Review: Prime Video's "WITHOUT REMORSE" is a Michael B. Jordan Showcase

TRASH IN MY EYE No. 20 of 2025 (No. 2026) by Leroy Douresseaux

Without Remorse (2021)

Running time:  108 minutes (1 hour, 48 minutes)

Rating: MPA – R for violence

DIRECTOR: Stefano Sollima

WRITERS:  Taylor Sheridan and Will Staples; from a screen story by Taylor Sheridan and Will Staples (based on the novel by Tom Clancy)

PRODUCERS:  Michael B. Jordan, Josh Appelbaum, Akiva Goldsman, and Andre Nemec

CINEMATOGRAPHER:  Philippe Rousselot (D.o.P.)

EDITOR:  Matthew Newman

COMPOSER:  Jon Thor Birgisson

ACTION/THRILLER

Starring:  Michael B. Jordan, Jodie Turner-Smith, Jamie Bell, Lauren London, Jacob Scipio, Todd Lasance, Jack Kesy, Lucy Russell, Brett Gelman, Colman Domingo, and Guy Pearce

Without Remorse is a 2021 American action and military thriller directed by Stefano Sollima and starring Michael B. Jordan, who is one of this film's producer.  Also known as Tom Clancy's Without Remorse, the film is loosely based on the 1993 novel, Without Remorse, from author Tom Clancy (1947-2013).  Without Remorse was originally produced by Paramount Pictures, which was set to release it.  After some delays, Amazon Studios acquired the film and released it as a “Prime Video” original on April 30, 2021.  Without Remorse the movie focuses on a Navy SEAL who seeks to avenge his wife's murder only to find himself inside of a larger conspiracy.

Without Remorse opens in Aleppo, Syria and introduces Senior Chief Petty Officer John Kelly (Michael B. Jordan).  He is a member of a U.S. Navy SEALs team on a mission to rescue a CIA operative taken hostage by a para-military group.  The situation escalates as the SEALs discover that the captors are actually Russian military, and Kelly becomes suspicious of CIA Agent Robert Ritter (Jamie Bell), who led this rescue mission.

Three months later, Kelly is living in Washington D.C. with his pregnant wife, Pam (Lauren London), when Russian FSB operatives invade their home and kill Pam and their unborn child.  The attack is part of a series of attacks on members of the SEAL team that took part in the Aleppo mission.  With the blessing of his SEAL team leader, Lt. Commander Karen Greer (Jodie Turner-Smith), and Secretary of Defense Thomas Clay (Guy Pearce), Kelly joins a mission led by Greer and Ritter to Murmansk, Russia.  There, Kelly hopes to avenge his wife, but he is about to discover that he is really just a pawn in a wide-ranging conspiracy that may lead to a war between the U.S. and Russia.

The late Tom Clancy was a prolific author of military-style action adventures and thrillers.  I have not read any of his books, although I actually had or have copies of a few of them.  Of the six feature films adapted from Clancy's work, I have previously watched and reviewed three:  The Hunt for Red October (1990), Clear and Present Danger (1994), and Jack Ryan: Shadow Recruit (2014).  I saw Patriot Games when it was originally released to theaters back in 1992, but I have never reviewed it.  Concerning Without Remorse, I would put it behind Clear and Present Danger, which is one of my all time favorite films (as well as being a favorite of my late mother's), and The Hunt for Red October, which has stood strong over the years.

Without Remorse has a riveting battle scenes and shoot outs.  Sometimes, I felt as if I was also there in the film ducking certain death and bullets.  Without Remorse's director Stefano Sollima makes excellent use of his film editor, sound team, and stunt performers.  I am surprised that the intense and gripping action did not earn Without Remorse better reviews than it received.

There are reasons for that.  The film's labyrinth of conspiracies ties the film's narratives in knots and confuses things.  Sometimes, I had trouble keeping up with all the Russian bad guys and how they fit in as threats to the U.S. and to the Navy SEALs.  Kelly's quest for vengeance and his relationship with Lt. Commander Greer have depth and weight, but most of the other characters are more espionage and military adventure stereotypes than they are full-formed and interesting characters.

Truthfully, I mainly wanted to catch up on my Michael B. Jordan films in the wake of seeing him star in director Ryan Coogler's incredible recent film, Sinners.  Its imperfections aside, I really enjoyed Without Remorse and found it to be a very good and very entertaining film in a number of ways.  I look forward to the planned sequel.

B+

7 of 10

★★★½ out of 4 stars

Sunday, April 27, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: Prime Video's "G20" Showcases Viola Davis and Black Excellence

TRASH IN MY EYE No. 16 of 2025 (No. 2022) by Leroy Douresseaux

G20 (2025)

Running time:  108 minutes (1 hour, 48 minutes)

MPA – R for violence throughout

DIRECTOR: Patricia Riggen

WRITERS:  Caitlin Parrish & Erica Weiss and Logan Miller & Noah Miller; from a story by Logan Miller & Noah Miller

PRODUCERS:  Viola Davis, Andrew Lazar, and Julius Tennon

CINEMATOGRAPHER:  Checco Varese (D.o.P.)

EDITORS:  Doc Crotzer and Emma E. Hickox

COMPOSER:  Joseph Trapanese

ACTION/THRILLER

Starring:  Viola Davis, Anthony Anderson, Ramon Rodriguez, Marsai Martin, Christopher Farrar, Antony Starr, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, MeeWha Alana Lee, John Hoogenakker, Julius Tennon, Theo Bongani Ndyalvane, Noxolo Diamini, and Clark Gregg

SUMMARY OF THE REVIEW:

-- I would call G20 a standard straight-to-streaming action movie, but Viola Davis makes this fast food hamburger almost seem like “USDA Prime Beef.”

-- G20 is hugely enjoyable, and it will keep you glued to your seats, dear readers, from beginning to end

--Yeah, I liked it enough to hope for a sequel

G20 is a 2025 action-thriller from director Patricia Riggen and starring Viola Davis, who is also one of the film's producers.  The film is an Amazon “Prime Video Original” and debuted on the Prime Video streaming service, Thursday, April 10, 2025.  In G20, the African-American female President of the United States battles a gang of white cryptocurrency terrorists after they take over the G20 summit she is hosting in South Africa.

G20 opens in Budapest, Hungary.  There, former Australian Special Forces Corporal Edward Rutledge (Antony Starr) and his mercenaries are stalking a young woman.  They are determined to acquire a $70 million cryptocurrency wallet in her possession.

Meanwhile, at the White House in Washington D.C., U.S. President Danielle Sutton (Viola Davis) is having some family melodrama.  She may be President of the United States and an Army veteran of the Iraq War, but she  is publicly embarrassed by the rebellious antics of her daughter, Serena (Marsai Martin), who has recently escaped from the White House without the Secret Service noticing.

President Sutton and her husband, the “First Gentleman” Derek (Anthony Anderson), decide that it is wisest to bring Serena and her brother, their son Demetrius (Christopher Farrar), with them to Capetown, South Africa for the G20 Summit of world leaders.  However, waiting for them at the heavily fortified Grand Diamot hotel is Corporal Rutledge and his team of terrorists, ready to seize control of the summit and bring down the world economy as we know it.  Soon, it will be up to President Sutton, Derek, Serena, Demetrius, and Special Agent Manny Ruiz (Ramon Rodriguez) to save themselves and the Summit's attendees and to stop Rutledge and his diabolical plot to burn down the world as we know it.

During the last year or so, I have seen a few star-studded, streaming original action movies, such as Prime Video's Role Play (2024) and Netflix's The Union (2024) and the recent Back in Action (2025).  I have avoided most streaming action movies, but I have noticed something about the ones I have seen.  They are a family and friends affair.  Husbands and wives, children, and friends come together to stop the high-tech bad guys.  In a way, they are like the 2004 kiddie action flick, Catch That Kid, which you probably don't remember starred a pre-Twilight Kristen Stewart.

Anyway, G20 has lots of violent gun play, and I would dare to guess that more characters were killed in it than in most spy and espionage movies.  That's because G20 is a kind of hybrid military-themed movie about terrorism, except that the lead is a Black female President of the United States.  She is the star and she does the most killing, and while her Black husband and their two Black children also fight the bad guys, only she uses firearms and military-style weapons to kill the bad guys.

I found G20 thoroughly enjoyable, and I enjoyed watching Viola Davis' President Sutton kill the bad guys.  She is one of the few actresses that could take President Sutton and make her both a solid dramatic character and a heavy weight action hero.  I also like that the most of film's biggest heroes are black and brown people.  Viola Davis, Anthony Anderson, Ramon Rodriguez, Marsai Martin, Christopher Farrar, Theo Bongani Ndyalvane and Noxolo Diamini show out for real.  Douglas Hodge, Sabrina Impacciatore, and MeeWha Alana Lee also do the damn thing.  Even Antony Starr deftly chews up the screen as the overheated villain, Corporal Rutledge.

Amazon MGM Studios, I want a sequel.  I heartily recommend G20 for its pure entertainment value and for making a violent, R-rated action movie seem like family entertainment.  This is one time that I can say that a direct-to-streaming action movie is as good as most of the flashy action movies that get theatrical releases.  Best of all, G20 lets Viola David act like an O.G.

B+

7 of 10

★★★½ out of 4 stars

Tuesday, April 15, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: Tyler Perry's "DUPLICITY" - Come On, Man

TRASH IN MY EYE No. 14 of 2025 (No. 2020) by Leroy Douresseaux

Tyler Perry's Duplicity (2025)

Running time:  109 minutes (1 hour, 49 minutes)

MPA – R for language and violence

WRITER/DIRECTOR:  Tyler Perry

PRODUCERS:  Tyler Perry, Angi Bones, and Will Areu

CINEMATOGRAPHER:  Corey Burmester (D.o.P.)

EDITOR:  Larry Sexton

COMPOSERS:  JimiJame$ and Wow Jones

DRAMA/THRILLER/CRIME

Starring:  Kat Graham, Meagan Tandy, Tyler Lepley, RonReaco Lee, Joshua Adeyeye, Nick Barrotta, Jimi Stanton, Shannon LaNier, Kim Steele, Betty Mitchell, Angela Halili, and Kearia Schroeder

SUMMARY OF THE REVIEW:

-- Tyler Perry's Duplicity is for Tyler Perry's hardcore fans

-- The last 20 minutes of “Duplicity” are by far the best, but they are also filled with implausible and crazy crap, too

Tyler Perry's Duplicity is a 2025 drama and crime thriller from writer-director Tyler Perry.  The film is an Amazon “Prime Original,” and it began streaming on the service April 20, 2025.  Duplicity finds a high-powered attorney taking on her most personal case when she attempts to find the truth behind the fatal shooting of an unarmed Black man by a White police officer.

Duplicity opens in Atlanta, Georgia and introduces the high-powered female attorney, Marley Wells (Kat Graham).  Her best friend is Fela Blackburn (Meagan Tandy), a co-anchor for the television station, Channel 3's “Early for Us” morning TV show.  One day, while jogging, Fela's husband, Rodney (Joshua Adeyeye), is shot and killed by a white rookie police officer, Caleb Kaine (Jimi Stanton).

Marley becomes the grieving widow, Fela's attorney, and suddenly she is taking on the city in a wrongful death civil suit.  Marley's boyfriend, Tony (Tyler Lepley), a private investigator and disgraced former police officer, helps her investigate the case.  Fela's Channel 3 colleagues – Shannon Markus (Shannon LaNeir), her co-anchor, and Sam (Nick Barrotta), the station's chief investigator – also volunteer their services for Marley's investigation.

The fatal police shooting of Rodney becomes a hot-button political issue and protests and violent riots erupt.  The case seems to be going in Marley and Fela's favor, but Marley is soon forced to stop ignoring the troubling signs and unanswered questions that surround the shooting.

I thought that Mea Culpa, a “Netflix Original” film released in February 2024, was likely Tyler Perry's craziest non-Madea film to date, being even wackier than his 2013 film, Temptations: Confessions of a Marriage Counselor.  However, Perry's 2024 Amazon Prime Video drama-thriller, Divorce in the Black, released mere months after Mea Culpa, is Perry's craziest non-Medea film, at least of the ones I have seen.  Perry's latest Prime Video film is not quite as crazy as Divorce in the Black, but neither is a good film (although I would say that Divorce in the Black is a little better than Duplicity).

Duplicity is simply an empty film, and I think the reason is the screenwriting.  Watching this film, I got the idea that Tyler Perry wasn't trying very hard, either as a director or writer, and especially not as a writer.  One of the reasons the performances seem so listless is that the actors really don't have much with which to work in terms of story or character.  Also, Duplicity really is not a police shooting movie, nor a “Black Lives Matter” movie, nor even social commentary, for that matter (despite some flatly delivered “commentary” at the end).  I can't say much more than that.

The last 20 minutes of the Duplicity are by far the most watchable, but even those minutes are filled with implausible and frankly inadvertently comical moments.  However, I must admit that there is a particular set of violent acts in the last act that are cathartic.  Ultimately, Tyler Perry's Duplicity is for Tyler Perry's biggest fans – alone.

3 of 10

D+

★½ out of 4 stars

Saturday, April 5, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: Tyler Perry's "DIVORCE IN THE BLACK" is Shamelessly Shameless

TRASH IN MY EYE No. 60 of 2024 (No. 2004) by Leroy Douresseaux

Divorce in the Black (2024)

Running time:  143 minutes (2 hours, 23 minutes)

MPA – R for language, some sexual content and violence

WRITER/DIRECTOR:  Tyler Perry

PRODUCERS:  Will Areu, Tyler Perry, Angi Bones, Diane Ashford, and Meagan Good

CINEMATOGRAPHER:  Michael Watson (D.o.P.)

EDITOR:  Storm Evans

COMPOSER:  Sheri Chung

DRAMA/THRILLER

Starring:  Meagan Good, Cory Hardrict, Joseph Lee Anderson, Taylor Polidore, Shannon Wallace, Richard Lawson, Debbi Morgan, Mark Elliot Brewer, Rakeem Laws, Berry Williams, Jr., Jeffrey Creightney, and Ursula O. Robinson

Divorce in the Black is a 2024 drama and thriller from writer-director Tyler Perry.  The film is an Amazon “Prime Original,” and it began streaming on the service July 11, 2024.  Divorce in the Black follows a young woman who is left heartbroken after her husband abandons their marriage.

Divorce in the Black introduces 37-year-old Ava (Meagan Good).  She is the daughter of a preacher, Clarence (Richard Lawson) and a demur church-going woman, Gene (Debbi Morgan).  Ava married Dallas Bertrand (Cory Hardrict), one of five sons from a family of trifling Negroes who were raised (not reared) by their obnoxious mother, Linda (Ursula O. Robinson)

Ava and Dallas's marriage was troubled from the start and is troubled now.  The recent troubles begin with the funeral of Dallas' 39-year-old brother, Cody Bertrand, who had just been released from prison when someone he attempted to mug shot him to death.  Ava's preacher father, Clarence, officiates the funeral, and he believes that he cannot lie and act as if Cody had been a decent person.  Clarence's words about Cody lead the Bertrands to commit a horribly disgusting act in order to put an end to the funeral service.

Shortly after the funeral, Ava and Dallas return to their home in Atlanta.  Dallas is feeling resentful, mainly egged on by his remaining brothers and his mother.  He tells Ava that he wants a divorce and that he has already taken care of everything.  He says all she needs to do is sign the divorce papers.  Ava is heartbroken and grief-stricken by this terrible turn of events.  She returns to her parents home in rural Georgia.  Eventually, she finds solace and friendship by reuniting with an old friend, Benji (Joseph Lee Anderson), which could turn romantic.  Dallas, however, starts to feel cheated when he discovers that Ava and Benji are seeing each other, and he begins to grow increasingly violent.  Now, Ava will have to make the toughest decisions of her life.

I thought that Mea Culpa, a “Netflix Original” film released in February (2024), was likely Tyler Perry's craziest non-Madea film to date, being even wackier than his 2013 film, Temptations: Confessions of a Marriage Counselor.  Now, I'm declaring that Divorce in the Black, released mere months after Mea Culpa, is Perry's craziest film.  In many ways, Divorce in the Black is not a good film.  After its jaw-dropping opening act, the film's narrative has a hard time finding its footing.  It meanders, mostly focusing on Ava's grief over the sudden divorce announcement.

[Apparently, “divorce in the black” means a divorce in which you gain something or remain in the positive after the conclusion.  “Divorce in the red” means to lose something or end up in the negative after it is all over.]

Divorce in the Black redeems itself with an entertainingly outrageous and outrageously entertaining last act.  I wouldn't call Dallas' actions throughout the film over-the-top.  They're quite believable, and, in fact, I've known or heard of men like him.  What makes the ending of Divorce in the Black so satisfactory is Ava's change in attitude and Dallas' comeuppance.  I can't remember the last time I so enjoyed an African-American male character suffering something similar to Dallas' fate.  However, dear readers, you have to wade through a lot of mixed-bag storytelling and almost two hours of questionable runtime to get to the end's immense satisfaction.

I mainly watched Divorce in the Black because I wanted to do some Tyler Perry catch-up before I watched his latest “Netflix Original,” the historical drama, The Six Triple Eight.  So I judge Divorce in the Black as mainly being fit for fans engaged in watching most of, if not all, of Perry's filmography.

5 of 10

C+

★★½ out of 4 stars

Tuesday, December 24, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from July 21st to 31st, 2024 - UPDATE #19

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

ENTERTAINMENT AND CULTURE NEWS:

DISNEY - From Deadline:  Layoffs at Disney Entertainment Television have begun with 140 people let go. National Geographic lost 60 employees - 13 percent of its staff.

TELEVISION - From Variety:  NBC expects to surpass 1.25 billion dollars in advertising sales from its broadcast of the Paris Olympics. It previously reached 1.25 billion in the 2021 Tokyo Olympics.

MOVIES - From BBC:  The site looks at the "10 best films to watch in August," from Alien Romulus to "The Crow."

BOX OFFICE - From BoxOfficePro: The winner of the 7/26 to 7/28/2024 weekend box office is Disney/Marvel Studios' Deadpool & Wolverine with an estimated take of 205 million dollars.

From Variety:   Deadpool vs. Wolverine had a 96 million dollar opening day (Fri., July 26th). It's the largest for an R-rated film and the sixth largest of all time.

From THR:  Disney/Pixar's "Inside Out 2" has now surpassed Disney's "Frozen II" as the all-time highest grossing animated film at the global box office.  It's 1.462 billion dollars passed the "Frozen" sequel's 1.451 billion dollars. 

STAR TREK - From Deadline:  Akiva Goldsman says that "Star Trek" might be staged as a musical.

AMAZON - From Deadline:  Amazon MGM Studios has confirmed that it has hired former Netflix Chairman of Film and former Vice Chairman of Universal, Scott Stuber, to revive the "United Artists" label for them.  Tom Cruise and Paula Wagner also tried to revive United Artists about 16 years ago.

STREAMING - From Deadline:  Apple Original Films has won the auction for the rights to adapt author Jonathan Tropper's short story, "The Corsair Code." Tropper will adapt the story, which is attached to actor Chris Hemsworth.

TELEVISION - From Variety:  AMC and AMC+'s "The Terror" Season 3 rounds out its cast with CCH Pounder, Judith Light, and Stephen Root.

POLITICS - Variety:  Hollywood donors feel tremendous enthusiasm for Democratic Presidential candidate, Vice-President Kamala Harris.

From THR:  Netflix's Reed donates $7 million dollars to VP Kamala Harris' election campaign.

FILM FESTIVALS - From Deadline:  The full lineup of films for the 81st Venice Film Festival have been announced, and among the big names is "Joker: Folie a Deux."  The festival runs from August 28th to September 7th, 2024.

From Deadline:  The 49th edition of the Toronto International Film Festival announced its full lineup of "Galas 2024" and "Special Presentations 2024," and which amounts to 63 films from 25 countries.  Many include films are from celebrated directors and star some of the biggest names in domestic and international cinema.  TIFF 2024 runs September 5th to 15th, 2024.

MOVIES - From Deadline:  Recent Oscar winner Brendan Fraser ("The Whale") will portray Supreme Allied Commander Dwight D. Eisenhower in Working Title and Studiocanal‘s upcoming D-Day movie, "Pressure."

AMAZON - From Deadline:   Amazon Prime Video has taken another big leap into the UK film and TV industry by acquiring Bray Film Studios, the 70-year-old studios where "Lord of the Rings: The Rings of Power" is filmed.

BOX OFFICE - From BoxOfficePro:  The winner of the 7/19 to 7/21/2024 weekend box office is Universal's "Twisters" with an estimated take of 80.5 million dollars.

POLITICS - From Variety:  President Joe Biden has ended his re-election bid.

From TheAtlantic or RSN:  Just in cast you'd forgotten J.D. Vance's critique, "Opioid of the Masses," of his now running mate, Donald Trump, here are two sources where you can enjoy it.

MOVIES - From Deadline:  2024 marks the 25th anniversary of the release of "Eyes Wide Shut" (1999), director Stanley Kubrick's final film.  The film starred Tom Cruise and Nicole Kidman, who were married at the time of the film's production and release.  Recently, Kidman talked about how Kubrick found inspiration in the marriage for his film.

STREAMING - From Deadline:  Paramount+ has cancelled "Halo," its video game adaptation, after two seasons.

Review: Prime Video's "THE UNDERDOGGS" is Vulgar, Funny and Holds The Titty

TRASH IN MY EYE No. 5 of 2024 (No. 1949) by Leroy Douresseaux

The Underdoggs (2024)

Running time:  96 minutes (1 hour, 36 minutes)

MPA – R for pervasive language, sexual references, drug use, and some underage drinking

DIRECTOR: Charles Stone III

WRITERS:  Danny Segal and Isaac Schamis

PRODUCERS:  Kenya Barris, Mychelle Deschamps, Jonathan Glickman, Constance Schwartz-Morini, and Calvin Broadus (Snoop Dogg)

CINEMATOGRAPHER:  Mitchell Amundsen (D.o.P.)

EDITOR:  Paul Millspaugh

COMPOSER:  Joseph Shirley

COMEDY/SPORT

Starring:  Snoop Dogg, Tika Sumpter, Mike Epps, Elias Ferguson, Jonigan Booth, Caleb Cm Dixon, Adan James Carrillo, Alexander Michael Gordon, Kylah Davila, Andrew Schulz, Thom Scott II, Kal Penn, Kandi Burruss, Tony Gonzalez, Terry Bradshaw, and George Lopez

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SUMMARY OF THE REVIEW:

--Snopp Dogg is excellent is this truly funny sports comedy.

--This film has a lot of profanity and bad behavior, and their reference to sex acts and sex organs is plentiful.  It's family comedy that is not appropriate for viewing, unless the family is a bit daring.

--The Underdogg's scatological tale of a washed up, arrogant coach and a group of kids who know mostly disappointment does not come across as corny or phony.  The Underdoggs keeps it real, perhaps, too real sometimes.

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The Underdoggs is a 2024 sports comedy film from director Charles Stone III.  The film is an Amazon “Prime Original” that began streaming on “Prime Video” January 26, 2024.  The Underdoggs follows a washed-up former professional football player who decides to coach a peewee football team as way to regain his fame only to learn some important live lessons.

The Underdoggs opens at the “California High School State Championship 1997.”  Jaycen "Two J's" Jennings (Elias Ferguson) is the star wide receiver at Long Beach Polytechnic High School, and by catching the “Hail Mary” pass thrown his way, he wins the state championship for his school.  Jaycen goes on to be a star professional football player, but his ego eventually gets him tossed from the professional ranks.

Now, Jaycen Jennings (Snopp Dogg) is a washed-up ex-professional football star – an arrogant washed up former football star, and the days of being “Two J's” are behind him.  Still, he is desperately trying to hang onto fame, hopefully by landing a plum gig hosting his own Fox Sports TV show.  However, Jaycen hits rock bottom when he is sentenced to community service after an accident.

Eventually, he finds his way to the Los Angeles County Community Outreach Program, where he decides to coach a peewee football squad, a group of poor kids known as “the Green Team.”  Jaycen, however, sees this as a chance to get what he wants, but will he be forced to really give these kids what they need – a coach that cares?

I am shocked by how much I really like The Underdoggs.  Of course, the screenplay by Danny Segal and Isaac Schamis (from a pitch by Snoop Dogg and fellow producer, Constance Schwartz-Morini) revisits familiar territory.  The tale of a fallen coach, mentor, or role model and his team of poor kids, outcasts, and assorted misfits has played out in such films as The Bad News Bears (1976) and Role Models (2008).  The Mighty Ducks (1992), which is referenced in The Underdoggs, is apparently a similar film, but I have never seen it (nor have I ever wanted to).

I have been a long-time fan of Snopp Dogg, and perhaps because of serendipity, he is perfect as an actor is this story of underdogs.  I like that the film allows Jaycen to stay true to himself while also evolving, but the children also keep it real while learning to take pride in themselves and in their efforts.  In this way, The Underdoggs is a perfect, lesson-heavy, family film, but...

The Underdoggs is rated “R” by the MPA for “pervasive language, sexual references, drug use, and some underage drinking,” and alla' that shit is actually in the film, sometimes in large quantities.  There is even a funny “disclaimer” at the beginning of The Underdoggs that basically says that today's children use the same profane words spoken in the film.  Perhaps, the filmmakers' argument is this is indeed a thoroughly modern family-friendly film.  I think the “F-bomb” is said in The Underdoggs seemingly more than one hundred times.  So its appropriateness will vary from family to family, respective of decorum and personal tastes.  I have to admit that I was uncomfortable with the amount of profanity and bad behavior in this film, but...

I still laughed a lot.  The Underdoggs is uproariously funny.  I think Mike Epps as Kareem, Jaycen's friend who becomes his assistant coach, and Tika Sumpter as Cherise Porter, who was Jaycen's high school girlfriend, make the best of characters that are not that well written.  Epps is always a scene-stealer in everything from comedy to action to horror, and he grabs all he can here.  Sumpter makes Cherise an effective moral check on Jaycen's selfishness.

In the end, I feel totally comfortable recommending The Underdoggs to adult and older teen viewers.  It is one of the funniest films of the new year, so far.  I think some young viewers will be crazy about The Underdoggs, whether their parents approve or not.

A-

7 of 10

★★★½ out of 4 stars

Tuesday, February 6, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: Prime Video's "ROLE PLAY" Offers an Odd Couple

TRASH IN MY EYE No. 4 of 2024 (No. 1948) by Leroy Douresseaux

Role Play (2024)

Running time:  101 minutes (1 hour, 41 minutes)

MPA – R for violence and language

DIRECTOR: Thomas Vincent

WRITER:  Seth Owen

PRODUCERS:  Kaley Cuoco, Alex Heinenman, and Andrew Rona

CINEMATOGRAPHER:  Maxime Alexandre (ASC)

EDITOR:  Gareth C. Scales

COMPOSER:  Rael Jones

ACTION/THRILLER/COMEDY

Starring:  Kaley Cuoco, David Oyelowo, Connie Nielsen, Rudi Dharmalingam, Lucia Aliu, Regan Bryan-Gudgeon, Jade-Eleena Dregorius, Stephanie Levi-John, and Bill Nighy

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SUMMARY OF THE REVIEW:

--Role Play is somewhat similar to the Brad Pitt-Angelina Jolie film, Mr. & Mrs. Smith (2005), which was a big-budget action-comedy.  Role Play is a smaller scale action-thriller with darker, edgier humor.

--Kaley Cuoco and David Oyelowo are an odd pairing, and for at least half of this film, they seem miscast in their roles.

--Role Play is an average, entertaining film that is better suited for Prime Video than it is for the big screens of a local movie theater.  Still, the last half hour of the film really intensifies.

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Role Play is a 2024 action-thriller and black comedy film from director Thomas Vincent.  The film is an Amazon “Prime Original” that began streaming on “Prime Video” January 12, 2024.  Role Play focuses on an assassin whose secret life intrudes on her life as a suburban wife and mother.

Role Play introduces Emma Brackett (Kaley Cuoco).  She is married to Dave Brackett (David Oyelowo) and is now the mother to his son from his first marriage, Wyatt (Regan Bryan-Gudgeon), and is mother to the daughter, Caroline (Lucia Aliu), she had with Dave.  Emma and Dave have been married seven years and are living in New Jersey.  But Emma has forgotten their anniversary because she was busy overseas killing someone and not in Nebraska, as she told her husband.

To make up for forgetting their anniversary, Emma suggests that they spice things up by engaging in some romantic role play at “the Royal Grand” hotel in New York City.  The fun, however, is interrupted by Robert “Bob” Kitterman (Bill Nighy), who is actually a rival assassin out to claim a bounty placed on Emma by her former agency, Sovereign.  Emma is forced to reveal her real self – Anna Peller, professional killer.  Now, her past has returned to reclaim her.

Dear readers, as soon as you read Role Play's synopsis, you will likely think of the hit 2005 film, Mr. & Mrs. Smith.  Directed by Doug Liman, the action-comedy film stars Brad Pitt and Angelina Jolie.  They play a bored upper middle class couple, but both are actually assassins working for competing agencies.  One day, they are assigned to kill each other.

Role Play is described as an action-comedy, but it is truthfully an action-thriller and dark comedy.  The film does have a comic undertone; there are some genuinely funny moments; and the film's musical score by Rael Jones is action-comedy pitch perfect.  Role Play, however, features several violent fight scenes and brutal killings, in addition to its offbeat sensibility.

One reason is the casting.  Kaley Cuoco is best known for playing the role of “Penny” on CBS's long-running, former sitcom, “The Big Bang Theory” (2007-19).  I found it a little difficult to picture her as an assassin or professional killer.  David Oyelowo is known for his serious dramatic roles in such films as Red Tails (2012) and Selma (2014), as well as for his role in the recent Paramount+ Western television miniseries, Lawmen: Bass Reeves (2023).  For about the first hour of the film, I did not find him convincing as the clueless suburban husband.

However, once Anna Peller's cover as Emma is blown, Cuoco is forced to give it her all trying to convince the audience that she is a killer, and suddenly sitcom Penny seems quite dark, indeed.  Also, it is then that Oyelowo can drop the hubby routine and become the spousal partner-in-crime.  In the last half hour to 40 minutes of the film, Emma and Dave actually become funnier characters.  Then, Role Play takes on its action-thriller aspects with gusto.

Director Thomas Vincent makes the most of the film's more intense moments, giving Seth Owen's screenplay, which probably had more juice on the printed page, a jolt.  Role Play is the kind of easy-going film that could not make it as a theatrical release, but it makes for an entertaining streaming film, especially once the leads really start to... play their roles.

B-

5 of 10

★★½ out of 4 stars

Wednesday, January 31, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "SALTBURN" is not Salty, nor Does it Burn

TRASH IN MY EYE No. 1 of 2024 (No. 1945) by Leroy Douresseaux

Saltburn (2023)

Running time: 131 minutes (2 hours, 11 minutes)

MPA – R for strong sexual content, graphic nudity, language throughout, some disturbing violent content, and drug use.

WRITER/DIRECTOR:  Emerald Fennell

PRODUCERS:  Emerald Fennell, Josey McNamara, and Margot Robbie

CINEMATOGRAPHER:  Linus Sandgren (D.o.P.)

EDITOR:  Victoria Boydell

COMPOSER:  Anthony Willis

DRAMA/COMEDY

Starring:  Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Archie Madekwe, Alison Oliver, Sadie Soverall, Paul Rhys, and Carey Mulligan

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REVIEW SUMMARY:

-- The new film from the writer-director of Emerald Fennell has an intriguing premise and is actually intriguing for about its first hour.

-- Their are few good performances, particularly by Jacob Elordi, Rosamund Pike, and Archie Madekwe. Sadly, the movie focuses on its least interesting character, Oliver Quick, played by one of the hottest dull actors around, Barry Keoghan.

-- Saltburn is mainly for adventurous movie fans. Viewers looking to be entertained may want to look for a movie that is less stiff.

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Saltburn is a 2023 psychological drama and black comedy from writer-director Emerald Fennell.  The film follows a new student at Oxford University who is drawn into the world of a charming and aristocratic classmate, which leads to a tragic summer at the classmate's family's sprawling estate.

Saltburn  introduces Oliver Quick (Barry Keoghan), a scholarship student at Oxford University.  Oliver struggles to fit in due to his inexperience with upper-class manners and deportment.  However, one of Oliver's fellow students does capture his imagination, Felix Catton (Jacob Elordi), an affluent and popular student.  It turns out that Felix is empathetic to Oliver and his stories of his parents' substance abuse and mental health issues.

After Oliver becomes distraught when he learns of his father's sudden death, Felix comforts him.  Later, Felix invites Oliver to spend the summer at his family's sprawling estate, Saltburn.  Oliver meets Felix's eccentric parents, his father, Sir James Catton (Richard E. Grant), and his mother, Lady Elspeth Catton (Rosamund Pike).  He also meets Felix's kooky and lewd sister, Venetia (Alison Oliver).  Also staying at the state is fellow Oxford student and Felix's first cousin, Farleigh Start (Archie Madekwe), who thinks very little of Oliver.  As the summer wears on, however, these unlikable people become too self-absorbed to recognize the danger so very near to them.

I was a huge fan of Saltburn writer-director Emerald Fennell's 2020, Promising Young Woman, for which Fennell won a “Best Original Screenplay” Oscar.  Promising Young Woman was a shocking, funny, vindictive, and righteous film, and which is much more than I can say about Saltburn, which looks like a sumptuous period drama.  On the other hand, for all its good looks, Saltburn is sterile as a black comedy.

I can deal with a film that focuses on unlikable people, which Saltburn does.  Still, I found Saltburn's lead actor, Barry Keoghan, and his character, Oliver Quick, dull and unimaginative.  I don't get Keoghan's critical acclaim.  He was pitiful and sad in The Banshees of Inisherin (2020), which earned him a “Best Supporting Actor” Oscar nomination.  However, sad, silent waif characters bore me, and Keoghan's Oliver Quick is duller than his Dominic Kearney was in Banshees.  Here, Keoghan's personality-free performance in this film does not convince me that Oliver is what the film's final act suggests he is.  Honestly, what Fennell offers here is nothing more than a riff on novelist Patricia Highsmith's literary character, "Tom Ripley," if Ripley were played as a character that was stuffed and mounted.  Also, I must admit to often mistaking Keoghan for another milky white boy actor, Ezra Miller (The Flash), who did the pale, waif thing really well until his... secrets came out.

I like Jacob Elordi as Felix Catton, a funny and charming character, and Elordi's boyish, white boy looks should give him at least a few years in Hollywood as a “hot thing.”  The film's best performance is given by Archie Madekwe, the Black British actor who creates Saltburn's most intriguing character.  As the “mixed-race” Farleigh Start, Madekwe is mysterious and sexy, and honestly, I wish Saltburn was about Farleigh's relationship with the Cattons and his life at Saltburn.  I should also admit that I'm always crazy about Rosamund Pike, so I was in love with Lady Elspeth.

Ultimately, I can only recommend Saltburn to adventurous movie fans who are always on the lookout for films from interesting filmmakers, which Emerald Fennell certainly is.  I simply wish that Saltburn burned a little more.

5 of 10

C+

★★½ out of 4 stars

You can stream the SALTBURN film here on AMAZON Prime Video.

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: Prime Video's "CANDY CANE LANE" is an Unexpected Delight

TRASH IN MY EYE No. 52 of 2023 (No. 1941) by Leroy Douresseaux

Candy Cane Lane (2023)

Running time:  117 minutes (1 hour, 57 minutes)

MPA – PG for language throughout and some suggestive references

DIRECTOR: Reginald Hudlin

WRITER:  Kelly Younger

PRODUCERS:  Brian Grazer, Charisse M. Hewitt, Karen Lunder, and Eddie Murphy

CINEMATOGRAPHER:  Newton Thomas Sigel (ASC)

EDITORS:  Kenny G. Krauss and Jim May

COMPOSER:  Marcus Miller

COMEDY/FANTASY

Starring:  Eddie Murphy, Tracee Ellis Ross, Jillian Bell, Genneya Walton, Thaddeus J. Mixson, Madison Thomas, Nick Offerman, Chris Redd, Robin Thede, David Alan Grier, Ken Marino, Timothy Simons, Danielle Pinnock, and D.C. Young Fly

SUMMARY OF THE REVIEW:

• I watched “Candy Cane Lane” on a lark, and I did not expect much from it.  Boy, am I surprised. It is so shockingly charming and endearing that this must be some kind of Christmas magic.

• Eddie Murphy is quite good in family-oriented films, and even his fans who don't ordinarily like Murphy's family films will probably find something to like in “Candy Cane Lane”

• The story is ridiculous at times, but “Candy Cane Lane” is the best Christmas movie I have seen in a long time.  I recommend it without reservation.

Candy Cane Lane is a 2023 comedy, fantasy, and Christmas film directed by Reginald Hudlin and starring Eddie Murphy.  The film is an Amazon “Prime Original” that began streaming December 1, 2023.  Candy Cane Lane focuses on a man who is so determined to win the neighborhood's annual Christmas decorating contest that he makes an unwise pact with a rogue elf.

Candy Cane Lane introduces Chris Carver (Eddie Murphy), a husband and father who crafts his own hand-carved Christmas decorations.  Every year, a local television station hosts the “Candy Cane Lane Spectacular,” a contest to judge the best decorated house.  Chris has never won, and he is jealous of his neighbor, Bruce (Ken Marino), who has won several times.

Shortly before Christmas, Chris' employer, the industrial plastics firm, Sydel Twain, lays him off.  When Chris learns that this year's Candy Cane Lane prize is $100,000, he becomes desperate to win the money for his family, although he wife, Carol Carver (Tracee Ellis Ross), has a very good job.  Chris is also oblivious to the lives of his two older children, Joy (Genneya Walton), a high school senior and track star, and Nick (Thaddeus J. Mixson), a tuba player and budding musician.

Looking for Christmas decorations and supplies, Chris and his youngest child, daughter Holly (Madison Thomas), stumble across “Kringle's,” a mysterious Christmas shop filled with all kinds of beautiful decorations, including model buildings, ceramic figures, and a strange Christmas tree.  Chris is so enchanted by all that he sees, believing that these decorations could help him win Candy Cane Lane.  He unwarily signs a deal with Kringle's eccentric shopkeeper, Pepper (Jillian Bell).  However, Pepper is more than she seems, and so is the receipt Chris signs.  Soon, he will need all the help he can get from his family and from a trio of diminutive new friends in order to keep himself out of Pepper's clutches.  And he also has some Christmas lessons to learn.

Audiences first came to know and love Eddie Murphy from his stand-up comedy career; his stint as a cast member of “Saturday Night Live” (1980-84); and his R-rated comedy films, such as 48 Hrs (1982), Trading Places (1983), and Beverly Hills Cop (1983).  Much to the chagrin of the those fans, Murphy's film career as an A-list star eventually led him to make innocuous family-friends films, especially Dr. Doolittle (1998), Shrek (2001), and Daddy Day Care (2003).

Those fans will not be pleased with Candy Cane Lane.  It is a family movie, an absurd fantasy film, and a Christmas movie full of holiday lessons to learn.  For me, Candy Cane Lane is one of the best absurd movies that I have ever seen.  Its concepts and ideas are as imaginative and as inventive as they are ridiculous and preposterous, yet I find the film endlessly lovable.  Every time I tried to dismiss it, I found myself drawn ever deeper into its delicious, addictive fluffiness.  Candy Cane Lane is a true feel-good movie.  It shouldn't work, yet it works to perfection.  Considering director Reginald Hudlin's past directorial efforts, I was (and still am) shocked that he could pull of this kind of Christmas movie, which is, for the most part, a warm cup of cocoa.  If anything, Candy Cane Lane suggests that screenwriter Kelly Younger is certainly inventive.

Nick Offerman, Chris Redd, and Robin Thede are a delight in their voice roles, and David Alan Grier is sly and smooth in his surprise role.  Jillian Bell is nearly perfect as Pepper, except for a few moments that are too over the top.  I think Madison Thomas needed more screen time as Holly Carver, and Timothy Simons and Danielle Pinnock are a winning pair as TV co-hosts, Emerson and Kit.

Eddie Murphy barely breaks a sweat as Chris Carver, and neither does Tracee Ellis Ross as Carol Carver.  Still, they work well together as a screen couple at the center of this delightful family fare.  Despite what some fans may think, Eddie Murphy has the magic touch when it comes to family films.  Murphy passes on the lessons that Chris has to learn with a knowing wink and a nudge, and I was willing to buy it all.  I think I'll be watching Candy Cane Lane again, if only because, for two hours, it made me believe in that Hollywood bullshit called “Christmas magic.”

B+

7 of 10

★★★½ out of 4 stars

Sunday, December 10, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "COMING 2 AMERICA" is Simply a Nice Reunion Movie

Coming 2 America (2021) – streaming film
Running time:  110 minutes (1 hour, 50 minutes)
MPA – PG-13 for crude and sexual content, language and drug content
DIRECTOR:  Craig Brewer
WRITERS:  Kenya Barris and David Sheffield & Barry W. Blaustein; from a story by Justin Kanew and David Sheffield & Barry W. Blaustein (based on characters created by Eddie Murphy)
PRODUCERS:  Eddie Murphy and Kevin Misher
CINEMATOGRAPHER:  Joe “Jody” Williams (D.o.P.)
EDITORS:  David S. Clark, Billy Fox, and Debra Neil-Fisher
COMPOSER: Jermaine Stegall
Academy Award nominee

COMEDY/ROMANCE

Starring:  Eddie Murphy, Arsenio Hall, Shari Headley, Jermaine Fowler, Leslie Jones, Tracy Morgan, KiKi Layne, Wesley Snipes, James Earl Jones, John Amos, Teyana Taylor, Vanessa Bell Calloway, Nomzamo Mbatha, Bella Murphy, Paul Bates, Akiley Love, Rotimi, Louie Anderson, Trevor Noah, and Morgan Freeman

Coming 2 America is a 2021 American comedy film from director Craig Brewer.  It serves as a sequel to the 1998 film, Coming to America.  The film originally streamed on Amazon Prime.  In Coming 2 America, the crowned prince of a prosperous African nation discovers that he has an illegitimate son in America.

Coming 2 America opens in the African nation of Zamunda.  It is the 30th anniversary of the wedding of Prince Akeem (Eddie Murphy) to Lisa McDowell (Shari Headley).  They have three beautiful daughters:  the eldest, Meeka (KiKi Layne); the middle, Omma (Bella Murphy); and the youngest, Tinashe (Akiley Love).

Akeem is summoned before his dying father, King Jaffe Joffer (James Earl Jones), and the King's shaman, Baba (Arsenio Hall).  King Jaffe is upset that Akeem never sired a son, and by Zamundan law, only a male can inherit the throne.  However, Baba reveals that Akeem did indeed sire a son in Queens, New York City when he visited the United States over three decades ago (as seen in Coming to America).  In fact, Semmi (Arsenio Hall), Akeem's best friend and aide, knows the circumstances that led to Akeem conceiving a son with a bar patron.

Akeem and Semmi again travel to America where they meet Akeem's “bastard,” a young man named Lavelle Junson (Jermaine Fowler); his mother, Mary Junson (Leslie Jones), the bar patron; and Kareem “Uncle Reem” Junson (Tracy Morgan), Mary's brother and Lavelle's uncle.  Akeem really needs Lavelle to return to Zamunda with him.  He requires a son who can marry the daughter of General Izzi (Wesley Snipes), the leader of Zamunda's neighbor, Nexdoria.  Izzi is a threat to Akeem and Zamunda, unless the two nations can be united by marriage.  Can Lavelle be the heir Akeem needs, and if so, what about Akeem's eldest daughter, Princess Meeka?

Coming to America remains one of my favorite Eddie Murphy films, topped only the fantastic 1983 film, Trading Places.  Coming 2 America is not so much a sequel as it is a film that acts like a sequel to Coming to America.  The new film is more like one of the TV reunion movies of old 1950s and 1960s television series that used to pop up on network television in the 1970s, 80s, and 90s.  Like them, Coming 2 America gives us our favorite old characters (at least the ones that are still alive) and some new characters, and sprinkles in some cameos, for instance, Morgan Freeman and his famous voice.

As usual, Ruth E. Carter delivers solid gold with her costume design, and the film's production values are marvelous.  The film has a good song score and soundtrack.  There are a lot of funny scenes in Coming 2 America, but overall, the film's narrative drags.  Most of the film takes place not in America, but in Zamunda, although the scenes that take place in America (Queens, NY) pop and are generally fun.

There is not much else to say other than that I really like Coming 2 America as a reunion movie.  I have been a fan of Eddie Murphy and Arsenio Hall for decades, and I am always happy to see them.  So, to be honest, I am happy that Coming to America has a sequel, of sorts, in Coming 2 America.

6 of 10
B

Thursday, March 18, 2022


NOTES:
2022 Academy Awards, USA:  1 nomination: “Best Achievement in Makeup and Hairstyling” (Michael Marino, Stacey Morris, and Carla Farmer)

2022 Black Reel Awards:  “Outstanding Costume Design” (Ruth E. Carter)

2022 Image Awards (NAACP):  2 nominations: “Outstanding Ensemble Cast in a Motion Picture” and “Outstanding Soundtrack/Compilation Album” (Eddie Murphy, Craig Brewer, Kevin Misher, Randy Spendlove, Jeffrey Harleston, Brittney Ramsdell for the album “Coming 2 America” – Amazon Original Motion Picture Soundtrack)


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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