Review: Miller, Keaton Speed "THE FLASH" Forward

TRASH IN MY EYE No. 26 of 2023 (No. 1915) by Leroy Douresseaux

The Flash (2023)

Running time:  144 minutes (2 hours, 24 minutes)

MPAA – PG-13 for sequences of violence and action, some strong language and partial nudity

DIRECTOR:  Andy Muschietti

WRITERS:  Christina Hodson; from a screen story by John Francis Daley, Jonathan Goldstein, Joby Harold (based on the DC Comics characters)

PRODUCERS:  Barbara Muschietti and Michael Disco

CINEMATOGRAPHER:  Henry Braham

EDITORS:  Jason Ballantine and Paul Machliss

COMPOSER:  Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Ezra Miller, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdu, Kiesey Clemons, Antje Traue Temuera Morrison, Ben Affleck, Gal Gadot, Nicolas Cage, George Clooney, Jason Momoa, and Jeremy Irons

The Flash is a 2023 superhero and action-fantasy film directed by Andy Muschietti.  The film is based on the DC Comics character, The Flash, with the two most famous versions being created by the teams of writer Gardner Fox and artist Harry Lampert and writer Robert Kanigher and artist Carmine Infantino.  The film is the 13th entry in the DC Extended Universe (DCEU).  In The Flash, the superhero known as “the fastest man alive” uses his super-speed to change his family's tragic past, but also creates a world without superheroes.

The Flash opens at a very important time in the life of Barry Allen/The Flash (Ezra Miller).  His father, Henry Allen (Ron Livingston), has been imprisoned, wrongfully convicted for murdering his wife and Ezra's mother, Nora Allen (Maribel Verdu).  As a police forensic investigator for the Central City Police Department, Barry has been using his knowledge and connections in a bid to free his father, whose next appeal of his conviction is a day away.

However, Barry's superhero life intrudes, so he races to Gotham City where he helps Batman (Ben Affleck) stop a terrorist group.  After that, the Flash visits his childhood home.  Overcome by his emotions, Barry starts running so fast that he does not realize that his power, super-speed, has tapped into the “Speed Force” to such an extent that he has traveled back in time.  Although Batman's alter-ego, Bruce Wayne (Ben Affleck), warns him against doing so, the Flash travels back in time, again.

He returns to the day his mother was murdered and changes events in order to save her life, and the thing about which Bruce warned Barry occurs, the unintended consequences of time travel.  Soon, Barry comes face to face with his younger self, college-age Barry (Ezra Miller).  Not long afterwards, Barry learns that his big change to the past has also created an Earth without superheroes.  As an alien threat looms, the two Barrys seek out the one superhero everyone knows exists – or at least once existed, Batman.  However, this Earth's Bruce Wayne (Michael Keaton) does not want to be Batman again, even if it dooms the world.

When I first heard of the premise of The Flash, I knew that Warner Bros. Pictures wanted to make its on version of Sony Pictures and Marvel Studios' multiverse adventure, Spider-Man: No Way Home (2021).  Unlike this very sharp Spider-Man flick, The Flash is not as crisp and as efficient.  The Flash's action scenes are always at least a minute too long and too overdone.  The drama is a bit too melodramatic, sometimes in danger of being corny.  Still, director Andy Muschietti and his editors offer a film that is often quite engaging, thrilling, and entertaining.

I believe that the persons that really carry The Flash are first, Ezra Miller as The Flash/Barry Allen and as younger Barry Allen and second, Michael Keaton as Batman/Bruce Wayne.  This time around Ezra offers a superhero and alter-ego that are both far less annoying and forced than they were in Joss Whedon's 2016 superhero film, Justice League.  Miller is so good at portraying two versions of Barry that they seem like distinctly different people and personalities.  Here, Miller's Flash is more like a quirky character than in Justice League, where he seemed like bad character writing and a resulting confused and awkward performance.  Sadly, Miller's legal problems may keep them from portraying the Flash again, which is a shame.  They have finally got a bead on how to play that kind of character in a way that makes him endearing.

To a slightly lesser extent, Michael Keaton also carries this film.  His Batman/Bruce Wayne is one of the most famous iterations of the character, having appeared in director Tim Burton's Batman (1989) and Batman Returns (1992).  Keaton revives the beats of the way he played the character over three decades ago, while adding a lot of new flavors to his character and new engagement in his performance.  After this appearance, I would really like to see more of Keaton's Batman.

Ben Affleck also makes a really nice turn as the “DCEU Batman/Bruce Wayne.”  Sasha Calle as Kara Zor-El/Supergirl gives a performance that makes the character seem shoe-horned into this film.  And there are some delightful cameos from other actors and characters that have appeared in DC Comics-related film and television series.  Plus, there is a surprise appearance from another cinematic Batman.  As I have said, however, Ezra Miller and Michael Keaton put a light-speed jolt into The Flash.  I found The Flash entertaining, but I'm giving it the grade I am because of Miller and Keaton.

[The Flash has one scene at the end of the credits.]

7 of 10

B+

★★★½ out of 4 stars

Friday, June 23, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: "AMSTERDAM" is a Movie That Follows the Right God Home

TRASH IN MY EYE No. 4 of 2023 (No. 1893) by Leroy Douresseaux

Amsterdam (2022)

Running time:  134 minutes (2 hours, 14 minutes)

MPA – R for brief violence and bloody images

WRITER/DIRECTOR:  David O. Russell

PRODUCERS:  David O. Russell, Christian Bale, Matthew Budman, Anthony Katagas, and Arnon Milchan

CINEMATOGRAPHER:  Emmanuel Lubezki (D.o.P.)

EDITOR:  Jay Cassidy

COMPOSER:  Daniel Pemberton

DRAMA/COMEDY/HISTORICAL

Starring:  Christian Bale, Margot Robbie, John David Washington, Alessandro Nivola, Andrea Riseborough, Anya Taylor-Joy, Chris Rock, Matthias Schoenaerts, Michael Shannon, Mike Myers, Taylor Swift, Timothy Olyphant, Zoe Saldana, Rami Malek, Ed Begley, Jr., Beth Grant, and Robert De Niro

Amsterdam is a 2022 comedy, period drama, and historical film from writer-director David O. Russell.  The film is based on the 1933 United States political conspiracy “the Business Plot,” which involved a secret plan to overthrow the government of President Franklin D. Roosevelt and to install a dictator in its place.  Amsterdam follows three friends who seek to uncover the truth behind the mysterious death and apparent murder of a retired U.S. general.

Amsterdam introduces Burt Berendsen M.D. (Christian Bale), a physician and surgeon.  In 1918, his estranged wife, Beatrice Vandenheuvel (Andrea Riseborough) and her parents, who don't really care for Burt because he is “half-Jew,” bully him into enlisting to fight in World War I.  While stationed in France, Burt befriends an African-American soldier, Harold Woodman (John David Washington).

Later, after being severely injured in battle, Burt and Harold are nursed back to health by Valerie Bandenberg (Margot Robbie), an eccentric American nurse and artist who makes art out of shrapnel removed from the soldiers.  Burt and Harold befriend Valerie and follow her to Amsterdam, the capitol of the Netherlands.  There, they live together and Harold and Valerie engage in a budding romance.  First, Burt returns to New York City to be with his wife, and then, Harold returns to begin his career as an attorney.

In 1933, Burt owns his own medical practice that caters to veterans of WWI, and he still remains friends with Harold.  Things begin to change for them when they discover that General Bill Meekins (Ed Begley, Jr.), who was important to Burt and Harold during the war, has died.  His daughter, Elizabeth Meekins (Taylor Swift), believes that her father was murdered.  Soon, Elizabeth herself is murdered, and Burt and Harold are blamed.  Seeking to clear themselves, they begin to investigate the mystery surrounding General Meekins before his death, which leads to their reunion with Valerie.  She had also returned to America and is living in seclusion with her wealthy brother, Tom Voze (Rami Malek) and his wife, Libby (Anya Taylor-Joy).

The three friends find themselves in a conspiracy involving another retired military officer, Marine Corps General Gil Dillenbeck (Robert De Niro).  And everything is heading for a showdown at an event that is very important to Burt, the 14th Annual New York Veterans Reunion Gala.

Yeah, dear readers, the synopsis of the film's plot is a bit longer than I would like it to be.  Although Amsterdam's narrative only runs a little under two hours and ten minutes, the film has enough subplots, characters, and settings to fill a television miniseries.  Actually, a miniseries version of Amsterdam with the same cast would be orgasmic – well, at least for me it would.

Anyway, most of you, dear readers, are familiar (to one extent or another) with the event known as the “January 6 United States Capitol attack.”  On Wednesday, January 6, 2021, a (mostly) white mob attacked the United States Capitol Building in Washington, D.C. The members of mob were comprised of supporters of then-President Donald Trump, and they were seeking to keep Trump in power by preventing a joint session of the U.S. Congress from counting the electoral college votes to formalize the victory of President-elect Joe Biden.

That event led journalists, historians, and writers to recall other insurrections and attempts to overthrow a democratically elected U.S. government.  The Business Plot is one of them.  It has also been referred to as “the Wall Street Putsch” because the people behind it were allegedly wealthy American businessmen.  They hoped to overthrow the government of President Franklin D. Roosevelt by creating a fascist organization comprised of World War I veterans that would be led by Marine Corp General Smedley Butler, a hero of WWI and a veteran of several military conflicts.  After this military led coup and overthrow of the government, the plotters would install Butler as a dictator.

Butler, upon whom Amsterdam's Gen. Dillenbeck is based, himself is the one who revealed the Business Plot.  At the time, some of the press considered the Business Plot to be hoax, although a congressional committee investigating the plot believed that it was discussed and at least partially planned.

Amsterdam is a film that is kind of like a fairy tale version the Business Plot with Burt (ostensibly the story's lead character), Harold, and Valerie as the gallant trio fighting the mysterious bad guys.  In this manner, the film is filled with conniving wizards (rich businessmen), evil knights (the killers of Gen. Meekins), and menagerie of oddball characters and creature-types, which is a good way to describe even Amsterdam's heroic trio.  As I said earlier, I think that the manner in which writer-director David O. Russell tells this story, it needs to be done in a longer form.

Still, one thing at which Russell really excels is in creating ensemble films featuring a cast that delivers stellar performances which in turn creates the most interesting cinematic characters.  He has done that with a large ensemble, as in the case of his highly-acclaimed 2013 film, American Hustle, and with an intimate small ensemble, such as in his Oscar-winning 2012 film, Silver Linings Playbook.

Christian Bale delivers another amazing performance as Burt Berendsen.  Margot Robbie is eccentric and delightful as Valerie, and John David Washington is dashing, bold, and stalwart as Harold.  Robbie and Washington have excellent chemistry and thus, are convincing as a couple.  Anya Taylor-Joy, beautiful and radiant as always, effortlessly slays in her turn as the vain and insecure attention-seeker, Libby Voze.  Of course, Robert De Niro, as Gen. Dillenbeck, turns up the heat in the film's most pivotal moments.

Rami Malek, Chris Rock, and Zoe Saldana also shine in key supporting roles, and Taylor Swift's quick spin as Bill Meekins' daughter, Elizabeth, gives the film an early jolt.  So the smaller roles help to make Amsterdam that much better as a top notch ensemble film.

In the film, the city of Amsterdam seems to represent a place where people can be their authentic selves while accepting that others must also be allowed to be their authentic selves, even if that might lead to clashes of personality and belief.  Amsterdam is not perfect, but it is lovable because of its idiosyncratic way, and that makes me look forward to the next large ensemble film from the inimitable David O. Russell.

8 of 10

A

★★★★ out of 4 stars

Saturday, January 21, 2023

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Review: Wild, Uneven "BULLET TRAIN" Has a Killer Last Act

TRASH IN MY EYE No. 66 of 2022 (No. 1878) by Leroy Douresseaux

Bullet Train (2022)
Running time: 127 minutes (2 hours, 7 minutes)
MPA – R for strong and bloody violence, pervasive language, and brief sexuality
DIRECTOR:  David Leitch
WRITER:  Zak Olkewicz (based on the novel by Kotaro Isaka)
PRODUCERS:  Antoine Fuqua, David Leitch, and Kelly McCormick
CINEMATOGRAPHER:  Jonathan Sela (D.o.P.)
EDITORS:  Elisabet Ronaldsdottir
COMPOSER:  Dominic Lewis

ACTION

Starring:  Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Sandra Bullock, Benito A Martinez Ocasio (Bad Bunny), Logan Lerman, Zazie Beetz, Masi Oka, Kevin Akiyoshi Ching, Johanna White, and Karen Fukuhara with Channing Tatum and Ryan Reynolds

Bullet Train is a 2022 action movie from director David Leitch.  The film is based on the 2010 novel from author Kōtarō Isaka, Maria Beetle (which was titled Bullet Train for its U.S. and U.K. Editions).  Bullet Train the movie takes place aboard a swiftly-moving bullet train where five assassins gradually discover that they have several things in common.

Bullet Train opens in Japan and introduces “Ladybug” (Brad Pitt), an assassin turned “snatch-and-grab man.”  In Tokyo, he enters a bullet train bound for Kyoto.  He is initially wary of accepting this job from his handler, Maria (Sandra Bullock), which involves him retrieving a briefcase that contains ten million dollars.  Also on the train is a young woman known as “Prince” (Joey King); the assassin brothers, “Lemon” (Brian Tyree Henry) and “Tangerine” (Aaron Taylor-Johnson); and the revenge-seeking Yuichi Kimura (Andrew Koji).

They are all passengers on this particular bullet train, directly and indirectly, because of “The Son” (Logan Lerman), the kidnapped son of the Russian-born Yakuza boss known as the “White Death” (Michael Shannon).  Ladybug, who is begrudgingly working this job, believes that it is bringing out the worst of the bad luck that he believes plagues him.  Gradually, he finds himself fighting off an ever-growing gathering of killers and miscreants.  And waiting for everyone at their final stop in Kyoto – at least for those that survive – is an ultimate showdown with the White Death and his hired killers.

Directly or indirectly, Bullet Train is a movie influenced by the films of Oscar-winning filmmaker, Quentin Tarantino.  The dialogue – full of chatter, threats, and banter – is supposed to come across as cool, but it is merely blather from a third or fourth or fifth generation take on a Tarantino screenplay.  The characters are also Tarantino retreads, and so are their actions and inaction.  Still, I must admit that I like some of them, especially Brad Pitt's Ladybug.

So is Bullet Train any good, you might ask?

Well, two-thirds of it is uneven and moves in fits and starts of violence and murder.  I was mostly uninterested, but there are some surprising cameos that captured my interest.  For instance, Zazie Beetz is the assassin, “The Hornet,” and recording artist, Bad Bunny, is the Mexican assassin, “The Wolf.”  Both, however, are barely in the film.  I think they would have improved Bullet Train a good bit had their roles been enlarged.

However, the first 80 or so mediocre minutes of this movie are worth it for the last 40 minutes.  It is as if Bullet Train suddenly explodes in its last act to reveal a much better movie that had been hiding inside the fairly awful movie.  Everything is better, even Brad Pitt, who keeps this movie from being an absolute disaster.  Sometimes, it is worth having a genuine movie star, like a Brad Pitt, star in a genre movie.  The first two-thirds of this movie deserves a grade of “C-” at best, but the last third deserves an “A.”  So I'll average that out to a “B,” and I will recommend Bullet Train because of its last act.  It really is spectacular, and it is a pay off for your patience.

6 out of 10
B
★★★ out of 4 stars

Saturday, October 29, 2022


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Review: "Knives Out" a Fresh Cut of Murder Mystery

TRASH IN MY EYE No. 15 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Knives Out (2019)
Running time:  130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for thematic elements including brief violence, some strong language, sexual references, and drug material
WRITER/DIRECTOR:  Rian Johnson
PRODUCERS:  Rian Johnson and Ram Bergman
CINEMATOGRAPHER:  Steve Yedlin (D.o.P.)
EDITOR:  Bob Ducsay
COMPOSER:  Nathan Johnson
Academy Award nominee

MYSTERY/COMEDY

Starring:  Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, LaKeith Stanfield, Christopher Plummer, Katherine Langford, Jaeden Martell, Riki Lindhome, Edi Patterson, Frank Oz, K Callan, Noah Segan, M. Emmet Walsh, and Marlene Forte

Knives Out is a 2019 mystery film written and directed by Rian Johnson.  The film is a modern whodunit and a murder mystery inspired by the works of the legendary mystery novelist, Agatha Christie.  Knives Out focuses on a master detective investigating an eccentric, combative family after the family's patriarch is found dead.

Knives Out introduces wealthy crime novelist, Harlan Thrombey (Christopher Plummer).  He has invited his family to his Massachusetts mansion for his 85th birthday party.  The following morning, Harlan's housekeeper, Fran (Edi Patterson), finds Harlan dead, with his throat slit.  Local police Detective Lieutenant Elliott (LaKeith Stanfield) believes Harlan's death to be a suicide.  However, an anonymous party among the family has secretly paid private eye, Benoit Blanc (Daniel Craig), to investigate Harlan's death as a homicide.  Blanc finds his suspects among the members of the family, and each one is either eccentric or combative.

Blanc learns that Harlan's relationships with his family were strained.  Blanc is keeping an eye on particular members of the family.  There is Harlan's eldest daughter, Linda Drysdale (Jamie Lee Curtis), a real estate mogul, and his youngest son, Walt Thrombey (Michael Shannon).  There is also Joni Thrombey (Toni Collette), Harlan's daughter-in-law and the widow of his late son, Neil, and his son-in-law, Richard Drysdale (Don Johnson), Linda's husband.  Even Harlan's nurse and close friend, Marta Cabrera (Ana de Armas), is a suspect... or at least has knowledge that will answer important questions.  And where is Harlan's grandson, Ransom “Hugh” Drysdale (Chris Evans), the spoiled playboy son of Linda and Richard?

Whodunit... if it is true that someone did anything criminal?  Or is the truth more complicated and too obvious for even world-famous private investigator Benoit Blanc to discover?

Rian Johnson's Knives Out starts with an excellent screenplay, not necessarily in terms of the mystery's plot.  That is mostly just an exercise in genre elements and trappings – similar to the twists and terms found in the works of Agatha Christie and those stories inspired by Christie.  The best of Knives Out is in the characters, the kind that character actors can use to chew up movie scenery.

The cast of Knives Out is comprised of actors who have been at or near the top of their professions in film or television at some point in their careers.  They are not really known as character actors because they have been or still are headliners.  However, they are mostly veteran actors, and they can do what character actors do best, and that is deliver performances that create the kind of characters of which film audiences cannot get enough.

That is what Rian Johnson did with this film.  He composed a topnotch script, and then, he directed his actors to topnotch performances.  The result is a mystery film that grabs the viewers and holds them from start to finish.  I certainly felt as if I could not let stop watching Knives Out; it is truly a fun film to watch.  It is not perfect; there seems not to be enough screen time for some of the best characters, such as Jamie Lee Curtis' Linda Drysdale, Michael Shannon's Walt Thrombey, and Toni Collette's Joni Thrombey.  And Chris Evan's Ransom Drysdale seems misused...

Still, get yourself to Knives Out, dear reader.  It is one of the funniest and most enjoyable murder mystery films in quite some time.

8 of 10
A

Saturday, June 20, 2020


NOTES:
2019 Academy Awards, USA:  1 nomination: “Best Original Screenplay” (Rian Johnson)

2019 BAFTA Awards:  1 nomination: “Best Screenplay” (Rian Johnson)

2019 Golden Globes, USA:  3 nominations:  “Best Motion Picture - Musical or Comedy,” “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Ana de Armas), and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Daniel Craig)


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from March 19th to 31st, 2017 - Update #42

Support Leroy on Patreon.

MOVIES - From YahooMovies:  Creepy trailer for "It" (based on the Stephen King novel) breaks viewing records.  The movie drops September 8, 2017.

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MOVIES - From Variety:  Liam Neeson is looking to play classic literary private detective, "Philip Marlowe," created by Raymond Chandler.

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STAR TREK - From Variety:  Rainn Wilson will play "Harry Mudd" in the new series, "Star Trek: Discovery."  Mudd is a character from the original "Star Trek."

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DISNEY - From Variety:  Beyonce is director Jon Favreau's top choice to voice Nala in his live-action remake of "The Lion King."

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COMICS-FILM - From Variety:  Joss Whedon is nearing a deal to write, direct, and produce a "Batgirl" movie.

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MANGA-FILM - From IndieWire:  Jordan Peele, fresh off his smash hit, "Get Out," is being courted by Warner Bros. to direct is live-action version of the legendary manga and anime, "Akira."  Warners has considered so many directors for this long, long-in-development project that Peele is not event he first African-American director to be considered.

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COMICS-FILM - From SlashFilm:  Aaron Sorkin has said that he is going to take meetings with both Marvel Studios and Warner Bros/DC Comics films about possibly making a film based on a Marvel or DC Comics property.

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MUSIC - From YahooMusic:  Three months after his death, George Michael was laid to rest in a private funeral.

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ANIMATION - From THR:  The name of the "Wreck-it Ralph" sequel is "Breaks the Internet: Wreck-it Ralph 2."  The film is due March 9, 2018.

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OBITS - From Variety:  Darlene Cates, who played the mother in "What's Eating Gilbert Grape," died at the age of 69, Sunday, March 26, 2017.

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MOVIES - From TheWrap:  The sequel to "Terminator: Genisys" has been removed from Paramount Pictures' release schedule... to no one's surprise.

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MOVIES - From Variety:  "Nasty Women," a female-driven remake of "Dirty Rotten Scoundrels," has a director.

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GEORGE LUCAS - From YahooNews:  The George Lucas Family Foundation gives $10 million to the University of Southern California (Lucas' alma mater) to help the School of Cinematic Arts expand its student diversity.

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TELEVISION - From TVLine:  Amazon Studios has greenlit a TV series from Oscar-winner Barry Jenkins ("Moonlight") about the "Underground Railroad."

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MOVIES - From Variety:  Fox is developing a movie musical, "Atlantis," based on the life of Grammy-winning recording artist, Pharell Williams.

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MOVIES - From Variety:  First look at the new Lara Croft/Tomb Raider.

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BOX OFFICE - From BoxOfficeMojo:  Disney's live-action "Beauty and the Beast" wins the 3/24 to 3/26/2017 weekend box office with an estimated take of $88.3 million dollars.

----------
BLM - From TheRoot:  Cops still killing Black people in the age of President Pussy-Grabber.

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LGBTQ - From ProPublica:  Trump appoints anti-transgender bigot to be in charge of protecting the civil rights of all patients.

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MUSIC - From THR:  Snoop Dogg to induct the late Tupac Shukar into the Rock and Roll Hall of Fame at the April 7th, 2017 ceremony in Brooklyn.

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OBIT - From THR:  Film producer, Richard A. Roth, has died at the age of 76, Friday, March 17, 2017.  Roth is probably best known for producing the beloved 1971 film, "Summer of '42" (one of my all-time favorite movies). [There is another producer named Richard Roth, who produced "Julia" and "Blue Velvet," among others.]

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OBIT - From THR:  Jean Rouverol, one of the Hollywood screenwriters blacklisted in the 1950s, has died at the age of 100, Friday, March 24, 2017.  She was also a novelist, television writer and actress.  For years, she lived with Cliff Carpenter, another performer who had been blacklisted.

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POLITICS - From TheHill:  Michael Moore says that now is not the time to gloat over Trump and the GOP's failed attempt to repeal the Affordable Care Act (Obamacare).

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CELEBRITY - From YahooCelebrity:  The late Carrie Fisher and her mother, the late Debbie Reynolds, were honored at a public memorial.

From RollingStone:  The Fisher/Reynolds public memorial is available for viewing

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LABOR - From Variety:  Negotiations between the Writers Guild of America (WGA) and the Alliance of Motion Pictures & Television Producers are going badly.

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CELEBRITY - From YahooCelebrity:  Amber Heard has said that she was told that coming out as "bisexual" would hurt her film and TV career.

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OBIT - From Variety:  Among comic book fans, he earned the description "legendary."  Painter, illustrator, and comic book artist, Bernie "Berni" Wrightson, died at the age of 68, Sunday, March 19, 2017.  He was one of the co-creators of the character, "Swamp Thing."

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CELEBRITY - YahooNews:  Oscar-winning actress and screenwriter, Emma Thompson, says that she once turned down an offer from Donald Trump to stay in Trump Towers.

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MOVIES - From YahooMovies:  Jay-Z and Weinstein Company are planning a movie and documentary about Trayvon Martin.

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OSCARS - From YahooMovies:  Ryan Gosling tells why he giggled over the Oscar snub when the film in which he starred, "La La Land," was revealed not to be the best picture Oscar winner because "Moonlight" was the true winner.

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MOVIES - From YahooMovies:  Amy Schumer has dropped out of the "Barbie" movie.

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COMICS-FILM - From Variety:  Oscar-nominated actor Michael Shannon is apparently in the lead to play the character "Cable" in "Deadpool."

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MOVIES - From ThePlaylist:  Ivan Reitman still wants to do more "Ghostbusters" movies.  The below expected box office numbers of Paul Feig's all-female "Ghostbusters" from last year means that it won't have a sequel.

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OBIT - From TheWrap:  Chuck Barris, the host of "The Gong Show," has died at the age of 87, Tuesday, March 21, 2017.

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BLM - From TheRoot:  Everything we think we know about the death of Michael Brown in Ferguson, MO may be wrong; even his killer admits that.

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BREAKING NEWS - From YahooNews:  Man shot outside of the United Kingdom's Parliament building complex.

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COMICS-FILM - From YahooTV:  Roy Thomas, who co-created the Marvel Comics character, Iron Fist," does not want to hear about whitewashing.  Marvel/Netflix has just released an "Iron Fist" TV series.

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MOVIES - From Variety:  Emma Stone's Billie Jean King's biopic, "Battle of the Sexes," is due late September 2017 for the awards season.  Steve Carell will play King's "nemesis," Bobby Riggs.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 3/17 to 3/19/2017 weekend box office is Disney's live-action remake of "Beauty and the Beast" with a gross of over $174 million, a record for a March opening weekend.

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OBIT - From NYTimes:  Rock 'n' Roll icon, founder, godfather, and one of the music's most influential artists, Chuck Berry, died Saturday, March 18, 2017 at the age of 90.

From RollingStone:   Why Chuck Berry Is Even Greater Than You Think.

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OBIT - From NYDailyNews:  Legendary New York Daily News columnist Jimmy Breslin died Sunday, March 19, 2017 at the age of 88.

TRAILERS:

From FoxMovies:  A trailer for Fox/Blue Sky's animated "Ferdinand."

Mahershala Ali Wins "Best Supporting Actor" Oscar

Actor in a Supporting Role:

Nominees
Mahershala Ali - Moonlight - WINNER

Jeff Bridges - Hell or High Water

Lucas Hedges - Manchester by the Sea

Dev Patel -Lion

Michael Shannon - Nocturnal Animals

Las Vegas Film Critics Name "La La Land" Best Picture of 2016

The Las Vegas Film Critics Society (LVFCS) is a non-profit organization that describes itself as “progressive” and “dedicated to the advancement and preservation of film.”  The LVFCS membership is comprised of “select” print, television and internet film critics in the Las Vegas area. The LVFCS presents its "Sierra" awards each year for the best in film, including The William Holden Lifetime Achievement Award, which is named for the late Academy Award winning actor.

2016 Sierra Award winners were announced Friday, December 16, 2016.

2016 Sierra Award winners:

Best Picture
La La Land

Best Actor
Casey Affleck – Manchester by the Sea

Best Actress
Natalie Portman – Jackie

Best Supporting Actor
Michael Shannon – Nocturnal Animals

Best Supporting Actress
Viola Davis – Fences

Best Director
La La Land

Best Adapted Screenplay
Nocturnal Animals

Best Original Screenplay
La La Land

Best Cinematography
La La Land

Best Film Editing
Moonlight

Best Score
La La Land

Best Song
“City of Stars” – La La Land

Best Action Film
Captain America: Civil War

Best Documentary
O.J.: Made in America

Best Animated Film
Kubo and the Two Strings

Best Foreign Language Film
The Handmaiden

Best Costumes
The Witch

Best Art Direction
La La Land

Best Visual Effects
The Jungle Book

Best Comedy
The Nice Guys

Best Horror/Sci-Fi
The Witch

Best Family Film
The Hunt for the Wilderpeople

Best Ensemble
Hidden Figures

Breakout Filmmaker
Barry Jenkins, Moonlight

Youth in Film
Lucas Hedges – Manchester by the Sea

William Holden Lifetime Achievement Award
Kirk Douglas

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Warner Bros. Expands Jeff Nichols' "Midnight Special"

Jeff Nichols’ Sci-Fi Thriller “Midnight Special” Expands U.S. Theatrical Release April 1st Amidst Enthusiastic Early Reaction

Film garners rave reviews and strong numbers in early engagements

BURBANK, Calif.--(BUSINESS WIRE)--Following impressive critical and audience response, the sci-fi thriller “Midnight Special,” from acclaimed writer/director Jeff Nichols, will launch the second wave of its North American release on Friday, April 1st, 2016. The film earned an outstanding $38,000 per-screen average across only five theaters in its March 18th, 2016 debut in New York, Los Angeles and Austin, for an approximate opening weekend total of $190,000 in only five theaters, making it one of the year’s most successful limited openings.

“Midnight Special” will next expand to approximately 55 screens in 17 total markets, with additional openings set for Chicago, Dallas, San Francisco, Washington DC, Atlanta, Philadelphia, Boston, Seattle, Minneapolis, Portland, Little Rock, Toronto, Montreal and Vancouver.

The film, starring Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver, Jaeden Lieberher and Sam Shepard, first played to overwhelming acclaim at its February 12th, 2016 world premiere in competition at the Berlin International Film Festival, and again at SXSW on March 12th. Stellar reviews have top critics calling it “brilliant,” “gripping,” “spell-binding” and “ambitious,” citing great performances and proclaiming Nichols “a master filmmaker.”

Beyond its April 1st expansion, “Midnight Special” will continue its theatrical rollout with additional screens and markets on April 8th, April 15th and April 22nd, 2016.

Writer/director Jeff Nichols proves again that he is one of the most compelling storytellers of our time with the sci-fi thriller “Midnight Special.” A provocative, genre-defying film as supernatural as it is intimately human, it follows a father, Roy (Michael Shannon), who goes on the run to protect his young son, Alton (Jaeden Lieberher), a boy with mysterious powers that even Roy himself cannot comprehend. What starts as a race from religious extremists and local law enforcement quickly escalates to a nationwide manhunt involving the highest levels of the Federal Government. Risking everything, Roy is committed to helping Alton reach his ultimate purpose, whatever that might be and whatever it costs, in a story that takes audiences on a perilous journey from Texas to the Florida coast, while exploring the bonds of love and trust, and the nature of faith.

Midnight Special” stars Oscar nominee Michael Shannon (“99 Homes,” “Revolutionary Road”), Joel Edgerton (“Black Mass”), Kirsten Dunst (TV’s “Fargo”), Adam Driver (“Star Wars: The Force Awakens”), Jaeden Lieberher (“St. Vincent”) and Oscar nominee Sam Shepard (“The Right Stuff,” “August Osage County”).

Jeff Nichols (“Mud,” “Take Shelter”) directed the film from his own screenplay. It is produced by Oscar nominee Sarah Green (“The Tree of Life,” “Mud”) and Brian Kavanaugh-Jones (the “Insidious” films, “Sinister”), who previously collaborated with Nichols on his critically acclaimed thriller “Take Shelter.” Glen Basner, Hans Graffunder and Christos V. Konstantakopoulos served as executive producers.

Also reuniting with Nichols behind the scenes were director of photography Adam Stone, production designer Chad Keith and editor Julie Monroe. David Wingo composed the score.

A Warner Bros. Pictures presentation, in association with Faliro House Productions, a Tri-State Production, “Midnight Special,” will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. midnightspecialmovie.com

“Midnight Special” has been rated PG-13 for some action and violence.

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Kansas City Film Critics Name "Mad Max: Fury Road" Best Picture of 2015

Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle).  The organization is composed of media film critics in the Kansas City metropolitan area.  The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.

On December 21, 2015, the Kansas City Film Critics Circle announced the winners of its 49th annual awards.

2015 / 49th KCFCC Annual Awards:

BEST PICTURE: Mad Max: Fury Road

ROBERT ALTMAN AWARD FOR BEST DIRECTOR: George Miller – Mad Max: Fury Road

BEST ACTOR: Leonardo DiCaprio – The Revenant

BEST ACTRESS: Charlize Theron – Mad Max: Fury Road

BEST SUPPORTING ACTOR: Michael Shannon – 99 Homes

BEST SUPPORTING ACTRESS: Alicia Vikander – Ex Machina

BEST ORIGINAL SCREENPLAY: Josh Singer and Tom McCarthy – Spotlight

BEST ADAPTED SCREENPLAY: Charles Randolph and Adam McKay – The Big Short

BEST ANIMATED FEATURE: Inside Out

BEST FOREIGN LANGUAGE FILM: Phoenix (Germany)

BEST DOCUMENTARY: Amy

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION, FANTASY or HORROR FILM: Ex Machina

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Los Angeles Film Critics Name "Spotlight" Best Picture of 2015

The Los Angeles Film Critics Association (LAFCA) is a professional organization of Los Angeles-based, professional film critics working in the Los Angeles print and electronic media.  Since 1975, LAFCA members vote on the year's Achievement Awards each December, honoring screen excellence on both sides of the camera.

41st Annual (2015) Los Angeles Film Critics Association Awards:

Picture: Spotlight
Runner-up: Mad Max: Fury Road.

Director: George Miller, Mad Max: Fury Road
Runner-up: Todd Haynes, Carol.

Actor: Michael Fassbender, Steve Jobs
Runner-up: Géza Röhrig, Son of Saul.

Actress: Charlotte Rampling, 45 Years
Runner-up: Saoirse Ronan, Brooklyn.

Supporting actor: Michael Shannon, 99 Homes
Runner-up: Mark Rylance, Bridge of Spies.

Supporting actress: Alicia Vikander, Ex Machina
Runner-up: Kristen Stewart, Clouds of Sils Maria.

Screenplay: Josh Singer and Tom McCarthy, Spotlight
Runner-up: Charlie Kaufman, Anomalisa.

Animation: Anomalisa
Runner-up: Inside Out.

Foreign-language film: Son of Saul (Hungary)
Runner-up: The Tribe (Ukraine)

Documentary/nonfiction film: Amy
Runner-up: The Look of Silence.

New Generation: Ryan Coogler, Creed.

Film editing: Hank Corwin, The Big Short
Runner-up: Margaret Sixel, Mad Max: Fury Road.

Cinematography: John Seale, Mad Max: Fury Road
Runner-up: Edward Lachman, Carol.

Production design: Colin Gibson, Mad Max: Fury Road
Runner-up: Judy Becker, Carol.

Music score: Carter Burwell, Anomalisa and Carol
Runner-up: Ennio Morricone, The Hateful Eight.

Special citation: David Shepard, for his invaluable work in film preservation, particularly of films from the silent era.

Lifetime achievement: Anne V. Coates (British film editor who edited “Lawrence of Arabia” and is a recipient of five Oscar nominations.)

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2015 Gotham Award Nominations Announced; Winners Announced Nov. 30th

Honoring independent films, the Gotham Awards are the first major awards of the film awards season.  The Gotham Awards are presented by the Independent Filmmaker Project (IFP), an organization which helps independent filmmakers by connected artists with resources at all stages of film development and distribution.

This year, the 2015 Gotham Awards kicks off the 2015-16 season.  The Gotham Awards ceremony will be held on Monday, November 30, 2015 at Cipriani Wall Street.  For information on attending: http://gotham.ifp.org

The 2015 IFP Gotham Independent Film Award nominations:

Best Feature

Carol
Todd Haynes, director; Elizabeth Karlsen, Christine Vachon, Stephen Woolley, producers (The Weinstein Company)

The Diary of a Teenage Girl
Marielle Heller, director; Anne Carey, Bert Hamelinck, Madeline Samit, Miranda Bailey, producers (Sony Pictures Classics)

Heaven Knows What
Josh and Benny Safdie, directors; Oscar Boyson, Sebastian Bear-McClard, producers (RADiUS)

Spotlight
Tom McCarthy, director; Michael Sugar, Steve Golin, Nicole Rocklin, Blye Pagan Faust, producers (Open Road Films)

Tangerine
Sean Baker, director; Darren Dean, Shih-Ching Tsou, Marcus Cox & Karrie Cox, producers (Magnolia Pictures)

Best Documentary

Approaching the Elephant
Amanda Rose Wilder, director; Jay Craven, Robert Greene, Amanda Rose Wilder, producers (Kingdom County Productions)

Cartel Land
Matthew Heineman, director; Matthew Heineman, Tom Yellin, producers (The Orchard and A&E IndieFilms)

Heart of a Dog
Laurie Anderson, director; Dan Janvey, Laurie Anderson, producers (Abramorama and HBO Documentary Films)

Listen to Me Marlon
Stevan Riley, director; John Battsek, RJ Cutler, George Chignell, producers (Showtime Documentary Films)

The Look of Silence
Joshua Oppenheimer, director; Signe Byrge Sørensen, producer (Drafthouse Films)

Bingham Ray Breakthrough Director Award
Desiree Akhavan for Appropriate Behavior (Gravitas Ventures)
Jonas Carpignano for Mediterranea (Sundance Selects)
Marielle Heller for The Diary of a Teenage Girl (Sony Pictures Classics)
John Magary for The Mend (Cinelicious Pics)
Josh Mond for James White (The Film Arcade)

Best Screenplay
Carol, Phyllis Nagy (The Weinstein Company)
The Diary of a Teenage Girl, Marielle Heller (Sony Pictures Classics)
Love & Mercy, Oren Moverman and Michael Alan Lerner (Roadside Attractions, Lionsgate, and River Road Entertainment)
Spotlight, Tom McCarthy and Josh Singer (Open Road Films)
While We’re Young, Noah Baumbach (A24)

Best Actor*
Christopher Abbott in James White (The Film Arcade)
Kevin Corrigan in Results (Magnolia Pictures)
Paul Dano in Love & Mercy (Roadside Attractions, Lionsgate, and River Road Entertainment)
Peter Sarsgaard in Experimenter (Magnolia Pictures)
Michael Shannon in 99 Homes (Broad Green Pictures)

Best Actress*
Cate Blanchett in Carol (The Weinstein Company)
Blythe Danner in I’ll See You in My Dreams (Bleecker Street)
Brie Larson in Room (A24 Films)
Bel Powley in The Diary of a Teenage Girl (Sony Pictures Classics)
Lily Tomlin in Grandma (Sony Pictures Classics)
Kristen Wiig in Welcome to Me (Alchemy)

Breakthrough Actor
Rory Culkin in Gabriel (Oscilloscope Laboratories)
Arielle Holmes in Heaven Knows What (RADiUS)
Lola Kirke in Mistress America (Fox Searchlight Pictures)
Kitana Kiki Rodriguez in Tangerine (Magnolia Pictures)
Mya Taylor in Tangerine (Magnolia Pictures)


* The 2015 Best Actor/Best Actress nominating panel also voted to award a special “Gotham Jury Award” jointly to Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci, and Brian d’Arcy James for their ensemble work in Spotlight. (Open Road Films).

Spotlight on Women Directors ‘Live the Dream’ Grant

For the sixth consecutive year, IFP is proud present the euphoria Calvin Klein Spotlight on Women Directors ‘Live the Dream’ grant, a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs or IFP’s Screen Forward Lab. In 2015, Screen Forward Lab directors have been included in this opportunity for the first time. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film or episodic series. The nominees are:

Claire Carré, director, Embers
Deb Shoval, director, AWOL
Chanelle Aponte Pearson, director, 195 Lewis
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Gotham Independent Film Audience Award

IFP members will determine the 7th Annual Gotham Independent Film Audience Award with nominees comprised of the 14 nominated films in the Best Feature, Best Documentary, and Bingham Ray Breakthrough Director Award categories. All IFP current, active members at the Individual Level and above will be eligible to vote.  Voting will take place online from November 18th at 12:01 AM EST and conclude on November 25th at 5:00 PM EST. In addition, IFP will be scheduling screenings of the nominated films for IFP members in the theater at the Made in NY Media Center by IFP in Brooklyn. These screenings will take place from November 4-11. The winner of the Audience Award will be announced at the Gotham Awards Ceremony on November 30, 2015.

Gotham Appreciation Award

A Gothams Appreciation Award will be given to Ellen Cotter for her contribution to theatrical distribution, including leadership of the Angelika Film Centers.

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About This Movie: "99 Homes" Starring Andrew Garfield and Michael Shannon

99 HOMES
Release: September 25, 2015

CLIP: Watch Carver lay his cards on the table and explain to Nash how America really works in "I’m Not Gonna Drown": https://www.youtube.com/watch?feature=youtu.be&v=ehlHN0A6FxI&app=desktop

Director: Ramin Bahrani
Screenplay by: Ramin Bahrani & Amir Naderi
Story by: Ramin Bahrani & Bahareh Azimi
Cast: Andrew Garfield, Michael Shannon, Tim Guinee and Laura Dern
Produced by: Ashok Amritraj, p.g.a., Ramin Bahrani, p.g.a., Kevin Turen, p.g.a., Justin Nappi
Executive Producer: Manu Gargi
Runtime: 112 minutes
Rating: R

Synopsis: Ruthless and charismatic businessman, Rick Carver (Academy Award® nominee Michael Shannon), is making a killing by repossessing homes and gaming the real estate market. When he evicts Dennis Nash (Andrew Garfield), a single father trying to care for his mother (Academy Award® nominee Laura Dern) and young son (newcomer Noah Lomax), Nash becomes so desperate to provide for his family that he goes to work for Carver – the very man who left them homeless in the first place. Carver promises Nash a way to regain his home and earn security for his family, but slyly seduces him into a lifestyle of wealth and glamour.  It is a deal-with-the-devil that comes with an increasingly high cost. On Carver’s orders, Nash must evict families from their homes – an undertaking that grows more brutal and dangerous than he ever imagined.

Website: http://www.99homesmovie.com/
Facebook: https://www.facebook.com/99homesmovie?fref=ts
Twitter: https://twitter.com/99HomesMovie
Instagram: https://instagram.com/99homesmovie/
YouTube:  https://www.youtube.com/watch?v=sfttvNCIJvE
Hashtag: #99homes

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Review: "MAN OF STEEL" is Overstuffed with Spectacle

TRASH IN MY EYE No. 41 (of 2013) by Leroy Douresseaux

Man of Steel (2013)
Running time: 143 minutes (2 hours, 23 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence, action and destruction, and for some language
DIRECTOR: Zack Snyder
WRITERS: David S. Goyer; from a story by David S. Goyer and Christopher Nolan (based upon the Superman characters created by Jerry Siegel and Joe Shuster and published by DC Comics)
PRODUCER: Christopher Nolan, Charles Roven, Deborah Snyder, and Emma Thomas
CINEMATOGRAPHER: Amir Mokri (D.o.P.)
EDITOR: David Brenner
COMPOSER: Hans Zimmer

SUPERHERO/ACTION/DRAMA/SCI-FI

Starring: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Russell Crowe, Antje Traue, Harry Lennix, Richard Schiff, Christopher Meloni, Ayelet Zurer, Laurence Fishburne, Michael Kelly, Dylan Sprayberry, and Cooper Timberline

Man of Steel is a 2013 superhero movie from director Michael Bay. Ooops! I mean…

Man of Steel is a 2013 superhero movie from director Zack Snyder. The film is co-produced and co-written by Christopher Nolan, the director of “The Dark Knight trilogy” (yep, that’s what they’re calling Nolan’s Batman films) with a screenplay by David S. Goyer, who co-wrote Nolan’s Batman films. Man of Steel is a reboot of the Superman film franchise and is the first Superman movie since 2006’s Superman Returns.

Man of Steel focuses on Superman living as a young drifter and itinerant worker. He is forced to confront his destiny and secret extraterrestrial heritage when Earth is invaded by members of his race. That sounds warm and dramatic, but the actual film is an over-produced event movie that loses its heart and soul in a tsunami of computer-generated imagery and special effects. Once you see the movie, you might also think that this loud movie looks like something Michael Bay made, especially his Transformers films.

Man of Steel opens on the planet Krypton, where renowned scientist, Jor-El (Russell Crowe), and his wife, Lara Lor-Van (Ayelet Zurer), celebrate the arrival of a son, Kal-El. Their world, however, is dying as the rebel, General Zod (Michael Shannon), and his followers attack Krypton’s ruling council. In order to save Kal-El, Jor-El launches him in a spacecraft bound for Earth. The infant Kal-El lands on Earth in Smallville, Kansas, where he is found and adopted by Martha and Jonathan Kent (Diane Lane and Kevin Costner), who name the baby, “Clark Kent.” Clark’s alien physiology gives him superhuman abilities on Earth, but also causes him to feel confused and isolated.

As an adult, Clark Kent (Henry Cavill) lives a nomadic life. He does not realize that Lois Lane (Amy Adams), a Pulitzer Prize-winning journalist for the Daily Planet, is tracking him. Both Kent and Lane discover that Kent’s alien past is about to return in a way that could mean the end of humanity and the world as we know it.

Man of Steel is half-good, half-ridiculous. First, the ridiculous: the movie is all over the place. It jumps back in forth in time from occasionally overly-sentimental flashbacks to over-charged, present-day fight scenes. The characters are either under-utilized or underdeveloped. Henry Cavill and Amy Adams are actually good as Clark and Lois, but every time they seem about to really bond as characters, Man of Steel runs over to action scenes that look like they came out of the Transformers films, Revenge of the Fallen and Dark of the Moon.

Some of the set pieces depict levels of destruction that are practically impossible to fully comprehend. Fight scenes and aerial battles happen in a whirlwind of computer-generated imagery; sometimes, I couldn’t make out much of anything, even the combatants. In fact, much of Man of Steel is one big tornado of special-effects crap thrown at the screen. There is so much destruction going on in Metropolis that it began to annoy me. After ten minutes of this, I realized that the movie had crossed the line of relentless triteness that now defines big-budget Hollywood event movies.

Even this post-human movie offers moments of genuine humanity. The scenes in Smallville, present and flashback, offer some poignant character drama, if not the occasional tedious homily. There is a good moving and emotional set piece with Laurence Fishburne as Daily Planet Editor in Chief Perry White, as he and some of the Planets’ staff fight to survive the destruction of Metropolis. Michael Shannon is brilliantly demented as General Zod, in way that makes the character alluring.

The filmmakers and (more likely) the studio do not seem interested in Clark Kent’s humanity. They seem obsessed with the spectacle of the superhero and his adversaries as videogame wrecking balls, tearing apart the world in visuals created by computers, software, and cinema technology. Sometimes, that looks quite good, as in Marvel’s The Avengers. Sometimes, it looks like a preposterous overstatement, as in Man of Steel. I found this movie to be a mostly unpleasant viewing experience. Is this what future Superman movies are going to look like? I hope the intriguing, interesting character bits that really left an impression on me and are the reason for my “B-“ score can have a bigger place in the next Man of Steel.

5 of 10
B-

Sunday, June 16, 2013

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Austin Film Critics Name Scorsese's "Hugo" Best Film

The Austin Film Critics Association (AFCA) describes itself as “a group dedicated to supporting the best in film, whether at the international, national, or local level.” The group includes Austin-based members who write for such publications, television media, and websites as Ain't It Cool News, the Austin American-Statesman, the Austin Chronicle, CNN, Fandango, Film.com, Film School Rejects, Fox News, MSN Movies, Movies.com, among others.

2011 AFCA Awards:

Best Film:
Hugo

Top 10 Films:
1. Hugo
2. Drive
3. Take Shelter
4. Midnight in Paris
5. Attack the Block
6. The Artist
7. Martha Marcy May Marlene
8. I Saw the Devil
9. 13 Assassins
10. Melancholia

Best Director:
Nicolas Winding Refn, Drive

Best Actor:
Michael Shannon, Take Shelter

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

Best Supporting Actor:
Albert Brooks, Drive

Best Supporting Actress:
Jessica Chastain, Take Shelter

Best Original Screenplay:
Midnight in Paris, Woody Allen

Best Adapted Screenplay:
Drive, Hossein Amini

Best Cinematography:
The Tree of Life, Emmanuel Lubezki

Best Original Score:
Attack the Block, Steven Price

Best Foreign Language Film:
I Saw the Devil, South Korea: Jee-woon Kim – director

Best Documentary:
Senna: Asif Kapadia – director

Best Animated Feature:
Rango: Gore Verbinski – director

Robert R. "Bobby" McCurdy Memorial Breakthrough Artist Award:
Jessica Chastain for her appearances in the films: Take Shelter, The Tree of Life, The Help, The Debt, Coriolanus, and Texas Killing Fields

Best First Film:
Attack the Block: Joe Cornish – director

Austin Film Award:
Take Shelter: Jeff Nichols – director

http://austinfilmcritics.org/

"The Artist" Dominates San Diego Film Critics Awards

The members of San Diego Film Critics Society write and/or broadcast for a San Diego County based outlet. The society’s mission statement is “to provide diverse critical opinion about movies, advance film education and awareness, and recognize excellence in cinema.”

2011 San Diego Film Critics winners:

BEST FILM –
WINNER: THE ARTIST

Nominees:
DRIVE
HUGO
MIDNIGHT IN PARIS
THE TREE OF LIFE

BEST DIRECTOR –
Winner: Nicolas Winding Refn, DRIVE

Nominees:
Martin Scorsese, HUGO
Michel Hazanavicius, THE ARTIST
Terrence Malick, THE TREE OF LIFE
Woody Allen, MIDNIGHT IN PARIS

BEST ACTRESS –
Winner: Brit Marling, ANOTHER EARTH

Nominees:
Elizabeth Olsen, MARTHA MARCY MAY MARLENE
Michelle Williams, MY WEEK WITH MARILYN
Tilda Swinton, WE NEED TO TALK ABOUT KEVIN
Viola Davis, THE HELP

BEST ACTOR –
Winner: Michael Shannon, TAKE SHELTER

Nominees:
Brad Pitt, MONEYBALL
Brendan Gleeson, THE GUARD
George Clooney, THE DESCENDANTS
Jean Dujardin, THE ARTIST

BEST SUPPORTING ACTRESS –
Winner: Shailene Woodley, THE DESCENDANTS

Nominees:
Bérénice Bejo, THE ARTIST
Carey Mulligan, SHAME
Jessica Chastain, THE HELP
Mélanie Laurent, BEGINNERS

BEST SUPPORTING ACTOR –
Winner: Nick Nolte, WARRIOR

Nominees:
Albert Brooks, DRIVE
Andy Serkis, RISE OF THE PLANET OF THE APES
Christopher Plummer, BEGINNERS
Max von Sydow, EXTREMELY LOUD AND INCREDIBLY CLOSE

BEST ORIGINAL SCREENPLAY –
Winner: Woody Allen, MIDNIGHT IN PARIS

Nominees:
Michel Hazanavicius, THE ARTIST
Mike Mills, BEGINNERS
Thomas McCarthy, WIN WIN
Will Reiser, 50/50

BEST ADAPTED SCREENPLAY –
Winner: Steve Zaillian and Aaron Sorkin, MONEYBALL

Nominees:
Alexander Payne, Nat Faxon and Jim Rash, THE DESCENDANTS
Hossein Amini, DRIVE
John Logan, HUGO
Steve Kloves, HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

BEST FOREIGN LANGUAGE FILM –
Winner: LE QUATTRO VOLTE

Nominees:
A SOMEWHAT GENTLE MAN
HAPPY HAPPY
OF GODS AND MEN
THE DOUBLE HOUR


BEST DOCUMENTARY –
Winner: PROJECT NIM

Nominees:
BUCK
CAVE OF FORGOTTEN DREAMS
INTO THE ABYSS
PAGE ONE: INSIDE THE NEW YORK TIMES

BEST CINEMATOGRAPHY –
Winner: Emmanuel Lubezki, THE TREE OF LIFE

Nominees:
Adam Stone, TAKE SHELTER
Guillaume Schiffman, THE ARTIST
Newton Thomas Sigel, DRIVE
Robert Richardson, HUGO

BEST ANIMATED FILM –
Winner: ARTHUR CHRISTMAS

Nominees:
HAPPY FEET TWO
KUNG FU PANDA 2
RANGO
WINNIE THE POOH

BEST EDITING –
Winner: Oliver Bugge Coutté, BEGINNERS

Nominees:
Anne-Sophie Bion & Michel Hazanavicius, THE ARTIST
Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, & Mark Yoshikawa, THE TREE OF LIFE
Mat Newman, DRIVE
Thelma Schoonmaker, HUGO

BEST PRODUCTION DESIGN –
Winner: Dante Ferretti, HUGO

Nominees:
Anne Seibel, MIDNIGHT IN PARIS
Jack Fisk, THE TREE OF LIFE
Laurence Bennett, THE ARTIST
Stuart Craig, HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

BEST SCORE –
Winner: Alexandre Desplat, HARRY POTTER & THE DEATHLY HALLOWS: PART 2

Nominees:
Alexandre Desplat, EXTREMELY LOUD AND INCREDIBLY CLOSE
Alexandre Desplat, THE TREE OF LIFE
Howard Shore, HUGO
Ludovic Bource, THE ARTIST

BEST ENSEMBLE PERFORMANCE –
Winner: HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

Nominees:
CARNAGE
MARGIN CALL
MIDNIGHT IN PARIS
THE HELP

BODY OF WORK FOR 2011
Winner: Jessica Chastain

KYLE COUNTS AWARD
Lee Ann Kim, San Diego Asian Film Foundation

Chicago Film Critics Have Green Thumb for "The Tree of Life"

The Chicago Film Critics Association is a tax-exempt, not-for-profit organization that hands out the Chicago Film Critics Awards, hold critics roundtables, and takes on industry and artists’ rights issues. The association was founded in 1990 by film critic Sue Kiner after the successful launch of the Chicago Film Critics Awards in 1989.

The 2011 winners were announced on Monday (Dec 19th).  People who follow film critics' awards will notice that The Artist, The Descendants, and, as it does here, The Tree of Life are the favorite films.

23rd Annual/2011 Chicago Film Critics Award Winners:

PICTURE: The Tree of Life

DIRECTOR: Terrence Malick (-) The Tree of Life

ACTOR: Michael Shannon (-) Take Shelter

ACTRESS: Michelle Williams (-) My Week With Marilyn

SUPPORTING ACTOR: Albert Brooks (-) Drive

SUPPORTING ACTRESS: Jessica Chastain (-) The Tree of Life

ORIGINAL SCREENPLAY: The Artist (-) Michel Hazanavicius

ADAPTED SCREENPLAY: Moneyball (-) Steven Zaillian & Aaron Sorkin

CINEMATOGRAPHY: The Tree of Life (-) Emmanuel Lubezki

ORIGINAL SCORE: Drive (-) Cliff Martinez

ANIMATED FEATURE: Rango

DOCUMENTARY: The Interrupters

FOREIGN LANGUAGE FILM: A Separation

PROMISING PERFORMER: Elizabeth Olsen (-) Martha Marcy May Marlene

PROMISING FILMMAKER: Sean Durkin (-) Martha Marcy May Marlene

Toronto Film Critics Climb "The Tree of Life"

The Toronto Film Critics Association was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print and electronic outlets are represented.

Under the TFCA’s guidelines, contenders eligible for the awards include films released in Canada in 2011 plus films that qualify for the 2011 Oscars and have Canadian distribution scheduled by the end of February 2012.

The 2011 TFCA Awards will be presented at a gala dinner on January 10, 2012 in a ceremony hosted by Cameron Bailey, co-director of the Toronto International Film Festival. During the ceremony, the TFCA will also reveal the winner of the Rogers Best Canadian Film Award, which carries a $15,000 cash prize. David Cronenberg will also be on hand to present a special award.

The full list of Toronto Film Critics Association Awards 2011 winners and runners-up:

BEST PICTURE
“The Tree of Life” (eOne Films)

Runners-up:
“The Artist” (Alliance Films)
“The Descendants” (Fox Searchlight Pictures)

BEST ACTOR
Michael Shannon, “Take Shelter”

Runners-up:
George Clooney, “The Descendants”
Michael Fassbender, “Shame”

BEST ACTRESS
Michelle Williams, “My Week With Marilyn”

Runners-up:
Elizabeth Olsen, “Martha Marcy May Marlene”
Meryl Streep, “The Iron Lady”

BEST SUPPORTING ACTOR
Christopher Plummer, “Beginners”

Runners-up:
Albert Brooks, “Drive”
Patton Oswalt, “Young Adult”

BEST SUPPORTING ACTRESS
Jessica Chastain, “Take Shelter”

Runners-up:
Jessica Chastain, “The Tree of Life”
Shailene Woodley, “The Descendants”

BEST DIRECTOR
Terrence Malick, “The Tree of Life”

Runners-up:
Michel Hazanavicius, “The Artist”
Nicolas Winding Refn, “Drive”

BEST SCREENPLAY
“Moneyball”, written by Steven Zaillian and Aaron Sorkin; story by Stan Chervin, based on the book by Michael Lewis

Runners-up:
“The Descendants”, written by Alexander Payne, Nat Faxon & Jim Rash, based on the novel by Kaui Hart Hemmings
“The Tree of Life”, written by Terrence Malick

BEST FIRST FEATURE
“Attack the Block”, directed by Joe Cornish

Runners-up:
“Margin Call”, directed by J.C. Chandor
“Martha Marcy May Marlene”, directed by Sean Durkin

BEST ANIMATED FEATURE
“The Adventures of Tintin” (DreamWorks Animation)

Runners-up:
“Puss in Boots” (DreamWorks Animation)
“Rango” (Paramount Pictures)

BEST FOREIGN-LANGUAGE FILM
“Mysteries of Lisbon” (Alfama Films)

Runners-up:
“Attenberg” (filmswelike)
“Le Havre” (filmswelike)
“A Separation” (Mongrel Media)

ALLAN KING DOCUMENTARY AWARD
“Nostalgia for the Light” (Icarus Films)

Runners-up:
“Into the Abyss” (Mongrel Media)
“Project Nim” (Mongrel Media)

ROGERS CANADIAN FILM AWARD FINALISTS
1. “Café de Flore,” directed by Jean-Marc Vallée
2. “A Dangerous Method”, directed by David Cronenberg
3. “Monsieur Lazhar”, directed by Philippe Falardeau

New York Film Critics Online Love "The Artist"

The New York Film Critics Online is a group of Internet film critics based in New York City that meets once a year, in December, for voting on its annual NYFCO Awards.

A complete list of the 2011 honorees:

FILM
The Artist

DIRECTOR
Michael Hazanavicius, The Artist

ACTOR
Michael Shannon, Take Shelter

ACTRESS
Meryl Streep, The Iron Lady

SUPPORTING ACTOR
Albert Brooks, Drive

SUPPORTING ACTRESS
Melissa McCarthy, Bridesmaids

CINEMATOGRAPHY
Emmanuel Lubezki, The Tree of Life

SCREENPLAY
Alexander Payne, Nat Faxon, Jim Rash, The Descendants

FOREIGN LANGUAGE PICTURE
A Separation

DOCUMENTARY
Cave of Forgotten Dreams

ANIMATED FEATURE
The Adventures of Tintin

USE OF MUSIC
Ludovic Bource, The Artist

BREAKOUT PERFORMER
Jessica Chastain, The Tree of Life, The Help, The Debt, Take Shelter

DEBUT AS DIRECTOR
Joe Cornish, Attack the Block

ENSEMBLE CAST
Bridesmaids

TOP PICTURES OF 2011 (alphabetical)
The Artist (The Weinstein Co.)
The Descendants (Fox Searchlight Pictures)
Drive (Film District)
The Help (DreamWorksPictures)
Hugo (Paramount Pictures)
Melancholia (Magnolia Pictures)
Midnight in Paris (Sony Pictures Classics)
Take Shelter (Sony Pictures Classics)
The Tree of Life (Fox Searchlight Pictures)
War Horse (Dreamworks Pictures)