Review: Uneven, Bombastic "BLACK ADAM" is Strictly for Fans

TRASH IN MY EYE No. 63 of 2022 (No. 1875) by Leroy Douresseaux

Black Adam (2022)
Running time:  124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for sequences of strong violence, intense action and some language.
DIRECTOR:  Jaume Collet-Serra
WRITERS:  Adam Sztykiel, Rory Haines, and Sohrab Noshirvani (based on characters created by Bill Parker and C.C. Beck)
PRODUCERS:  Dwayne Johnson, Dany Garcia, Hiram Garcia, and Beau Flynn
CINEMATOGRAPHER:  Lawrence Sher (D.o.P.)
EDITORS:  John Lee and Michael L. Sale
COMPOSER:  Lorne Balfe

SUPERHERO/FANTASY/ACTION

Starring:  Dwayne Johnson, Aldis Hodge, Pierce Brosnan, Noah Centineo, Sarah Shahi, Quintessa Swindell, Marwan Kenzari, Bodhi Sabongui, Mohammed Amer, Jalon Christian, Henry Winkler, and Djimon Hounsou with Viola Davis and Henry Cavill

Black Adam is a 2022 superhero and action-fantasy film from director Jaume Collet-Serra.  The film is based on characters created by writers Bill Parker and Otto Binder and artist C.C. Beck originally for defunct publisher, Fawcett Comics, and now owned by DC Comics.  Black Adam the movie focuses on a legendary hero who returns to life after nearly 5000 years, bringing his unique form of justice to his besieged homeland.

Black Adam opens in 2600 BC.  In the city of Kahndaq, there is a legend that the tyrannical king, Anh-Kot (Marwan Kenzari), intended to create an object of dark magic, the Crown of Sabbac, which is known to give the wearer great power.  He enslaves his own people and forces them to dig in the mountains for “Eternium,” the magical crystal Anh-Kot will use to make the crown.  A legendary hero, Teth-Adam (Dwayne Johnson), arises and kills Anh-Kot before the hero himself is buried somewhere in the ruins of the Anh-Kot's castle – so the legends say.

Present day Kahndaq is oppressed by members of the international crime syndicate known as “Intergang.”  They are searching for university professor and resistance fighter, Adrianna Tomaz (Sarah Shahi).  She is trying to locate the Crown of Sabbac, with the help of her brother, Karim (Mohammed Amer), and some of his colleagues.  Ambushed after finding the crown, Adrianna revives Teth-Adam, and although he kills her assailants, the risen hero proves to be something much less than a hero.

Meanwhile, from the United States, the superhero Hawkman/Carter Hall (Aldis Hodge) leads a group of heroes, the Justice Society:  Doctor Fate/Kent Nelson (Pierce Brosnan), Cyclone/Maxine Hunkel (Quintessa Swindell), and newcomer Atom Smasher/Albert “Al” Rothstein (Noah Centineo), into Kahndaq to take Teth-Adam into custody.  While Adrianna and her son, Amon (Bodhi Sabongui), watch, Teth-Adam battles the Justice Society throughout the city.  However, Teth-Adam will be forced to confront the truth about himself and about his past if he and the Justice Society are going to stop a great evil from ruling Kahndaq again.

In case you are wondering, Teth-Adam does not become “Black Adam” until the end of the film.  He is neither hero nor villain.  Black Adam, in the case of this film, is not so much an anti-hero as he is simply Dwayne “The Rock” Johnson.  The movie only exists because Johnson willed it into existence.  Warner Bros. Pictures and DC Films' original plan was apparently to make Black Adam a supporting character/villain in the movie Shazam that was released in 2019.  Johnson wanted more for the character than to be a mere lackey, and truthfully, had he appeared in Shazam as Black Adam, Johnson, as an international movie star with a huge personality, would have dominated the film in ways that probably would have been bad for it.

In the case of Black Adam the movie, it is Johnson's will that holds this film together, otherwise, it would fall apart.  The screenplay is a disaster with a plot that is a patchwork of clumsy sub-plots.  The film's pace is uneven, being a mixture of tedious action sequences and unnecessary fighting.  The characters are either barely likable or are ridiculous.  The kid character, Amon Tomaz, is actually quite nice, but his mother, Adrianna, is really irritating.

Don't get me started on the Justice Society.  As Hawkman, actor Aldis Hodge is so intense that it makes a lot of his performance seem like overacting.  [Actor Michael B. Jordan also has a problem with being too intense.]  Pierce Brosnan is embarrassing as Doctor Fate, but Brosnan's problems could be a poorly written character and crappy dialogue.  The superhero Cyclone is … tragic.  So is Atom Smasher, but actor Noah Centineo delivers Smasher's bad dialogue in a way that sounds funny.

Twice while watching Black Adam, I wanted to walk out of the film, but I was seeing it with a friend.  Black Adam seems much longer than its 124-minute running time.  At one point, I thought the film was over, so I checked my phone and discovered that there was more than a half-hour left.  I can only recommend this films to die hard fans of superhero movies and to fans of Dwayne Johnson.  I could not recommend this film to anyone else.  I'm only giving this film a “C” grade because I am a fan of Johnson and an admirer of what he has built for himself; if not for him, I don't know how much lower I would go.  I am not sure that I could watch Black Adam again, even in bits and pieces when it becomes a cable TV staple.

4 of 10
C
★★ out of 4 stars

Friday, October 21, 2022


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2016 European Film Award Winners Announced; A Real Complete Winners List

The European Film Awards recognize excellence in European cinematic achievements.  The awards are are presented annually since 1988 by the European Film Academy and are given in over ten categories, of which the most important is “European Film,” the best film of the year award.  The European Film Awards are restricted to European cinema and European producers, directors, and actors.

The 29th European Film Awards were announced on Saturday, December 10, 2016 in Wroclaw, Poland.  The EFA, in collaboration with the European Film Academy and EFA Productions, honored the greatest achievements in European cinema at the 2016 European Film Awards.

2016 / 29th European Film Awards winners:

BEST EUROPEAN FILM
“Toni Erdmann,” (Maren Ade, Germany, Austria)

BEST EUROPEAN DIRECTOR
Maren Ade, (“Toni Erdmann”)

BEST EUROPEAN ACTOR
Peter Simonischek, (“Erdmann”)

BEST EUROPEAN ACTRESS
Sandra Hüller, (“Toni Erdmann”)

BEST EUROPEAN SCREENWRITER
Maren Ade, (“Toni Erdmann”)

BEST EUROPEAN DOCUMENTARY
“Fire At Sea,” (Gianfranco Rosi, Italy, France)

BEST EUROPEAN ANIMATED FEATURE
“My Life as a Zucchini,” (Claude Barras, France, Switzerland)

BEST EUROPEAN COMEDY
“A Man Called Ove,” (Hannes Holm, Sweden, Norway)

FIPRESCI PRIZE – BEST EUROPEAN DISCOVERY
“The Happiest Day in the Life of Olli Mäki,” (Juho Kuosmanen, Finland, Sweden, Germany)

EUROPEAN UNIVERSITY FILM AWARD
“I, Daniel Blake” - Ken Loach

BEST EUROPEAN SHORT
“9 Days – From My Window In Aleppo”

EUROPEAN CO-PRODUCTION AWARD 2016
Leontine Petit

EUROPEAN SOUND DESIGNER 2016
Radosław Ochnio; 11 Minutes

EUROPEAN HAIR & MAKE-UP ARTIST 2016
Barbara Kreuzer; Land Of Mine

EUROPEAN COMPOSER 2016
Ilya Demutsky; The Student

EUROPEAN COSTUME DESIGNER 2016
Stefanie Bieker; Land Of Mine

EUROPEAN PRODUCTION DESIGNER 2016
Alice Normington; Suffragette

EUROPEAN EDITOR 2016
Anne Østerud & Janus Billeskov Jansen; The Commune

EUROPEAN CINEMATOGRAPHER 2016
Camilla Hjelm Knudsen; Land Of Mine

HONORARY AWARD OF THE EFA PRESIDENT AND BOARD
Andrzej Wajda

Lifetime Achievement Award: Jean-Claude Carrière

Achievement in World Cinema Award: Pierce Brosnan

Young Audience Award: Émilie Deleuze - Miss Impossible

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Review: Roman Polanski Spins Thrills in "The Ghost Writer"

TRASH IN MY EYE No. 74 (of 2010) by Leroy Douresseaux

The Ghost Writer (2010)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for language, brief nudity/sexuality, some violence and a drug reference
DIRECTOR: Roman Polanski
WRITERS: Roman Polanski; from an adaptation by Robert Harris (based upon the novel The Ghost by Robert Harris)
PRODUCERS: Robert Benmussa, Roman Polanski, and Alain Sarde
CINEMATOGRAPHER: Pawel Edelman (director of photography)
EDITOR: Hervé de Luze
COMPOSER: Alexandre Desplat

MYSTERY/SUSPENCE/THRILLER

Starring: Ewan McGregor, Pierce Brosnan, Kim Cattrall, Olivia Williams, Timothy Hutton, Tom Wilkinson, Jim Belushi, Robert Pugh, Jon Bernthal, Tim Preece, and Eli Wallach

In the film Green Zone, director Paul Greengrass (The Bourne Ultimatum) and Oscar-winning screenwriter Brian Helgeland presented their critique of the run-up to the Iraq War within the framework of a military action thriller starring Matt Damon.

Oscar-winning director Roman Polanski (The Pianist) and co-writer Robert Harris also have something to say about Iraq. They present their criticism of former British Prime Minister Tony Blair’s cooperation with the U.S. invasion of Iraq as a murder mystery and political thriller entitled The Ghost Writer, based upon Harris’ novel, The Ghost.

In the film, Ewan McGregor plays a successful British ghostwriter, a professional writer who is paid to write books, articles, reports, etc. that are credited to another person. He is hired by a giant American publishing house to ghostwrite the memoirs of former British Prime Minister Adam Lang (Pierce Brosnan). McGregor’s character is unnamed in the story, but he refers to himself and is known to others as “The Ghost” or “Lang’s Ghost.”

The Ghost’s agent sees this job as the opportunity of a lifetime, but this project seems doomed from the start. The Ghost’s predecessor on the project, Mike McAra, a long time aide to Lang, drowned in an apparent suicide. The Ghost arrives at Martha’s Vineyard (near Cape Cod, Massachusetts), where Lang is staying in an oceanfront house. It is the middle of winter, and The Ghost finds Lang under siege. He has been recently accused of possible war crimes by a former British foreign secretary, Richard Rycart (Robert Pugh), and now faces the threat of prosecution by the International Criminal Court.

As The Ghost works with Lang and researches the project, he discovers that Lang is surrounded by untrustworthy people, and the circle of shifty characters seems ever-widening. Lang’s political controversies bring a swarm of reporters and protestors, eventually forcing The Ghost to move into Lang’s home. There, he uncovers clues suggesting that McAra may have stumbled onto a dark secret about Lang, and The Ghost wonders if he will ultimately share McAra’s fate.

Polanski can certainly write and direct a thriller. This film is tense, and stylish, but not in a showy way. The Ghost Writer is almost always mesmerizing and often riveting. Polanski teases his audience with just enough tidbits about the characters and their pasts to keep their brains on overdrive trying to decipher the players and their actions. Sometimes, this movie is too coy about the characters and their motivations, but the atmosphere of paranoia and deceit will make you overlook any faults. The film’s smooth pace belies its ability to keep the viewer on the edge, never settled, and too busy to nitpick.

Ewan McGregor executes the perfect turn as the laconic Ghost, who views everything with a critical eye, but is also always on the lookout for clues. Olivia Williams is both vicious and vulnerable as Lang’s erratic wife, Ruth Lang, and the underrated Kim Cattrall gives a clever performance as the red herring chanteuse, Amelia Bly, Lang’s personal assistant.

Your politics or your opinions of the director may affect how you feel about this movie, but this confident thriller is perfect for those who love political intrigue. The Ghost Writer makes other recent political thriller/murder mysteries (like Edge of Darkness with Mel Gibson) look positively anemic. I won’t say that The Ghost Writer is as good as Polanski’s classic Chinatown, but this is good stuff.

7 of 10
B+

Tuesday, September 07, 2010

"Review: The Lightning Thief" a Bad Start for Percy Jackson Films

TRASH IN MY EYE No. 60 (of 2010) by Leroy Douresseaux

Percy Jackson & the Olympians: The Lightning Thief (2010)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG for action violence and peril, some scary images and suggestive material, and mild language
DIRECTOR: Chris Columbus
WRITER: Craig Titley (based upon the novel by Rick Riordan)
PRODUCERS: Michael Barnathan, Chris Columbus, Mark Morgan, Guy Oseary, Mark Radcliffe, and Karen Rosenfelt
CINEMATOGRAPHER: Stephen Goldblatt
EDITOR: Peter Honess
COMPOSER: Christophe Beck

FANTASY/ACTION/ADVENTURE

Starring: Logan Lerman, Brandon T. Jackson, Alexandra Daddario, Jake Abel, Sean Bean, Pierce Brosnan, Steve Coogan, Rosario Dawson, Catherine Keener, Kevin McKidd, Joe Pantoliano, and Uma Thurman

Percy Jackson is a fictional character and the star of the book series, Percy Jackson & the Olympians from author Rick Riordan. Percy is a demigod, the child of a god and a human. Perseus “Percy” Jackson’s father is Poseidon, the Greek god of the sea, and his mother is Sally Jackson, a mortal. The movie Percy Jackson & and the Olympians: The Lightning Thief is based on the first novel in the series, The Lightning Thief (2005)

Seventeen-year-old Percy Jackson (Logan Lerman) lives with his mother Sally Jackson (Catherine Keener) and his obnoxious, smelly stepfather, Gabe Ugliano (Joe Pantoliano), but he is clueless about who he really is. That’s about to change, because a war is brewing among the gods of Olympus. The master bolt, the lightning bolt that Zeus (Sean Bean) uses to create other lightning, has been stolen. Zeus believes the lightning thief is the son of his brother, Poseidon (Kevin McKidd), none other than Percy Jackson.

Meanwhile, Percy has the truth about his origins forced upon him. He is a demigod and even his best friend, Grover Underwood (Brandon T. Jackson), is a satyr and his protector. Percy immediately leaves his old life behind to attend Camp Half-Blood, a training camp for demigods. There, he meets other children of the gods, including the furious fighter, Annabeth Chase (Alexandra Daddario), the daughter of the goddess Athena. When Hades (Steve Coogan), the brother of Zeus and Poseidon, kidnaps Sally in order to force Percy to give him the bolt, Percy, Gabe, and Annabeth begin a quest to Underworld to rescue Percy’s mother. But they must also find the lightning thief before a war of the gods destroys the world.

Obviously, Percy Jackson stands in the shadowy of that other star of children’s fantasy literature, Harry Potter. Although Percy Jackson & the Olympians: The Lightning Thief is directed by Chris Columbus, the man who directed the first two Harry Potter films and produced the third, this is no Harry Potter movie.

Percy Jackson & the Olympians: The Lightning Thief just doesn’t match the quality of a Harry Potter movie, and it doesn’t even offer a great villain like Potter’s enemy, You-Know-Who. Even if I didn’t compare this Percy Jackson movie to a Harry Potter movie, Percy would still be judged as a mediocre film. The action scenes are quite entertaining, but when the film isn’t offering action, for instance, when the story focuses on character drama, it is a disaster.

The acting is acceptable, but unspectacular, and Brandon T. Jackson as the satyr Grover certainly tries to bring some levity to this stiff special effects-heavy fantasy – with, at best, mixed results. A cool sequence with Uma Thurman, however, is this movie’s best moment and is worth seeing even if you avoid the rest of the movie. Percy Jackson & the Olympians: The Lightning Thief isn’t bad. It’s just another passable fantasy film aimed at children and their parents.

5 of 10
C+

Tuesday, August 03, 2010

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"Die Another Day" Mixes Bond Tradition with Loud Action

TRASH IN MY EYE No. 35 (of 2002) by Leroy Douresseaux


Die Another Day (2002)
Running time: 133 minutes (2 hours, 9 minutes)
MPAA – PG-13 for action violence and sexuality
DIRECTOR: Lee Tamahori
WRITERS: Neal Purvis and Robert Wade
PRODUCERS: Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER: David Tattersall (director of photography)
EDITORS: Andrew MacRitchie and Christian Wagner
SONG: “Die Another Day” by Madonna-music/lyrics and Mirwais Ahmadzaï-music
Golden Globe nominee

ACTION/ADVENTURE/THRILLER

Starring: Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike, Rick Yune, Judi Dench, John Cleese, Michael Madsen, Will Yun Lee, Kenneth Tsang, Samantha Bond, and Madonna (no screen credit)

Die Another Day, Pierce Brosnan’s fourth outing as James Bond, Agent 007, is the twentieth film version of Ian Fleming’s classic secret agent/super spy, and many think that the venerable character is showing his age and signs of wear. The issue is merely one of competition. Over the years stunt coordination and computer technology advanced so much that Bond’s low-fi action looked dated next to bigger and louder explosions of other action heroes, secret agents, and troubleshooters.

By the late Eighties, pumped up action thrillers had run Bond out of town; The Living Daylights and License to Kill were not hits and Bond needed a makeover. Post James Cameron’s True Lies, Brosnan became Bond and his first outing, Goldeneye, exploded out of the gate. It wasn’t very good, being more action movie cum video game than secret agent/spy thriller. Maybe the concept is dated and the character a bit long in the tooth, but the producers can still find away to make an exciting action hit.

Die Another Day is high-octane action movie, and it is better than The World is Not Enough and almost as good as Tomorrow Never Dies, the third and second Brosnan Bond films respectively.

The first half is closer in tone to the old Bond. North Korea captures and tortures Bond for 14 months. After his captors work a deal to free him, his masters at M6 cut him loose because they believe the North Koreans broke him during interrogation. Separated from his future tech arsenal and his agency, Bond has to rely on his wits, his smarts, and his experience. The viewer gets to see just how good Bond is and how dangerous a rogue he can be even without an agency to back him. Brosnan was always convincing as Bond. He could be the suave lover and charming chameleon that he needs to be in order to get into places and into people’s heads. Brosnan could also instantly become the ruthless killing machine that is the mark of an agent with a double “O” license.

Bond also meets a mysterious American, Jinx, played to full sexual tilt by Academy Award winner Halle Berry (Monster’s Ball). Together they pursue the pompous Gustav Graves (Toby Stephens), a wealthy jetsetter with the usual world beating schemes. Graves is actually a very good and charming villain, and he has a dangerous sidekick, Zao (Rick Yune).

Much of the second half of the film is borderline, pure sci-fi, but in the hands of Lee Tamahori (Along Came a Spider), the action is intense and has the wall-to-wall ferocity of anime (Japanese animated films) and mania of a comic book. The script by Neal Purvis and Robert Wade, the screenwriters of The World is Not Enough, is well written and does a good job straddling two film genres – espionage and action. Though the movie runs a bit long, the thrills of the second half are well choreographed and relentless.

Die Another Day has some excellent small parts: John Cleese, in his best outing as Q, Judi Dench as the dour M, and Michael Madsen, always a welcome sight as a tough guy, who should have had a bigger part.

The movie is part secret agent thriller and part loud cartoon. I would like to see more of the former, but, on the whole, it is a very entertaining film and a near perfect film for people who just love loud action movies.

7 of 10
B+

NOTES:
2003 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Madonna-music/lyrics and Mirwais Ahmadzaï-music for the song "Die Another Day")
2003 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actress” (Halle Berry)