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Saturday, January 21, 2023
Review: "AMSTERDAM" is a Movie That Follows the Right God Home
Sunday, March 20, 2022
TRAILER: Netflix's "THE PENTAVERATE" Official Teaser
Michael Myers new Netflix comedy series, "THE PENTAVERATE," debuts May 5, 2022. Myers will play eight(!) characters and Oscar-winner Jeremy Irons is the series narrator. The series focuses on a secret society of five men — aka The Pentaverate — that has been working to influence world events for the greater good since the Black Plague of 1347. A Canadian journalist (Myers) finds himself embroiled in a mission to uncover the truth and just possibly save the world himself.
The official teaser trailer is below:
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Saturday, March 19, 2022
Negromancer News Bits and Bites from March 13th to 19th, 2022 - Update #20
by Leroy Douresseaux a.k.a. "I Reads You"
You can support Leroy via Paypal or on Patreon:
ENTERTAINMENT AND CULTURE NEWS:
UKRAINE - From TheAtlantic: From "The Atlantic": "I Have a Message for My Russian Friends" by Arnold Schwarzenegger. The piece includes a story about Arnold's friendship with his childhood idol, Russian weightlifter, Yuri Petrovich Vlasov.
PIXAR - From Variety: Disney reportedly removed a "same-sex" kiss from its upcoming film, "Lightyear," about the inspiration for "Buzz Lightyear" from "Toy Story." In the wake of its "Don't Say Gay" controversy, Disney has restored the kiss.
AVATAR - From IGN: Actress Zoe Saldana says that James Cameron has solved "the underwater motion capture problem" in Avatar 2, which is due in theaters Dec. 16th, 2022.
MOVIES - From IGN: On a recent podcast, actress Courteney Cox confirms that she is returning for 2023's "Scream 6."
NETFLIX - From Deadline: Netflix has released new art related to its live-action "Resident Evil" TV series. The series will debut July 14th.
AMAZON - From Deadline: Amazon and MGM announced that their $8.5 billion merger deal has closed, Thursday morning, March 17, 2022. There is no news on what the new management structure will be.
NETFLIX - From Deadline: Mike Myers' new Netflix comedy series, "The Pentaverate," has a first-look trailer, first-look photos, and a premiere date, May 5th.
STAR TREK - From Deadline: Actor Paul Wesley has been cast in the role of "James T. Kirk" (first played by William Shatner) for the second season of the Paramount+ series, "Star Trek: Strange New Worlds." The first season premieres in May.
MOVIES - From Deadline: "Top Gun: Maverick" will reportedly screen at the 2022 Cannes Film Festival, which will take place from May 17th to May 28th.
From Deadline: Director Baz Luhrmann's splash Elvis Presley biopic, "Elvis," will also make its debut at Cannes. The film stars Austin Butler as Elvis and Tom Hanks as Colonel Tom Parker.
ANIMATION - From Deadline: Antonio Banderas and Salma Hayek are returning for DreamWorks Animation's "The Last Wish," a sequel to its 2011 hit, "Puss in Boots."
MEDIA - From YahooIndependentUK: Donald Trump lashes out at Time Warner Cable for dumping his favorite network, the news network, OAN (One America News).
BOX OFFICE - From BoxOfficePro: The winner of the 3/11 to 3/13/2022 weekend box office is "The Batman" with an estimated take of 66 million dollars.
From Here: Negromancer's review of "The Batman."
BAFTA - From Deadline: The 2022 / 75th EE British Academy Film Awards ceremony was held in Lond, Sun., March 13th. "The Power of the Dog" was named "Best Film" and Jane Campion won "Best Director" for the film. Will Smith was named "Best Actor." "Dune" won five awards, dominated the "craft categories."
AWARDS - From Variety: The Directors Guild of America's 2022 74th annual DGA Awards were held on Sat., March 12th. Jane Campion won the top prize "Outstanding Achievement in Theatrical Film" for directing "The Power of the Dog." She is the third woman to win the award and the second to have been nominated twice.
AWARDS/ANIMATION - From Variety: The winners at the 2022 / 49th annual Annie Awards were announced, Sat. Mar. 12th. Netflix's "The Mitchells vs. the Machines" was named "Best Feature."
DISNEY - From Deadline: by Nellie Andreeva - Disney CEO Bob Chapek’s toughest test yet: Disney’s “Worst Week” over ‘Don’t Say Gay’ response could lead to “Profound Change”
OBITS:
From YahooSports: Print, television and radio sports reporter, John Clayton, has died at the age of 67, Friday, March 18, 2022. Clayton is best known for his stint as an NFL reporter for ESPN from 1995 to 2017.
From NBCNews: Stage, film, and television actor, William Hurt, has died at the age of 71, Sunday, March 13, 2022. His film career began with Ken Russell's 1980 flick, "Altered States." That began an extraordinary run of critical and box office success in the 1980s, including three consecutive "Best Actor" Oscar nominations. He won for "Kiss of the Spider-Woman" (1985") and was nominated for "Children of a Lesser God" (1986), and for "Broadcast News" (1987). Most recently, he was known for portraying "Thaddeus Ross" in Marvel Cinematic Universe in five films, beginning with 2008's "The Incredible Hulk.
From Deadline: Singer and reality television personality, Traci Braxton, has died at the age of 50, Saturday, March 12, 2022. She was best known for appearing on the We TV reality series, "Braxton Family Values" (2011-20). She was also a member of the girl-group, "The Braxtons," which initially featured Traci's sister, seven-time Grammy Award winner, Toni Braxton.
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94TH ACADEMY AWARDS:From Deadline: With his "Best Actor" nomination for "The Tragedy of Macbeth," Denzel Washington is the most nominated Black actor is Oscar history. He has been nominated in two acting categories a total of 10 times with two wins total.
From Variety: With her "Best Director" Oscar nomination for "The Power of the Dog," Jane Campion becomes the first woman nominated twice in that category. She was previously nominated in that category for "The Piano" (1993).
From Variety: With his three nominations today, Kenneth Branagh of "Belfast" becomes the first person to have been nominated in seven individual categories over his career.
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MOVIE AWARDS:From Variety: Here is a complete list of winners at 2022 / 53rd NAACP Image Awards in the film, television and music categories. Jennifer Hudson was named "Entertainer of the Year."
From Deadline: The 2022 / 9th annual Make-Up Artists & Hair Stylists Guild Awards were announced. The Amazon film, "Coming 2 America" (the sequel to the 1988 film, "Coming to America"), led with three wins.
From Deadline: The Los Angeles Film Critics Association has named the Japanese film, "Drive My Car," the "Best Picture" of 2021.
From Deadline: The 2022 / 37th annual Film Independent Spirit Awards have announced their nominations. "Zola" leads with six nominations. The winners will be announced Sun., March 6, 2022.
From THR: The 2022 / 79th Golden Globes Awards nominations have been announced. "Belfast" and "The Power of the Dog" lead with seven nominations each. Winners will be announced Jan. 9th, 2022.
From GoldDerby: The 2022 Critics Choice Awards nominations have been announced. "Belfast" and "West Side Story" leads with 11 nominations each. Winners will be announced Jan. 9th, 2022.
From Deadline: The American Film Institute announced the "2021 AFI Awards" Top 10 list, and the list includes "Dune," "The Tragedy of Macbeth," and "West Side Story."
From THR: Director Aleem Khan's "After Love" tops the 2021 British Independent Film Awards, winning six awards, including "Best Film of 2021."
From Variety: The New York Film Critics Circle has named the Japanese drama, "Drive My Car," as the "Best Film of 2021."
From Deadline: The National Board of Review hands director Paul Thomas Anderson's "Licorice Pizza" it "Best Film" and "Best Director" awards. Will Smith picks up the "Best Actor" award for "King Richard."
From THR: Netflix’s "The Lost Daughter," directed by actress Maggie Gyllenhaal, dominated the 2021 Gotham Awards in New York on Monday night (Nov. 29th). The film won in four of the five categories in which it was nominated, including "Best Feature."
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Saturday, May 26, 2018
Negromancer News Bits and Bites from May 20th to 26th, 2018 - Update #21
MOVIES - From TheNewYorker: How Superheroes Made Movie Stars Expendable
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MOVIES - From YahooGMA: Film critic Peter Travers lists 17 summers movies to get to know.
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SCANDAL - From YahooGMA: The guy who says that "Star Trek" actor, George Takei, groped/molested him is still peddling his story.
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BOND - From BleedingCool: Universal Pictures has won the bidding war for the distribution rights to the 25th James Bond film, which will star Daniel Craig and be directed by Danny Boyle.
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SCANDAL - From CNN: Several women are accusing Oscar-winning actor, Morgan Freeman, of inappropriate behavior and harassment.
From TheWrap: Harvey Weinstein to Surrender to New York Authorities Following Sexual Misconduct Probe
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COMICS-FILM - From THR: Regina King, Tim Blake Nelson, and Don Johnson join HBO's "Watchmen" pilot which is being overseen by Damon Lindelof.
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SCANDAL - From YahooEntertainment: Moses Farrow, son of Mia Farrow and Woody Allen, says that Woody Allen never molested his sister, Dylan Farrow, as his mother Mia and Dylan have claimed for 25 years.
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MOVIES - From THR: Liam Neeson joins Chris Hemsworth and Tessa Thompson in the "Men in Black" spinoff.
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CELEBRITY - From TheRinger: The Baffling Return of Mike Myers.
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COMICS-FILM - From YahooEntertainment: What was the cost of Brad Pitt's split-second cameo in "Deadpool 2."
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MOVIES - From BleedingCool: Anjelica Huston is among the actors joining "John Wick: Chapter 3."
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CELEBRITY - From YahooEntertainment: Legendary martial arts actor, Jet Li, is reportedly having serious health issues.
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STREAMING - From ShadowandAct: Ava DuVernay will executive produce a TV series about Amazon queens, entitled "The Last Amazon."
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OBAMAS - From ShadowandAct: Netflix has officially announced a huge production deal with President Barack Obama and First Lady Michelle Obama.
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BOX OFFICE - From BoxOfficeMojo: The winner of the 5/18 to 5/20/2018 weekend box office is "Deadpool 2" with an estimated take of $125 million.
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ECO - From Earther: Lawns Are an Ecological Disaster
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STREAMING - From Nerdist: Amazon's "Lord of the Rings" TV series will follow a young Aragorn. Adult Aragorn was played by Viggo Mortensen in Peter Jackson's "Lord of the Rings" film series.
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CANNES - From Deadline: "Shoplifters," a film by Japanese director, Hirokazu Kore-Eda, has won the Palme d'Or, the top prize at the 2018 Cannes Film Festival. Spike Lee's "BlacKkKlansman" won the "Grand Prize."
OBITS:
From TheNewYorker: American author Philip Roth has died at the age of 85, Tuesday, May 22, 2018. He won the "Pulitzer Prize for Fiction" in 1998 for his novel, "American Pastoral." Several of his works were adapted into film, including the novel, "The Human Stain."
From THR: Movie poster artist-designer, Bill Gold, has died at the age of 97, Sunday, May 20, 2018. Considered to have revolutionized the movie poster, Gold produced posters for film such as "Casablanca," "The Exorcist," and "A Clockwork Orange." Gold produced dozens of posters for Clint Eastwood films, including "Dirty Harry" (1971), "Unforgiven" (1992), and "J. Edgar" (2011).
From ESPN: Noted college football player, Billy Cannon, has died at the age of 80, Sunday, May 20, 2018. Cannon played collegiate football for Louisiana State University, where he won a national title in 1958 and the Heisman Trophy in 1959.
From BRAdvocate: A image gallery look-back at Billy Cannon.
Wednesday, December 1, 2010
Review: "Inglourious Basterds" is One Crazy Bastard
Inglourious Basterds (2009)
Running time: 153 minutes (2 hour, 33 minutes)
MPAA – R for strong graphic violence, language, and brief sexuality
WRITER/DIRECTOR: Quentin Tarantino
PRODUCER: Lawrence Bender
CINEMATOGRAPHER: Robert Richardson
EDITOR: Sally Menke
Academy Award winner
ACTION/DRAMA/WAR
Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, Martin Wuttke, Mike Myers, Julie Dreyfus, Rod Taylor, Samm Levine, and Samuel L. Jackson (uncredited voice)
Inglourious Basterds is the most recent film from Oscar-winning screenwriter and director Quentin Tarantino (Pulp Fiction). While Inglourious Basterds is actually short on the titular Basterds in action, it isn’t short of Tarantino hallmarks.
Apparently inspired by the 1978 Italian war movie, The Inglorious Bastards, Tarantino’s film opens in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz), a “Jew hunter” or “Jew detective” (which is the term Landa prefers). Meanwhile, somewhere else in Europe, American 1st Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish-American soldiers to engage in targeted acts of retribution. Known to their enemy as, The Basterds, their mission is cause havoc and panic within the Third Reich by savagely killing Nazis and German servicemen. Raine tells his Basterds that being in this squad means they owe him a debt, and to pay it off, each man owes him 100 Nazi scalps.
Shosanna, who narrowly escaped Landa, fled to Paris, where four years later she has forged a new identity as Emmanuelle Mimieux, the owner and operator of a small cinema named La Gamaar. She catches the eye of a German marksman turned war hero, Fredrick Zoller (Daniel Brühl). In an attempt to impress her, Zoller convinces his superiors to hold a film premiere at La Gamaar. Meanwhile, Raine’s squad has joined German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich – during the film premiere at La Gamaar. It seems that fates have converged at the cinema, as Shosanna, with the help of her projectionist boyfriend, Marcel (Jacky Ido), is poised to carry out her own plan of revenge on the Nazis.
I consider Tarantino’s best feature-length films to be his first three: Reservoir Dogs (1992), Pulp Fiction (1994), and Jackie Brown (1997), with Jackie Brown being his best work. His films since 1997 have been very good, but are mostly genre exercises and fanboy porn. Inglourious Basterds is the least of all of them, but compared to most American filmmaking, it is very good.
What else can be said about it? Basterds is not a World War II movie; in fact, it really isn’t a war movie. It’s just a Tarantino movie that may be, as the filmmaker himself described it, a spaghetti western dressed up as a WW II movie. Of course, the additives are gleefully executed violence and snappy banter passing as dialogue. Inglourious Basterds is a ferocious and sadistic fantasy that revels in a World War II that doesn’t even come close to existing.
This is also an ensemble movie. The film never depicts the entire Basterds squad in action together. Each scene focuses on a small group of characters chosen from the larger ensemble. In a way, Inglourious Basterds could have been called “Shosanna’s Last Picture Show” or “Landa the Basterd” because the film is as much about them as it is about Raine and his Basterds. Shosanna is one of the few truly high-quality characters in this film, and actor Christoph Waltz creates one of the year’s best villains in Hans Landa. Just about all the others are less characters and more like character types that Tarantino probably stole…err…borrowed from other films.
Inglourious Basterds is merely glorious Tarantino. He is a highly skilled filmmaker with an encyclopedic knowledge of film, but he desires to make bloody pastiches of the violent action/martial arts/war/western films he so clearly loves. Inglourious Basterds is Quentin Tarantino’s version of a summer movie – entertaining, but loud, violent, and empty.
6 of 10
B
Saturday, September 12, 2009
NOTES:
2010 Academy Awards: 1 win: “Best Performance by an Actor in a Supporting Role” (Christoph Waltz); 7 nominations: “Best Achievement in Cinematography” (Robert Richardson), “Best Achievement in Directing” (Quentin Tarantino), “Best Achievement in Editing” (Sally Menke), “Best Achievement in Sound” (Michael Minkler, Tony Lamberti, and Mark Ulano), “Best Achievement in Sound Editing” (Wylie Stateman), “Best Motion Picture of the Year” (Lawrence Bender), “Best Writing, Screenplay Written Directly for the Screen” (Quentin Tarantino)
2010 BAFTA Awards: 1 win: “Best Supporting Actor” (Christoph Waltz); 5 nominations: “Best Cinematography” (Robert Richardson), “Best Director” (Quentin Tarantino), “Best Editing” (Sally Menke), “Best Production Design” (David Wasco and Sandy Reynolds-Wasco), “Best Screenplay – Original” (Quentin Tarantino)
2010 Golden Globes: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Christoph Waltz); 3 nominations: “Best Director - Motion Picture” (Quentin Tarantino), “Best Motion Picture – Drama” and “Best Screenplay - Motion Picture” (Quentin Tarantino)
Sunday, May 23, 2010
Review: "Shrek Forever After" is an Upgrade from Third Film
Shrek Forever After (2010)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for mild action, some rude humor and brief language
DIRECTOR: Mike Mitchell
WRITER: Josh Klausner and Darren Lemke
PRODUCERS: Teresa Cheng and Gina Shay
CINEMATOGRAPHER: Yong Duk Jhun
ANIMATION/FANTASY/ACTION/ADVENTURE and COMEDY/FAMILY
Starring: (voices) Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Julie Andrews, Jon Hamm, John Cleese, Craig Robinson, Jane Lynch, and Walt Dohrn
The magic is not gone! Shrek Forever After arrives in theatres and reminds us that the disappointing Shrek the Third was a fluke in the Shrek franchise. When Shrek debuted in 2001, it was certainly different from the typical animated film. Instead of being an update of some fairy tale meant to appease children, Shrek turned the fairy tale on its ear, spoofed pop culture, and introduced odd ball characters that were so endearing a few of them gradually became pop culture stars. The 2004 sequel, Shrek 2, was as good as the first film, but not as fresh and original. Shrek the Third was a misfire. While it may not be an original, Shrek Forever After returns to what the first two films did well.
The new film finds the title character, that lovable ogre, Shrek (Mike Myers), not loving being a lovable ogre. He fought an evil dragon to rescue Prince Fiona (Cameron Diaz), married her, and saved his in-laws’ kingdom, Far Far Away. Before that, however, Shrek was ogre who scared villagers and took mud baths. Now, he is a domesticated family man, changing diapers, and autographing pitchforks for admiring villagers, and his once-fearsome ogre’s roar has become a children’s favorite. Shrek longs for the days when he was “real ogre,” but there is someone with the magic to help him be bad again.
A smooth-talking dealmaker named Rumpelstiltskin (Walt Dohrn) meets Shrek and offers him a magical contract. Shrek can get a day to feel like a real ogre again, in exchange for ANY day from Shrek’s past. Shrek signs the contract, but the deal creates a twisted, alternate version of Far Far Away. This is a world in which he and Princess Fiona never met, and his friends, even Donkey (Eddie Murphy), don’t know him. He has 24 hours to restore his world or disappear forever.
Shrek Forever After is essentially a spin on director Frank Capra’s It’s a Wonderful Life, in which a man on the verge of suicide gets to see how unfortunate life would be for his family, friends, and community without him. Because it uses themes similar to the Capra film, this fourth Shrek movie is probably the most heartfelt and sentimental about the importance of close relationships. The narrative is insistent that each individual character is essential to the well-being and happiness of his or her fellow characters. [That said, Puss in Boots (Antonio Banderas) is getting a spin-off film.]
The entire story plays off the idea that the audience, by now, is familiar with these characters, knows their personalities, and has expectations about how the characters will entertain them. And Shrek Forever After delivers. All the voice performances are good, and, unlike in Shrek the Third, Eddie Murphy and Donkey have lots of screen time, which they use to spectacular results. This film also introduces another good Shrek villain, the winning Rumpelstiltskin, superbly performed by animator and voice actor, Walt Dohrn.
Shrek Forever After like the original is big and jolly. Cleverly chosen songs still populate the soundtrack and set the tone for key scenes in the story. Pop culture is slyly referenced and spoofed (like the funny break dancing witches routine), and the main characters still have some of the best jokes and one-liners the audience will hear during the summer movie season. But Shrek Forever After has heart. If this is indeed the last Shrek film (at least for awhile), we are left with a movie that reminds us how much fun Shrek and company are and how much we really like them or even love them.
8 of 10
A
Sunday, May 23, 2010
Thursday, May 20, 2010
Review: "Shrek the Third" is Disappointing
Shrek the Third (2007)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for some crude humor, suggestive content, and swashbuckling action
DIRECTOR: Chris Miller with Raman Hui
WRITERS: Jeffrey Price & Peter S. Seaman and Chris Miller & Aron Warner
PRODUCER: Aron Warner
EDITOR: Michael Andrews
ANIMATION/COMEDY/FANTASY/ACTION/FAMILY
Starring: (voices) Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Ruper Everett, Justin Timberlake, Julie Andrews, John Cleese, Eric Idle, Cheri Oteri, Amy Poehler, Maya Rudolph, Amy Sedaris, John Krasinski, Larry King, Susanne Blakeslee, and Ian McShane
Smelly ogre Shrek (Mike Myers) returns in Shrek the Third, and finds himself in a bit of a fix. When he married Princess Fiona (Cameron Diaz), he never realized that the union would put him in line to become the next King of Far, Far Away, so when his father-in-law, King Harold (John Cleese), dies, Shrek and Fiona are facing the very real possibility of being the new King and Queen.
Determined to remain an ordinary ogre and return to his peaceful life in the swamp, Shrek sets off with reliable pals Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) on a long journey to find Fiona’s long lost cousin, Artie (Justin Timberlake), an underachieving high school slacker. Making the rebellious Artie accept the throne proves to be a bigger challenge than Shrek suspected.
Meanwhile, Shrek’s old nemesis, Prince Charming (Rupert Everett), has returned to Far, Far Away with an army composed of some of classic fairytales most infamous villains, including Captain Hook (Ian McShane) and his crew and the Evil Queen (Susanne Blakeslee) from “Snow White.” It’s up to Fiona and her band of princesses: Cinderella (Amy Sedaris), Rapunzel (Maya Rudolph), Sleeping Beauty (Cheri Oteri), Snow White (Amy Poehler) and, of course, Doris (Larry King), to fight until Shrek and crew return to the country for the final battle with Charming.
Considering the box office success of Shrek and Shrek 2 and the fact that they were actually very good films, Shrek the Third’s mediocrity is shocking. It’s only mildly amusing, and there’s nothing distinguishing about the animation, which actually looks really bad (in terms of character movement and design) in several places. There are too many characters, and not enough of Eddie Murphy’s Donkey who is every bit the star of this franchise that Mike Myers’ Shrek is. Any future installments need a significant overhaul because Shrek the Third looks like the franchise is showing tired, old legs.
5 of 10
C+
Saturday, June 09, 2007
NOTES:
2008 BAFTA Awards: 1 nomination: “Best Animated Film” (Chris Miller)
Wednesday, May 19, 2010
Review: "Shrek 2" Aimed More at Adults than Children
Shrek 2 (2004)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for some crude humor, a brief substance reference and some suggestive content
DIRECTORS: Andrew Adamson, Kelly Asbury, and Conrad Vernon
WRITERS: Andrew Adamson, J. David Stem, Joe Stillman, and David N. Weiss with Chris Miller; from a story by Andrew Adamson (based upon characters created by William Steig)
PRODUCERS: David Lipman, Aron Warner, and John H. Williams
EDITORS: Michael Andrews and Sim Evan-Jones
Academy Award nominee
ANIMATED/COMEDY/FAMILY/FANTASY/ADVENTURE
Starring: (voices) Mike Meyers, Eddie Murphy, Cameron Diaz, Antonio Banderas, John Cleese, Julie Andrews, Rupert Everett, and Jennifer Saunders
I found Shrek 2 to be every bit as funny as the original, but I don’t think it’s quite as surprising or better than the smash hit and Academy Award-winning Shrek. The first film was sweet and sentimental, and despite it’s clunky and peculiar computer-generated animation, it was fresh and different. Shrek 2 is every bit the expensive and glossy sequel, and is mostly disposable entertainment. In fact, the filmmakers have managed to make a movie so entertaining that it’s disposable entertainment as art. I laughed a lot and had a damn good time, but as I do with many big summer films, I’d mostly forgotten it not long after I’d left the theatre. There’s nothing wrong with that, but Shrek 2 is like a cheap candy bar, sweet but not necessary. You can wait for home video.
In Shrek 2, the titular Shrek (Michael Myers) and his wife Princes Fiona (Cameron Diaz) with Shrek’s homeboy Donkey (Eddie Murphy) travel to Far, Far Away, Fiona’s home to meet her parents the King (John Cleese) and Queen (Julie Andrews). The royal parents, however, are not happy to see Fiona married to an ogre, which is what Shrek is, and they’d hoped she’d married Prince Charming (Rupert Everett).
It was Charming who was supposed to rescue Fiona in the first film (and not Shrek as it happened) and break the spell that caused Fiona herself to become an ogre at night. Now, that Fiona has married Shrek, she’s a full time ogre. Charming’s mother, the Fairy Godmother (Jennifer Saunders) demands that the King get rid of Shrek, so he hires a suave assassin, Puss In Boots (Antonio Banderas), to dispatch Shrek. But when Puss becomes Shrek’s friend, Fairy Godmother throws all her magic behind a diabolical plan to trick Fiona away from Shrek and into the arms of her son.
I found Shrek 2’s humor mainly directed at adults, although children can certainly enjoy it. Much of the comedy is built around sight gags, but there are numerous sly cultural references (visual and spoken), witty asides, puns, etc. that will go right over the heads of the kids and many 20-somethings. There is also a surprising amount of sexual innuendo and crude humor. Once again, I think this film is aimed more at adults than children, much like the old Warner Bros. cartoons from the 1930’s and 40’s. They were originally made as theatrical shorts to be shown before films and weren’t specifically aimed at children just because the shorts were cartoons.
Technically, Shrek 2’s animation is much improved over the first film, but PDI, the company that animated both Shrek films has nothing on Pixar, the studio behind Toy Story and Finding Nemo. There is a crucial difference between Pixar and PDI. Pixar does computer animation in the tradition of Disney animated classics: animated films that are fairy tales aimed at children, but also appeal to adults who are “young at heart.” PDI creates broad PG-rated films that attract kids simply because they are animated but are also written to attract adults with rough humor and sarcasm.
The standout voice talents in the film are Eddie Murphy, John Cleese, and Jennifer Saunders. Their performances are what we would expect of actors that are both fine comedians and comic actors, and they are really good at adapting their particular talents for virtually any kind of comedy.
8 of 10
A
NOTES:
2005 Academy Awards: 2 nominations: “Original Song” (Adam Duritz-composer/lyricist, Charles Gillingham-composer, Jim Bogios-composer, David Immerglück-composer, Matthew Malley-composer, David Bryson-composer, Dan Vickrey-lyricist for the song "Accidentally In Love")and “Best Animated Feature Film of the Year” (Andrew Adamson)
2004 BAFTA: 1 win “Kids’ Vote”
2005 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Adam Duritz, Dan Vickrey, David Immerglück, Matthew Malley, David Bryson for the song "Accidentally In Love")
Tuesday, May 18, 2010
Review: Eddie Murphy Made the Excellent "Shrek" Even Better
Shrek (2001) – computer animated
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for mild language and some crude humor
DIRECTOR: Andrew Adamson and Vicky Jenson
WRITERS: Ted Elliot, Terry Rossio, Joe Stillman, and Roger S. H. Schulman with additional dialogue by Cody Cameron, Chris Miller, and Conrad Vernon (based upon the book by Shrek! William Steig)
PRODUCERS: Jeffrey Katzenberg, Aron Warner, and John H. Williams
EDITOR: Sim Evan-Jones
Academy Award winner
ANIMATION/COMEDY/FANTASY and ADVENTURE/ROMANCE/FAMILY
Starring: (voices) Michael Myers, Eddie Murphy, Cameron Diaz, John Lithgow, Vincent Cassel, and Jim Cummings
Shrek (Michael Myers), a reclusive ogre, suddenly finds his home in the swamp beset by the denizens of hundreds of fairy tales. They are refugees of a hate campaign by a little despot named Lord Farquaad of Duloc (John Lithgow). Farquaad promises to remove the fairy tale beings from his home if Shrek rescues Princess Fiona (Cameron Diaz) from a fearful fire-breathing dragon. By marrying a princess, Farquaad would become a king. The talkative Donkey (Eddie Murphy) joins Shrek as his faithful steed on the quest to rescue the princess for Farquaad, but love has other plans.
From Pacific Data Images (PDI) and DreamWorks, respectively the computer animation studio and movie studio behind Antz, Shrek is a lively and funny cartoon that kids can watch but that is really aimed at adult viewers. With the requisite toys and novelties, the film is sure to attract children, and the film contains enough gross and childish humor to keep their attentions. Shrek’s success, however, is in its ability to tap into grown-up sensibilities. Literally having a pack of writers working on the script gives Shrek’s story multiple layers. The movie is filled with pop culture references, film references, bawdy humor, sight gags, and sly asides, and the romantic and sentimental aspects of the film are quite convincing.
The voice actors really carry the movie. Myers is, as always, able to create several character voices, and he creates two others in this film besides Shrek: the Narrator and one of the Three Blind Mice. Ms. Diaz has a nice performance as the princess, but she saves her best work for the film’s last quarter. John Lithgow, an accomplished actor who has played a few wacky villains in the last decade, revealed his comic chops in the television series “Third Rock from the Sun.” He doesn’t fail to please here; his Farquaad is nasty, petty, deceitful, and quite vindictive – a potent little menace who really deserves his comeuppance.
The star of the show, however, is Eddie Murphy as Donkey. We’ve come to take Murphy for granted. He hasn’t taken on oh-so-serious roles like other comedians, so many critics and moviegoers don’t think of him as a good actor. His Donkey is a jiving talking huckster, at one moment cowardly, brash the next, and a mentor when he has to be. The role fits Murphy like an old glove, but he makes Donkey so vital, so fresh, so funny. Like one of Robin Williams’s caricatures, Murphy is a chatterbox, but he doesn’t wear thin; even his mumblings are funny. His verbosity never annoys, and Donkey is the axis upon which this story turns. Lose him and you have a passable, middling movie.
Shrek is a surprise, and it went on to win the first Oscar® for Best Animated Feature. It is truly for all ages. Funny and touching, it is Hollywood product that is near perfect entertainment – well put together by its cast and creators.
8 of 10
A
NOTES:
2002 Academy Awards: 1 win: “Best Animated Feature” (Aron Warner); 1 nomination: “Best Writing, Screenplay Based on Material Previously Produced or Published” (Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Schulman)
2002 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Schulman); 5 nominations: “Anthony Asquith Award for Film Music” (Harry Gregson-Williams and John Powell). “Best Achievement in Special Visual Effects” (Ken Bielenberg), “Best Film” (Aron Warner, John H. Williams, and Jeffrey Katzenberg), “Best Performance by an Actor in a Supporting Role” (Eddie Murphy), and “Best Sound” (Andy Nelson, Anna Behlmer, Wylie Stateman, and Lon Bender
2001 Won BAFTA Children's Award Best Feature Film (Andrew Adamson, Vicky Jenson, Aron Warner, and Jeffrey Katzenberg)
2002 Golden Globes: 1 nomination: “Best Motion Picture - Musical or Comedy”