is evident in every frame of every film. But special thanks must go to the woman whose incomparable imagination literally changed the world, Jo Rowling.”

Sue Kroll, Warner Bros. Pictures President of Worldwide Marketing, noted, “Each film has inspired us creatively and it has been exciting to watch the evolution through eight remarkable movies. It has truly been the movie event of a generation, as Harry Potter fans who were there from the beginning have been joined by new fans over the years, and their enthusiasm—as well as our own—has never waned.”

Dan Fellman, Warner Bros. Pictures President of Domestic Distribution, said, “Becoming a $7 billion-plus franchise is a stunning achievement, which is shared by everybody involved in any or all of the Harry Potter films. On the domestic side, the studio is also thrilled to have reached the billion-dollar benchmark for an unprecedented eleventh year in a row. We thank everyone at Warner Bros. whose hard work and dedication have contributed so much to our success.”

Veronika Kwan-Rubinek, Warner Bros. Pictures President of International Distribution, added, “It is a rare pleasure to have an opportunity to be a part of a global event of this magnitude. For ten years, the Harry Potter films have delighted audiences, bridging across countries and continents. We applaud all the actors and filmmakers who have given us the true definition of movie magic.”

The collective Harry Potter films are the highest-grossing franchise of all time, a global record it has held since the success of the sixth film, 2009’s “Harry Potter and the Half-Blood Prince.” Individually, the worldwide grosses for the previous films stand as: “Harry Potter and the Sorcerer’s Stone” at $974,755,371; “Harry Potter and the Chamber of Secrets” at $878,979,634; “Harry Potter and the Prisoner of Azkaban” at $796,688,549; “Harry Potter and the Goblet of Fire” at $896,911,078; “Harry Potter and the Order of the Phoenix” at $939,885,929; “Harry Potter and the Half-Blood Prince” at $934,416,487; and “Harry Potter and the Deathly Hallows – Part 1” at $955,417,476.

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Review: "Deathly Hallows - Part 2" is a Dark, Epic Harry Potter Finale

TRASH IN MY EYE No. 61 (of 2011) by Leroy Douresseaux

Harry Potter and the Deathly Hallows: Part 2 (2011)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for some sequences of intense action violence and frightening images
DIRECTOR: David Yates
WRITER: Steve Kloves (based upon the novel by J.K. Rowling)
PRODUCERS: David Barron and David Heyman and J.K. Rowling
CINEMATOGRAPHER: Eduardo Serra
EDITOR: Mark Day
COMPOSER: Alexandre Desplat

FANTASY/DRAMA/ACTION

Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters, George Harris, and Bonnie Wright

Harry Potter and the Deathly Hallows was the seventh (and final) novel in the Harry Potter book series. Warner Bros. Pictures is releasing the film adaptation of the book as two films. The first film, Harry Potter and the Deathly Hallows: Part 1, arrived in theatres in November 2010. Now, the final film, Harry Potter and the Deathly Hallows: Part 2, has hit theatres with a bang. It’s an excellent film, fun as usual, but sad because this is an ending.

Harry Potter (Daniel Radcliffe) and his closest friends, Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson), embarked on a quest to find and destroy the Horcruxes, which hold the secret of the immortality of Lord Voldemort (Ralph Fiennes). They’re down to the last few Horcruxes, and one of them is hidden at Hogwarts School of Witchcraft and Wizardry.

The trio must return to Hogwarts, where they are no longer welcomed and will need the help of friends to enter. Meanwhile, Voldemort and his army of followers march on the school, and a pitched battle between the defenders of the school and Voldemort’s forces ensues. Now, the Dark Lord and boy wizard prepare for their final showdown.

By turning Harry Potter and the Deathly Hallows the novel into two movies, Warner Bros. Pictures is able to make a more faithful adaptation of the book or, at least, an adaptation that has more of the book in it. Harry Potter and the Deathly Hallows: Part 1 and Part 2 can be viewed as one larger movie, but with each movie having its own distinctive tone and style. Deathly Hallows: Part 1 is contemplative, tense, and suspenseful like an espionage or psychological thriller. Deathly Hallows: Part 2 is darker in tone, but has the look and scope of a grand epic.

Harry Potter and the Deathly Hallows: Part 2 is an action movie, one filled with gritty conflict, soaring flights, hair-raising missions, and desperate bids for escape. Occasionally, the film does stumble; the pace becomes awkward, it’s rhythm out of step. At those times, Deathly Hallows: Part 2 seems more about tying up loose ends than about being the grand finale it should be, but those moments don’t dominate the film.

Deathly Hallows: Part 2 is as thrilling and as visually dazzling as the previous films, but this one has a dragon flight that, for me at least, surpasses any other scene of magically-powered flight in this film franchise. This scene looks natural, more plausible, seeming to capture how a dragon, if such a thing existed, would move. It’s a sequence that should earn Deathly Hallows: Part 2 a best visual effects Oscar nomination, at least.

The final Harry Potter film may also surpass the others in the actors’ performances because Deathly Hallows: Part 2 is powerfully acted. As the series went along, the characters’ became more complex, moving from familiar archetypes to complicated people with shifting motivations and personalities and also becoming darker. In Deathly Hallows: Part 2, the characters, from Harry and Voldemort on down, are either made vulnerable or become more vulnerable than they ever were. Ralph Fiennes’s turn as Voldemort is layered and textured; suddenly, the Dark Lord is made tragic… even sympathetic. Fiennes will make you love as well as love-to-hate this great villain.

In the end, Daniel Radcliffe, Rupert Grint, and Emma Watson, our beloved star trio, don’t disappoint. Their ability to perform together and their screen chemistry affirm that this story was never just about Harry Potter alone. I don’t need to spend too many more words on Harry Potter and the Deathly Hallows: Part 2. That last scene of Harry, Ron, and Hermione together embodies the magic that this series offered and why we are sad that the story is ending, for now…

8 of 10
A

Thursday, July 21, 2011

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First Lady Michelle Obama Screens "Deathly Hallows - Part 2" U.S. Navy Families

Warner Bros. Pictures “Joining Forces” With First Lady Michelle Obama for a Special Screening of “Harry Potter and the Deathly Hallows – Part 2”

VIRGINIA BEACH, Va.--(BUSINESS WIRE)--In appreciation of their service, members of the United States Navy and their families will be treated to a special exclusive screening of Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2,” the finale of the blockbuster film franchise, which opened nationwide on July 15, 2011.

As part of the Joining Forces initiative, First Lady Michelle Obama will be in attendance to thank the members of the military and their families. While there, she will also introduce the film.

Location: Naval Air Station Oceana, Virginia Beach, VA
Date: Thursday, July 21, 2011
Time: 12:00 p.m. Screening

The screening is only open to members of the military and their families. Media representatives will have the opportunity to interview, photograph and film those attending the film.


About Joining Forces:
Joining Forces is a national initiative that mobilizes all sectors of society to give our service members and their families the opportunities and support they have earned. First Lady Michelle Obama and Dr. Jill Biden have met with military families, learned about their successes and challenges, and made it their priority to support them. Joining Forces provides ways for all Americans to step up and show their gratitude to our service members and their families. Through this effort, Mrs. Obama and Dr. Biden ask Americans to do more for those who have done so much for us. They are highlighting outstanding American citizens, communities, and businesses that are supporting our troops and making commitments to serve our nation’s military families. They are asking Americans to get involved in any way they can.

About the Film:
“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

“Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer.

Warner Bros. Pictures presents a Heyday Films Production, a David Yates Film, “Harry Potter and the Deathly Hallows – Part 2,” which marks the last installment in the most successful film franchise of all time. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images. http://www.harrypotter.com/

Deathly Hallows Part 2 Box Office: Can't Stop, Won't Stop

The Global Box Office is Spellbound by the Opening of “Harry Potter and the Deathly Hallows – Part 2”

The finale of the most successful film series of all time rewrites the record books with the biggest worldwide debut ever

BURBANK, Calif.--(BUSINESS WIRE)--With an astounding estimated worldwide box office total of more than $476 million, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” shattered multiple domestic and international box office records in a history-making opening weekend. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

The finale of the globally beloved film series, “Harry Potter and the Deathly Hallows – Part 2” earned a stunning $168.5 million at the domestic box office, which not only is the biggest Harry Potter opening weekend but also obliterated the industry’s opening weekend record, including holiday weekends. Among the other records broken were single-day box office (Friday at $92.1 million), Friday box office, and opening day box office.

With the film opening day-and-date in 59 territories, the international box office take was a staggering $307 million, making it the biggest international weekend of all time. Led by record-breaking grosses in the UK ($36.6 million) and Australia ($26.7 million), all markets have performed exceedingly well, including Germany ($25.7 million), France ($23.9 million) and Japan ($21.5 million).

Globally, it also broke the IMAX opening weekend record with a worldwide gross of $23.5 million, which includes setting a new record in North America with $15.5 million.

The film began breaking records even before its opening, as unprecedented advance ticket sales gave the first indication of just how huge the box office bow would be. Midnight opening screenings not only met but exceeded those expectations, with $43.5 million at the domestic box office alone.

Dan Fellman stated, “These numbers are amazing, but they are only part of the story. It is impossible to quantify how thrilled and grateful we all are that both critics and audiences—especially loyal Harry Potter fans—continue to support the film. This is the culmination of an extraordinary decade, and a reflection of the hard work and dedication of many, many people on both sides of the camera, beginning with the brilliant J.K. Rowling, as well as producer David Heyman. We applaud them all.”

Veronika Kwan-Rubinek remarked, “Harry Potter is truly a cultural phenomenon the world over. Whether in German, French, Japanese, Russian, or any language, international audiences have embraced the Harry Potter films over the years, with the powerful finale punctuating just how special the property is. We congratulate everyone associated with the films on this monumental achievement.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/