BET Ends "Being Mary Jane" and Begins "Games People Play"

As One Saga Ends, Another Begins During a Monumental Tuesday Night on BET

GABRIELLE UNION STARS IN THE GROUNDBREAKING “BEING MARY JANE” TWO-HOUR MOVIE FINALE ON TUESDAY, APRIL 23 AT 8 PM ET/PT FOLLOWED BY THE SEXY NEW DRAMA “GAMES PEOPLE PLAY” AT 10 PM ET/PT

Morris Chestnut Has Joined the All-Star “BEING MARY JANE” Cast Including Michael Ealy, Lisa Vidal, Richard Roundtree, Margaret Avery, Richard Brooks, BJ Britt, Raven Goodwin and Nicholas Gonzalez

Rounding Out the Night of Drama, “GAMES PEOPLE PLAY” Stars Lauren London, Sarunas J. Jackson, Parker McKenna Posey, Karen Obilom and Jackie Long

“GAMES PEOPLE PLAY” is Executive Produced by Tracey Edmonds

#BeingMaryJane

#GamesPeoplePlay

NEW YORK--(BUSINESS WIRE)--After four riveting seasons, “BEING MARY JANE” fans will find out if Mary Jane Paul can truly “have it all” in an epic, two-hour series finale film airing on BET, Tuesday, April 23, 2019 at 8 PM ET/PT. Starring Gabrielle Union, the movie event boasts an all-star cast including Michael Ealy, Morris Chestnut, Lisa Vidal, Richard Roundtree, Margaret Avery, Richard Brooks, BJ Britt, Raven Goodwin and Nicholas Gonzalez. As this chapter draws to a close, “BEING MARY JANE” will bow out with the same authentic voice that resonated with fans and made them fall in love with Mary Jane.

The "BEING MARY JANE" series finale movie will resume with the fallout between Mary Jane and Justin (Michael Ealy) that closed season four. While the question remains whether she has found the right man in her life, fans are also left to wonder if she will ever have a child of her own. When viewers last saw Mary Jane, she revisited the fertility clinic to have her frozen embryos implanted… right before she comes home to a surprise marriage proposal from Justin! Will Mary Jane say yes to Justin? Will she get her long-awaited chance at a family? Will she get her fairytale ending or will she reinvent what it means to live happily ever after? With so many unanswered questions, only time will tell if Mary Jane has finally found a way to have it all.

Following Mary Jane's final sign-off, viewers will be introduced to their newest guilty pleasure, "GAMES PEOPLE PLAY" premiering at a special time on Tuesday, April 23, 2019 at 10 PM ET/PT. Starting Tuesday, April 30, 2019, the series will resume at its regular time at 9 PM ET/PT. Starring Lauren London, Sarunas J. Jackson, Parker McKenna Posey, Karen Obilom and Jackie Long, “GAMES PEOPLE PLAY” is a sexy, stylized drama about the L.A. high life, where everyone plays to win. Based on the popular book by Angela Burt-Murray, “Games Divas Play,” “GAMES PEOPLE PLAY” follows a desperate basketball wife trying to protect her family, a tenacious journalist struggling to rebuild a tarnished career, and a scandalous groupie looking to become a star, who all find it is murder trying to stay on top.

In "GAMES PEOPLE PLAY," viewers meet Vanessa King (Lauren London), a loyal yet skeptical wife who married her high school sweetheart as he was being drafted into the nation’s premiere professional basketball league. Her lifestyle changed overnight as they went from college sweethearts to a power couple astride a world of money, easy sex, and glamour. Vanessa is married to Marques King (Sarunas J. Jackson), who is an all-star baller that was able to prepare himself for all aspects of life as a professional basketball player, except the women. His inability to resist temptation causes what may be irreparable damage to his marriage to Vanessa. Kareem Johnson (Jackie Long), Marques’ best friend and assistant, is a former college basketball standout once destined for fame and fortune. Frustrated by living on the sidelines, he’s willing to risk everything for a shot at the life that should have been his.

Adding to the mix of drama, along comes Laila James (Parker McKenna Posey), a cunning and alluring, yet struggling actress. When she realizes that she is never going to get ahead based on pure talent, she decides to embrace her sexy, flashy side to get ahead on social media. She finds that in LA, fame is the ultimate drug. Karen Obilom stars as Nia Bullock, a quick-witted, smart and savvy blogger, who gets a new job that she thinks is going to launch her long-dreamed-of journalism career. However, as it turns out, this new job pulls her into the world of celebrity gossip – big names, high stakes and never-ending scandal.

"BEING MARY JANE" is executive produced by Gabrielle Union, Mara Brock Akil, Salim Akil and Jeff Morrone. The finale is executive produced by Devon K. Shepard and co-executive produced by Patrik-Ian Polk and Alexander A. Motlagh. Writers of the finale are Polk, Shepard and Alyson Fouse; directed by Adam Shankman. The series was created by Mara Brock Akil.

“GAMES PEOPLE PLAY” is executive produced by Tracey Edmonds (“Soul Food”) of Edmonds Entertainment, along with Angela Burt-Murray serving as executive producer. Vanessa Middleton and Kim Newton serve as co-showrunners and executive producers for the series.

For more information about “BEING MARY JANE” and “GAMES PEOPLE PLAY” visit the network’s official page at BET.com. Also, join the conversation on all social platforms @BET.


About BET Networks
BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIA.B), is the nation's leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom and sub-Saharan Africa. BET is the dominant African-American consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture, and news; BET HER, a 24-hour entertainment network targeting the African-American Woman; BET Music Networks - BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET around the globe.

# # #

Follow BET on Twitter: @BET

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Amazon Announces "Goliath" Season Two for July 15th

Season Two of Amazon Prime Original Goliath Premieres on June 15 on Prime Video

Golden Globe winner Billy Bob Thornton will be joined by new series regulars Mark Duplass, Morris Chestnut and Ana De La Reguera in brand-new eight-episode season launching in more than 200 countries and territories

SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon Prime Video announced the second season of its Prime Original series Goliath, starring Golden Globe winner Billy Bob Thornton, will return on Friday, June 15, 2018. Thornton will reprise his role as Billy McBride who, after winning a huge verdict in the Borns Tech case, is reluctantly pulled back into the law when his friend’s 16-year-old son is arrested for a double homicide.

However, as Billy, Patty (Nina Arianda, Florence Foster Jenkins) and the team start to investigate what appears to be an open and shut murder case, they begin to untangle a deadly conspiracy in the seedy underbelly of Los Angeles, where drugs, real estate and politics intermingle. Once again, Billy finds himself facing a new Goliath, one that is as formidable as the city’s mayoral race and as tall as the skyline itself. Thornton won the 2017 Golden Globe for Best Actor in a Drama Series for Goliath’s first season.

    “We’re excited to bring back a new season of Goliath starring Golden Globe Winner Billy Bob Thornton”

The new season of Goliath also stars Mark Duplass (Togetherness, Room 104) as Tom Wyatt, a successful developer who wants to give Los Angeles a distinct skyline, Morris Chestnut (The Best Man, Think Like a Man) as Chief Deputy District Attorney Hakeem Rashad, who has an old grudge against Billy, and Ana De La Reguera (Narcos, Nacho Libre) as Marisol Silva, a city councilwoman in the race to be the first Latina mayor of Los Angeles. Tania Raymonde (Lost) and Diana Hopper (Casual) also return as Brittany Gold and Denise McBride, respectively. Season two of Goliath is executive produced by Lawrence Trilling (Parenthood) and Geyer Kosinski (Fargo). The series is created by David E. Kelley (Ally McBeal) and Jonathan Shapiro (The Practice).

“We’re excited to bring back a new season of Goliath starring Golden Globe Winner Billy Bob Thornton,” said Jennifer Salke, Head of Amazon Studios. “This chapter tells a powerfully suspenseful, multilayered story that explores the gritty side of a broken political and legal system.”

Following the debut of the first season, Goliath was the top binged first season of a US-produced Prime Original series ever over its first ten days. Prime members can watch the first season online at Amazon.com/originals before the next season’s eight episodes debut on June 15.

The entire second season of Goliath will be available exclusively via the Prime Video app for TVs, connected devices including Fire TV, mobile devices and online. Members can also download the series to mobile devices for offline viewing at no additional cost to their membership. The new season will be a global release and available on PrimeVideo.com for Prime Video members in more than 200 countries and territories. Customers who are not already Prime members can sign up for a free trial at www.amazon.com/prime. For a list of all Prime Video compatible devices, visit www.amazon.com/howtostream.


About Prime Video
Prime Video is a premium on-demand entertainment service that offers customers the greatest choice in what to watch - all with the ease of finding what they love to watch in one place.

•     Included with Prime: Watch thousands of popular movies and TV shows, including our award-winning Prime Originals such as The Grand Tour, The Marvelous Mrs. Maisel and Sneaky Pete, Academy Award-winning Manchester by the Sea and The Salesman and Academy Award-nominated The Big Sick, exclusives, live sports and licensed and self-published content available in more than 240 countries and territories worldwide
•     Watch More with Prime Video Channels: Prime members can add 100+ channels like HBO, SHOWTIME, STARZ, CBS All Access, Cinemax, and more—no extra apps to download, and no cable required. Only pay for the ones you want, and cancel anytime. To view the full list of channels available, visit www.amazon.com/channels
•     Rent or Own: Hundreds of thousands of titles, including new-release movies and current TV shows available for on-demand rental or purchase for all Amazon customers
•     Instant Access: Instantly watch anytime, anywhere through the Prime Video app on TVs, mobile devices, Amazon Fire TV, Fire TV Stick, Fire tablets and Apple TV or online. For a list of all compatible devices visit www.amazon.com/howtostream
•     Enhanced Experiences: Make the most of every viewing with 4K Ultra HD and High Dynamic Range (HDR) compatible content. Go behind the scenes of your favorite movies and TV shows with exclusive X-Ray access, powered by IMDb. Save it for later with select mobile downloads for offline viewing

In addition to Prime Video, the Prime membership includes unlimited fast free shipping options across all categories available on Amazon, more than two million songs and thousands of playlists and stations with Prime Music, secure photo storage with Prime Photos, unlimited reading with Prime Reading, unlimited access to a digital audiobook catalogue with Audible Channels for Prime, a rotating selection of free digital games and in-game loot with Twitch Prime, early access to select Lightning Deals, exclusive access and discounts to select items, and more. To sign-up for Prime or to find out more visit: www.amazon.com/prime.

About Amazon
Amazon is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon. For more information, visit www.amazon.com/about and follow @AmazonNews.

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Viola Davis, Lee Daniels Common Join "BET Presents the ABFF Honors"

Viola Davis, Lee Daniels, Common, Maxwell, Omari Hardwick, Morris Chestnut and Dionne Farris among Big Names to Take the Stage During the 2017 “BET Presents the American Black Film Festival Honors”

Actress and Director Regina Hall to Host Annual Ceremony

Awards Show Tapes Friday, February 17 in Los Angeles and will air on BET and Centric Wednesday, February 22 at 8:00PM ET

NEW YORK--(BUSINESS WIRE)--BET Networks and American Black Film Festival (ABFF)’s “BET Presents the American Black Film Festival Honors” is thrilled to announce that Viola Davis, Lee Daniels, Common, Morris Chestnut and Omari Hardwick are confirmed to present during the annual ceremony taping in Los Angeles on Friday, February 17th, 2017. Also set to take the stage are Maxwell and Dionne Farris, who will woo the audience with sultry performances. ABFF Honors' mission is to celebrate Black culture by honoring individuals, movies and television shows that have had a significant impact on American entertainment. “BET Presents the American Black Film Festival Honors” airs on BET and Centric on Wednesday, February 22nd, 2017 at 8:00PM ET.

Hosted by actress and director Regina Hall, “BET Presents the American Black Film Festival Honors” is proud to celebrate some of Hollywood’s most iconic artists. As previously announced, the show will honor actor and director Denzel Washington with the “Hollywood Legacy Award;” writer, producer and actress Issa Rae with the “Rising Star Award,” film director and producer F. Gary Gray with the “Excellence in the Arts Award” and actor and singer, Terrence Howard with the “Excellence in the Arts Award.” In addition, there will be a special appearance by some of Young Hollywood’s biggest stars, including Jay Ellis (Insecure, The Game), Kofi Siriboe (Queen Sugar), Alexandra Shipp (X-Men: Apocalypse, Straight Outta Compton) and Kylie Bunbury (Pitch).

“BET Presents the American Black Film Festival Honors” is sure to be a highlight of the Hollywood Awards season and Black History Month. The event is executive produced by ABFF Ventures founder Jeff Friday, Suzanne de Passe and Madison Jones for de Passe Jones Entertainment, Jesse Collins for Jesse Collins Entertainment, and Connie Orlando, Stephen G. Hill and Debra Lee for BET Networks.

The 2017 ABFF Honors sponsors are AT&T, Cadillac and Prudential Financial Inc. (Red Carpet Partners) and Hennessy (Official Spirit Partner).

For more information about the 2017 ABFF Honors, log on to www.ABFFHonors.com. Also, follow us on our social media platforms:

SOCIAL MEDIA:
Twitter: @ABFFHonors
Instagram: @AmericanBlackFilmFestival
Facebook: American Black Film Festival
YouTube: American Black Film Festival
Website: http://www.bet.com/shows/abff-honors.html


ABOUT ABFF
The American Black Film Festival (ABFF) is an annual event dedicated to showcasing quality film and television content by and about people of African descent. It supports emerging artists to foster a wider range of images, stories and storytellers represented in the entertainment industry. The festival is committed to the belief that Black artists and content creators deserve the same opportunities as their mainstream counterparts. ABFF founder Jeff Friday conceived the festival in 1997 as a vehicle to promote diversity in the motion picture industry, and strengthen the Black filmmaking community through resource sharing, education, artistic collaboration and career development. Today, the ABFF is recognized as the preeminent pipeline to new Black talent, both in front of and behind the camera, and is regarded as one of the leading film festivals in the world. The ABFF is a property of ABFF Ventures LLC, a multifaceted entertainment company specializing in the production of live events, television and digital content targeted to upscale African American audiences.

For additional information about the festival, visit www.ABFF.com.

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Academy of Motion Picture Arts and Sciences Invites New Members - Actors

ACADEMY INVITES 683 TO MEMBERSHIP

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 683 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.  Those who accept the invitations will be the only additions to the Academy’s membership in 2016.

18 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches.  These individuals must select one branch upon accepting membership.

New members will be welcomed into the Academy at an invitation-only reception in the fall.

Learn more: http://www.oscars.org/2016class

The 2016 invitees are:

Actors
Mahershala Ali – “The Hunger Games: Mockingjay (Parts 1 and 2),” “The Curious Case of Benjamin Button”
Anthony Anderson – “The Departed,” “Hustle & Flow”
Adam Beach – “Suicide Squad,” “Flags of Our Fathers”
Kate Beckinsale – “Love & Friendship,” “The Aviator”
Chadwick Boseman – “Captain America: Civil War,” “Get on Up”
John Boyega – “Star Wars: The Force Awakens,” “Attack the Block”
Betty Buckley – “Wyatt Earp,” “Carrie”
Rose Byrne – “X-Men: First Class,” “Bridesmaids”
Julie Carmen – “The Milagro Beanfield War,” “Gloria”
Enrique Castillo – “Déjà Vu,” “Bound by Honor”
Morris Chestnut – “G.I. Jane,” “Boyz N the Hood”
Cliff Curtis – “Live Free or Die Hard,” “Training Day”
Loretta Devine – “Crash,” “I Am Sam”
Carmen Ejogo – “Selma,” “Sparkle”
Idris Elba – “Beasts of No Nation,” “Pacific Rim”
America Ferrera – “Cesar Chavez,” “End of Watch”
Vivica A. Fox – “Kill Bill,” “Independence Day”
Andrew Garfield – “99 Homes,” “The Amazing Spider-Man”
Greta Gerwig – “Frances Ha,” “To Rome with Love”
Jesse D. Goins – “The Ugly Truth,” “Patriot Games”
Bruce Greenwood – “Flight,” “Star Trek”
Carla Gugino – “Watchmen,” “Night at the Museum”
Luis Guzmán – “Punch-Drunk Love,” “Carlito’s Way”
Dennis Haysbert – “Dear White People,” “Wreck-It Ralph”
Tom Hiddleston – “Crimson Peak,” “Marvel’s The Avengers”
James Hong – “Safe,” “Mulan”
Oscar Isaac – “Ex Machina,” “A Most Violent Year”
O’Shea “Ice Cube” Jackson* – “Ride Along,” “Friday”
Dakota Johnson – “Black Mass,” “Fifty Shades of Grey”
Cherry Jones – “Whiskey Tango Foxtrot,” “Signs”
Michael B. Jordan – “Creed,” “Fruitvale Station”
Daniel Dae Kim – “The Divergent Series: Insurgent,” “Crash”
Regina King – “Ray,” “Jerry Maguire”
Brie Larson – “Room,” “Trainwreck”
Byung-Hun Lee – “Terminator Genisys,” “G.I. Joe: The Rise of Cobra”
Nia Long – “Keanu,” “Boyz N the Hood”
Sal Lopez – “The Astronaut Farmer,” “Full Metal Jacket”
Ignacio López Tarso – “Under the Volcano,” “Nazarin”
Patti LuPone – “Parker,” “Driving Miss Daisy”
Peter Mackenzie – “Trumbo,” “42”
Rachel McAdams – “Spotlight,” “Midnight in Paris”
Eva Mendes – “The Place beyond the Pines,” “Hitch”
Tatsuya Nakadai – “Ran,” “Kagemusha”
Adepero Oduye – “The Big Short,” “12 Years a Slave”
Marisa Paredes – “The Skin I Live In,” “All about My Mother”
Nate Parker – “Beyond the Lights,” “Red Tails”
Harold Perrineau – “Zero Dark Thirty,” “28 Weeks Later”
Jorge Perugorría – “Che,” “Strawberry and Chocolate”
Silvia Pinal – “Vintage Model,” “The Exterminating Angel”
Freida Pinto – “Immortals,” “Slumdog Millionaire”
Michelle Rodriguez – “Avatar,” “Girlfight”
Anika Noni Rose – “For Colored Girls,” “Dreamgirls”
Cecilia Roth – “Lucia Lucia,” “All about My Mother”
Mark Rylance – “Bridge of Spies,” “The Other Boleyn Girl”
Pepe Serna – “The Black Dahlia,” “The Ballad of Gregorio Cortez”
Martin Starr – “I’ll See You in My Dreams,” “Adventureland”
Elizabeth Sung – “Memoirs of a Geisha,” “The Joy Luck Club”
Sharmila Tagore – “Dhadkan,” “The World of Apu”
Tessa Thompson – “Creed,” “Dear White People”
Lorraine Toussaint – “Selma,” “Middle of Nowhere”
Glynn Turman – “Super 8,” “Men of Honor”
Gabrielle Union – “Top Five,” “Bad Boys II”
Jacob Vargas – “The 33,” “Jarhead”
Alicia Vikander – “The Danish Girl,” “Ex Machina”
Emma Watson – “The Bling Ring,” “The Perks of Being a Wallflower”
Damon Wayans, Jr. – “Big Hero 6,” “Let’s Be Cops”
Marlon Wayans – “The Heat,” “Requiem for a Dream”
Rita Wilson – “It’s Complicated,” “Runaway Bride”
Daphne Zuniga – “Staying Together,” “Spaceballs”

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Usher, Maxwell, The Roots Head Special Prince Celebration at 2016 BET Awards

Usher, Future and Bryson Tiller Join Alicia Keys, Maxwell and Special Prince Celebration Performers, Sheila E., D’Angelo, The Roots and Janelle Monae at the 2016 “BET Awards”

DJ Khaled, Gabrielle Union, Tinashe, Fantasia, Regina Hall, Nate Parker and More Announced as Presenters

Anthony Anderson and Tracee Ellis Ross to Host 2016 “BET Awards” Airing Live on Sunday, June 26 from Microsoft Theater in Los Angeles, CA at 8 P.M. ET

BET Experience at L.A. Live Presented by Coca-Cola® Takes Place June 23-26, 2016

#BETAWARDS

NEW YORK--(BUSINESS WIRE)--BET Networks revealed that Usher, Future, and Bryson Tiller will join the ultra-talented line-up of performers at the 16th annual “BET Awards” 2016 on Sunday, June 26, 2016. Hosted by Anthony Anderson and Tracee Ellis Ross, the “BET Awards” will also include previously announced performances by Alicia Keys and Maxwell. As revealed last week, Sheila E., The Roots, D’Angelo, and Janelle Monae are also slated as the first artists to be part of the special celebration paying homage to the creative genius of Prince.

DJ Khaled, Gabrielle Union, Tinashe, Fantasia, Regina Hall, BET’s “Music Moguls” (Damon Dash, Birdman, Jermaine Dupri and Snoop Dog,) Aja Naomi King, Nate Parker, Terrence J, Morris Chestnut, J.B. Smoove, Kimberly Elise, Omar Epps, the cast of BET's New Edition Biopic (Bryshere Y. Gray, Elijah Kelley, Luke James, Algee Smith, Keith Powers and Woody McClain) and BET’s “F in Fabulous” cast (Kamie Crawford, Eny Oh, Stephon Mendoza and Savannah Lynx) were also announced today as presenters for the annual highly-anticipated televised event.

A full list of the 2016 “BET Awards” nominees is now available here.

In addition to this exciting line-up, “BET Awards” has a secret performer! Find out who it is by using the hashtag #BETAwardsReveal on Twitter and Facebook. Once the hashtag is used, your social avatar paired with thousands of other BET Awards fans will reveal a photo of the must-see performer.

The “BET Awards” 2016 will premiere around the world on BET’s international network. It will air in the UK on Tuesday, June 28th at 9:00pm BST, in Africa on Tuesday, June 28th at 7:00pm CAT, and in France on Wednesday, June 29th at 9:00pm CEST.

Jesse Collins, CEO of Jesse Collins Entertainment serves as Executive Producer. Stephen G. Hill, BET’s President of Programming; Connie Orlando, BET’s Senior Vice President of Music; and Specials and Lynne Harris Taylor, BET’s Vice President of Specials serve as Executive Producers for BET Networks.

The “BET Awards” will take place along with the BET Experience at L.A. LIVE in Los Angeles from June 23-26, 2016. BET.com is the official site for the “BET Awards” and will have all the latest news and updates about this year's show. VIP Packages for the BET Experience weekend are now on-sale. In addition to VIP amenities throughout the weekend and incredible seats for the STAPLES Center shows, three levels of BETX VIP Packages offer guests the only opportunity to purchase tickets to the highly anticipated BET Awards, broadcast live from Microsoft Theater. The 1,000+ VIP Packages sold out in 2015, so guests are encouraged to purchase now before the allotment is depleted. Full package amenities and pricing for the Diamond, Platinum and Gold VIP Packages can be found by visiting BETExperience.com or by calling (877) 234-8425.


ABOUT BET NETWORKS
BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIA.B), is the nation's leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom and sub-Saharan Africa. BET is the dominant African-American consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture, and news; CENTRIC, a 24-hour entertainment network targeting the African-American Woman; BET Music Networks - BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET around the globe.

ABOUT “BET AWARDS”
The “BET Awards” is one of the most watched award shows on cable television according to the Nielsen Company. The “BET Awards” franchise remains as the #1 program in cable TV history among African-Americans, and it is BET's #1 telecast every year. It recognizes the triumphs and successes of artists, entertainers, and athletes in a variety of categories.

BET EXPERIENCE AT L.A. LIVE PRESENTED BY COCA-COLA®
BET Networks, an entertainment powerhouse, and AEG, the leading world’s leading sports and live entertainment companies and developer/operator of L.A. LIVE, have teamed up once again to create the BET EXPERIENCE AT L.A. LIVE (BETX), June 23 - 26, 2016 presented by Coca-Cola®. This four-day festival will be filled with music and comedy concerts taking place at The Novo by Microsoft and STAPLES Center; FREE BET Fan Fest at the Los Angeles Convention Center including seminars, celebrity basketball games, celebrity meet & greets; and other special appearances. The weekend will be capped off with the “BET Awards” on Sunday, June 26, 2016 at Microsoft Theater.

ABOUT AEG
AEG is the world’s leading sports and live entertainment company. AEG, a wholly owned subsidiary of The Anschutz Corporation, owns, operates or consults with a collection of companies including over 100 of the world’s preeminent facilities such as STAPLES Center (Los Angeles, CA), StubHub Center (Carson, CA), PlayStation Theater (Times Square, New York), Mercedes-Benz Arena (Shanghai, China), Qudos Bank Arena (Sydney, Australia), Mercedes-Benz Arena (Berlin, Germany), and The O2 arena and entertainment district (London, England). Developed by AEG, L.A. LIVE is a 4 million square foot / $2.5 billion downtown Los Angeles sports, & entertainment district featuring Microsoft Theater and a 54-story, 1001-room convention "headquarters" destination. In addition to overseeing privately held management shares of the Los Angeles Lakers, assets of AEG Sports include franchises such as the LA Kings, LA Galaxy and the Amgen Tour of California cycling stage race. Along with AEG Facilities, other global divisions include AEG Live, the world’s second largest concert promotion and touring companies comprised of touring, festival, exhibition, broadcast, merchandise and special event divisions and AEG Global Partnerships, responsible for worldwide sales and servicing of sponsorships, naming rights and other strategic partnerships. In 2010, AEG launched its AEG 1EARTH environmental program featuring the industry's first sustainability report while in 2011, AEG introduced AXS a comprehensive entertainment platform serving as the company’s primary consumer brand including AXS Ticketing which provides fans the opportunity to purchase tickets directly from their favorite venues via a user-friendly ticketing interface, Examiner.com and the AXS TV network, a linear cable channel focusing on live entertainment and lifestyle programming available in nearly 40 million homes. AEG’s European headquarters are located in London. Global headquarters are in Los Angeles. For more information, visit: www.aegworldwide.com

ABOUT JESSE COLLINS ENTERTAINMENT
Jesse Collins Entertainment is a full service television and film production company founded by entertainment industry veteran Jesse Collins. For more than a decade, Collins has played an integral role in producing some of television’s most memorable moments in music entertainment. Formerly Executive Producer/EVP of Cossette Productions, Collins has produced ground-breaking and award winning television programming including the BET Awards, the GRAMMY Awards, Soul Train Awards, BET Honors, UNCF An Evening of Stars, ABFF Awards and the BET Hip Hop Awards. Collins is an executive producer of the hit TV series, Real Husbands of Hollywood starring Kevin Hart and the upcoming original miniseries based on the iconic music group New Edition that will debut on BET in 2017. He has worked with a myriad of superstar talent including Will Smith, Chris Rock, Jay-Z, Rihanna, Kanye West, Kendrick Lamar, Drake, Prince and Mariah Carey. Follow Jesse Collins Entertainment @JesseCollinsEnt on Twitter and Instagram and go to http://www.jessecollinsent.com/ for more information on the company.

Follow BET @BET_PR AND @BETAWARDS

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Review: "Kick-Ass 2" Kicks Better Ass

TRASH IN MY EYE No. 7 (of 2014) by Leroy Douresseaux

Kick-Ass 2 (2013)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – R for strong violence, pervasive language, crude and sexual content, and brief nudity
DIRECTOR:  Jeff Wadlow
WRITER:  Jeff Wadlow (based upon the comic books by Mark Millar and John Romita Jr.)
PRODUCERS:  Adam Bohling, Tarquin Pack, Brad Pitt, David Reid, and Matthew Vaughn
CINEMATOGRAPHER: Tim Maurice Jones (D.o.P.)
EDITOR:  Eddie Hamilton
COMPOSERS:  Henry Jackman and Matthew Margeson

SUPERHERO/FANTASY/CRIME/COMEDY

Starring:  Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Morris Chestnut, Clark Duke, Augustus Prew, Donald Fiason, Garret M. Brown, Steve Mackintosh, Monica Dolan, Robert Emms, Lindy Booth, Daniel Kaluuya, Olga Kurkulina, Tom Wu, Yancy Butler, and Jim Carrey

Kick-Ass 2 is a 2013 British-American superhero film and crime comedy from writer-director, Jeff Wadlow.  It is based upon two comic books, Kick-Ass 2 and Hit Girl, from writer Mark Millar (the creator of Wanted) and John Romita, Jr.  Kick-Ass 2 is also a sequel to the 2010 film, Kick Ass, which was also based on a Millar-Romita, Jr. comic book of the same name.  In Kick-Ass 2 the movie, high-school superhero Kick-Ass joins a group of costumed crime-fighters who were inspired by him, while an old enemy plots revenge against him.

After the events of the first film, high school student Dave Lizewski (Aaron Johnson) retired from fighting crime as the costumed vigilante/superhero, “Kick-Ass.”  But now, he is bored, and begins training with Mindy Macready a/k/a Hit Girl (Chloë Grace Moretz), who is now 15-years-old.  However, Mindy’s guardian is her late father’s friend, Detective Marcus Williams (Morris Chestnut), and he demands that Mindy give up being Hit Girl and become a proper high school student.

With Hit Girl taken out of action, Dave looks for a new partner and finds a group of normal citizens who were inspired by Kick-Ass to fight crime in costume.  Led by Colonel Stars and Stripes (Jim Carrey), Kick-Ass and a small band of wannabe superheroes fight crime and do charity work.

Meanwhile, Chris D’Amico (Christopher Mintz-Plasse), whose crime boss father was killed by Kick-Ass, is frustrated that his mother forced him to stop being the costumed Red Mist.  After he takes control of his family’s wealthy, Chris becomes what he calls the world’s first supervillain, The Motherfucker, and swears vengeance against Kick-Ass.

I thought that the first Kick Ass movie wasn’t as deranged as it thought it was, nor was it as entertaining as its source material.  Kick-Ass 2 is as deranged as it thinks it is – perhaps even more so.  Sometimes, it is too deranged – with violence that is off-putting.  It is not that the violence is over-the-top, so much that it seems like the filmmakers almost seemed obsessed with spiting the critics, prudes, and people who cannot accept that this is make-believe and has nothing to do with real-world violence (like Newtown).

I think I find Kick-Ass 2 more entertaining than the first movie because the new film has one main plot.  The first movie was kind of all over the place, which is understandable as it was introducing a new kind of superhero concept.  Kick-Ass 2 is about revenge.  Yes, the story has subplots about teen angst and self-doubt, parental-child conflict, and peer acceptance, but this is a movie about payback and the mindset one has to have in order to engage in revenge.

I thought Hit Girl dominated the first movie, thankfully.  This time, Dave Lizewski and Chris D’Amico are just as fun to watch as Mindy Macready, although I honestly wish that Kick-Ass 2 has a few more hits of Hit Girl.  Aaron Taylor-Johnson, Chloë Grace Moretz, and Christopher Mintz-Plasse deliver excellent performances that make their characters’ respective conflicts, obstacles, and goals seem quite genuine.

I can’t say exactly what, but Kick-Ass 2 seems to be missing something.  I like the movie and had a blast watching some of it, but there were moments that I found only mildly amusing and entertaining.  I guess that should be enough.  I can say that Kick-Ass 2 has the wanton violence, foul language, and sexual content of the first film, but done a little more thoughtfully.  Plus, Jim Carrey’s turn in a small role is an amazing little thing that has to be seen.

6 of 10
B

Friday, February 14, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Halle Berry is Good in "The Call"

TRASH IN MY EYE No. 60 (of 2013) by Leroy Douresseaux

The Call (2013)
Running time:  94 minutes (1 hour, 34 minutes)
MPAA – R for violence, disturbing content and some language
DIRECTOR:  Brad Anderson
WRITERS:  Richard D'Ovidio; from a story by Richard D'Ovidio, Nicole D'Ovidio, and Jon Bokenkamp
PRODUCERS:  Bradley Gallo, Jeffrey Graup, Michael A. Helfant, Michael Luisi, and Robert Stein
CINEMATOGRAPHER:  Tom Yatsko
EDITOR:  Avi Youabian
COMPOSER:  John Debney

THRILLER/CRIME with elements of action

Starring:  Halle Berry, Abigail Breslin, Morris Chestnut, Michael Eklund, David Otunga, Michael Imperioli, Justina Machado, Jose Zuniga, Roma Maffia, Evie Louise Thompson, Denise Dowse, Ella Rae Peck, Jenna Lamia, and Ross Gallo

The Call is a 2013 thriller and crime film starring Halle Berry and Abigail Breslin.  The film follows a veteran 911 operator who takes an emergency call from a teenaged girl who has just been abducted.

The film focuses on Jordan Turner (Halle Berry), a Los Angeles Police Department (LAPD) veteran 9-1-1 operator.  One evening, Jordan takes a 911 call from Leah Templeton (Evie Louise Thompson), a frightened teenager, when tragedy strikes.  Six months later, Jordan is now a trainer of new 911 operators, when she is forced to become an operator again after an inexperienced operator takes a 911 call she cannot handle.  Back in a situation she had hoped to avoid, Jordan must help Casey Weldon (Abigail Breslin), a teen girl who has just been abducted.  As Jordan tries to work with Casey, she realizes that a terror from her past has unexpectedly returned.

After watching The Call, which I greatly enjoyed, I realized that Halle Berry is at her best as an actress when the characters she is playing are in a bad place.  When Halle’s characters are being menaced (Gothika) or when they are living life on the edge (Monster’s Ball), Halle has a hit movie or critically acclaimed film.  Well, The Call features Halle played both – a tormented woman seemingly living on the edge of sanity.  Jordan Turner is menaced by the fact that a teen girl has been abducted by a terrible human being, and she is living on the edge as guilt eats away at her professional life.

The Call received what can be described as mixed reviews, but it was a hit.  I am giving it a very good review, and it is a hit with me.  I can see myself watching this again – in its entirety or in parts – whenever it starts appearing on basic cable channels or on local over-the-air television.

Abigail Breslin is quite good as the victim, Casey Weldon, being hysterically frightened or righteously angry, whichever a particular scene requires.  Breslin does not come across as the typical “missing white girl,” pure fluffy innocence and absolute virginal whiteness.

The Call has some holes in the plot.  The characters make some wrongheaded decisions, even when not under duress.  You have to really suspend disbelief because you know real people might have made smarter choices.  The big hole, however, is the villain.  He’s like a crystal meth-addled version of Hannibal Lector, which makes The Call’s last act sometimes seem like a cheesy copy of the last act of Silence of the Lambs.

Still, this is mostly good stuff.  Like Taken, The Call is a compact and mean little thriller that is determined to punch the audience to attention.  Halle Berry needs to do movies like The Call more often.

7 of 10
B+

Sunday, September 01, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: Bateman, McCarthy Capture "Identity Thief"

TRASH IN MY EYE No. 48 (of 2013) by Leroy Douresseaux

Identity Thief (2013)
Running time:  111 minutes (1 hour, 51 minutes)
MPAA – R for crude and sexual content and language
DIRECTOR:  Seth Gordon
WRITERS:  Craig Mazin; from a story by Jerry Eeten and Craig Mazin
PRODUCERS:  Pamela Abdy, Jason Bateman, and Scott Stuber
CINEMATOGRAPHER:  Javier Aguirresarobe
EDITOR:  Peter Teschner
COMPOSER:  Christopher Lennertz

COMEDY/CRIME

Starring:  Jason Bateman, Melissa McCarthy, Amanda Peet, Tip “T.I.” Harris, Genesis Rodriguez, Morris Chestnut, John Cho, Robert Patrick, Eric Stonestreet, Mary-Charles Jones, Maggie Elizabeth Jones, Matthew Burke, and Jon Favreau

Identity Thief is a 2013 crime comedy from director Seth Gordon (Horrible Bosses).  Starring Jason Bateman and Melissa McCarthy, the film follows a mild-mannered businessman who sets out to confront the woman who has been living it up after stealing his identity.

Accountant and family man, Sandy Bigelow Patterson (Jason Bateman), finds himself arrested for an assault that occurred in Winter Park, Florida.  The problem is that Sandy lives in Denver, Colorado and has never been to Winter Park.  After his new boss informs him that his credit score is getting him fired from his new job, Sandy learns that he is the victim of identity theft.

Traveling to Florida, Sandy confronts the other Sandy Patterson, a portly woman named Diana (Melissa McCarthy), who is having the time of her life with his credit.  By hook and crook, the real Sandy manages to convince Diana to return with him to Denver to help him clear his name.  Diana plans on using any means necessary to escape, but Sandy isn’t the only one after her.  A skiptracer (Robert Patrick) is after Diana for a substantial bounty, and an imprisoned crime boss has sent two of his hired guns, Marisol (Genesis Rodriguez) and Julian (Tip “T.I.” Harris), to kill her.

Comedies from big studios tend to follow a formula that I first noticed in 2003’s Old School.  The lead characters, especially the men, act like over-grown boys for most of the film.  Then, the filmmakers spend the second half of the movie turning these guys that we love to watch being dicks into “dads” or other responsible White male types.

In Identity Thief, the bad boy White guy is actually a woman of many names, whom we come to know as “Diana.”  As played by Melissa McCarthy, Diana is not like the frat-pack, stuck-in-adolescence types that headline such films as Anchorman: The Legend of Ron Burgundy and Wedding Crashers, to name a few.  Diana is practically too complicated to be in a studio comedy.  This character has issues.  Diana is scarred, but bent, not broken.  She has a rat-like determination to survive, and she’s adopted so many guises and told so many lies that you wonder when she’s telling truth.  Who is the real Diana?

Diana is not a criminal with a heart of gold.  She simply is good at beating the system, and, as the ultimate bull-shitter, she can separate the honest from the dishonest and truth from lies.  For the do-as-I-say-not-as-I-do crowd, she is the worst nightmare: someone who can spot hypocrisy in all its guises.

Identity Thief’s plot and story, however, simply do not live up to Diana’s complexities.  She’s intricate, while the plot is a by-the-numbers crime comedy that takes the easy way out of the obstacles placed before Sandy Patterson and Diana.  Identity Thief is not a bad movie, because the lead actors and their corresponding characters are witty, engaging, full of intricacies, and damn funny.  They make Identity Thief a really good movie.

I don’t want to forget Jason Bateman.  He has perfected his spin on the genial good guy and the universal everyman in the television series, “Arrested Development,” and in movies like Hancock and Horrible Bosses.  Sandy Patterson is a familiar character, but Bateman offers layers and subtexts that make the character three-dimensional – one certainly more complicated than this movie’s plot and the ending deserve.  Bateman and McCarthy are so good that they make the holes in this movie take a backseat to their characters.  Identity Thief is an evergreen film because of their performances, and their characters are the reason that this movie will be worth watching a decade from now.

7 of 10
A-

Saturday, July 13, 2013

Review: The Rock Tries Hard in "The Game Plan" (Happy B'day, Dwayne Johnson)

TRASH IN MY EYE No. 19 (of 2008) by Leroy Douresseaux

The Game Plan (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG for some mild thematic elements
DIRECTOR: Andy Fickman
WRITERS: Nichole Millard and Kathryn Price; from a story by Nichole Millard and Kathryn Price and Audrey Well
PRODUCERS: Mark Ciardi and Gordon Gray
CINEMATOGRAPHER: Greg Gardiner (D.o.P.)
EDITOR: Michael Jablow

COMEDY/SPORTS/FAMILY

Starring: Dwayne “The Rock” Johnson, Madison Pettis, Kyra Sedgwick, Roselyn Sanchez, Morris Chestnut, Hayes MacArthur, Brian J. White, Jamal Duff, Kate Nauta, Jackie Flynn, and Paige Turco

Dwayne Johnson’s movie career began with a small role in 2001 in The Mummy Returns, but before that he was a wildly popular professional wrestler known as “The Rock,” a name that has stuck with him throughout the first seven years of his movie career. Johnson claims that his Fall 2007 film, The Game Plan, is the last time he’ll be credited in a film as “Dwayne ‘The Rock’ Johnson.” Good for him because this tolerable kids movie turns out to be the perfect time to jettison his WWF moniker.

Boston Rebels quarterback Joe Kingman (Dwayne Johnson) is the toast of Boston, and boy, does he know it. Self-centered and egotistical, Joe has the respect of teammates, but he doesn’t really trust them. When the game is on the line, Joe calls his own number to make the big plays, but after nearly a decade, this superb physical specimen and all-around great player doesn’t have a professional football championship.

A confirmed bachelor, Joe lives in a lavish bachelor pad decorated with the latest personal electronic gadgets and numerous trophies for his personal (not team) achievements. Then, one day an 8-year-old girl named Peyton Kelly (Madison Pettis) shows up at Joe’s door claiming to be his daughter from a short-lived marriage. She expects to stay with him while her mother is out of the country, Peyton says. This isn’t what Joe needs just as he’s making what may look like his last best chance to win a professional football championship. Still, while Joe warms to Peyton, his ruthless, high-powered agent, Stella Peck (Kyra Sedgwick) doesn’t. And Peyton hasn’t been entirely truthful…

The Game Plan is an innocuous family film that will appeal to children who are too young to have seen this formula story countless times as many adult viewers have. Still, there is some appeal to these stories of wayward men who struggle with, then gallantly grasp the reigns of fatherhood. The truth is that the first hour and twenty minutes of The Game Plan is lousy. It isn’t until the last half hour that The Game Plan picks up real dramatic weight and suddenly the transformation of Joe Kingman from overgrown man-child to responsible dad becomes a stirring, gripping story.

As for the acting, everyone is bad, especially Madison Pettis as Peyton and Kyra Sedgwick as the meanie agent. Johnson, however, works at this movie with such gusto; he almost fools you into believing that this could be an Oscar-worthy flick. The Game Plan is strictly for diehards fans of “The Rock” (me – at least as an actor) and children.

5 of 10
C+

Monday, April 07, 2008

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Review: "The Last Boy Scout" is Still Cool (Happy B'day, Tony Scott)

TRASH IN MY EYE No. 13 (of 2006) by Leroy Douresseaux

The Last Boy Scout (1991)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R
DIRECTOR: Tony Scott
WRITERS: Shane Black; from a story by Shane Black and Greg Hicks
PRODUCERS: Joel Silver and Michael Levy
CINEMATOGRAPHER: Ward Russell
EDITORS: Stuart Baird, Mark Goldblatt, and Mark Helfrich

ACTION/CRIME/DRAMA with elements of comedy

Starring: Bruce Willis, Damon Wayans, Noble Willingham, Chelsea Field, Taylor Negron, Danielle Harris, Halle Berry, Bruce McGill, Chelcie Ross, Joe Santos, Bill Medley, Verne Lundquist, Dick Butkus, Lynn Swann, Billy Blanks, Morris Chestnut, Badja Djola, and Eddie Griffin

As the 1990’s opened, the skyrocketing budget of Hollywood film productions was the story about which the entertainment news media couldn’t stop talking. The Bruce Willis headliner, The Last Boy Scout, was the talk of the town from the moment screenwriter, Shane Black, became the first person to sell a script for one million dollars, which he did with The Last Boy Scout Script. After the Hudson Hawk debacle, which saw that super expensive flick, also starring Willis, become a box office dud (although it’s one of my favorite movies), The Last Boy Scout looked like another over-priced dud. However, released during the 1991 holiday season, it became a modest hit, grossing just under $60 million against an estimated production budget of about that much.

Willis is Joseph Cornelius Hallenbeck, Joe for short, a disgraced Secret Service agent who now moonlights as a private detective – a down and out, cynical private dick. Damon Wayans is James Alexander Dix, Jimmy Dix for short, a disgraced former MVP quarterback for the pro football team, the L.A. Stallions, thrown out of the league because he gambled. They meet when Joe accepts a job acting as a bodyguard for Jimmy’s girl friend Cory (Halle Berry), a stripper who dates rich men.

When Cory is murdered in a gangland style hit and a friend of Joe’s is killed by a car bomb, the two come together to solve the murders. What they discover is that both their former employers: Senator Calvin Baynard (Chelcie Ross) who got Joe fired and Sheldon “Shelly” Marcone (Noble Willingham) who owns the Stallions, are united in a shady and deadly deal to legalize gambling on professional football. What Joe and Jimmy find themselves in is a deadly game of life and death that is as bone-crushing and bruising as any football game, and it’s a game that also comes with bullets flying.

The script by Shane Black, who reinvented the cop-buddy action flick with his script for Lethal Weapon, penned a script for The Last Boy Scout that is all over the place. Set in Los Angeles, it shows his love for Raymond Chandler’s private eye stories, but this is more a crime drama than a film noir-ish detective tale. It’s a violent action comedy, and buddy action flick like 48 Hours, in which two men are forced into the situation of being partners and have a hard time warming up to one another.

Besides, it’s genre pedigree, the script is mostly haphazard, as it tries to shoehorn serious human drama into a violent detective/conspiracy framework. The movie jumps around a lot. Sometimes, it’s a melodramatic tale of a broken family. Sometimes, it’s a high-octane action comedy. Sometimes, it’s a shootout picture. Then, it’s a drama again, but a few minutes later, someone has to be shot in the head. A few minutes later, everyone has jokes.

What makes this movie work, ultimately, is director Tony Scott. Riding high off such late 80’s action hits as Top Gun and Beverly Hills Cop II, he was one of Hollywood’s very top action directors, but he was (and still is) an all-around, very skilled filmmaker. Scott is the one who makes just about every one of Black’s genre conventions work. The film comes together slowly, but when it does, it’s with a bang. By the end, The Last Boy Scout is fun and exciting, with a lot of tongue-in-cheek humor because Black is somewhat spoofing the sub-genre he helped to create. Shamelessly and gratuitously violent, it’s the gun violence that keeps this from being an exceptional film.

Willis and Wayans have tolerable film chemistry, and like the film, it takes a bit for them to warm up to each other and get in synch. When all comes together, it’s a doozy – rollicking, hilarious fun for men who love movies. Their performances, like this movie, aren’t worthy of a long-cinematic memory, but when the appetite calls for an action flick, there are worse choices… much worse.

6 of 10
B

Wednesday, January 18, 2006

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Review: "The Cave" is B-Movie Fun

TRASH IN MY EYE No. 9 (of 2006) by Leroy Douresseaux

The Cave (2005)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – PG-13 for intense creature violence
DIRECTOR: Bruce Hunt
WRITERS: Michael Steinberg and Tegan West
PRODUCERS: Gary Lucchesi, Andrew Mason, Michael Ohoven, Tom Rosenberg, and Richard Wright
CINEMATOGRAPHER: Ross Emery
EDITOR: Brian Berdan

HORROR/ACTION/THRILLER with elements of sci-fi

Starring: Cole Hauser, Morris Chestnut, Eddie Cibrian, Daniel Dae Kim, Rick Ravanello, Marcel Iures, Kieran Darcy-Smith and Lena Heady and Piper Perabo

Deep in the Romanian forest, scientists have discovered the ruins of a 13th century abbey. What they don’t know is that 30 years earlier, the abbey was till intact when a group of mercenaries entered it to find something the scientists are now about to discover for themselves. The abbey was built over the entrance to a giant underground cave system.

Local biologists hire seasoned cave explorers, led by the enigmatic Jack (Cole Hauser), to guide them on what should be a routine deep-cave dive and expedition of this cave system beneath the Carpathian Mountains. The expedition suddenly turns deadly when the cavern they’re surveying collapses. Being trapped isn’t the end of the world for this team, as the explorers themselves would rank as the number one rescue party were a similar thing to happen to some other group. However, getting out becomes complicated when they discover that weird and monstrous creatures occupy the cave and these beasts have an evil hunger for human flesh.

Savaged by critics and reviews, The Cave may have in the minds of many moviegoers the reputation of being something really awful. The truth is that it’s a rather thrilling monster movie. Think of it as Alien set in the alien world that is the world of deep caverns, but without the cinematic pedigree. The film’s producers hired a many actual cave explorers as consultants for the film, so the characters, their equipment, and technology ring as true. The film is also dimly lit and awash in a drowning world of blackness and deep shadows in which even strong light can’t make much of a dent. That really adds to our sense of dread for the characters. We hear the growls, roars, and assorted noise of the monsters. We hear the characters running and searching for a way out, but it is often hard to see key moments clearly. Director Bruce Hunt uses that to create an exciting and invigorating sense of paranoia.

But all that really needs to be said is that The Cave is a fun monster movie. It has more scares and thrills than cheese, and the filmmakers took their project seriously enough to make a surprisingly effective horror movie. For those who like the idea of monstrous animals creeping in the shadows our world and waiting to eat us, this is for you.

6 of 10
B

Saturday, January 14, 2006

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