Showing posts with label Mike Myers. Show all posts
Showing posts with label Mike Myers. Show all posts

Saturday, January 21, 2023

Review: "AMSTERDAM" is a Movie That Follows the Right God Home

TRASH IN MY EYE No. 4 of 2023 (No. 1893) by Leroy Douresseaux

Amsterdam (2022)
Running time:  134 minutes (2 hours, 14 minutes)
MPA – R for brief violence and bloody images
WRITER/DIRECTOR:  David O. Russell
PRODUCERS:  David O. Russell, Christian Bale, Matthew Budman, Anthony Katagas, and Arnon Milchan
CINEMATOGRAPHER:  Emmanuel Lubezki (D.o.P.)
EDITOR:  Jay Cassidy
COMPOSER:  Daniel Pemberton

DRAMA/COMEDY/HISTORICAL

Starring:  Christian Bale, Margot Robbie, John David Washington, Alessandro Nivola, Andrea Riseborough, Anya Taylor-Joy, Chris Rock, Matthias Schoenaerts, Michael Shannon, Mike Myers, Taylor Swift, Timothy Olyphant, Zoe Saldana, Rami Malek, Ed Begley, Jr., Beth Grant, and Robert De Niro

Amsterdam is a 2022 comedy, period drama, and historical film from writer-director David O. Russell.  The film is based on the 1933 United States political conspiracy “the Business Plot,” which involved a secret plan to overthrow the government of President Franklin D. Roosevelt and to install a dictator in its place.  Amsterdam follows three friends who seek to uncover the truth behind the mysterious death and apparent murder of a retired U.S. general.

Amsterdam introduces Burt Berendsen M.D. (Christian Bale), a physician and surgeon.  In 1918, his estranged wife, Beatrice Vandenheuvel (Andrea Riseborough) and her parents, who don't really care for Burt because he is “half-Jew,” bully him into enlisting to fight in World War I.  While stationed in France, Burt befriends an African-American soldier, Harold Woodman (John David Washington).

Later, after being severely injured in battle, Burt and Harold are nursed back to health by Valerie Bandenberg (Margot Robbie), an eccentric American nurse and artist who makes art out of shrapnel removed from the soldiers.  Burt and Harold befriend Valerie and follow her to Amsterdam, the capitol of the Netherlands.  There, they live together and Harold and Valerie engage in a budding romance.  First, Burt returns to New York City to be with his wife, and then, Harold returns to begin his career as an attorney.

In 1933, Burt owns his own medical practice that caters to veterans of WWI, and he still remains friends with Harold.  Things begin to change for them when they discover that General Bill Meekins (Ed Begley, Jr.), who was important to Burt and Harold during the war, has died.  His daughter, Elizabeth Meekins (Taylor Swift), believes that her father was murdered.  Soon, Elizabeth herself is murdered, and Burt and Harold are blamed.  Seeking to clear themselves, they begin to investigate the mystery surrounding General Meekins before his death, which leads to their reunion with Valerie.  She had also returned to America and is living in seclusion with her wealthy brother, Tom Voze (Rami Malek) and his wife, Libby (Anya Taylor-Joy).

The three friends find themselves in a conspiracy involving another retired military officer, Marine Corps General Gil Dillenbeck (Robert De Niro).  And everything is heading for a showdown at an event that is very important to Burt, the 14th Annual New York Veterans Reunion Gala.

Yeah, dear readers, the synopsis of the film's plot is a bit longer than I would like it to be.  Although Amsterdam's narrative only runs a little under two hours and ten minutes, the film has enough subplots, characters, and settings to fill a television miniseries.  Actually, a miniseries version of Amsterdam with the same cast would be orgasmic – well, at least for me it would.

Anyway, most of you, dear readers, are familiar (to one extent or another) with the event known as the “January 6 United States Capitol attack.”  On Wednesday, January 6, 2021, a (mostly) white mob attacked the United States Capitol Building in Washington, D.C. The members of mob were comprised of supporters of then-President Donald Trump, and they were seeking to keep Trump in power by preventing a joint session of the U.S. Congress from counting the electoral college votes to formalize the victory of President-elect Joe Biden.

That event led journalists, historians, and writers to recall other insurrections and attempts to overthrow a democratically elected U.S. government.  The Business Plot is one of them.  It has also been referred to as “the Wall Street Putsch” because the people behind it were allegedly wealthy American businessmen.  They hoped to overthrow the government of President Franklin D. Roosevelt by creating a fascist organization comprised of World War I veterans that would be led by Marine Corp General Smedley Butler, a hero of WWI and a veteran of several military conflicts.  After this military led coup and overthrow of the government, the plotters would install Butler as a dictator.

Butler, upon whom Amsterdam's Gen. Dillenbeck is based, himself is the one who revealed the Business Plot.  At the time, some of the press considered the Business Plot to be hoax, although a congressional committee investigating the plot believed that it was discussed and at least partially planned.

Amsterdam is a film that is kind of like a fairy tale version the Business Plot with Burt (ostensibly the story's lead character), Harold, and Valerie as the gallant trio fighting the mysterious bad guys.  In this manner, the film is filled with conniving wizards (rich businessmen), evil knights (the killers of Gen. Meekins), and menagerie of oddball characters and creature-types, which is a good way to describe even Amsterdam's heroic trio.  As I said earlier, I think that the manner in which writer-director David O. Russell tells this story, it needs to be done in a longer form.

Still, one thing at which Russell really excels is in creating ensemble films featuring a cast that delivers stellar performances which in turn creates the most interesting cinematic characters.  He has done that with a large ensemble, as in the case of his highly-acclaimed 2013 film, American Hustle, and with an intimate small ensemble, such as in his Oscar-winning 2012 film, Silver Linings Playbook.

Christian Bale delivers another amazing performance as Burt Berendsen.  Margot Robbie is eccentric and delightful as Valerie, and John David Washington is dashing, bold, and stalwart as Harold.  Robbie and Washington have excellent chemistry and thus, are convincing as a couple.  Anya Taylor-Joy, beautiful and radiant as always, effortlessly slays in her turn as the vain and insecure attention-seeker, Libby Voze.  Of course, Robert De Niro, as Gen. Dillenbeck, turns up the heat in the film's most pivotal moments.

Rami Malek, Chris Rock, and Zoe Saldana also shine in key supporting roles, and Taylor Swift's quick spin as Bill Meekins' daughter, Elizabeth, gives the film an early jolt.  So the smaller roles help to make Amsterdam that much better as a top notch ensemble film.

In the film, the city of Amsterdam seems to represent a place where people can be their authentic selves while accepting that others must also be allowed to be their authentic selves, even if that might lead to clashes of personality and belief.  Amsterdam is not perfect, but it is lovable because of its idiosyncratic way, and that makes me look forward to the next large ensemble film from the inimitable David O. Russell.

8 of 10
A
★★★★ out of 4 stars

Saturday, January 21, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Sunday, March 20, 2022

TRAILER: Netflix's "THE PENTAVERATE" Official Teaser

Michael Myers new Netflix comedy series, "THE PENTAVERATE," debuts May 5, 2022.  Myers will play eight(!) characters and Oscar-winner Jeremy Irons is the series narrator.  The series focuses on a secret society of five men — aka The Pentaverate — that has been working to influence world events for the greater good since the Black Plague of 1347.  A Canadian journalist (Myers) finds himself embroiled in a mission to uncover the truth and just possibly save the world himself.

The official teaser trailer is below:

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Saturday, March 19, 2022

Negromancer News Bits and Bites from March 13th to 19th, 2022 - Update #20

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

UKRAINE - From TheAtlantic:  From "The Atlantic":  "I Have a Message for My Russian Friends" by Arnold Schwarzenegger.  The piece includes a story about Arnold's friendship with his childhood idol, Russian weightlifter, Yuri Petrovich Vlasov.

PIXAR - From Variety:  Disney reportedly removed a "same-sex" kiss from its upcoming film, "Lightyear," about the inspiration for "Buzz Lightyear" from "Toy Story."  In the wake of its "Don't Say Gay" controversy, Disney has restored the kiss.

AVATAR - From IGN:  Actress Zoe Saldana says that James Cameron has solved "the underwater motion capture problem" in Avatar 2, which is due in theaters Dec. 16th, 2022.

MOVIES - From IGN:  On a recent podcast, actress Courteney Cox confirms that she is returning for 2023's "Scream 6."

NETFLIX - From DeadlineNetflix has released new art related to its live-action "Resident Evil" TV series.  The series will debut July 14th.

AMAZON - From DeadlineAmazon and MGM announced that their $8.5 billion merger deal has closed, Thursday morning, March 17, 2022.  There is no news on what the new management structure will be.

NETFLIX - From DeadlineMike Myers' new Netflix comedy series, "The Pentaverate," has a first-look trailer, first-look photos, and a premiere date, May 5th.

STAR TREK - From Deadline:  Actor Paul Wesley has been cast in the role of "James T. Kirk" (first played by William Shatner) for the second season of the Paramount+ series, "Star Trek: Strange New Worlds."  The first season premieres in May.

MOVIES - From Deadline:  "Top Gun: Maverick" will reportedly screen at the 2022 Cannes Film Festival, which will take place from May 17th to May 28th.

From Deadline:  Director Baz Luhrmann's splash Elvis Presley biopic, "Elvis," will also make its debut at Cannes.  The film stars Austin Butler as Elvis and Tom Hanks as Colonel Tom Parker.

ANIMATION - From DeadlineAntonio Banderas and Salma Hayek are returning for DreamWorks Animation's "The Last Wish," a sequel to its 2011 hit, "Puss in Boots."

MEDIA - From YahooIndependentUK:   Donald Trump lashes out at Time Warner Cable for dumping his favorite network, the news network, OAN (One America News).

BOX OFFICE - From BoxOfficePro:  The winner of the 3/11 to 3/13/2022 weekend box office is "The Batman" with an estimated take of 66 million dollars.

From Here:  Negromancer's review of "The Batman."

BAFTA - From DeadlineThe 2022 / 75th EE British Academy Film Awards ceremony was held in Lond, Sun., March 13th.  "The Power of the Dog" was named "Best Film" and Jane Campion won "Best Director" for the film.  Will Smith was named "Best Actor."  "Dune" won five awards, dominated the "craft categories."

AWARDS - From VarietyThe Directors Guild of America's 2022 74th annual DGA Awards were held on Sat., March 12th.  Jane Campion won the top prize "Outstanding Achievement in Theatrical Film" for directing "The Power of the Dog."  She is the third woman to win the award and the second to have been nominated twice.

AWARDS/ANIMATION - From Variety:  The winners at the 2022 / 49th annual Annie Awards were announced, Sat. Mar. 12th.  Netflix's "The Mitchells vs. the Machines" was named "Best Feature."

DISNEY - From Deadline:  by Nellie Andreeva - Disney CEO Bob Chapek’s toughest test yet: Disney’s “Worst Week” over ‘Don’t Say Gay’ response could lead to “Profound Change”

OBITS:

From YahooSports:  Print, television and radio sports reporter, John Clayton, has died at the age of 67, Friday, March 18, 2022.  Clayton is best known for his stint as an NFL reporter for ESPN from 1995 to 2017.

From NBCNews:  Stage, film, and television actor, William Hurt, has died at the age of 71, Sunday, March 13, 2022.  His film career began with Ken Russell's 1980 flick, "Altered States."  That began an extraordinary run of critical and box office success in the 1980s, including three consecutive "Best Actor" Oscar nominations.  He won for "Kiss of the Spider-Woman" (1985") and was nominated for "Children of a Lesser God" (1986), and for "Broadcast News" (1987).  Most recently, he was known for portraying "Thaddeus Ross" in Marvel Cinematic Universe in five films, beginning with 2008's "The Incredible Hulk.

From Deadline:  Singer and reality television personality, Traci Braxton, has died at the age of 50, Saturday, March 12, 2022.  She was best known for appearing on the We TV reality series, "Braxton Family Values" (2011-20).  She was also a member of the girl-group, "The Braxtons," which initially featured Traci's sister, seven-time Grammy Award winner, Toni Braxton.

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94TH ACADEMY AWARDS:

OSCARS - From Variety:  The nominations for the 2022 / 94th Academy Awards have been announced.  "The Power of the Dog" leads with 12 nominations.  The winners will be revealed March 27th.

From Deadline:    With his "Best Actor" nomination for "The Tragedy of Macbeth," Denzel Washington is the most nominated Black actor is Oscar history.  He has been nominated in two acting categories a total of 10 times with two wins total.

From Variety:   With her "Best Director" Oscar nomination for "The Power of the Dog," Jane Campion becomes the first woman nominated twice in that category. She was previously nominated in that category for "The Piano" (1993).

From Variety:  With his three nominations today, Kenneth Branagh of "Belfast" becomes the first person to have been nominated in seven individual categories over his career.

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MOVIE AWARDS:

From Variety:  At the 2022 / 27th annual Critics Choice Awards, director Jane Campion's Western film, "The Power of the Dog," is named is named "Best Picture."

From Deadline:  The Visual Effects Society announced the winners at the 2022 / 20th annual VES Awards.  "Dune" and Disney's "Encanto" led with four wins apiece.

From Deadline:  The American Cinema Editors' 72nd Annual ACE Eddie Awards were held, Sat., March 5th.  The top award, "Best Edited Feature Film (Dramatic)" went to "King Richard."

From Deadline:  The 2022/ 26th annual Art Directors Guild Awards turns out to be a good party.  "Dune" and "Nightmare Alley" are among the winners.

From Deadline:   The winners at the 2022 / 28th annual SAG Awards. "CODA" wins the top prize, "Outstanding Performance by a Cast in a Motion Picture."

From Variety:  Here is a complete list of winners at 2022 / 53rd NAACP Image Awards in the film, television and music categories.  Jennifer Hudson was named "Entertainer of the Year."

From Deadline:   The 2022 / 9th annual Make-Up Artists & Hair Stylists Guild Awards were announced.  The Amazon film, "Coming 2 America" (the sequel to the 1988 film, "Coming to America"), led with three wins.

From Deadline:  The 2022 BAFTA Film Awards nominations have been announced.  "Dune" leads with 11 nominations.  The winners will be announced March 13th.

From Deadline:   The 2022 / 33rd annual Producers Guild of America Awards nominations have been announced.  The winners will be announced Saturday, March 19th.

From Deadline:  The nominations for the 2022 / 74th annual Directors Guild Awards have been announced.  The winners will be announced March 12th.

From COFCA:  The Columbus Film Critics Association name "The Power of the Dog" the "Best Film" of 2021.

From Deadline:  Netflix's Black Western, "The Harder They Fall," was named the "Best Picture" of 2021 at the 13th annual African American Film Critics Association Awards.  The Western tied with "King Richard" for most wins with four.  Will Smith was named "Best Actor" for "King Richard."

From Deadline:  The nominations for the 2022 / 28th Screen Actors Guild Awards have been announced.

From Variety:  The snubs and surprises in the nominations for the 28th Screen Actors Guild Awards.

From Variety:   At the 2022 / 79th Golden Globes, "The Power of the Dog" wins "Best Motion Picture-Drama" and "West Side Story" wins "Best Motion Picture-Musical or Comedy."

From VarietyThe National Society of Film Critics names the Japanese film, "Drive My Car," the best film of 2021.

From AwardsWatch:  The nominations for the 22nd Annual Black Reel Awards were announced a few weeks ago. Netflix's Black Western, "The Harder They Fall," has a record 20 nominations.  The winners will be announced February 27, 2022.

From AwardsWatch:  The Columbus Film Critics Association announced the nominations for their annual film awards.  Director Jane Campion's "The Power of the Dog" leads with 12 noms.  The winners will be announced Thurs., Jan. 6th, 2022.

From Deadline:  The Los Angeles Film Critics Association has named the Japanese film, "Drive My Car," the "Best Picture" of 2021.

From Deadline:  The 2022 / 37th annual Film Independent Spirit Awards have announced their nominations. "Zola" leads with six nominations. The winners will be announced Sun., March 6, 2022.

From THR:  The 2022 / 79th Golden Globes Awards nominations have been announced.  "Belfast" and "The Power of the Dog" lead with seven nominations each.  Winners will be announced Jan. 9th, 2022.

From GoldDerby:   The 2022 Critics Choice Awards nominations have been announced. "Belfast" and "West Side Story" leads with 11 nominations each. Winners will be announced Jan. 9th, 2022.

From Deadline:   The American Film Institute announced the "2021 AFI Awards" Top 10 list, and the list includes "Dune," "The Tragedy of Macbeth," and "West Side Story."

From THR:  Director Aleem Khan's "After Love" tops the 2021 British Independent Film Awards, winning six awards, including "Best Film of 2021."

From Variety:   The New York Film Critics Circle has named the Japanese drama, "Drive My Car," as the "Best Film of 2021."

From Deadline:  The National Board of Review hands director Paul Thomas Anderson's "Licorice Pizza" it "Best Film" and "Best Director" awards.  Will Smith picks up the "Best Actor" award for "King Richard."

From THR:  Netflix’s "The Lost Daughter," directed by actress Maggie Gyllenhaal, dominated the 2021 Gotham Awards in New York on Monday night (Nov. 29th).  The film won in four of the five categories in which it was nominated, including "Best Feature."

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"RUST" ACCIDENTAL SHOOTING DEATH:

From Deadline:  This link will take you to Deadline's Halyna Hutchins page, which articles related to everything about her shooting death on the set of the Western film, "Rust."

From THRAlec Baldwin moves to shield himself from liability in the shooting death on the set of the Western film, "Rust."  In an arbitration demand, he blames others for the death of Halyna Hutchins.

From People:  Alec Baldwin says that certain lawsuits recording the Western film, "Rust," are targeted at "deep-pocket litigants" and that the suits are all about money.

From DeadlineMatt Hutchins, the husband of Halyna Hutchins, blames Alec Baldwin for Halyna's accidental shooting death on the set of the doomed Western film, "Rust."

From Deadline:  The family and estate of Halyna Hutchins has filed suit against Alec Baldwin (who accidentally shot Hutchins), a slew of production companies and entities, producers, and key crew members involved in the Western film, "Rust," for her death.

From THR:   A Republican New Mexico legislator, State Sen. Cliff Pirtle of Roswell, on Monday introduced a bill that would require all film set personnel who handle firearms to complete a safety course offered by the New Mexico Game and Fish Department.  This is in the wake a cinematographer, Halyna Hutchins, being fatally shot on the set of the Western, "Rust," last year by Alec Baldwin with a weapon he says he thought was not loaded with live ammunition.

From DeadlineAlec Baldwin and the other producers of the doomed Western film, "Rust," want a California judge to dismiss the lawsuit filed against them by the script supervisor, Mamie Mitchell.

From Deadline:   Alec Baldwin has finally turned over his cell phone to police for their probe into the fatal shooting of cinematographer Halyna Hutchins on the set of Baldwin's Western film, "Rust," last October in New Mexico.

From Variety:  One of the producers of tragic Western film, Rust, Emily Salveson, pushes tax shelters and hid income.

From THR:  "I let go of the hammer and 'Bang,' the gun goes off" says Alec Baldwin says in his first interview of the moment when a gun he was holding accidentally killed cinematographer Halyna Hutchins on the set of the Western film, "Rust."

From DeadlineAlec Baldwin will sit down with ABC's news-reading clown George Stephanopoulos for a one hour special tomorrow night to talk about what happened on the set of the movie "Rust."  It will be Baldwin’s first extensive interview about the shooting.

From Deadline:  Industry veteran, Thall Reed, the father of Hannah Gutierrez-Reed, the armorer on the Western, "Rust," may have handed the police a tip on why the film's cinematographer, Halyna Hutchins, was shot to death on the set.

From THR:  A search warrant affidavit filed Tuesday for a prop shop sheds light on how alleged live ammunition ended up on the set of the Western film, "Rust," where cinematographer Halyna Hutchins was killed in October.

From Deadline:  A month after cinematographer, Halyna Hutchins, was shot and killed on the New Mexico set the movie Western, "Rust," by a prop gun “discharged” by Alec Baldwin, those closest to the cinematographer held a private ceremony and interred her ashes at an unknown location.

From Deadline:  Actor Daniel Baldwin defends his brother, Alec Baldwin, in the accidental shooting death of cinematographer Halyna Hutchins on the set of the film, "Rust."  "Someone loaded that gun improperly," Daniel says.

From Deadline:  The newest lawsuit involving the tragic shooting on the set of the Western film, "Rust," has been filed by the film's script supervisor, Mamie Mitchell, against Alec Baldwin, the producers, the production company, armorer Hanna Gutierrez Reed, and others.

From DeadlineSerge Svetnoy, the gaffer on "Rust," has filed a lawsuit against several parties related to the film, including the production, the financiers, star Alec Baldwin, armorer Hannah Gutierrez Reed, and first Assistant Director David Halls.

From THR:   In the wake of the tragic accidental shooting on the set of his film, "Rust," Alec Baldwin on Monday took to social media to urge Hollywood to employ a police officer on every film and TV set that uses guns.

From THR:   The budget for "Rust" - Alec Baldwin was set to earn $150,000 as lead actor and $100,000 as producer, while $7,913 was earmarked for armorer Hannah Gutierrez-Reed and $17,500 was set aside for the rental of weapons and $5,000 for rounds.

From Deadline:  Attorneys for Hannah Gutierrez-Reed, the armorer on the set of the film, "Rust," said that they’re looking into whether a live bullet was placed in a box of dummy rounds with the intent of  “sabotaging the set.”

From THR:   Hannah Gutierrez-Reed, the armorer on the film, "Rust," released a statement through her lawyers.  She says she had “no idea where the live rounds came from” that were recovered by the Santa Fe County Sheriff's during the investigation of the accidental on-set shooting death of Halyna Hutchins.

From Jacobin:  An opinion piece says that cinematographer Halyna Hutchins' death on the set of the film, "Rust," was not a freak accident, but was about Alec Baldwin and his fellow producers' cost-cutting decisions.  Baldwin accidentally fired the gun that killed Hutchins.

From Deadline:   Two of executive producers on "Rust," Allen Cheney and Emily Salveson, disavow responsibility for the film's troubled production.

From THR:   Iconic "Ghostbusters" actor Ernie Hudson is reeling from the news of the death of Halyna Hutchins, like the rest of Hollywood. Hudson also appeared in the film, "The Crow," the film in which its star, Brandon Lee, was killed because of an on-set accidental shooting.  He also agrees with the call to ban real guns from movie sets.

From THR:  The Sheriff of Sante Fe County says that his office has recovered three guns and 500 rounds of ammunition from the set of the movie "Rust" where cinematographer Halyna Hutchins was killed.

From Deadline:  Regarding criminal charges in the death of Halyna Hutchins on the set of the film "Rust," District Attorney Mary Carmack-Altweis, "all options are on the table - no one has been ruled out."

From THR:  Does Hollywood Need Guns? Will new regulations lead to an overreactions to a tragedy.

From Deadline:   "Rust" producers have opened an internal investigation into the fatal shooting on the set of the Western film.  They have hired outside lawyers to conduct interviews with the film's production crew.

From Deadline:  "Rust's" AD (assistant director), Dave Halls, has come under scrutiny in the wake of the on-set shooting death of the film's cinematographer, Halyna Hutchins.

From Deadline:  The affidavit of Sante Fe Sheriff's Department Detective Joel Cano has been made public. It can be read at "Deadline."  The affidavit was for a search warrant from the property were the Western, "Rust," was being filmed.

From THR:  The production company behind "Rust" has shut the film down until the police investigation into the fatal, on-set shooting of cinematographer Halyna Hutchins is through.  The Sante Fe County Sheriff's Office has also revealed a timeline of the shooting.

From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From THR:  "Rust" director, Joel Souza, who was wounded in the accidental on-set shooting, says that he is "gutted" by the death of his cinematographer on the film, Halyna Hutchins.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

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Saturday, May 26, 2018

Negromancer News Bits and Bites from May 20th to 26th, 2018 - Update #21

Support Leroy on Patreon:

MOVIES - From TheNewYorker:  How Superheroes Made Movie Stars Expendable

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MOVIES - From YahooGMA:  Film critic Peter Travers lists 17 summers movies to get to know.

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SCANDAL - From YahooGMA:  The guy who says that "Star Trek" actor, George Takei, groped/molested him is still peddling his story.

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BOND - From BleedingCool:  Universal Pictures has won the bidding war for the distribution rights to the 25th James Bond film, which will star Daniel Craig and be directed by Danny Boyle.

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SCANDAL - From CNN:  Several women are accusing Oscar-winning actor, Morgan Freeman, of inappropriate behavior and harassment.

From TheWrap:  Harvey Weinstein to Surrender to New York Authorities Following Sexual Misconduct Probe

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COMICS-FILM - From THR:  Regina King, Tim Blake Nelson, and Don Johnson join HBO's "Watchmen" pilot which is being overseen by Damon Lindelof.

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SCANDAL - From YahooEntertainment:  Moses Farrow, son of Mia Farrow and Woody Allen, says that Woody Allen never molested his sister, Dylan Farrow, as his mother Mia and Dylan have claimed for 25 years.

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MOVIES - From THR:  Liam Neeson joins Chris Hemsworth and Tessa Thompson in the "Men in Black" spinoff.

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CELEBRITY - From TheRinger:  The Baffling Return of Mike Myers.

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COMICS-FILM - From YahooEntertainment:  What was the cost of Brad Pitt's split-second cameo in "Deadpool 2."

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MOVIES - From BleedingCool:  Anjelica Huston is among the actors joining "John Wick: Chapter 3."

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CELEBRITY - From YahooEntertainment: Legendary martial arts actor, Jet Li, is reportedly having serious health issues.

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STREAMING - From ShadowandAct:  Ava DuVernay will executive produce a TV series about Amazon queens, entitled "The Last Amazon."

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OBAMAS - From ShadowandAct:  Netflix has officially announced a huge production deal with President Barack Obama and First Lady Michelle Obama.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 5/18 to 5/20/2018 weekend box office is "Deadpool 2" with an estimated take of $125 million.

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ECO - From Earther:  Lawns Are an Ecological Disaster

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STREAMING - From Nerdist:  Amazon's "Lord of the Rings" TV series will follow a young Aragorn.  Adult Aragorn was played by Viggo Mortensen in Peter Jackson's "Lord of the Rings" film series.

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CANNES - From Deadline:  "Shoplifters," a film by Japanese director, Hirokazu Kore-Eda, has won the Palme d'Or, the top prize at the 2018 Cannes Film Festival.  Spike Lee's "BlacKkKlansman" won the "Grand Prize."

OBITS:

From TheNewYorker:  American author Philip Roth has died at the age of 85, Tuesday, May 22, 2018.  He won the "Pulitzer Prize for Fiction" in 1998 for his novel, "American Pastoral."  Several of his works were adapted into film, including the novel, "The Human Stain."

From THR:  Movie poster artist-designer, Bill Gold, has died at the age of 97, Sunday, May 20, 2018.  Considered to have revolutionized the movie poster, Gold produced posters for film such as "Casablanca," "The Exorcist," and "A Clockwork Orange."  Gold produced dozens of posters for Clint Eastwood films, including "Dirty Harry" (1971), "Unforgiven" (1992), and "J. Edgar" (2011).

From ESPN:  Noted college football player, Billy Cannon, has died at the age of 80, Sunday, May 20, 2018.  Cannon played collegiate football for Louisiana State University, where he won a national title in 1958 and the Heisman Trophy in 1959.

From BRAdvocate:  A image gallery look-back at Billy Cannon.


Wednesday, December 1, 2010

Review: "Inglourious Basterds" is One Crazy Bastard



TRASH IN MY EYE No. 9 (of 2009) by Leroy Douresseaux

Inglourious Basterds (2009)
Running time: 153 minutes (2 hour, 33 minutes)
MPAA – R for strong graphic violence, language, and brief sexuality
WRITER/DIRECTOR: Quentin Tarantino
PRODUCER: Lawrence Bender
CINEMATOGRAPHER: Robert Richardson
EDITOR: Sally Menke
Academy Award winner

ACTION/DRAMA/WAR

Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, Martin Wuttke, Mike Myers, Julie Dreyfus, Rod Taylor, Samm Levine, and Samuel L. Jackson (uncredited voice)

Inglourious Basterds is the most recent film from Oscar-winning screenwriter and director Quentin Tarantino (Pulp Fiction). While Inglourious Basterds is actually short on the titular Basterds in action, it isn’t short of Tarantino hallmarks.

Apparently inspired by the 1978 Italian war movie, The Inglorious Bastards, Tarantino’s film opens in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz), a “Jew hunter” or “Jew detective” (which is the term Landa prefers). Meanwhile, somewhere else in Europe, American 1st Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish-American soldiers to engage in targeted acts of retribution. Known to their enemy as, The Basterds, their mission is cause havoc and panic within the Third Reich by savagely killing Nazis and German servicemen. Raine tells his Basterds that being in this squad means they owe him a debt, and to pay it off, each man owes him 100 Nazi scalps.

Shosanna, who narrowly escaped Landa, fled to Paris, where four years later she has forged a new identity as Emmanuelle Mimieux, the owner and operator of a small cinema named La Gamaar. She catches the eye of a German marksman turned war hero, Fredrick Zoller (Daniel Brühl). In an attempt to impress her, Zoller convinces his superiors to hold a film premiere at La Gamaar. Meanwhile, Raine’s squad has joined German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich – during the film premiere at La Gamaar. It seems that fates have converged at the cinema, as Shosanna, with the help of her projectionist boyfriend, Marcel (Jacky Ido), is poised to carry out her own plan of revenge on the Nazis.

I consider Tarantino’s best feature-length films to be his first three: Reservoir Dogs (1992), Pulp Fiction (1994), and Jackie Brown (1997), with Jackie Brown being his best work. His films since 1997 have been very good, but are mostly genre exercises and fanboy porn. Inglourious Basterds is the least of all of them, but compared to most American filmmaking, it is very good.

What else can be said about it? Basterds is not a World War II movie; in fact, it really isn’t a war movie. It’s just a Tarantino movie that may be, as the filmmaker himself described it, a spaghetti western dressed up as a WW II movie. Of course, the additives are gleefully executed violence and snappy banter passing as dialogue. Inglourious Basterds is a ferocious and sadistic fantasy that revels in a World War II that doesn’t even come close to existing.

This is also an ensemble movie. The film never depicts the entire Basterds squad in action together. Each scene focuses on a small group of characters chosen from the larger ensemble. In a way, Inglourious Basterds could have been called “Shosanna’s Last Picture Show” or “Landa the Basterd” because the film is as much about them as it is about Raine and his Basterds. Shosanna is one of the few truly high-quality characters in this film, and actor Christoph Waltz creates one of the year’s best villains in Hans Landa. Just about all the others are less characters and more like character types that Tarantino probably stole…err…borrowed from other films.

Inglourious Basterds is merely glorious Tarantino. He is a highly skilled filmmaker with an encyclopedic knowledge of film, but he desires to make bloody pastiches of the violent action/martial arts/war/western films he so clearly loves. Inglourious Basterds is Quentin Tarantino’s version of a summer movie – entertaining, but loud, violent, and empty.

6 of 10
B

Saturday, September 12, 2009

NOTES:
2010 Academy Awards: 1 win: “Best Performance by an Actor in a Supporting Role” (Christoph Waltz); 7 nominations: “Best Achievement in Cinematography” (Robert Richardson), “Best Achievement in Directing” (Quentin Tarantino), “Best Achievement in Editing” (Sally Menke), “Best Achievement in Sound” (Michael Minkler, Tony Lamberti, and Mark Ulano), “Best Achievement in Sound Editing” (Wylie Stateman), “Best Motion Picture of the Year” (Lawrence Bender), “Best Writing, Screenplay Written Directly for the Screen” (Quentin Tarantino)

2010 BAFTA Awards: 1 win: “Best Supporting Actor” (Christoph Waltz); 5 nominations: “Best Cinematography” (Robert Richardson), “Best Director” (Quentin Tarantino), “Best Editing” (Sally Menke), “Best Production Design” (David Wasco and Sandy Reynolds-Wasco), “Best Screenplay – Original” (Quentin Tarantino)

2010 Golden Globes: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Christoph Waltz); 3 nominations: “Best Director - Motion Picture” (Quentin Tarantino), “Best Motion Picture – Drama” and “Best Screenplay - Motion Picture” (Quentin Tarantino)


Sunday, May 23, 2010

Review: "Shrek Forever After" is an Upgrade from Third Film

TRASH IN MY EYE No. 37 (of 2010) by Leroy Douresseaux

Shrek Forever After (2010)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for mild action, some rude humor and brief language
DIRECTOR: Mike Mitchell
WRITER: Josh Klausner and Darren Lemke
PRODUCERS: Teresa Cheng and Gina Shay
CINEMATOGRAPHER: Yong Duk Jhun

ANIMATION/FANTASY/ACTION/ADVENTURE and COMEDY/FAMILY

Starring: (voices) Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Julie Andrews, Jon Hamm, John Cleese, Craig Robinson, Jane Lynch, and Walt Dohrn

The magic is not gone! Shrek Forever After arrives in theatres and reminds us that the disappointing Shrek the Third was a fluke in the Shrek franchise. When Shrek debuted in 2001, it was certainly different from the typical animated film. Instead of being an update of some fairy tale meant to appease children, Shrek turned the fairy tale on its ear, spoofed pop culture, and introduced odd ball characters that were so endearing a few of them gradually became pop culture stars. The 2004 sequel, Shrek 2, was as good as the first film, but not as fresh and original. Shrek the Third was a misfire. While it may not be an original, Shrek Forever After returns to what the first two films did well.

The new film finds the title character, that lovable ogre, Shrek (Mike Myers), not loving being a lovable ogre. He fought an evil dragon to rescue Prince Fiona (Cameron Diaz), married her, and saved his in-laws’ kingdom, Far Far Away. Before that, however, Shrek was ogre who scared villagers and took mud baths. Now, he is a domesticated family man, changing diapers, and autographing pitchforks for admiring villagers, and his once-fearsome ogre’s roar has become a children’s favorite. Shrek longs for the days when he was “real ogre,” but there is someone with the magic to help him be bad again.

A smooth-talking dealmaker named Rumpelstiltskin (Walt Dohrn) meets Shrek and offers him a magical contract. Shrek can get a day to feel like a real ogre again, in exchange for ANY day from Shrek’s past. Shrek signs the contract, but the deal creates a twisted, alternate version of Far Far Away. This is a world in which he and Princess Fiona never met, and his friends, even Donkey (Eddie Murphy), don’t know him. He has 24 hours to restore his world or disappear forever.

Shrek Forever After is essentially a spin on director Frank Capra’s It’s a Wonderful Life, in which a man on the verge of suicide gets to see how unfortunate life would be for his family, friends, and community without him. Because it uses themes similar to the Capra film, this fourth Shrek movie is probably the most heartfelt and sentimental about the importance of close relationships. The narrative is insistent that each individual character is essential to the well-being and happiness of his or her fellow characters. [That said, Puss in Boots (Antonio Banderas) is getting a spin-off film.]

The entire story plays off the idea that the audience, by now, is familiar with these characters, knows their personalities, and has expectations about how the characters will entertain them. And Shrek Forever After delivers. All the voice performances are good, and, unlike in Shrek the Third, Eddie Murphy and Donkey have lots of screen time, which they use to spectacular results. This film also introduces another good Shrek villain, the winning Rumpelstiltskin, superbly performed by animator and voice actor, Walt Dohrn.

Shrek Forever After like the original is big and jolly. Cleverly chosen songs still populate the soundtrack and set the tone for key scenes in the story. Pop culture is slyly referenced and spoofed (like the funny break dancing witches routine), and the main characters still have some of the best jokes and one-liners the audience will hear during the summer movie season. But Shrek Forever After has heart. If this is indeed the last Shrek film (at least for awhile), we are left with a movie that reminds us how much fun Shrek and company are and how much we really like them or even love them.

8 of 10
A

Sunday, May 23, 2010


Thursday, May 20, 2010

Review: "Shrek the Third" is Disappointing

TRASH IN MY EYE No. 88 (of 2007) by Leroy Douresseaux


Shrek the Third (2007)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for some crude humor, suggestive content, and swashbuckling action
DIRECTOR: Chris Miller with Raman Hui
WRITERS: Jeffrey Price & Peter S. Seaman and Chris Miller & Aron Warner
PRODUCER: Aron Warner
EDITOR: Michael Andrews

ANIMATION/COMEDY/FANTASY/ACTION/FAMILY

Starring: (voices) Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Ruper Everett, Justin Timberlake, Julie Andrews, John Cleese, Eric Idle, Cheri Oteri, Amy Poehler, Maya Rudolph, Amy Sedaris, John Krasinski, Larry King, Susanne Blakeslee, and Ian McShane

Smelly ogre Shrek (Mike Myers) returns in Shrek the Third, and finds himself in a bit of a fix. When he married Princess Fiona (Cameron Diaz), he never realized that the union would put him in line to become the next King of Far, Far Away, so when his father-in-law, King Harold (John Cleese), dies, Shrek and Fiona are facing the very real possibility of being the new King and Queen.

Determined to remain an ordinary ogre and return to his peaceful life in the swamp, Shrek sets off with reliable pals Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) on a long journey to find Fiona’s long lost cousin, Artie (Justin Timberlake), an underachieving high school slacker. Making the rebellious Artie accept the throne proves to be a bigger challenge than Shrek suspected.

Meanwhile, Shrek’s old nemesis, Prince Charming (Rupert Everett), has returned to Far, Far Away with an army composed of some of classic fairytales most infamous villains, including Captain Hook (Ian McShane) and his crew and the Evil Queen (Susanne Blakeslee) from “Snow White.” It’s up to Fiona and her band of princesses: Cinderella (Amy Sedaris), Rapunzel (Maya Rudolph), Sleeping Beauty (Cheri Oteri), Snow White (Amy Poehler) and, of course, Doris (Larry King), to fight until Shrek and crew return to the country for the final battle with Charming.

Considering the box office success of Shrek and Shrek 2 and the fact that they were actually very good films, Shrek the Third’s mediocrity is shocking. It’s only mildly amusing, and there’s nothing distinguishing about the animation, which actually looks really bad (in terms of character movement and design) in several places. There are too many characters, and not enough of Eddie Murphy’s Donkey who is every bit the star of this franchise that Mike Myers’ Shrek is. Any future installments need a significant overhaul because Shrek the Third looks like the franchise is showing tired, old legs.

5 of 10
C+

Saturday, June 09, 2007

NOTES:
2008 BAFTA Awards: 1 nomination: “Best Animated Film” (Chris Miller)


Wednesday, May 19, 2010

Review: "Shrek 2" Aimed More at Adults than Children

TRASH IN MY EYE No. 90 (of 2004) by Leroy Douresseaux


Shrek 2 (2004)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for some crude humor, a brief substance reference and some suggestive content
DIRECTORS: Andrew Adamson, Kelly Asbury, and Conrad Vernon
WRITERS: Andrew Adamson, J. David Stem, Joe Stillman, and David N. Weiss with Chris Miller; from a story by Andrew Adamson (based upon characters created by William Steig)
PRODUCERS: David Lipman, Aron Warner, and John H. Williams
EDITORS: Michael Andrews and Sim Evan-Jones
Academy Award nominee

ANIMATED/COMEDY/FAMILY/FANTASY/ADVENTURE

Starring: (voices) Mike Meyers, Eddie Murphy, Cameron Diaz, Antonio Banderas, John Cleese, Julie Andrews, Rupert Everett, and Jennifer Saunders

I found Shrek 2 to be every bit as funny as the original, but I don’t think it’s quite as surprising or better than the smash hit and Academy Award-winning Shrek. The first film was sweet and sentimental, and despite it’s clunky and peculiar computer-generated animation, it was fresh and different. Shrek 2 is every bit the expensive and glossy sequel, and is mostly disposable entertainment. In fact, the filmmakers have managed to make a movie so entertaining that it’s disposable entertainment as art. I laughed a lot and had a damn good time, but as I do with many big summer films, I’d mostly forgotten it not long after I’d left the theatre. There’s nothing wrong with that, but Shrek 2 is like a cheap candy bar, sweet but not necessary. You can wait for home video.

In Shrek 2, the titular Shrek (Michael Myers) and his wife Princes Fiona (Cameron Diaz) with Shrek’s homeboy Donkey (Eddie Murphy) travel to Far, Far Away, Fiona’s home to meet her parents the King (John Cleese) and Queen (Julie Andrews). The royal parents, however, are not happy to see Fiona married to an ogre, which is what Shrek is, and they’d hoped she’d married Prince Charming (Rupert Everett).

It was Charming who was supposed to rescue Fiona in the first film (and not Shrek as it happened) and break the spell that caused Fiona herself to become an ogre at night. Now, that Fiona has married Shrek, she’s a full time ogre. Charming’s mother, the Fairy Godmother (Jennifer Saunders) demands that the King get rid of Shrek, so he hires a suave assassin, Puss In Boots (Antonio Banderas), to dispatch Shrek. But when Puss becomes Shrek’s friend, Fairy Godmother throws all her magic behind a diabolical plan to trick Fiona away from Shrek and into the arms of her son.

I found Shrek 2’s humor mainly directed at adults, although children can certainly enjoy it. Much of the comedy is built around sight gags, but there are numerous sly cultural references (visual and spoken), witty asides, puns, etc. that will go right over the heads of the kids and many 20-somethings. There is also a surprising amount of sexual innuendo and crude humor. Once again, I think this film is aimed more at adults than children, much like the old Warner Bros. cartoons from the 1930’s and 40’s. They were originally made as theatrical shorts to be shown before films and weren’t specifically aimed at children just because the shorts were cartoons.

Technically, Shrek 2’s animation is much improved over the first film, but PDI, the company that animated both Shrek films has nothing on Pixar, the studio behind Toy Story and Finding Nemo. There is a crucial difference between Pixar and PDI. Pixar does computer animation in the tradition of Disney animated classics: animated films that are fairy tales aimed at children, but also appeal to adults who are “young at heart.” PDI creates broad PG-rated films that attract kids simply because they are animated but are also written to attract adults with rough humor and sarcasm.

The standout voice talents in the film are Eddie Murphy, John Cleese, and Jennifer Saunders. Their performances are what we would expect of actors that are both fine comedians and comic actors, and they are really good at adapting their particular talents for virtually any kind of comedy.

8 of 10
A

NOTES:
2005 Academy Awards: 2 nominations: “Original Song” (Adam Duritz-composer/lyricist, Charles Gillingham-composer, Jim Bogios-composer, David Immerglück-composer, Matthew Malley-composer, David Bryson-composer, Dan Vickrey-lyricist for the song "Accidentally In Love")and “Best Animated Feature Film of the Year” (Andrew Adamson)

2004 BAFTA: 1 win “Kids’ Vote”

2005 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Adam Duritz, Dan Vickrey, David Immerglück, Matthew Malley, David Bryson for the song "Accidentally In Love")



Tuesday, May 18, 2010

Review: Eddie Murphy Made the Excellent "Shrek" Even Better

TRASH IN MY EYE No. 16 (of 2002) by Leroy Douresseaux


Shrek (2001) – computer animated
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for mild language and some crude humor
DIRECTOR: Andrew Adamson and Vicky Jenson
WRITERS: Ted Elliot, Terry Rossio, Joe Stillman, and Roger S. H. Schulman with additional dialogue by Cody Cameron, Chris Miller, and Conrad Vernon (based upon the book by Shrek! William Steig)
PRODUCERS: Jeffrey Katzenberg, Aron Warner, and John H. Williams
EDITOR: Sim Evan-Jones
Academy Award winner
ANIMATION/COMEDY/FANTASY and ADVENTURE/ROMANCE/FAMILY

Starring: (voices) Michael Myers, Eddie Murphy, Cameron Diaz, John Lithgow, Vincent Cassel, and Jim Cummings

Shrek (Michael Myers), a reclusive ogre, suddenly finds his home in the swamp beset by the denizens of hundreds of fairy tales. They are refugees of a hate campaign by a little despot named Lord Farquaad of Duloc (John Lithgow). Farquaad promises to remove the fairy tale beings from his home if Shrek rescues Princess Fiona (Cameron Diaz) from a fearful fire-breathing dragon. By marrying a princess, Farquaad would become a king. The talkative Donkey (Eddie Murphy) joins Shrek as his faithful steed on the quest to rescue the princess for Farquaad, but love has other plans.

From Pacific Data Images (PDI) and DreamWorks, respectively the computer animation studio and movie studio behind Antz, Shrek is a lively and funny cartoon that kids can watch but that is really aimed at adult viewers. With the requisite toys and novelties, the film is sure to attract children, and the film contains enough gross and childish humor to keep their attentions. Shrek’s success, however, is in its ability to tap into grown-up sensibilities. Literally having a pack of writers working on the script gives Shrek’s story multiple layers. The movie is filled with pop culture references, film references, bawdy humor, sight gags, and sly asides, and the romantic and sentimental aspects of the film are quite convincing.

The voice actors really carry the movie. Myers is, as always, able to create several character voices, and he creates two others in this film besides Shrek: the Narrator and one of the Three Blind Mice. Ms. Diaz has a nice performance as the princess, but she saves her best work for the film’s last quarter. John Lithgow, an accomplished actor who has played a few wacky villains in the last decade, revealed his comic chops in the television series “Third Rock from the Sun.” He doesn’t fail to please here; his Farquaad is nasty, petty, deceitful, and quite vindictive – a potent little menace who really deserves his comeuppance.

The star of the show, however, is Eddie Murphy as Donkey. We’ve come to take Murphy for granted. He hasn’t taken on oh-so-serious roles like other comedians, so many critics and moviegoers don’t think of him as a good actor. His Donkey is a jiving talking huckster, at one moment cowardly, brash the next, and a mentor when he has to be. The role fits Murphy like an old glove, but he makes Donkey so vital, so fresh, so funny. Like one of Robin Williams’s caricatures, Murphy is a chatterbox, but he doesn’t wear thin; even his mumblings are funny. His verbosity never annoys, and Donkey is the axis upon which this story turns. Lose him and you have a passable, middling movie.

Shrek is a surprise, and it went on to win the first Oscar® for Best Animated Feature. It is truly for all ages. Funny and touching, it is Hollywood product that is near perfect entertainment – well put together by its cast and creators.

8 of 10
A

NOTES:
2002 Academy Awards: 1 win: “Best Animated Feature” (Aron Warner); 1 nomination: “Best Writing, Screenplay Based on Material Previously Produced or Published” (Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Schulman)

2002 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Schulman); 5 nominations: “Anthony Asquith Award for Film Music” (Harry Gregson-Williams and John Powell). “Best Achievement in Special Visual Effects” (Ken Bielenberg), “Best Film” (Aron Warner, John H. Williams, and Jeffrey Katzenberg), “Best Performance by an Actor in a Supporting Role” (Eddie Murphy), and “Best Sound” (Andy Nelson, Anna Behlmer, Wylie Stateman, and Lon Bender

2001 Won BAFTA Children's Award Best Feature Film (Andrew Adamson, Vicky Jenson, Aron Warner, and Jeffrey Katzenberg)

2002 Golden Globes: 1 nomination: “Best Motion Picture - Musical or Comedy”