TRASH IN MY EYE Reviews: Ruth Prawer Jhabvala

Thursday, April 17, 2025

Review: Merchant Ivory's "SHAKESPEARE WALLAH" is a Tale as Old as Time

TRASH IN MY EYE No. 17 of 2025 (No. 2023) by Leroy Douresseaux

Shakespeare Wallah (1965) – Black & White

COUNTRY OF ORIGIN: USA/India

Running time: 120 minutes (2 hours)

Not rated

DIRECTOR: James Ivory

WRITERS: R. Prawer Jhabvala and James Ivory

PRODUCER: Ismail Merchant

CINEMATOGRAPHER: Subrata Mitra (D.o.P.)

EDITOR: Amit Bose

COMPOSER: Satyajit Ray

DRAMA/ROMANCE

Starring: Shashi Kapoor, Felicity Kendal, Geoffrey Kendal, Laura Liddell, Madhur Jaffrey, Utpal Dutt, Praveen Paul, Prayag Raaj, Pinchoo Kapoor, and Jim D. Tytler

Shakespeare Wallah is a 1965 romantic drama film from director James Ivory and producer Ismail Merchant. It was the second film produced by Merchant Ivory Productions. The film is co-written by Ivory and novelist and screenwriter, Ruth Prawer Jhabvala, who wrote in some capacity 23 of Merchant Ivory's films. Shakespeare Wallah focuses on a traveling family theatre troupe that performs Shakespearean plays in towns across India even as demand for its work dwindles in the country.

Shakespeare Wallah introduces “the Buckingham Players,” a traveling family theatre troupe led by a British couple, husband Anthony “Tony” Buckingham (Geoffrey Kendal) and wife Carla Buckingham (Laura Liddell). Their young daughter, Lizzie (Felicity Kendal), is also an actor in this nomadic troupe. The Buckingham Players travel from town to town in post-colonial India, performing the plays of William Shakespeare before local audiences. However, demand for their work is dwindling as audiences begin to prefer the movies of “Hindi cinema,” also known as “Bollywood.”

One day, Lizzie meets Sanju Raj (Shashi Kapoor), a playboy. The two fall in love, but what Lizzie does not know is that Sanju is also romancing the actress, Manjula (Madhur Jaffrey), a very popular Bollywood star who is also very jealous.

2025 is the sixtieth anniversary of the original theatrical release (1965) of Merchant Ivory's second film, Shakespeare Wallah. As one of the production company's early films, it set the tone for future Merchant Ivory films that focused on cross-cultural romance and relationships.

Shakespeare Wallah is loosely based on the real life of actor-manager Geoffrey Kendal and his family. Kendal, his wife, Laura Liddell, and their daughter, Felicity Kendal, were part of a real-life traveling Shakespearean company that performed in India. That is how Geoffrey apparently earned the nickname, “Shakespearewallah” (with “wallah” being an informal term meaning a person involved in a particular thing or business).

Shakespeare Wallah being the second Merchant Ivory film showcases what many of the company's films would depict – seismic shifts in society and changes in culture. Tony and Carla have been performing Shakespeare across a specific region of India for decades, but the couple, essentially British expatriates, begin to wonder if time has passed them by and if they should return to England.

Meanwhile, their daughter, Lizzie, is experiencing a clash not so much of culture, but of gender roles. Her playboy paramour, Sanju, is wooing two actresses, but in truth, he does not think of acting as a proper role for a woman, especially more so in the case of Lizzie than in the case of Manjula.

The best thing that I can say about Shakespeare Wallah, and I can say a lot of good things about it, is that the film's emotions and feelings seem authentic. Manjula's jealousy is alive, dangerous, and electric. Lizzie and Sanju's romantic feelings are natural, but are also fragile and vulnerable because they are not only different people, but also are from different cultures and outlooks on life. The overall naturalism and relaxed pace of the narrative are also genuine.

The beautiful film score by Satyajit Ray embellishes the melancholy nature of the film when it comes to love. Whether one's love is another person, the nomadic life of a traveling troupe, or the profession of performing Shakespeare on the stage, it is bittersweet. Shakespeare Wallah, however, is the sweet art of cinema.

8 of 10

★★★★ out of 4 stars

Thursday, April 17, 2025

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About MERCHANT IVORY PRODUCTIONS

Merchant Ivory Productions was a film company founded in May 1961 by producer Ismail Merchant (1936–2005) and director James Ivory (born in 1928). Ivory and Merchant had met two years earlier in 1959 in New York City at a screening of Ivory's documentary short film, The Sword and the Flute (1959). 1961 was also the year that Merchant and Ivory became romantic partners. Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005.

During their time together, they made 44 films – beginning with 1963's The Householder and ending with 2005's The White Countess. The films were for the most part produced by Merchant and directed by Ivory. Twenty-three of those films were scripted by novelist and screenwriter, Ruth Prawer Jhabvala (1927–2013), in some capacity. The films were often based upon novels or short stories, particularly the works of Henry James, E. M. Forster, and Jhabvala herself. The company's final feature film production was 2009's The City of Your Final Destination, directed by James Ivory.

This month (April 2025) cable network, Turner Classic Movies (TCM), is showing seven of Merchant Ivory's feature films over two nights (April 17th and 24th). This TCM programming includes what may be the company's most famous and acclaimed films: A Room with a View (1985), Howard's End (1992), and The Remains of the Day (1993). TCM will also screen the 2024 documentary film, entitled Merchant Ivory, which follows the company's history.

It can be said, in general, that the films of Merchant Ivory Productions have a nostalgia for an idealized past,which usually photographed in sweeping cinematography. The lush landscapes of its films depict cultural shifts in a society's rigid class structures and also how those changes and shifts affect people of differing classes and social orders.

In conjunction with TCM's programming, I am going to review some of Merchant Ivory's films. I don't know how many and for how long I will do this, other than that I will likely continue to do so past TCM's Merchant Ivory programming dates.

Negromancer reviews of Merchant Ivory Productions' filmography:

Review: Shakespeare Wallah (1965)

Review: The Wild Party (1975)

Review: The White Countess (2005)

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