TRASH IN MY EYE Reviews: Native American

Showing posts with label Native American. Show all posts

Wednesday, December 20, 2023

Review: "PREY" is the Best "Predator" Sequel to Date

TRASH IN MY EYE No. 55 of 2023 (No. 1944) by Leroy Douresseaux

Prey (2022)

Running time: 100 minutes (1 hour, 40 minutes)

MPAA – R for strong bloody violence

DIRECTOR: Dan Trachtenberg

WRITERS: Patrick Aison; from a story by Patrick Aison and Dan Trachtenberg (based on the characters created by Jim Thomas and John Thomas)

PRODUCERS: John Davis, Marty Ewing, and Jhane Myers,

CINEMATOGRAPHER: Jeff Cutter (D.o.P.)

EDITORS: Claudia Castello and Angela M. Catanzaro

COMPOSER: Sarah Schachner

SCI-FI/THRILLER

Starring: Amber Midthunder, Dakota Beavers, Dane DiLiegro, Stormee Kipp, Michelle Thrush, Julian Black Antelope, Stefany Mathias, Bennett Taylor, and Mike Paterson

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REVIEW SUMMARY:

--Prey is by far the best Predator sequel, and it is one of 2022's best films.

--The Canadian landscape where this movie was filmed is an equal character in the story while offering magnificent vistas and breathtaking beauty.

--The first half of the film is a tense suspense thriller that builds a sense of mystery similar to that of the original Predator film.

--The second half of the film is an explosion of brutal violence and heart-stopping duels that leads to a showstopping finale. I highly-recommend it.

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Prey is a 2022 science fiction thriller film directed by Dan Trachtenberg. It is the fifth film in the main Predator film franchise, which began with the 1987 film, Predator, and the seventh in the overall franchise (when the “AvP” films are counted). Prey is a prequel to the four main Predator movies, and it is a direct-to-streaming film that was released as a “Hulu original film.” Prey is set in the early 18th century and pits a young Comanche woman who wants to prove that she is a warrior by taking on a mysterious creature that slaughters everything in its path.

Prey opens in the Northern Great Plains in September 1719. Naru (Amber Midthunder), a young Comanche woman, has trained as a healer, but she wants to be a hunter like her older brother, Taabe (Dakota Beavers). To that end, Naru wants to embark on a “kühtaamia,” which requires her to hunt something that is hunting her.

While tracking deer, Naru witnesses strange lights in the sky, which she believes to be a “Thunderbird,” the legendary creature of Native American folklore. However, the strange lights are actually an alien ship dropping a Predator (Dane DiLiegro), something her people have never encountered. Now, Naru, Taabe, and their tribe's other hunters must take on a Predator that is the ultimate hunter. If she cannot defeat the Predator, she will lose her life and her tribe will fall as well.

I have been interested in seeing Prey since I first heard about it, but I wasn't subscribing to Hulu when it debuted, nor do I currently subscribe to it. However, my friend and collaborator, Carter Allen, an illustrator, concept designer, and comic book creator, sent me a copy of the 4K Ultra HD/Blu-ray edition via Amazon.

Now, having seen it, I think it is a shame that Prey did not receive a theatrical release. It's cinematography captures the beautiful vast forest locations outside Calgary, Alberta, Canada, where this movie was shot, in a way that should be seen on a big screen. The landscape is an equal character in the film, even more so than it has been in previous Predator films. Prey's director, Dan Trachtenberg, uses the landscape to make his film feel real and to have weight and depth and not come across as if it were some kind of action or video game fantasy.

Prey is the best sequel to 1987's Predator, easily surpassing what I think is the previous best sequel, 2010's Predators. In some ways, the combatants in Prey seem more authentic and the action more visceral than in the first film. The fights are brutal and up-close-and-personal. Flesh is slashed and chopped into raw meat, and bodies are pierced, penetrated, and ruptured with artistic precision. Heads are lopped off, and limbs aren't far behind. The Predator of Prey does not kill from on high, shooting death rays as the original Predator did. In Prey, the Predator moves in for the kill in a way that is similar to what Logan/Wolverine did to the mercenaries in the X-Men film, X2 (2003). Also, the costume and creature design for Prey's Predator is as much horror movie killer as it is sci-fi monster. In some ways, he seems garbed as a super-villain.

Amber Midthunder as Naru and Dakota Beavers as Taabe give outstanding performances. Their characters are well written, and Patrick Aison's script is ambitious enough to give the actors the opportunity to explore their characters, which they do. Midthunder is mesmerizing and fierce as Naru, and she makes me care about her journey every step of the way.

I'm surprised. Prey easily exceeded my expectations. I hope that future Predator films are as ambitious as this one. In the meantime, I pray for a sequel to Prey.

9 of 10

A+

Wednesday, December 20, 2023

You can buy a copy of the PREY Blu-ray at AMAZON.

Discover Carter Allen's latest graphic novel, Ectyron vs. Des Moines here.

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Thursday, October 5, 2023

Review: "THE BROTHERHOOD OF THE WOLF" is Crazy (Literally), Sexy, Cool

TRASH IN MY EYE No. 6 (of 2002) by Leroy Douresseaux

Pacte des loups, Le (2001)

COUNTRY OF ORIGIN: France; Language: French, German, Italian

The Brotherhood of the Wolf (2002) – USA title

Running time: 142 minutes (2 hours, and 22 minutes)

MPAA – R for strong violence, gore, and sexuality/nudity

DIRECTOR: Christophe Gans

WRITERS: Stephane Cabel and Christophe Gans

PRODUCERS: Richard Grandpierre and Samuel Hadida

CINEMATOGRAPHER: Dan Laustsen

EDITORS: Xavier Loutreuil, Sébastien Prangère, and David Wu

COMPOSER: Joseph LoDuca

DRAMA/HISTORICAL AND HORROR/MYSTERY/THRILLER with elements of adventure

Starring: Samuel Le Bihan, Vincent Cassel, Emilie Dequenne, Monica Bellucci, Jérémie Rénier, Mark Dacascos, Jean Yanne, Jean-Francois Stévenin, and Jacques Perrin

Le Pacte des loups is a 2001 French period film, action and horror movie directed by Christophe Gans. The film was released in the United States in early 2002 by Universal Pictures under the title, The Brotherhood of the Wolf (the title by which I will refer to this film in this review). The film's plot is loosely based on the legend of the “beast of Gévaudan” and a real-life series of killings that took place in France in the 18th century. The Brotherhood of the Wolf focuses on a French knight and his Native American companion who are sent to investigate the mysterious slaughter of hundreds of people by an unknown creature in the county of Gévaudan.

At the beginning of The Brotherhood of the Wolf, Old Thomas d'Apcher (Jacques Perrin) recounts a fantastic fable/story of his youth. It is France of 1765, and the King sends two envoys to the Gevaudan province (which no longer exists) to investigate a series of brutal murders of which the locals believe is committed by a mysterious beast. The envoys are the Chevalier Gregoire de Fronsac (Samuel Le Bihan), a naturalist, and his companion, Mani (Mark Dacascos), a Mohawk Iroquois shaman of New France (Canada). They arrive in Gevandan to find the provincials bigoted and superstitious, even in the midst of the death all around them.

Among the colorful cast of characters include a mysterious and powerful priest, Henri Sardis (Jean-Francois Stevenin), and a sly and dangerous one-armed hunter, Jean Francois de Morangias (Vincent Cassel). The young Thomas d’Apcher (Jeremie Renier) becomes a hunting companion of Fronsac and Mani. Two strong female characters compete for the attentions of the virile and intelligent Fronsac: Marianne de Morangias (Emilie Dequenne), Jean Francois’s beautiful younger sister, and the nubile and hypnotic courtesan Sylvia (Monica Bellucci). As Fronsac and Mani pierce the veil of mystery and terror that covers the province, intrigue and deceit surround them, and the beast continues to kill.

Directed by Christophe Gans, The Brotherhood of the Wolf bends genres as easily as the film’s beast tears through its victims. Horror, thriller, western, martial arts, and mystery, the film is filled with suspense, terror, romance, eroticism, and political intrigue. It is at times intoxicating and mind bending and at other times, languid and thoughtful. It is difficult to categorize, but the movie is largely fantasy and action, but different from most of the movies that both genres recall.

Fronsac is a man of reason who sees a human conspiracy behind the killings that is darker and more insidious than any beast of Hell. Still, this man of science also understands the mystic worldview and belief system of his friend and blood brother, Mani. Fronsac is enlightenment’s soldier against the backward and ignorant peasants and nobles of Gevaudan. The provincials fear the ways of a city like Paris, and Sardis and Jean Francois resent the capital’s intrusion into their world. They disdain the confidence and intelligence of the King’s envoys. The beast is a physical manifestation of the provincials superstitions, isolationism, hatred, and evil that feeds upon the populace, and the creature resists the authority of the government.

The movie’s creature is a computer-generated image (CGI); at its best is fearsome. At its worst, the creature, especially during some daylight scenes, is hokey. However, Gans wisely holds revealing the beast in scenes that go by so quickly that we rarely get a good look at it. Sometimes, just the unseen beast’s roars, growls, and footsteps are enough to set the heart racing.

Le Bihan as Fronsac is strong and strongly confident. He is the romantic lead upon which the audience hitches its wagon. When he and Mani arrive early in the movie, after the film’s opening murder, they appear in a driving rainstorm, masked minutemen with the presence of demigods. Mani’s assault upon the villagers recalls fight scenes from The Matrix, but his are down to earth and more physical, more visceral; the threat of danger to him from the attackers is much greater. Decascos is mostly very good on the screen as Mani, though a few bits of his screen time are a little flat. When Gans unleashes him late in the movie, Decascos is a beautiful force a nature, a small storm in human guise tearing through his antagonists.

Vincent Cassel’s Jean Francois is the serpentine equal to Fronsac. He dominates all of his screen time, except for his scenes with Fronsac, in which both must share the screen. The movie nearly bursts from having to contain both their magnetic presences. They alone are worth the price of admission, but the rest of the cast, both veterans and newcomers, make the most of their roles.

Although a little long, The Brotherhood of the Wolf is wonderful; a dark horse, it is one of the best films of the year 2001. Gans and his screenwriting partner, Stephane Cabel, created a script that melds raw action with social intrigue, and the result is quite an accomplishment. The Brotherhood of the Wolf is plainly good entertainment. Not quite high art, it is eye candy that is very smart and very fun.

8 of 10

★★★★ out of 4 stars

Edited: Wednesday, October 4, 2023

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Friday, June 9, 2023

Book Review: "THE WAY OF THE BEAR" Takes the Readers Deep into Greed and Murder

THE WAY OF THE BEAR – (A Leaphorn, Chee & Manuelito Novel #8)

HARPERCOLLINS

AUTHOR: Anne Hillerman

ISBN: 978-0-06-290839-1; hardcover (April 25, 2023)

286pp, B&W, $30.00 U.S., $37.50 CAN

The Way of the Bear: A Leaphorn, Chee & Manuelito Novel is a 2023 hardcover original novel from author Anne Hillerman. It is the eighth novel in her “Leaphorn, Chee & Manuelito” book series, which began with Spider Woman's Daughter (2013).

This series is a continuation of the “Joe Leaphorn and Jim Chee Series” written by Hillerman's late father, bestselling author, Tony Hillerman (1925-2008). The father's novels are the basis for “Dark Winds,” a television series from the cable network, AMC, and its streaming service, AMC+. In The Way of the Bear, Chee and Manuelito find themselves caught up in a case that involves fossil harvesting, greed, rejected love, and murder.

The Way of the Bear opens in December. Navajo Nation Police Officer Bernadette “Bernie” Manuelito and her husband, Sgt. Jim Chee, have traveled to San Juan County, Utah to the place known as “the Valley of the Gods,” near the Bears Ears National Monument. Chee is on assignment for the Navajo Nation Police Department, and his job is to convince Dr. Chapman “Chap” Dulles, a wealthy fossil hunter and paleontologist., to donate money to a fallen Navajo police officers fund.

Bernie has gone along on the trip and uses the time to visit Bears Ears for relaxation, contemplation, and exploration. This has been a difficult time in her life for both personal and professional reasons. While there, she has a terrifying encounter involving a pickup truck that tries to run her down. One of the truck's passengers even shoots at her. And after that, Bernie helps a young couple deliver their baby in the middle of the night.

However, an unexpected death on a lonely road outside of Bears Ears for raises questions for Bernie and Chee. They didn't plan on being involved in a murder, but they also wonder why a seasoned outdoorsman and well-known paleontologist freezes to death within walking distance of his car? A second death, and apparent murder, brings more turmoil and mystery. Who is the unidentified man killed during a home invasion where nothing much seems to have been taken? Why was he murdered?

The Bears Ears area, at the edge of the Navajo Nation, is celebrated for its abundance of early human habitation sites and for the discovery of unique and revolutionary fossils. Instead of being able to appreciate all this, Bernie and Chee are faced with an unprecedented level of violence that sweeps them both into danger.

THE LOWDOWN: I have been crazy about Anne Hillerman's work since I first read Spider Woman's Daughter. I had read two of her late father, Tony Hillerman's novels a long time ago, so I requested a review copy of Spider Woman's Daughter from HarperCollins when it was offered to reviewers back in 2013. It was a fortuitous decision, as the “Manuelito, Chee & Leaphorn” series became one of my favorite modern literary series.

When I read the previous novel in the series, 2022's The Sacred Bridge, I didn't know if I should call it a turning point in the series, but the story did suggest that big changes were ahead for both Bernie and Chee. Joe Leaphorn did not appear in The Sacred Bridge, nor does he appear in The Way of the Bear, except indirectly, and Hillerman continues to hint at big changes for him.

Like The Sacred Bridge, The Way of the Bear is a solid crime thriller, and at times, a riveting suspense thriller. In this new novel, Bernie and Chee's lives are constantly under threat – sometimes in unexpected ways. There is level of danger, menace, and peril that I don't remember encountering in earlier novels. However, the entries in this series always seem to be moving the characters forward. Nothing is stale, and the lives of Bernie and Chee are ongoing and evolving. Even with the danger this story imposes on them, the narrative also gives us a deeper look into them.

As I have done with the previous books, I am heartily recommending The Way of the Bear. The more I read, the more I learn about Bernie and Chee, and the more attached to them that I become. As always, I am sad about reaching the end of the story, doubly so this time because it was just a year ago that I read The Sacred Bridge. The best recommendation that I can give The Way of the Bear is to tell you, dear readers, that I would like to read another book in the series right now.

I READS YOU RECOMMENDS: Fans of Anne Hillerman and of her late father, Tony Hillerman, will want to read The Way of the Bear.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.annehillerman.com/

https://twitter.com/harperbooks

https://www.instagram.com/harperbooks/

https://twitter.com/HarperCollins

https://www.harpercollins.com/

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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Monday, November 14, 2022

Book Review: "THE SACRED BRIDGE" Offers Murder Most Foul x 2

THE SACRED BRIDGE – (A Leaphorn, Chee & Manuelito Novel #7)

HARPERCOLLINS

AUTHOR: Anne Hillerman

ISBN: 978-0-06-290836-0; hardcover (April 12, 2022)

336pp, B&W, $26.99 U.S., $33.50 CAN

The Sacred Bridge: A Leaphorn, Chee & Manuelito Novel is a 2022 hardcover original novel from author Anne Hillerman. It is the seventh novel in her “Leaphorn, Chee & Manuelito” book series, which began with Spider Woman's Daughter (2013).

This series is a continuation of the “Joe Leaphorn and Jim Chee Series” written by Hillerman's late father, bestselling author, Tony Hillerman (1925-2008). The original series is the basis for “Dark Winds,” a television series from the cable network, AMC, and its streaming service, AMC+. In The Sacred Bridge, Chee and Manuelito each investigate an unusual murder.

Navajo Nation Police Officer Bernadette “Bernie” Manuelito and her husband, Sgt. Jim Chee, are enjoying a vacation, but Bernie leaves early. Jim Chee’s stay in beautiful Antelope Canyon and Lake Powell has a deeper purpose. He is on a quest to unravel a sacred mystery his mentor, the legendary police officer, Lieutenant Joe Leaphorn, stumbled across decades earlier. Chee's journey takes a dark turn when, after a prayerful visit to the sacred Rainbow Bridge, he spots a body floating in Lake Powell. The dead man is Curtis Walker, a Navajo with a passion for the canyon’s ancient rock art. However, Curtis lived a life filled with many secrets, including an affair with a married woman and double-crossing one or more potential business partners. In his mission to discover why Curtis died and who is responsible, Chee's will put his own life at risk.

Back at their home base of Shiprock, Bernie is driving home when she witnesses a black Mercedes sedan purposely kill a hitchhiker. The search to find the killer leads her into an undercover investigation at KHF – “K'é Happy Farm,” a cannabis farming operation that was supposed to benefit the Navajo Nation. However, the place is surrounded by mystery and rumors and also reports that workers are shooting dogs. Even the guy who is supposed to own the place, Dino Begay Perez, is missing. Bernie discovers a dangerous chain of interconnected revelations involving KHF. It is an evil that jeopardizes both her mother and sister, Darleen, and puts Bernie in the deadliest situation of her law enforcement career.

I don't know if I would call The Sacred Bridge a turning point in the series, but the story does suggest that big changes are ahead for both Bernie and Chee. While Joe Leaphorn does not appear in the novel (although he plays an indirect part in the plot), Hillerman also hints of a big change for him.

Of all the books in this series, The Sacred Bridge is the one that I would most describe as a crime thriller or a suspense thriller. Both mysteries that confront the lead characters are filled with danger, and it seems that their lives are always under threat. It is not a spoiler to say that both come close to being killed, and Chee's case is filled with heartbreak that will vex some of the characters long after the story ends. In Bernie's case, the characters end with hope and reunion.

As I have done with the previous books, I am heartily recommending The Sacred Bridge. As usual, I was sad when I finished the last page. I always want more, and, dear readers, if you give this book a chance, you will want more, also.

I READS YOU RECOMMENDS: Fans of Anne Hillerman and of her late father, Tony Hillerman, will want to read The Sacred Bridge.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.annehillerman.com/

https://twitter.com/harperbooks

https://www.instagram.com/harperbooks/

https://twitter.com/HarperCollins

https://www.harpercollins.com/

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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Saturday, March 28, 2020

New Film Studio, Camel Rock Studios, Opens in New Mexico

First Film Studio in Hollywood History Founded by Native American Tribe Unveiled

Innovative New Camel Rock Studios Delivers Confluence of Cultures

SANTA FE, N.M.--(BUSINESS WIRE)--The first movie studio owned by a Native American tribe in the history of Hollywood is set to open its gates in the soft, reddish-brown foothills of New Mexico’s majestic Sangre de Cristo Mountains, and will be targeting the rapidly increasing production of movies, television and mobile entertainment platforms throughout the world.

“It’s a bit of a back-to-the-future facility”

The storied Tesuque Pueblo’s Camel Rock Studios backlot movie ranch will initially include standing sets, panoramic vistas and planned shooting stages unparalleled in the world. “It’s a bit of a back-to-the-future facility,” said Timothy J. Brown, president and CEO, Pueblo of Tesuque Development Corporation. “Camel Rock was conceived to follow the tradition of the historic Hollywood studios—like Warner Bros. and Paramount—with their off-site film ranches.” Though the legendary Warner Ranch, nestled in the San Fernando Valley after WWII, is now the site of a giant mall and a Costco, and the Paramount Movie Ranch in the Santa Monica Mountains is now federal parkland, the need for such facilities has never been stronger.

Camel Rock Studios is not your typical purpose-built urban sound stage. To meet the growing demand, the remarkable new production facility is a confluence of cultures, capturing the magic of film and television production, the mystique of Santa Fe, and the centuries-old Native American culture—delivering an environmentally conscious and restorative environment for production.

Tesuque Pueblo has initiated a unique approach to film and television production that has major Hollywood studios taking notice … offering community support that provides tribal knowledge of northern New Mexico. “It’s certainly an important milestone for our pueblo to launch the first studio of its kind. The pueblo has a storied history of movies shot on location at Camel Rock and represents a wonderful opportunity for the Hollywood community to share in the benefits of one of the most amazing places on Earth, featuring a studio nestled in terrain of mythical seminal beauty in the heart of Pueblo country," said Pueblo of Tesuque Governor Robert Mora, Sr.

With the support of New Mexico and the Santa Fe Film Office, Tesuque Pueblo has reimagined a former casino into a vibrant production space. The 75,000-square-foot multi-use production facility and film studio features standing sets, along with 100 acres of breathtaking open space on the pueblo. The appeal of the studio is its diverse landscape that mimics locales around the world. Additionally, the pueblo serves as a gateway to northern New Mexico, with access to iconic locations including Ghost Ranch, Taos and El Santuario de Chimayo.

New Mexico has emerged as a rich and expansive resource for worldwide film and television production, and the studio’s diverse locations and production assets are expected to play an invaluable role in meeting the rising demand from Hollywood producers.

The movie ranch soft-opened in 2019 with a major feature film from Universal Pictures starring Tom Hanks: “News of the World,” based on the best-selling novel by Paulette Jiles and directed by Paul Greengrass (The “Bourne” films). The film will arrive in theaters this Christmas. Producer Gregory Goodman said, “We recently wrapped our first major production at Camel Rock Studios and couldn’t have been more pleased with our experience. The studio anticipated and met all of our needs, and their attention to detail made for a seamless production. We certainly intend to bring more films to Camel Rock in the future.”

Native American Chris Eyre, an internationally recognized film and television director and producer whose work has been awarded with a Peabody, Emmy and Sundance Audience Award, is a Camel Rock Studios advisor. “In the past, Native Americans have been misrepresented and marginalized both in front of and behind the camera,” said Eyre. “In 2020 the Tesuque tribe of New Mexico is changing this narrative, and I am honored to be part of this groundbreaking new endeavor.”

Cherokee American actor, film producer and Oscar honoree Wes Studi, critically acclaimed for his work in Academy Award-winning films “Dances with Wolves” and “The Last of the Mohicans,” shared his support for Camel Rock. “Tesuque Tribe’s production facility has already proven itself with the film ‘News of the World.’ They are a great new addition to the film and television world of New Mexico,” he said.

The early success of Camel Rock has positioned the studio for future development; and in the coming years the facility is expected to include a studio backlot, new sound stages, a production facility and wide-ranging production services. “We have an aggressive five-year plan to expand our business and our footprint,” said Brown. “As we grow our studio, we are striving to make this a comprehensive production facility that will support global productions across multiple platforms, including film and television, digital streaming, music, and gaming.”

For additional information, visit camelrockstudios.com.

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Monday, February 4, 2019

PBS Dates "Molly of Denali" for July 2019

PBS KIDS Announces MOLLY OF DENALI, Premiering July 15, 2019

New Animated Adventure Comedy is First Nationally Distributed Kids’ Series to Feature Native American Lead

PASADENA, Calif.--(BUSINESS WIRE)--From Alaska to homes all across the U.S., MOLLY OF DENALI, a groundbreaking new PBS KIDS series produced by WGBH Boston, will premiere nationwide July 15, 2019 on PBS stations, the 24/7 PBS KIDS channel and PBS KIDS digital platforms.

PBS KIDS announces MOLLY OF DENALI, premiering July 15, 2019

The first nationally distributed children’s series to feature a Native American lead character, MOLLY OF DENALI is about Alaska Native Molly Mabray, a feisty and resourceful 10-year-old Gwich’in/Koyukon/Dena’ina Athabascan girl, who takes viewers ages 4 to 8 along with her on adventures and fosters literacy skills along the way. With an emphasis on family and intergenerational relationships, episodes of MOLLY OF DENALI model Alaska Native values, such as respecting others, sharing what you have and honoring your elders, while showcasing contemporary aspects of rural life, including strong female role models and how technology aids in communication.

“PBS KIDS has a longstanding commitment to celebrating inclusiveness and diversity, and we’re delighted to further that mission through MOLLY OF DENALI,” said Linda Simensky, Vice President, Children’s Programming, PBS. “We can’t wait for families to meet MOLLY OF DENALI, who will introduce them to some of the richest cultures in our nation.”

MOLLY OF DENALI is grounded in a pioneering curriculum focused on informational text, a foundational aspect of literacy education. Informational texts are designed to convey information and can include written words, images, graphics, video and oral language. In every episode, Molly navigates her world and solves problems with the help of books, online resources, field guides, historical documents, maps, tables, posters, photos, Indigenous knowledge from elders, her very own vlog and more.

“We’re excited to bring the world of MOLLY OF DENALI to audiences everywhere,” said WGBH Executive Producer Dorothea Gillim. “What began with the idea of creating a show based on the joy children find in ‘playing store’ has evolved into the story of kids and community, and an authentic reflection of life in Alaska, with an important Informational Text curriculum to support it.”

MOLLY OF DENALI includes Alaska Native voices in all aspects of the production, both on camera and behind the scenes. Every Indigenous character is voiced by an Indigenous actor, including the lead character of Molly, who is voiced by Alaska Native Sovereign Bill (Tlingit and Muckleshoot). Alaska Native screenwriters and producers are also part of bringing the series to life. WGBH Boston developed MOLLY OF DENALI with a working group of Alaska Native advisors, and is creating opportunities for developing Alaska Native talent via a Scriptwriting Fellowship. The show also gives young viewers a window into the Alaskan experience through live-action interstitials featuring local children and regions filmed by Alaskan production teams, including Alaska Public Media, KUAC, UAF Frame and Channel Films. The theme song was sung by Phillip Blanchett and Karina Moeller of the Yupik Alaska Native band Pamyua, and the Athabascan fiddle and traditional drum in the song were played by Gwich’in fiddler Brenna Firth.

“I’m thrilled that Alaska Native children will get to see themselves and our vibrant cultures represented in MOLLY OF DENALI,” said Princess Daazhraii Johnson, Creative Producer of the series. “Equally important is having a positive representation of Alaska Native culture shared with a broader audience. The show also reinforces for children that no matter where they’re from or where they live, we are all much more alike than we are different.”

MOLLY OF DENALI is being developed as part of the Corporation for Public Broadcasting (CPB) and PBS Ready To Learn Initiative with funding from the U.S. Department of Education. The Ready To Learn Initiative brings educational television and digital media resources to children ages 2-8, and aims to promote early science and literacy learning, with an emphasis on supporting children from underserved communities.

“As a signature component for the CPB-PBS Ready To Learn Initiative, MOLLY OF DENALI presents high-quality, innovative educational content promoting literacy skills while exposing young learners to cultural diversity in a positive and authentic way,” said Deb Sanchez, CPB Senior Vice President, Education and Children’s Content. “CPB supports both education and diversity through its investments in the MOLLY OF DENALI production, ensuring that Alaska Natives are involved in all aspects and all levels of production and the creation of multi-station educational resources focused on rural children.”

Each episode of MOLLY OF DENALI will include two 11-minute stories as well as a live-action interstitial. The first season will feature 38 half-hour episodes, along with a one-hour special.

Starting in May 2019, kids and families can share in the early adventures of Molly and her friends through a new eight-part podcast series, a prequel to the PBS KIDS show debuting in July. Drawing on Native storytelling to introduce Molly and her home, The Molly of Denali podcast is a first from WGBH, in partnership with PRX and Gen-Z Media.

The series is co-produced by WGBH and its animation partner, Atomic Cartoons, in association with CBC Kids. MOLLY OF DENALI is developed and produced with funding from CPB, the Department of Education’s Ready To Learn Grant, public television viewers and the Province of British Columbia Production Services Tax Credit. Corporate funding provided by Homer.

Alaska Native working group: Adeline P. Raboff, Dewey Kk’ołeyo Hoffman, Luke Titus and Rochelle Adams. Language Advisors: Adeline P. Raboff, Lance X’unei Twitchell, Lorraine David, Marie Meade and Marjorie Tahbone. Informational text advisor: Nell K. Duke, University of Michigan.

About PBS KIDS
PBS KIDS, the number one educational media brand for kids, offers children ages 2-8 the opportunity to explore new ideas and new worlds through television, digital media and community-based programs. PBS KIDS and local stations across the country support the entire ecosystem in which children learn, including their teachers, parents and community. Provided by stations, the free PBS KIDS 24/7 channel and live stream is available to more than 95% of U.S. TV households. Kidscreen- and Webby Award-winning pbskids.org provides engaging interactive content, including digital games and streaming video. PBS KIDS offers mobile apps to help support young children’s learning, including the PBS KIDS Video app, which is available on a variety of mobile devices and on platforms such as Roku, Apple TV, Amazon Fire TV, Android TV and Chromecast. PBS KIDS also offers parent and teacher resources to support children’s learning anytime and anywhere. For more information on PBS KIDS content and initiatives supporting school readiness and more, visit pbs.org/pressroom, or follow PBS KIDS on Twitter, Facebook and Instagram.

About WGBH
WGBH Boston is America’s preeminent public broadcaster and the largest producer of PBS content for TV and the Web, including Frontline, American Experience, NOVA, Masterpiece, Antiques Roadshow, Arthur, Pinkalicious & Peterrific and more than a dozen other prime-time and lifestyle series. WGBH is a partner in the digital channels WORLD and Create, and also is a major supplier of programming for public radio. As a leader in educational multimedia for the classroom WGBH supplies content to PBS LearningMedia, a national broadband service for teachers and students. WGBH also is a pioneer in technologies and services that make media accessible to those with hearing or visual impairments. WGBH has been recognized with hundreds of honors, including Emmys, Peabodys, duPont-Columbia Awards and Oscars. More info at www.wgbh.org.

About the Corporation for Public Broadcasting
The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of nearly 1,500 locally owned and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribe for email updates.

About The Ready To Learn Initiative
The Ready To Learn Initiative is a cooperative agreement funded and managed by the U.S. Department of Education’s Office of Innovation and Improvement. It supports the development of innovative educational television and digital media targeted to preschool and early elementary school children and their families. Its general goal is to promote early learning and school readiness, with a particular interest in reaching low-income children. In addition to creating television and other media products, the program supports activities intended to promote national distribution of the programming, effective educational uses of the programming, community-based outreach and research on educational effectiveness.

The contents of this series were developed under a grant from the Department of Education. However, those contents do not necessarily represent the policy of the Department of Education, and you should not assume endorsement by the Federal Government. The project is funded by a Ready To Learn grant (PR/AWARD No. U295A150003, CFDA No. 84.295A) provided by the Department of Education to the Corporation for Public Broadcasting.

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Thursday, December 7, 2017

Official Selections from 2017 Sundance Film Festival Streaming on Amazon

Amazon Video Direct Announces Official Selections From The 2017 Sundance Film Festival Now Streaming on Amazon Prime Video

The 15 Sundance titles are the first feature-length festival films from the AVD’s Film Festival Stars Program to stream on Prime Video

Amazon Video Direct to extend Film Festival Stars—the program that brings high quality independent film to Prime Video audiences—to the 2018 Sundance Film Festival

SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon announced the official selections from the 2017 Sundance Film Festival are now available on Amazon Prime Video. The collection of 15 films are made available through the Amazon Video Direct Film Festival Stars (FFS) program that is designed to establish an attractive distribution model for films screened at film festivals that either don’t secure theatrical distribution deals or are looking for distribution options after a theatrical release.

The official selections from the 2017 Sundance Film Festival currently streaming include Manifesto starring Cate Blanchett, Alfred P. Sloan Foundation Feature Film Prize winner Marjorie Prime, and Special Jury Award for Cinematic Vision, Free and Easy. These films enjoyed robust distribution strategies throughout the year, including award-winning festival and theatrical runs, and are now available in the U.S. with select titles available in additional territories.

“We launched the Film Festival Stars Program at Sundance earlier this year because we heard from our customers they love watching independent films”

“Amazon Video Direct’s Film Festival Stars program accelerates the career of deserving films, elevating cinematic curation into a galvanic connection with audiences who might never have discovered them,” said Richard Lorber, President and CEO of Kino Lorber, Inc. “It’s an innovative strategy that allows specialty film distributors like us to amplify support for the worthiest films—not only with additional financial backing, but unparalleled outreach only an amazing entity like Amazon can provide. I don’t know what genius dreamed this up, but we at Kino Lorber are enthusiastically participating—proud to be populating the Film Festival Stars roster with many of our most important releases.”

“We launched the Film Festival Stars Program at Sundance earlier this year because we heard from our customers they love watching independent films,” said Eric Orme, Head of Amazon Video Direct. “So far in 2017, FFS has secured the streaming rights to 76 feature films that we’re confident will thrill and delight our customers. These films appear alongside other great festival films already available on the service, including Amazon Studios’ The Big Sick. We’ll be extending Film Festival Stars to the 2018 Sundance Film Festival with an emphasis on global distribution and enhanced bonuses for filmmakers, and look forward to seeing the great films we’ll be able to bring exclusively to Prime members.”

500 Years – available worldwide

From a historic genocide trial to the ousting of a president, director Pamela Yates tells the sweeping story of mounting resistance in Guatemala through the eyes of the majority indigenous Mayan population, who now stand poised to reimagine their society.

Axolotl Overkill – available in the U.S. and Canada

In Axolotl Overkill, 16-year-old Mifti is a beautiful and reckless young girl. Her mother is dead, and her wealthy, eccentric father is too self-absorbed to be responsible for her. Mifti has no use for peers her own age, and being aware of the sexual power she wields with her looks and youth, she immerses herself in a world of adults of questionable character. Lovesick over an elusive older woman, she strikes up a friendship with Ophelia, an actress, and together they test the limits through Berlin nightlife and extreme partying.

Don’t Swallow My Heart, Alligator Girl! – available in the U.S. and Canada

The film follows Joca, a 13-year-old Brazilian boy, and Basano La Tatuada, a Paraguayan indigenous girl, living on the border between the two countries, marked by the waters of the Rio Apa. Joca is in love with Basano and wants to do everything to win her love.

Family Life – available in the U.S.

In Family Life, a young man spends a few weeks housekeeping for a relatively distant relative and enjoys taking over the comfort of their lives in Santiago. Soon, he meets a cute neighbor and starts pretending for his personal benefit.

Free And Easy – Special Jury Award for Cinematic Vision – available in the U.S. and Canada

When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results.

Machines – Sundance Jury Award for Excellence in Cinematography – available in the U.S. and Canada

Director Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanizing physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries.

Manifesto – available in the U.S. and Canada

In the film, Actress Cate Blanchett portrays 13 distinct characters in vignettes that incorporate timeless manifestos—among them a school teacher, a puppeteer, a newsreader, a factory worker and a homeless man. Director Julian Rosefeldt draws on the writings of Futurists, Dadaists, Supremacists, Situtationists, and other artist groups, and the musings of individual artists, architects, dancers and filmmakers to create Manifesto.

Marjorie Prime – Sundance Film Festival’s Alfred P. Sloan Foundation Feature Film Prize – available in the U.S.

Set in the near future, Michael Almereyda’s sci-fi pic Marjorie Prime, is based on Jordan Harrison’s Pulitzer-nominated play exploring memory, identity, love and loss. 86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance?

Motherland – World Cinema Documentary Special Jury Award – available in the U.S. and Canada

Motherland is set at one of the world’s largest and busiest maternity hospitals in the Philippines. Ramona S. Diaz’s film follows three women as they navigate through the severe conditions of giving birth there — from jam-packed delivery rooms to overflowing corridors where babies are misplaced and then found.

Plastic China – available worldwide

Plastic China captures a plaintive sense of the human casualties from unfettered global consumerism. The gently observed portrait of families toiling at a plastic recycling factory in Shandong builds into a damning commentary on a modern China marked by extreme divides in wealth and opportunity.

Pop Aye – World Cinema Dramatic Special Jury Award for screenwriting – available in the U.S. and Canada

On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand, in search of the farm where they grew up together.

RUMBLE: The Indians Who Rocked the World – World Cinema Documentary Special Jury Award for Masterful Storytelling – available in the U.S.

This powerful documentary about the role of Native Americans in contemporary music history features some of the greatest music stars of our time—Charley Patton, Mildred Bailey, Link Wray, Jimi Hendrix, Jesse Ed Davis, Buffy Sainte-Marie, Robbie Robertson, and Randy Castillo. The film exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture.

Sueño en otro idioma (I Dream in Another Language) – World Dramatic Audience Award – available in the U.S. and Canada

When a language dies, a unique vision of the world is lost forever. In I Dream in Another Language, a linguist arrives in a small jungle settlement hoping to record a conversation between two elderly men, the last two remaining speakers of the Zikril language. Unfortunately for him, the men are feuding and haven't spoken to each other in 50 years.

The Good Postman – available in the U.S. and Canada

On the eastern edge of Bulgaria, bordering Turkey, amid wizened orchards and an ancient patchwork of farmlands, sits a poor and sleepy hamlet that time seems to have forgotten. Despite the sparse population of silver-haired citizens wistful for the brighter days of communism, democracy is in full force as the village prepares in earnest for its mayoral election. Meanwhile, an endless train of Syrian refugees bound for Europe silently traipses through the rural terrain, visible through the binoculars of one gentle and taciturn candidate, the good postman.

World Without End (No Reported Incidents) – available in the U.S.

Known for decades as a visual poet, filmmaker Jem Cohen has captured various corners of the world with a perceptive eye in World Without End (No Reported Incidents). Often filming by himself, Cohen takes a camera (16mm film, and more recently, video) and walks on the street like a modern-day Walker Evans, capturing images of people and landscapes in our smallest moments—everyday faces, vacant street corners, trinkets in windows, all the things we might see sitting on the bus and wish we could see again in a film.

Returning to the 2018 Sundance Film Festival, the Amazon Video Direct Film Festival Stars program will emphasize global distribution, with enhanced bonus payments being paid for worldwide rights, as AVD aims to support overall Prime Video global growth.

Prime members will be able to stream the films exclusively via the Amazon Prime Video app for compatible TVs, connected devices including Fire TV, mobile devices, and online at www.amazon.com/primevideo.

Customers who are not already Prime members can sign up for a free trial at. For a list of all Amazon Video compatible devices, visit www.amazon.com/howtostream.

About Amazon Video
Amazon Video is a premium on-demand entertainment service that offers customers the greatest choice in what to watch, and how to watch it. Amazon Video is the only service that provides all of the following:

Prime Video: Thousands of movies and TV shows, including popular licensed and self-published content plus critically-acclaimed and award-winning Amazon Original Series and Movies from Amazon Studios like The Grand Tour, The Tick, Landline, The Big Sick and kids series, Tumble Leaf, available for unlimited streaming as part of an Amazon Prime membership. Prime Video is also now available to customers in more than 200 countries and territories around the globe at.
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Amazon Channels: Over 140 channel subscriptions that Prime members can add to their membership, including HBO, SHOWTIME, STARZ, Cinemax, PBS KIDS, Acorn TV and more. To view the full list of channels available, visit
Rent or Own: Hundreds of thousands of titles, including new-release movies and current TV shows available for on-demand rental or purchase for all Amazon customers
Instant Access: Instantly watch anytime, anywhere through the Amazon Video app on TVs, mobile devices, Amazon Fire TV, Fire TV Stick, and Fire tablets, or online. For a list of all compatible devices visit www.amazon.com/howtostream
Premium Features: Top features like 4K Ultra HD, High Dynamic Range (HDR), X-Ray and mobile downloads for offline viewing of select content

In addition to Prime Video, the Prime membership includes unlimited fast free shipping options across all categories available on Amazon, more than two million songs and thousands of playlists and stations with Prime Music, secure photo storage with Prime Photos, unlimited reading with Prime Reading, unlimited access to a digital audiobook catalogue with Audible Channels for Prime, a rotating selection of free digital games and in-game loot with Twitch Prime, early access to select Lightning Deals, exclusive access and discounts to select items, and more. To sign-up for Prime or to find out more visit: www.amazon.com/prime.

About Amazon
Amazon is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon. For more information, visit www.amazon.com/about and follow @AmazonNews.

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