Review: Pam Grier is Radiant in "JACKIE BROWN," Tarantino's Best (Maybe) Film

TRASH IN MY EYE No. 77 of 2022 (No. 1889) by Leroy Douresseaux

Jackie Brown (1997)

Running time:  154 minutes (2 hours, 34 minutes)

MPAA – R for strong language, some violence, drug use and sexuality

DIRECTOR:  Quentin Tarantino

WRITER:  Quentin Tarantino (based upon the novel by Elmore Leonard)

PRODUCER:  Lawrence Bender

CINEMATOGRAPHER:  Guillermo Navarro

EDITOR:  Sally Menke

Academy Award nominee

DRAMA/CRIME

Starring:  Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro, Michael Bowen, Chris Tucker, LisaGay Hamilton, Tom Lister, Jr., Hattie Winston, Sid Haig, Aimee Graham, Tangie Ambrose, and T'Keyah Crystal Keymah

Jackie Brown is a 1997 drama and crime film from writer-director Quentin Tarantino.  It is based on Elmore Leonard's 1992 novel, Rum Punch.  Jackie Brown the movie focuses on a flight attendant who schemes with an aging bail bondsman in a bid to defeat both the ATF and her boss who smuggles guns into Mexico.

Jackie Brown introduces 44-year-old, Jackie Brown (Pam Grier), a flight attendant for the low-budget Mexican airline, Cabo Air.  She smuggles money from Mexico into the United States for her (kind of) boss, Ordell Robbie (Samuel L. Jackson), a gun runner in Los Angeles.  One day, Ordell's courier, Beaumont Livingston (Chris Tucker), is arrested, and he snitches about Ordell's business.

Acting on that information, LAPD Detective Mark Dargus (Michael Bowen) and Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) agent, Ray Nicolette (Michael Keaton), intercept Jackie while she is returning with some of Ordell's cash, with a small bag of cocaine thrown in.  Dargus and Nicolette use the cocaine to threaten Jackie with serious criminal charges and hard prison time.

Ordell hires bail bondsman, Max Cherry (Robert Forster), of Cherry Bail Bonds, to bail Jackie out of jail.  Feeling trapped between Ordell and the law, Jackie conspires with Max to pretend to give both sides what they want – Ordell the money and the ATF Ordell.  If this heist works, Jackie and Max will secure her future with half a million dollars of Ordell's money.

Jackie Brown is obviously writer-director Quentin Tarantino's ode to 1970s blaxploitation films.  The film is also a star vehicle that Tarantino created for the actress playing the title role in Jackie Brown, the great Pam Grier.  She starred in some of the most fondly remembered and popular blaxploitation films, most notably Coffy (1973) and Foxy Brown (1974).  The roles in those two films obviously inspired the role of “Jackie Brown,” although “Flower Child Coffin” a.k.a “Coffy” (of Coffy) and Foxy Brown are action heroes.  Instead, Tarantino makes Jackie Brown a world-weary woman, not an action hero, but a working woman willing to take the action that will help her make her way in the world.

Grier plays Jackie Brown with subtlety and grace, making Jackie comfortable in her skin.  Her sexiness is not forced, but radiates from her, buoyed by her confidence.  Grier makes it seem quite genuine that Brown would one day finally have enough with getting the crappy end of the stick in life.  Jackie takes a chance, and with nothing to lose, she works her magic.  Grier also works her magic, and the audience can believe that she is going to pull off this implausible heist of Ordell's money and also trick the ATF and LAPD by giving them only some of what they want.  Here, Grier gives the best performance of her career, and it is a shame that Hollywood has under-utilized her amazing talent and screen presence.

I have not seen enough of his performances to say that Max Cherry is actor Robert Forster's best performance of his career.  Playing Max revitalized Forster's career, which was mostly stalled at the time.  With charming stoicism, Forster perfectly plays the calm, wise, and a little weary, Max Cherry, one of the most perfect characters that Tarantino ever wrote.  Forster also convinces us that he has so totally fallen for Jackie Brown that he is willing to do everything she wants even if it is everything that he should not do.

I also think that Ordell Robbie is Samuel Jackson's best performance.  Ordell is an example of what would become the stereotypical Samuel L. Jackson character – the menacing, bad-ass Black man who loves to shoot people and curse up a storm.  However, Jackson makes Ordell a man full of angles and twists.  He is coarse with a trashy sophistication; he is menacing, but sentimental in odd ways.  He is not nearly as smart as he thinks he is, so he is ultimately a cheap hood with enough low-rent ambitions to make himself a doomed idiot.

Tarantino uses Grier, Forster, and Jackson's performances and those of several others (Robert De Niro, Bridget Fonda, and Michael Keaton) to give his usual style, wit, humor, and rapid-fire bravado traction and depth.  Jackie Brown does not have the snappy banter nor the nonlinear antics of Tarantino's previous film, Pulp Fiction.  Jackie Brown's narrative is a straight story, Tarantino's most substantive film to date.  It may be an ode to blaxploitation and also a smooth heist film, but most of all, Jackie Brown is a character drama.  With a superb soundtrack behind it (focusing on “The Delfonics” 1969 classic song, “Didn't I (Blow Your Mind This Time)”), Tarantino uses a slow pace to weave a delightful Los Angeles crime story about the criminal things people do when they are desperate … or in love.

I think that Quentin Tarantino and Pam Grier are a match made in cinematic heaven.  2022 is the twenty-fifth anniversary of Jackie Brown's original theatrical release (December 8, 1997).  Jackie Brown has aged well, and for me, it gets better every time I watch it.

10 of 10

A+

Friday, December 30, 2022

NOTES:

1998 Academy Awards, USA:  1 nomination: “Best Actor in a Supporting Role” (Robert Forster)

1998 Golden Globes, USA:  2 nominations: “Best Performance by an Actress in a Motion Picture-Comedy or Musical” (Pam Grier) and “Best Performance by an Actor in a Motion Picture-Comedy or Musical” (Samuel L. Jackson)

1998 Image Awards (NAACP):  1 nominations:  “Outstanding Lead Actress in a Motion Picture” (Pam Grier)

The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#28DaysofBlack Review: Pam Grier Does It for Herself in "COFFY"

[African-American actress Pam Grier has had a long career, one that few Black women of her generation have had.  Some of her most memorable work came in a period during the 1970s when she usually played what was basically a “one-chick hit-squad.”  That character type first came to life in writer-director Jack Hill's Coffy.]

TRASH IN MY EYE No. 10 of 2021 (No. 1748) by Leroy Douresseaux

Coffy (1973)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – R
WRITER/DIRECTOR: Jack Hill
PRODUCER:  Robert A. Papazian
CINEMATOGRAPHER:  Paul Lohmann (D.o.P.)
EDITOR:  Charles McClelland
COMPOSER:  Roy Ayers

ACTION/CRIME

Starring:  Pam Grier, Booker Bradshaw, Robert DoQui, William Elliott, Allan Arbus, Sid Haig, Barry Cahill, Lee de Broux, Ruben Moreno, Carol Locatell, Linda Haynes, John Perak, Mwako Cumbuka, Morris Buchanan, Karen Williams, and Bob Minor

Coffy is a 1973 action and crime film written and directed by Jack Hill.  A blaxploitation film (black exploitation film), Coffy focuses on an African-American nurse who turns vigilante against a ring of heroin dealers.

Coffy introduces sexy Black nurse, Flower Child Coffin, better known by the nickname, “Coffy.”  She is distressed that her 16-year-old sister, LuBelle (Karen Williams), is staying at a juvenile rehabilitation center because she is addicted to heroin.  As the story begins, Coffy kills “Sugarman” (Morris Buchanan), the pusher who sold heroin to LuBelle.

After speaking with a her long time friend, Carter Brown (William Elliot), a police officer, Coffy decides that if she wants to stop people from getting heroin, she will have to go to the source.  That means the drug pusher and pimp, King George (Robert DoQui), and his supplier, Arturo Vitroni (Allan Arbus).  Going undercover as a Jamaican prostitute looking to work for a big player, Coffy quickly infiltrates the supply chain.  However, someone close to her is also close to the drug dealers.

Exploitation films are generally low-budget films (but not always), and are generally considered “B-movies” with stories belonging to certain genres (action, crime, horror).  They feature lurid content of a violent and/or sexual nature, and they may even exploit current trends in pop culture or in the wider culture.  Black exploitation films, now known as “blaxploitation films,” were exploitation films aimed at African-American audiences and emerged in the early 1970s.  The heroes or protagonists of blaxploitation films were generally anti-heroes, vigilantes, and criminals.  Sometimes, the heroes of such films were ordinary citizens who became vigilantes and used criminal methods to fights criminals and corrupt public officials and law enforcement.

Coffy is a pure exploitation film and is quintessential blaxploitation.  It is lurid, and it exploits the social, political, and racial states of affair of its time.  I could not help but notice how often the actresses in this film, white and black, had their breasts exposed.  Clearly this is sexual exploitation, but in the spirit of being non-hypocritical, I have to admit that I am a big fan of the breast-types exposed in Coffy.  So, yeah, I enjoyed seeing the breasts … even knowing that some or all of the actresses were forced to expose themselves.

It is easy to call Coffy trash, but I won't.  I am in love with Pam Grier the movie star.  Coffy is conceptually interesting, but the plot and narrative are executed for efficiency and speed more so than for storytelling.  The production values are low, although the costumes are … interesting.  Without Grier, this would be a D-list movie.

With Pam Grier, Coffy seems like something special.  In the past, film critics have criticized the Jamaican accent she uses in this film; one called her delivery of her lines stiff.  When Pam Grier speaks out loud in one of her classic blaxploitation films – and they are indeed classics – she probably makes some men experience a certain kind of stiffness.  Grier is not just a movie star; she is a radiant movie star.  Every moment that she is on screen, Pam Grier lifts mere elements of exploitation into riveting, two-fisted, crime fiction cinema.  I could have watched at least a half hour more of this film … as long as Pam Grier was in it.

Writer-director Quentin Tarantino, who wrote a film for Pam Grier (1997's Jackie Brown), called her the first female action movie star.  This may be true, and Grier made Coffy her first calling card, her notice of arrival as the leading lady of blaxploitation action films.  Now, I need a cigarette.

8 of 10
A

Monday, February 8, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from March 1st to 7th, 2020 - Updated #20

by Leroy Douresseaux a.k.a. "I Reads You"

Support Leroy on Patreon:

SPECIAL - From YouTube:  Happy Birthday, Sis!

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SCANDAL - From Variety:   After a staff walkout, Hachette Book Group has decided not to publish Oscar-winning writer-director Woody Allen's memoir, "Apropos of Nothing."

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NEWS - From Variety:  South by Southwest or SXSW 2020 has been cancelled due to fears of the coronavirus.  The festival is held in Austin, Texas and there are currently 17 confirmed cased in the state.

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DISNEY - From Deadline:  Due to the minor reference to a lesbian relationship, some countries of the Middle East are banning Pixar's new animated film, "Onward."  However, some Middle East markets are showing the film.

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STREAMING - From Deadline:  Amazon will bring back new episodes of "The Kids in the Hall," its first "Canadian Amazon Original Series."  The Kids in the Hall is a five-man Canadian sketch comedy troupe and is best known for the Canadian TV series, "The Kids in the Hall," which ran for six seasons from 1989 to 1995, including the 1988 pilot.

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MOVIES - From Deadline:  On April 7th, Hachette Book Group will publish Academy Award-winning director and screenwriter, Woody Allen's memoir, "Apropos of Nothing."  Today staffers at the publisher walked out in protest and in solidarity with victims.

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STREAMING - From BleedingCool:  Matthew A. Cherry, who recently won an Academy Award for his animated short film, "Hair Love," will direct an episode of the "Saved by the Bell" sequel series for the "Peacock" streaming service.

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MOVIES - From THR:  Director Scott Derrickson directed Marvel's "Doctor Strange" and then exited its sequel."  His next project will pair him with one of Marvel's biggest stars, Chris Evans, in the Skydance thriller, "Bermuda."

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JAMES BOND - From Deadline:  Because of coronavirus concerns, specifically COVID-19, the 25th James Bond film has had its release date changed from April 2nd/April 10th to Wed., Nov. 25th, the day before Thanksgiving.

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MOVIES - From Deadline:  Action star Jason Statham exits "The Man from Toronto," in which he was to star with Kevin Hart.  Statham also leaves his agency, WME.

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CULTURE - From Medium:  Was the executed serial killer, Ted Bundy, the first "incel?"

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STAR TREK - From Deadline:  William Shatner says that he will not reprise his classic role of "Star Trek's" "Captain James T. Kirk" because the character is "played out."

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TELEVISION - From Deadline:  MSNBC's Chris Matthews announced that he is retiring, effective immediately (Mon. March 2nd), and that his show, "Hardball with Chris Matthews," is ending.

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CELEBRITY - TheNewYorker:  Michael Schulman offers this excellent interview of actress Pam Grier.

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BOOKS - From Deadline:  Lionsgate has won an auction for the film rights to Judy Blume's classic novel, "Are You There, God? It's Me, Margaret."

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MUSIC - From Deadline:  Chuck D and the seminal rap group, "Public Enemy," have parted ways with band mate, Flavor Flav, after he objected to the group's participation in a campaign event for Sen. Bernie Sanders, who is seeking the Democratic nomination for President.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 2/28 to 3/1/2020 weekend box office is "The Invisible Man" with an estimated take of 29 million dollars.

From Variety:   The Harrison Ford adventure film, "Call of the Wild," is likely to lose 50 million dollars, the latest 20th Century Fox dud that Disney inherited when they bought 20th Century Fox.

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TELEVISION - From THR:  The syndicated TV series, "Judge Judy," will end after the 2020-2021 season, which will be the series' 25th season.  Host Judy Sheindlin will star in a new series, "Judy Justice," that is scheduled to begin sometime in 2022

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TELEVISION - From Deadline:  CBS is ending its current iteration of "Hawaii Five-o" (a remake of the original series that ran from 1968 to 1980) after 10 seasons and 240 episodes.  The two-hour series finale will air April 3rd, 2020.

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MOVIES - From CNBC:  Director Rian Johnson ("Knives Out") says that Apple will permit film productions to use its products onscreen.  BUT Apple does not want "bad characters" to have an iPhone on camera.


OBITS:

From Variety:  Jazz piano legend, McCoy Tyner, has died at the age of 81, Friday, March 6, 2020.  Tyner joined the "John Coltrane Quartet" in 1960 and his thunderous piano playing became a signature element in some of John Coltrane's greatest works, including "A Love Supreme" (1964).  As a band leader, Tyner also produced a voluminous catalog of LPs, including his career defining "Sahara" (1972), "Enlightenment" (1973), and "Atlantis" (1974).

From Variety:  Actor, TV host, and educator, James Lipton, has died at the age of 93, Monday, March 2, 2020.  Lipton was best known as the creator, host, and executive producer of the Bravo TV series, "Inside the Actors Studio."  Lipton was nominated for a Primetime Emmy Award 20 times and won in 2013 for "Outstanding Informational Series or Special" (in a tie with "Anthony Bourdain: Parts Unknown").


TRAILERS:

From THR:  Jordan Peele debuts the first trailer for his new film, "Candyman," which he produced and Nia DaCosta.  The film is due June 12, 2020.

Negromancer News Bits and Bites from December 17th to 23rd, 2017 - Update #31

Support Leroy on Patreon.

BLM - From Lobelog:  Free Ahed Tamimi!  She hurt the IDF's masculinity.

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MOVIES - From TheVillageVoice:  "Searching for Daniel Day-Lewis."

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MOVIES - From Variety:  Quentin Tarantino's "Jackie Brown" will be 20 years old Christmas Day.

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STAR TREK - From Deadline:  Paramount has set Mark L. Smith to write the screenplay for the announced R-rated Star Trek movie that Quentin Tarantino says he wants to direct and J.J. Abrams will produce.

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SPORTS - From BET:  Former Major League Baseball player, Darryl Strawberry, admitted to having sex in the team clubhouse during games.

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POLITICS - From teleSUR:  Oxfam describes the situation in Yemen as an "apocalypse," after 1000 days of a U.S. backed military campaign by Saudi Arabia.

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MOVIES - From Deadline:  The board of directors of The Weinstein Company will meet today to consider bids to buy the company, in the wake of the co-founder Harvey Weinstein facing multiple accusations of sexual abuse, harassment, and misconduct.

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MOVIES - From GQ:  "The Dark Optimism of Paul Thomas Anderson."

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MOVIES - From RollingStone:  Cher makes her grand entry in the "Mamma Mia" sequel.

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MOVIES - From THR:  Josh Gad joins Disney's "Artemis Fowl" film.

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MOVIES - From TheWrap:  Nick Castle who played Michael Myers in John Carpenter's 1978 "Halloween" is returning to play the character again in next year's David Gordon Green directed reboot.

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MOVIES - From TheWrap:  Bradley Cooper's "A Star is Born" remake, in which he stars with Lady Gaga, has been moved from a Summer 2018 release date to October 2018.

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MOVIES - From YahooEntertainment:  Yahoo's "50 Best Movies of 2017."  Their pick for best is "Lady Bird."

From YahooEntertainment:  Yahoo's "10 Worse Movies of 2017."  "Baywatch" is the winner/loser.

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SPORTS - From YahooEntertainment:  NBA legend, former L.A. Laker, Kobe Bryant, talks about his animated short film, "Dear Basketball," directed by Disney legend, Glen Keane.

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BLM - From YahooLifestyle:  George Zimmerman, who killed an African-American child named Trayvon Martin, has threatened to kill Jay-Z who is produced a six-part docuseries about Trayvon Martin, "Rest in Power: The Trayvon Martin Story."

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COMICS - From THR:  Elvis Presley will battle aliens!  "Bubba Ho-Tep," the Joe R. Lansdale novella that became a 2002 cult film (from director Don Coscarelli), will get a prequel comic book from IDW Publishing in 2018.

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MOVIES - From BoxOfficeMojo:  There will be a whole lotta movies released on Christmas Day 2017.

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MOVIES - From TheHollywoodReporter:  Paramount Pictures announces release dates for GI Joe, Micronauts, and Dungeons & Dragons films.

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ANIMATION - From ShadowandAct:  Adam Reid's animated sci-fi comedy, "Barry and Joe: The Animated Series," gets some backing from late-night talk show host, Conan O'Brien.

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TELEVISION - From ShadowandAct:  HBO has picked up two new shows from Issa Rae, the creator of the acclaimed HBO series, "Insecure."

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SCANDAL - From Deadline:  BBC preps a feature-length, definitive documentary about the "Harvey Weinstein sexual misconduct scandal."

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 12/15 to 12/17/2017 weekend box office is "Star Wars: The Last Jedi" with an estimated take of $220 million.

From Deadline:  "I, Tonya" leads specialty box office for the second weekend.

From Variety:  "Star Wars: The Last Jedi" hits $230 million in international box office.

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From YahooEntertainment:  Bob and Harvey Weinstein apparently blacklisted Oscar-winning actress Mira Sorvino from films in which they were involved, including "The Lord of the Rings" trilogy and "Bad Santa."

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STREAMING - From IndieWireTV:  Ian McKellen wants to play Gandalf in Amazon's upcoming "Lord of the Rings" TV series. McKellen says he is not to old because Gandalf is over 7000 years old.

OBITS:

From TheWrap:  Sports broadcaster, Dick Enberg, has died at the age of 82, Thursday, December 21, 2017.  Over his nearly 60-year career, Enberg worked for CBS, NBC, and ESPN covering eight Super Bowls, multiple World Series, and the Wimbledon tennis tournament.  He is also famous for his catchphrase, "Oh, my!"

From Variety:  Film production designer, Therese DePrez, has died at the age of 52, Tuesday, December 19, 2017.  DePrez is best known for her work on Darren Aronofsky's "Black Swan," but over her long career, she had worked on such films as Spike Lee's "Summer of Sam" and John Cameron Mitchell's "Hedwig and the Angry Inch."

From Deadline:  The actress Hiep Thi Le has died at the age of 46, Tuesday, December 19, 2017.   She was best known for playing the role of real-life Le Ly Hayslip in Oliver Stone's 1994, "Heaven and Earth."  Le was also a celebrated restaurateur and chef.

From THR:  The actress Heather North has died at the age of 71, Thursday, November 30, 2017.  Although she appeared in numerous films and TV shows ("The Monkees," "My Three Sons"), North is best known as the voice of "Daphne Blake," on various "Scooby-Doo" animated TV series, beginning with the second season of the first Scooby-Doo series, "Scooby-Doo Where Are You!"

From BleedingCool:  Bob Givens, the man who created the official design for Bugs Bunny, has died at the age of 99, Thursday, December 14, 2017.  Given was asked to redesign the "too cute" Bugs, and Given's iconic look first appeared in the animated short film, "A Wild Hare."  Given, once an employee of Walt Disney, participated in the notorious 1941 strike at Disney.  [Thank you and rest in peace, Mr. Givens. - Leroy]

Review: "Holy Smoke" is Kind of Wispy (Happy B'day, Jane Campion)

TRASH IN MY EYE No. 173 (of 2003) by Leroy Douresseaux

Holy Smoke! (1999)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for strong sexuality and language
DIRECTOR: Jane Campion
WRITERS: Anna Campion and Jane Campion
PRODUCER: Jan Chapman
CINEMATOGRAPHER: Dion Beebe (D.o.P.)
EDITOR: Veronika Jenet
COMPOSER: Angelo Badalamenti

DRAMA/COMEDY

Starring: Kate Winslet, Harvey Keitel, Julie Hamilton, Sophie Lee, Dan Wyllie, Paul Goddard, Tim Robertson, and Pam Grier

The subject of this movie review is Holy Smoke!, a 1999 Australian comedy-drama from director Jane Campion. The film stars Kate Winslet as an Australian tourist who falls in with an Indian guru and Harvey Keitel as a macho American deprogrammer hired to free her from that new spirituality.

Jane Campion won an Academy Award in 1994 in the category original screenplay for her 1993 film, The Piano. Whereas both the characters and the story were well written in that internationally acclaimed film, the same cannot be said of Ms. Campion’s Holy Smoke, which is not nearly as rich a film as The Piano.

When a young woman (Kate Winslet) falls under the influence of a charismatic guru and joins his ashram, her parents hire PJ Waters (Harvey Kietel, who also starred in Ms. Campion’s The Piano), an “exiter,” a counselor who specializes in deprogramming people taken in by cults. PJ, however, finds the young woman, Ruth Barron, to be not only iron-willed and intelligent, but also very sexy. Ruth engages PJ is an intense battle of wills and sexual politics that begs the question – who will win?

Ms. Winslet is nothing short of stunning in Holy Smoke, and the continual growth of her acting talent is a revelation. It’s hard to take your eyes off her, and she is so beautiful. Ms. Winslet is not one of those tiresome and too thin anorexia stars, but a big boned, baby-got-back-and-front, full figured, blond goddess. The combination of her acting prowess and raw sexuality will distract from a dull movie, and Holy Smoke, while not quite awful, needed this Meryl Streep with a body.

The film is just too up and down. It is at times funny and engaging, but at other times too dry and pointless. The other characters are quite interesting, but the screenwriters ignore them in favor of a drawn out battle between Ruth and PJ. That’s a shame because many of the other characters, including Ruth’s parents and PJ’s partner played by Pam Grier, seem to have interesting backstories. The film limps to the finish line with a tired battle of the sexes. Thankfully, a sentimental dénouement saves the film from being completely below average.

5 of 10
C+

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Hanks and Roberts Shine in Winning "Larry Crowne"

TRASH IN MY EYE No. 107 (of 2011) by Leroy Douresseaux


Larry Crowne (2011)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for brief strong language and some sexual content
DIRECTOR: Tom Hanks
WRITERS: Tom Hanks and Nia Vardalos
CINEMATOGRAPHER: Philippe Rousselot (D.o.P.)
EDITOR: Alan Cody
COMPOSER: James Newton Howard

COMEDY/DRAMA/ROMANCE

Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, Rami Malek, Maria Canals Barrera, Rita Wilson, George Takei, Ian Gomez, and Rob Riggle

Larry Crowne is a 2011 romantic comedy and college film directed by Tom Hanks and is the first film Hanks has directed since That Thing You Do! (1996). The film focuses on a middle-aged man, downsized from a big-box company, who decides to attend college for the first time. In a landscape full of movies that are full of unbelievable things, Larry Crowne is level-headed, real, and, for me, a great !@#$%& movie.

Larry Crowe (Tom Hanks) has just been fired from his job at the retail giant, UMart. The divorced, middle-aged man is drowning in a six-figure mortgage and suddenly cannot find another job. His neighbors, Lamar (Cedric the Entertainer) and B’Ella (Taraji P. Henson), suggest that he attend college, so Larry enrolls at East Valley Community College where he even joins a scooter club.

One of the members, the free-spirited Talia (Gugu Mbatha-Raw), befriends Larry, renames him “Lance Corona,” and turns him into her makeover project. Larry thrives in an economics class with a peculiar instructor, Dr. Ed Matsutani (George Takei). In a public-speaking class, Larry develops an unexpected crush on his teacher, the taciturn Mercedes “Mercy” Tainot (Julia Roberts), who has lost her passion for teaching and is in the midst of a personal crisis. Both are about to discover a new reason for living.

I saw a quote from a review of Larry Crowne that described it as bland and conventional. On the surface, Larry Crowne may seem so, but it actually isn’t. Ostensibly a romantic comedy, this film is really about two people, Larry Crowne and Mercedes Tainot, in full midlife crisis. In those roles, Hanks and Roberts, respectively, give their best performances of recent years. The shock and grief Hanks portrays early in the film when Larry is fired is palatable, so much so that I nearly burst into tears (having undergone a similar experience).

Roberts’ turn as the burnt-out professor, Tainot, is equally inspired. She fashions Mercy as a sarcasm addict whose suffer-no-fools attitude actually hides a generous soul. Roberts does what Hanks does – uses every moment of screen time to build her character into something a bit deeper than what can be described in 20 words or less. Crowne and Tainot are more than my brief descriptions imply.

The supporting characters are mostly types and are not fully realized characters. They are in this movie to add laughs and to give the film some zest and odd flavors. Why else have Cedric the Entertainer, Wilmer Valderrama, Bryan Cranston, Pam Grier, George Takei, Ian Gomez, and Rob Riggle in throw-away parts if not to give the film different essences from unique characters?

However, it is the relaxed chemistry between Hanks and Roberts and also their robust performances that make Larry Crowne surprisingly not conventional and certainly not bland. It’s one of the best romantic comedies of the year, if not the best.

8 of 10
A

Monday, December 26, 2011

Review: A Bag of "Bones" (Happy B'day, Snoop Dogg)

TRASH IN MY EYE No. 151 (of 2003) by Leroy Douresseaux

Bones (2001)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – R for violence/gore, language, sexuality and drugs
DIRECTOR: Ernest Dickerson
WRITERS: Adam Simon and Tim Metcalfe
PRODUCERS: Rupert Harvey, Peter Heller, and Lloyd Segan
CINEMATOGRAPHER: Flavio Labiano (D.o.P.)
EDITORS: Michael N. Knue and Stephen Lovejoy
COMPOSER: Elia Cmiral
Black Reel Awards nominee

HORROR with elements of fantasy

Starring: Snoop Dogg, Pam Grier, Michael T. Weiss, Clifton Powell, Ricky Harris, Bianca Lawson, and Khalil Kain

I held out no hope for rapper Snoop Dogg’s horror film vehicle, Bones. It was released in 2001, but I didn’t see it until two years later. When I finally saw it, I found Bones surprisingly entertaining, if a bit hokey and poorly written.

I also learned that Ernest Dickerson directed the film. Dickerson came to prominence in the late 80’s and 90’s as Spike Lee’s cinematographer on Lee’s first five full-length features including Do The Right Thing and Malcolm X. He made his directorial debut with the fairly well received urban drama Juice, about a group of friends and their trouble with a pistol. Dickerson later showed a deft touch for horror films with the delightful Demon Knight, a film version of the HBO series “Tales from the Crypt.” Sadly, Bones, although mildly entertaining, lacks Demon Knight’s sense of mad glee and hilariously evil hijinx.

Snoop plays Jimmy Bones, a low-key gangster, pimp type, and godfather of an inner city neighborhood in 1979. When he refuses an offer to join the drug trade, the dealers shoot him and force his associates and baby mama to participate in the killing. 22 years later, his angry spirit returns after some suburban kids buy his playa mansion and turn it into a club.

Bones isn’t that bad, but it isn’t too good. It’s lost somewhere in the middle of mediocrity. The characters all have potential, especially in regards to their socioeconomic and ethnic backgrounds, but the filmmakers sacrifice them to violence and trite special effects, many of the effects old when Clive Barker used that kind of SFX in his early Hellraiser films.

Snoop does most of acting with a perpetual scowl etched across his face. Still, he has excellent screen presence, and makes a good bad guy when he’s given (I don’t know, maybe) depth and subtext. It really would have been nice had Dickerson approached this film with the same sense of fun and funny mayhem that made Demon Knight such a charmingly trashy fright flick.

4 of 10
C

NOTES:
2002 Black Reel Awards: 1 nomination: “Theatrical - Best Actress” (Pam Grier)

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Review: John Carpenter's Night of the Living "Ghosts of Mars"

TRASH IN MY EYE No. 3 (of 2001) by Leroy Douresseaux

John Carpenter’s Ghosts of Mars (2001)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong violence/gore, language and some drug content
DIRECTOR: John Carpenter
WRITERS: Larry Sulkis and John Carpenter
PRODUCER: Sandy King
CINEMATOGRAPHER: Gary B. Kibbe
EDITOR: Paul C. Warschilka
COMPOSERS: John Carpenter, Anthrax, Steve Vai, and others

SCI-FI/HORROR/ACTION

Starring: Natasha Henstridge, Ice Cube, Jason Statham, Clea DuVall, Pam Grier, Joanna Cassidy, Richard Cetrone, Rosemary Forsyth, Liam Waite, Duane Davis, Lobo Sebastian, Rodney A. Grant, Peter Jason, Wanda De Jesus, and Doug McGrath

Ghost of Mars came and went so quickly in U.S. movie theatres that few had a chance to see it (although it’s debatable that many more wanted to see it). It is a low-tech sci-fi horror movie of the type that Carpenter is so good at making, and, for some, a Carpenter movie is always a special thing. Although not his best (that could be Big Trouble in Little China or Halloween) it’s far better than some of his lesser work (Village of the Damned and In the Mouth of Madness).

Set two centuries in the future on a Mars colony, a Martian police unit led by Pam Grier (Jackie Brown) and Natasha Henstridge (Species) are dispatched to a mining outpost to transport a dangerous criminal played by Ice Cube (Boyz in the Hood, Friday) to a prison outpost. When they arrive at the mining town, most of the inhabitants are missing. Henstridge’s Melanie Bradford and Cube’s James ‘Desolation” Williams must join together with a small band of survivors to fight miners possessed by vengeful Martian spirits determined to rid the red planet of humans.

Of all the actors, Cube is particularly shaky; obviously he was hired for his name value with black audiences. Certainly, he earned the assignment in particular to play himself, but curiously he seemed to have great difficulty doing just that. Erratic and inconsistent, he was on the verge of owning this movie if he’d only relax. His performance is forced and stiff; perhaps the SF milieu was a bit much for him.

Carpenter wastes Henstridge’s character, but that may have been more the writing’s fault than her acting. Bradford’s back-story hints at interesting possibilities, but this is an action movie, and one must never spend too much time on developing a female personality in an action movie.

There are, however, many very good moments in this movie that are quite chilling and invigorating: the discovery of the fate of Grier’s Helena Braddock, the spirit trapped in the land rover, Bradford’s possession and self-exorcism, the unleashing of the ghosts, the massing of a Martian army seen through a glimpse into the past, the reunion at the end, and many more.

The film is told mostly in flashback, and this makes it an effective ghost story. As Bradford tells the tale, the audience is on pins and needles waiting for the next bump in the night. One is anxious to get on with the macabre festivities, as if the revelation of each dark secret, which comes slowly, is necessary for the viewer’s safety, as well as that of the characters.

Carpenter, as he has many times, borrows tone and plot from the original Night of the Living Dead, his first viewing of which must have been a formative moment for him. The possessed miners, a more active version of George Romero’s zombies, are a hoot, especially Richard Cestrone’s awesome and scary Big Daddy Mars.

There are better sci-fi and horror movies, but issues of art and quality aside, there is nothing else like Carpenter’s touch. When he’s at least decent, as with Ghosts of Mars, his films are still a good thing to watch.

5 of 10
B-

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As Ever, Queen Latifah is "Just Wright"

TRASH IN MY EYE No. 34 (of 2010) by Leroy Douresseaux


Just Wright (2010)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – PG for some suggestive material and brief language
DIRECTOR: Sanaa Hamri
WRITER: Michael Elliot
PRODUCERS: Shakim Compere and Queen Latifah
CINEMATOGRAPHER: Terry Stacey
EDITOR: Melissa Kent
COMPOSERS: Lisa Coleman and Wendy Melvoin

ROMANCE/DRAMA/SPORTS

Starring: Queen Latifah, Common, Paula Patten, James Pickens Jr., Phylicia Rashad, Pam Grier, Laz Alonzo, Mechad Brooks, Michael Landes, Dwight Howard, Dwayne Wade, Jalen Rose, Kenny Smith, Mike Fratello, and Marv Albert

At first glance, the romantic sports drama, Just Wright, is special because it is a screen romance in which both the female and male leads are African-American actors. What makes Just Wright extra special is that it is a Queen Latifah movie. The Queen, with her lovely, open, and joyous film persona, always delivers a good time – even if she has to carry the movie, and she is indeed the leading scorer in this basketball love story.

The film focuses on Leslie Wright (Queen Latifah), a straight-shooting physical therapist; with her, what you see is what you get. Everyone thinks that Leslie is just the bee’s knees, even the men Leslie dates, but none of them will commit to her beyond just being a friend. A diehard fan of the professional basketball team, the New Jersey Nets, Leslie has a chance encounter with the Nets’ NBA All-Star, Scott McKnight (Common). The two surprisingly strike up a friendship, and Scott invites Leslie to his birthday party. At the party, however, Scott is immediately attracted to Leslie’s gorgeous cousin, Morgan Alexander (Paul Patten), who has her sights set on being an NBA trophy wife.

Then, Scott tears ligaments in his knee, threatening the future of his NBA career, and Scott becomes frustrated and withdrawn. Leslie eventually takes the job of helping Scott rehab his knee, but it is a full time job. Leslie begins to have strong feelings for Scott and he for her, but is Leslie destined to be a “best friend” or Scott’s true love?

Just Wright is a formulaic romantic drama. It is kind of a Cinderella story with Queen Latifah’s Leslie Wright as Cinderella, and Paul Patten’s Morgan as Cinderella’s stepsisters wrapped into one radiantly beautiful body. In this scenario, Cinderella is everybody’s best friend, but no one’s true love. The handsome prince is the rich, basketball star, Scott McKnight, who is dazzled by the beauty of the conniving Morgan.

Of course, Just Wright is selling Leslie Wright as being “just right” for Scott, and the film’s script, written by Michael Elliot (Brown Sugar), does everything to make Leslie look better and better as the narrative unfurls and to make Morgan look like a vacuous gold-digger who seems almost sociopathic. Morgan’s character would be a joke except for the fact that the underrated Paula Patten gives the kind of high-quality performance that will make the audience want to see more of Morgan. On the other hand, the script doesn’t do much with Scott McKnight other than make him a good catch as a husband – rich, loyal, and kind-hearted. Even Common, in an awkward and uneven performance, doesn’t make McKnight seem like much more than something nice for a girl to have.

Maybe it is Queen Latifah’s fault. Compared to many rapper-turned-actors, Common is usually good in the movies in which he appears, but screen presence of Queen Latifah (another rapper-turned-actor) often overwhelms her costars’ presence. Whenever she is on television or the big screen, Latifah seems to have a natural sunniness about her, and in comedies, she radiates cheer and poise. She carries herself with confidence and projects that she is comfortable in her own skin. Latifah is Just Wright; the movie clearly exists for her to entertain us. Even Paula Patten and appearances from two wonderful sisters like Phylicia Rashad and Pam Grier cannot change the fact that this is all Latifah, all the time.

When a formula works, it reminds us of why it is a formula; we can rely on it. Just Wright uses the romantic formula with decent if not always good results. But in the end, the lovable Queen Latifah makes it all right.

6 of 10
B

Monday, May 17, 2010